Williams Books

"The Bachelor of Arts" is the second of a thematic trilogy that begins with "Swami and Friends" and ends with "The English Teacher"--three novels that collectively take their characters from the innocence of youth through the disappointment of love to life's first tragedy. Yet this tale of Chandran, a college graduate unlucky in love, is (as Graham Greene notes in his introduction) "a funny and happy book" at its core--particularly when compared to Narayan's later melancholy, tragic books--yet a closer reading shows us the "shadow [that] had been there from the beginning."

The first part of "Bachelor" is an unexpected treat: a farcical, satirical look at the sillier, exhausting rituals of academic life in colonial India. The opening scene features a debate on whether "historians should be slaughtered first"--and Chandran, a history student himself, is required to argue in the affirmative. From there, our poor student is appointed by his professor as secretary of the school's new Historical Association, an honor that adds to his duties but hardly helps his studies. In between, he frequents the cinema with his best friend and dutifully maps out a grand plan for exam preparation--a plan that is revised daily due to the impossibility of following it.

The debate society, his friends, his academic career--all has been poor preparation for life's setbacks. ("The classroom or the club or the office created friendships. When the circumstances changed the relations, too, snapped.") The giddiness of the novel takes a sharp turn when the circumstances do change: Chandran falls in love at first sight and is rejected, causing him to cast aside the comforts of life and to leave home. The rest of the novel follows our Bachelor of Arts (still a bachelor in life) as he educates himself about the one subject neglected during his collegiate career: himself. It's such a simple and simply told story, but it illustrates beautifully the complexities of finding one's place in the world.

A very pleasant and interesting look at the life of a young man in South Asia. Only moderately engaged by his studies at the university, Chandran spends most of his time going to movies, staying out late, drinking at the café, and generally socializing with his friends. With some prodding from his father, he overcomes his laziness sufficiently to graduate, only to find his problems just beginning.

Chandran's predicament should be very familiar to many readers. Bright and charismatic, but lacking any real focus, he has difficulty finding employment. Upon graduation his peer group separates, and he needs to make new friends. And his parents, who are only eager to see him make something of himself, can't help but find fault with his carefree, unproductive lifestyle. What's a Bachelor of Arts to do? His unrequited love for a young girl named Malathi makes for an interesting look at how courting was handled in traditional Indian families not so many decades ago, complete with horoscopes and dowries and class consciousness. But ultimately, isn't it the couples' willingness to commit to each other that matters, and not how they happen to meet? Every bit as fascinating is Chandran's sojourn as an ascetic, which is reminiscent of a Hermann Hesse novel, but with a uniquely critical perspective that only a native Indian could provide.

Narayan's prose has a warm serenity that never fails to evoke small-town South Asia. What his plots lack in excitement and intensity, they make up for in geniality. This particular novel has perhaps a little more excitement than some of the others, and would be a good entry point for young people just discovering Narayan.

The story of Chandran, a final-year student of History, on how love tranforms ambitions, alters goals and changes lives is the theme of this wonderful book.

Written masterfully with just the right amounts of comedy, emotions and twists, and teeming with sarcasm characteristic of Narayan, this book takes a broad look at values and customs. For example, the long scenes wheres discussion about horoscopes and Chandran's disagreement with his mother are all so very close to life in India.

A great book, an excellent read....

I could identify with the main character as he completed his studies and began moving into the 'real' world. His spiritual journey, though not complete at the books end, was very interesting. The (paraphrased) line "they thought they were the first of their type and the last..", referring to his radical friends from his university days, struck a chord. We all slowly realize that our own well-used mold was indeed not broken after they made us. More followed. Alas, we all take our place in society and make the best of it.

Simply written and easy to read. I recommend it.

I have read and liked R K Narayan's works in the past. I picked this one up just based on the fact that it was written by him. It was not recommended to me by anyone. And honestly i am so glad i did.
The main character is a student just out of undergrad and facing the decision of what ahead. In a very straight and simple manner Narayan portrays the character's struggles with choosing a career and then his foray into love. Its simple and yet extraordinary. BTW for those expecting a dramatic ending, don't. This book just ends. I had to turn the page to realise its finished :-)

I really enjoyed this book, I loved the way it was written, in Sara and Ginger's own words. Telling about their extraordinarily different, and complicated lives and how they were still able to hold onto a friendship across two continents.

