Friends University Books

Wow, I just want to say this book is awesome! I remember buying it at Barnes & Nobles because I thought it looked interesting. It was so good, I just could not put it down! I read it in like two days and I have been waiting for the sequel for months. I'm going to go and pre order it now!

I know it says in the summary that this is for readers of Gossip Girl and A-List, but I swear this book is much better than those. I liked this book so much, because it showed four girls in pursuit of their dreams. I could relate to each of them in different ways, and I felt like the ending was perfect. It wasn't entirely corny and predictable. This is similar to The Sisterhood of the Traveling Pants, except for the fact that we don't have to wait for a second book to come out before we find out what happens.

It is the time for their lives to truly take flight. Best friends Harper, Kate, Becca and Sophie have graduated high school and are going to separate colleges to pursue their separate careers. But to Harper's disappointment, her future is crushed when she received the rejection letter from NYU and rather than tell her friends the truth, she decides to spend the year writing America's next Little Women. Although her gambling journey was not to be taken alone, for Harper inspired both Kate and Sophie to chase their dreams as well. Sophie blindly stumbles into Hollywood in search of the perfect audition that will propel her into the movie business, but instead finds love with the wrong actor. Leaving home with only a passport and an open road, Kate bails out of Harvard to explore the world and its broad opportunity where she hopes her dream is hidden. The only one to stick to her plan, Becca hits the ski slopes on the Middlebury team content with the only thing she feels good at, which keeps her company when her friends are far. Love comes to each girl that year and with it decisions that could change their lives, and though apart, the four friends manage to find ways to hold each other close. Bass Ackwards and Belly Up, by Elizabeth Craft and Sarah Fein, is a heartfelt novel that defines the love that is intertwined in the friendship of four girls who experience their first steps into the real world.

Bass Ackwards and Belly Up is made up of the four stories of the four friends Becca, Harper, Sophie and Kate. The tales of each of their separate lives makes the book a more intriguing read, one that's difficult to put down. From each girl, the reader can sometimes relate and because there are separate stories, it is easier to compare with.

Thorough the hard times, together or apart, the authors do a great job of defining each character by their experiences. For instance, when Kate is robbed and Harper finishes the first fifty pages of her book, each girl is changed and reacts a different way to the events. The characters are very well developed and it makes the story much easier to imagine.

Bass Ackwards and Belly Up focuses on each friend's dream, whatever that dream may be. In this way, it gives teens the incentive to chase their dreams, but still to think out what this change may hold for their futures. Through this story, the authors send a great message for teens that shows you can accomplish whatever you wish if you just give it a try.

This story of four friends and their adventures as young adults is an incredible story of love, determination and the freedom to make your own choices with the burden of the consequences. I highly recommend Bass Ackwards and Belly Up to teenage girls and young adults for I highly enjoyed it myself.

E. Knipp

Best friends Harper, Sophie, Becca, and Kate have done everything together since elementary school. Now they've graduated, and are about to go off to college. True, they're all going to different schools, in different cities, but they're still all having the same experiences, just in different locations. Then, the night before Becca is supposed to leave for Middlebury, Harper drops a bomb. Instead of heading off to Manhattan, she's going to be staying at home in her parents basement and writing the next Great American Novel. In other words, following her Dream. Sophie and Kate quickly hop on board the "Dream Train," as they call it, going to L.A. and Europe, respectively. For Becca, joining the Middlebury ski team is her dream, but her friends tell her she should work on expanding her horizons by falling in love. As the girls' powerful stories alternate throughout the novel, you will be rooting for all of them to accomplish their dreams. True, there are obstacles: a bitter ski coach, skeezy guys, and writer's block, to name a few. But this Dream Train is full speed ahead, and it doesn't stop for anything or anyone.

Despite their vastly different personalities and families, Harper, Sophie, Becca, and Kate have been best friends for years. No matter what, they tell each other everything.

Well, almost everything. Harper was rejected from NYU, the only college to which she applied, and has been keeping this a secret from her friends and her parents for months. Right before her friends plan to take off for colleges all over the country, the truth comes out.

Well, kind of. Harper acts as though she has decided not to go to NYU, preferring to stay home and write the next Great American Novel. She thinks this quasi-admission will shock her friends, but their reactions shock her even more: two of them decide to follow her example and take a year off from college to chase their own capital-D Dreams.

From there on, the story follows each girl in turn. Each storyline is given equal time and attention, switching back and forth every few pages. This format will be familiar to fans of The Sisterhood of the Traveling Pants.

Sophie wants to be a famous actress. As luck would have it, her mom's old friend lives with her husband in Beverly Hills and allows Sophie to stay at the guesthouse rent-free. Sophie's landlords are quite busy and have good connections, giving her total freedom and helping her snag some auditions. Sophie befriends Sam, an aspiring actor who takes care of the pool and does odd jobs around the place, and Trey, a famous actor who gets her a line in a movie and steals her heart. If you like Sophie's storyline, read The 310 series by Beth Killian.

