North America Books

This book could easily have been a bore--yet another detailed legal explication of a Supreme Court case you know you should be interested in, but aren't, because you can't follow the jargon. But in Epps' hands an amazing story comes to life. This is serious constitutional law, with enormous consequences for our country, and it reads like a novel. Anyone concerned with religion and free expression should read it. Or you could just read it because it's a great read!

The very first part of the essential, very first amendment to our Constitution says, "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof." This ringing phrase, so seemingly simple and obvious, has been the focus of an enormous amount of controversy and clarification. It is a great legacy, but what does it really mean? We are still struggling to find out. In _To an Unknown God: Religious Freedom on Trial_ (St. Martin's Press) by Garrett Epps we learn how one of the latest struggles is turning out. It is a fine book to show in detail how a specific constitutional decision came to be made.

On one side of the story was Al Smith. Smith was born into the Klamath tribe, but was pulled out of it to go to Catholic boarding school. Rather late in his life he was introduced to sweat lodges and Native American religion. He was also introduced to Alcoholics Anonymous, and eventually became a respected counselor, speaker, and organizer of treatment centers for alcohol and drug abuse. As he traveled to different reservations to set up recovery programs, he came across peyote religion. It seemed to give some of his clients spiritual strength, and they seemed to do better in overcoming substance abuse if they participated in its religious ceremonies. He began to consider participating in peyote religion. He was told that taking peyote at a ceremony would violate the rules of the treatment center in which he worked, and so he did so. He was thereupon fired, and he filed for unemployment compensation. That filing set the stage for a subsequent battle within the Supreme Court and beyond.

On the other side was Oregon Attorney General David Frohnmayer. He had tried in his political offices in Oregon to mend fences with the tribes of his region. He was, however, very worried about the dangers of drug abuse, and so he felt he was doing the right thing in trying to squelch community acceptance of drugs, ceremonial or not. He approached the Supreme Court proceedings with the mantra, "Drugs are bad. Slippery slope." Not only was peyote illegal, but it was used in a minority religion; if it were allowed, then surely someone would be asking to use other drugs for religious purposes. But he did reflect sadly to his legal team, "How did we get to be the Indian bashers?"

Epps is not only a journalist and lawyer, but also a novelist. His ability to describe personalities and anecdotes serves him well, for although this is a legal story, the human stories within it are what make it live. He has used process of the legal arguments as a springboard for an examination of many connected subjects: the history of the Bureau of Indian Affairs; the story of Alcoholics Anonymous; the tale of Bhagwan Shree Rajneesh and the Oregon town that was taken over by his devotees; the saga of the Road Man who is the ceremonial leader of the peyote religion. These set pieces are fascinating, and strengthen the main story. It is disconcerting that there is no pat final resolution, but Epps writes, "The law of religious freedom remains unsettled." Thus may it ever be.

This book is one of the best looks at a Supreme Court case in quite some time. Examining Oregon v. Smith, one of the most important yet unheralded legal battles of our time, Epps' book plumbs the depths Indian rights, religious freedom and states rights in a manor which devestates the intellectual pretensions of Court conservatives such as Justice Scalia. The only quible one can have with the book it that it has too much detail on Oregon Attorney General Frohnmeyer. Other than that minor matter, this is a top rate book. Of additional note, the book provides an exceptionaly concise yet comprehensive overview of the Rajhneesh cult afair in Oregon, relying to good effect on the journalism of Oregon Magazine's Win McCormack.

I was lucky enough to read an early copy of this book, and I found it astonishingly good. I had loved Epps's work as a novelist (his "Shad Treatment" is one of the best first novels I know) and I had always wondered if he could apply his writerly powers to non-fiction, as well. "To an Unknown God" draws on all the creative gifts that fans of Epps's earlier books will remember. He takes an important Supreme Court case about religious freedom (he's now a law professor) and tells the story through the remarkable personalities who were involved in the case: Al Smith, the Native American member of a peyote cult who was the plaintiff, and David Frohnmeyer, the all-American Republican wunderkind attorney general of Oregon, who argued that peyote use wasn't protected as an exercise of religious freedom. Epps deconstructs these billboard identities to provide a rich and very moving account of the real people and the heartbreaking pressures that shaped their actions in this legal case. This is a rare book--taking the sometimes dry subject of law and filling it with life. I hope it's a promise of more books to come from Epps, who is a vastly talented writer.

