Williams Books

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

As someone in the business of helping others and teaching how to survive life and business, after reading the book I realize maybe I do not follow directions as well as I should. I consider this an instruction book for other consultants and coaches to help balance their life and business. This book was packed with excellent information and was a "one plane trip read". Those that travel know what I mean.
Highly recommended read for anyone that has the energy, passion and commitment to reach their own level of success. Also a must for storing on your desk for easy reference..

Dr. Joel Freeman has granted unprecedented access to some of the best kept entrepreneurial secrets. His candor, honesty and humility are woven into the fabric of each page. Dr. Freeman's genuine love for people shines through, as he opens his own archive of personal experiences to assist those that are brave enough to start their own enterprise. I encourage every budding business owner to utilize this book as an instrument of change for business and for life.

Damon Denson
Former Professional Athlete
DamonDenson.com

Wow!! What a tremendous resource. An entrepreneur's bible: the greatest investment you could make in yourself.

Roy E. Chitwood, CSP, CSE
President
Max Sacks International
[...]

I am a professional life and business coach for young adults in life transitions. I also operate the Young Adult Crisis Hotline for young adults transitioning in various stages of life. I have used this book to coach young adults through the mountain passes of life's difficult transitions. I also have been using this book in various ways to teach practical entrepreneurship to individuals who want to start their own businesses or who are self-employed as a professional life Coach. It is practical and has easy to follow steps that empower people to know how to work not only hard but smart.

Personally, this book has radically revolutionized the non-profit I founded and operate daily. I took the book apart section by section. Practically applied numerous chapters to the non-profit's marketing and promotional department. We have grown in one year from a local crisis hotline to a national crisis hotline for young adult in difficult life transitions who have life controlling problems. Before using If Nobody Loves You Create the Demand we averaged only six calls a month, now we have sometimes a thousand calls a month nationally, write daily articles on our blog, and still applying learned principles from this book. We operate our non-profit on a shoestring budget and the steps that this book suggested we applied vigorously in promoting our purpose. It was and continues to be a of jolt great wisdom for our organization and the clients that we recommend weekly to read the book for personal growth and development. We are looking forward to the upcoming workbook that will be released soon.

Thank you for contributing to the many young adults who comment "If Nobody Loves You Create the Demand: is amazing road map of entrepreneurship."

[...]

Thanks,
Teddy Awad
Certified Mental Health Professional
Young Adult Crisis Hotline
[...]

This is not just another mediocre motivational book with grandiose theories, but this is one of the most practical books I have ever read for entrepreneurs. Although I have been in business for years, this book is still very helpful to me. Many of the ideas in this book can be put to use immediately, and I have already started applying some of the things I have read. From a business and marketing standpoint, this book is a great tool for the new entrepreneur or for the more experienced person in business. In the book, Joel Freeman is very generous in sharing many of the practical secrets to success he has learned over the years, so the reader gets a wealth of knowledge.

Patterson's style is the style of a journalist (which he is): very bon ton. Besides, the information in this book is of high value, as it is one of the very few sources for information of a period of Gurdjieff's work in Paris.

On his birthday in January 1936, G. I. Gurdjieff, a Greek-Armenian teacher living in Paris and a man of the most traditional views about men and women, consented to teach a group of fiercely independent western women to prepare them for a difficult spiritual path. Although he had previously stopped all teaching and had for the past few years been devoting himself to his writing, he saw something unusual and very special in these women. He told them that they must form themselves into a group where they could work together for mutual support, "roped" together for safety, as if they were climbing a dangerous mountain, "each one thinking of the others, all helping one another."

They had heard of him from people who had been to the Prieure where, during the twenties, Gurdjieff's Institute for the Harmonious Development of Man had attracted some of the brightest lights in the literary world. They were writers, editors, musicians, and women in the business world: highly cultivated, avant-garde personalities, intelligent and sensitive, living in Paris and rejecting the traditional paths for woman. Psychologically, they were fragile, yet tough; some had formed lesbian attachments - all were determined to learn and develop themselves through his teaching. They came from a group taught by one of his earlier students, Jane Heap, but now she was leaving Paris and these women were determined to study with Gurdjieff himself.

By 1935, the Institute for the Harmonious Development of Man was a failed experiment and Gurdjieff was putting all his energy into finishing his series of writings called, All and Everything. Given his traditional view of what he called the "third sex", why did he consent and what was it he saw that made him want to adjust his course?

From the papers of four of these women, now archived in various university libraries, William Patrick Patterson has written an absorbing history of this unusual women-only group of spiritual seekers and their teacher. We see another side of Gurdjieff, close up, he seems softer and more compassionate, yet in his demands on his students, perhaps, even more rigorous. The group includes Kathryn Hulme, author of The Nun's Story, and Undiscovered Country; Margaret Anderson and Jane Heap co-editors of the Little Review, early publishers of James Joyce, Ernest Hemingway, and T. S. Eliot; and Georgette LeBlanc, diva and actress.

