North America Books

When I left England to live in the United States for one year last August, there was only one book I took with me - Alistair Cooke's `Letter From America'. What else could I have taken? Cooke saw into America like no other Brit (or no other non-American, for that matter).

Starting at the mid 1940s, the book winds its way through post-war America nearly right up until the authors death in 2004, picking out the best of his weekly broadcasts. The subject matters range from politics, history, current affairs, entertainment and the topics from the New England fall, jazz, Robert Kennedy's assassination and O.J Simpson.

But it is not the subject matter that makes this book so special (for we already know about most of them anyway) it is none other than Cooke's insight and writing style. The articles flow like the finest novel or poem (which is probably attributed to Cooke's background in theatre). Each time you come back to read the book again it feels as though you are receiving the opinions of a familiar friend, and not some distant journalist.

There are drawbacks. Cooke was often criticised, and quite rightly so, for ignoring the darker side of the American dream. The other possible drawback, depending on your viewpoint, is that Cooke was a committed conservative, especially in the latter half of his career. Many of the final articles from the late 90's and early 00's lament the current position of America and (what he saw as) the sliding standards of journalism. Maybe, but you also can't help feel that he was by this point slightly out of touch.

These minor quibbles, however, cannot undermine Cooke's overall achievement of helping us better understand this important nation, which could be described as love letters to America.

Alistair Cooke is an observer of the American social fabric, of our heros, of our blemishes, of our short history and sense of place. His first hand accounts of American and Americans is not unlike a nation looking at itself in a mirror. He is at times generous with his observations. At other times he is very British in his ability to be critical with a smile. He can describe a familiar person and make us see the person anew. The book is a pleasure to read, each chapter a new adventure of wit and insight. He wanders a bit but his style makes you enjoy the journey and look forward to the next excursion.

Alistair Cooke's wonderful Letter from America broadcasts were heard world-wide and were an institution for close to 60 years. In that time, Cooke - UK born but for most of his life a resident of New York City - sought through his thoughtful pieces to convey the complexity of life, of society and of politics in the United States.

In this collection of essays, organised chronologically, Cooke takes us from post-war America through to mid 2005, and his subject matter ranges from the specific relatively "small" topics (for example McLaren's dogged creation of San Francisco's Golden Gate Park) through to large, world-changing subjects including the Vietnam question and the assassinations of both John and Robert Kennedy. The latter is a riveting account because Cooke was there when it happened and his journalistic and observational skills come through as finely honed, dispassionate yet all the more powerful.

What gives this volume real richness are two things in particular.

First; Cooke has an unfailing grasp of history. In writing each week's snapshot of a changing nation, he manages to contextualise what he sees, and to draw upon both his enormous grasp of history and his unparalled contact with top politicians, writers and artists over 60 years. In today's age of soundbyte editorializing and glib simplifications (history seen through the eyes of Forrest Gump, if you will), Cooke's essays are thoughtful, well researched and highly reasoned. As a reader I'm struck by how prescient his comments are, and I'm also struck at how relevant his thought provoking comments about previous political events resonate in today's unfolding history.

The second facet of this rich gem is Cooke's beautifully crafted writing style. He wrote these essays for radio and perhaps this is why they read so beautifully. In his portrait of Charles Lindbergh, for example, he talks about the man for 500 words - creating a vivid, recognisable picture before he even mentions the name of his subject. In so doing, Cooke furnishes the reader (or listener) with the frisson of a delightful guessing game (he's talking about Lindbergh, right?) that allows us to hear more about the subject matter without letting us backfill the story with our own preconceptions. His humour is delightfully wry, and his ability to choose surprising and sometimes quite earthy quotes from the history makers of the past 60 years provides additional pleasure. Cooke clearly laboured over each and every essay to ensure their seamless recipe of wit, fact and observation.

This volume is a remarkable collection of essays: a format that encourages thoughtful, enjoyable bedside reading. In devouring this marvellous book, you are taken to the heart of a complex nation. An easy 5 stars; I'd add that this book makes an excellent gift, regardless of which way your friends vote.

When I left England to live in the United States for one year last August, there was only one book I took with me - Alistair Cooke's `Letter From America'. What else could I have taken? Cooke saw into America like no other Brit (or no other non-American, for that matter).

Starting at the mid 1940s, the book winds its way through post-war America nearly right up until the authors death in 2004, picking out the best of his weekly broadcasts. The subject matters range from politics, history, current affairs, entertainment and the topics from the New England fall, jazz, Robert Kennedy's assassination and O.J Simpson.

But it is not the subject matter that makes this book so special (for we already know about most of them anyway) it is none other than Cooke's insight and writing style. The articles flow like the finest novel or poem (which is probably attributed to Cooke's background in theatre). Each time you come back to read the book again it feels as though you are receiving the opinions of a familiar friend, and not some distant journalist.

There are drawbacks. Cooke was often criticised, and quite rightly so, for ignoring the darker side of the American dream. The other possible drawback, depending on your viewpoint, is that Cooke was a committed conservative, especially in the latter half of his career. Many of the final articles from the late 90's and early 00's lament the current position of America and (what he saw as) the sliding standards of journalism. Maybe, but you also can't help feel that he was by this point slightly out of touch.

These minor quibbles, however, cannot undermine Cooke's overall achievement of helping us better understand this important nation, which could be described as love letters to America.