Epps' book is one of the best in recent memory to explore a Supreme Court case. Examining the case of Oregon v. Smith, Epps deploys his skills as both a journalist and a novelist to plumb the depths of Indian rights, religious freedom and states rights. The only quibble one can have is that the book spends too much time on the minutae of Oregon Attorney General Frohnmeyer's life. Other than that minor matter, this is an elegantly told tale. As an aside, Epps presents a concise yet complete recouncting of the Rajhneesh cult saga of the '80's, relying to good effect of the work of Oregon Magazine Editor-in-Chief Win McCormack.

This book isn't just about making bows. It has a great section on making bow strings from primative materials or modern ones. Includes design of stings, types, features. Great to learn to make a string for that bow you just made.

This book is written by several experts and is essentially a compilation of individual articles, each of which is outstanding in the detail of the direction given. However, for a person seeking to make a particular bow, all 3 books of the series are needed and there is not an orderly progression. Just count on buying all three, reading them all, making decisions based on what you've learned, and then picking chapters to help you as you go along.

Great book this has all of the details of making a good bow and more. I am very pleased with its content and recomend all three volumes.

This volume is very explicative and not lost any details of his points. All the volumes makes a great help, and even a single powerfull source of information, to anyone who want to make the finest traditional bows, i recomend !

If someone need to know all regarding archery and bow-making has to buy all these 3 volumes. Here you can find a huge quantity of informations and suggestions regarding it.
The books are also improved with a lot of imagines.
Andreas from Italy

I picked this book up for a little bit of light reading when I visited the Grand Canyon last week. It is a "teen" reader, but I found it really enjoyable. It's an easy read like a "Harry Potter" novel. It's a definite page turner.

I enjoyed the novel because it explores the questions to why the Native Americans who lived in the cliff dwellings of Walnut Canyon left and where they may have gone. Shortly after finishing this novel, I visited Mesa Verde National Park and explored the Balcony house. The ranger's talk explored many of the same theories that the book's story is based upon.

A few years ago my mom got me this book for my birthday, and I thought I'd try it out. It turned out to be the best book I have ever read, and I am not exagerating! I have read it every year since I got it, and I strongly suggest you read it, and realize what I'm talking about. The adventure and suspense is great, as well as the dialogue and strong characters you will want to meet. Take my word for it, once you pick it up, you'll never want to put it down!

The book I've read is called the "Walker of Time". The reading level is not too hard and not too easy. I would recommend this book to the people who like reading adventure books. As you read through this book, it gives you a good atmosphere and you will feel like you are in the story. This story is based on time travelling. The main character is called Walker or Wayma in Hopi language. Walker had to travel and confront dangerous situation. He had to travel to find out about the time travelling. As he travels through in the story, he finds new companies. Such as when Walker was blackout because of the thunderstorm and when he woke up the first thing he saw was this white American called Tag. After that he met flute maiden and more like white rabbit and the eagle. This story is like "Wizard Of Oz" because as he travel he met new friends.This book is kind of a gentle, flowing of ideas.After all, if you are a real adventure book reader, you should get a copy of "Walker of Time".

My dad bought this book for me a few years ago and I didn't think i would like it but i tried it out anyway. it was the best book ever. i lent it out to so many people that i never got it back but everyone who read it loved it.

I have just read a book called walker of time and it was amazing.
I would recommend it for people aged from 10 to 50.

It is about a Hopi indian boy called Walker who travels back in time 600 years. While he is travelling back in time a young white boy manages to get zapped back as well. Walker knows he's been sent back for a reason, but what??

It is half an adventure and half a sad story.

I honor the author Susanne Blake in her sharing her story of her paths beginning. She graciously allows the reader to travel with her down her path and share her experiences. I highly recommend this enlightened book to anyone who is awakening to thier path, who realizes coincendences are more then mere chance. I for one am waiting anxiously for her next book ! Love and Light Susanne..... hugs !

Susanne has enabled us to be an audience to a true story of healing, recovery and hope. "When Spirit Speaks" shows us that the life of miracles and peace are here for all of us.... if we only reach out and believe. As one of the characters in this book I know first hand that a Spirit-filled life is available to us all......

We all search for meaning and wholeness. In "When Spirit Speaks" Susanne Blake explains how we can find balance as we learn the lessons we need in order to become whole. Encouraging us to be ourselves and go forward without fear, Susanne's openness and honesty shine through as she describes her involvement in Native American beliefs and rituals. Through the telling or her personal story she enables us to focus on the truths of our own spiritual journey.

