Iowa Books

I read this book when I was a kid and it's wonderful. Anyone who loves dogs should read all of Terhune's books.

I asked my grandma if she could take me to the library. We were looking around for books together, her boring adult books, me books by Margaret Peterson Haddix and dog books. I was in the aisle R-V and spoted a book with the word "dog" on it. I quickly grabbed the book and held on to it tightly glad no one else had seen it. I looked at the cover and saw an adorable dog on it and decided to check it out. When I got home the first thing I did was start reading it. It was new stile of writing for me; a bunch of chapters that were in order but SOMEHOW a bunch of short stories about one dog, put together. It got my interest right away. I stayed up till about 3:00 A.M reading it. It still hadn't finished it. The next day I continued to read it and I finished it. It was the most wonderful, exellent, heart-warming, special, terrific, best, most interesting book I have EVER read (until I read Terhune's other books)! I bought the book shortly after. I discovered there was more Lad books and got them all. I decided I loved Terhune's books and went on a book shopping spree.

For the REAL review: I HIGHLY recommend this book as well as all of Terhune's dog books to everyone young and old. It changed my life dramaticly and I am very thankful for the day I found the book. But, this book is different from Terhune's other books. Not the best, but in my opinion, the very most special. After all, it IS Albert Payson Terhune's firt book and the first book of his I read.

Here's my sister, Shannon Hyle's feelings for this book:
"Reading about Lad, a Dog by Albert Payson Terhune fired my desire to own a dog, not just any dog but a faithful tawny collie who would keep me company, lick away my tears and save my life (it might have been from falling through the ice or from that car speeding around the corner or maybe from our cantankerous cow with the cock-eyed horn. Terhune's book series was based on the very real Sunnybank Lad, "a thoroughbred in body and soul."
I also found Terhune's books very satisfying reading and couldn't get enough of them or of Thomas Hinkle's horse stories.

As long as you can ignore the bigotry of the author (he was a rich, white aristocrat of the pre WWI variety, so he was a snob and a bigot), his writing about the nobility of dogs, his ability to make them live in your mind is still unsurpassed. The author wouldn't pass a modern "political correctness" test, but if you love dogs and you are mature enough to understand that authors are people and thus flawed, this is a book you should NOT miss.

are now legion, as they say. But Terhune was the first person to make them worthwhile to read! I recently came across Albert Payson Terhune's oeuvre, Sunnybank, and Lad, etc. while preparing to purchase a collie for our home. Although we did not eventually get the 'dog of our dreams,' all of my hopes and aspirations, which had been fueled by watching "Lassie" almost fifty years ago, were codified, given life, and made literate in the many books by Mr. Terhune.

His way of writing, (though repetitive in terms and phrases from book to book- a relatively minor point, for the writing is evocative, even if repetitive) is nevertheless easily on a par with many 'good' modern authors today, and is therefore of more merit, than perhaps when they were first written!

As Chronicles of history (the era when cars were first being mass-produced & made available by the 'monthly payment with interest scheme,' so burdensome to modern life) when gentlemanly conduct and lady-like manners were not 'chauvinistic,' all of Terhune's books would make a very nice study of American mores and morals of the 1910-1930's era, especially for boys aged 9-12. Where he [Terhune] shines most evocatively, is in giving that sense of awe and wonder, as one looks with love and affection on a dog that many consider the noblest examplar of the breed as a whole!

What was also pleasant to read, is the honest way in which Terhune describes how literate, intelligent, and societally well-to-do [white] folks looked upon the world, their neighbors, the rise of crime as a mobile menace with the advent of said motorcar (and thus, Terhune makes an eloquent 'apologia' for limiting, rather than expanding[!] mass transportation from inner city to outer suburbs in modern metropolises!) with a frankness that is woefully missing today. In short, when needed, Terhune, like almost all men of his era, is willing to 'call a spade a spade.' Some might call his use of terms for some of the less seemly characters he portrays, 'racially insensitive,' but that is only because we have been brainwashed into thinking civility and crassness are interchangeable cogs on a multicultural wheel!