For many years I listened to Alistair Cooke's ' Letters from America'. The calm, erudite voice , the super- civilized tone , the suggestion of great intelligence somehow always promised to provide insight into America that no one else had. The British Tocqueville of the airways who knew more about the Americans than the Americans knew about themselves.
Yet somehow I more often than not felt a certain disappointment in the communications. Reading them without the Cooke tone and pause, without his special emphasis diminishes them further. There is it seems to me a great deal of observation and color , and not enough striving for deep general understanding.
And there is too in the calm of Cooke's tone something strange and distant.The many rich voices of America, its ways of shouting and making itself felt are not transmitted strongly here.
Nonetheless in close to sixty years of reporting there are numerous insights and observations and much that entertains.
I think of Cooke's elegy for his old friend Isaiah Berlin. I think of reports made from all kinds of whistle stops on Presidential campaigns. I think too of his capacity for friendship, and how that does move through these letters and give them a warmer feeling of comraderie.
I think also of Cooke's basic real affection for America, his interest and appreciation of much what is good and beautiful in it.
I think too of how many listeners he delighted with his wit, and dry humor and clear - cut language.
This is a lifetime work of special meaning and value for the many thousands who waited each week for those fifteen minutes of his often most delightful and insightful talk.

A great look into a very interesting life. If you are interested in life in the west or in shooting western firearms or just long range shooting in general, this book is a must read. I highly recommend it.

Few books capture the spirit of the American West so well. Billy Dixon participated in both the battle of Adobe Walls and the Buffalo Wallow fight. His accounts of these battles and experiences of life on the frontier have been plagiarized by screen writers for decades.

Mr. Dixon was a humble man with determination, ability, and grit the likes of which are seldom seen. This combination of humility and awesome ability make him a real-life hero and legend, deserving a place in the American consciousness on the level of Daniel Boone.

If you have read "On the Border With Crook", you will also love this book.

This book reminded me of the axiom of Benjamin Franklin's autobiography that a good life comes to a person who is thrifty, kind, honest and modest. This is the perfect description of Billy Dixon.
I will not give away any of the life of Mr. Dixon as it is a wonderful treasure to explore, but I will state you will regret like I did in his modesty at times does not allow him to explore in detail his life. "The Shot" at Adobe Walls is barely a mention, but he makes up for it in detailed memories of the battle which Hollywood and authors would never dream of. This is the key to the Life of Billy Dixon in that his attention is in the little things which he gives to history. Everyone knows of the herds of buffalo as far as they eye can see, but Mr. Dixon will tell you about the buffalo as only one man who knew them.
I will offer one warning though and that is do not read the forward by the historian as all he does is steal parts of the book in 20 pages of droaning on and it will be better for the reader to let Mr. Dixon introduce himself in this book and then read the forward last if you feel the need.
As a witness to Mr. Dixon, I read Buffalo Bill's autobiography and to show the difference in these 2 boys without detracting from Mr. Cody, when Bill Cody was a boy among the hard bitten men of the plains the worst would hit him. Billy Dixon though in the same period with the same men was befriended by them and they took him under their wing. That is the kind of good soul Billy Dixon was.
The adept reader will soon enough recognize how much of the book is Mr. Dixon's own words, the few times his wonderful wife explains things for him as he had passed on and the fortunate few times an editor weighs in with a few lines. Billy Dixon in his modesty is the most powerful force in the book and that is the way it should be.
In finishing the book, I could only think what an honor it must be for the living relatives of Mr. Dixon to know they are related to a man of such character. America has been blessed in having his story and having so many thousands of people who built our nation.
Bill Dixon was awarded the Medal of Honor and we are honored to have him. He was the kind of friend everyone hoped they would have as he always was a friend. He learned the lesson of life in having all his family to die when he was a child, so Billy Dixon was a friend forever when he was yours.
5 stars for Mr. Dixon.

For the last year or so I've been reading books about the Buffalo Hunters on the Plains and had heard of this one several times. When I saw that Amazon finally had an affordable version I put in my order for a copy.
The book was dictated by Mr. Dixon to his wife in 1913, published afer his death in 1914 (he never got the chance to do much more than dictate notes)then revised in 1927 and reprinted in 1987 and 2005. It is written as if he wrote the book although his wife and her publisher actually did the work. I'm guessing that Mr. Dixon was not quite so literate as the writing gives you the impression (very little formal schooling) and some of the descriptive terms must've been inserted by the orginal publisher.
You get a biography of Mr. Dixon starting from about age 14 (some sketchy details before that) when he left his Uncle's home to head west to fight Indians and hunt the Buffalo in 1864. There's a lot of detail about his adventures and travels, first meetings with Indians, his first buffalo kill, the countryside and animal life. The detail on the buffalo hunting parts is actually pretty vague, all of the books by the old timers I've read are, but still very interesting. Mr. Dixon is famous for his shooting during a battle with Indians at the Adobe Walls trading post in 1874, including one lucky shot at about 7/8 of a mile- there are several detailed pages about that battle and the subsequent Buffalo Wallow fight, also in 1874. For the first Dixon was still a Buffalo Hunter, he'd quit the business to become an Indian scout at the time of the second battle. I found it interesting in that while I wouldn't term Mr. Dixon an "Indian Lover" he did have a lot of repsect for the variuos tribes.
The last couple of chapters kind of round up some interesting scraps from that point until the current (1913) day- they're rushed but still of interest for historical and hunting details.
I've also read "The Border and The Buffalo" by John R. Cook and "Buffalo Days": stories from J. Wright Mooar as told to James Winford Hunt, this book is the best of the three and well worth owning.