"When Spirit Speaks" is a joy to read and offers insight into how we too can draw on spiritual forces to help us with our lives.

Few accounts meld mystical and practical aspects of one woman's life as does this courageous journal. The author's journey through Christianity and Native American Spirituality reveals that these worlds do co-exist peacefully and beautifully. This is a freeing and self-affirming message to one denied cultural and racial knowledge and pride while living in the dominant society.

This is one of those books that I started reading years ago, and set aside - not because I didn't like it, but because I got distracted. It surfaced recently and I finished it in only a few days. The story in this book pulls no punches. The author portrays herself as a real, fallable woman on a path of connection with Spirit. The experiences and wisdom shared in this book came to me just at the time I most needed to read them. Spirit spoke to me through this book.

This very fine history of North America covers 10,000 or so years of exploration and settlement all in one volume. It is written in a clear, concise prose, and although it is loaded with facts and anecdotes it is never dry. Morgan starts out by describing the peopling of North America via the Bering land bridge. Then he moves into the stories of the European explorers and early settlers, and how they deal with the Native Americans. After many hardships and failures, the Spanish end up with permanent settlements in the south, the French in the north and the English on the Atlantic Coast. Morgan then describes the emergence of the Americans and how they eventually dominate the continent and displace Europeans and Native Americans alike.

I highly recommend this if you enjoy American history.

Beginning with the passage of people across the Bering Strait, Wilderness at Dawn : The Settling of the North American Continent takes us through the westward expansion of the United States. Carefull attention is given to the Spanish, French and British influences on the American way of life. An excellent and concise reference for anyone interested in North American History. Easy to read, and full of real life history

Breathtaking approach to a well known subject. History from the people's viewpoint. No dull dates, battles, generals, presidents; but living, breathing stories by and of the most unique and most common. Must also read Shovel of Stars, the sequel (also 10)

Ted Morgan's "Wilderness at Dawn" is one of the best of a crop of North American colonial histories published since 1990. Rather than a comprehensive history, it is a series of incidents that add up to a very readable whole. Morgan begins with pre-Columbian history and goes on to relate the experiences of the Spanish, French, Dutch, and various flavors of English colonies. One of my favorite stories is how the godly Pilgrims found themselves neighbors to a riotous colony led by one Thomas Morton. Before Miles Standish put their rivals out of business, Morton's drunken crew traded guns and booze to the Indians in exchange for beaver pelts and sexual favors. Anyone who believes history is boring has not read Ted Morgan's and other recent works about the American colonies. The last section of this book addresses the problems of post-Revolutionary War colonization, including chapters about the appalling dangers of trans-Appalachian settlement and about how the Old Northwest was surveyed.

Reading these first person accounts of day-to-day and moment-to-moment life in pre-Colonial America gave me such an appreciation for what our predecessors went through to make our country the great one it is today. This is the book our children should read in their American history classes. Exceptionally well-written, with a "you are there" feel to it. Makes me want to learn more about the young George Washington after reading about his escape from the center of the freezing river. Well-written, entertaining and informative. I'm lapsing into cliches, but this book is a MUST READ. Just brilliant. You'll admire the everyday people who built our country one day at a time, and never tire of reading about their adventures. I hated to see it end, so thank God there's a sequel!

The 50 States Fandex cards were in excellent condition and arrived quickly. I have a 4 year old who is learning so much from them.

We bought this as a gift for our soon-to-be first grader. We have been traveling a lot this summer and the fandex is a fun, easy way for our daughter to look at the states we have been through. Concise and easily manipulable for little people.

This was the perfect start-of-school present for my 5th grader. her teacher loved it too and everyone wanted to borrow it. The state reports were a snap.

My kids find the Fandex format easy to use, and the information on them accessible. We have several, and they're fun for all of us to use together.

I like the fact that each state has a map, as well as pertinent info: Admitted to the Union; if and when Seceded from the Union; if and when Readmitted to the Union; Nickname; Motto; Capital; Bird; and Flower. There are also several paragraphs of pertinent information about each state, with some history and a description of the character and things, which make it unique.

The only quibble I have about these decks is that sometimes when they're completely fanned out, the edges of the illustrations get caught up in each other, making it hard to close them properly. But other than that, they're cute, informative, and a nice format for kids.

