Europe Books

If you're looking for the nuts and bolts of what made the WW2 German army, this is the book. A very nice overview of the entire military machine. As a historian and WW2 German reenactor I liked the coverage of military tactics from army to platoon, as well as the coverage from tanks and airplanes to individual field gear. Weapons, boots, bread bags, radios and all the field gear are covered along with lesser known machines like field kitchens and bread makers! Highly recommended.

Totally comprehensive review of everything about the Wehrmacht from their biggest guns down to their canteens. Massive review of the organizational structure of all elements from the leadership down to breakdowns of divisions, tactics, etc...The claim on the back that Marshall might have known more about the Wehrmacht than Hitler seems plausible. This is a real gem.

An absolute must have for anyone interested in the German military of World War II. A very technical guide that does not waste time with flowery documentation.

This is the ultimate guide to German forces in the Second World War. Although produced late in the war, it covers the old type of infantry division. I thought that was a nice touch. This book teaches us not only about Germans, but what their contemporary counterparts were thinking. Want to crawl around indide the heads of American Intelligence Officers from another era? This is the book.

This an outstanding book of facts and data whose main scope is the German Army. Although the name of the book refers to the whole German armed forces in reality the coverage is wide for the Army, light for the Air Force and almost non-existent for the Navy. The information it contains is extremely detailed (in particular in tables of organization and equipment of many divisions) and on the whole very accurate (although not without the ocassional flaw: a schwärme is referred as a tactical unit of 5 airplanes but in reality was a 4 airplane unit).
Although it provides information from 1939 to 1945 the information relating to the tables of organization, tactics, equipment and uniforms refers mainly to the period 1944-45.
For example, you can find the TO&E of an army and SS panzerdivision in 1944 but not in 1939 or 1940.
Also, it is important to note that due to the nature of the book it is mainly a WHAT and HOW book (provides data and factual information )but is not a WHY book. That is, you will notice that a motorized infantry battalion differs organizationaly from a regular infantry battalion but it is not explained WHY. Other books give the explanation. This is not a problem with the book, it is just its scope. Overall it is a highly recommended book for anyone interested in the details that are not covered in most WW2 books.

Sometimes good history books are also a bit boring. This one covers the history, but is a fascinating read as well. I was hard pressed to put it down - and it is the best I've read on the Light Brigade.

Excellent insight of what really happen, with all the history, and social norms, and customs of the time, that allow this tragedy to happen

I found this hard to put down, that plus the background detail for the Crimean War, nineteenth century England, and the inefficiency of armies, makes for an interesting book. I had been an unknowing receiver of the Tennysonian myth created by his famous poem written shortly after the famous charge, and it is actually quite illuminating to check the mental phantom of the saga against the facts. With imperial overtones, the Crimean War begins as gunboat diplomacy. The depiction of the officer class is a snapshot of the British class system, and the defunct policy of allowing the aristocracy to purchase offer commissions. With the resulting sadsacks in charge the misteps towards the famous cavalry charge are set. The ambiguity lies in the blunder mixed with Tennysonian echoes (triggered by the reports of the famous Times journalist William Russell). The minute by minute account of the dread seven minutes of the fatal attack is almost cinematic, and fairly well wraps up the tale.

Brighton briefly sketches the events that led to the Crimean War, but never loses focus on the Light Brigade. His account of the famous Charge is very detailed, and extends for over 100 pages. He skilfully allows the original participants (through their memoirs) to describe the action, and thus his descriptions have a first-hand 'feel' to them absent in some other books on the Charge. Brighton weaves these accounts together effectively. Despite the extraordinary detail of the section on the Charge, I never lost interest -- and was filled with admiration for the cavalrymen who rode up the valley and then down it in the hellfire of the Russian guns. Brighton examines Nolan's actions in (and after) relaying Raglan's orders to Lucan, and although apportioning most of the blame on Lucan, doesn't adopt a one-eyed strategy of making scapegoats of people. Instead, his discussions appear to be well balanced.

There are useful maps at the beginning of the book (though one showing the 'Thin Red Line' and the Heavy Brigade's repulsing of the Russians, prior to the Light Brigade's famous charge, would have been useful); and Brighton includes a list of those who rode in the Charge.

A great read and history 'brought to life' by those who created it.

Terry Brighton's writing of the actual minute by minute unfolding of the charge was so well written I felt I was in the middle of it. Utterly captivating.
As for the rest of the book, he does an excellent job looking at the causes of the Crimean War, and delves into things I would never have thought about; transporting all the horses by ships for one thing.
Two chapters that could have been left out were about who blew the bulge for the charge and about Florence Nightingale's involvement after the charge. Both interesting, but they seemed to be vestigial.
I am not a big fan of military history, but this was an engrossing book.

Edith Durham was a remarkable British woman which after an illness that caused her depression. Her doctor recommended that she changes the place where she lives and she did. She sailed to Balkans and it was then when her lifelong involvement with the people of Balkans began.

"As I knew there was no case on record of a stranger being "held"
in North Albania, and moreover, The Albanian is an old friend of mine" - she writes and there she was in Albania even though they were under occupation by Turks at the time.

Even though it is more like a armchair travel book, Edith gave us a lot of historical facts about Albanians. She writes a lot about Illyrians and Skenderbeg. She talks about times when Slavs with an enormous number came to Balkans for the first time.
But what makes this book so pleasant is when she writes about her time spent with various Albanian tribes. There are so many "tales" such as those with Witches. There is a "tale" about an Albanian woman who killed her husband who sold her brother's life to the turks for a bag of gold.
There is a lot of everything and this book is just wonderful by all means. Even though I am an Albanian there were lots of things I learned that I didn't know before.