Having grown up on the remote ranch lands in the Texas Panhandle, just a stone's throw from the site of the Battle of Adobe Walls, I grew up hearing from the old timers who knew him, stories of the great plainsman, Billy Dixon. Since my early childhood, Dixon has been one of my heroes. In 1913, Dixon was approached by an Oklahoma newspaperman with an idea that he should write his autobiography. With the encouragement of his wife, Olive, Dixon decided some folks just might enjoy hearing his stories. Sadly, his passing precluded the finish of the book, necessitating the change from autobiography to biography, with the finishing touches by his wife, Olive. The book was originally published in 1914, only months after Billy's death. It was reprinted in 1927.

Those original copies are near impossible to find. I spent many years trying to locate a copy. Then in 1987, a limited edition leather-bound reprinting was done. I have number 34 of 50. I always thought it was such a shame that so many people would never have the opportunity to know of Dixon's story. So of course, I was thrilled to learn that in recent months, THE LIFE OF BILLY DIXON, by Olive K. Dixon, was once again reprinted, this time with enough copies of this wonderful book for everyone.

When we think of Plainsmen, buffalo hunters, Indian fighters and the like, many people come to mind such as Buffalo Bill Cody or Wild Bill Hickock but these folks have nothing over Billy Dixon. The only difference being, Dixon never sought fame. Had he succumbed to the dime novelists of the time, his name would be a household word today, for his adventures and accomplishments hold full measure to anyone of that era.

As this book was originally intended an autobiography, the story is told in the first person account, which makes the reader feel as though you are sitting at a campfire, listening to Dixon tell of his adventures and hardships. This book truly and avidly brings to life, a true life adventure story that anyone who appreciates that era or that lifestyle, will not want to miss.

Anyone who has ever earned the Congressional Medal of Honor, as Dixon did at the Buffalo Wallow fight, deserves to have their story told in vivid detail, but Dixon's life is presented here in such fascinating detail as is rarely achieved. Surely Miss Olive's, as she was affectionately known throughout the area, background as a school teacher contributed greatly to the telling of this story by adding literary prose equal to the most accomplished of writers.

If you appreciate true life adventures, the kind told without the need for embellishment for the sake of sensationalism, this is a must read. From the loss of his family very early in life, his early days as a young bullwhacker, the transition to a buffalo hunter, Indian scout, postmaster and rancher, it's all covered in explicit page turning detail. My only regret to this magnificent story is that it should have been another thousand pages. I absolutely hated seeing this book come to an end. This is a real life story that deserves to be heard and one that you will not soon forget.

Monty Rainey
www.juntosociety.com

Is there anything Nora Roberts can't write?
She creates such wonderful family dynamics; no wonder since she's the only girl and has four brothers. I think that may be why she writes such believable sibling relationships. The MacKades, the O'Hurley's, the McGregors and so on. Like you'll read in a future book, "Convincing Alex," there's a studly Ukranian who turns out to be the perfect match of a poor little rich girl. In "Luring," the "lady" is Sydney and she has money but a barricuda for a mother who would like nothing better than to set her daughter up with another trust fund kid. Thankfully, Mikhail comes along and Thurston Howell III is not only not necessary he's an embarrassment when compared with the hot-blooded, hot-tempered Mik.
You can have your doctors and lawyers, gimme a man wearing a tool belt any day of the week. When Mik and his Dad decide to fix up the apartments that Sydney's ailing grandfather never got around to refurbishing, you can almost visualize the beeds of sweat dripping down Mik's torso. When she arrives for their date and he answers the door in a towel, ay, ay, ay! Somebody get out the ice water.
But Mik's not just a tough-talkin' handy man, he is a true artist and carves the most beautiful sculptures from wood. Sydney's snooty Mom knows Mik's artistic reputation, and he'd be okay for a fling but NOT to marry. What a loser! With the death of her beloved grandpa, Sydney needed Mik's down-to-earth family almost as much as she needed his hunky self :)
Do yourself a favor and get ALL these books, even the "Waiting for Nick" book is great. It's a sequel and features Nick, brother of Zach who is married to Rachel Stanislaski or however they spell it; who falls for the step-daughter of Natasha Stanislaski. Maybe this is where the new movie "Music and Lyrics," starring Hugh Grant and Drew Barrymore, got their premise.
"Luring a Lady" features so many nice facets. There's the hot yet realistic romance, the tension between this couple as well as Sydney and one of her executives who'd like to push her out of the CEO office, and the lovable family dynamics.Mik takes Sydney away for a weekend to visit at Spence and Natasha's so we get to revisit this couple from "Taming Natasha" and you get to see Alex tease Mik that Sydney should go for HIM!
Frankly, I just don't know how someone could NOT love any of these books. It would be like trying to narrow down my favorite flavor of ice cream or my favorite relative: gotta love 'em all!

Nora Roberts did it again. This book is from the series about the Stanislaski family. Luring a lady focuses on Rachel. A young Assistant District Attorney who meets her match when she meets Zach, the step-brother of one of her clients! This book is highly recommended for anyone but it is a can't miss for any Nora Roberts fan.

This book is #2 in the Stanislaski Family series!