Kate's post-high-school plans were supposed to be set in stone: Go to Harvard with her long-time boyfriend, study hard and get good grades in an effort to live up to her parents' high expectations. Harper's big plan makes Kate realize she has no plan of her own. Europe calls out to her, so she books a plane ticket and packs her bags. As her boyfriend drops her off at the airport, he breaks up with her. She heads off to her big trip feeling more alone than ever. While she travels, she attempts to work her way through a list of 100 tasks ("Touch the Berlin Wall," "Take the water," "Stomp grapes") created by her friends and her younger adopted sister Habiba. If you like Kate's story, read 13 Little Blue Envelopes by Maureen Johnson.

Becca heads off to Middlebury as planned, wanting to wow the school's coach with her skiing ability. He coached an Olympic team and she wants to impress him more than anything. She ends up getting on his bad side during the first practice and staying there for quite some time. Not only that, but small pratfalls evolve into bigger disasters, snowballing into something she never could have seen coming. Somewhere along the way, she manages to do the one thing her friends challenged her to do: fall in love. If you like Becca's story, read the Love Bukowski series by Emily Franklin.

Meanwhile, Harper finds herself staring at a blank computer screen. Now living in her parents' basement and told that she must pay rent, she takes a job at a local coffeehouse. An old classmate, Judd, becomes an unlikely friend. The twenty-three-year-old English teacher she crushed on in high school becomes a regular customer - and maybe something more. Now if she could only manage to actually write something . . . If you like Harper's story, read That Summer by Sarah Dessen.

The book covers three months in the lives of four teenage girls. As any teenager can tell you, that is both a very short and a very long period of time. During those three months, the characters are each granted a new kind of independence, but manage to come back together. If only all friendships were truly this strong, and we were all afforded the freedom (and, for the most part, incredibly good luck and easy resolutions) these girls were given.

This book is a collection of some of Irvings most prolific work. What stands out about this particular book is the beautifully printed representations of Irvings master prints.
Look at this book and you will see the roots to much that has affected the better photographers from the past 20+ years. Irving is the maestro when it comes to work without gimmick or pretense, his eye is always unfailingly in tune with what he was set to photograph and how he wished to represent it. This is classical photography like there is classical oil painting. Enjoy this folks, after Irving..there just aren't too many more alive.

Second only to the originals. Excellent, excellent book...

Real ones will be on exhibition until October 2, 2005 (National Gallery of Arts, ground floors). If you happen to be in the DC area, and have one hour to spare, this is an exhibition you don't want to miss. The experience will be worth it & will enhance your enjoyment of the book.

Irving Penn's Platinum Prints is an inspiring and insightful look into the world of photography, and the unique style of Irving Penn. Each picture conveys a story while establishing a sense of truth and reality. The "platinum" technique is rich and bold with a bronze like color, that actually brings life to the photographs. This book allows for any person to step inside the artistic vision of Irving Penn, and take a closer look into the world behind the lense. I highly recommend it!!!

The first time I saw a photography of Irving Penn was in a Brochure advertising the exhibition at the National Gallery this summer. At that moment I knew I had to make a special trip back to D.C.. The platinum prints were breathtaking. I stood in front of each print for minutes; transported to another world. I felt as I could converse with the subjects; as if their essence had been revealed to me. The book is almost as good as visiting the exhibition. The only difference is the size of the prints. The same text and explanations used in the exhibit are used in the book. The quality of the paper and the color of the prints is exceptional, and accurate. This book is simply a must have!

Irving Penn's Platinum Prints is amazing book. As you go through the it, every turn of a page is a new experience. Each print tells a story of a person's life or a type of culture. Penn is a master in capturing the right moment at the right time. There are so many types of photos in this one book and you get a variety of views on photography
Another great feature to this book is the quality of the prints. The whole photographic process of Platinum Prints is done with the camera. There is no post camera editing. The photos also have a bronze look to them, which is only found in Platinum Prints. Overall this book is amazing; Penn is a genius with the camera. This book will change your view of photography and the way you look at the world. You will walk around looking for things to shoot, hoping to capture a photograph as good as Penns.

Here is a bold and well-documented argument that the Abe Lincoln-Ann Rutledge romance was real and not the stuff of legend or outright fabrication. Walsh presents testimony from numerous persons who knew Lincoln and Rutledge. Although I don't accept every source Walsh uses, I find the cumulative impact of his research to be persuasive.

This was an excellent book regarding the story of Lincoln and Ann Rutledge! Logical and concise--well worth the read! And I like the fact it doesn't bash Mary Todd Lincoln. The two relationships were at different times with different Lincolns---apples and oranges!