So if you really need to learn more about Albanians, their traditions and their history - one must chose Edith Durham's book
"High Albania"

Highly Recommended

This is a fascinating first-hand exploration of one of the least travelled lands in the Balkan regions. Ironically, it was actually more accessible to travellers in 1909 than for most of the 20th century. Full of amazing tidbits: Albanians counted kinship through their male line to the remote past, but the sister of one's mother was "some sort of relation." Ms. Durham (who must have had the soul of David Livingstone) stayed with Albanians who refused to believe that nights in summer were shorter than in winter. Albanian men were constantly "in blood" with other tribes because they had killed to "cleanse their honor" to a degree that the Hatfield/McCoy feud seems like a happy band of brothers in comparison. Top-notch first-hand vintage travel: Recommended.

A good book is capable of opening your eyes to a whole new reality, Ms. Durham does that here. An Italian historian once wrote that the Albanian territories were across the Adriatic Sea yet less known than darkest Africa, this is a valiant effort to remedy that. Ms. Durham ventures, illegaly, into northern "High" Albania with an intrepid curiosity and through Western eyes proceeds to open up the vast horizons of Albanian culture. Imagine a society so isolated by the Alps and suspiscion of outsiders that they still have a ready grasp on pre-Christian traditions and myth. Read this and learn of the highland clans, the "besa", the rights of blood and honour that decimated entire generations of males and oh so much more.

Ms. Durham managed to earn the love and respect of those that trusted no one and had been maltreated by all. She lobbied tirelessly, if vainly, for her adopted people for her entire life and in the end was embraced as the "Queen of the Mountain People." This truly is an exceptional book. Read it.

Edith Durham is the undisputed "Queen of the Northern Albanian Alps". She takes you along her tour in Victorian/British-English fashion through the Northern Albanian Alps just after the turn of the century and you feel as if you were just whisked away to ford the streams and climb the mountains with her.

Remarkable as it was to have traversed this landscape in 1909, it was nothing short of a miracle for a woman to have done it. She gained the respect of those she met, showing respect for the great traditional law of the Gheg Albanians--the Kanun of Leke Dukagjini. She was offered "bread and salt" at every table and never doubted the Albanian people's ability to show mikpritje (hospitality) towards an outsider as herself.

Furthermore, I loved the stories she relates about her visits to the specific tribes. She peppers them occasionally with Albanian parables that she was told along the way. For me, this book was amazing and I wholeheartedly recommend it.

The totally engaging travel diary of a woman who explored High Albania in the years before the constitution. It is illustrated, though sparsely, with her own charming sketches.

The book explains the complex tribal system of social relationship where strict rules on intermarriage inevitably spark off tribal blood feuds. It is another view of this worlds love affair with the gun. You will be intrigued by the tradition of the "Albanian virgin".

I came to understand better, through reading this book,the civilizing power of government. The author also deals with the development of the concept of individuation and personal responsibility. This is often accompanied by the original folk stories that Ms Durham recorded.

Edith Durham became for a time unofficial "Queen" in recognition of her contributions to social welfare. The daughter of an English surgeon, she never married, but fell in love on a holiday trip and gave her life to a people. I would like to read more by, or about this woman.

This book provides a thematic discussion of the Renaissance at War, with many excellent illustrations and maps of battles--some famous, some more obscure, and all dealt with in a factual and often humorous manner. I have not read any of the other books of this series, but this volume--easy to read and an excellent reference as well. The excellent discussions in this volume about the spread of gunpowder and the subtle challenge it posed to chivalric nobility, as well as the way in which kings and nobles straddled between the old and new ways of war are discussed well here. In addition, this book contains the finest description of the French Wars of Religion, the complicated battles in Italy between the French, Swiss, Germans, Spanish, and Turks I have seen, as well as a well-done examination of the Dutch Revolt. In short, if you like military history at all, and you are curious about the wars of the Renaissance, you will find much of value in this book.

This slim but lavishly illustrated volume offers a very perceptive analysis of the late-fifteenth and early-sixteenth century re-examination of military matters that occured in Europe and the eastern Mediterranean. It discusses the technological and tactical advances, in a more concise manner than similar works like David Eltis's, but it also integrates them into the renaissance of military philosophy, and indeed of all facets of society, that was occuring at the time. That analysis, combined with illuminating sidebars, several key case studies, and gorgeous artwork make this perhaps the top general reference for Renaissance military history.

First off, I knew nothing about war during the European Renaissance before reading this book, so I went in with pretty low expectations. I was pleasantly surprised- this book is fascinating. Thomas Arnold writes in a very clear style, that is easy to follow. His research is detailed, but he does not bog the reader down with too many minute details.

Also, this book is full of excellent graphics. It has many period prints, maps, tapestry images, and some well done battlefield graphics. I thought this illustrations really helped emphasize many of the author's key points.

This is the first book in the series that I have read, so now I have rather high expectations for the other volumes I purchased with this one. I highly recommend this book to any military history student, or anyone interested in learning more about how warfare changed in Europe during the Renaissance.

Indeed a very nice book, with a lot of interesting information. The writer avoids the complicated style most historians dealing with the Renaissance prefer, and writes clearly, with regard of and respect to the ones who never have dealt with the complexities of the history of warfare, especially in a period such as this, when the wide use of gunpowder marked a turning point in the style of warfare and the perception of military tactics. Arnold covers every basic aspect of the Renaissance warfare, the decline of the Knight (in that old, medieval sense), the change in styles of fortifications, the change of the role of the general, the use of the artillery, etc, and does so while giving in the same time an accurate account of the main historical events (of military nature, obviously). Thus, the reader has an accurate, viewed from all sides, perspective of the matter. If there were more stars to give, I would definitely give them (!) although one must remember that this is an introductory study, and for particular details and a more in depth analysis there are other books to consider. In all this book is...a great place to start.

