Williams Books

This is a classic texbook. If you collect introductory statistics textbooks, this is a "must have" for your collection.

This book review all common technique of statistical methods - from t-test to factorial design and regression. Also, it also introduces non-parametric statistics. Detailed examples in each chapter are helpful to read the book.

This was the core text for both semesters of my graduate level statistics classes back in the '70s. The text was very understandable and the examples were most helpful. I am now an MD doing clinical research at a medical school and this is STILL the best statistics reference I've ever come across. ...

I found the writing clear and easy to follow. I recommend this book to anyone looking for an excellent introducory text in statistics.

Snedecor first wrote this excellent elementary applied text while at Iowa State (late 1940s or early 1950s). When Bill Cochran arrived in Iowa he helped out with the revision. It was very popular and was revised by Cochran many times even after Snedecor died.

Well written and often used in elementary courses this book is also a good reference source for statistical methods. Empahsis in applied statistics in those days was in agricultural experiments and that is the reason statistics was prominent at Iowa State University in those days.

In his sequel of The Raj Quartet Paul Scott depicts the life of two of the minor characters Tusker and Lucy Smalley. This is the appealing story of the last surviving members of the old school of British in Pankot, a town in India, 24 years after the Independence. Covering only a few months, it makes us witnesses of a whole lifetime. Frankly told, often causing us to feel a lump in our throats, Scott's novel skillfully pictures the emotional impact the débãcle of the British imperialism in India has on a family who chose to stay on.
It took me a while to become fully immersed in the book due to its unusual beginning. The very first page tells of the death of Tusker Smalley, which, in fact, is also the end of that elegiac psychological novel. As I read pretty much the same description of the very same episode at the end of the book, I felt something totally different. Since Tusker was already a friend of mine, his ways not just a weird old man's habitudes, his life not merely a consecution of events, but the result of unfavourable circumstances and crucial decisions, his death grieved me deeply.
The divergence between the story and the plot draws us into a mazy time puzzle, which we have to arrange for ourselves. We are shown into the all-embracing socio-historical setting both before and after the Independence in 1947 through the eyes of Mr and Mrs Smalley, their servant Ibrahim, and the manager of the hotel where they live, Mr Bhoolobhoy. The various perspectives contribute to the comprehension and comprehensiveness of this fading Anglo-Indian portrait of a whole civilization in miniature.
The character of Lucy Smalley is similarly developed through a number of retrospections. In her imaginary conversations with the young Englishman Mr Turner she looks back with bitterness on the days of the raj, most of which pass under the sign of the imposed British hierarchy. Just when she achieves the aspired position of Colonel's Lady "the old hierarchy collapsed and a new one, the Indian one, took its place". Thus, nothing changes for them because the new race of sahibs and memashibs places them as far down in the social scale as the Eurasians in the days of the raj.
The changes brought about by the Independence estrange Lucy and Tusker even more than before. The lack of communication cuts them off from one another and makes them live separate lives under the same roof. He has a rude awakening when he realizes that the huge rise in the cost of living in England prices them out of the home market and they must stay on in India. This leads to his "personality change", as Lucy calls it. She, for her part, is terribly lonely because in this new world she has become "a black sheep in reverse exposure". She fears the moment when her ill husband will pass away and she will be destitute because, `She would be alone in a foreign country. There would be no one of her own kind, her own colour, no close friend by whom to be comforted or on whom she could rely for help and guidance."
Staying on is not a novel of action, but one of contemplation and speculation. Its very title implies passivity. It however, turns out to be misleading for in Tusker and Lucy's case staying on in India requires strong will and endurance. In fact, this paradox makes Tusker and Lucy analyze and reconsider their lives; makes them realize that their happiness was sacrificed part because of circumstances, part for habits' sake. The profundity of their psychological portraits, the moving episodes, even the purifying humour turn this novel into a quest for our own inner selves. Thus, even though the end of Staying On is well-known from the very first line, it still strikes us with its poignancy for we have changed our perception and have turned into Tusker and Lucy's best friend who knows all they've been through,
So when Lucy sits on her "throne" in the bathroom, appealing to Tusker:
...Tusker, I hold out my hand, and beg you, Tusker, beg, beg you to take it and take me with you. How can you not, Tusker? Oh, Tusker, Tusker, Tusker, how can you make me stay here by myself while you yourself go home?
what I hear is the echo of the record Lucy loves best, Chloë:
Oh through the black of night, I gotta be where you are. If it's wrong or right, I gotta go where you are. I'll roam through the dismal swamplands, searching for you. If you are lost there let me be there too...