I am a member of a book club, and we have theme parties at the conclusion of each book. I chose this book, and set the scene in Ginger's African bush, (our first out door event). We had a bon fire, and after discussing the book, talked about girlfriends, old and new. I intentionally took some of these "city" women out of their comfort zones by serving foods I described as "jungle stu" "bird on a spit" and so on. Finishing out the evening with making smore`s over the campfire, as some had never even heard of. (They thoroughly enjoyed it, by the way).

It's not a complicated book, it's more of a comfortable, wrap up in a blanket, grab some tissues, and get ready to experience the extraordinary ups and downs of two lives, but a steadfast friendship every woman desires.

I would recommend buying the hardback copy so you can share this book with your friends. Besides, the graphics on the cover tell a wonderful story all on it's own.

Usually, I'm not a non-fiction reader, but the story of Sarah and Ginger's enduring friendship kept me glued to the book. I'd suggest this to anyone who has a friend of any length of time. Loved it!

Do you need to know how people cope with immigration, or do you want to understand the strength and power of woman? Do you need inspiration to realize your dreams or do you want to see the wonder of the animal instinct humans have in friendship?
Do you know anybody that immigrated? Then if you value that friendship, read this book now. It does not matter how wonderful the country is to which one immigrates, your longing for your original home, family and friends can never be alleviated. It becomes part of who you are. One does not need to be depressed or wingy about the matter, but it is always there. Pulling at the very strings of your heart. And one try to justify it on a daily basis.
Ginger and Sara lives this globalization. Sara's office is the world. While she has a family at home. Her friend and support system is at least 3 long haul flights away. Ditto with her in laws.
Ginger lives the dream, finds the love of her life at a price. Though her office is confined to one country, she is vulnerable to the excruciating elements of this desert.
My admiration of these two woman knows no bounds, and on top of all of that, they can write!
Best gift ever for your best friend.

How refreshing to read about two loving, smart, independent women and how they realize the need for loving interdependence between friends! The idea of writing a book together over time and many miles is a perfect illustration of their connection. Their stories of being there for each other -- in spirit and when possible in person -- through the best and worst of times are inspiring. They remind us that the realities of adult life are best viewed through loving eyes -- our own and those of our friends and families. I have read it and shared it with friends with joy and confidence that they will enjoy it as well. Definitely add it to your summer must read list.

I read this book because these authors went to school with my daughters. As I read, my interest went far beyond my connection. The candid sharing of both triumphs and let-downs of each woman was unique and interesting.
The lessons learned, the sacrifices and wisdom gained from following their dreams was fascinating. I highly recommend this book and hope they will continue writing.

Reading this book is a great way to discover the foods from all around the "hot " equator areas. This duo has crafted a book with style, great recipes and interesting information. Helpful information about the recipes, the culinary background and easy to read recipes, lets you try many interesting recipes. There are also rubs, a spice chart and more.There are some nice photos too. Many I tried were hits: The hot spinach sesame condiment (9.4/10) ; jicama pineapple salsa (9.4/10). Ones I want to try are the spicy noodles, mango tomatillo salsa , malasian chicken and more.

When I was in culinary school, this book was a true inspiration. This is not just a cookbook. There is much more to the text than recipes and ingredients. What these two men have created is a book that represents a philosophy of food and life. I have used the ideas and techniques in my professional life, but have also embraced the soul of this masterwork and have shared it with family and friends alike. Buy this book if you love food, life and good friends. Also, buy The Thrill of the Grill, simply the best grilling book ever.

This is easily the best cookbook I've ever seen. Bold, assertive flavors without the trendy nonsense. I was going to puchase books on foods of India, Asia, and other torrid zones, but this one fills all my needs and is moron easy to boot? How's that for self-deprecating?

