North America Books

Richard Schwartz paints a picture of Berkeley in words that transports you back in time. Interesting and lively, the stories show life around the turn of the 20th century. Even for people who don't live in the Berkeley area, the characters and pictures are fascinating. A must-read for anyone who wants a sense of how life really was around 1900.

This book really gave me a different perspective on Berkeley, the geography and the people. The way the information was delivered brought the book to life and added depth. It is not in any way a "typical" history book. The vignettes about the people made the time period approachable and real. A must read for anyone who has ever been to or lived in Berkeley.

Just a few words to tell you how much I enjoyed "Berkeley 1900." I saw
pictures about a past I never knew existed. It gave me an appreciation of
Berkeley I never thought I would have. Prior to seeing the book, I thought
Berkeley was just a bunch of pinkos.
jake

This compilation of hundreds of newspaper articles shows a small town at a point in its evolution. Berkeley, California is now a well known city throughout the USA, but it started out from humble beginnings. Each article reveals something different about its people, its society and movements and norms of the day.

I expecially enjoyed items such as these:

Chapter 18. Saloons and the Temparance Movement. "Scientists. . .reported that daily indulgence in beer would result in a mental state akin to criminal insanity. . ." Fascinating stuff.

Then dive into Chapter 19. Milk, the Problem. In a creamery's advertisement one can learn "Absolutely pure country milk and cream from healthy cows and fed in a well-ventilated and sanitary barn -- fed on only the best food obtainable."

Just slices of 100 year old life in Berkeley. . .

Some historians avoid the controversal events of history. Richard Schwartz's book paints a realistic view of of life in Berkeley, California at the turn of the century.

From articles condemning dairymen for not giving their milk cows the tuberculin test, to stories about organizations forming to discriminate against Asians in the city, Schwartz tells it all, the good, the bad, and the ugly.

A great portion of the book is devoted to "human interest" articles. There are stories that deal with fires, ferries, and the conflicts between horses and the new automobiles.

Richard's book is filled with interesting articles, artwork, newspaper ads, and photo's. It makes a great coffee table book, one that can be picked up anytime for a few minutes of exceptional reading.

This is a great addition to any home or collection. This book has the family, species(latin name),length, wingspan, plumage habitat, weight, nesting, and more for over 930 species of North American birds on over 1000 pages.

Just got home from B&N, where I saw this book -- I spent a LOT of time flipping through it ... talk about lust! I must have this book ... must must must. After this review I'll buy it now at [...]. I knew [...] would have it at a discount (no discount on it at B&N), plus this tome is very heavy ... and I already had a stack of books (seriously discounted) that I couldn't part with. I'm not even a serious birder, but I love birds and keep track of those that visit my Brooklyn patio (you'd be amazed at the variety!). Can't wait 'til it shows up ... this is truly a handsome book, chock full of terrific photos and info. Splurge and treat yourself!

If you love birds, you may want to add this book to your collection. Clearly it is not a field guide: too heavy and bulky. It does, however, contain a great deal of information that will help in the never ending quest to find and identify another bird. Each bird listed has a section on song, behavior, breeding habits, nesting, population, and conservation. Flight patterns, nest identification, and habitat are also described iconically. Good range maps are included. The "photos" will not help much in identifying birds, but a complementary guide such as Sibley's can fill in the gap nicely. Place this book on your coffee table, open it often to learn another tidbit about one of those birds you haven't yet seen, and I don't think it will be disappointing.

This book has more information than any other book I own. You will find birds listed here that you won't find elsewhere and the information offered is second to none. Considering the cost of this book, the value is tremendous. You will find common names, scientific names, very specific identification notes and interesting facts on all the birds listed. In the upper right hand corner of each page is a diagram showing the relative size of the bird to the size of this book and this is very helpful. You'll also find information on breeding, nesting and basic behavioral aspects of each listing. I personally recommend this book to any casual or enthusiastic birder.

Birds of North America written by Fred J. Alsop is one of the most complete books on birds of North America that I've seen.

The contents of this book is comprehensive and has a very well-written introduction and a how the book works section, this describes how the books pages are set-up for easy indentification of the birds you find in the wild. The guide to visual references helps again to further refine your classification and a identifing of the bird you've found.

There is an anatomy, topography, and variations sections; also a how to identify birds, birds in flight and by silhouette, but to further hone your indentifing of your birds, there is a behavior, abundance and distribution; classification and how to watch birds in the backyard, along with those in the field.

There is a very fine glossary and index with this book to get the birder to the species you've found. this book classifies birds by species... this I found is the best and fastest way to find and classify to birds you're looking for.