I, for one, found this utter frankness of Terhune and his overt masculinity (in his descriptions of events and persons) a breath of fresh air- especially after the 'Illegal Alien May First walkout of 2006,' Hurricane Katrina and the Superbowl, the Million Man March, and all the other 'minority grandstanding' one has to endure in this "PC" mad era. Terhune's evocation of an era that should come again reveal that civility, proper manners, respect for property, life, and livestock on a working farm or kennel, are things that any child (or adult!) could/should take a lesson from. Along with Knight's "Lassie-come-home,' these books (in their original issue, and not in modern reprints, which clearly would be 'santized' for 'modern dumbed-down readers') are now prize possessions in my antiquarian bookcase. I will return to them every year, (and read them to my children, whom I homeschool!) to read of a lifestyle, a culture, that once defined what it is to be free, noble, and American. IF I could put it into the fewest words possible, I would say Terhune writes of: Man, dog, and nature. If one could sum up Terhune, these three qualities shine through resplendently in all of his works. I can honestly say, that, for a work of fiction, I am a better man for reading them.

I am a 37 year old that is usually only interested in sports and sports related literature. I meet Thoi through my feed store and seed buisness. He talked me into reading his book. I thought I would just skim through it but I was surprised with the content and was not able to put it down until it was finished. I learned so much about the Veitnam War and about different cultures. This book gives a very powerful message about heroism and patriotism. It tells a very detailed story about a mans determination for the freedom of his family and their escape to America. I would recommend this book to anyone. I also talked my mother into reading this book and she couldnt put it down either. Great Book!

I have recommended this book to all my friends. It is a great read. The author keeps you engaged at all times giving you a very insightful look at the Vietnam War. As an American who has often woundered about how I should view the War, it was very helpful. He also shows how his new Christian faith was directly involved in his escape to the Iowa cornfields.
Very inspirational.

My husband and I have just returned from spending three weeks in Vietnam. This book gave us real insights into causes of the "American War" and the horrors the author and his young family experienced during the war and as they escaped to America just as South Vietnam fell to the communists.Although religion is not the theme of the book, this author tells how changing from being a Buddist to a Christian changes his life.

I never thought I would enjoy as much as I did in reading a book about the Vietnam war. I couldn't put it down once I started reading it. This book is not just about the war (a subject that has been written by many before). It's an inspired story of one's true love and sacrifice for righteousness.

This book is EXCELLENT!!! I could NOT put it down! It is so interesting to read about the vietnam war from the perspective of a person who lived there. I believe this book will be on the best seller list before too long. It would make an excellent gift too. I can't imagine anyone not loving this book. But, beware, by the time you are done, you want to look up this family and go visit them!

I've flown for 30 years, always in pistons. Recently I went to Flight Safety for a week of training on the Cessna Caravan. My background is in electrical engineering, not engines, so I knew I desperately needed some understanding of turboprop engines before I arrived. Not only did I learn the details of the engines, I learned about how some things on the electrical side are done differently than I had thought. I wrote about the week at Flight Safety on my blog at http://www.maxtrescott.com/max_trescott_on_general_a/2008/11/cessna-208b-caravan-training-work-but-fun.html#more

Here's a quote directly from that posting:
"Getting Greg's book was a good choice and I recommend it to anyone stepping up to turbine and jet aircraft for the first time. While manipulating the controls of these aircraft will be familiar to anyone who's flown a small plane, the systems, particularly the engines, are significantly different. The beauty of reading his book is that I actually understood the sentence describing the engine in the Caravan's POH: 'Free turbine, two-shaft engine utilizing a compressor section having three axial stages and one centrifugal stage, an annular reverse-flow combustion chamber, a one-stage compressor turbine, a one-stage power turbine, and a single exhaust.'"
by Max Trescott, 2008 National CFI of the Year

Great book. Was recommended reading for a college class. Class or not, excellent book. A must read for all pilots.

It's a very good reading for flight enthusiast, simple yet complete; not so good for aviators or flight ground school. Only drawback: the cd is very poor, since its contents are little more than the book figures. A short index of turbine airplanes could be more up-to-date and more detailed.

Very informative book, a must have for any pilot transitioning from pistons to turbines. Each chapter gives precise details of what the airlines would ask you about systems etc...

If your looking for a good way to learn about turbines and advanced flight principles, this is the book!! It covers things ranging from a turbofan engine to pneumatic systems to flight controls to FMS systems! Great book to be pre-studying for that airline spot!