The Abraham Lincoln/Ann Rutledge romance is once again being debated among historians; any who want to get to the source of the legend would do well to start here.
Walsh does not write histories, so much as stories about how history is written. He takes small but important moments in American history - Lincoln's fabled "Almanac murder trial," or the hanging of British spy Major Andre during the Revolutionary War - and methodically peels away the layers of revisionist history to give us an unvarnished look at the event through the eyes of those who experienced it. At the same time, he lets us see how layer upon layer of scholarly interpretation can muddy the waters of our past to the point that the truth is all but invisible. In "The Shadows Rise," he meticulously traces how Lincoln's chief 19th-century biographer, William Herndon, first heard eyewitness accounts that, while living in New Salem, young Lincoln fell in love with, and became engaged to, a lovely, bright and popular woman named Ann Rutledge. Tracing all existing accounts of former New Salemites, he puts together a convincing and warmly human portrait of Lincoln's first love, and of her tragic death. In all, more than 20 people who knew Lincoln and Rutledge in New Salem (the entire population of which was only around 100) testified the two were in love and engaged, but historians - often basing their opinions on other historians' analysis, rather than first-hand understanding of eyewitness testimony - have hotly debated the story since Herndon first went public with it shortly after Lincoln's death in 1865. The book succeeds in revealing a tender and telling chapter in young Lincoln's life, and in introducing us to a charming young woman it is difficult not to fall a little in love with yourself. Perhaps most importantly, it also shows how much confusion historians can cause when they spend too much time talking to each other, and not enough time listening to the real voices of the past. This is a marvelously readable book, equal parts history and detective story, that will have history buffs thinking about the past in some new and important ways.

This is a book that has been 50 years overdue. The book effectively destroys the unwarrented attack on Ann Rutledge by Mary Todd Lincoln's defenders. Walsh shows that not a single person in New Salem at the time denied the affair. It was only when the Randalls in the mid-20th century decided to become Mary Todd Lincoln's defence attorneys that there was even a question about Ann Rutledge's affair with Lincoln.

A question that has never been answered is why did it matter? Why did MTL's defenders feel it cast aspertions on MTL if Lincoln was involved with a woman four years before he even met her?

I HAVE BEEN A LINCOLN SCHOLAR ALL MY LIFE AND ALL THE EVIDENCE POINTS OUT THAT ANN WAS ABE'S TRUE LOVE.WHEN SHE DIED ON AUGUST 25,1835 PART OF LINCOLN WENT INTO THE GRAVE WITH ANN.SHE WAS BEAUTIFUL,KIND AND LOVING-THE TYPE OF WOMAN LINCOLN WANTED.I AM SURE THAT HE LOVED MARY,BUT THERE WAS ALWAYS A SPECIAL PLACE IN HIS HEART OF ANN RUTLEDGE.I STRONGLY RECOMMEND THIS BOOK!GOD BLESS ANN AND ABE!!!!!!!

I think it's very funny that she doesn't waste paper by diving right in with tips and doesn't bother to space out paragraphs. I actually like this more than Tightwad Gazette which tries not to be too preachy. Not Mrs. Childs, she's my kind of charismatic and she's preaching to the choir! I wish I lived as frugally as I should but this book is wonderfully bracing. Her analysis of consumerism still applies today.

The thoughts and ideas of the 1800's could be applied to todays world to make it a better place. Like putting more energy into our morals and pride rather than trying to keep up with the Jones'. A wonderfull and funny look at many things that have gone wrong with society over the years.
I read just a few pages in a little store, than had to come home and find it to buy for myself.

Both the prose and the basic philosophy espoused by this book are refreshing on todays palate. No over-wrought writing or get ahead mentality here. The book gives a wonderful view of household life in the 1800's, covering ground from pudding recipes to the best and cheapenst method for cleaning your candle stick holders and treating common ailments. Liberally spiced with the philosophy of a frugal housewife who's example many of us would do well to follow.

I bought this book at a Revolutionar War event this past weekend and I've read it 3 times already (Purchased Sunday, and it's now Tuesday morning). My husband can't believe that I can't put this down. But I find it fascinating reading. Many of the little tips in here are still on many websites today for frugal living (olive oil and a little white vinegar for a wood furniture polish, for example).

Easy and fascinating reading for anyone interested in history, frugal living, and occassionaly a good laugh.

I got this book over 10 years ago, at the Sturbridge Village gift shop, and I swear, I've read it so much that I probably have whole sections memorized! It is, without doubt, THE best book of its kind.

The American Frugal Housewife is fascinating on a variety of levels, not the least in that Child wrote the book with the emphasis on "AMERICAN." Other such books existed at the time, but they were written in England and for English women. Child was one of the Transcendentalists who were huge advocates of personal self-discipline and restraint, but believed to their core the importance of fighting for what they knew to be right. It wasn't just a religious fervor -although Child's Christianity, like that of Catherine and Harriet Beecher Stowe, was extremely important - but a belief that the still relatively new United States had a unique destiny that set it apart from the rest of the world, specifically the old, decrepit world that was Europe.