I highly recommend this book for those who really need a book for their birding experience. Along the outside margins of the pages, there is a place for a date, time and location on the page for you when you spot a bird species.

All in all, this is by far, one of the best bird book that I've seen. Excellent choice for a gift for the birder in your family or to get the children involved in what is around them while the are with you on walks through the woods.

(My review is on Thoreau's Cape Cod rather than this specific edition).

While some literary critics seem to slight this work by Thoreau, saying that it is not as "powerful" as his other works, etc., I personally find this one very enjoyable. Sure, it does not have as much "philosophizing" as other books by him, but it is full of humor and very fun to read. The part where he describes the old man spitting into the hearth is particularly hilarious. The part about him sleeping in a lighthouse is also very funny. It lets us experience the more jovial side of Thoreau. This is probably one of the easiest to read among Thoreau's books.

Published posthumously, this volume is surprisingly consistent and complete (unlike "The Maine Woods" which is chopped into three different parts), it gives one the feel of walking along the entire cape, although the materials are quarried from several different trips. One only wish Thoreau had lived longer and had seen the West, imagine him taking a trip in the Sierra! Oh, well, meanwhile, we still have this one to enjoy.

Thoreau visited Cape Cod in 1849, 1850, and 1853. These trips formed the basis for a series of essays, several of which Thoreau published in magazines. After Thoreau's death, the essays were gathered together and published as "Cape Cod" in 1865.

Thoreau's "Cape Cod" is different in tone in theme from his earlier books. The tone is leisurely and light. Instead of solitude or the wild woods, the picture that remains with me from this book is that of a long walk, or, as Thoreau puts it, a "ramble" through the sand and dunes of Cape Cod. The book is picturesque, full of humor and wry observation. Thoreau unforgettably describes the ocean, in its storms, vicissitudes, and moments of peace, the fish and the fishermen, the sands, birds, plants and lighthouses of Cape Cod, and the people. I have visited portions of the Masachusetts coast, but I have never been to Cape Cod. Thoreau took me there in his book.

The book is arranged into ten chapters. It opens with a description of the shipwreck of the St John on a rock off the Cape. Thoreau then describes a ride by coach across the Cape. But the heart of the book lies in the following chapters in which Thoreau with a companion walks the 30 mile beach from Nauset Harbor to Provincetown with many stops and diversions along the way. I felt the salt air and saw the fishermen and the sandy beach as I walked with Thoreau.

The most vivid characterization in the book is in the chapter "The Wellfleet Oysterman", as Thoreau describes a grizzled, taciturn, and ancient native of Cape Cod and his family who offer him hospitality for the night. Another memorable chapter involves the description of the Highland Lighthouse, no longer standing, and its keeper. The stops with the Oysterman and the Lighthouse punctuate Thoreau's long walks through the day over the beach and his meditiations about and descriptions of what he finds there.

Thoreaus walk ended at Provincetown, on the northernmost portion of Cape Cod, with its wood walkway, shanty houses, and ever-present scenes of fishermen, boats, and drying fish. Thoreau offers what I found an affectionate portrait of these hardy fishermen and their families. Following a description of what he found at Provincetown, Thoreau offers a great deal of historical background on the exploration of the Cape, from the Pilgrims reaching back to earlier French, Icelandic, and English explorers.

Thoreau's "Cape Cod" is a worthy companion to his books describing his experiences inland, on Walden Pond and on the rivers and woods of New England and Maine. It is beautifuly written with unforgettable descriptive passages. It made me want to get up and go from my life in the city, and over 150 years after Thoreau wrote, wander and walk for myself along the dunes and sands of Cape Cod.

This hardcover edition from Peninsula Press is unquestionably the best available edition of Thoreau's Cape Cod, for these reasons:

1) While all other editions are based on Thoreau's journal entries from only his first three visits to the Cape, this edition includes an epilogue compiling Thoreau's notes from his fourth and final visit, in which he traveled south to Chatham and Monomoy.

2) This is the only edition to translate the many, many Greek and Latin phrases Thoreau includes throughout the work, and it is also the only edition to provide illustrations, maps, and sidenotes in-text.

3) This is the only indexed edition ever created.

HIGHLY RECOMMENDED for fans of both Cape literature and Thoreau in general.

This book details the flora, fauna and people that Thoreau found in Cape Cod in the 1850s. Thoreau organizes the book around a single trip to Provincetown, although much of the material that he uses in the book came from various visits to the Cape, and to the ocean in general. He starts with a description of a shipwreck at Cohasset, then a stagecoach ride from Plymouth, then a walking trip with a companion along the outer shore to Provincetown. Along the way, he describes not only the plants and animals he encountered, but also the people who he met. The book finishes with a lengthy academic historical account of the discovery and mapping of the Cape.