Thomas Arnold is a great writer, and having John Keegan as the editor of could only have helped the text. It is very easy to read and still extremely interesting, covering first the technical evolution of warfare from the 15th to the 17th centuries and then covering the major conflicts of the era.

Added to the strong writing and editing are many computer generated maps of individual battles and some great illustrations, many taken from period tapestries and paintings.

This book is probably the most clear, well-written book available on the subject, while still encompassing many lesser known facets of the Renaissance and even injecting some humor in a couple of passages.

Don't judge it by its textbook appearance and odd dimensions...it is anything but textbook-like and will undoubtedly lead you to buy more of the books in the series.

In addition to its use as a philology textbook (and it is great in this regard), the subject matter may be of great interest to people studying a more specialized aspect of the poetics-- namely the liturgical and magical traditions of the Indo-Europeans. In this area it is indispensible (along with the works of Dumezil, Polome, and others).

This isn't just a philology textbook-- it contains many keys for unlocking previously obscure areas of Indo-European studies relating to their magical and religious traditions.

This book starts with an essential visit to and discovery of Indo-European poetics. For one it does not take poetics in the Aristotelian meaning of the term that privileges dramatic texts, theater, performed poetics. The author defines the poet within a wider frame, that of the custodian and professional of language. He has to remember (at first, write and read later) all that is important for the community: its past, its important people, the laws, but also the medical knowledge, and the religious knowledge. As such the poet is at the very same time a priest, a poet, a doctor, ,a lawyer, a healer, a wizard, etc. He controls language in its abstract conceptualizing power and he performs pragmatic tasks that require knowing and reciting (to some type of music) texts. As such he is the custodian and preserver of the knowledge of the community. Thus he has a second power, that of developing that language, writing and reciting all kinds of texts to entertain the community, politically manage it, laud its leaders, etc. Watkins righteously insists on this essential point. As such poetry and religion merge together, the poet is the priest and vice versa. The author goes further and declares there is some original, specific and stable Indo-European pragmatics and poetics. All I-E poetry comes from the same melting pot or the same mould. And he insists on the fact some common formulas can be found. Here he works along two lines. One, etymology and the history of words, only words. Two, the formulas of words based on some words that semantically build a mainly semantic knot. He follows one such formula: HERO - SLAYS - DRAGON, that leads him to interesting remarks including the reversal of the killing. But he does not question the thematic functions behind the change. He satisfies himself with nominative and accusative. So he is kind of short. Short because it is not enough to say that the instrument can be stated as the nominative or the accusative of the verb. That shows the meaning he gives, SLEW, is an interpretation. It is difficult to say Peter SLEW the hammer, meaning the hammer was used by Peter to slay someone or something, even if we can easily conceive of the instrument slaying the victim. That fact questions the value of the verb. Is it SLAY or is it "IMPOSE a certain behavior to X within the frame of killing movements (?), vast arm movements (?)" In fact here he does not capture the dynamic meaning of the verb that initially meant some movement. In other words SLAY is not a simple verbs. It means many things according to the point of view. The agent, the patient, the instrument or whatever do not carry the same vision or value of the action. In more abstract terms a relation is dynamic (necessarily in I/E), expressing a change from one place to another, or from one state to another. The I/E word behind SLAY is typical of that dynamism. It definitely expresses the movement of the tool used to kill, and the change from one state to another for the victim: "AGENT causes VICTIM to shift from state A (ALIVE) to state B (DEAD)" versus "AGENT causes INSTRUMENT to move in a certain way (so that it may kill PATIENT)". The second thing that is deficient is that he centers his approach too much on the sole Indo-Iranian culture. He should have understood the Indo-European branch met with other cultures and there were many osmoses, exchanges, etc. I am absolutely sure that the proximity and rivalry of Indo-European peoples with Semitic peoples and particularly the Jews, produced some exchanges that Watkins does not even consider in the sole dimension of Christianizing Indo-European traditions. He speaks of Beowulf too little and neglects the superimposing of a Christian reading of Semitic origin (it is pure Semitic in origin?), and is it only Scandinavian or Indo-European, or is it already a mixture before it being Christianized? The question is open. Let's look for a solution.

Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines

This vast tome is a masterpiece of comparative Indo-European poetics. It investigates the nature, form and function of poetic expression and ancient literature among an impressive variety of Indio-European peoples. The author uses the traditional comparative method to identify the genetic intertextuality of particular themes and formulas common to all the daughter languages of ancient Indo-European. The work comprises seven sections and 59 chapters. The first chapters of part 1 explain the comparative method, concepts like synchrony and diachrony and pinpoints the various Indo-European cultures in terms of genre, space and time. The rest of part 1 considers the role of the spoken word in Indo-European society and its preservation across time.

In chapter 3: Poetics as Grammar, Watkins analyses the expression "Oats, peas, beans, and barley grow," demonstrating how the word order, alliteration and assonance form a perfect ring-composition. This formulaic utterance now functions only to amuse children, but in its essential semantics, formulaics and poetics it must have been continuously recreated on the same model over six or seven thousand years. He proves that is the central "merism" of an ancient Indo-European harvest song or agricultural prayer, by quoting from the Hittite, Homeric Greek, the Atharvaveda and the Zend-Avesta!

Selected text analyses an case studies from Anatolian, Celtic, Greek, Indic and Italic are found in chapters 7 - 11 of part 2, followed by the analyses of inherited phrasal formulas, stylistic figures and hidden meaning through chapters 12 to 16.