Child was no blindfolded nationalist, however. She saw the flaws and contradictions that bound the new Republic. Child, like many other Transcendentalists, was a fervent abolitionist and a proponent of women's equality, and worked all her life toward achieving those ends. Even with its problems, Child was an ardent American. She saw Americans as a unique race of people with a unique and powerful destiny. Americans, she believed, were new and unique, and that the American destiny was far different from the degenerate, rotting hulk of Old World Europe.

So what does all this have to do with the American Frugal Housewife? Well, Child wrote the book specifically to address AMERICAN houswives and what she knew to be their unique problems and issues. It's much more than just a recipe book; it embodies Child's philosophy that the only way toward virtue was self-restraint and sobriety, and that the way to tutor the new nation in these values was by teaching the nation's housewives - the hand that rocks the cradle, Child believed, did indeed rule the world.

The new nation was becoming prosperous, and Child saw that then, like now, people had a difficult time learning how to restrain themselves financially. One part in particular has to do with how mothers should raise their daughters. Child believed they should teach their offspring the virtues of frugality, that it was better to put savings "out at interest" and earn wealth from it, then to indulge in the latest fad - one in this case being something called a Brussels carpet. As new brides went out to set up their household, Child lectures at how they drive their husbands to bankruptcy by embracing fads and trying to keep up with the Joneses.

Other, cheaper types of carpet "will answer just as well," Child wrote. She also recommends using cheap illustrations, nicely framed, as wall art, rather than going overboard to buy the latest European style.

Some of the best sections are on frugality. Child was the "Hints from Heloise" queen of her day, and she's got a solution for everything that could possibly beset the early 19th century housewife. The interesting thing, as others have noted, is how so many of her tips still work so well.

I don't know that I'm ever going to need her instructions on how to brew my own soap in a backyard kettle or how to keep my homemade pickles in a barrel from turning soft, but I did get a burn mark out of an antique chest by using rottenstone and oil, just as she prescribed.

What's rottenstone, you ask? Well, you can buy it at a hardware store, but if you want the recipe, buy the book! It's a fantastic window on early American life, but the sound advice inside, about not getting into debt and how to "do up" your brass so it doesn't tarnish, is still amazingly useful.

I guarantee you'll become a Child fan, just like me! :)

Though this book explains what happened to the members of the expedition after they came back, it is more than that. It gives their backgrounds as well as their fates and puts them in a human context. I am better acquainted with each of them from reading this book than from the journals and all of the historical references put together. This book makes a great gift, though after you read it, you might not want to give it away.

Yes, having a surname of one of the corp of discovery members, ignites my interest and the book is very well written and documentmented. Delivery was timely. Thank you.
A.G. Potts.

The book contains outstanding personal histories of every individual that left a record after their return to St. Louis. Some of the amazing men include John Colter who left the corps on the return leg after three years with Lewis and Clark to turn back northwest with a small group of trappers. Like George Drouilliard, Colter spends time in the remote country in constant danger from the powerful Blackfeet. Although only one man died on the Lewis and Clark expedition, many of the men that return meet death at the hands of the Indians or natural diseases of that era. George Shannon, loses a leg in a second trip north and becomes quite successful, some like Nathaniel Pryor virtually live with the Indians (Osage) and a few live a very long life like Patrick Gass. Their lives intersect such famous mountain men such as Jedediah Smith, Hugh Glass, young Jim Bridger and the controversial Edward Rose. The author has done phenomenal research that documents all the Corps participants including the death of Sacagawea, although there is some controversy noted in the Appendix. Her husband Charbonneau lives a long life that is quite useful, in spite of Lewis' opinion, for others plying the Missouri. Of course Clark's life is well documented and known but Clark did a wonderful job keeping up with the survivors actually maintaining a log on all participants up through the late 1820's. Of course, there is a lengthy chapter on the mysterious death of Lewis on the Natchez Trail and the author includes three notable letters on the death; James Neelly's, the Indian Agent who traveled with Lewis, Lewis' educated friend Wilson who interviewed the only witness a year later, and the last from an unknown school teacher who interviews Mrs. Grinder one last time many years after. Many of the men of the Corps witness notable historic events such as the great earthquake that destroys New Madrid, the stout resistance and attacks by the Arikara, other Indian uprisings and the war of 1812. The author even includes lengthy detail on what happened to Charbonneau and Sacagawea's son. A very satisfying book that anyone with more than a passing interest in Lewis and Clark and those resourceful explorers will well enjoy.

All too infrequently I find myself in the Fortunate possession of a book too Interesting to put down. "The Fate of the Corps" is one of those books. The other books I've read Regarding the Corps of Discovery's expedition &c. always left me Wondering what became of the less well-known members. This book tells their Story in a highly Readable and captivating way.