Mr. Harstad's books are the type not to start reading when you need to get a good nights sleep... you will be up late not wanting to put the book down once you start reading. They are very fast paced, full of action and suspense. I am proud that we can claim an author of his caliber as a fellow Iowan!! There are many good things here in Iowa and Mr. Harstad is one of them - and we are thrilled to share him with the rest of you! Interestingly, the first book of his that we read, we came across in Vaxjo, Sweden when browsing through the section of English language books in a bookstore there!

This is a very good Houseman book. Harstad has continued to develop his characters (both the "old" and the new alike), and has tried a new storytelling style with this book. At first, the chapter placement jarred me, but, in the end, it was very *right* for this story. (Those who haven't read: It begins mid gun-battle, then flashes back and forth to the backstory and the gunfight.)
If you are a Houseman fan, read this book. If you haven't read any of the Houseman series yet, start at the beginning! Save this gem for later.
SOMEONE PLEASE PICK HIM UP AND PUBLISH HIM SOME MORE! He's sitting on a manuscript right now (at least one) -- some publisher needs to grab him up!

Where is Harstads new book? It was due to be released Jan 2005, and is not availble. The publisher changed and everything went downhill from there. Is Donald dead or what? Does anyone know what is going on in Elkader,Iowa?

I've loved every book in this series. Low-key wit, intelligent humor, tight writing that gets better with each outing, an insider's glimpse at how Things Really Work.

The only thing I find myself wishing for is more from Mrs. Houseman's (Sue's) perspective. Does she have to remain a nonentity? Or like Mrs. Columbo, does it just work best that way? hmmmm...

Donald Harstad writes an incredibly good police procedural. I'm not even a fan of the genre and yet I am hooked on this series! Carl Houseman, deputy sheriff and senior investigator for Nation County, Iowa, is called to the Heinman farm to investigate a dead body. The dead body, Rudy Cueva, worked at a local kosher meat packing plant in Battenberg and was shot at close range. Soon, another body is found, Juan Gonzalez aka Orejas, only he wasn't shot. Instead, he ingested the deadly toxin ricin and what has appeared to be a drug deal gone bad now has turned into a federal case involving terrorism. Meanwhile, people in New York are dying from ricin due to purchasing products connected to the Battenberg plant. All the usual characters from this series are present, including Iowa DCI agent Hester Gorse and the dispatcher, Sally. The book actually begins with the finale where Carl, Hester, Sally, and George are holed up in a barn, outgunned and outmanned. Harstad alternates chapters with the investigation from the beginning and scenes from the barn until reaching the final, dramatic conclusion of the novel. At first, I found this confusing but soon I realized that this actually added to the story. I eagerly await Harstad's next Carl Houseman novel!

I have been following Greg Brown's columns in AOPA Flight Training for a while now, but I would have never guessed that if you read a handful of these short, factual-yet-full-of-emotions stories one after the other, you can get a complete picture of what general aviation is all about. Highly recommend this book to everyone, pilot spouses or parents above all.

I've followed Greg Brown's column in numerous aviation magazines over the years, and have always looked forward to reading his latest adventure. Now, with "Flying Carpet", he has detailed stories and events from his past that have served to educate, enlighten, and amuse both aviators and non-aviators alike. I thoroughly enjoy his writing style, and am always recounting something he wrote to someone else to emphasize a point or provide an example of some aviation-related subject. I love the fact that he relates his stories as if aviation was a sort of pagan religion, and he, and all other pilots, are willing followers. He truly highlights the romance and passion that flying evokes in those of us do it, and stimulates curiousity in those who don't. I highly encourage anyone to read this book, whether you're a pilot or not.

Full of fun interesting stories but not a book I would want to read again. The books sounds like it is a collection of Gregs adventures that may have been published somewhere before.

This book was purchased as a gift. I do not know if it's been read or not.

I am a student pilot and have been reading just about everything I can get my hands on that has to do with flying for the past two years. I first learned of Greg Brown through his Flying Carpet column in AOPA's Flight Training magazine and enjoyed his articles and writing. I stumbled upon this book through a search on Amazon and am so glad I did!

The book is extremely well written and you can tell through each page how deep Greg's passion is for flying and for sharing it with those around him. I felt as if I were along for the ride to all of the wonderful destinations he has been to.

I highly recommend the book not only for those interested in flying but the non-fliers alike!