This is the book about Mikhail...Here you will meet Sydney Hayward who just recently took over her grandfather's company after his death...She is prim and proper and nobody thinks she can do the job...not her family or her friends....they think she should go back to doing what they feel she does best...giving parties, shopping...getting her nails done....But Sydney wants more for herself and wants to make this job work....

Mikhail is an artist living in a very run down apartment building which is owned by Hayward....He has finally had it after months and months of letters trying to get something done about the building that is falling apart....He storms into Sydney's office and the sparks fly....She hires him to fix the building after seeing it with her own eyes....And she begins to see more with her eyes like Mikhail!

I really enjoyed this one...maybe even more than Falling for Rachel...I just love the Stanislaski series!

Well this is a story about Mikhail Stanislaski and the lady he falls in love with Sydney Hayward. This book is the best romance book that I have ever read. It makes me wish that I was Sydney Hayward. Well I will tell you a little bit about the book without spoiling it for you. It starts out that Mikhail meets Sydney when he goes into her office to complain that the apartments she owns are falling apart and that they aren't safe and he wants them fixed. She hires him to fix the apartments, soon they go out on a date and you have to read rest of the book to find out what happens.

A really good Nora Roberts book. This story focuses on Mikhail Stanislaski and the woman he falls for: Sydney Hayward. Sydney is the new owner of the building Mikhail lives in. They set off sparks when he confronts her with problems in the building....the rest you should read for yourself. Not to be missed by Nora Roberts fans.

Overall I was pleased with Roszak's book. Most of the pieces i've read about the sixties and the "hippie" era focus only on the sex, the drugs, and the music. While Roszak did dicuss this, his book was quite different because it focused mainly on the politcal and social issues of the time. Roszak include everything from the Vietnam War to how the counter culture has affected the lifestyles of the typical American family. Although Roszk is clearly on the far left side of the political spectrum, it is obvious that he tries his best to be objective and is sure to back up most of his points and information with credible sources. What I admire most about Roszak's book is the tone he takes. In my experience, many adult pieces concerning this era in history and the taboo, radical things that went on are often full of criticism towards that particular generation. Roszak did not criticize the protestors or the acid droppers, like most do. In his book, he carefully explained and supported the motives for these people, suggestng his approval and admiration for those who weren't afraid to stand up for what they believed in, no matter how much society frowned upon it.

This book offers a highly detailed examination of the relationship of the late 1960's counterculture to cutting-edge intellectual ideas of the same era; Roszak discusses Herbert Marcuse and Norman Brown, among others, in great detail and shows very lucidly how their ideas influenced intellectual and political movements on college campuses in both America and Europe. Roszak's prescience here is amazing, considering that he wrote this book in 1967-68, while the phonemena he discusses were still unfolding! It would be interesting if Roszak were to write a response to his own book today, considering how the counterculture of the early 1990's has been so rapidly devoured by the mainstream--Roszak foresaw the possibility of this happening to the 1960's counterculture, but it took far longer then than it has now. Roszak's ruminations on the absurdity of the Alternative Nation would be welcome with this reader!

Roszak's "Making of a Counter Culture" defined an era and the youth society that composed it. A thrilling expose' of Counter Culture Philosophy and oreintation, this is where the discussion all began. His bent on analysis of cultural differences and tendency to omit much of the political implications necessitated the need for a library of text thereafter.
Timothy Fitzgerald

read this still inspiring report on the counterculture and own its potential for self-transformation in your own life and the life of our global society.

I read this book in 1979 and it helped me to make sense of the 60s landslide in my own life. Re-reading it many times over the years, together with Roszak's other very insightful work (Unfinished Animal, 1975) is always an inspiring reminder of the counterculture's deep potential for cultural renewal. Forty years after the Summer of Love, Roszak's insights are still right on.

This book is by far the most seminal book one can read in attempting to get an accurate and unvarnished understanding of the sixties counterculture; the social and historical reasons for its rise, its intellectual underpinnings, and the way in which its actions were informed and indeed propelled by its unique constellation of integrating values into a cultural ethos.

Recently the counterculture has been viciously attacked, intellectually trashed and intentionally trivialized by a series of books and articles by mainstream neoconservatives who wish to discredit the counterculture once and for all by blaming it and the "permissiveness" it spawned for the manifest ills the mainstream society has actually engendered through the evolution of its own corrupted, nonrepresentative, and nondemocratic political process. Many ignorant youthful authors have succumbed to attributing fallacious ideas and notions of this ethos in a way that is not only inaccurate and disingenuous, but which serves to trivialize the quite serious cultural critique it comprised.

All that is set aside here. Remember, this book was written more than 30 years ago, even as the counterculture was rising, so it is very much a observational history, one done at ground zero of the demonstrations, sit-ins, when the tumult and strident calls for radical new solutions rang clear, and the heady air of nascent social and intellectual revolution was in the air.

Here one finds the counterculture placed in its proper context, and not just discussed 'en passant' as the demonized triage of sex, drugs, and rock and roll'. One can hardly understand the sixties in such simplistic terms, and Roszak helps one to understand the complex welter of social, economic, and political factors that led to its emergence. In its essence the counterculture was a social and political reaction to the hypocrisy of the mainstream materialistic culture from which it sprang, and as sociologist Philp Slater has commented elsewhere, most of the individual elements of the value system of the counterculture stem from values the mainstream culture in fact claims to hold but actually does not practice and employ.