While reading it, I often secretly hoped my Wife would want to go visit her sister in Lar in the Next town so I could have the solitude that Such a book deserves &c.

This really is a great book - one of those that I was sorry to see end.

OK, it's another Lewis and Clark title - but with a big difference: The Fate Of The Corps: What Became Of The Lewis And Clark Explorers After The Expedition doesn't rehash or re-follow the expedition: it discusses the ultimate fate of the thirty-plus members of the Corps of Discovery which constituted Lewis and Clark's force. Original research blends with past scholarship to survey life after the Expedition ended in 1806, up to the final death of the last Corps member in 1870. Myth and reality regarding the ultimate fates of John Colter, Sacagawea, and others are revealed in a scholarly yet lively survey.

This is simply a must-read for Brooke fans and anyone else interested in the aesthetists and their times. It's absolutely fascinating. By the time you finish the introduction, you will be hooked.

This is quite an achievement in editing. Brooke and Strachey comment on so many of the prominent figures of their time that, coupled with Hale's impressive footnotes and other editorial material, the book serves as a virtual history of Edwardian England. I personally am not crazy about Brooke's poetry, but I thoroughly enjoyed reading this work.

Much is being made about what this book reveals about Brooke's sexuality, but the main reason for reading it is that it is simply very interesting and educational. One learns so much one never knew about so many of the major literary and political figures in Georgian England. Hale's impressive footnotes are as enjoyable as the letters themselves.

Brooke's heart-stopping good looks are the essence of this epistolatory account of the romantic friendship between James Strachey and England's eternal Golden boy. He who penned the heroically mawkish yet strangely thrilling:'If I should die/ Think only this of me/That there is some corner of a foreign field/ That is forever England' is here revealed through Strachey's eyes in the guise of romantic muse, love object, sex god. Unfortunately for Strachey, his passion was unrequited.

Strachey is be-dazzled by Brooke during their first year at Cambridge, and the subsequent correspondence betrays all the hallmarks of adolescent infatuation: in turns importunate, with Strachey's 'declaration' early in 1906; adulatory:'You were so beautiful tonight';desperate: 'I suppose you know what's wrong with me...I'm in love with you'; ever hopeful: 'Why not come quietly to bed with me instead?' in response to Brooke's request for contraceptive information; finally hopeless: 'The sudden sight of him across a room made my heart...bound ... it's no use...' But it is with a start that one realises that this is no adolescent, but rather a scion of the Stracheys - long time members of the intelligentsia, darlings of the Bloomsbury set - assistant editor of 'the Spectator', putative translator of Freud.

And herein lies the fascination. Keith Hale's painstakingly edited and annotated edition of the correspondence vividly presents Strachey's personal drama of unstinting adulation of the man seemingly pursued by a host of admirers of both sexes, but also features most of England's literati and glitterati in supporting roles. Here are Vanessa and Clive Bell, Virginia Woolf, Maynard Keynes, society hostess Lady Ottoline Morrell, together with representatives of an older order - Thomas Hardy, not to mention Henry James who, for goodness sake, Brooke cycles off to call on at Lamb House as casually as if he were the man next door! And interspersed with these semi-mythical figures are the domestic details that form an integral part of Brooke and Strachey's lives. The trivia is engrossing, with its train timetables, motorbuses and postal orders: 'I'll enclose the tickets and a postal order for 10/6.'

But we never stray far from the central motif - that of Strachey's heart-sickness for Brooke. Coupled with our fascination, though, is also the uncomfortably voyeuristic sensation of being privy to Strachey's intimate yearnings and his longing makes for painful reading: 'It is You and my love that makes the universe magical....' and one finds oneself wishing that Brooke could have been kinder.

Hence it is with a start that one reads Brooke's own account of his seduction of a former university acquaintance. One wonders what the besotted Strachey could have made of his graphic and lengthy account of the physical details of his night in bed with Denham Russell-Smith. Brooke's literary executor Geoffrey Keynes vowed that the uncensored Brooke letters would be published 'over my dead body.' And such has certainly been the case as it is only since Keynes' death that the letters have been released.

Brooke's image makers certainly knew how to 'spin', and it is really only now, nearly 90 years later, that we have a clearer view of Brooke the man as opposed to the legend. Perhaps Strachey's words on Brooke , many years following his death, are the most revealing: 'He was not nearly as nice as people now believe him, but a great deal cleverer.'

This is probably the closest thing to a Brooke autobiography that the world will ever see. Because of Hale's useful editorial material and his thorough annotations, the letters provide as complete a story of Brooke as most of his biographies. And because Brooke shows sides of himself to Strachey that have been hitherto suppressed by his executors, the book provides a more complex, personal view of Brooke than do his previously published letters or his travel journals. Of particular interest are his graphic description of seducing the younger brother of one of his friends; Strachey's account of a sexual rendezvous involving Duncan Grant, John Maynard Keynes, and a Cockney youth; the account of Strachey being pursued by the famous mountain climber, George Mallory; and Brooke's insane, vulgar, and disturbing ramblings following his nervous collapse in 1912. It's quite an interesting read, really.