McNally's first collection of short stories is sad, funny, and haunting. His prose is spare, but so full at the same time. From the first story, The Vomitorium, you will be hooked. He creates relatable characters and amazing dialogue. Some stories may hit close to home, but that's what makes them so enjoyable. If you like short stories, you need to get this book. And be sure to check out his other books as well. He's one of the best writers that barely anyone knows about.

The eleven stories collected here range in setting from Chicago's south side to small towns in southern Illinois, but are all thematically linked in their exploration of confused and often angry lower-class white males. The stories are also generationally linked, in that their characters all appear to have come of age in the early to mid-'70s. Indeed, the three best stories are set in the '70s and follow the same junior high boys through a trio of episodes ("The Vomitorium,'' "Smoke'' and "The Grand Illusion''), which include a trunk full of stolen Tootsie Rolls, and the forming of an "air band", and a homosexual advance. These three stories share much of the humor and angst of Chris Furhman's excellent novel The Dangerous Lives of Altar Boys, and Tom Perrotta's collection Bad Haircut.

In "The New Year", "The Greatest Goddamn Thing" and "Torture", the narrators are teenage boys, whose primary role in each is as sidekick or witness to another person's pain. In the first story, a cuckolded and abandoned father takes an axe to a deer. In the second, a brother just out of jail leads him into an all night bar party complete with gun, fire, and sex. And in the third, a neighbor is stranded on his roof by an irate wife, and no one calls for help. In each case, there's a kind of sad desperation to it all. Desperation is also present in two stories ("The End of Romance" and "Roger's New Life") that follow a UPS driver with a flaccid marriage, two kids, and a shaky grip on sanity. These are the most distant of the collection, as the protagonist is clearly cracking up and it becomes harder and harder to identify with his tenuous grip on reality. A rather similar character is the focus of the longest story, "Limbs," sharing a troubled marriage, kid, and in this case, friends of dubious character.

Two Chicago-set stories stick out: "The Politics of Correctness" abandons the world of the unemployed and lower-class for the world of academia and a struggling young English professor who must contend with the drug dealer who menaces his home, and the uber-PC people in his department. One sense this is a very personal story from McNally, and while it's not bad, it's not particularly original or noteworthy either. My own favorite is "The First of Your Last Chances," which stands out if only because it has a happy ending. Both funny and tender, it's a welcome respite from the heaviness of the other ten stories. The collection as a whole reveals a great new talent, I'll look forward to his next work.

The cover photo on this book (cuffed hands) isn't quite right. This is not gritty realism or "Cops"-like docudrama. Instead, author McNally's sensibility lies somewhere between the blue-collar melancholy of Raymond Carver and the outrageous humor of Hunter Thompson. His characters (all males in their early teens to their thirties) are comically pathetic, living lives that barely hang together. Teenagers Hank and Ralph appear in three stories set on the Southside of Chicago, obsessed with girls (who are all repelled by the two boys) and spending their aimless days and nights on the ragged boundary line between adolescent angst and Big Trouble. Roger, a UPS driver, moves blankly through empty days haunted darkly by thoughts of Squeaky Fromme and Charles Manson, while a fellow worker runs a personal ad and discovers the liberating mysteries of "raw carnality." Meanwhile, romantic relationships and marriages languish and sour.

Far from being bleak, the wonky dialogue and cock-eyed situations in these stories had me laughing out loud. In my favorite story, a debt-ridden young English instructor is beleaguered at work by witless students and an annoying, politically-correct faculty and then harassed at his new home by a neighborhood bully. All comes unglued for him at a faculty party where he gets entirely too drunk. Only the last longer story, "Limbs," shows McNally stretching himself into something more novel-like, as he explores the disintegrating impact of a murder on the lives of several small-town people, and here there are few laughs, just a dizzying descent into confusion and rage.

I love this book. It is both disturbing and fiercely entertaining.

Eleven stories make up this solid collection, and three of them are related ("The Vomitorium," "Smoke," and "The Grand Illusion"), starring a kid in the eight grade named Hank and his sometimes goofy, always strange adventures with Ralph, his dangerous deliquent of a friend. All three are excellent, and they make a logical progression, offering nice closure at the end of the third story.