This book was the first cookbook I bought after the predictable Joy of Cooking. I bought it at Chris's Cambridge retaurant, The East Coast Grill- which is perhaps my favorite Boston eatery (and I've been to all the best in the area). I've gone on to buy several books concerned with Fusion Cooking, many of which just collect dust these days. I keep returning to this book. Of all my books (the collection has grown immensely since then) this has become one of the stained and ragged standards in the repertoire. The section on spice rubs is fantastic. The overall layout is simple and user friendly. The history and description is interesting while being concise. Anyone who spends a little time with this book will undoubtedly walk away with a broader appreciation of cuisine.

I have a collection of over 300 cookbooks and funny enough, end up using about 1/2 dozen on a regular basis. This is one of those must-have cookbooks. How it ever went out of print I don't know. The recipes are unique, interesting, use ingredients in unusual combinations, to great effect. Superb barbecue recipes and wonderful meat rubs. Can transform a Sunday roast into something very special, without a lot of work. Many of the recipes are quite easy to prepare and look elegant. I always get great compliments when I cook from this book.

Funderburg does an excellent job of finding biracial people and asking questions that help them to explain their understanding of race and how it was formulated. My husband and I plan to have children and I have reseacher biracial children and identity for the past two years. Black, White,Other helped to answer a lot of the questions that we have had and I have also share this information with other mixed couples. As licensed therapists this information will be passed on and used to help other biracial people and their parents through tough times. Some of the stories were sad and some made me mad because of the way the children were treated but I found this to be very helpful expecially with clients because life is not always happy-go-lucky Funderburg does an excellent job of saying this though real people's lives. It is an easy read.

I read this book about 3 years ago and think it is a very good look at what bi-racial African/Americans go through. At first, I didn't understand the turmoil and angst one goes through who is bi-racial. The bir-racial people I always knew classified themselves as black and most of them did not appear to have a problem with that. Most of them had white mothers who raised them but they didn't consider themselves as denying their white heritage. Society including blacks see them as being black because it is so hard sometimes in distinguishing a bi-racial from a black person with two black parents. Oftentimes a full-blooded black looks more white than a bi-racial. Also a lot of it is all you have been raised, how the parents involved feel about race. Anyway the author does thorough interviews regarding this issue.

The book was filled with people from every walk of life and every age. Having a biracial black and white marriage and raising biracial children, I found the book helpful in reading about other experiences; however many of those experinces were negative compared to our family's.

I would have liked to have read about more positive experiences. It is a great book for people who would like to know first hand about being black and white in our American culture.

I Really Enjoyed this Book because it is Honest.it deals with America's Greatest Problem Race.this Book takes a look at Multi-Racial Culture it's effects&Outlooks.fitting in&still trying too Remain ones Self-Indenity.it tackles Social Issues&The World at Large.Multi-Racial Children are Beautiful but Society at Large still thinks of the One Drop Of Blood Rule.People Should Be Allowed too be Proud of all The Beauty that is their Creation not Be Limited.cuz that is what makes Everyone Unique.Very Powerful Book.

Black White Other is a simple yet graciously objective read. It is written in such a simple style that it is like meeting a good friend for a coffee.

It is a series of interviews with 70+ black/white biracial people of a great array of age, gender, and life experience.

Although the subject mater, 'race' is often genralised, the people in this book are all approached as individuals in every way. With very different lives,personalities and opinions.

For those of you that are of mixed race, you will find this book very comforting, there are many people that understand you. For those that aren't in our situation, don't be afraid to sit down listen to these voices, embrace the lesson and let it manifest in your life.

Blitz Cat is the love story of a cat and her special person. When Lord Gort, a cat, discovers her special person has left, she goes in search of him. It's WWII and he's a fighter pilot she seeks through psi trailing.

The story reveals the vulnerability a lone cat faces as she traverses across countries. People and other animals can be friends or foes. Lord Gort's determination never waivers and you cheer her through myriad adventures.

Blitz cat is a great and detailed story about a cat who runs away from home during the war to find her true owner. Along the way she meats many friends,has many kittens and brings good and BAD luck to people she meets.