This, then, is book with remarkable insight, perspective, and historical verve. Rosazak nails quite accurately the tensions, problems and contradictions associated with the rise of the counterculture and the innate problems its continued existence eventually portended for the materialistic mainstream culture. Of course, as history shows us, the sixties ethos was flattened by the overwhelming onslaught of the establishment and the Ohio National Guard, and the political and social ethos of the counterculture melded into the domain of increasingly isolated private and personal philosphies of hippies being assimilated into the mainstream.

The fact that its ethos is now blamed for much of the discontent and confusion of contemporary America is a likely result of what happens when one tries to merge antagonistic ideas and notions into a cultural system that is inconsistent with its own. This is a wonderful book, and one needs to read before the victors of those fractious times so revise the official version of the history of the 1960s that those of us who were there will no longer recognize it.

This is a great book- but it has nothing to do with a Native American boy living in the east! Mindy is a Hopi girl living in Arizona!

Susan has a lovely writing style and a deep understanding of her Hopi culture. I recommend this book for those wanting to learn more about the Hopi culture from the Hopi viewpoint.

This is a timely book, especially with the typical flurry of Native American activities that start in November in schools around the nation. One of the best qualities of this book is that it shows that Naiche is like any other American boy: has a family, lives in a house, eats pizza, plays soccer, and wears cargo pants. Native Americans are still the subject of stereotypes fueled by many aspects of society. For example, sports team mascots that reinforce people's ignorance. This book goes a long way toward showing that Native children have the same dreams and needs as all of our children.

This is a beautifully written and photographed book that should be on every teacher's reading list, public library, and family bookshelves.

Having seen an advance copy of this extremely informative and enjoyable book, I can urge teachers and parents looking for entertaining material on how Native Americans in the East live today to buy this book. It tells the story of a multi-tribal boy and his daily life. Dr. Tayac has an engaging writing style and the history and culture are presented in a very accessible manner.

Naiche is described so stirringly in this book by Dr. Tayac that any native or non-native American would want to know him. Many American children in 2002 grow up multi-culturally and this wonderfully written children's book clearly evokes a compelling portrait of Naiche's world. The richness of Naiche's Indian culture will expand the horizons of any child who reads this page turner.

This book will inform and entertain youngsters from second to sixth grade. Youngsters from about third to sixth grade can read this book independently while first and second graders can have it read to them. It demonstrates the daily life of a real native child and shows how many American Indian children live in the eastern region of the U.S. today. It also corrects common beliefs that many youngsters between ages 6 and 11 or 12 hold, that native children live in teepees and wear deerskin clothes etc. The author, Dr. Gabrielle Tayac, a Piscataway Indian and Naiche's cousin writes clearly and is obviously familiar with her reader and subject. She knows Naiche and his family well and communicates this to her audience in a interesting manner. The photography and the text mesh beautifully to tell the true life story of a contemporary native family through the eyes of a child.

Duncan is best at his research and then going out and finding people to interview for his topics. He doesn't leave anyone out, from 80-year-old homesteaders who refuse electricity or running water, to polygamists, questionable cattle rustlers to religiuous survivalists in New Mexico. He put his heart and soul into this book, and the chapters read easily, going from writing about the history of the places to the current people in the towns along the way.

His descriptions of the surroundings, the descriptions of the people he stays with for his interviews make this book a worthwhile read for lovers of the old Frontier. Although slightly dated now (references are from 1990) there is no doubt that many of the facts still remain; there are still many void regions of the West where few people dare to plant roots.

This book is comparable to Jon Raban's "Bad Lands" of eastern Montana, another good book on how the West was settled. Both were written in the late 1980s/early 1990s. How much of the information is still valid? Duncan toured every county in the US that had less than two people per square mile. Out in West Texas, New Mexico or Montana, that is still a lot of land.

I read this book several years ago, and it still crosses my mind often. Dayton Duncan is a wonderful author, and you immediately are in the vehicle with him, sitting right along side him and experiencing all the highs and lows of this trip in 3-D. Soon after I read this book, I sought out and read everything else he'd written by then, each of which was a joy to read. If you enjoy road trip books and learning something about the nature of we Americans, you'll not go wrong by reading this book. I've read most other contemporary American road travel books, and this certainly ranks at the very top (along with Bill Bryson's "The Lost Continent"). Get both books, you'll have traveled the length and breath of the country by the time you've finished andyou'll have met some very interesting, fun companions along the way.

In "Miles from Nowhere," Dayton Duncan travels to all the least populated counties in the continental United States--the frontiers--just about all of which happen to be in the West.
He explains that the definition of "frontier" has to do with how many people live within one square mile, and then he commences to visit all the loneliest, most offbeat, most middle of nowhere spots in the entire country.
What he finds, he writes about in flowing, clear prose, and he does a good job understanding and explaining the lives and lifestyles of the people he meets.
This is the kind of book that makes you pack your bags. It could be dangerous. It could make you load your wife into a car and head out to a mice-infested trailer on some tired patch of Arizona soil where cows block your driveway, your water comes from a windmill, and your nearest neighbor is a gun-toting survivalist who homeschools his kids.
I know it can happen. See my profile for evidence.
The book is worth it alone for its portrait of Alex Joseph, his many wives, and the polygamous citizens of Big Water, Utah. Their group is a subject worthy of whole books, but this is one of the few printed references on them, and Alex Joseph's son told me himself that they consider this book to be almost completely accurate. They like it too.