The remaining eight are a mixed bag. "The New Year" is fantastic, but "The End of Romance" is not. "The First of Your Last Chances" seemed a bit too crafty, but I ultimately loved the story, which features a hilarious S&M vignette and a real cute ending. "The Politics of Correctness" was a wonderful story all the way through, my favorite in the collection. "The Greatest Goddamn Thing" didn't do it for me -- it all seemed too forced, and I didn't buy the narrator's voice. "Roger's New Life" just never seemed to go anywhere (a detached 3rd person pov, reminiscent of Raymond Carver), while "Torture" was strong from start to finish, though I'm not sure if it's a story that has a real direction. And the last and the longest, "Limbs," is a winner.

I wouldn't consider any of these stories as bad -- they are all finely written, and McNally's got a very nice, easy style. Many of the stories were very funny and thoroughly enjoyable.

I was a lucky person to have had John McNally as an instructor in college. He taught at my college for a short time and I still feel that college (which will remain anonymous) did not know what they lost when they lost this brilliant writer. He taught a creative writing class which was based fully on the power of the written word and how the simplest and most realistic language often tells the best story. McNally's own work completely upholds this belief. I unfortunately have lost touch with John, but when I found out via the web that he had published this collection of short stories, I knew I had to find it. I had him for one semester, yet I remember him better than any other teacher I have ever had.

As a fan of the writing of Richard Yates and Raymond Carver (who John introduced me to), I can tell you that he learned his craft from the writings of these masters. His characters are believable, the dialogue is simple but powerful and the settings are described in the most minimal detail, but yet you have a feel of exactly where you are and who these people are. McNally's characters exist through their dialogue and that is what makes his stories powerful.

I highly recommend this collection of stories. Some are disturbing, others are more lighthearted. However, the writing is tremendous and you get inside these characters almost immediately. The art of the written word is not lost. People like John McNally are keeping it alive.

This book contains stories with contemporary characters so life-like you might feel like emailing one or two with your thoughts. The backdrop of Arizona is a setting that is at once organic and otherworldly, like a lunar landscape. The dialogue is surprising and clear-toned. These are vivid and haunting stories.

Ryan Harty has wowed me with this prize-winning collection.
Each of the eight stories deals with sadness in indelible forms. One of my favorites in the collection centers around a husband and wife and their robot son who seems to be coming apart. The ways in which each family member handles the boy's breakdown mirror survival techniques of people dealing with illness: The wife distances herself; the husband tries to fix the situation; and the son tries to hide his problems.

In another story, a brother cleans the apartment of his dead, mentally ill sister and ends up sweeping all of her cats out onto the street.

The last story, September, is a gorgeous account of one young man's first love: the mother of one of his friends.

I highly recommend this SSC!

This is one of the best story collections I've read in years. Every story is strong, all the characters are incredibly real, and there's an overall sense of sadness that knocks you on(...). Not that the stories are depressing, per se. In fact, they can be hilarious at times, and there's almost always a feeling of hope at the end. I came across "Why the Sky Turns Red When the Sun Goes Down" in BEST AMERICAN SHORT STORIES 2003,and while I love that story (it's about a family with a robot boy), there are others here that I like even better. "Crossroads" and "September are my favorites. An amazing book. I look forward to whatever Harty writes next.

While I was reading this book, I couldn't wait to get home from work so I could fall back into the stories. Now I'm walking around with the characters in my head, like old friends. It's a beautiful book, the kind you want to recommend to everyone you know. Ryan Harty is a wonderful writer.

People often romanticize the SouthWest, imagining coyotes and endless desert and cowboys; however modernity has cut off a lot of the romance. Wal*marts, strip malls, endless bars, parking lots, concrete offices, endless cold air chilling the outdoors dot this landscape. Harty knows this and invigorates his character, develops his plots and gives people a history, an emotional depth deeper than any desert valley. I am not sure whether his one more science short story in this collection is a hit or miss-a rather Bradbury-esque story, it is off from the rest of the book. His teenage/young adule male characters are intense, brooding, lost, and not always likeable-but you won't forget them. Their is a palable sadness, a desolateness nature in his writing, it is very moody, but there is a kind of hope borne of small suburban trials and tribulations that keeps you reading.