This book won the "Smarty Award" for children's literature in the 9-11 year old age group. If you understand that literary awards are given for political correctness, not literary merit, you'll know what's going on

The book is actually a rattling good yarn about life on the Home Front in World War II. The only problem is that it is written from the anti-war perspective of the 1980s. As a result, it dwells excessively on the horrors of war, especially the war in the air, with great emphasis on the gruesome details of what happens to people on the ground when bombs go off:

" ... the metal was all buckled and shiny where the bullets had knocked the paint off... And red seeped from the holes. A drop fell on his hand, and he licked it and it tasted of blood... "

"... a fireman being led by two others, his face like a cooked steak and his pale eyes unseeing, rolling in all directions..."

"... in the dim light of the distant fire he saw the dried foam around [the horses'] mouths, the tiny burns and wounds from the cinders..."

"... she went up in tiny bloody morsels for the birds to eat off the trees and the telegraph wires..."

" ... the man in the road was blown into eight separate pieces; head, torso, limbs flew up like curving birds..."

Is this the kind of thing you want your nine to eleven year old reading?

I was born in London, less than 4 years after WWII ended. The war dominated my childhood. I grew up with the people who lived through the blitz. And I heard and read story after story of the heroism and courage of ordinary people. Mr Westall chooses, instead, to focus on the ugliness, on the opportunism, on the occasional inevitable breakdown of human decency. Anything to make the politically correct point that war is ugly. Evidently Nr Westall never heard of John Stuart Mill, the rather pathetic english philospher whose one great statement amongst all the rubbish he spouted was

"War is an ugly thing, but not the ugliest of things. The decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth war is much worse. The person who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself."

Did I enjoy the book? Yes I did. Would I recommend it to mature discerning adults for a slice of reality of life on the Home Front in WWII? Of course! Would I give it to my grand kids to read? Not just "no", but "hell no!!" Not until they're in their twenties!

this book was very good. It was a compeling story of a cat named lord gort who tries to find his way home. He is many miles from home and he makes his way throught many sad and rough parts of the war. On his way he meets many people of all ages and shares his story. I would recomend this book to many people of all ages.

This is one exrodinary book. This book combines the tragedy of WWII with the humor of several odd europeans. The cat is merely another character that joins together the basic outlines of True stories. Even if you aren't a cat lover or aircraft fanatic you can still enjoy the odd (and sometimes drunken) europeans. I am not usually such a book worm, but this book has turned me into such (only for this particular book though). Though I am in only jr. high this is by no means a kids book. It will most adults guessing at the constant flow of long past and forgotten terms and phrases. Yet this book does not include the graphic descriptions often related to wartime stories. The thing that most interested me was that all the stories were based around true ones. Sam

You could fill a book with all the information I _don't_ know about Brazilian music... In fact, these guys already have! Concise, conversational, informative and very well laid out, this is an exceptionally readable book. Chapters on samba, bossa nova, tropicalia, forro and jazz include focused biographical sketches of dozens of key artists, as well as succinct historical information about the progress of Brazilian music from its European and African folk roots into its bewildering and often beautiful modern offshoots. The book's focus is nonpartisan: although there is plenty of room for aesthetic criticism within the various styles, the authors generally hold their preferences and dislikes to themselves. They do, however, give readers a good sense of which recordings might be best to check out -- an invaluable service considering how little of Brazil's vast musical output makes it to the United States. Highly recommended! Certainly the best English-language guide to Brazilian pop that you will find in print (online is a different matter), this is great for casual listeners and hardcore fans alike.

The Brazilian Sound is good as far as it goes - a who's who list and discography of 20th century Brazilian music. Although, the book has the feel of a junior college textbook, it's written in plain language. It would be a relatively easy read if it were not that a parenthetical list of Brazilian names breaks up every third or fourth paragraph. There are some very informative passages - notably the chapter on Bossa Nova and the "Escolas de Samba" section of Chapter 2. At their best, the authors provide clear and comphrensive explanations of the geneology and sociological context of the music.

Unfortunately, unless a person is willing to spend countless shopping hours and a couple of thousand dollars building up collection of Brazilian records, he or she will gain almost no insight from this book into what the music feels like. The authors describe individual works and artists in only vague terms - terms often identical to those previously used to describe others. They beat the term "syncopation" into irrelevance - it's clear only that all Brazilian music is syncopated. The authors habitually refer to folk music genres and song forms ala "Composer X's work is all based on the Y song form..." But they provide no practical examples or definitions of those genres or forms.

