X Books

Written by an Assistant Professor of Communication at Indiana University, Bloomington, Malcolm X: Inventing Radical Judgment is a scholarly, intense, and philosophical analysis of Malcom X's oratory. Scrutinizing both the speeches that Malcolm X made while as a minister for the Nation of Islam and those made after he left the Nation, Malcolm X: Inventing Radical Judgment especially focuses upon the strategies of interpretation and judgment that Malcom X fostered in his audiences. Recontextualizing the radical judgment found in Malcolm X's rhetoric according to three disparate theoretical approaches, Malcolm X: Inventing Radical Judgment strives to reveal a better understanding of one man's speechmaking power that was so great its iconoclasm transcends the limits of individual contemporary definitions.

Great book for those of us with a sick, twisted sense of humor. The book seems to be British or Canadian, so a few of the local jokes went over my head, but overall great book. I would recommend reading through the "Search inside" that Amazon offers, and browsing through using "surprise me". I believe they let you read about 100 pages using this feature.

This is an excellent book. It explains to the reader the "how to" in a very clear and detailed manner. Granted it may not go into the true nuts and bolts of Netware but you just can't get it all with one book. It has helpded me to understand and use Netware 3.x. I recommond this book for anyone who works with this NOS and has someone to talk to if a little help is needed.

Having looked through the Altiris documentation I decided to buy this book. It's exactly what it says it is 'A step by step guide to installing and configuring CMS'. No frills or dross, good explanations and examples and logically thought through. Recommended buy.

This book is great for the 'new NICU nurse' or the experienced nurse/clinician that wants to brush up on their xray skills. The pictures are just great and it helps a lot!

This 5X7 journal is sturdy, well crafted, and just the right size to easily slip in a messenger bag, back pack, purse...whatever. If you're like me--a Proust, reading, writing fool--this themed journal is going to be right up your proverbial ally. The lined pages have, in the lower corners, vintage pictures/images reminiscent of turn of the century Paris, les fleurs, and Proustian quotes--just the right stuff to keep a nerdy Proust lover like myself yelling "tres bon". :-)

Please note, however, this is a JOURNAL. Therefore, it has blank (lined, actually) pages. Do not buy it if you are looking for a book by or about Mr. Marcel. In going through the reviews of several other themed journals, they were given very low ratings because--for some reason--the consumers thought they were buying books about the (journal) theme. Highly recommended.

This is probably Kienzle's best book yet. From the very start, you're engrossed in the novel, trying to guess whodunit. The ending is surprising, and as always, I enjoy Kienzle's references to the Detroit area of which I'm familiar.

John Byrne had drawn a couple of issues (#108-109) of "The Uncanny X-Men" before the issues (#111-121) collected in this third volume of the Marvel Masterworks series devoted to the merry mutants. But the Chris Claremont-John Byrne period began in earnest with issue #111 as the Beast finds the rest of the X-Men as side-show exhibits in a carnival: the Banshee is the carnival barker, Wolverine is the shackled Man-Beast of the Yukon, Phoenix is aerialist named Miz Destiny, and the rest are being shown as freaks. At first it seems that it is their old enemy Mesmero who is playing "Mindgames" with them, but then on the stunning last page full panel shot it turns out to be Magneto himself.

The stories collected here remind me of the period in the Sixties when Jim Steranko and Neal Adams were drawing the pictures to go with the scripts of Roy Thomas; not just because of the artwork but because many of the super villains are the same. Claremont and Byrne not only continue their story with another two issues devoted to Magneto defeating the X-Men but then having to run away when they escape and he is tagged by Wolverine, but they then split up the group. The Beast and Phoenix escape into a blizzard while the rest are plunged into the depths of the Savage Land where they again encounter not only Sauron but Ka-Zar and the transformed human who became Garokk, the petrified man and god to a local tribe. While Charles Xavier takes a walk down memory lane in "Psi-War" (#117), the lost X-Men make it to Japan for another meeting with Star-Fire and then to Canada where Prime Minister Pierre Trudeau sends Alpha Flight to capture Wolverine again.

The battle with Magneto is the high point of "Marvel Masterworks: The Uncanny X-Men, Vol. 3," not only in terms of Byrne's artwork (the close up of Magneto at the end of #112 is nice), inked by Terry Austin, but also in terms of the story that Claremont comes up with. By the end of the saga Claremont and Byrne are co-plotting the comic book that was about to become the hottest on the planet. I had been a fan of the X-Men from early on, preferring them to the Avengers, and while they had their moments right before the comic was given over to reprints for several years, "The All-New, All-Different" version of the X-Men was a big improvement. You still had the star-crossed lovers with Scott Summers and Jean Grey, but now you had the loose-cannon Wolverine and the foreign flavor of Storm, Colossus and Nightcrawler, all played out against the growing social prejudice against mutants. Banshee is a bit of a stick in the mud, but he gives Professor X somebody his old age to talk to, and I certainly like the improved Beast as the group's resident tragic figure.

For fans of the Claremont-Byrne years of "The Uncanny X-Men" be aware that if the Marvel Masterworks series keeps to a dozen issues of the comic reprinted in color in each volume that Volumes 4 and 5 will take you through Byrne's stink as the book's artist. Volume 4 will begin the Hellfire Club saga and introduce both Kitty Pride and Dazzler, while Volume 5 will have both the Dark Phoenix epic and the powerful "Days of Future Passed" issues that are still one of the best time travel stories I have ever read in a comic book.

What was once a failing Marvel title is now a mainstay, so to speak. This excellent collection covers Roy Thomas' valiant attempt to save this title. A great read for nostalgic fans of early X adventures.

Finally the Masterwork title lives up its name here. Most of the X-men stories before this laid some solid groundwork, but are for the most part Marvel's version of the Doom Patrol, and rudimentary in that Silver Age way. Both early X-men and Doom Patrol had much to owe to Arnold Drake and Don Heck basic talents.

Here the Silver Age X-men are transformed into the Modern Age X-men by Roy Thomas and Neal Adams. Both Thomas and Adams have received more praise and recognition from other works, but it's these X-men stories that work best for me. This volume collects the end of the original X-men stories. The series continued on for some 30-some issues as reprints until the All New All Different Uncanny X-men kicked off the huge X-men phenomenon some years later, which was helmed by editor Thomas.

Man, reading these stories again... they still feel new and they are better most of the X-titles currently in print. I'd love to see Thomas and Adams team up again to pick up where they left off at the end of this collection.

Highly Recommend.