For those interested in women's spirituality, it properly credits and documents the pioneering efforts of these accomplished women. And for the seeker following Gurdjieff's ideas, it is an invaluable text addressing, for the first time, this most enigmatic chapter Gurdjieff's life. Once again William Patrick Patterson has brought forth an excellent volume that adds to our understanding of Gurdjieff and the Fourth Way.

The ladies of The Rope were in no way average people. They lived large lives. They were intelligent and talented. Patterson begins by describing their lives and you can't help but be impressed and caught up in the glamour and excitement. But when they meet Gurdjieff things are moved to a whole different level. They (and the reader) begin to see things from a different perspective. As Gurdjieff says of one of the women, "In life she perhaps have something good. But not for our work...She has only automatic mind...she quite not have real mind mentation."

Patterson take us all the way from the time the women met and began working with Gurdjieff, through Gurdjieff's passing and finally to the their old age and death. The letters written when they are old and physically feeble are very moving. You see the real experience and emotion of old age. The book lets us see the women's struggles and how they worked. As one of the women said, "Our 'rich' personalities had been an obstacle to understanding...We who had been born outside the dull, the routine... --what had we been all our lives? Almost nothing at all."

I found these women's stories very disturbing. I have many questions as to what transformations were actually realized by them. For some of them it seems that it may have just been on a psychological level. Why did Margaret Anderson, at the end of her life, say "I know it [the story of my life] at first hand, but so incompletely that it has little meaning."?

There is much to think about here. As Patterson says in the Epilogue, "What we may make of this is for each one of us to ponder and work with."

In Ladies of the Rope, William Patrick Patterson brings together the story of Gurdjieff and the women's only group of students he formed in Paris. The telling of this story sheds light on the formation of some of the seeds of influence that Gurdjieff had planted in the West. The group contained some brilliant and influential people mostly involved in the literary world.

Once again, William Patrick Patterson brings together a story which helps the reader understand the teaching that Gurdjieff brought to us.

The fundamental question of this book is, "Why did Gurdjieff create the Rope?" Because the Rope was made up of mostly lesbian women I wondered how or if it fit within spiritual tradition. After the first reading I did not have an idea why Gurdjieff did it. But later, in re-reading, the idea came, that maybe Gurdjieff was conducting an experiment to see if the third sex had the possibility to transform themselves or to get to the point where transformation was possible. So perhaps, this was a test of the Teaching, so to speak.
"Ladies of the Rope" also explores areas of the Teaching that are rarely mentioned elsewhere--the inner animal and the toasts to the Idiots, to name a few. This book also evokes the feminine, the idea and experience of relationship, and has a depth of understanding revealing subtleties that widen the reader's perspective. As most books of the Work are more masculine, this book is a jewel for those interested in this intimate perspective.

Marta Williams has done an excellent job of organizing, presenting and providing scientific back-up for her information, where appropriate. She is a teacher in the true sense of the word and patiently guides students through all the pitfalls of negative mind traps, suggesting methods to overcome initial fears of failure.

I wholeheartedly recommend this book to all who are truly interested in animal communication and feel it will be a good investment for you.

This book helped me to understand the experiences I have had on my ranch with several of my anamals. I now know what took place and I agree with the author fully. I have actually used her tichnique on my "Best Friend" a Chocolate Lab, and it worked! I have also been the RECEIVER of messages.

I just finished Learning Their Language, and am getting ready to re-read it, highlighter in hand. It is that good, if your goal is to gain expertise in animal communication. I began with Carol Gurney's book, The Language of Animals, which I felt was a good starter book. It sort of primes the reader for this book. Learning Their Language was extremely well written for use as a text book/learning tool (which is the reason I wanted it in the first place) using a good combination of Ms. Williams own experiences, the experiences of her students, and liberal "homework" assignments.

This book goes a step further than most, offering techniques for communication with plants, rocks, and mountain ranges (to name a few) but Ms. Williams herself invites you to skip over any sections that are out of your range of comfort or your belief system. At the very least, when reading the plant/nature/landscape sections, you will come away with a sense that God can't be too happy with modern man's stewardship of all that we were graciously given. And that, in my humble opinion, is a lesson we should ALL learn.

As a writer of cat mysteries, I often speak to large groups of people, and they frequently ask about animal communication, since Marmalade, an orange tabby cat, (a major character in my mystery series) speaks in italics throughout the books. I answer that I know we can communicate with animals and hear what they say to us. As evidence I cite the story of Polly, my alarm clock cat. Whether people express belief or they raise their eyebrows at me, I send them to this book.

I like the way Marta Williams emphasizes that we would get further by listening than by constantly telling animals what we think. They know what we think, because they're very good at listening already.

When we take the time, as she suggests, to tell an animal "I admire your intelligence and beauty," we grow in the process. LEARNING THEIR LANGUAGE is a lesson in life skills that we all could use.

This is such a fascinating topic. If you want to dive deeper I recommend "Adam's Task: Calling Animals by Name," by Vicki Hearne, which combines animal training with philosophy, linguistics, and literary criticism. It'll certainly expand your understanding of human-animal communication. If you are an animal trainer-- or even just an animal lover-- it's definitely worth checking out.