As a curriculum developer, I am constantly on the lookout for educational products that will enhance textbook study. I must say that the Fandex Family Field Guide 50 States far exceeded my expectations! Having enjoyed history and geography in school, I was surprised by how much I learned while reviewing this guide. It is full of interesting facts and tidbits about each state while also presenting important information that students should know.

Each card has a topographical map of the state and lists when it was admitted into the union, nickname, capital, motto, bird, flower, and has a small picture of the flag. The topographical maps are detailed enough to be able to get a grasp on how far it is from San Francisco to Los Angeles, CA, for example, and important national parks and monuments are also included. A small outline map on the back of each card shows the state in relation to the continental U.S. Information on each state's industry is included in the text.

Overall, I was impressed by the amount of information presented in such an interesting format. Students who enjoy history and geography will find 50 States particularly interesting, but the unique format will engage even more reluctant students.

Nate Shaw was the father of my Uncle Oscar Turner's best friend. His real name was Nate Cobb and the family of the son, Lorraine, is prominent in the Middletown, Ohio ghetto.

The author has done a masterful job of illustrating how greatness was thrust upon him. Nate never set out to become a hero, only to protect his own dignity and provide for his children.

I do not believe that there is a better book for teaching about the lies of 20th century sharecroppers. Theirs is an overlooked legacy.

I am hoping that by entering a review here, I can see other reviews that I can use to write a book review on this title. Its due tomorrow! Yikes!

Ted Rosengarten is a masterful writer. All God's Dangers is an amazing undertaking that brings Nate Shaw's story to life. After a few pages, it's almost as if you can hear Nate talking. A must read for anyone interested in history and anyone who wants to learn how a book should be written. And Rosengarten's Tombee, if it can be found, is another must read.

This is a timeless classic, and not just among memoirs, because the subject was a great American---a man who "had no get-back in him." Nate Shaw (real name Ned Cobb) had an amazing memory, and also an acute understanding of the post-Civil War rural South. The rhythm of the seasons, work routines, knowledge of livestock, nature and people too, combine for a profound view of a vanished America. (If you want to really know about mules, Ned's the man.) But Ned didn't just observe, he worked with the Alabama Sharecroppers' Union and defended powerless friends, serving 12 years in prison for his pains. This activism sets him apart from Kas Maine, a South African sharecropper to whom he's been compared in recent years. The earthy dialect wears out some readers, but otherwise "All God's Dangers" is compelling from start to end. Writers from Wendell Berry to Pete Daniel praise both man and book, while John Beecher's "In Egypt Land" is a moving poetic rendition of Ned's story. R. Kelley, "Hammer & Hoe" vividly recreates 1930s Alabama; on Kas Maine, see C. Van Onselen, "The Seed Is Mine." But Ned tells about his world far better than the others. In living, then narrating, a life of great struggle lived with great dignity, Ned Cobb performed a signal service---for all of us. We are in your debt!

In the middle of Rosengarten's book, truly a masterpiece of oral history memoir making, Nate Shaw says "all God's dangers ain't a white man." This would seem truly a remarkable thing for a black man who spent over a decade in an Alabama prison to say, but as a farmer growing cotton in Alabama during the first half of the twentieth century it quickly makes sense once he explains it. Shaw's story of his chaffing under his good for nothing father's roof; his growing prosperity as share cropper and than as a yeoman farmer; his hucksterism when dealing with violent and hostile whites attempting to cheat him; the defense of fellow small farmers that got him thrown in jail during the Great Depression; and his takes on the science of farming, race relations, the American class system and his own life experiences show Shaw to be a master story teller and Rosengarten and master interviewer. The combination of these two was absolute dynamite.

If you buy this book because the title might indicate it is an overall look at the banjo, its playing, its musics, and its place in society, that is not what this book is or pretends to be.

This is a history of the physical development of the banjo and its construction and manufacture during the 19th Century. There are some small references to the different musics the instrument was used for, but not many. There is elaborate and detailed discussion of the main lines of construction of the banjos during this period. The authors also write well and thoroughly about the business dynamics of the chief producers
of the banjo during the 19th Century.

While this book is obviously the work of two of leading banjo collectors in the world and of interest to banjoists and instrument makers of all kinds, it is an important picture of America social and economic history as well. Someone interested in the rise and development of capitalist industry, fetishism of "the finer things in life" by the middle class, and how culture wars were waged in the 19th Century would profit from reading this book.