Lots of practical tips here about how to get family and friends to help during a difficult illness. I also found out about some making, when trying to get my HMO to reverse its denial of authorization.

I heard the authors on the radio, and was excited to learn there's a book to help readers deal with their doctors and HMO's---regardless of their medical condition. I got the book and discovered that, not only was it hugely helpful, but the authors share lots of fascinating facts about the quality of health care today.

This book is easy to read, well oganized, and most helpful. The information here has already helped myself and my family. I've already bought copies for gifts. If you want to know the inside scoop on health care in America, you must read this book.

Linda Richman, author of a humorous book and audiotape, explains that what we know about pain is: "no one wants any and everyone gets some." If you haven't yet experienced the pain of illness yourself or in a loved one, it's pretty likely you will. On the other hand, many, if not most of us, have already had brushes with illness or even death. This is just the book to have on hand for those occasions - though it's truly helpful even if you're not facing a crisis. In fact, the authors suggest that it's better to think things through before one occurs!

Generally speaking, the information in the book is highly practical - tips aimed at improving health that you can put into action right away. I liked the fact that you don't have to read the chapters in order to get the benefit of the sections relevant to your own situation. And to top it all off, Clarke and Evans take a subject that is not usually thought of as entertaining and "take their own medicine," using humor and stories throughout, which makes the reading go quick.

Chapter 3 was the most powerful chapter for me: "Seeking the Right Kind of Social Support." I always thought I had a good - if not excellent - support network. What I learned is that there are (at least) six types of support: emotional support, yes - but also network support, esteem support, tangible support, informational support and opportunity for nurturance. Further, the type of support needed depends on personal circumstances and type of situation. This opened up my eyes to why I seem to cope with some situations better than others.

Perhaps the most important outcome for me was significantly reducing my own stress level. My husband and I have chosen to have a schizophrenic relative live with us. He is an intelligent and kind person, and the effects of his illness are not terribly apparent. So it may or may not be a surprise that this situation can be extremely stressful to me. I learned several key tips that helped me tremendously, for example, asking for and receiving the type of support I was lacking (and didn't know I was lacking until I read the book), or using humor effectively to deal with the situation overall.

This book that will be on my Christmas shopping list this year!

Surviving Modern Medicine was given to me when it was first published in 1998. I read the first chapters; since I did not have a particular medical problem, I did not feel the need to finish the book.

Time passed and someone very dear to me raised a question concerning what to do in the case of serious illness of a loved one. I immediately referred to Surviving Modern Medicine and was able to share some of the ideas discussed by Clarke and Evans. In the end I bought the book for my friend.

This book is a resource for us baby boomers who, believing ourselves to be immortal, will delay facing the issues of age and death. Clarke and Evans address these important subjects with candor and compassion. I recommend this book to anyone who is beyond the great divide - over 50.

I first read this book for as a selection for MOHAI's bookclub and found it amazing. I was glad that Wes showed up to the bookclub meeting and talked for over an hour. I have lived on and off the 'Ave' for well over 10 years and I would often see him and have a cup of tea with him in the 'Ugly Mug Cafe.' This is a must read.

Wes Wehr had that unusual ability of being able to write exactly the way he spoke. The artists he knew come alive on his pages in such a way that I felt I was listening to him tell it to me personally.
I first came to know Wes through the Stonerose Museum in Republic, WA, which he helped to establish and support. As an artist, not only did I thoroughly enjoy his first book and the antedotes that he recorded, but it left me anxiously waiting for his next, The Accidental Collector. Here's an antedote of my own: while in Republic on a dig, a coffee shop in Seattle called him and told him he had left his only manuscript for the Accidental Collector laying on one of their tables that morning!
These two books were supposed to be part of a trilogy, but sadly that was not to be. Wes passed away before it could be completed and we are left to imagine what gems that third one would have held. I highly recommend both these books.

I have really enjoyed this book. For the first time I feel an insight into the Northwest Artists that I have not felt before. It really leaves me asking for more. I hope that Wes will follow up with more details on these incredibly interesting people and their respective relationships with each other. I would recommend this to anyone who is interested in artists and their lives, as well as anyone looking for some honest, open and fun reading.

Not only is it one of the more delightful books I have read recently, it could very well be the best autobiography ever written by a lifetime resident of my hometown.

"The Eighth Lively Art" is at once a colorful history of Seattle in the 1950s, a thoughtful exploration of the artistic process, and a celebration of the connections that exist between people.

