Williams Books

Permite adquirir el idioma y los elementos suficientes como para hacernos entender y entender lo que nos dicen.
Me gustó !

PARA APRENDER INGLÉS !
A mi me ayudó a convertirme en Secretaria Bilngue y ahora gano el doble !

PARA APRENDER INGLÉS !
A mi me ayudó a convertirme en Secretaria Bilngue y ahora gano el doble !

nos permite adquirir el idioma y los elementos suficientes como para hacernos entender y entender lo que nos dicen.
Me gustó !

my first elements of English when I didn't understand or speak one word of it...

'Is This a Phase?' is a delightful and intelligent guide for parents, soon-to-be parents, and pediatricians such as myself. I have recommended this book to many families and refer to our office copy frequently. Especially helpful are the 'around the world' sidebars for understanding many of our international families' parenting practices. Thank you Ms. Neville!
Claudia Reay, M.D. Los Gatos, CA

As a parent educator, I often recommend titles I think will be of particular use to parents. This is one I also give to friends and family members as a baby gift. It's a book that can be referred to quickly and easily to find out say, why your 3 month old is fed and dry and still crying; why your toddler is so insistent on having everything done the same way, all the time; what to do when your three year old has a blazing meltdown in the grocery store; or how to determine if your five year old is ready for kindergarten.
If it's a developmental issue, you'll find it in this book and what's more, you'll understand it a little better and be better able to decide what to do about it, if anything. It's always a happy thing when you find out that your child is not disturbed---but simply age four. This is a helpful and reassuring book.

I am a mother of a one-year old and was given this book as a gift. I have found that it is one of the most useful books I now own on childrearing and chid development. I keep it by my bedside and go back to it on a regular basis to look up whatever the issue or "phase" is--whether it is testing limits or trying to understand some strange behavior or a new sleep pattern--Ms. Neville seems to know it all! She has helped me better understand what these new behaviors mean and gives good, practical advice for dealing with all of these situations from birth to six years of age! I think hospitals should give this book out to new parents as required reading!!

Featuring charming illustrations by Jenny Williams, "Is This A Phase?: Child Development & Parent Strategies, Birth To 6 Years" by health educator, pediatric advice nurse, inborn temperament specialist and researcher Helen F. Neville is a thoroughly 'parent friendly' guide to common behavioral issues with babies, toddlers, and preschoolers. The advice ranges from having realistic expectations with respect to developmental milestones, to ways of making life easier until various phases are passed through, to reassurance about the range of normal development and when to get help, even instructional advice on how to talk about such issues as sex and death to a child. Of special note are the charts of quick information when a parent is short on time. "Is This A Phase?" is very highly recommended reading for all new (and not-so-new) parents having questions or concerns about kids and their quirks.

One of the things I liked best about this book are the "around the world" boxes... Basically, throughout the book there are little boxes with text describing how different cultures around the world have different beliefs about parenting. It's a wonderful reminder that there isn't just one way to parent.

This book contains an excellent compilation of speeches that cover John Bogle's career and philosophy of investing. Investors at all levels will glean important information and motivation from his recommendations and thoughts on indexing. His thoughts give important ideas to keep financial information and markets in perspective. The only limit on the information in the book is that how much more global investing has become a part of the financial markets. However much valuable information is relevant and available which is key to effective investing.

The book has five parts - the first four are speeches, and the last is his famous thesis. Part I is Investment Strategies for the Intelligent Investor, Part II is Taking on the Mutual Fund Industry, Part III is Economics and Idealism: The Vanguard Experiment, Part IV is Personal Perspectives and Part V is John Bogle's famous Princeton Thesis: The Economic Role of the Investment Company. All speeches are well worth the read, however, the book lends itself to a good ability to pick and choose what you are interested in. A clear and interesting read from a brilliant investment strategist.

I thought I was out of luck to own the book with Bogle's thesis...I'm very happy!!

A good, practical, no-nonsense book on investing that emphasizes returning to basics and tried and true approaches that have always worked over the long term. This advice is especially timely coming as it does in the aftermath of the recent bear market. Bogle points out that it's important to implement an investment program that matches your needs and risk tolerance, perhaps the most important thing in an investing program, since if you can't sleep at night, you probably won't be able to maintain it over the long haul. He also emphasizes that investing needn't be, and perhaps shouldn't be, rocket science, and that you can do quite well in the market over the long term just by matching the performance of the market. As many people found out recently, pursuing a momentum strategy in an era of already overheated PE's and buying the latest hot story stock can be very risky. Following a value-oriented fundamental approach with at least part of your portfolio can be a useful way of reducing volatility and improving your performance even if you're a died-in-the-wool momentum investor.

The best to do this is by following a strategy of just investing in a fund that tracks the major indexes, which does two things. First, it minimizes costs, so you won't pay any management fees as you would for your typical mutual fund. Also, most investors don't realized such costs as advertising and sales expenses are minimal for an index, compared to other funds, and those are typically passed on to the investor in the load or management fee. But the most important reason is that 90% of fund managers fail to beat the averages over the long haul. Since there are now more mutual funds than there are stocks on the New York Stock Exchange (which is over 5000) and as I said, 90% of them fail to beat the indexes, it's hard to imagine a more sobering reason for making an index at least a part of your investing strategy. So overall, a good book on investing emphazing a no frills, common-sense, and back-to-basics approach.