The authors stridently dumb-down their text, accepting as axiom that one has to "hear it to believe it" and that it is meaningless to describe Brazilian music in technical terms. They generally refrain from even using common musical terms - bar, measure, pulse, key, etc. - to give the reader a clearer understanding of Brazilian rhythmic and harmonic structures. They use few effective musical comparisons or verbal metaphors. It is understandably difficult to describe music in writing. But it is possible. Judicious use of metaphor, comparisions, and technical descriptions would have greatly fleshed out what in the end comes off as a skeletal text.

This 1998 edition serves as the update to the first, apparently published in 1990 or 1991. However, the amendments appear to have been quite minor - embodied by an isolated paragraph here and there, and four meager pages in the final "More Brazilian Sounds" chapter. It's as if nothing has really happened in the evolution of Brazilian music since 1990 - an impression that must be wrong.

The Brazilian Sound catalogs decent research, but is neither good writing nor effective music history.

The best book about Brazilian music in English, "The Brazilian Sound" is a beautifully written, in-depth guide to samba, bossa and other Brazilian genres. Many of the reviews below are on the mark, but BGB from WA seems not to have read the book (or to have read a different book!). The 1998 edition substantially upgrades the original 1991 version. There is much added in terms of early history, capoeira, racial issues, choro, and the blocos and afoxes in Bahia. There is more on important artists from the 1990s, like Marisa Monte, Daniela Mercury, Carlinhos Brown, Chico Cesar, Chico Science and Karnak, though these additions are in various chapters, not just the final one ("More Brazilian Sounds"). One needs to have actually read the book to know that, of course...The music is nicely described, in both musical and cultural terms. One gets a strong sense of how it sounds, and a clear understanding of its rhythmic, harmonic and melodic ingredients. Some of the writing is rather encyclopedic, dispensing a rather staggering amount of information, while many sections vividly convey a sense of the music. I often felt I was at a bossa nova club in '59, at an escola de samba rehearsal, watching one of the 1960s song festivals, or attending a forro party. "The Brazilian Life" brings to life both the current and past greats of Brazilian music. As a result, I added quite a few CDs to my collection, especially of artists like Milton Nascimento, Pixinguinha, Jobim and Marisa Monte. I can't recommend this book highly enough.

An excellent book for anyone who wants to explore Brazilian music beyond the well-known classics. Helps place current and past musicians in their historical contexts; helps you understand who influenced whom, etc. The book will pay for itself just by helping you guide your ever-growing collection of Brazilian CD's (hard to stop once you get started)!

A lively and well-written book, The Brazilian Sound provides a broad overview of the remarkable spectrum of musica popular brasileira, from samba, bossa nova and forro to tropicalia, choro and Brazilian rock. It takes us on a journey both through the evolution of Brazilian music and the history of Brazil, and places artists like Jobim within a cultural context that helps us appreciate their music all the more. One comes away with a solid grasp of the major artists and genres of Brazilian music, as well as their impact on the "North American Sound." There is an extensive glossary at the end that is worth the price of the book alone, and an exhaustive discography.

The authors succeed in bringing the music to life, whether they are conveying the playfulness of the choro musical style, placing the reader at an Olodum concert in Salvador, or describing a samba-school rehearsal on a "hot and humid night in Rio de Janeiro." For the latter, they write, "Surdos (bass drums) pound out a booming beat, and their incessant drive provides the foundation for the rest of the bateria, the drum-and-percussion section that will later parade triumphantly during Carnaval. Snare drums called caixas rattle away in a hypnotic frenzy, and above them tamborins (small cymbal-less tambourines that are hit with sticks) carry a high-pitched rhythmic phrase like popcorn in an overheated pot. Enter the sad cries and humorous moans of the cuica (friction drum), the crisp rhythmic accents of the reco-reco (scraper), and the hollow metallic tones of the agogo (double bell). Other percussion instruments add more colors, the ukelele-like cavaquinho adds its high-register plaintive harmonies, and the puxador (lead singer) belts out the melody...." Such vivid and elaborate descriptions helped me make sense of the wall of sound that is samba, and made me want to book the next flight to Rio de Janeiro for Carnaval.