Paul Scott at his best. If you appreciated and was moved by The Raj Quartet, you'll find this book no less inspiring.

I didn't notice this until it was too late to return it to Amazon, but my new copy of this book was defective. A large section of the book appeared twice, and another section was not included at all. If you buy this book, I'd recommend checking your copy promptly to see if it has the same problem while there is still time to return it.

This is a coda to the wonderful RAJ QUARTET. It is nearly as good as the other four novels. Tusker Smalley dies of a heart attack. At the the time of his death Mrs. Bhoolabhoy owns Smith's Hotel. Tusker and Lucy stay in a lodge on the property. The hotel is no longer the grand place it used to be. Now the Shiraz, a newer enterprise, is the really stylish establishment.

Paul Scott portrays Mr. Bhoolabhoy in hilarious terms. Mr. Bhoolabhoy functions as management at his wife's place of business and also considers himself Tusker's best friend. Just before his death Tusker Smalley fired his servant Ibrahim. Ibrahim had been fired on other occasions by either Tusker or his wife, Lucy, but of course in this instance the action is final.

The Smalleys are the last of Pankot's permanent retired British residents. Hearing of the death of Colonel Layton in England, Lucy commences to write to Sarah Layton. It is learned subsequently that Sarah married Guy Perron and a friend of theirs, David Tucker, is scheduled to visit Pankot and complicates the action by causing Lucy to make provision for his stay under the circumstances where she does not truly understand Tusker's careful stewardship of the couple's rather limited resources.

Through the memory of Lucy the book circles back to the earlier incidents of Mabel Layton's death at Rose Cottage, the fate of her house guest, Barbie, and the residency of Tusker and Lucy at that abode. Mr. Bhoolabhoy has always felt that Lucy's presence in Smith's dining room makes the place seem less seedy. In the end Mrs. Bhoolabhoy sells out to a consortium and Tusker dies clutching the notice to quit prepared by his dear friend, Frank Bhoolabhoy, the management of Smith's Hotel.

If, like me, you've been meaning to read The Raj Quartet, but have been daunted by it's gargantuan bulk, this shorter sequel offers an ideal entree to Paul Scott's Anglo-Indian world. Here he takes what I understand are two very minor characters from the quartet, Colonel Tusker Smalley and his long-suffering wife Lucy, and makes their story the centerpiece of a sweetly elegiac comic novel.

The year is 1972 and the Smalleys have stayed on in Pankot, India even after Independence in 1947, less out of love of the country or it's people, than out of financial need and sheer spite on Tusker's part. Where the upper class Brits were able to just scamper home, the Smalleys represent the folk of the middle class, who felt that they had invested something in the colony and now deserved to get something out of it. As he explains to Lucy:

I know for years you've thought I was a damn' fool to have stayed on, but I was forty-six when Independence came, which is bloody early in life for a man to retire but too old to start afresh somewhere you don't know. I didn't fancy my chances back home, at that age, and I knew the pension would go further in India than in England. I still think we were right to stay on, though I don't think of it any longer as staying on , but just as hanging on, which people of our age and upbringing and limited talents, people who have never been really poor but never had any real money, never inherited money, never made real money, have to do, wherever they happen to be, when they can't work anymore. I'm happier hanging on in India, not for India as India but because I just can't merely think of it as a place where I drew my pay for 25 years of my working life, which is a hell of a long time anyway, though by rights it should have been longer.

But now, with Tusker's health in decline, Lucy has increasing concerns about her own future. As is, they have led a pretty precarious existence for the past 15 years, having been reduced to living in a hotel, the new owner of which is a ghastly Indian woman, who married the manager, Mr. Bhoolabhoy, one of Tusker's few remaining friends. The author etches a finely detailed portrait of his characters and in particular of the difficult marriage of the Smalleys. Tusker is an irascible curmudgeon straight out of an old British barracks. Lucy has been disappointed that their relationship did not fulfill her romantic ideals. These strains are exacerbated by the daily indignities they must now suffer as the last seedy remnants of the departed British Empire, looked down upon by the very natives they once lorded it over. In the final scenes of the novel, two letters are written which will change these peoples' lives, for better and for worse.