A brief side note here. I noticed the forward is by Paul Volcker, the former Federal Reserve Chairman who was succeeded by the present Al Greenspan. Volcker went on to head up the World Bank after that job, and I was glad to see he's still around and working.

John Bugle, one of the brightest minds of our century raises some of the most important financial questions, of the last 50 years. Bogle on Great Ideas in Financing includes four criteria: 1. Simplicity - Buy the whole market haystack, an index capable of matching the market. 2. Focus (Seek the hard crusted but nutritious bagel of earnings, dividends, and interest yields rather than the sweet donut taste of price with its high price earning multiples) 3. Efficiency (minimize frictional costs of fees, commissions, and taxes with an Wilshire 5000 index). 4. Stewardship (keep the interest of the client first). Bogle's index was free of tax, include a small transactional fee, represented 8000 stocks in the market, and matched the market rate of return.

Mutual funds have become a vehicle for short-term speculation, a trend fostered in part by the industries focus on marketing. Today the average fund holds stock for 400 days compared to six years when Bogle graduated from Princeton. Most investors hold their mutual fund for 3 years rather than 15 years. Since 1980 - 2000 mutual fund assets have risen 70 fold from $100 billion to $6.5 trillion and assets of stock funds have risen 120 fold or $4.0 trillion. In a 15-year span there were 426 mutual fund boats and 113 sunken mutual fund boats. Survival was strong because of the generous returns of the market. However, Mutual fund efficiency was problem: 1. Sales tax, excessive fees, spending too much on marketing, failing to share economy of scale with the investors, and 90% turn over of the portfolio each year suggested one thing, "short term speculation" was becoming the norm. Mutual fund sites charge costs included a front-end sales commission of 6%; opportunity cost meaning held cash positions equal to 7% of assets with these asset earning smaller returns than available in stocks; a transactional cost of 1.7%; and operating cost equal to 1.2% per year.

Bogle's outlook of the stock market is brilliant. Bogle states: financial economist cannot predict the future. The DOW may hit 36,000 and it may not. Who can predict accurately what the market will do? The market is not a machine. The market is not an insurance actuaries spreadsheet. However, the market performed remarkable well with price gaining 17% a year and at this rate doubling every four years. To understand the market lets look first too dividend yield and earnings growth because these elements provide the steady underlying force over the long pull. For two decades dividend yield equaled 4.5% and earning growth paced at 5.9% producing a 10.9% return. In 1970, P/E fell 50% from 16 times to 7.3 and dividend yield equaled 3.4% and annual earnings equaled 9.9% producing a 10.4% investment return and Bogle preached "stay the course". By 2000, dividends equaled 1%, earning growth rate reached 8%, and P/E ratios top 30. Again, Bogle preached, "time, risk, and control" raising a cautious outlook and a cry for investors to return back to investor basics of earnings, dividends, and yields.

What were the factors associated with the 87 crash? 1. Stock prices were simply to high to the underlying earnings and dividends in comparison to higher yields available on fixed income securities. 2. Deterioration in economic outlook with no progress to reduce the federal deficit, no improvements in the trade imbalance, and inflation in the air. 3. Program trading in the futures market sparked massive computer driven sales. The impact being 35% of the equity traded out of the market. In 87, if you're a Contrarian, it is a good time to buy or hold.

Thinking about 2000, Bogle observed for growth to remain constant over the next ten years, the P/E ratio would need to move from 30 to 67 an unlikely possibility. If in 2000, the P/E ratio fell too 12 then the market level would be 580 rather than 1400 with a P/E of 30. If the P/E fell from 30 to 20 then market return would drop to 5.5% less than the percentage rate of high yield bonds and such an event would be the first in stock history. Is the market comfort zone, a P/E of 15.5 and this fact suggests the market has moved to a level of high risk and possible correction? Bogle states, "Looking back 70 years, major market highs were almost invariably signaled when the dividends yield on stocks fell below 3%, or price earnings rose much about 20 times earnings". The purpose of any stock investment is cash now with the expectation of future flows of cash. A high P/E ratio means investors are expecting a large flow of future cash. The high prices are based on speculation about the cash flow in the future. If the future cash flow expectations are not rational does this mean short-term profit taking is picking clean the amateur investor?


Bogle was left to reflect on two questions: 1. Will the bagel of investment fundamentals give us its usual sustenance? 2. And will the doughnut of speculation get even sweeter than it is today, or will it finally sour? Bogle concluded, "We are in a new era of investing".

Warren Buffet said, "The art of investing in public companies is ... simply to acquire, at a sensible price a business with excellent economies and able, honest management. Thereafter, you need only monitor whether these qualities are being preserved."