The remainder of the book presents the evidence for a common Indo-European formula in the expression of the dragon - or serpent-slaying myth. Over thousands of years this formula occurs in the same linguistic form as it existed in the original mother tongue. This formula is the vehicle for the central theme of a proto-text that has endured for millennia, a precise and precious tool for typological and genetic investigation in the study of literature and literary theory. It is thus of immense value to literary historians, literary critics and philologists.

I found chapters 50 - 59 of particular interest, as it deals with the application of the formula to the medicine of incantation in a variety of Indo-European traditions, and includes a discussion of the poet as healer.

This work is an opus magnum, and it took me months to read it. Even so, I cannot claim to have grasped all the complexities of the fascinating text in which more than 30 familiar and obscure languages are quoted. I strongly recommend this masterpiece to those interested in ancient history, language and its structure, and to literary critics.

The book concludes with 27 pages of references, an index of names and subjects, an index of passages, and an index of words quoted from the various Indo-European languages.

I enjoyed this book although I am best termed a "lay person" and the book is (necessarily and appropriately) written in a technical style. Other reviewers have addressed the content and worth of the book. I will try to give an idea of its "readability" for the non-specialist.
I frequently found exact understanding somewhat difficult and did gloss a number of passages as just too difficult to be worth the return (to me) of greater effort. Also, at times it almost seemed as if the author was pulling together a series of journal articles and quite possibly the book could have been twenty to thirty percent shorter without much, if any, sacrifice of material. Despite this, I never felt like hurrying nor that my time was being wasted - I found a number of new and interesting ideas that are clearly understandable by an interested reader. Also, the author neither talks down to his audience nor tries to impress with difficult terminology. Furthermore, at several points I sensed the underlying enthusiasm and reverence the author feels toward his work and I occasionally caught the sense of "beauty" as several threads came together.

FINALLY, a thorough understanding of the roots of the poetic material that we all learned when taking the classics. A thorough exploration of both epic and lyric poetic methods and the methods behind them that are used to this day.

The first dozen chapters or so read a bit like a bibliography, making frequent references to other authors (both contemporary and otherwise) and to things that are addressed quite a bit later in the book. This does not make the work so easily readable, but when dealing with comparative Indo-European poetics, one cannot expect a light-summer read.

I thoroughly enjoyed this work. I found that Dr. Watkins' ability to find common roots for everything from the Odyssey to childhood rhymes that we all learned to be both engaging and informative. I gained not only a deeper appreciation for the Classical and Homeric Greek, Avestan and Sanskrit literature that I have enjoyed since my days as s student, but also for everyday language.

If you are interested in any sort of Proto Indo-European studies, this is a must-read.

This is a moving, powerful pair of books about the Holocaust. The author survived Auschwitz, and chronicles the time there and then, in The Truce, the second of the books in this pair, chronicles his experiences afterwards during the journey back to his home in Italy.

This book is remarkable in that it is emotionally wrenching and honest, yet it is not sensationalist or bitter. It is a stark, first person, intense and wonderful story, written beautifully.

The Holocaust is a terrible part of modern history, and sadly genocide is oft repeated. As those who lived through the Holocaust pass on, it is even more important that memories are preserved, and this book should be a must read for anyone interested in the subject, along with the Black Book.

Note that in the US this book is called Survival in Auschwitz, and that is the only way you will find it in print.

If This Is a Man offers a powerful glimpse into life in a concentration camp. It is emotional as well as inforamtive.

A truly wonderful book by a great author. In this volume you get Levi's If This Is a Man, his story of his trials in one of the satellite camps of Auschwitz, and The Truce, the story of his long journey from Auschwitz back home to Turin. In the "Afterword" included with this edition (Abacus edition of 1987) you also have Levi's answers to the questions his readers had posed to him over the years. These are also revealing.

I've read many books about the Holocaust and WWII. I could not put this one down. I picked this up after reading Levi's The Periodic Table (also excellent). Here, Levi bears witness to the horrors of the Lager system of Nazi Germany. He is very specific about bearing witness. This is not a history or a commentary, though he does give his opinions. You can't call this a memoir really: it is testimony. In The Truce, he describes the long, strange journey he took back to Italy, through Poland, Russia, Bjelorus, Ukraine, Rumania, Hungary, Austria, and Germany, in the care of, mostly, the Russians. This is also a fascinating tale and follows on naturally: If This Is a Man ends with the arrival of the Russians to liberate the Auschwitz Lager and you want to know how he gets home and gets on with his life.

Levi was a master story teller. You just want to keep reading and hear what will happen next. He was obviously a very intelligent man. These books are very restrained and humane, towards all the people in them, even the evil-doing Germans. Levi states that he does not want revenge and doesn't hate the Germans. His concern was that civilized people everywhere do not allow this to happen again. (We've let him down there: Cambodia, Myanmar, Rwanda, The Balkans, Darfur, ...)

I've read numerous books on the Holocaust, and I find some of them just too tough (emotionally) to read (especially after my kids came along), for example The Nazi Doctors. Levi tells you the bad stuff but somehow makes it bearable and a thoroughly wonderful read.

When I finished this book, I was very moved by my admiration for the humanity of Levi (not to mention the wonderful writing.) I kept repeating to myself, "that was a real man ..." Too bad we lost him at such a young age.

It's been a while since I read this book. My girlfriend pulled it off my shelf of her own accord, and she's reading it now. It's one of those books that every thinking person should read. Other reviewers have conveyed its gist very well. It's not really like other Holocaust literature, as important as that school is. It's more concerned with the capability of human beings to absolutely degrade one another. Auschwitz is a stewpot in which the worst of human nature bubbles to the top and sets the bar.