The second edition adds more historical information and brings the book up to date with musical developments in the `90s. There is extensive additional information about the origins of capoeira (the Brazilian martial art which is accompanied by music in training and which is gaining increasing popularity all over the world), and about racial issues in Brazil as reflected in popular music. There are new profiles of contemporary artists such as Marisa Monte, Nacao Zumbi, Karnak, Daude, Chico Cesar, Daniela Mercury, Timbalada, and Carlinhos Brown. The descriptions of Bahian percussionist-songwriter Carlinhos Brown's collaboration with Sergio Mendes (on the 1992 album Brasileiro) and his groundbreaking 1996 solo album Alfagamabetizado are especially memorable. This is a classic study of Brazilian music, a must for any world-music aficionado.

California Ghosting is a fitting continuation in Mr. Hills supernatural genre. So far the trio I've read keep me on the lookout for the next William Hill release. Dawn of the Vampire, Vampires Kiss, California Ghosting. Vampire Hunters is next on my list, Mr. Hill will have to write fast to have the next book available before I have finish it.

Have already read the book twice and recommend it for readers of all ages. Mr. Hill has a command of the English language and has an exciting writing style.

A visit to Ghostal Shores is worth the price of admission. My favorite aspect was the characters. They were realistic and full of life, even the ghosts. California Ghosting is a nice twist on the haunted house theme, blending action, suspense, mystery and romance at a fluid pace that keeps moving faster and faster. I could clearly see the characters and the resort. This would make a great movie!

As the characters evolve, and the plot thickens, California Ghosting creates an entirely enchanting environment for a who-dunnit. Point Reyes has been thoroughly researched and times gone by have been totally recreated in the now. The ghostal characters can be vividly imagined, due to the extensive descriptions of each individual personna and their lively intereactions not only the living, but with each other as well. Mix these ingredients with a dash of romance amongst the living, a sense of humor, and supsense, and there exists a novel that will keep you reading.

William Hill's "California Ghosting" is a well-rounded mix of mystery, suspense and fantasy, filled with interesting individuals. Even if I wasn't pulled along nicely by the plot (and I certainly was), I would have kept turning pages just to see what the people (and ghosts) in the story would do next. I particularly liked some of the subtler elements, like the interactions between some of the "fully-fleshed" ghost characters and various two-dimensional, "real" minor characters . . .

I was given this cookbook back in 1976 when I got my first apartment. It was my first cookbook and it is still in regular use. Using this book as a guide I discovered that I could eat chicken gizzards and not die, as a matter of fact I liked them.
I now have two children that are in college and I would like to get copies for them. I was really hoping that the authors had continued with new editions through the years. Haven't found another cookbook that is as helpful to the novice cook.

My mother gave me this book went I went to college in 1977. I didn't use it much during those college years as I lived in the dorm. Later when I had my own place, it was a lifesaver!! I still use some of the recepies and tips today. Very simple and practical with no fear, the way cooking needs be. I've acquired numerous cookbooks from around the world during my travels. This one still holds a special place on my bookshelf. And not just because my mother gave it me.

In 1975 I was sent off to college with very few cooking skills, except for peanut butter and canned soup. The Campus Survival Cookbook goes beyond recipes... it is written with the assumption that all you know is peanut butter and soup, and all you have is a plastic knife and fork stolen from the Colonel's, and only fifteen bucks to feed yourself for the week, with midterms coming up.

Excellent advice on shopping on a tight budget, preparing healthy meals that provide leftovers for days, and avoiding the fast-food money grabbers. I STILL use my 1973 paperback edition!

Just like everyone else here: I learned to cook with this, I still use the recipes (particularly spaghetti with clam sauce) and am getting a copy for my son. I now own over 15 linear feet of cookbooks, but I still use this one.

This is the book I learned to cook with. I still own my copy, and still make some of the recipes from this book. Jo's Sloppy Joes are a family favorite, and the brownie recipe is the best I've ever tried. I bought the 2nd edition for my daughter, and she likes it very well. The book includes 4 weeks of dinner menus, suggestions for lunches and breakfasts, party foods, grocery lists, and suggestions for basic cooking equipment, plus instructions on everything from how to ring the bell to talk to a butcher at the grocery store, to how to slice round objects. Should help any new cook get started.