This book has wonderful, colorful pictures that captivate my nephew. The story is fun to read and entertaining for him. The characters spark a lot of questions from the little guy which makes it a great book to read to him. He's only 2 and loves reading it daily. My older 6 year old cousin likes reading it himself and it's one of his favorites too. We'd really like to see more stories from the characters at Junkyard Junction.

We thought this book was very good, we all enjoyed reading this and have read it several times since receiving it.
The pictures are very interesting and the characters are so cute. This would be a very helpful book for any child moving to a new home and needing to make new friends. It helps kids learn how to help each other out when you really need it. Really enjoyed it! Wonderfully done!
When is the next book?

This is truly a wonderful book, with a great story and beautiful pictures. I know that my great nieces and nephews will enjoy this (as I will) for many years to come.

This book is such an amazing example of pure creativity that any child would be delighted to read it. Because of the imaginative quality of the entire book I am left to believe that the authors have a deep understanding of the imaginary nature or essence of childhood. This book won't disappoint you.

This is a wonderful book with great illustrations. It is the perfect Christmas gift for any child. This story about a little bug named Squirt finding a new home in the country and making new friends is great for all ages. I hope there will be more stories to come.

I've been looking forward to the publication of this book. Gary and I have critiqued each other's writing for a decade as fellow members of the Internet Writing Workshop. I enjoy his wit and wisdom and am in awe of his positive attitude in overcoming obstacles. This is a memoir, not an autobiography, because it doesn't cover his childhood except for brief mentions of his father's military career. The focus is on what happened after polio, not only to him, but also how it changed the lives of his parents and brother. He mentions getting irritated with a priest who says, "It takes courage to spend each day confined to a wheelchair." Even I can realize it doesn't take courage to do something about which you have no choice. The courage comes from how you handle the situation. It took Gary many years of struggle, and he tells the story well.

We learn through his words the devastation of going from a can-do-everything teenager to a totally helpless being who can only talk and think and cannot even breathe without assistance. He takes us through the experience of being in an iron lung, of having a world consist of what can be seen in a small mirror above your face, of the transition to rocking bed and then wheelchair. He tells of living with his parents for thirty years and being cared for by them, the pain of their deaths, and then moving into an independent living apartment. His wheelchairs give him mobility, contrasting with the helplessness of being in bed. That is why he must always have a telephone within reach. He discusses the emasculating feeling of being a man who cannot take care of himself or physically help others.

Gary's story changes to a love story when Belinda comes to his apartment as one of his caregivers. They are now married and he is no longer alone. I wanted the book to end on this happy note, but it wraps up with the bitterness that permeates much of the book. I've read many of Gary's articles, and "7 Wheelchairs" contains only a small piece of the humor and wisdom and acceptance he normally expresses. This book doesn't show the complete Gary. I hope his next one will.

Reading the earlier reviews, I can see that anyone perusing this page in Amazon will have a pretty good idea of Gary Presley's basic story as far as a life, after the age of 17, following polio, in a wheelchair, goes.

In this quite easy to read, if difficult to live, history, Gary Presley uses words that make some of us a little uncomfortable: disabled, handicapped, invalid (and what a word that is, suggesting someone is not "valid"), paralysed, isolated, frightened. Another troubling word that pops up: normalcy.

One might think: "Well, that's all about life in seven wheelchairs."

Listen: Who among us cannot apply these words, even the terrifying "normalcy", to his or her life?

This is why I particularly enjoyed and benefitted from Gary Presley's account: There are Riding Lessons in "Seven Wheelchairs" for the likes of me.

It was interesting, and pleasing, to find that Presley's style is, at first, simple, untroubled (and untroubling), and has almost the naivete of a youth about it. The descriptions of falling to the earth, of being slotted into an iron lung, of being fitted for breathing apparatuses, at the age of 17, are fresh. There is no roughness of the man of 65 in it.

As the autobiography, for that is what this must be in many ways, progresses, the style and content matures. When Gary finds love the writing really is a serious read, you linger over every line, liking it all so much. You feel he has grown, the book itself, the medium, has been a transport.

The book itself: Mine has 226 pages, I read it in two days at a leisurely pace. It is printed on pleasant paper, and the University of Iowa Press that published it is committed to preserving natural resources, and that's all worth noting. The book weighs about 420g, so you can figure out how much postage you'll need to send a copy to a friend this coming holiday gifting season, and it shouldn't be onerous. Of course, Amazon can do that for you.