I found this to be the most humorous of all Thoreau's work. The character sketches he provides in this book, sharpened with his trained eye for observation of natural phenomena, are legendary. The cultural description of the Cape and its environment is quite fascinating for those interested in the history of daily life in 19th century Massachusetts. As Thoreau describes the desolate, treeless desert that made up the far reaches of the Cape, one begins to comprehend what it meant for an economy to be based on wood and whale oil for fuels. Thoreau stresses how valued driftwood was for residents of the Cape, as one of their main sources of heating and cooking fuel. Doubtless, he would not recognize the Cape today with its lush new forests. Or its Wal-Marts--switching to an oil economy has brought mixed blessings for the Cape. For those who think Thoreau to be a humorless didactic philosopher, this book shows a very different aspect of Thoreau as a writer.

You will forget about the outside world when you read this; nothing but sand, wind, and water. Plus some natural history, local folklore, a few shipwreck tales. Typical Thoreau; he finds beauty, interest, detail in the wilderness. The desolate landscape will help to clear your mind. Highly recommended.

while in France recently at Chalon-sur-Soane I visited their photography museum. They were doing a special exhibit of this work. I was so totally impressed on how Miller could capture these photos while seeming to be invisable to his subjects that I investigated when I returned and discovered that this book was available. I bought TWO; one for myself and one for my daughter who is a serious photographer.

These striking images of Bronzeville -- "Chicago's Harlem" -- will blow you away. The humanity they portray, in all its beaten-down, lifted-up, heartbreaking reality, makes me wish I knew personally every man and woman depicted herein.

Wayne Miller, a white photographer now well into his 80s, went into the Bronzeville ghetto over a two-year period and made these touching pictures; then they "went into a drawer" for 40 years, until finally the Univ of Calif Press published this book. (The book itself is as well-produced a book of photographs as you are likely to find anywhere.)

My grandfather Nathan Joseph ran the States Theatre at 3507 S. State St., in the heart of Bronzeville, for some 50 years (unfortunately the States is not depicted herein). I myself have written a novel of Bronzeville called "To Love Mercy" (Mid-Atlantic Highlands, ISBN 0-9744785-3-9). A historical Afterword appears at the end of "To Love Mercy;" it is an oral history of Bronzeville, in the voices of a dozen people who lived there in the '40s and '50s. This Afterword is illustrated with seven of Wayne Miller's photos from "Chicago South Side, 1946-1948."

I have given close to a dozen copies of "Chicago South Side" as gifts. I was coming to Amazon to buy two more copies when I saw this opportunity to write a review.

These photos have moved me to tears. Buy this book.

This is a marvelous collection of images from everyday Balck Chicago life in the late 1940s. There are scenes of street life, back alleys, patrons at a pool hall and tavern, and night life ranging from a female personator dressing to Duke Ellington hunched at a piano at rehearsal and an ebullient Louis Jordan on stage.

This book is a treasure. I wish I could find more by this photographer (my searches have come up empty). The photographs take you right inside each scene, and often pack a powerful punch of sadness, joy, intimacy, life. The printing quality is excellent. If the publisher can collect more of his work, I will be the first customer.

This is one of the best photographic books I've seen -- ever. Wayne Miller manages to make personal contact with the human beings who lived on Chicago's South Side in a way that few photographers have ever matched. The warmth and complexity of these photographs, the compassion and human understanding involved, are most remarkable -- especially since the photographer stood on the other side of America's terrible racial divide from his subjects. Anyone who loves classic documentary photography, or who simply loves human beings in their complexity, should order this book.

We were very unhappy we bought this through Amazon.The seller was asked to please put a RUSH on this book because our trip was planned in two weeks. We did not receive a response from the seller indicating it would be longer and we didn't receive out book before our trip to Colorado. It was a big disappointment. Never again.

F. Mitchell

The detailed and varied information in this book far exceedes other comparable travel books. It is well organized and concise. Especially enjoyable are the historical backgrounds provided about each place. Knowing Colorado better than my home state, as I travel there frequently, I would not go without this book!

The Colorado Guide (5th edition) is exactly what I was looking for in a Colorado guide book. Besides giving your usual guide information for Colorado, it also included some of the more unusual places to check out, like the Wheeler Geological Site for example, near Creede, CO. Wonderful history stories of areas of interest, and food and lodging info/ratings also. I use it to find new ares to explore and as a reference. I highly recommend The Colorado Guide, especially if your looking to explore this beautiful state.