One would think the average camp prisoner would have put his head down numbly and hoped to get out alive. Levi somehow was able to observe and work through the ramifications of nearly every aspect of camp life, not with numbness, but with serene clarity (at least as he writes it later). Everything related in this book is literal and symbolic, mundane and profound, degraded yet fundamental. Levi doesn't spare himself, either. As he put it, to die in Auschwitz, all one had to do was play by the rules. He cheated, stole, and turned his back on his fellows in order to stay alive, and no fellow prisoner who knew the rules of Auschwitz would have held it against him. So much for uniting against one's oppressors.

I should add that "The Truce" tells the story of Levi's very circuitous journey home from Poland to Italy, through a post-war Europe that was barely functional on any level. It is less bleak by far than "If This Is A Man", but the insights into human nature are similiarly profound and essential.

A truly amazing book - I cannot promise that you will enjoy it, in fact I can almost guarantee that you will find most of it heart-breaking and painful.

It is a little like watching Kieslowski's A Short Film About Killing - on many levels you do not enjoy it but it enthrals you. The subject matter is so important and it is so beautifully made and eloquent that you feel compelled to watch (or read in the case of Levi).

Levi tells the story of his own internment in Auschwitz - he concentrates on the details of everyday life slowing building a vivid picture of how the Nazis were intent on not just killing them but breaking their spirit, humiliating them, degrading them. He captures many moments so well that they live on in the mind, for example when he describes how the terrible regime made Jew turn on Jew. He even manages to raise a guilty smile occasionally. For example, he describes the second worst thing that could happen at night was to take out the toilet bucket as it was always full to overflowing and would spill on your feet. The worst thing was when your bunkmate took it out as they shared bunks sleeping head to toe.

Levi is a fantastic writer (try the Periodic Table if you want to read something easier and more enjoyable) with a light touch. He describes his time in Auschwitz calmly, clearly, with great compassion but remarkably objectively; he gives the reader space to think and understand.

A work of heart-breaking genius

I am very interested in Russian history from 1891 through WWII since I collect a certain rifle that was used during that whole period. I have read various histories from the Russo-Japanese war of 1904-1905 through many of the WWII books that are available. When I saw this volume at a used book store for $4, I figured what the heck. At least I might be able to use it for a reference.

As I opened the cover and saw it started in 1891, I became optimistic. A few pages into the first chapter convinced me that I found a gem; an interesting and informative overview of what is a very important part of Russian history.

I bought this book for a class and was surprised at how engaging it is. This book is very well written and informative, and gave me a great general knowledge of Russia leading up to the Great War. The bibliography is extensive and very useful for anyone researching Russia in this era. Highly recommended.

I chose this title, because it was true, at least for me. As Americans, we (some of us, not all) "think" Russians are not "very intelligent", "backward" and even, "less than human."
After reading this book, I tend to "get on my soapbox" to help people understand what few choices, the Russian people ever had in the outcomes of their lives! I never knew this before purchasing and reading Mr. Lincoln's book!
If you cannot be convinced by the poverty imposed on the Russians through Mr. Lincoln's words, you will be convinced by the heart-wrenching photographs; the children who appear as hopeless, hovels designed as homes with animals living within, death from starvation was not uncommon. And all the time, Russia refused (those in power prior to the Revolution)to feed her people, wheat was being shipped to other European countries.
And the Russians never questioned the motives of the Tsar; after the Revolution, they still starved and were murdered by Stalin and Hitler.
We need to change our attitudes and this book did it for me.

In the forward, W. Bruce Lincoln states the book is "...an effort to explore the lives, thoughts, hopes, and dreams of the men and women who lived in the world's largest empire and to convey some sense of the tensions that tore at the fabric of their existence on the eve of the Great War and the Revolution of 1917." In this effort he succeeds brilliantly.

We see portraits of Tsar Alexander III, Nicholas II, Pobedonostsev, Lenin, Rasputin, and a host of other generals, officials and ordinary people who shaped that era.

We get an insider's look at what life was like in a peasant community, inside the peasant's izba or house, and their attitudes towards schooling, medicine and religion. We go inside the growing factories and the slums the workers inhabited in the cities with rapidly developing industry. We see the new nobility of the industrial barons, the revolutionaries fighting the tsarist autocracy, the defenders of the Old Order...all come to life in these pages.

Graphic descriptions are given of the vicious pogroms against Jews. The impact of the Trans-Siberian Railroad in both economic and a political aspects is covered. The 1904 war with Japan is there with its criminally incompetent generals and and admirals and the war's impact on the development of the Revolution of 1905 as well as the mood of the populace as the nations slides toward the Great War.

This well written, illuminating, detailed and well documented book is a classic work on the Russian society of those years and fleshes out the soul of Russia as few other books do. 16 pages of photos. Highly recommended.

I am Russian so I knew quite a lot about Russian history before opening this book. The book is the best guide to Russian history of the period. Here's why:

-It is written in a wonderful language - very easy to read, yet directed towards scholars.
-History is divided into chapters that concentrate on specific subjects.
-It is full of detail that other history books often lack. I was suprised to see Bruce Lincoln use original Russian words instead of finding an English equivalent for it (such as "izba," "domovoj," "dvorovoj," "lapti," etc.).
-Finally, I've not yet read a book that concentrates so much, and gives such an in-depth study, on the subjects that are usually avoided being talked about "pre-revolutionary" times (simply because they are deemed not important in the light of a warfare).

With this book you will get a clear idea of what the Russian society looked like on the dawn of WWI. Bruce Lincold actually spent several years in the Russian archives doing research (but not just for this book), so he has a first-hand knowledge on the subject.

The chapters discuss the following subjects:

Chapter 1 - 1891: The Fateful Year:
Basic overview of the situation in Russia by the yar or 1891: camine, construction of trans-Siberian railway, some politics.