Bogle suggests two principles when dealing with risk 1. Get your asset allocation right, maintaining a long-term horizon, and stay the course. Bogle observed that the long term real return on stock is 7.5%. Assuming one has a million dollars that is $75,000 annual income. 2. Diversity some of the risk away by introducing equities with reliable different correlations with the U.S market. Maybe, we will see the creation of a worldwide index, 60/40 - 60 percent U.S stock and 40 percent other? Bogle stresses investors not too speculate, however, life is short and if one needs too speculate they should limit the amount too 5 percent in the gamble for higher profits. Bogle's is betting on the performance of the whole market index rather than one sector mutual fund. Bogle is saying the market price is too high and a risk at its current levels. Bogle thinks mutual funds should be able to buy bonds and other stable securities as a part of the mutual fund mix.

Thinking about bonds, bond yields drop as the economy moves to a recession because investor flee from stocks into bonds and since money is easy to acquire the rates drop. In this scenerio, short term traders buy bonds now with the anticipation the yields will drop more in the future and investor will pay more for these bonds with a higher yield. Again, a short-term speculation to capture a quick profit. However, if haystack of stocks continues producing 7.5% real returns then stay the course.

A good, practical, no-nonsense book on investing that emphasizes returning to basics and tried and true approaches that have always worked over the long term. He points out that investing needn't be, and perhaps shouldn't be, rocket science, and that you can do quite well in the market over the long term just by matching the performance of the market, and not trying to beat the market. As many people found out recently, pursuing a momentum strategy in an era of already overheated PE's and buying the latest hot story stock can be dangerous to your portfolio's health. Following a value-oriented fundamental approach with at least part of your portfolio can be a useful way of reducing volatility and improving your performance even if you're a died-in-the-wool momentum investor. This advice is especially timely coming as it does in the aftermath of the recent bear market. Another important point that many experts emphasize is that it's important to implement an investment program that matches your needs and risk tolerance, perhaps the most important thing in an investing program, since if you can't sleep at night, you probably won't be able to maintain it over the long haul.

As Bogle points out, since 90% of fund managers fail to beat the averages over the long haul, the best strategy is to buy a fund that tracks the major indexes, which does two things. First, it minimizes costs, so you won't pay any management fees as you would for your typical mutual fund. Also, most investors don't realize such costs as advertising and sales expenses are minimal for an index, compared to other funds, and those are typically passed on to the investor in the load or management fee. Since there are now more mutual funds than there are stocks on the New York Stock Exchange (which is over 5000) and as I said, 90% of them fail to beat the indexes, it's hard to imagine a more sobering reason for making an index at least a part of your investing strategy. So overall, a good book on investing emphazing a no frills, common-sense, and back-to-basics approach.

Although Bogle amply documents and demonstrates that most fund managers can't beat the averages over the long haul, and so the best way to invest in a mutual fund is to buy one that invests in the indexes and avoid the costs of managed funds, this doesn't mean a small investor can't beat the averages. The reason most funds don't is that most own so many stocks, as in the case of the Magellan fund, which used to own 1400 stocks, that they're forced to buy too many second and third tier stocks (or worse), which degrades their performance. The individual investor, however, can cherry-pick and do much better that way, assuming he's successful at it. But the point is that mutual funds have an inherent disadvantage in terms of owning a quality portfolio that inevitably stacks the odds against them, a limitation which small investor doesn't have.

A brief side note here. I noticed the forward is by Paul Volcker, the former Federal Reserve Chairman who was succeeded by the present Al Greenspan. Volcker went on to head up the World Bank after that job, and I was glad to see he's still around and working.

John Midas is a great book! My favorite part is when he fights the serpent. He gets stuck in the serpent's mouth. If you want to know what happened then read the book.

John and his family go to Australia for Christmas and when they go to Ayers Rock the adventure begins. Mr. Ngoru tells John not to go in but he doesn't listen and he goes in anyway. There on the other side of Uluru, he meets the aborigines. If you want to know more, read John Midas in the Dreamtime. The book was great because the adventure was about the aborigines and I learned more about the aborigines.

This book is great! It has a lot of action. John goes to Australia. John goes to Ayers rock and finds a cave. When John runs in, he finds himself in the dreamtime. John has to teach the aborigines how to survive. If you want to find out more, read the book. I would recommend this book because it taught me how it was a long time ago in the dreamtime.

By Mark A. Durham

I am now 25 and still remember this book very fondly. It includes elements of time travel, a foreign country, the aboriginal culture and some fantastic beasts. What more could a kid ask for? I must have read it when I was ten years old or so. I'm not sure why it got a negative editorial review, maybe the critic is out of touch with kids!

John Midas in the Dreamtime By Patric Skene Catling
In this book John and his family are going to Australia,for their winter vacation.John is looking for a real adventure,which he's not getting.When John enters a forbidden cave, he gets lost in time.He goes into Dreamtime! John is bumping into weird situations like crying kangaroos.John meets the Aborigines and soon realizes these people don't really know much.John is going to have to teach them how to make fire and things like that.When John comes to a hard situation with the Rainbow Serpent what will happen? Will John be a hero and save the day? To find out read John Midas in the Dreamtime.It is an excellent book. John Midas in the Dreamtime is very adventurous.Maybe it will start making you daydream about the Dreamtime.If you like adventurous books you'll LOVE John Midas in the Dreamtime!