Finally, it seems to me that more than a few young people in their mid- to late-teens, say aged 17, could find this book a bit of a primer for life. Parents: Leave a copy on your son's bed.

When I was in my early twenties, I read, for the first time, "The Rack" by A.E. Ellis, and "The Magic Mountain" by Thomas Mann. Both novels, of course, and dealing with something that even 40 years ago we didn't trouble ourselves over much (tuberculosis). In my case, it was the musings of the characters, the troubled love lives, the frustrations, the breathing lessons, the psychologies, the philosophies, that kept me reading (and eventually re-reading) The Rack and The Magic Mountain.

I don't know whether people can be arsed to read those particular books now, but "Seven Wheelchairs: A Life Beyond Polio" by Gary Presley deals with things "that other people get, not me" in our lifetime. It's an important book, makes you take stock, look at your feet and the door, and it might give you the push to get a move on.

Seven Wheelchairs: A Life beyond Polio presents an unique opportunity to travel with seventeen year old Gary Presley to adulthood with polio as his life long companion.

The memoir opens with a shot in the arm, an injection to ward off polio. Seven days later life as the teenager has known it is gone. Presley and the mechanical devices necessary to sustain his life vie for domination. The reader sees a boy struggling with a gamut of emotions, struggling to understand what has happened, to accept the changes polio has visited on him.

The author's voice is powerful, commanding, and the reader sees Gary Presley, the man, emerge. The wheelchair, the apparatus to maintain life is present, but it fades into the background.

We see the author meet Belinda, his wife, watch as the relationship grows into love and, in time, marriage.

We come away with a deeper understanding and knowledge of the obstacles the author faced and recognize the courage it took to triumph.

Gary Presley took his last physical steps in 1959 when he was only 17-years- old. He contracted Polio from the Salk vaccine. It's ironic that he got it from the last in the series of immunizations meant to protect him from the very disease he contracted and it happened the very year that the Sabin vaccine, much safer than the Salk, was trial tested. Since then Presley has used a wheelchair to get around. In fact, he's gone through seven of them. Today, he is a writer and mentor, an editor of the Internet Review of Books, and an activist in the disability community.

It's been a long journey.

His memoir Seven Wheelchairs: A Life Beyond Polio, published this year by University of Iowa Press, tells the story of his pilgrimage from innocent victim to angry and defiant adult, and ultimately to an accepting, if somewhat battered, philosopher. In his own words:

"...cynical and unfeeling, a burnt-out case, which I attemptedattemptto explain away by saying I survived then and I survive now by mating an ignorant combination off existentialism and stoicism, by becoming a peculiar bastardized oddity rolling about the world, forever dependent."

I found this book fascinating on many levels. I am Critical Care nurse by training and the book is an in depth look backward at the treatment of Polio. I am old enough to remember Stryker frames, used to rotate paralysis patients in the ICU, but the Iron Lung was obsolete long before my nursing career began. Presley's descriptions of "the can" and the treatment he received in hospital are riveting.

I know from personal experience that many events that happened in his hospital stay would not be tolerated today. Nursing has come a long way since the 1960s. Simple acts such as turning a patient on a regular schedule would be done regardless of how reluctant or combative the patient might be, and Presley, by his own admission, was no easy patient. Anger and helplessness make for combative and frustrated patient. Sudden and irrevocable paralysis, a sentence.

In the years I took care of new paraplegics and quads I always tried to engage them to talk about their frustrations. Perhaps it takes as long as it has taken Presley to get to the root of the issues, to open up and speak the truth about himself as well as the world of "Crips."

Not only does he give us a look at treatments that now seem antiquated, but he uses his memoir to underscore the importance of the landmark Americans with Disabilities Act of 1990. How it changed, not only his world, but the world of thousands upon thousands of disabled people in the United States. Presley uses the words Gimp and Crip to describe himself and his fellow travelers, but don't ever let him hear you use the expression "wheelchair bound." For him and others in the disability world wheelchairs liberate rather than imprison.

But fundamentally this memoir is a universal look into what disables us and what empowers us, regardless of whether we ride a wheelchair or not. As we travel the road with Presley we begin to see ourselves in his agony and frustration. We are all crippled to a degree by whatever limits our lives. What we do with that is how we ultimately live. Simply put, in Presley's words: "Of course, it is madness to regret what cannot be changed, and I now have learned to keep the madman locked away where he cannot hurt anyone."