This is a very funny and ultimately a deeply moving story. The Smalleys are a couple the reader won't soon forget. I liked it so much, I think I may finally heft that colossal Quartet off of the shelf and give it a go.

GRADE: A-

The book contains some details about mcQueen's life that only the writer knew , that give a hint about how mcQueen viewed life, danger, and speed.
but the photos are mainly advertising ones and not real life.
i would expect more on the life of mcqueen as a person and not only as an actor

A wonderful work of art that captures what made Steve so charismatic and appealing. It leaves you wishing you could see more from other periods in his life. This is a book I will treasure all my life. Thank you Amazon, I would have paid ten times as much for this book. God Rest His Soul.

According to his foreward to this book, the photographer William Claxton met Steve McQueen in 1962 when McQueen was starring with Natalie Woods in LOVE WITH THE PROPER STRANGER. The two men formed a friendship and apparently Mr. Claxton became Mr. McQueen's favorite and most requested photographer. This book of wonderful photographs, covering a couple of years in Mr. McQueen's life from 1962 to 1964, is a result of that brief friendship. Most of the pictures appear to be shot in available light and have a wonderful, informal spontaneity about them impossible to capture in formal portraiture. Both the photographer and subject are comnpletely without pretention.

Mr. Claxton caught Mr. McQueen smiling, clowning and pensive. There are photographs of McQueen in fast cars as well as on motorcycles. Many of the shots were done while Mr. McQueen was working on movies. There are also many pictures of him with family and friends. Most of the shots are in black and white with a few in color. Every time I look at them I find yet another photograph that I think is the best in the book. There is a haunting shot of McQueen with his young daughter where the child, sitting on the floor and resting on her arms, looks into Claxton's camera. We only see her father's legs and feet. (p. 79) Another great shot appears on page 73. McQueen is embracing the family cat. Finally, there's a shot of McQueen lying on a blanket in a large field. His profile is beautifully backlit. Both photographs selected for the front and back covers are fine, informal portraits as well.

This book made me remember how much I enjoyed Steve McQueen's movies and made me sad that he is no longer among us.

A great book, considering it is of a short period in Steve McQueen's life. This is him in his prime captured by a great photographer.

Very comprehensive. Show's a different side of the rough and tumble character known as Steve McQueen. Very entertaining.

I have just received this book but have noticed that Pericles, Prince of Tyre has been left out - I wonder why? Haven't read the book yet; when I do, I'll add my opinion on it here.

This book does an excellent job of describing the plots, settings, and characters of the stories of all Shakespeare's plays. The author also provides good background detail of the time, relevant facts from Shakespeare's life, and some not-excessively-detailed analysis where appropriate. My one small complaint with the book is that the author is so deeply in love with the works and the very idea of Shakespeare that she rarely lets an opportunity pass to tell us how wonderful he is. (The level of fawning and gushing is sometimes reminiscent of listening to a fourteen year old girl talk about Justin Timberlake.) But apart from this minor complaint, I heartily recommend the book -- it's quite readable and the overall scholarship is outstanding.

I used this book successfully to help negotiate top grades in an Ivy League Shakespeare class more than 30 years ago, and I still use a copy to reorient myself and my family to Shakespeare's works. An invaluable guide to the essence of each play, including all significant aesthetic themes. Indispensable as a quick read before seeing a Shakespeare play that hasn't been read or seen for some time. I've come across no other book that is so helpful yet concise.

Margaret Chute's Stories of Shakespeare uses an novel technique. She writes treatments for 36 of the plays (those in the First Folio), a present tense chronology of the plot in simple, eloquent language. This book is useful for actors, students or the casual fan. The book also appreciates the beauty of Shakespeare's language by offering selected excerpts. Further, it recognises the humor, the history and the tragedy of the story and gives concise summaries so the reader can always follow the action. This is an excellent book.