You thought the American frontier had disappeared? Well, Dayton Duncan spent a couple of years visiting those American counties that still meet the definition of frontier -- less than two people per square mile.

In Miles From Nowhere, Duncan sheds light on what it means to live alone, really alone, no neighbors in sight or in small communities where there is no "next town over." There are quite a few counties in the mid-west and far west that meet the Census Bureau definition and the author provides an excellent sampling of what makes people stay or in some case move here.

The place stories are sometimes fascinating and also interesting. One area of Nevada was the fallout zone for early nuclear tests -- chosen because it was almost empty. Duncan explores some of the people who lived under where the white ash fell and explores their continuing health problems as well as their exasperation with an unresponsive government.

In Montana, there are still one-room schools where teachers live in trailers at the school site and teach one to ten kids from an attendance area measured in the hundreds or thousands of square miles. There are people in the mountains of Washington and Oregon who pack their cars with a week's worth of provisions in case they break down because that's how long it could take someone else to happen upon their stalled vehicle. And in Love County Texas, a county with under 1,000 people, the local elections are decided by feuds and family grudges that separate people into warring camps for elected offices which hold no real power and have no real money to spend.

I found a peak into these lives and stories fascinating and couldn't put the book down. Duncan has a way of getting these folks to open up and treats them matter-of-factly in a manner which allows the stories to speak for themselves.

This is a very interesting book that opens up a part of America that almost all of the rest of us will only ever drive through while considering it empty. Its not all empty, in valleys and nooks and up miles of dirt trails and in other hide-a-ways live some of us who are Miles From Nowhere and live a life the rest of us would have a difficult time enduring.

Here Dayton Duncan takes us on a fascinating tour of counties in several Western states that have fewer than two people per square mile - under which communities are considered "virtually uninhabited," at least in terms of standard sociological expectations. In addition to descriptions of jaw-dropping emptiness that people from more populated areas would find either uplifting or terrifying, Duncan provides many engaging stories of the real people toughing it out in these areas in which few are hardy enough to live. Examples are fractured politics among the Navajo in Utah; victims of nuclear testing in Central Nevada; an elderly woman living alone in Montana without modern conveniences dozens of miles form the nearest road; and the compelling story of the last few Seminole Negroes - descended from escaped slaves who mixed with Florida Indians and eventually ended up in West Texas. Included are great examinations of the cyclical boom-and-bust economics and strange politics confronting these lonely places, as they are alternately overlooked, romanticized, dumped on, and fought over by know-it-alls from far away. (On the other hand, Duncan also examines the irony in how such people often despise government interference, even though their existence would likely be impossible without Federal subsidies.) Duncan shows that these under-populated regions are still home to hardy and interesting people who continue to fulfill the American ideal of breaking off from the rat race and making it on one's own. [~doomsdayer520~]

Unlike many works that Alan Lomax had has hand in, this book is great reading, if nothing more. I am not known to be a fan of Alan Lomax and his father as my review of _The Land Where the Blues Began_ attests, but at least Lomax realized what a treasure Jelly Roll Morton was and interviewed him and also had Morton create hours and hours of singing and piano music.


This book offers a digest of hours and hours of interviews with Morton in the late 1930s when Morton was living in Washington. It is supplemented by some very useful interviews Lomax did with New Orleans musicians and their families in the late 1940s. The New Orleans interviews provide very useful direct source material about the social and culture and professional milieu that both Creole and Black musicians in New Orleans Sprang from. A recently written criticial review by a real scholar at the close of the book explains the great limitations of Lomax's selections and writngs here.


Lomax apparently knew little about the real history and processes of New Orleans jazz and life, so that a lot of questions that someone interest in Morton's impact on music are not asked, not just in what Lomax selected to put in this book, but in the larger transcripts of Lomax's interviews and in the monologues Morton dictated to a stenographer as part of this project. Lomax's tendency is to seek out non-musical issue his stereotypical images of Blues and Jazz musicians call forth. This is quite unfortunate because to the end of his life, Morton had a very sophsiticated and articulate understanding of music and was capable of serious discussion of jazz and blues in formal musical terminology. He was a person who seriously thought about music most of the time when he was not playing it.

Recently scholars with new information drawn from new discoveries of Morton's personal archives, correspondence, and musical library as well as the range of interviews with other musicians tend to verify much of what as thought of after these intervews as bragadoccio. Morton probably was the first person to produce written compositions that were Jazz as opposed to rag time. He was certainly playing and writing down blues compositions before Handy. Even the greatest of early Jazz Pianists like James P. Johnson affirmed that both in the days before WWI and in the 1920s Morton outplayed all the great Jazz Pianists.

The examination and performance of the music that Morton wrote in the late 1930s indicates that Morton had not only mastered composition and band arrangement in a style that would have surpassed the most surpassed swing of his day but had written orchestral pieces that prefigured the modal Jazz that Coltrane and others presented in the 1950s. These and other compositions indicate that whatever the fortunes of his public performances, Morton was a serious composer whose skills continued to advance even in his last years when his health collapsed.

Yet flagged by failing health, Morton was never able to organize an orchestra that could have played these pieces. He had been told that he could have lived ten or fifteen more years had he given up performing music, but he wanted to make his music more than he wanted to live.