The editor's introduction delivers a very engaging and useful introduction to Burke's work that contextualizes the selections while giving the reader insight on Burke's background and career. The introduction prepares the reader for Burke's style and wit, while situating and commenting upon some of the reasons for Burke's somewhat fringe status in the critical canon and overviews the reception of his commentaries on Shakespeare and their acknowledged and tacit influence in how Shakespeare has been read by others.

Newstock not only did a great job of gathering and situating these scattered essays and bringing together Burke's intent of collecting all of his Shakespearean writings in one place, he also has added a valuable appendix of which offers a nice addition of other prominent discussions of Shakespeare's work in Burke's other writings.

Burke's essays themselves clearly demonstrate his affinity for the works of Shakespeare and to my mind show a level of interaction with the plays that cuts beyond common textual criticism.

Burke throughout draws references to philosophical matters and figures, social and individual psychology, cultural critique, history and also political issues (including biting commentary, such as his asides to the war on Vietnam, as in his King Lear essay). These make his essays even more broadly entertaining and engaging as he is adeptly able to step out of the context of the works in order to bring the Shakespearean works into a broader discussion, and also to play out these external discussions and intellectual considerations in the context of the plays.

Stylistically, Burke proves to be more fun and of broader interest to the non-specialist than one might expect, and for students of Shakespeare, Burke's essays offer a wealth of insight and perspective that will surely spark discussion and reconsideration of the plays themselves.

Kenneth Burke was a restless thinker ever-alert to what makes Shakespeare's plays work. Scott L. Newstok, with admirable bravura in a profession that tends to undervalue the editing of collections, recognized the importance of committing himself to the painstaking project of recovering Burke's writings on Shakespeare. The result is a treasure-trove both of some landmark essays in his career (most notably the 1951 Hudson Review piece on Othello), and also of the bric-a-brac of intellectual history scattered throughout Burke's work from the 1920s through the 1980s. Newstok unearths and reproduces sections that Burke crossed out from a lecture, thus offering windows onto his compositional process. Among other works never fully revised for publication, he edits and annotates the typescript of Burke's response to a graduate student's paper on Troilus and Cressida. As importantly, Newstok gathers what appears to be every excerpt from Burke's lifetime of writing that mentions Shakespeare. The process of obtaining permissions alone is staggering, but it is a further tribute to Newstok' s professional integrity and passion for the project that he gained full cooperation from the Burke estate and the endorsement of surviving family members.
The volume begins with a cogent survey of the key issues and terms (including a glance at Aristotle, "Burke's classical mentor") that played a generative role in Burke's Shakespeare criticism. He ends with suitably terse yet remarkably helpful notes; for example, indicting where precisely in Coleridge's Biographia Literaria we can find the reference to which Burke alludes in passing. Newstok gives sufficient identifying tags of dramatists, writers, philosophers, and artists whom Burke assumed his audience knew, and covers in detail the original settings of the works discussed and, when applicable, where they were printed previously.
This much having been said, the larger question still looms: Do we need so much--indeed all--of Burke's Shakespeare criticism gathered in one place? The answer this volume convincingly urges is: yes. The Editor's Introduction establishes the impressive influence Burke has had on a number of critics and dramatists, as well as on important movements in literary scholarship and dramatic criticism. The claim of kinship to Burke's work is wide and diverse, ranging from Edward Said to Angus Fletcher. In a long note Newstok gives an initial roll call of upward of fifty Renaissance literary scholars who have profitably engaged Burke's work. He goes on to point out that Northrop Frye annexed Burke as one of his antecedents in "the archetypal approach," and Harold Bloom called Burke "my heroic precursor." And yet it is often through indirection that debts to Burke's ideas are acknowledged. Buried in a footnote, for example, Stephen Greenblatt tellingly relates: "As so often happens, I discovered that Burke's brilliant sketch had anticipated the shape of much of my argument."
In part this reluctance to give Burke pride of place in one's own scholarly work is the result of the unmistakably Burkean tone and trajectory of thought to be found in his often idiosyncratic approach. Unlike literary critics who develop systems that others dutifully can follow, Burke does not leave a coherent methodology, notwithstanding his "Pentadic analysis" and his, at times, deeply moving readings of Shakespearean scenes. Rather readers receive insights--the kinds that he left for a general audience rather than a coterie of the initiated. Although he "appreciated the favorable attention from academia," finally he was more concerned with inspiring "others to join his ecstatic readings of Shakespeare, and gain contact with the energy at the heart of Shakespeare's plays."
One example illustrates just how useful having access to these essays can be, especially in a properly edited edition. Recently when teaching Timon of Athens to undergraduates, I turned to Burke's typical mode of beginning an investigation as presented in Newstok's book. It supplied just the heuristic jump-start required: "First, let's force ourselves to decide exactly what Timon of Athens is about." Written originally as the introduction to an edition of Timon, Burke intelligently recounted the main strokes of the play, act by act. He then treated the main characters in turn and examined their function in the drama: "Apemantus serves to keep the play from falling simply into contrasted halves." He also considered relations among the sexes, showing how women in this play function "only in a supernumerary capacity." That there are only courtesans and no mothers, sisters, or wives, fits well with Burke's judgment on Timon as "an almost brutally end-of-the-line character, his life coming to a close in rabid talk of total human rot." The one moment of pity, supplied by the faithful retainer Flavius, is a touch that Burke sees as "quite Shakespearean, at least in the sense that a Shakespearean tragedy has a scene that softens the audience with tears of pity just before the final outbreak of victimage." He compares Flavius speech instructively to Desdemona's willow song, a connection discussed at greater length in Chapter Six, Burke's landmark essay on Othello (another reason why it is good to have all of these essays collected in one volume). When all is said and done, Burke is a reliable and subtle expositor of Shakespeare's plays.
The second part of this essay turns to consider the nature of Timon as a dramaturgic invention. With all of the rigor shown in his Rhetoric of Religion (1961), Burke explores "invective," "lamentation," and "praise" seen as "the three freedoms." Fortunately Newstok restores paragraphs apparently excised by Burke's editor, Francis Ferguson. These are instructive paragraphs indeed, as they make clear why these three are linked and how they help explain the ineluctable humane movement charted out in Timon of Athens. Granting the disputation of authorship, Burke makes a solid case for Timon's "radicalism"--in its usual, literal, and etymological senses--and concludes that, although it "is not pretty," it is "extremely thorough."
Likewise Burke is thorough and radical in his approach to the plays as a whole. He covers all of the chief topical issues and he seeks to dig to the root of things that often remain undetected by virtue of alluring speeches and the fast-paced sweep of a drama's action. Consequently this is a book that should be placed next to The Riverside Shakespeare on one's bookshelf. As a teacher I anticipate returning to it often, especially when sorting out what should go into an introductory lecture on a given play. And it is for this same reason that people outside the academy will want to have ready access to Burke as well: he gets to the bottom of things.