I am a Colorado resident and use this book (and the previous editions) frequently for weekend getaways. In all the many times I have counted on the author's advice, they have never let me down. Excellent book!

Jim in Littleton

This book is a thorough review of things to do, places to see, state history, restaurants and places to stay. In brief, there is not a better guide anywhere!

Smith delivers a searing critique of mainstream feminism on behalf of one of the world's most oppressed peoples.

This is an extremely informative book; all those dreadful (and politicized) things one hears about the abuse of indigenous peoples' sexuality -- it's even worse than that, and this this book is an articulation of all that. A must-read for those who are interested in correcting the ills of history and the present, in order to be achieving a wholesome society for everyone.

Smith's groundbreaking book should be required reading for all rape crisis advocates in North America. Not only does she provide a scholarly examination of the link between colonial genocide and sexual violence, Smith also provides context for contemporary activism and solutions. Forget everything you thought you knew about rape and sexual abuse and be prepared to re-think what it means to be a feminist and advocate. Smith's eloquence and thoughtfulness make reading this text an ideal starting point for dialogue in both academia and grassroots organizations. You will learn about how historical events continue to have an impact today and how the mainstream (white) rape crisis movement has fallen short of providing comprehensive analysis of sexual violence.

The first few chapters present the tragedies that America(as well as Canada, etc..) has committed on Native Americans, and while devastating it is real interesting to read about the boarding schools, sterilization, drug experiments, land taken thru treaties, etc...and abuse that Native Americans recieved from the government. I didn't even know about all the issues that Andrea Smith discusses -but I do know. I loved the first few chapters better then the rest!

In this examination of sexual violence used as tool of patriarchy and colonialism in Native American Indian communities, both historically and presently, Andrea Smith leaves no stone unturned.

She spares neither governments for their racist and harmful policies regarding indigenous peoples and the lands they live on, nor feminists and activists for their sometimes racist views and short-sightedness in their zeal to promote and protect their own respective interests. This is a rare treat to have such a carefully researched analysis made accessible in this book, from an academic and activist who is herself a Native American Indian.

Her thorough analysis of Native American Indian women being adversely affected by government policies still tainted by colonialist mentality--such as through nuclear testing on or near Native American Indian reservations by our government, or being used as guinea pigs by pharmaceutical companies testing new drugs, sends one, very clear message: Native American Indians are considered expendable by our government. Reproductive health problems, babies born with health problems, and poor access to health care (often substandard) are only a few issues these women pay dearly for as a result of unfair governmental policies. The police brutality occuring on reservations, or against Native American Indians in general living outside their communities that she researched,is unspeakable. And heartbreaking. It is a shame to have to realize these abuses are happening in the 21st century.

Smith also brings to light the attitudes of other governments, such as Canada and Peru (as well as NATO) toward their own indigenous people: the prevailing consensus is that they are all expendable. Ravish them, sterilize them, use them as subjects without informed consent in medical experiments and new drug testing, rape their land for others' profit, assimilate their children into mainstream society to civilize them by removing them from their families and into boarding schools, take away their rights and dignity, imitate aspects of their culture in the form of New Age spiritualism--or pornography, to save it from extinction...will anyone really notice?

She balances the unpleasant facts with thoughtful suggestions to solve, or at least alleviate, the many abuses and iniquities that the Native American Indian community has suffered for so long. And she provides a resource guide at the end of her book.

This book was at times uncomfortable to read due to the nature of the subject: sexual violence and the injustices inflicted upon Native American women, and their kin in general. But overall, I was excited to read this for its historical, academic, activist, and feminist perspectives; my knowledge of Native American Indians had been stale since before the end of my high school years. Highly recommended!

I've decided to write reviews of the books that not only caught my attention early on, but lived in my memory all of these years, words and phrases coming unbidden to mind occasionally from a literary experience far removed but not forgotten - a spirit residing within your own as an old friend. This book was one that probably never got the acclaim it deserved, although I never spoke with anyone who didn't like it. If your culture or experiences spring from a youth originating in the West or Southwest, you will be enchanted with it because you will recognize parts of it as your own.

This is the "long hot summer" story of two boys, friends since infancy, South Boy, a white youth, son of an Arizona rancher, and Havek, a Mojave Indian boy - whose intertwined trails to maturity took one last summer to complete for them.

During the course of the summer,it takes you through the complex and oftentimes uneasy coexistence between white and indian culture; and the coexistence between the "cultured white" and the "earthy ranch people" is equally tenuous. In the words of the long haired outlaw foreman that ran the ranch for South Boy's father during one of South Boy's Learning Sessions: "Don't put no stock in those wild ideas of you mother's. She's a Lady. Naturally, she's ignorant!"