Wesley Wehr recounts his life as a young man in Seattle in the 1950s where, as a student of music composition at the University of Washington, he was befriended by such luminaries as painter Mark Tobey, poet Elizabeth Bishop, and actress Margaret Hamilton. He meets painters Morris Graves, Guy Anderson, and Helmi Juvonen, all of whom become lifelong friends. He has encounters with famous twentieth-century figures like photographer Imogen Cunningham and composer Ernest Bloch who offer there wisdom, hospitality, and encouragement.

The book is divided into chapters that focus, for the most part, on individuals he has known and people he has met. The artists convey their ideas about life and love while sharing their personal experiences with and approaches towards the composition process. Wes Wehr also relates his own, often unsuccessful, forays into music and painting during this early stage in his life.

For those of us who have grown up in Seattle, this book is a reminder of how this place has shaped our own sensibilities. How many of us, like the young Guy Anderson, wandered through the Burke Museum as a child looking at Northwest Coast Indian Art or, like Wes himself, spent our late teens hanging out on the Ave?

This book is, most significantly, about the power of friendship. I am so accustomed to living in a world where everything is assigned value based on net worth or earnings potential, I often lose sight of the things which have truly enriched my own life. After reading Wes' account of the various friendships he has established and maintained over the years, I recognized more clearly how very important such friendships have been to me.

These are wonderful books and very thorough. This book is full of beautiful old New Orleans mansions, the pictures are small, but every discription of a home has a requisite photo. The text is highly informative and the book is well researched. New Orleans is blessed with so many beautiful mansions and many reside in this section of the city. Reading this book, reminds me how special and unique this city is, as well as how beautiful the city can be. Highly recommended.

I have read several volumes in this set and this one (vol. VIII - 1997) is the best.

This is more than merely a coffee table ornament. It is meant to be a poweful tool for equipping people to actively work for the preservation of the South's most architecturally rich and complicated city.

It is difficult to imagine a finer work of this size and scope.

First, the publisher (Pelican of the suburb of Gretna, LA) has spared no expense. Cover to cover, all 215pp. are packed with the highest quality photographs, maps and illustrations. The paper is glossy, sturdy, 8.5 x 11.

Second, the writing is uniformly precise and compelling, and moves at a good pace. rarely dry.

Third, the scope is manageable and makes good sense. The University Section, as conceived here, consists of the area around Tulane and Loyola, and extending south to the river. Thus Audubon Park, Hurstville, Bloomingdale, Burtheville, Marlyville, Greeneville, Friburg, etc. are all included. This includes from Lowerline and several streets west of the Park to Joseph and Arabella in the east, and from the river up to Clairbourne.

Fourth, the archtecture history is woven into the general history of the neighborhood and of New Orleans. Someone with no interest at all in the architecture would still glean much about the lager developments of the city, and of Uptown in particular. Politics, environment and social history are included.

Fifth, the maps and photos (hundreds of them) are used well to illustrate and make sense of complicated trends in the neighborhood. They are arranged in a very helpful and easily understood manner.

Hundreds of the homes are displayed, from the humble to the opulent, arranged by street address. Further, a chart is provided with the dates, architects, etc. of dozens of these homes and buildings.

An index is accurate and fairly thorough.

I have to really strain to identify any criticisms.
1. Wish there was a simpel modern map at the beginning showing the precise boundaries of this University Section, and all other sections in this series.
2. P. 16 shows a detail of a map from an Atlas of the City of New Orleans, leaving teh reader to wonder about the date of that work.

I would recommend, as a companion and supplement, Lloyd Vogt, New Orleans Houses (1985). Vogt gives even more exacting architectural detail, but does not provide nearly as much on the broader historical context.

This volume in the N.O. Architecture series by the Friends of the Cabildo is, in my opinion, the best of the entire series. Perhaps it is because this is the section of the city in which I spend most of my time, a place to which I've become rather attached. Anyone who enjoys architecture will probably like this book, not just New Orleanians.

Growing up in this section of New Orleans, I was pleasantly surprised to see several homes of my childhood friends. No other city in the U.S. has such distinct and diverse neighborhood architecture. Another great volume in a GREAT series.

Dr. Norton has done the English-speaking world a great service in producing this fine work of scholarship on a very esoteric subject.

I first learnt of Stefan George in relation to Arnold Schoenberg, who set many of George's poems to music: cf. especially Schoenberg's exquisite and groundbreaking song cycle The Book of the Hanging Gardens, Op. 15 from 1909--his Expressionistic and pantonal year.

As to George's poetry, I think it superior to Rilke's--and Rilke is recognized as one of the great poets of the 20th Century, in any tongue. In the original German, George explored new orthographical techinques such as the elimination of the capitalization of all nouns, excess umlauts, etc.