Williams does a remarkable job of blending jazz, gender, and history into what I see as an absolutely unforgettable novel. If you thought you knew something about the Holocaust, think again. Williams, in his trademark manner, has a way of telling through fiction the factual history that others are to busy or racist to acknowledge. Certainly one of the best in his oeuvre.

A very interesting construction of a diary kept by a fictitious gay black American jazz pianist, Clifford Pepperidge, incarcerated in Dachau leading up to and during the Second World War, but driven by real events. Upon arrival at the concentration camp Clifford is recognised and selected as a house servant by SS Captain Dieter Lange, a former pimp and low life acquaintance of Clifford's, who is not only interested in the pianist's musical abilities, but also as potential for his own sexual outlet. The strange and dependant relationship that develops between Cliff and Dieter Lange, and Lange's wife Anna, becomes ever deeper as they learn each others secrets.
The diary is very revealing about life in a Dachau, and brings home the horrors of the suffering and struggle for survival of the inmates; how circumstances changed as war broke out and progressed, and the desperation of both inmates and captors as the war was clearly coming to, for Germany and possible for the inmates, a disastrous end.
While I am in no position to confirm the authenticity of such a fabrication, the accuracy concerning the fact that in addition to blacks, and Jews, dissidents, criminals, gypsies, gays etc, from very early on Jehovah's Witnesses were imprisoned in concentration camps (something rarely acknowledged), and their unique position (their potential freedom was in their own hands), leads me to assume that the John A Williams has carefully research all his facts, supported by the usefully included bibliography.
All in all it makes for a captivating, moving and informative read.

If only half of what is published were half as well crafted. By the way, the Kirkus Review at the top says this is Williams's first novel. But this is John A., the author of The Man Who Cried I Am, right? Does Kirkus have him confused with another John Williams?

It took me twenty years to finally pull Isaac Bashevis Singer's novel, Shosha, about Jews and the Holocaust from my bookcase and read it. One week later I had finished it and moved on to read Clifford's Blues. Two compelling and distinctive plys coil together to offer up complementary perspectives on the rise of Nazism in Germany. Singer puts a face on pre-World War II European Jews, richly depicting what it meant to be a Jew in western Europe in the years prior to and during the Holocaust. For most modern Americans this is a fairly familiar story.

Williams offers up a tale much less familiar. He introduces us to Clifford Pepperidge, a gay, black, American jazz musician who spends a dozen years incarcerated in Dachau prison, one of the many labeled undesirables who were captured as the Nazis rose to power. While other prisoners suffer the misery of prison barracks and captor abuse, Clifford sits in the comfortable home of a gay Nazi officer and his bovine German wife. There as a servant, Pepperidge allows himself to be used sexually and musically by both husband and wife, the price of survival. In his daily interaction with other prisoners he sees that good men, those with the character and ethics to stand up for their fellows, rarely survive long. It is those who capitulate, who sink down into the muck, who lose their humanity, who will endure.

Williams provides us with a fascinating picture of how people react to power and influence, even when it clearly is evil. We see the German burger who blinds himself to the fate of those caught up in the hungry trap of Nazism. The German officer who grasps at every opportunity to accumulate wealth and power. The many who stumbled forward in step with a horror that grows ever larger and more malignant. Where Singer presents a picture of people desperately trying to hold onto their hopes and dreams even in the face of rising oppression, Williams shows us the convolutions that strip away humanity in both victim and oppressor.

The writing is strong, and Williams clearly took the time to do the necesary research to bring his story to life. Richly developed characters hold the reader's interest. It is not a book to be quickly forgotten. Williams holds a mirror up and asks us to look at ourselves and think about how we can be shaped and influenced by people and events. His darkside tale underscores the possibility of our own tumble into inhumanity and evil.

I read this book a year ago and it haunts me still.