For the artistically inclined there are a number of beautiful plates of 19th Century Banjos as works of art. It is clear that the authors priviledge the decoration and physical beauty of the instruments as much as they do the instruments "playability."

This work is great in itself. I found it very readable and believe someone who did not know much about banjos would also find this readable.

If you are interested in the social and cultural history of the instrument to the present day, what you need is
That Half-Barbaric Twang: The Banjo in American Popular Culture Culture by Karen Linn.

If you are interested in the African origin of the instrument, its development from African playing styles, as well as the roots of contemporary "frailing" and clawhammer and much else about the musical tradition of the banjo, especially as used in traditional folk music try African Banjo Echoes in Appalachia: A Study of Folk Traditions by Cecelia Conway. Both books are available here on Amazon

At last, another important book has emerged to stand with the few other necessary references on early American 5-string banjos.

Unlike the two fine Tsumura books which are primarily photographic essays of considerable magnitude, Gura and Bollman's treatise combines a highly readable and informed history with a remarkable collection of rare antique photographs and ephemera plus 4 lengthy sections of recent photographs of exquisite instruments and banjo related objects. Any one of these three aspects would be sufficient reason to own the book.

The frequently startling and personal photographs impart a very human feeling as we progress through the story of the evolution of the banjo in American culture. Amazingly, they represent just a minor fraction of Jim Bollman's immense collection.

Special praise is due Peter Szego for his magnificent photographs of the wonderful early banjos from his own collection.

I find it hard to remain objective as I turn the pages and imagine what it must have been like to pose for one of those Dageurreotypes, rudely dressed, banjo in hand, daring the photographer to capture my soul. And again, when I turn to that favorite Boucher or Fairbanks banjo and long to feel and play it.

Well done, gentlemen, and thank you!

If one were to collect instruments, art and ephemera to organize and document an exhibition about the banjo, a good place to start would be to review Gura's and Bollman's "America's Instrument: The Banjo in the Nineteenth Century." This impressive book actually seems like a comprehensive companion to a museum's exhibition which could have the same name, and I could envision such a treatise being a museum gift shop's best-seller.

James Bollman is recognized as one of our Nation's foremost banjo collectors, and his outstanding assortment of Victorian-era banjos and related paraphernalia is one of the finest in the world. He was very pivotal as a project consultant to the fine exhibition that took place in 1984 at the Massachusetts Institute of Technology called "Ring the Banjar!: The Banjo in America from Folklore to Factory," curated by Robert Lloyd Webb. That exhibit's catalogue had some wonderful information, photographs and illustrations. After seeing it, I was personally inspired to research and write an article about "Banjos at the Smithsonian Institution" which subsequently appeared in Bluegrass Unlimited magazine (Vol. 27, No. 5, November, 1992).

Philip Gura, historian and Professor of English and American Studies at the University of North Carolina, is an expert in the history and culture of America's music industry. I found Gura's 2003 charming book, "C.F. Martin and His Guitars 1976-1873," to be well-researched, thoughtfully written, beautifully illustrated, and professionally executed.

In "America's Instrument: The Banjo in the Nineteenth Century," Gura and Bollman begin by documenting the banjo's evolution from the plantation to the stage. An interesting overview of the minstrel tradition and early performers is given. The authors show how the popularity of banjos increased, largely due to effective marketing. As the banjo made its way from the minstrel stage to Victorian parlors and concert halls, the physical development of the instrument was also affected. Part III of the book addresses "selling the banjo to all America," focusing on the efforts of Philadelphia's S.S. Stewart. It's interesting that Stewart's adoption of the "cause" of the banjo (nothing short of everything about it) set him apart from other makers. The book's fourth part, "manufacturing the real thing," delves into how the Boston banjo makers (Fairbanks, Cole) began to challenge Stewart's preeminence in the mid-1880s and eventually design and build the acknowledged standards of the banjo world.

Ragtime is given cursory treatment in this book. Another direction that banjo music took was into classical music, and the book could have devoted something to that incarnation of the instrument. I found it curious that this book makes no mention of Alfred A. Farland, "the progressive banjoist," who caused quite a stir in the banjo world in the mid-1890s when he played concertos, Beethoven sonatas, and even Rossini's "William Tell Overture" on the instrument. He was also known as the "Scientific Banjoist of Pittsburgh, Pa."