Chute's book provides a basic summary for each of Shakespeare's plays. Her writing is as lyrical as it is complete for such a book, which makes it a handy, enjoyable reference. Her main goal is to make the stories digestible, and to that end, the essence of Shakespeare's plays emerges brilliantly, freeing the average reader of dusty Elizabethan language. Unlike other books that give choppy scene-by-scene summaries (though helpful in their own way) or brief plot highlights, Chute's summaries seamlessly tie the play's entire action, principle and otherwise.

The plays are grouped by comedies, tragedies, and histories, with comedies and tragedies in the likely order they were written and the histories arranged chronologically by reign. She includes an illuminating introduction that sheds light on Shakespeare's genius and innovation as well as how best to approach his work. An index of characters is also included. One of the many things I appreciated about this book is Chute's resistance to overemphasizing popular texts. With the exception of "Titus Andronicus," she devotes a fair amount of text to each play, though some do receive added attention.

Those looking for a more detailed or critical reading of Shakespeare's work would not benefit from Chute's book. There are numerous (non-academic) guides for those desiring more than a casual read and study of the Bard. ("Shakespeare for Dummies," "The Pocket Companion to Shakespeare," and "The Age of Shakespeare" are all books I've consulted for more background and a better understanding of the author and era.) In her introduction, however, she points out that the purpose of her book "is to give the reader a preliminary idea of each of the thirty-six plays by telling the stories and explaining in a general way the intentions and points of view of the characters." On occasion she gives critical analyses of characters and plays but in an informative and unobtrusive manner. This book is not Cliff's Notes or a substitute for the actual play, but it does make Shakespeare understandable.

In "Struggle for the Holy Land: Arabs, Jews, and the Emergence of Israel", author William Hare provides an in-depth, absorbing, and immaculately researched history of the formation of Israel. The facts are backed up with an extensive bibliography and a through index. Beginning with the roots of Zionism in the late 1800s, Hare explores the major figures involved in the creation of the Jewish state.

The author traces the growth of the Zionist movement following the publication in 1896 of Theodor Herzl's pamphlet "Der Judenstaat" ("The Jewish State: An Attempt at a Modern Solution of the Jewish Question"). The Zionist movement is examined and the philosophical split between Political Zionism and Cultural Zionism split are both discussed. The information regarding the efforts to choose a country other than Palestine is particularly fascinating.

This absorbing book offers an unbiased approach to the historical and sociological factors that contributed to the formation of Israel. The establishment of the Jewish congress in 1897, and contributing factors such as the Russian pogroms, and WWII are included. Major characters and countries are all covered here--Chaim Weizman and his relationship with Britain and Balfour, David Ben-Gurion, and the Peel Commission's decision to create a "partition of Palestine into an Arab state and a Jewish state." The author also examines how the world tried to cope with the growing unrest in the area--one of the most infamous methods of restricting immigration was the "White Paper Policy" that restricted the number of Jewish immigrants to Palestine. Consequently "little death ships" loaded with Jewish refugees fleeing Nazi Germany were turned away without its passengers being allowed to land.

Packed with information, the book yields new insights to an all-too familiar problem. We know how the book will end ... the reader cannot but be aware of the tragic situation and the continuing violence between Israel and Palestine. Yet somehow, in spite of being all too aware of the current situation, the book lends great insights for readers and also a sense of tragic inevitability to one of the most troubled regions of the world--displacedhuman.

"Struggle for the Holy Land" by William Hare is a fulfilling historical narrative for American readers who are interested in the Middle East conflict but are overwhelmed by the deluge of information on the subject. William Hare's work provides an objective introduction to a subject polarized by advocacy. Broadly balanced, it unravels the complexity of the Middle East by elucidating complex personalities that have either influenced or have been influenced by its tragedy.

Starting with Einstein's wrenching emotions over Israel's existence, William Hare skillfully weaves Theodor Herzl's passion for the Zionist movement, David Ben-Gurion's sacrifices in Palestine, and Chaim Weizmann's influence over the British empire in a memorable portrait of struggle for a Jewish home then state. Israel's birth couldn't be better or more objectively presented for the casual historian from the Jewish point-of-view. Arab readers will certainly benefit from this objective portrayal of the people who have influenced the conflict currently affecting many Arab nations.