Chapter 2 - In the Wake of Famine:
Famine, peasants and life in the country.

Chapter 3 - Russia's New Lords:
Emancipation, new layer of society "Kuptsi" and arts and trade associated with it.

Chapter 4 - Life in the Lower Depths:
Proletariat and life in cities and towns.

Chapter 5 - The Few Who Dared:
Revolutionaries - formation of the political parties, radicals, impact on literature.

Chapter 6 - Defenders of the Old Order:
Royal Defenders - key figures that supported the old "tzar" order; their lives and activities.

Chapter 7 - "A Small Victorious War":
The Japanese War - why, when, and how. Gives the background, as well.

Chapter 8 - 1905: The Year of Turmoil:
Revolution of 1905.

Chapter 9 - "What We Want is a Great Russia!":
Government - parties, duma, people behind the law, the lawmaking process.

Chapter 10 - "The Childre of Russia's Dreadful Years":
Art revolution.

Chapter 11 - The Last Days of Peace:
Political situation on the dawn of the WWI - foreign relations and repressions.

Chapter 12 - The Drums of War:
WWI and how it affected Russia and its people.

Drumlish author strikes a chord with his memories of a Longford childhood
By Fergal Quinn - Reporter for the Longford Leader, Ireland.
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A life becomes a great deal less ordinary when it is written down. Happily for the readers and fans of the new book by Arnold J Meagher he is well equipped to do just that.
Sound effects and extravagant hand movements accompany the words as he outlines some of the vivid memories contained in 'Ireland, my Ireland', his debut book of memoirs which skilfully weaves a colourful tapestry of Longford in times past.
The long since emigrated Drumlish native, was back home to do readings of 'Ireland, my Ireland' around the county last week. The book is about growing up in County Longford in the 40s and 50s and has been winning a growing band of admirers and fans.
"Readers make it worth while and it's very gratifying to get such positive feedback", he told the Longford Leader at the home of his cousin Sean Donnelly in Longford Town, where he is staying with his wife Jackie for the duration of his stay.
"It does seem to have brought back memories for people. One woman, who went to the same school as me and also emigrated said 'finishing the book was like leaving home again'".
His wife Jackie, with whom he now lives in Eufaula, Alabama was the principal driving force behind "Ireland, my Ireland, memories from the heartland" being written, says Arnold.
"It was a way of life that didn't exist anymore and he remembered it", Jackie explains, "I wanted our son to have a feeling for the life his father had in Ireland".
"Ireland my Ireland" took five years to finish, and after having been turned down by over 60 publishers, was finally published in 2003.
"The ones who turned me away would say `There's no controversy. There's no scandal. It won't sell'," says Arnold.
"Then Publish America, got back to me with similar concerns, and asked me to write and tell them why my book is different.
"I told them the Irish memoirs I had read were all about dysfunctional families. All about city life. My book is about life in the country, in the heartland."
He felt the time was right to tell a different Irish story.
"There was a scatter of books after 'Angela's Ashes' did so well. Frank McCourt's a great writer and I'd never put him down but I wanted to tell another side of Irish family life that wasn't so dysfunctional. I think Irish people abroad are ready to hear a story they can be proud of, that they can feel good about."
Drumlish is in many ways, 'everytown', says Arnold, now 71 years old, and people who had grown up in rural Alabama got in touch and said they related to it.
Arnold's favourite moments , and the ones which kept the children to whom he was reading to last week enraptured is the account of the football match, the banshee and making hay.
"Tea in the meadow was better than anything from Harrods in London! You'd be picking out the grass hoppers, but the older men, who were not so patient, would simply blow them to one side and gulp it down," he says.
Ireland, my Ireland', reads deceptively simply off the page. But to achieve such a flow was no accident. For Arnold, the writing process was slow and rather painstaking, involving lots of rewriting, sessions of recalling memories and jotting them down, before trying to connect them all together. Ann Donnelly, Sean's wife, was also a help in getting the details Arnold wanted.
"Reading it aloud is an essential part of the distilling process.
To Jackie, or even to myself. You never knew how a sentence was until you heard it aloud," he explains.
"The Banshee concept was hard. I wondered how I'd get across the idea on the page. Feeling dictates how the words flow. "
It's many years since 1957 when Arnold left Longford for America, after having been ordained as a priest. He was stationed in Sacramento for 15 years.
The story of his leaving the priesthood is one which he is admirably frank about. Arnold had his doubts about the issue of celibacy, even having written a celebrated article, anonymously, in the National Catholic Reporter.
"My attitude was that celibacy is a gift that not all priests have, so it should not be expected of every priest," he says.
"I did not doubt my vocation so much but I looked around me and more and more came to realize that I did not want to grow old alone."
When he met Jackie he knew that the celibate life was not for him.
"I met Jackie and fell in love with her and got the reluctant permission from the church to leave the priesthood." Arnold has no regrets on the route his life took. "They were fifteen great years. I was a good priest, in good standing until I left of course. "
The Longford man came late to writing creatively but he's certainly used to writing on other levels. He is exceptionally well educated having done a PHD on 'Chinese Emigration to Latin America', a formidable work which is recognised as one of the best on the subject.
On leaving the priesthood, he set up a company 'Best Writing' which write and phrase things for companies for everything from brochures to proposals for Government Contracts. Words have been his trade for a long time.
Arnold has been a fairly regular visitor to these shores since going abroad especially when his parents Arnold and May, the former a policeman, and the latter a school teacher were alive.
His mother May taught at Gaigue school for 41 years while his father joined the Gardai when they were first being formed at the age of 18.
Arnold and his eight siblings committed after their parents died to having a reunion every four or five years rotating between Ireland, England, where three of them were and the US where another three were.
The ability to write was always latent in him, but Arnold admits that he couldn't have written the same book as he did, had he remained living here. "Distance lends enchantment to the view. The distance in time and geography coloured my writing to an extent", he explains.
"And his appreciation too," Jackie adds.
Of course it's not all fun and light. There are fears and unpleasantness, the dentist, the sometimes cruel school master, the fear of the dead and the little people. But it's all written in an engaging, light style that the reader can almost hum along to.
"The little people I believed in unquestionably as a child, as I did God I suppose. My guardian angels were not as real to me as ghosts were," he recalls.
"The children in the school where I was reading asked me about the Banshee. 'Was it real?' I said it was real in my mind, not on the outside. They understood the concept very well."
He's happy and comfortable with immense change that this little island has undergone in the years since he was a boy.
"Each time I come back I see more progress, more flowers, more nice houses. It's uplifting for me to see this happen and I'd love to have shared in that success," he says.
The book is selling steadily, mostly through word of mouth, and with Arnold essentially publishing it himself. He has been one of the best sellers in the Longford Bookshop over the last year. It's a good start, he says. "People who read it seem to like it. That's the main thing."
Will a young fellow growing up in Longford today, have as distinctive and individual a story to tell if he sits down in 60 years I ask him.
"Absolutely!" he says with conviction.
"Since I wrote the book, I have come to the conclusion that there's one book in everybody's life. A life story is unique, like a fingerprint, and no-one else can write it. It's the detail that makes it come alive and blossom."