This work gathers together all of Kenneth Burke's writing on Shakespeare, thirteen major essays and a host of notes and remarks scattered throughout his writings. It contains an introduction by its editor,Scott L. Newstok which explains his own work on the volume, and Burke's general approach to Shakespeare criticism. The book also contains on its back cover laudatory words from among others Harold Bloom and Stephan Greenblat, that is from among the most distinguished literary critics working today.
Burke is an original in his approach to Shakespeare. He focuses often on the opening of the play, and is very concerned with the effect of the play on the audience. He again and again shows how Shakespeare is master playwright creating the effect he wants the work to have on the audience. For Burke whose basic view of drama derives from Aristotle 'action' plays the central role.'Character' is if not subordinated then not given the central place in his analysis as it has in the work of arguably the greatest Shakespearean critic of all A.C. Bradley.
While understanding Burke's brilliance and originality I have never been a strong fan of his writing. I have always found it somewhat difficult and academic. His learning is vast and he makes sudden shifts in his discourse which I find hard to follow. I too find often that the kinds of dramatic questions, the questions relating to how the dramatist achieved the effects he did, are not those which primarily concern me.
However the volume as scholarly collection and edition of Burke's work is comprehensive and carefully referenced. It is a real contribution to Burke scholarship and should be made good use of by all those who take interest in his scholarship.

The most valuable aspect of Scott L. Newstok's recent "Kenneth Burke on Shakespeare" is his inclusion of a talk, delivered by Burke, entitled "Introduction: Shakespeare Was What?," which serves as a useful primer to Burke's system of reading Shakespeare. As the lecture establishes, Burke is ultimately concerned with what literature does (i.e. how it functions). Accordingly, Shakespeare is, in Burke's mind, an artist who "spontaneously knew how to translate some typical tension or conflict of his society into terms of variously interrelated personalities." As Burke explains, Shakespeare's ability "was to let that whole complexity act itself out, by endowing each personality with the appropriate ideas, attitudes, actions, situations, relationships, and fatality" (18). Shakespeare, above all other dramatists, constructs plays in which his characters' engagements with each other constitute the play's movement while dictating meaning to its audience. And Burke, perhaps above all other critics, articulates the anatomy of these engagements for us.

Without a doubt, Burke scholars will find Newstok's compilation of additional references to Shakespeare invaluable. While the sections that Newstok provides can't possibly offer full context, the well-versed Burkean will certainly have the texts in question (A Grammar of Motives, Attitudes Toward History, and so on) at hand. An impressive piece of scholarship, Kenneth Burke on Shakespeare will prove to be an essential work for a variety of audiences, including Shakespearians and Burkeans.

An iconoclastic American intellectual, the late Kenneth Burke (1897-1993) was an exceptional and prolific literary critic whose writings and commentaries were respected -- even by those who occasionally disagreed with either his assumptions and conclusions. In the pages of "Kenneth Burke On Shakespeare", academician Scott L. Newstok (Assistant Professor of English, Gustavus Adolphus College, and Andrew W. Mellon Post-Doctoral Fellow at Yale University) has gathered together under one cover all of Burke's Shakespeare literary criticism (including previously unpublished notes and lectures) that had such wide-spread influence on his contemporaries. Drawn from a profusion of sources, including literary magazines, academic journals, Newstok has accomplished a truly impressive task of research and recovery. The result is a compendium of analytical commentaries on Shakespearean dramas and comedies. Enhanced with the inclusion of an appendix (Additional References to Shakespeare in Burke's Writings), extensive notes, and 'Index of Works by Shakespeare', and a general index, "Kenneth Burke On Shakespeare" is a welcome and enthusiastically recommended addition to academic library Shakespearean Studies reference collections and supplemental reading lists.