The book also describes the character of the Arab opposition to Israel through Mohammed Ali and T.E. Lawrence. Apparently targeting Western readers, William Hare selected two personalities who personify both a fighting spirit and sophistication. The poignantly perceptive focus on primarily non-Arabic personalities to represent the Arab point-of-view in the book underscores the reality of Arabs today who are yet powerless to voice their own grievances and concerns. Though the Arab voice remains wanting, Arabs are pained to find a more noble or more relevant representation of character and struggle than through Mohammad Ali and T.E. Lawrence.

Engagingly easy to read, I recommend "Struggle for the Holy Land" to anyone concerned about the history of the Middle East conflict.

Giving this book a 5-star rating isn't enough; I haven't been this affected-- intellectually and emotionally-- by anything I've read in a very long time, so I wish there were some way to reflect the significant difference between an "A" and an "A+," which is what "Struggle for the Holy Land (Arabs, Jews and the Emergence of Israel)," by William Hare, deserves. First published in 1995, this book is more important and timely today than ever before, as it seeks to promote the kind of understanding and a perspective of the Middle East that is so vital if we are ever, in our efforts as a community of Man, going to be able to effect any semblance of global harmony at all.

William Hare writes from the enlightening perspective that merely understanding the issues and current events in the Middle East is not going to bring about a resolution of the problems that are rooted there, and ultimately have a far-reaching effect on all of the nations of the world; these are scholarly pursuits, but ineffective in realizing any real change in the near (or distant) future. Hare points out that what the situation requires is a thorough understanding of the people involved-- the history, culture and psychological aspects of who they are, and most importantly, "why." And he does it by tracing the roots of Zionism and the genesis of Islam, by going back and determining the cause and effects of the attitudes and actions that have brought us to where we are today.

Hare gets to the heart of his subject by offering an objective examination of historically significant events from the perspective of both the Jews', as well as the Arabs' side, and moreover, the effects of one upon the other, as well as how the world powers of specific times influenced that history, including the involvements of the likes of Czarist Russia, the Ottoman Empire, Britain, America and, of course, the devastating effects of Hitler's Germany. It's a comprehensive, cohesive and thorough treatment, with a depth that transcends the achievements of similar attempts by others, and is even more extraordinary when the fact that Hare's analysis covers a period from Biblical times to the present, inclusively, is considered.

What really brings this book to life, however, and what sets it apart from most histories, is the way Hare brings the situations, and especially the people involved, so vibrantly to life. Typically, works of history are rendered in terms of dry academia; Hare, on the other hand, uses the voice of the novelist for his presentation, which makes historic figures like Einstein, Muhammad, Chaim Weizmann, David Ben Gurion, T.E. Lawrence and Harry Truman (to mention just a few) seem larger than life (as, indeed, their respective accomplishments make evident that they were), while affording and investing the reader with intellectual stimulation, as well as the emotional connection that makes this book so thoroughly involving on so many levels.

From the first chapter, which offers some succinct insights into Albert Einstein and his views on and involvement with Zionism, to the final chapter, which concludes with the dramatic depiction of Sir Alan Cunningham, the British high commissioner, presiding over the ceremony marking the end of British rule in Palestine, Hare's account is riveting and stirring in a way that makes history seem like a tangible entity rather than merely words on a page. His approach is similar to that of Shelby Foote, who so successfully brought possibly the darkest period of American History to life in his trilogy "The Civil War." Like Foote, Hare has the ability to "put you in the room," as it were, making you a part of the action rather than just an observer, and his style is tremendously effective, including his use of contemporary frames of reference, like films, to draw comparisons and correlate especially significant events.

A scholarly endeavor executed artistically can be entertaining as well as educational, and this book certainly is all of that; but more than that, it can be important in a way that supersedes any and all of it's most worthwhile considerations. And this book most certainly is that, as well. One of the most engaging and thought-provoking chapters is Hare's emotionally charged account of the Holocaust, which alone takes this book to an even higher level of significance. Like Steven Spielberg's film "Schindler's List," this particular chapter, especially, makes this book important in that it serves to preserve the memory of that which must not be forgotten at any cost; and it is decidedly the efforts of artists and scholars like William Hare and Steven Spielberg that guards against this kind of history repeating itself. And that, in itself, is a remarkable achievement by any form of measurement.