Finally, Morton WAS cheated out of millions of dollars in royalties by the music industry, especially by the Melrose Brothers and by ASCAP. He was one of the first musicians to challange the way the Mafia-connected music publishers simply robbed musicians of their compositions or did not pay them. Unlike some musicians who suffered quietly or WC Handy who was one of the token Blacks ASCAP paraded around to hide its racism, Morton launched a public campaign in Downbeat and other Jazz magazines that exposed the crimes of ASCAP and music publishers like Melrose.

Until the mid 1940s, ASCAP which collected royalties for compositions from record producers, radio, night clubs, and other places where music was played had a racist setup. Few Black members were admitted although royalties were collected for their music. Morton carried out a public and legal campaign for years to be admitted to ASCAP even though it was collecting millions for the large number of his compositions that had become great hits in the swing era, like the King Porter Stomp that became a standard that any competent string band cut its teeth on.

Once inside ASCAP, he found ASCAP distributed its royalties not based on the money different songs brought royalties but on what a board of ASCAP leaders decided was the cultural worth of different kinds of music. Thus while Broadway and classical writers were getting hundreds of thousands of dollars in royalty payments, Morton received under 200 dollars each of the two years he was living and a member of ASCAP. Morton protested and exposed this publically in the last years of his life and attempted to gather other victims of this system in a law suit. While he was dying and unable to carry on this struggle, his protests and the information he gathered led to congressional investigations in the 1940s that forced an end to discrimination in ASCAP in regard to membership and forced it to distribute royalties based on the sales of the music, not on its "value."

The issue of braggadocio also comes here from the fact that Lomax supplied Morton with a bottle of whiskey for each Interview. Morton was not an alcholic, but those who have studied the transcripts have noted that Morton grew more inaccurate, abrasive, and unreliable longer into the interviews as the booze took effect.

This fits into Alan Lomax's consistent pattern of trying to make sources, particularly Black sources fit into the stereotypes he had about them. Lomax who took many photographs of his folk sources, for example, would force people who preferred being photographed in the Sunday Best, to appear in old work clothes. While Leadbelly actually favored the finest suits and imposed a dress code on Sonny Terry and Brownie MCGhee when they roomed at his New York Home (suits and ties as musicians are professionals and get a case, not a sack for the instrument) Lomax forced him to perform in prison garb or overalls. Lomax also created the fiction that singing and the intercession of his father John Lomax had some relationship with Leadbelly being released fromthe Louisiana penitentary when Leadbelly was released as part of program that automatically reduced prison sentences due to depression-caused cutbacks.

Lomax wanted precisely to convey a picture of Morton filled with whiskey, smokey rooms, and so forth, when Morton was one of the biggest stars of music between 1917 and 1930, performing in some of the most sophisticated venues and a particular favorite with Hollywood film stars of the period.

Despite these criticisms, I urge anyone interested in finding out not only about Jelly Roll Morton, but about the origins of Jazz in New Orleans and the entertainment industry in the earkly 20th Century to read this book. A good supplement, or perhaps a better place to start would be _Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton_ by Howard Reich. This can be followed by _Dead Man Blues: Jelly Roll Morton Way Out West by Phil Pastras_.

In spite of Jelly's bragadocio and the author's lack of Jazz background (Lomax was a folklorist) it's a very interesting book. Jelly must have felt injusticed when, in the late thirties, Benny Goodman was earning lots of money with "King Porter's Stomp". But the truth is that, exactly like King Oliver, he was outpaced by the revolution started by Satchmo.

I have always been a fan of Jelly Roll Morton, and I've always looked for books about him. This is by far the best. I loved it. I wish they would re-issue it

Alan Lomax interviewed Jelly Roll while doing an extensive set of recordings shortly before Morton's death. He followed up with a number of interviews with people who knew Jelly Roll. Lomax did a fabulous job of keeping himself out of the way while letting the often colorful information from the interviews tell the story of Jelly's part in the birth of jazz, a story with triumphs, massive ego and ultimate decline. I read a library copy and am buying a copy for a present.

This is one of the rare books for it can be enjoyed by just about anyone who picks it up. Its the amazing account of the life of Jelly Roll Morton, one of the best jazz pianists of all time. Though a braggart and troubled man, he created some of the very best pieces of jazz. The book goes into his life from his childhood and his time working at Storyville to the very troubled end in the early forties. You learn about his family, his troubled relationships with Anita and Mabel and how he went from being wildly successful to dying virtually forgotten. Voodoo, New Orleans, jazz and Creole culture, its all here.

Written with flair and never boring, Mr. Jelly Roll is a book that you will read more than once. Its a look at a legend and a glimpse into a world we can only know of through books and music. Get this if you want a good read and a look at Mr. Morton's life. A true classic.

My daughter is yet to turn 3 and she absolutely loves all her Kumon books. The Sticker and paste series not only teaches them co-ordination and works on improving her fine motor skills, it is also a good puzzle book. Some of the pictures towards the end are 2-6 part puzzles and my daughter loves doing them. The quality of the paper is excellent. For kids who are crazy about puzzles, I would also recommend My Book of pasting jigsaw puzzles from Kumon.

These Kumon workbooks are great! I find that my barely 2 year old is a bit young for them, but they will probably be appropriate when he is closer to 2 1/2. My 4 year old loves them just as much as the "older" Kumon workbooks. I have used these as an intro to cutting/pasting/printing since he is not attending 3 year old preschool. Turns out they are a great mother/son time together as we work through the pages. The books are progressively difficult so the kids don't get discouraged trying something too hard straight off and then not being interested in subsequent activities.