Nothing comes remotely close to this series.

In LADY BOSS, Lucky has finally found the love of her life in comedian/actor Lennie Golden. Not only are the two different as night and day, but they are both as headstrong as ever causing them to sometimes bump heads, but the love that they have for each other surpasses all of that.
Who would've thought that Lucky would find love again after her beloved Marco? Three marriages later, and she has finally got it right this time around. So like any loving wife, Lucky tries to make her husband happy. When Lennie nags and complains about the goings on in his workplace -- Panther Studios, Lucky decided to eliminate his frustration by buying the studio so that the pair of them can have complete control. But nothing wanted in life comes easily. Before Lucky can take full control of the studio, she has to go undercover, and expose all employees who pretty much aren't "getting the job done". This is where the adventure begins.
Meanwhile Lennie is oblivious to this plan. Lucky has to cover up her whereabouts because she wants to surprise him with this after the plans flow accordingly. This situation brings on strain that the two were not prepared for. Will Lennie appreciate the gift Lucky is working on presenting him with? You'll have to read and find out!

First of all let me tell you that this book is not an easy reading, it has to many characters and to many stories, to be exact it has six stories, at first all of them separately but in the middle of the book they will be as one big story. Of course the main story, the story of Lucky and Lennie is the must important, but you are really interested in all the stories at the same time. When you end a chapter of one story you want to skip the next chapter to see what happened in that specific story, but when you start to read about the other story you forget about the first one and you will want to know what happened to this one.
The end of the book is not so good, but the book still keep 5 stars

Yes, I should be reading something with more substance, but I love Lucky Santangelo's story! This is like watching your favorite soap opera, but with better characters, and a faster, tighter storyline. Very hard to put down once you start it! I especially loved how Lucky planned to make her studio more receptive to female stars and women's stories. If only there was a Hollywood studio like that for real!

I am not normally one to ready "trashy" novels. Ms. Collins has set up a great list of characters (Bridgett, Charlie Dollar, etc.) in the Lucky Santangelo series. This is perhaps the best of the bunch. Feisty Lucky Santangelo purchases a movie studio from one of the old time owners (kind of a Louis Mayer personna) and becomes the boss of the studio. This causes a lot of friction with her husband Lennie Golden, who feels cheated of his right to win roles on his own merit.

I read this one really fast!

I recently finished 'LADY BOSS' the third book in the Lucky Santangelo series and I absolutely loved it! Where 'LUCKY' was good 'LADY BOSS' was great. In this third installment Lucky goes to Hollywood in hopes of acquiring a major movie studio, however, just before she closes the deal she finds out that there is a catch. She has to work undercover at the studio for six weeks as a plain Jane secretary! At first Lucky is reluctant but soon the idea of surprising her husband movie star Lennie Golden with his own studio coupled with the sheer enjoyment of being able to spy on all of the studio executives is too much for Lucky to pass up. But as Lucky soon finds out Lennie is not too thrilled with her surprise, which puts their marriage in serious jeopardy.

There are so many enjoyable story lines in this book that it makes it hard to put down. An example of this is the story of Venus Maria and Martin Swanson the movie star and the billionaire. Swanson is a business tycoon who is married to Dena Swanson a woman who became famous by using the Swanson name and refuses to let anybody take that away from her including the Madonna like movie and recording star Venus Maria. But Venus is determined to have Martin all to herself that is until her brother Emilio shows up and stirs up trouble for the couple.

I found this book to be extremely entertaining and I cannot wait to read the next book in the series. Lucky is powerful, demanding and independent a true example of a strong woman. 5 Stars!

I read this book so many years ago, yet the memory of it is still with me. It could easily be dismissed as a somewhat unusual fantasy novel, yet it exceeds the genre. This is a deeply intriguing story of mind and morality, with an undercurrent of Zen that seems to run through several of MacAvoys novels. As a coming-of-age story, it is superb. Nazhuret, small, ugly, outcast, could be compared to Miles Vorkosigan. His gentle nature and strength of heart are an inspiration.

A great read!

This book, the first in a trilogy, turned out to be a well written fantasy that increasingly held my interest and by the end of it, left me eager to get to the next installment.

The story revolves around the main character, Nazhuret (an interesting gnome like figure who is a lot more that he appears), his travels and his interaction with people and things he meets on his journey. There are several other important people in this tale and Macavoy does a stellar job in developing and introducing them into the plot.

My only niggling complaint is a lack of a map of the area that would have let us to track the adventures of our hero.

All in all, a good fantasy adventure and I'm looking forward to more.