Sensitively and sensibly written and presented, "Struggle for the Holy Land (Arabs, Jews and the Emergence of Israel)" is an entertaining, educational and important book that should be required reading for everyone. William Hare is to be commended for his astute insights into the human condition and his studied and conclusive perceptions of the whys and wherefores of the world in which we live; and hopefully, through his considerable achievements here and the importance of this book, he will receive the kind of acknowledgement he so richly deserves. This is a book that belongs in everyone's library.

William Hare has an extensive background in journalism and interest in world affairs, and it is evident in this book, "Struggle For the Holy Land." Through his investigation, he presents a succinct and thorough report on a complex topic in which solutions to the Arab and Israeli conflict have eluded the world's top leaders. Hare puts the conflict in proper context with an emphasis on the Arab and Israeli leaders who shaped policies generations ago. Particularly compelling are the roles of T.E. Lawrence, David Ben-Gurion and Zionist leader Chaim Weizmann. While much has happened since the book was written in 1995, it remains, in my opinion, a definitive look in historical terms. If anything, it explains well the events that led to the bloodshed we see today. I highly recommend it.

This was absolutely the BEST book I have ever read regarding the history of the conflict in Israel. I had been unable to find books about the early history of the area that didn't seem biased toward one point of view or the other. STRUGGLE FOR THE HOLY LAND provides a point of intersection in which the interests and aspirations of each side are carefully evaluated. William Hare is truly a talented author with a gift for presenting complex historical events in a way that even the non-history buff can understand and enjoy. Your only disappointment will be when there are no more pages to read! A rare find!

This is a great book. Very witty and the pictures are fab. My 18 mo old daughter and I love to read it together, we never tire of it!!

I can't recommend this book enough. It is, without a doubt one of the best books for children that I've ever come across. My kids love it, and so do I. The story is cute, the artwork is great and the verse is written in rhyme. Rhyming books can be difficult to write. The words have to be appropriate and make sense without bogging down the plot and characters. This book is almost genius.

The clever rhymes make this story a true delight to read. My 4 year old daughter loved reading this story multiple times.

This book is so cute ! I am a librarian and use it as a read aloud at our tea party every year! I just love it

Bill is not your average bull, for instead of being rough and tumble, Bill is a sensitive soul who has a marvelous collection of china cups. However, Bill doesn't do well when he's around fragile items, so when he begins browsing antique and china shops, searching for one more perfect cup, he is plagued by one very big problem: getting in the front door. For most china shops don't allow bulls entry. But then Bill comes across a china shop that permits entry to bulls, and suddenly all bets are off.

BILL IN A CHINA SHOP is an adorable new children's book that will be loved by the whole family. Bill is a cute character, who is plagued by prejudice just because of his size. However, his wonderful outlook on life, and the people and things surrounding him is admirable, and will teach children that they should be happy in their own skin, whether big or small, black or white. A wonderful addition to the children's picture book genre!

Erika Sorocco
Book Review Columnist for The Community Bugle Newspaper

An excellent book on leadership ... so much of which is missing in today's workplace. Not only were the author's 8 points outstanding, but he gave clear cut examples of how they have been implemented in the military as well as in business. I will paste the 8 points on my desk at work to review them regularly to remind myself of what I need to do to lead my IS team. I have three more books on leadership that I bought, but I have no need to read them now! ANYONE will enjoy this book. Definately worth the money

It is a rare book that can take a subject as complex as what it takes to be a true leader and make it so clear, through effective story telling that it drives home all the key points. THIS BOOK DOES IT VERY WELL.

When I first heard about this book on KPCC's "Air Talk" it sounded interesting. However, I spent most of the night reading the page turning stories. It was hard to put down. I got much more than I expected the first night ... a book that explains leadership in a simple, strait foward way and literally forces you to think about your own leadership methods reguardless of what profession you are in.

The stories are very compelling in a 'chicken soup for leadership' kind of way.

Some parts of the writing do need reworking for flow, but it all works in the end. I have refered to it over and over again to develope my subornates and myself.

Get it, read it, apply it. IT REALLY WORKS!

This book is simply the finest book on leadership I have ever had the pleasure to read. Simple, clear, consise. Plenty of practical examples. The final chapter is very powerfully and brings it all together. Read this and have a huge step up in understanding the dynamics of leadership and observing and diagnosing successes and failures in most any organizatioon. Apply the laws for yourself and be ahead of your peers in becoming a mature and effective leader.