It also becomes quite apparent that the major banjo makers in the late 19th Century were located mainly in the urban north, and the great majority of major makers are discussed. However, this book should have at least acknowledged J.B. Schall, from Chicago, who built a large number of banjos about 1870-1907. Of a list of manufacturers of "classic" banjos in Akira Tsumura's "Banjos: The Tsumura Collection," most are addressed. Rettberg & Lange (New York 1897-1929) aren't mentioned, and only very brief mention is made of Weymann & Son (who made banjos in Philadelphia from 1864-1935) and Charles Bobzin (who operated in Detroit from 1892-1915).

While this book is beautifully laid out with over 250 illustrations, some of the very special banjos featured in the MIT exhibition, at the Smithsonian Institution, and in private collections such as Akira Tsumura's or David Vachon's, might have further enhanced Gura and Bollman's book. Some of the instruments are credited as from the collection of Peter Szego or Philip Gura, and the other uncredited photographs are apparently from the extensive collection of James Bollman. While the many full page color illustrations are definitely nice, perhaps the book could've added many more by placing two to four per page. Banjo afficinados typically enjoy such "eye candy," and photos speak a thousand words.

Keep in mind that this book only covers the banjo in the 19th Century. There is a cursory link to the banjo in the 20th Century, and there's only minor mention of firms such as Gibson, Paramount, Bacon and Day, and Weymann. While the authors state that "the stories of these companies and their instruments are fairly well known and...belong to the history of the new century," I hope that Gura and Bollman will consider pulling all these tales together into a sequel that documents the banjo in the Twentieth Century. All in all, they've done a very fine job covering a hundred years of the instrument's early history in America. Banjo-players and others interested in the instrument's history should certainly add this book to their library. (Joe Ross, staff writer, Bluegrass Now)

James Bollman's collection of banjos and banjo memorabilia is stunning and this volume may be the only way in which I would ever be able to view it in my home a photograph at a time. The history is a resource for historians and reenactors alike. The vintage photos are mostly ones I've never seen before. This collection has the most vintage photos of lady banjo players I have ever seen. The 1860's photo of a young woman playing the banjo on page 93 has enough detail for a reenactor to duplicate her dress and accessories as well as her banjo. The same is true of an 1895 photograph of a woman playing a Fairbanks Electric. The turn of the century all woman banjo band on page 10 is inspiring. It's great to know that there have always been lady banjo players and these photos give the lady reenactor a place to start when planning a period costume to go with a period banjo. There is a section of breath taking color plates in this book that allow you not only to see detail on some rare banjos, but also depict antique banjo clocks and memorabilia. I never knew such pieces existed until this book. A great book and a must have for anyone interested in vintage instruments and pickers.

As a banjo player of some twenty-five years experience, as well as a historic interpreter/performer of Early American music, all I can say is that this is the book that I've been waiting for! This well-researched, well-written, beautifully illustrated tome doesn't just give us an interesting history of the banjo; it offer us a fascinating view of the instrument's pivotal role in the birth of American "pop" music.

My favorite features of the book are the antique period photographs, as well as the many wonderful illustrations of authentic period instruments and ephemeria, primarily from the extensive personal collection of the book's authors and fellow collectors such as Peter Szego. The majority of the 19th century photos depicted belong to author Jim Bollman, whose home can best be described as a museum and shrine to the banjo. I'm also a collector of vintage photos of musicians and I can tell you there's no one more respected in the field than Jim. His name is constantly invoked with awe and reverence by both dealers and other collectors. I have to admit there were times at photo shows when I've had cause to harbor some unkindly thoughts towards Jim every time it had become that he had scored all the best photos. However, purchasing this book, which contains many of those incredible unattainable photos, more than makes up for that.

My only complaint about "America's Instrument..." is its failure to really explore the banjo's African roots other than to briefly quote Dena Epstein's pioneering work on the subject. Also, the authors are mistaken in their statements that the African ancestors of the banjo, such as the xalam, "lack the shortened string on the top of the fingerboard that is characteristic of later banjos." In fact, the xalam has three "chanterelles" (drone strings) of various lengths above the two long melody strings. A cursory look at the xalam illustrated in the book would reveal that.

Be that as it may, I highly recommend "America's Instrument...!"