The adventure begins with the rising thermometer and a youth sleeping in the shade of the grape arbor - he makes his way to the river under the blazing summer sun, goes to sleep on an overhanging limb with the muddy water flowing beneath him; and there Havek finds him "with a dream on his face". Havek is aspiring to become a "great person", is of an age to take a better name for himself in the Mohave tradition; and reads into South Boy's slumber something South Boy is reluctant to dissuade him from for appearances sake, so he agrees to travel "name taking" with him.

They spend one last glorious summer together as adolescents blundering through the Arizona mesquite and greasewood, in a variety of scenarios, some curiously noble, some ill-conceived and dangerous - before the final departing from the comfortable innocence of childhood, where a friend is a friend regardless of anything else; and moving into the complex world of the adult where nevermore will their friendship be as simple as it was on the banks of the slow-flowing, muddy river that day. It is evident in a very poignant scene as they are returning home after the adventure of death, rituals, ignorance, survival, all stunningly woven by Mr. McNichols into a tale spawned from the living of some of it, you can tell. The mesa is awash in rain water dropped by a violent storm after a long draught; South Boy suddenly applies the teachings of the "Foreman" to his immediate reality and comes up with the idea that he can make a lot of money putting weak, cheap cattle on it. Havek, on the other hand, is on his way home to celebrate his new name with his people, and "financial gain" is of absolutely no interest to him - and there they go their separate ways, each to the world he springs from, the same physical world, but in all other ways as different as the ideals and teaching that shaped them.

One feels a certain sadness that it should be so and most of us probably secretly wish that we could reside in our youth forever, never growing up.

This little-known book is, IMHO, one of the greatest books ever written. Reading it as a boy, I was puzzled by how it made everything seem so real in so few words - everything in it seems to have a life off-camera that we had just glimpsed part of.

McNichols crisp writing, detailed knowledge of Mojave Indian and Colorado Desert ranching, and realistic plot make this a genuinely timeless work., My tattered copy was given to me 45 years ago by the writer Madge Harrah. Every half decade or so I dig it out and read it again. It taught me to write and, in a way, was a model for my North Of Nowhere. Bravo Charles!

South Boy goes with his friend Havek on a Mojave name-quest. It sounds simple -- but under the surface is a breath-taking wealth of experience, mythology and understanding of the many personalities in one person, or one horse, or one culture. Every sentence of this book is laden with knowledge of its time and place. Even the mention of the "little yellow catfish," about which no more is said than that they "make good eating," reflects the fact that in this period the US Government seeded the Colorado river with the Yellow Catfish, a transplant from Texas. This is the key to the book -- that everything is in flux, as two cultures melt together, and new ways try to live with old ways. The ending seems to be a conclusion -- until you realize that it's only one more step to escape from final decisions. The book begins a long way before the first sentence -- and would finish a long way after the last. Dreams and visions reverberate through the telling, and Great Things are done.

Having recently moved to Mohave County in Arizona (not far from the Colorado River), I was interested in reading "Crazy Weather" to get a little of the "flavor" of the area, and to learn something about the Mojave Indian culture as well. The book lived up to my hopes in both of those respects, but what surprised me was how absorbed I became in the story itself. On one level, it's a simple adventure story involving South Boy (who's actually white but was partially raised by Mojaves and was given that name by them) and his best friend Havec (a Mojave) as they travel up the Colorado River into Piute territory --- and in some places it almost reminded me of Huck Finn travelling along the Mississippi with the runaway slave, Jim, and meeting an assortment of characters along the way. On another level, though, it's really about the challenges of truly understanding another culture and way of thinking --- and in the end the pull of their respective societies is too strong and the two friends inevitably have to part and follow their separate destinies.

The author seems quite knowledgable about Mojave culture and history, as I've confirmed from subsequent readings on the subject. If you're interested in the American Southwest, the Colorado River, native American cultures, or just a good story, I think you'll enjoy this book.

Well written biography. Moves along with a smooth pace. Has the feel of an exciting novel rather than a history. Will be of interest to southern Californians and particularly Angelenos. Those who have seen the movie, "There Will Be Blood" will find this story worthwhile.

The book was very interesting and historical. The writer was excellent and easy to read and understand.