This book is simply the finest book on leadership I have ever had the pleasure to read. Simple, clear, consise. Plenty of practical examples. The final chapter is very powerfully and brings it all together. Read this and have a huge step up in understanding the dynamics of leadership and observing and diagnosing successes and failures in most any organizatioon. Apply the laws for yourself and be ahead of your peers in becoming a mature and effective leader.

I had to read this book for a class that I took while working on my master's degree. I found it easy to read and took all the lessons to heart. I am in the Army National Guard and was attending officer candidate school at the same time. I feel that it helped me become a more effective leader, both in the military and business world.

This book helped me to fine tune writing. Being a Department of State employee and considering myself an already excellent writer, I was able to reassess my composition and cut out the unnecessary verbage and get down to the facts in concise sentences.

Shorter than many of Williams' other similar works, Style is a great little book that any writer should read many times. His points on concision and clarity are must read for anybody who wants to improve their writing.

The longer version of Joseph Williams "Style: Ten Lessons in Clarity and Grace" has been justly praised for many years. But as a director of writing programs at NYU, Princeton, and Yale, I never felt right adopting that text: it was too expensive, and more than the average student needed. This "Basics" Style is the perfect solution. All the brilliance of the longer book at 1/3 the price, "Style" perfectly balances explanations of style rules with practical examples. The rules that Strunk and White encourage are good ones, and American prose would be leaner if their precepts were universal. The problem with that book is that the advice is not explained systematically. You can use their suggestions when you face similar cases, but only Williams' text breaks down topics like elegance, coherence, and cohesion in ways that will let you carry the ideas into every text you write. I would not recommend this book for the casual 10th grader; although it's clearly written, its ideas are somewhat advanced. But for professionals, college writers, and any teenager who takes writing seriously, "Style" is an indispensable tool, a book you'll use for the rest of your life. For learning to write good college papers, I also highly recommend his "Craft of Research."

I found an used copy of " The Basics of Clarity and Grace" at bookstore. After reading 3/4 of the book I ordered two more copies. One copy for my son who is a journalist major and the other for my eldest son who writes good comedy. I liked its size and its no nonesense approach.

I am a non native speaker, and even though my grammar is not too bad, my writing style has always been a source of frustration. At work, when comparing the texts I would write with the one of good native writers, I could see that theirs were better, but could not find why.
I bought this book based on the high reviews it got on amazon, and I was not disappointed. After reading a few pages, I scanned the research proposal I was writing at the time, and could already make significant improvements on it. The advices that the author give are sometimes quite simple, especially at the beginning of the book (for example : the main character should be the subjects of the verbs, which themselves should correspond to the main action). But surprisingly, I realized that I was rarely applying these simple rules of clarity. The author is never dogmatic, and insists that the only thing that matters is that the reader easily understands what we're writing. All throughout the book, numerous examples illustrate the concepts just introduced so that it is quite easy to test whether one has really got the point.

Quite a story!!!! Author hit all the right buttons with this one. Captured my attention immediately. Hope to see more from Beecher in the future. Recommend this book to those who like suspense and thrilling fiction touched with a lot of knowledge of the Washington environment and the international community.

This suspense thriller was an outstanding read. It is a story that has a perfect mixture of history, culture, romance, and suspense. From the first page to the last page it grasped my interest. It is a fantastic story with a surprise ending.

The tale is well crafted and moves along smoothly with an interesting plot twist at the end. How about expanding this into a film? The author has done his research well.

An excellent exposition of Korean views on North-South and South-Japan relations, wrapped in a mystery novel. A great traveling companion as well.

The suspense of this thriller had me hooked from beginning to end. This fictional work gives an in-depth and intriguing perspective into the competing international interests that surround North and South Korea. Beecher injects his knowledge of history and culture into the characters and the storyline. We are introduced to an investigative journalist as he searches for answers in a world influenced by corporate media, government intelligence and international tensions. This is a fascinating read.

Excellent translation of and introduction to the works of Rumi regarding the end of all relgion, the ocean of unity, the wholeness of God and His creation, the source of Life itself, the meaning beyond form.