Arnold Meagher's memoir awakened for this Longford native golden memories of her youth. A must read!

Arnold Meagher has written a charming look back at his years growing up in the middle of the Twentieth Century before the Celtic Tiger reshaped his homeland. Arnold's Ireland is a country of small villages, rural landscapes, and a priest ridden school system. As a child, Meagher found happiness in the small features of nature and society. On his grandmother's farm where he helped his uncle with farm chores, he was an inveterate birdwatcher, made pets of many farm animals, loved the smell of hay, celebrated feast days with the neighbors, and surreptitiously eavesdropped on the same neighbors who many nights appeared at his grandmothers to sit before her peat fire and tell tales of the little people.

Meagher's reminiscences relate a timeless cycle of century-old rituals and work in the Emerald Isle. While the official account of Ireland's history is poignant and sad, Meagher's corner of Ireland was full of light, playfulness, and a tightly-knit large family. A pleasure to read!

Wholly engaging and healing for even the hardest of heart. Arnold J. Meagher has provided this hard-hearted German emigrant refugee a glimpse into the heart of youth growing up anywhere in this world, a wee bit of an "Everyman's" experience. Well done, Mr. Meagher. Your pages are a balm for all souls everywhere who have the courage and wisdom to revisit their childhood experience in search of the whole person in a broken world. Your healing insights and reflective prayer has healed us all who read your book, Ireland, MY Ireland. I shall revisit your pages often. I hope you are not done sharing your beautiful soul in writing. I would love to hear the story of an Irish immigrant and Irish-American. Welcome to the hall of Literary Gems.

Dear Arnold:
I just finished reading your book and for the first time in my life, I am writing to the author of a book I had read. It took me back so deeply that I was again living those years and I hated reaching the end because I had to leave home again.

I thoroughly enjoyed the book and the fact that you had the facts exactly as I remembered them and you used the real names of people that I knew, even though some of them were just on the edge of my recollections, made it so much more interesting.

Iwo tells the tale of the battle for Iwo Jima, as a veteran of the battle, Mr. Wheeler was in an excellent position to tell us about the battle that few historians would be able to meet. Mr. Wheeler opens his book by describing the Japanese leaders and preparations for defending Iwo Jima. This is rapidly followed by the American preparations and the initial landing. The center piece is the assault and flag raising on Suribachi; concluding with the Americans taking Iwo Jima

My Likes
Mr. Wheeler tells this in a very gritty way, that of a Marine who was on the beach and tasted the sulfur in the air and dirt. When reading this book you can almost feel the shells crashing around you and know that someone is watching each move you make up the beachhead. I particularly love how Mr. Wheeler provides nice details about each of the Marines he covers; a little more than most historians would provide you. Another love is the details on E Company, 2nd Battalion, 28th Marines, 5th Marine Division; his old unit. When describing his unit, Mr. Wheeler provides excellent background and feeling for the men. Particular attention is paid to the two flag raisings. Another great addition Mr. Wheeler provides is on the Japanese, their preparations and their leaders; something just starting when this book was originally written. The additional pieces about the Japanese help us to understand more about the battle.

My Dislikes
Maps. The few maps in the edition I have are of lower quality. I would have loved to have seen some nice maps included in the book that showed where the Marines were on at the end of the first day and other significant days. I also would have enjoyed having a nice breakdown of what the Japanese bunker networks looked like. This would have been great for showing readers how terrible the fields of fire were. I also wish the Navy would have been included a little more than they were (they're there, but more to take the Marines to Iwo, prep the area, and then support them). My other desirement for the book was focusing on the other Marine units as well as he did his own.

The Rating
A very solid 4 star book (going rapidly to 4.5 stars). The writing is nice and clean as it's told from the Marines perspective. There's also excellent photos. This made me lean to 5 stars, but with the lack of maps and the coverage of the other Marine units not being as good as the assault on Suribachi I'm rounding to 4 stars. That said, I seriously doubt that any book can describe the valor of E Company, 2nd Battalion, 28th Marines as well as this one did. A very good book!