In this series, MacAvoy has created a highly complex fantasy world with very little sorcery but plenty of sword play, science, philosophy, and mysticism. It is the story of Nazhuret, a strange looking orphan of mysterious origins who finds himself the pupil of an equally mysterious man known to him only as Powl.
Once his time with Powl is done, he sets off on his own and quickly finds himself embroiled in the affairs of others; something Powl has cautioned him to avoid if he wants to be truly free. Nazhuret tries his best to heed this advise after his first encounter with the outside word leaves a bad taste in his mouth. But what kind of fantasy hero would he be were he not somehow the catalyst of major events and circumstances? In his wandering he finds romance with an ambiguous stranger of questionabe morals. He also earns the love and respect of the young king and the contempt of the king's highest ranking noblemen. By the end, the secret of Nazhuret's origins is revealed and the enigma of Powl unraveled in a refreshingly unpredictabe manner.

Macavoy creates a fantasy story filled with real characters and a wonderfully believable plot. Beautifully written and gorgeously crafted. Nothing like it.

Lens is the first book of a trilogy entirely set in a "non-Earth" pre-industrial world, and arguably R.A.MacAvoy's best work to date. She creates a powerful story with realistic characters and situations and wastes no words in her elegant storytelling.

The story is about the coming of age of Nazhuret, a natural scientist who is dogged by mysterious happenings that he doesn't particularly want to believe in, as he is converted by his (rather bizarre) mentor into the Lens of the World (a concept that's rather hard to explain). He is let loose on society and becomes a nexus, altering what he come in contact with.

It's hard to spell out why this book is so good, but it's a real original in the Fantasy genre and definitely my favourite series (I read an awful lot of F/SF).

The HCSB Light Speed Bible is an updated, slightly more modern version of the traditional Christian Bible. The purpose of this updated version is to make the Bible more accessible and easy to read for modern readers. Most of the changes are pretty minor: creating subtitles for ease of reference and some grammatical changes to make the text more easy to comprehend and more like modern books.

I have to admit, my opinion is still rather split on this version. On one hand, I found that the subtitles did make referring back to specific parts of sections much easier than reading through the entire section to get that piece I wanted to examine. I also think that anything that encourages someone interested in examining the Bible to actually pick up the book and start reading is definitely a benefit.

On the other hand though, many individuals take the Bible as word by word truth. Though the Bible has been translated and modified many times in the past, there still lies the potential danger that a reader will examine this book looking for word by word truth within the minor changes made in this edition.

Innovative and inspiring you to read , study and meditate on the Bible in a
wonderful way.I love it, I think all who love to read and read the Bible
will find this invaluable.

I think it is easy to read and my retention has improved considerably.

I found the system for this read-through Bible a little confusing. The idea is great, but the method is a tad cumbersome. Once the method is mastered the actual reading is great and would be beneficial and enjoyable.

Since I bought my first Light Speed Bible, I have purchased 25 more. I have given them as presents to friends and family. I have never read the entire Bible. I'm now to Proverbs and know I will finish it. Try it you will give it to others as well!

This is a fine book to add to your Little House collection. It's interesting reading even if you never travel to the sites.

It is best for anyone who plan to travel to all sites of where Laura is born and raise and lived in. I am serious considering to go to some sites myself after read that book. It is great book.

Many Minnesotans have visited the original Wilder sites, but this book contains infomation that was new to even a jaded "Wilder" fan!

I read a number of the Little House books recently, and when I finished I was fired up to learn more about Laura and her family. Even though I can't plan a trip in the near future to visit the places Laura called home, I loved reading about each spot in THE LITTLE HOUSE GUIDEBOOK.

Each chapter discusses the location of each "little house," including places that Laura lived in but didn't write about. Almanzo Wilder's homes are also included. We see photographs and read descriptions of what each place looks like now, how and when each spot was honored as a Laura Ingalls Wilder historical site, along with suggestions for interesting places to visit and stay.

The first chapter, which deals with "the little house in the big woods" of Pepin, Wisconsin, tells the tale of how Charles and Caroline Ingalls (Laura's parents) were among the earliest settlers of western Wisconsin. One interesting note: the house in the big woods was actually the Ingalls's home twice. The family sold the land once, moving to Kansas. However, the buyer quit making payments and the Ingalls returned. As with many of Laura's little houses, the original cabin is gone but visitors can tour a replica.

The next chapter discusses the setting of LITTLE HOUSE ON THE PRAIRIE, near Independence, Kansas. Here we learn more about the land issues between the Native Americans and the settlers, which eventually prompted the Ingalls to leave their prairie home.

The following chapters cover Plum Creek, near Walnut Grove, Minnesota; the Masters Hotel in Burr Oak, Iowa (covered in OLD TOWN IN THE GREEN GROVES, written by Cynthia Rylant); and De Smet, South Dakota (otherwise known as "The Little Town on the Prairie" and also covered in the books BY THE SHORES OF SILVER LAKE, THESE HAPPY GOLDEN YEARS and THE FIRST FOUR YEARS).