Or to quote the words of Bohm a physicist:
One of the most impressive theories emerging out of scientific cosmology respecting the ancient truth was set forth by the late physicist, David Bohm in his book, Wholeness and the Implicate Order. Using the language of mathematics, Bohm set out to describe the transcendent reality and its graded energetic hierarchy in four basic states or orders of energy beginning with the physical world, which he called the Explicate Order. "The Explicate Order, weakest of all energy systems, resonates out of and is an expression of an infinitely more powerful order of energy called the Implicate order. It is the precursor of the Explicate, the dream-like vision or the ideal presentation of that which is to become manifest as a physical object. The Implicate order implies within it all physical universes. However, it resonates from an energy field which is yet greater, the realm of pure potential. It is pure potential because nothing is implied within it; implications form in the implicate order and then express themselves in the explicate order. Bohm goes on to postulate a final state of infinity [zero point] energy which he calls the realm of insight intelligence. The creative process springs from this realm. Energy is generated there, gathers its pure potential, and implies within its eventual expression as the explicate order." Will Keepin, Noetic Science Journal

"It is proposed that the widespread and pervasive distinctions between people (race, nation, family, profession, etc., etc.) which are now preventing mankind from working together for the common good, and indeed, even for survival, have one of the key factors of their origin in a kind of thought that treats things as inherently divided, disconnected, and "broken up" into yet smaller constituent parts. Each part is considered to be essentially independent and self-existent." - David Bohm, Wholeness and the Implicate Order


Also recommended for Christians who want to compare and understand the words of St. John of the Cross in the light of union of the Spirit, to love the creator more as the created.

Man created in the image of God, to mirror his light.

This is a good book on explaining some of the poems of the great mystic Rumi. I somewhat disagree with the authors choice of title. many great sufis refrained calling themselves sufi, after the movement became popularized and took a different color. Sufi orders sprung up like mushroom and every group claimed to follow a great mystic figure, like Rumi. one often wonders if Rumi and his like would have approved of notions like "Sufi order" which seems like "feudaliztion" of the movement. Many great mystics avoided " orderization" of their path. Their "order" was simply Islam and the path to realization was sharia itself. To many, becoming a sufi is nothing more than repeating certain names of God about a zillion times and whirling around till one gets dizzy or as one of my modern day sufi friend puts it " one becomes natural high". And that dizziness or " natural high" is interpreted as " self disclosure" of God. It doesn't take much to " unveil" God, does it?

This is by far the best book on my favorite spiritual poet. The poetry of Rumi is truly awe inspiring and the examination of his teachings by William C. Chittick is first rate. I can't even begin to guess the amount of time I've walked around with this book in my hand. You will want to read this over and over. It's a true spiritual classic and contains some translations of Rumi's poetry you wont find elsewhere.

The reviewer below shows typical Western arrogance and ignorance. He/she obviously knows nothing about sufism and the political role it's played throughout history. It's always come in as a political tool to fight extremism as it is (slowly) doing today. I wish people who didn't know anything about a tradition that is not their own would refrain from speaking from a position of supposed knowledge. It's the problem with Western political arrogance and what causes bloodshed, both literal and metaphorical. And sufi poetry is not "romantic"; that is simply the interpretation of unrealized minds. Please learn about the things of which you speaking. Otherwise, silence is still a virtue. Om Shanti.

Apart from Nicholsons translation of the Mathnawi and the works of his students Iqbal (Life and works) and Arberry (who transltated the Fihi Ma Fihi as the 'Discorses of Rumi) All other so called 'translations' are pretty much worthless because 1. They are not translations at all but rather re-writes of Nicholson 2. They are just pandering to an ever growing market of supermarket spirituality. Chitticks translation however, is very different.

For a start, Chittick is a scholar in Persian and taught in Iran for several years and had first hand knowledge of not only the Persian Mathnawi but some of the major comentaries in Persian (which may explain why a previous reviewer found many parts of the book similar to Shia text he had read)

Chittick may be covering the same ground as Nicholson here but his translation is well put together not only applying modern English but also a knowledge of the original.

The book may not be of much use to everyone especially if you have already the Nicholson translation but if you are seeking a book that covers the fundamentals of the teachings of Rumi then there is no better place to start than this book.