We were searching for books that would depict the true situation on Iwo Jima during WWII. We were thrilled with this selection. We found two pictures we believe to be my husband's father. We have looked for photos where my mother-in-law could see well enough to say if it was her husband. These photos were excellent.

written so excellent, one will hardly ever forget. Dramatic, shocking and sad book about proud not afraid to die but nevertheless doomed Japanese soldiers and desperate, brave, pushed to the limits Marines, all dying for..(?!). Books about Stalingrad and Monte Casino come to my mind and "Iwo" should be on your shelf together with them. Maybe your children will read it some day and try to ponder nature of wars decided by individuals (rulers/politicians) and resulting in tragedy for many; as
Bertrand Russell noted: "war does not determine who is right, only who is left".

I am a USMC veteran who reads extensively about WW II. This is the best book about Iwo Jima I have ever read and have recommended it to my old buddies.

IWO is spellbinding. Written from the point of view of the Marines that fought, it tells their story and keeps the reader glued to the pages. Graphic discriptions of life and death hold the attention and provide a new insight to this battle. A must read for anyone intrested the military and war history.

This is a truly amazing story of human courage. Jack and Rochelle were not only brave enough to run away from their Germany captors, but then spent years living in the woods surviving and fighting back. Even after the Russian liberation and their departure from the woods, Jack and Rochelle fought danger constantly until they could get to an American displaced persons camp. They were such survivors. I can't imagine living through what they did, especially at their young ages.

I read this in a day because I couldn't put it down.

Jack and Rochelle is probably one of the best books I have read in the past 5 yrs. It is truly amazing what they endure during the war and how they survive. There truly isn't any words to describe how much I loved this book. Thank you Jack and Rochelle for writing your experiences! This is a well written and easy to read book. The story is very easy to follow and so important to be read! I hope that everyone has a chance to read this book. It makes you realize you need to be a kinder and more understanding person to others. Hate is an awful thing....and there is still too much of it in our world! Thank you Jack and Rochelle! God bless you both!

Jack and Rochelle Sutin were Jewish and met during WWII. I have read many stories of the holocaust from the perspective of the concentration camp. But never a story like Jack and Rochelle's!! They escaped from the ghetto and hid out it the woods during the war. (Small groups of Jews banded together in the woods.) Sound idyllic? Their existence was horrific, dreadful, and desperate! They were often reduced to being like animals. If a woman arrived pregnant, no one wanted her in their group - a baby is noisy and would be too risky. (If the woman was accepted into the group despite her pregnancy, she was forced to kill her newborn or someone in the group killed it for her.) Jewish women, who were alone and did not find a group of Jews to join, often had to perform sexual favors to find someone to take them in or help them. (Cruel and heartless Russian partisans were the worst offenders!) Despite the absolute horror of this true story, the story of Jack and Rochelle is inspiring. They met in the woods, and survived - overcoming great odds. They later married and came to the USA. The book is also well-written, and is an "easy read" in regards to the writing style.

A true story well told. An uplifting story about the power of love, faith, and self reliance. The unbelievable resiliance of humans to survive and keep their sanity in a world gone crazy. The book does not dwell on the horrors or even give explicit descriptions. The two main characters had a hard enough time and were not physically tortured or held prisoner. They simply hid out and lived in terror for several years until miraculously making their escape to the West. These were two lucky people who nevertheless suffered years of fear and depradation.

Ably edited by their son Lawrence, the instructive and inspiring Holocaust narrative of Jack and Rochelle Sutin provides ample proof of both the degradation implicit in the Shoah and the astounding strength and courage Jewish partisans demonstrated in their battle against the attempted Nazi genocide. "Jack and Rochelle" is a deceptively easy book to read; the chapters consist of blended chronological testimonies; Lawrence Sutin honorably avoids imposing his own voice on his parents, instead allowing his mother and father to describe, in their own words, their own cadences, the horrors they faced and the gritty resolve they mustered to fight back. Rarely does a subtitle so accurately depict the contents of a memoir as does their own: "A Holocaust Story of Love and Resistance."

Both Jack and Rochelle came from educated and enlightened eastern European Jewish families. As the two of them chronicle the onset of anti-Jewish depradations, they remind us of the rich texture of their pre-war lives. This dimension of humanity, of lives complicated by strained love relations, competitive urges and the deeply felt need for independence, makes the Nazi onslaught all the more unsettling and horrific.

Several themes predominate in the Sutins' braided lives. First is the omnipresence of Jew hatred, whether it be in pre or post war Poland, in the brutally repressive Soviet bureaucracy or the finely honed hatred of Nazi Germany. Indifferent neighbors, vicious anti-Jewish Russian partisans (who commit ghastly sexual offenses against women who want nothing more than to join them in battling a common enemy), and the active participants in human eradication, the Nazis, make the Sutins' world one of constant peril. Survival is never taken for granted, and Jack and Rochelle's descriptions of their physical torment, often undertated, is wrenching to read. Personal sacrifice exists on every level: physical, social and spiritual. Rochelle's first child dies within a day due to exposure when its survival imperils others; Jack is literally covered with pus-filled boils as a result of living outside the boundaries of human habitation.

Yet, neither Jack or Rochelle never complain, never give themselves away to self-pity. Instead, they are infused with the Judaic command to remember and Rochelle's mother's insistence on revenge, to take action to avenge the murder of their people. In this charged atmosphere of sanguine justice and physical erosion, amidst the rank and fetid habitat of primitive partisan surroundings, hope and love survive. Jack dreams that Rochelle will appear. She does. Despite sexual abuse and spiritual depletion, Rochelle gradually accepts and receives Jack's love. He has never stopped loving her.

"Jack and Rochelle" is above all a cry of victory. It is a cry that murder and eradication cannot conquer a people. It is a cry that memory and consecration to life will prevail over death. It is a cry that love can endure, even if it is formed in the absolute crucible of death.