This is the trap door where we store our anger and blame once we have the maturity to understand that we are responsible for how we choose to live our lives. By the end of the memoir we watch Gary Presley find work, love, parenthood, and a life without rancor. "The paralyzed man miraculously found the ability to turn the other cheek, "'to live each day fully and gracefully.'"

Some people might be afraid to pick this book up. Those same people might also be afraid to look hard into their own lives. Seven Wheelchairs: A Life Beyond Polio is a book that is educational on a political and social level as well as a personal one.

It is well worth a read.

Gary Presley offers readers a unique philosophy about life and from an even more distinctive vantage point -- his nearly fifty years spent "with my ass planted in a wheelchair."

In this no-nonsense recounting of his journey through polio--which he contracted in 1959, at the vulnerable age of seventeen--and its after-affects, Gary invites readers into his struggles with isolation, despair, and guilt; and then, to celebrate with him as he comes to accept his life for what it is. Carefully-crafted sentences reveal how he evolved from seeing himself as an "unwanted rolling responsibility" to one who "rolls through life" and "refuses to be confined." Any sadness readers may feel at the injustice of Gary's plight is overshadowed when reading about the joy he finds in his marriage and the pride he now takes in referring to himself as Crip and Gimp.

The first half of the book details the days, months and early years after polio. Readers unfamiliar with the times will come away with a better understanding of the iron lung, the respiratory chest shell, the rocking bed and frog breathing. Then, Gary's writing segues into thought-provoking essays about living, dying, and society's attitude toward the disabled.

I found myself near tears when I read of society's treatment (and lack thereof) of the disabled before the American Disabilities Act was passed, yet cheering as Gary comes to the understanding that it is not, nor has it ever been, the wheelchair which defines him:

"Sometimes living disabled is about asking someone for help ... Other times it's looking on things with a cold eye and letting patience evolve into stoicism, so that you can tolerate what you can't change ... And occasionally, it's about moving on, no matter what anyone thinks."

Once you start reading, you won't want to put 7 Wheelchairs down, but allow ample time for digestion and reflection. Gary's thoughtful phrases deserve to be savored.

This is an excellent book with clear photos of different parts of trees in its stated regional area.Maps are very good also and easy to see. I know what I am talking about since I have all the field guides available thru Peterson, Audubon,etc for North American coverage. Coverage of species native and introduced is thorough. This makes identifying them easier by narrowing your choices .Too big for field work,but good notes taken in the field with your significant other helping you with smaller regional guides and camera phones in tow will suffice when you get back to your home or motel.You can sip a glass of red wine together and share the day's fun in the Natural world!

This is a great book to help with the identification of tree specimens that you find in our northern forests. Beautifully illustrated, with pictures of leaves (and fall color), flowers, fruits, and the bark of both mature and young trees, Farrar really provides horticultural enthusiasts with all the tools they need to make correct identifications (in most cases, of course). In addition to the pictures, other botanical information is provided such as max heights, growth rates, silhouettes, reproductive information, ranges, etc.

My only small complaint with the text is that the ranges for several species are incomplete, covering only the areas in Canada and the very northernmost United States. Many species have a much broader native habitat, and it's often necessary to reference a second text for that information. Other than that; however, it is a great text that even includes "quick recognition" tips for most species. Farrar gives us a valuable resource for horticulture lovers and woodsmen of the north.

This book is just about as complete as everyone else that has reviewed says. I really only wanted North American trees and that is precicely what I got. A very fine book that is well organized with abundant photos, drawings and discriptions. I am just a novice so the more complete of a book the better. The only thing I wish is that I had an old beat up one to take into the woods.

There is no one book that will satisfy all your tree needs, but this one comes closest. Though it is Canada-centric, it should be useful no matter where in the US you may live. The pictures and line drawings are excellent, but most importantly they are consistent throughout. The "Quick Recognition" bits are a wonderful feature.
It is organized as an identification book but I use it more as an encyclopedia and wish it was organized alphabetically by genus. This is a book you read, then go for a walk, then read again. Highly recommended to everyone.

Every attempt I've made to identify a tree with this book has been successful. Worth every penny.