John A. Williams has crafted here a story so compelling, so engrossing in its depiction of life lived on a razor's edge, that you loathe putting it down; you may feel chills when you've finished it. It's that disturbing, and that good. CLIFFORD'S BLUES affirms that Williams retains his gifts (fresh as ever in his mid-70s!) and mastery of his craft.

Clifford Pepperidge is triple-crossed: condemned as "decadent" - for being American Negro, jazz musician, and active homosexual (especially impolitic when he's caught in bed with a prominent white man) - and interned "indefinitely" in a German concentration camp by Nazidom as it rises to power in the early 1930s.

This is a historical possibility we'd not thought of. Yet Williams, no stranger to historical fiction (see, for example, his novel CAPTAIN BLACKMAN), footnotes his text with incidences of real life black jazz musicians detained by the Nazis prior to the outbreak of World War II; I'd never heard about this.

John A. Williams has been publishing books, mostly novels, over 40 years. His heroes have tended to be "manly" black men: uncompromising, heterosexual, hard-loving, hard-drinking and cigarette-smoking urbane sophisticates. I've always taken them to be stand-ins for the author himself; perhaps they represent the image of manliness of a day not quite gone by.

Stepping out of his usual bounds and into Clifford's skin, however, Williams exhibits an even greater sense of manhood, an empathetic virility. Clifford may not fathom how he managed to get himself into such a mess, but he doesn't make excuses. He's as resolute about his sexuality as his racial and artistic makeup, though all combine to make him particularly alienated - and vulnerable - as he faces down brutal imprisonment with other Nazi-dictated "undesirables" (Communists, gays, Jehovah's Witnesses, Jews and gypsies) for twelve long years. He lives to see, almost veritably, the walls of his dungeon shake, practical escape, the possible passing on of his testimony - but at what cost?

I can say, with modesty and with pride, that I've read all John A. Williams' published novels. This is, for my money, his most powerful, arguably his greatest book since THE MAN WHO CRIED I AM.

Williams has always been a thinking person's writer and a darn good storyteller. In this extremely well written and deeply felt book he's rendered the poignant story of a character he made me truly care about. Clifford Pepperidge could be the long-feared-lost-or-dead relative whose tattered diary of surviving hell on earth has just been plopped down in your living room. How can you embrace all of what he's been through? What if it were you? The really eerie question is that, given history, or the record of human events, it's apparent that no one has a corner on inhumane depravity - we're each just as likely or capable of being captor or captive when, if, we allow a new holocaust. But when you look in the mirror, do you recognize the humanity within and extending beyond yourself? Will we remember?

I first read Come Spring around the age of 12, on my father's recommendation. He had read it when he was 12, when the book was new. Now I've read it many times, and am still enchanted with this work of historical fiction. Oddly, I am not a fan of historical fiction, but Ben Ames Williams' depiction of the Robbins family founding a town in Maine, against the backdrop of the Revolutionary War, blends warmth, tragedy, and romance. As a pre-teen reader, I loved the story of Joel Adams and Mima Robbins and their courtship. As an adult, I love the strength of the family bonds, though hard times and good. I would love to see this book as a recommended book for history students. It brings to life the real pioneer spirit of early Americans.

This is a wonderful historical novel, well worth reading and re-reading. It's full of romance and adventure, and readers will enjoy knowing that many descendants of the characters still live in the lovely town of Union. In fact, they can visit the Union Historical Society's website for more information about the town....

This is a good read, and significant as it documents an early settlement in Maine, and typifies life in the those early times, and what our Maine ancesters went through to settle those remote regions, of which Maine has many. Enjoy!

Just finished reading a borrowed copy of 'Come Spring'. Ordered a copy for myself (something I've never done before). When it arrives, will read it again (again, something I have never done before). Full of good story, history, and earthy philosophies. Ben Ames Williams has a way of putting it all together. It takes a few chapters to get into the mood of the book, but once there, watch out!

Come Spring is one of my all time favorite books. When I read this book (about every other year) it's as engrossing as the first time I read it. I can close my eyes and picture the wildllfe Williams decribes, I find myself trying to copy the accents of the characters and never fail, I end up reading late into the night "just one more chapter". For more information on this wonderful book, contact the Union Historical Society at 207-785-5444.