Margaret Leslie Davis has done it again with another fine biography. Ms. Davis shows us the inner man of Edward L. Doheny, one of the richest and greatest Californians in history, virtually the John D. Rockefeller, Sr. of the West. Doheny was flat broke at the ripe age of 40 and yet within a few years he became one of the richest men in the country through his wild-cat oil discoveries in Los Angeles and Mexico. The break-up of Rockefeller's Standard Oil by the U.S. Supreme Court left Doheny an opening which he exploited adroitly. Most impressive is Ms. Davis's keen legal understanding and her scrupulous attention to noting her sources. In fact, the "notes" at the end of the book are arranged so that the top of the page refers the reader to the page number of the text thereby making it very easy to flip back and check the source. A small detail, perhaps, but much appreciated. Ms. Davis is a true scholar; her legal training shows itself especially when discussing the Tea Pot Dome scandal that ultimately tarnished Doheny's reputation. In short, Ms. Davis is becoming our finest historian on the West and particularly California.

Good read, except for the fact that the author deliberately omitted the fact that Ned Doheny & Hugh Plunkett were gay. Ned Doheny probably was bisexual and he spent a lot of time with his buddy Hugh Plunkett. Certainly the Doheny family asked the author to downplay this issue in exchange for their co-operation with the book. Hugh was more than a "private secretary". I assume the author is straight; so she would not understand Ned's sexuality; Ned was spoiled rotten, an only child, and was given everything money could buy. It is a wonder Hollywood never made a film of this story; perhaps the Doheny family have something to do with this? In 1929, it was assumed that Ned and Hugh were lovers. Ms Davis has tried to change history? For a price? The public is not that stupid. Especially now with the scandals coming out of that seminary in Camarillo for pediphile priests that Estelle Doheny donated so many millions to. It is a wonder the Doheny family did not provide more photos as there are more at the USC library than Ms Davis was able to come up with in this book. The Beverly Hills Historical Society has a better collection of photos of Greystone; fully furnished in its heyday than you see in this book. Behind every great fortune there is a great crime. I expected to read something I had not heard before; but she is afraid to go there. Did Lucy Battson die with her secret? It was scandalous to be gay in those days, but not now. Maybe a gay author could have done the story justice. Her details about the oil fields are great; it is the social history that is lacking. We all know that the greatest export from Ireland is its people.......

This book is a fascinating look at the life and times of one Edward Doheny the onetime founder of Mexican Oil Company prior to the nationalization of reserves by the revolutionary PRI party in the early days of their power. The narrative follows the career of Mr. Doheny from his modest prospector days in the Wild West to the heights of his infamy during the Teapot Dome scandal.

This is perhaps a timely book as well given the questions being raised at the time of this writing about corporate malfeasance and corruption in the U.S. (Enron). Teapot Dome was one of the biggest political scandals in the first half of the 20th century and involved the leasing of government/public lands in preserve areas for energy development. More than one person went to prison and wrongdoing was proven against multiple individuals in the matter.

The book makes the case that Doheny was more or less guilty of poor judgment and being in the wrong place at the wrong time more or less. It is true of course that Doheny was found innocent on the charges and it is also true that despite this Teapot Dome is the matter for which he is best known (despite for instance being a contemporary and rival of John D. Rockefeller in the oil business). If in fact he was innocent of the charges then he paid a heavy price in terms of his health and the somewhat mysterious death of his son, which was either suicide or murder depending on who you ask and how you look at it.

For those with an interest in the biographies of the early titans of U.S. industry this is a worthy read in that it does detail Mr. Doheny's rise to power as well as his fall from grace. He came from a modest background and did not make his fortune until after the age of 40 in a time before life expectations averaged 70+. He suffered through personal loses and setbacks and managed at the time of his death, despite the misfortunes, to bequeath a sizeable fortune to his heirs. This book may also be of particular interest in the study of Los Angelos in particular and California in general in that the Doheny's were prominent citizens who built some noteworthy structures in the city including religious and educational facilities.

The author acknowledges that she had the cooperation and blessings of the descendants of Mr. Doheny and that a good body of original documentation was available for review and research. This provides an intimate look at the lives of the people in question but it also may cause the thesis to lean towards their views. The book does tend to exonerate Doheny in Teapot Dome and it does make a good argument that his involvement was not profitable and that the Navy Dept in fact sought him out because of rising fears of the Japanese Navy in the years leading up to WWII. It was a condition of Mr. Doheny's development of the area under lease to him that he build an extensive oil storage and supply facility for the Navy in the Hawaiian Isles out of his own pocket. This he did and subsequently was not reimbursed when the lease was negated despite having spent many millions in pre-WWII monies. It is also I believe true to state that it was Henry Sinclair who was the actual lease holder on the Teapot Dome acreage and that Doheny was leased an entirely separate parcel of public land. Sinclair along with Interior Secretary Albert Fall went to prison in the affair but Doheny was also tarred and feathered by the affair.
Whether the delivery of $100,000 in cash by Doheny's son to Sec. Fall was in fact a personal loan much as one might expect between old prospecting buddies (which they were) is really a matter of conjecture. At any rate there was clearly the appearance of impropriety in the matter and both Doheny's son and the man accompanying him that night were involved in a murder/suicide after indictment but before trial. With the principle witness gone and little other corobative evidence Mr. Doheny's celebrity legal representation did get him acquitted although he was convicted in the court of public opinion.