Laura and Almanzo eventually moved to the Ozarks in Mansfield, Missouri, where they established Rocky Ridge Farm. Here, visitors can tour their white farmhouse, kept just as the Wilders had it in the 1940s and 1950s, along with the Rock House that daughter Rose had built for Laura and Almanzo in 1928.

Almanzo's houses come next: his boyhood farm home in Malone, New York, still stands and can be toured. Almanzo's parents moved to Spring Valley, Minnesota; although their Minnesota farmhouse is long gone, rabid Wilder fans may want to visit the town museums and the graveyard where Almanzo's brother Royal is buried.

Speaking of fans, THE LITTLE HOUSE GUIDEBOOK is fascinating for Laura's many admirers. It's eye-opening to read about these various locations. The photographs by Leslie A. Kelly are a fine addition, giving readers a view of each area and a peek into how people lived back in Laura's time.

--- Reviewed by Terry Miller Shannon

William Anderson has done a fabulous job in painstakingly documenting everything there is to see from New York to South Dakota that has anything to do with Laura Ingalls Wilder's "Little House" series. Ever wondered what happened to Pa's fiddle? Or if the house dug out from the banks of Plum Creek is still intact? This book has the answers. Complete with color photographs, addresses, phone numbers and maps, as well as ample background information, The Little House Guidebook is a must have for Little House fans everywhere. Even if you never get to visit these places, this book will take you there.

This was very well done, and I think illustrated Lois Wilson's personality. One topic I wish the author had added a little more detail on is the issue of co-dependency.

For all those struggling with loved ones with the disease of alcoholism, this book is excellent.

Excellent book and tranaction. Received as promised and in excellent shape.
Thanks you Seller

This book should be available through every public library for those who do not have it on their own shelf.

The Lois Wilson Story: When Love is not Enough
By: William G. Borchert
Hazelden
Center City, Minnesota 55012-0176

Lois Wilson was an amazing, wonderful woman and the world is a better place because she and her husband were in it. Author William G. Borchert used his words to express this woman's life, her trials, tribulations, and sanctification. Lois Wilson was the co-founder of the Al-Anon, and Alateen fellowships. Her husband Bill Wilson was one of the founders of Alcoholics Anonymous.

This amazing book about her life starts as a flash back. It begins with introducing you to a very unhappy Lois in the early 1930's. Then it shifts to her beginnings. The book takes your hand and walks you through the entire life of Lois Wilson, her family, and some of her friends. It gives you explicit details about her life, how AA came about, Bill, and Al-Anon.

Lois met her husband Bill, who was four years her junior, in Vermont. This would prove to be a love that stood the test of time and alcohol. They married in January, before he went of to fight in WWI. They had a beautiful wedding in her parent's house in Brooklyn, and they were married for fifty-three years.

Lois's life with Bill was full of ups and downs. He was in the Army, and then an investigator on Wall Street. Bill was a genius. He began his drinking days when he was overseas, and it continued as it was seen as acceptable in his profession. This later carried on into him becoming an alcoholic.

Lois was forced to be the breadwinner of the family as Bill's drinking got worse and cost them everything that they had. Through all the years that she went through with him having this horrible sickness, she began to change and harbor much resentment. To add to her pain she was unable to have children, and when they tried to adopt, a friend put a stop to it because of Bill's drinking. Later Mrs. Wilson came to realize that it was for the best that they did not have children, and she looked at all the alcoholics in AA as her dear children.

As Bill started to recover after many hard years of his illness, Lois was still hurting inside with deep resentment, and anger. Bill formed Alcoholics Anonymous with Dr. Bob Smith, in Akron, Ohio. He found that the only way for him to stay sober was to be with another drunk. This revelation only injured the already wounded heart of Lois even more. She had wanted to be the reason and the one that caused her husband to be sober and to stay that way.

As the fellowship of AA continued to grow, one day Lois went out on the porch and noticed that there were other wives just sitting in the cars that lined the street. She went out to the other women and invited them in. She had a revelation that there were others out there hurting just as badly as she from this horrible alcohol demon. Thus started her little kitchen group. As the years progressed, this kitchen group concept developed into what is now Al-Anon. They followed the same twelve steps that AA did, but they also had their own twelve steps to follow as well.

Once it was realized that the children were being left out Lois, and some of the volunteers who helped with Al-Anon decided that something needed to be done for them, thus the dawning of Alateen. It was headed by one of the original volunteers, and each group was set up to be fostered by an Al-Anon member. Lois took particular interest and joy over the group for the children.

Because of the will and determination of Bill and Lois wisdom, there is now what is called a "cure" for alcoholics, and their families. Alcoholism is a disease that effects all members of a family, co-workers, and even some people in the community. Monumental steps were made by these two amazing people, and none of it would have happened if Lois had not stayed by Bill's side.

This is a story about heartache, pain, stamina, faith, and above all love. God had both Lois and Bill Wilson here for a reason, and I believe that they fulfilled their calling. Mr. Borchert did a wonderful job of telling the story, and letting the reader feel that they also personally knew Lois Wilson. This was a hard life to read about, but I learned a lot from the experiences in the pages. I hope that God will use this book to expand understanding about alcoholism, and the strong family that it takes to support one.