As a teacher staying home with my toddler, I wanted materials for her that would be fun and educational without her catching on to the fact that she's learning something. This fits the bill...and each page has a little reminder to parents of what their expectations should be, so kids don't get frustrated. I suggest getting a few different books together and just doing a few out of each. Mix it up!

My son is 2. We bought the maze,color,and trace books too.Although he likes them all, the sticker and paste books were by far the easiest for him to use at his age.The quality of the paper is wonderful w/ bright colors and a thickness that holds up to a toddler.We use scotch tape instead of a glue stick when I'm not in the mood for the extra clean up! I homeschool our other child, these books make him feel like he's doing his "school" too. I will definitly continue to buy Kumon books in the future.

We have several of the titles in this 'Lets....' series and they are great books to get started on colouring, sticking, tracing etc. My [...] son and I love to work on them and they are wonderful 'instant gratification' projects for young children. Small pages to work on encourages small people to finish each page and get to the next. I would highly recommend them and then for older kids, the next levels - check the ages on the books. Great activity workbooks.

At first glance this regimental history of the 11th Regiment North Carolina Troops looks like one just for Civil War history buffs, but that is far from the case.
This history is painstakingly and thoroughly researched, and lovingly written. You feel you really get to know some of the ordinary troops involved and you connect strongly to them as the war, and their part in it, develops. The book is well-written and clear, and the battle descriptions easy-to-follow. It provides an insight into the lives of ordinary Confederate civil war soldiers, and what made them continue with their struggle until the very end.
This proud regiment was involved from the first battles of the civil war until the final surrender at Appomattox - this book does credit to that proud combat record.

A must-have book for anyone with ancestors who fought in this unit, the reporting is both academically complete and personal.

While researching my genealogy last summer I came across this book. My great grandfather was Woodson Garrett who is mentioned in this book and who served in the Bethel Regiment. I visited several of the battlefields and the descriptions of the battles here are coherent and emotionally charged. Highly recommended.

The book is well written, and quite informative. It is about North Carolina's most famous regiment in the Civil War. While this might seem like a book of narrow appeal, it offers a great deal about how the war was conducted and should be of interest to any Civil War buff. I bought the book because I had an ancestor that served in it. I learned far more than I had expected. As a former
Infantry Officer and a Physician, I was also interested in tactics, morale, supply, casualties and their handling, intelligence and care of the soldier from recriutment to the end (whether death or discharge). I found all of these and much more! The battles are well described, as well.
Expecting a regimental history, I found a greater comprehension of life in the South during the War, it's politics, it's problems and their solutions, and a great military overview of many areas. If you liked Gone With the Wind, or Cold Mountain, or Shelby Foote's volumes on the history, you will get some of each here. I highly recommend this surprising book to anyone interested in the Civil War.

Craig Chapman's book struck a chord here. As one who is very much interested in Gettysburg, and the Overland Campaign of 1864, I am glad I found this jewel of a book. The author writes the story very well, and the research that he has done is exceptional in this tale of the boys from the Tarheel state.

This regiment is not as well known as the the 26th NC, but their trevails at Gettysburg was just as horrible. It also illustrates how they were used in the Overland Campaign...and the perils and suffering that they went through in 1864.

I heartily recommend the book, and can confidently say if you read it, it will be tough to put down.

This is the best, most extensive book on Native American crafts for children I have ever seen. Teachers doing a unit on Native Americans will find this book a tremendous resource for creating all kinds of not authentic, but good semblances of Native American crafts. Using mostly ordinary materials, there's enough here that you can create a classroom museum and invite others to see it. In your display you can have: miniature teepees and wigwams, an "adobe" house, pottery, "bark" boxes (made of brown paper), chamois and bead pouch, coup stick, breechcloth, leggings, grass anklets (made of yarn), warbonnet, headband, breastplate, and much more. These clothing items can also be used in a play or other enactment. In addition, there are some interesting recipes, including: corn soup, steamed clover, fried squash blossoms, roasted pumpkin seeds, and other more familiar foods.

In planning Native American Stand for a day camp...this book is awesome. Has wonderful games, crafts, foods etc and it breaks it down into which tribe was known for each...very educational and a wonderful resource.

I am a K teacher and I found this book a great resource for my Native American unit. It has so many activities for that could be used at any grade level! I learned many new things and loved that the children were making and learning about actual Native American games, garb and food. They loved it!

This was the most valuable toolwe found to help my 3rd grader make her diarama herself. The directions are clear and simple, she was able to build evereything herself. A MOst, Great!

More than Moccasins is this homeschooler's dream come true. Homeschooling a six year old, who is also a very hands-on learner, this book fits the bill. Each section, from Indian dwellings to pottery to traditional games, has activities that are fun and EASY TO DO! Very general household items can be turned into bakeable clay for pottery, teepees, etc. So many books with crafts require tedious materials that are difficult or cumbersome to obtain. Plus each section has a bit of information and history on that particular area of Native American culture ~ short enough for the younger set but detailed enough to provide accurate historical information to go along with the project. There are MORE activities, games, crafts and recipes than you could ever do in an entire unit. This is a book I will return to over and over. GREAT JOB!