Personally I am inclined to believe a man of his stature might loan a friend the sum in question but I also would not be surprised if a quid pro quo were expected in return. You see there was any number of companies competing in secret for the government contracts and it is interesting that both men who won had either the appearance of impropriety or were outright convicted of bribery. Part of the reason Doheny was spared prison was in fact due to the death of his son and his earnest and teary eyed appearance on the witness stand where he looked the part of a grieving grandfatherly figure who had lost something money could not replace.
It is an intriguing story and well written book, not terribly long or archaic for the casual reader. While it is a history book it is in fact also the story of an interesting chapter in American business and personality history.

Limón's novel spans almost a century in the history of a Mexican family, beginning with Don Flavio Betancourt, a man who has nothing until he wins his boss's hacienda in a card game. The story revolves around two forbidden loves; one between Don Flavio's wife and his sister, the other between his daughter and an Indian. Limón begins her story during Don Flavio's final days, and his memories lay out the general course of events within the first few chapters. Then, using a mixture of flashbacks and mysterious discoveries, she allows her characters to slowly reveal to each other (and to the reader) secrets which have been hidden along the way. This extremely well-written novel will entertain until the final page.

Graciela Limon has continued her tradition of giving us the real story from the point of view of indignas rather than settling for an accepted view of history. Just as she takes the Hummingbird god of war in Song of the Hummingbird and makes him the female diety Huitzitzilin, she invokes the male diety Xipe Totec and makes him female. Limon rewrites traditional mythology and gives power to the female. Her choice to call the Tarahumara tribe, Raramuri, the name they prefer rather than by the name the Spaniards gave them allows these people to have their own voice. On top of these accomplishments she gives us an innovative story and tells it so well we. Limon's descriptions compliment the quality of her storytelling. Some are so effective that they give you chills, as when she describes a young girl's horror of the shadows caught inthe corners of windows. She says, "The shadows that clung to the vaulted ceilings like giant blackbirds scared her (76)." Limon's treatment of the different faces of silence gives her story strength. From the silence that the protagonist's sister weilds to the silence that the scheming plotting protagonist Flavio maintains, and the silence of Isadora after she meets with a fateful demise, silence is a mechanism for mystery and intrigue. Day of the Moon is definitely a book you can't put down. To read it is to be transported to another world, to another place in time, and into the lives of a type of people most of us have never even thought of.

What a wonderful book! Once I had started, I could not put it down. I see it as a combination of Romeo and Juliet (but this Juliet tries to shoot her father), Othello (but the "general" here is jealous of his sister's love for his wife), and maybe even some Cask of Amontillado thrown in for good measure (yes, someone is walled up). Classic themes, however, are treated in a fresh way-lots of them, including family secrets, murder, dismemberment, casting out, imprisonment, forbidden love, racism, and a quest for one's place and identity. What is particularly interesting is the way the novel is set up with sections devoted to most of the main characters. All are told with the omnicient point of view except one, this one almost in the very middle of the book and coming from the voice of Ursula Santiago who by speaking in a letter appears to be talking directly to the reader. Graciela Limon has written a wonderful novel illuminating the situation of the Indians who escaped the Spanish Conquest by fleeing to the mountains and caves, a place called El Cañón del Cobre. The Spanish called the people the Tárahumara, but their name for themselves is Rarámuri.