There exist in the world perhaps a dozen books on native fish keeping, perhaps less. This may be discouraging to the budding native fish enthusiast but you need not worry, there is only one book you'll need on the subject. "American Aquarium Fishes" is best described as a literal native fish Bible. Truly no book compares. The first few chapters go over various topics such as collecting methods, native plants and distribution among other things. One useful chapter goes over the rules and regulations concerning native fish collecting in each state, information that is often difficult to find. Granted these regulations are likely outdated every year but still, its a useful starting point. Of course the best part of the book is the pages of profiles on just about every native fish species suitable for aquarium life. These profiles mostly outline how to breed the various fishes in captivity but also go over other need to know facts about the fish. The book does however neglect to mention many popular game species such as yellow perch, largemouth bass and bullhead catfish. The author purposely does not include them because according to him these fish grow too large for the average aquarium. Strangely he still deems it necessary to go over sturgeons, bowfin, gar and other fish who are among the largest on the continent. Despite this the book still is the best on the subject, a must have for any native fish enthusiast whether you intend to keep them in aquaria or not.

Great book fo native fishes written for the beginner and advanced hobbiest alike. Easy reading with many color photos.

I recently managed to buy a copy of this book and from what I have read so far it is a book that should be on the shelves of fishophiles everywhere, aquarist or not. The book covers a wide range of species, mostly darters and cyprinids and goes into good detail on how to keep and breed them. With native fish keeping resources being rare this book may very well be the best of it's kind. One feature I really liked was the chapter covering the laws and regulations of various states, something that many people are curious about when out collecting. About the only thing I didn't like was that it neglected to mention many of the larger species. Bullheads, perch, bass, trout and many others are not given a lot of attension if any at all. The author deems them either to large or to dificult to breed in captivity so he leave them out.

The book in its entirety is fairly good. The authors tried to cover a broad scope. This book may be useful for the breeder in that there is specific information on each species. Please note that you may need to combine the information in this text with information from other sources (print, web, etc.) to take complete care of your native fishes.

This comprehensive reference volume will appeal to both specialty and general-interest libraries: American Aquarium Fishes provides over 118 color and over 200 black and white photos of various species of aquarium fish, providing detailed discussions on where to find native fishes, how to collect and transport them around the globe, and regional rules of collecting. The depth and detail and the vivid photos are impressive.

The IHS Director continues to allow and tolerate inter-office romantic affairs especially those between married staff. I can name names of Headquarters and Area staff who have had affairs still ongoing or within the past 4 years that include: Area Directors, Executive Officers, and Division Directors (all males). My next review will contain the names and this time it is not fiction.

The mission of IHS to promote and ensure that the Native Americans/Alaska Natives receive the best possible health care available. The network of SOME Commission Corp and higher up management officials have at their disposal the IHS to abuse their positions and inflict harm on faithful IHS employees. Ii commend you Mr. Burns on your book. I as an Indian female IHS employee have felt the RATH of IHS and have filed EEO's MSPB,Whistleblow, Office of Special Counsel complaints and no protection is offered to complantants for reprisal. This insanity, misappropriation of funds, abuse of positions and harassment of any form needs to stop. Short of a congressional hearing no one, not even Donna Shalala, seem to care about the abuse within IHS. When all administrative channels are followed, and still nothing is done, What is next? If you want a best-seller write about the complantants who suffer and lose their livelihood and years of dedicated service to managers directors who abuse their positions. People are willing to give you their stories. The only Mission these directors/managers have at heart is their own, a mission of illegal tactics.

I am calling all American Indians especially women to come forward and contact Amazon Books to tell their stories of EEO violations and management's abuse of power. Without Amazon, Indian women would continue to suffer in silence. The book is real! How can the Indian Health Service mistreat Indian women. Shame on you Indian Health Service.

When I consider how the Public Health Service has treated Native women, I am so disgusted and outraged by the white male agenda of hatred that I could scream. To think that Native women were FORCED into sterilization! It is just so typical of the white male government. As a radical feminist woman of european descent, I am OUTRAGED by the way the Native population has been treated. Apparently our government thinks that their suffering is just some sort of big joke. Let's remember, then, that someday white males will need affirmative action!

This book needs much wider exposure. Finally the Native people and especially Native women have an advocate.

There are others, for example, the elderly Native population and young Native people who are also suffering, unfortunately, from IHS's inability to meet the health needs of the Native People.