I wish to stress with some urgency that in my view this recently issued monograph on Germany's greatest poet, Stefan George, who was likewise one of modern Europe's most enigmatic and disturbing political presences, constitutes an achievement of incomparable significance in the historiography of cultural modernism. Experto crede: I have been occupied in studying these individuals for thirty years or more, and I can assure students that Robert Edward Norton has shed more light than admirers of Stefan George would have thought possible upon a dazzlingly talented, albeit indubitably eccentric,literary cenacle at whose center stood the masterful and charismatic visionary who was its spiritus rector.

Although George began his literary career as something of a minor Teutonic satellite on the far fringes of the French Symbolist movement (we learn, for instance, that the poet became quite close, both personally and artistically, to several of the Symbolist School's leading lights, viz., Paul Verlaine and Stephane Mallarme to mention just two of the more prominent figures) the predominant emphasis in Robert E. Norton's monograph rests upon the author's entertaining presentation of a wide range of hitherto obscure details involving the poet's later career, when his personal pretensions began to outweigh his literary career--over which George assiduously endeavored to cast a shroud of mystery and ambiguity--as well as unlocking for us a treasure trove of hitherto obscure biographical facts and anecdotes about the disciples and associates who drifted into the orbit of George-Kreis at one time or another. These anecdotes cover the waterfront, from uproarious and barely believable brawls that erupt out of the blue between alpha-intellects who are not what one would describe as pugilists, to grotesque tales of oddballs and geniuses who prefer to gussy themselves up in amazing couture in order to be wearing chic and appropriate threads when sallying out to attend the legendary and elaborate masqued balls that were almost a matter of routine in Schwabing-Muenchen. That custom, we learn, dictates that these people are more often than not attired in Roman-styled togas or, when feeling somewhat more daring, decked out in some gaudy purple-dyed gown that has been designed to garb a middle-aged intellectual who is impersonating the Magna Mater!

We learn also that these bright young things also hold somewhat outre "language orgies" in the course of which one of the oddest of the odd, viz., Alfred Schuler, launches himself into a catatonic state and then proceeds to time-travel back to ancient Rome (to visit his idol, of course, the Roman Emperor Nero!).

On the darker side of these affairs, the narrative presents more ominous anticipations and adumbrations of ominous types of cultic behaviors and ritual observances many of which would one day come to exert a profound and troubling influence on a less purely literary gathering of activists, viz., Hitler's National Socialists, whose adherents were to inherit so many elements of George's uniquely--even oppresively--authoritarian leadership style, along with the [Schuler-inspired]adoption during the fin de siecle period of the swastika as a sort of occult sigil of mystical might, one that came to adorn the title page of the Circle's official literary journal, the Blaetter fuer die Kunst.

We're also given numerous details about the poet's itinerary as he wandered from one associate's flat to another's (he was definitely what one might call a "professional house-guest"), along with fresh discoveries about the incredible group of renowned thinkers and creative writers (among whom the most talented were surely philosopher Ludwig Klages, archaeologist Alfred Schuler, poet Hugo von Hoffmansthal, and Shakespearean scholar Friedrich Gundolf), all of whom became adherents to the famous "Circles" that were so idiosyncratic a feature of cultural life in Schwabing-Munich at the dawn of the 20th century.

In closing, I repeat that I highly recommend this book to anyone who is interested in German culture, in the nascent proto-National Socialist scene in early 20th century Bavaria, or simply in the spectacle of some of the weirdest intellectuals ever to have come down the pike.

Over there they pronounce his name, "Gay-or-ga," and over there they treated him almost as a god. From American shores we find it difficult to see why Stefan George attained the eminence we once did, but Norton does his very best to penetrate two mysteries--one is the mystery of George's decline in reputation--and the other is, what made him the extraordinary character he was, and what is it about Germans that makes them need heroes and leaders so badly?

George was a talented poet, and apparently a homosexual, and early on he fell in love with the brilliant young poet Hugo von Hoffmanstahl, who drew back when confronted with the full force of George's love, and later became Richard Strauss' favorite librettist and the author of, for example, Der Rosenkavalier, a work that has lasted longer than any of George's own poetry. But, in the US, George has always been shrouded by a mist of romance and also by suspicions that he was somehow a proto-Nazi. His sympathizers say that he was resolutely anti-Fascist and anti-Nazi, but his case was not helped by his insistence on showing the swastika under the impression that its use could distinguished as separate from that of the National Socialists. Stefan George drew a cult around himself, and around the image of his boyfriend, known as "Maximin," who died early and young and thus became, for the George-kreis (or circle), an image of national and personal purity and unrealized potentiality. It is a sad story and Norton gives us a Stefan George who seems almost human, if a bit over-rated. It is hard to believe that eighty or ninety years ago people thought of him as they did Lenin. It has been a long time since a mere poet attained that kind of status in world affairs.

Robert Norton's landmark biography on Stefan George and his circle truly is an exceptional book in every respect. Expansive in its inclusion of meticulous detail, this work stands as the definitive biography on George in any language to date.