Read this excellent book. It will capture you completely.

a skillful portrayal of "forbidden" loves!

from the first page, graciela limon takes her readers by the hand (and heart!) and leads them deep into a mostly misguided world where secrecy and shame shroud and shackle life's inhabitants -- but where real and true love will be neither silenced nor denied anymore!

thanks to well-crafted and meaningful writing -- you, too, will fall in love! ... with a character, with a belief, with a cause! the power of the passion that has been poured into these pages will ignite in you a fire, and incite you to rise up alongside these courageous "underdogs" -- and to fight against a man/society who/that so cunningly, coldly, and diabolically plots, schemes, connives and contrives to control those, who by virtue of nature and gender, have been born and are considered to be lesser/weaker, by condemning them to living deaths - for loving those who are "forbidden" -- and, in one way or another, by taking the lives of their "forbidden" lovers.

who can read, and not feel, the pleasure and pain that seduces and sways the lonely brigida as she first lays eyes on her brother's betrothed? only to be forced to succumb to an empty life devoid of her existence. -- and -- who can bear witness to, and not be affected by, the finish of the raramuri's race - in which isadora's too-brown-skinned young lover will, quite literally, run away forever with her heart!

yet, there is the promise of triumph amidst the tragedy -- the novel ends with new hope in the form and character of alondra, isadora's daughter, for this "bird that sings sweetly and flies to unknown distances" becomes intrigued by the passion(ate stories) of her past/ancestors, and returns to her roots in search of a better and brighter (a more enlightened) tomorrow.

as one of limon's characters reminds us: "some spirits are made for one another" -- and, until the day comes when we are free to live and love without fear, condemnation or reserve on THIS side of the sierras, we have our/The Day of the Moon = a must read! especially for anyone who has ever been tormented by and/or lived a "forbidden" love!

Limon uses a historical setting in Mexico during one of the many Mexican revolutions to spin a tale of forbidden love, jealousy, and opression of native peoples. All readers from teen to adult ages would enjoy it. Beautiful language is used in description of characters and setting. The reader can really picture the people and places. I highly recommend this book, not only for the story, but also for the important underlying themes concerning the Raramuri people of Mexico.

I love the art of Bev Doolittle. This is just a great book to add to my collection.

When I first looked at this book, I rolled my eyes. The Earth is My Mother? But when I opened the book, and I began to read, something made me want to cry, and make a difference. I understand Sarah's love for nature, and the inspiring tale of her makes me want to stand up and save the world. The way all her snapshots oddly made one picture of a mother, HER mother, OUR Mother, it just made me so happy. This book looked so..well..stupid, and right now, I can hardly believe my previous thoughts about it. I practically hugged this book. The next day, when I almost littered, I stopped myself, because I remembered this book. A life changing tale about a girl who makes a difference...all for her dead mother, and though she didn't know it, for herself...to protect Magic Canyon.

Another "earth" book I love for the illustrations is:
Dear Children of the Earth.
I also love a novel about how hope can work miracles, that is an all-time FAVORITE of mine:
The Secret Garden

If you and your children love nature and the outdoors, give yourself a treat and read this book together. I read this with my 10 year olds, and all three of us loved it. There is enough adventure to spark a child's imagination, and the tale provides opportunities for teaching one's children about important conservation issues. The artwork is wonderful, and we had the poster which is included with the book matted and framed. My girls love to look at the poster, and discuss again the details of the story that are depicted in this wonderful artwork by Bev Doolittle. This is a book that your children will remember and return to again and again.

This is a beautifully written adventure story set in the Southwest which my son and daughter, ages 10 and 11, both loved. It made a terrific family 'read aloud' for all of us. Like most kids today, they are conservationists and lovers of nature and Native American lore. The author artfully sets forth an important environmental issue, destruction of habitat, in an adventure-story format. The 11 year old heroine, Sarah, is brave and delightful, wrestling not only with saving the earth but family difficulties my kids empathized with. The illustrations by Bev Doolittle -- 'camoflague' art the kids loved to piece together -- are gorgeous. We loved it! I'm ordering a few copies for friends -- it's a great summer read for kids.

THE EARTH IS MY MOTHER is the tale of a girl named "Star" -- a spunky 11-year and a true heroine. EMM has been beautifully illustrated by Bev Doolittle--known for her "camouflage" Native American and wildlife artwork. Since millions of dollars from the proceeds of Ms. Doolittle's works have gone to support the National Wildlife Federation, you can imagine the major theme of this book is the preservation of the wilderness. The storyline is based on Ms. Doolittle's concept but the text was actually written by Elise Maclay, author of two books of poetry, "Approaching Autumn" and "Green Winter." EMM is a feast for the ear and the eye.

I cannot praise this book enough as it reflects all my core beliefs--that girls can be strong, brave, and caring individuals, that traditional cultures have much to teach us, that we are all part of the great circle of life, and that we are made from stardust and the earth is our mother.

As a childhood fan of Laura Ingalls Wilder's stories, Thorton Burgess' "Old Mother West Wind" tales, and fan of American Indian traditions and lore as well as a lover of the great outdoors, I was pleased to discover a book I could hand to my granddaughters with these words, "You want to know what life is about? read this book."