I really enjoyed this book, over all it is well written and the recipes look interesting too. It fills a glaring gap in the history of the Kennebunk's by providing a first person account of the Jewish experience in that famous tourist spot. It is something that has been overlooked by historians writing about the Kennebunk's largely because so little information on that subject survives or is available. Having lived in, researched, and written about the town of Kennebunk myself for over 20 years I really enjoyed the book however, it contained some really major, and embarrassing factual information. For instance, the "Brickstore museum" is really The Brick Store Museum, "Liz" Magnuson is really "Roz", there is no Kennebunk Historical Society, The Grist Mill Restaurant was spelled like that not Griste and to the best of my knowledge there was no newspaper called the "Kennebunkport Times". Also the "Main" Historical Society is really The Maine Historical Society. This may sound petty and nit picking but I think it's important especially when you thank someone in your acknowledgements and get their name wrong! I also found that in the book that the writer, Rebecca Charles, frequently interchanged Kennebunk and Kennebunkport as if they are the same town when in fact they are separate towns with separate governments. The only other issue I found annoying and distracting was her constant use of "David and me"; or "Momma and me" (for example) instead of the correct "David and I"; and "Momma and I". This is something an editor or the professional co-writer, Deborah Di Clementi, should have picked up on.
Other than the above problems this is a well written and entertaining book which I read it in one sitting. It was fascinating to read about the Forest Hill House and the people who original operated. This book will make an excellent addition to the many works of history all ready published on the Kennebunk's!

From chef and owner of New York City's Pearl Oyster Bar Rebecca Charles comes Lobster Rolls & Blueberry Pie: Three Generations of Recipes and Stories from Summers on the Coast of Maine. Family history and heritage permeate a fine gathering of family recipes, from Sugar Snap Peas with Lemon and Toasted Almonds to Blackberry Nectarine Crisp. The vintage black and white family photos are lovely embellishments to a blend of memoir and cookbook.

Diane C. Donovan
California Bookwatch

If you love Maine, you'll love this book. Rebecca Charles has written a memoire for all of us who share similar family histories. She has captured the special pull of the Maine coast that keeps so many of us going back year after year, expressing well how it remains unspoiled after nearly a century. And she's done it without being overly sentimental. My grandparents began our annual tradition of summers at Kennebunk Beach just before World War I and we now take the family's fifth generation every year. I enjoyed the book so much that I've given copies to half my family.

I'm not big fan of seafood, but this cookbook of three generations of a Scottish-Jewish-American family and their summers in Kennebunkport Maine, was captivating. Its chock full of family photos, memoirs, and touching pictures from the last century. I particularly enjoyed the text, the stories, and photos and would like to encourage the author to write a novel, or more memoirs and stories. It would be a fascinating and delightful to read more.

I cannot comment on the recipes. I do not care for seafood, but I found this book valuable for the stories alone which were touching. 5 stars.

I love narrative mixed with factual, so learning the history of a family and a place [Kennebunkport, Me.] while perusing tons of delicious recipes, was a really enjoyable experience. The subject matter, the writing style, the layout--everything was top notch. In addition to recipes, there's lots of handy food tips, like how to buy the right scallops. I would reccomend the book to anyone with interest in an enjoyable read, a good cookbook, or a beautiful coffee table book.

"Lovely Me" is riveting. I had read Valley of the Dolls and enjoyed it, but was surprised when I found out it was one of the best selling books of all times, so I picked up "Lovely Me" to find out more. What I found was an inspirational biography of a flawed but driven woman who took the world by storm, but not until after the age of 44, after a failed acting career, and after her diagnosis of cancer. Jacqueline Susann's story can be heartbreaking (her son was institutionalized) it can be gritty (her numerous affairs) but is also shows a fierce determination to survive and thrive in this world. Two very important points of her life will stick with me throughout mine: 1) her fierce loyalty to friends 2) her determination to make her books a success. She went above and beyond most authors to promote her books. She may not have been the best writer but she was a best seller.

Here's the book that reveals all about the queen of the published melodramas, Jacqueline Susann. One thing's for sure, her real-life tale is as bumpy as anything she's ever written: jealousy, revenge, sexual deviation, incurable diseases... Author Barbara Seaman doesn't miss a beat in bringing you the story of a lady whose marginal frame of mind automatically made her an activist in human rights. Told with real pizzazz, LOVELY ME meticulously brings you back to a time when evolution was everywhere, even in so-called fluffy novels like the ones of Jacqueline Susann. Her personal struggles behind all of her fiction glamour definitely make for a compelling read.-----Martin Boucher

WOW! LOVELY ME is the terrific biography of an absolutely amazing woman who was HELL-BENT on fame since childhood - a very inspiring woman who didn't even BEGIN writing until her cancer diagnosis! She gives determination a new name. Jacqueline Susann was also a woman who LIVED Valley of the Dolls --- she schmoozed and worked for the marginal actress stardom she achieved on stage and in early Television with pals/lovers(?) like Carole Landis...the book also has a lot of GREAT celebrity tales. Jacqueline Susann was a woman whose fridge was stocked with only olives, gin, and pills! She was a woman who loved bedding elderly Jewish comics, and a woman who (along with her devoted husband Irving) was an ABSOLUTE GENIUS at SELF-PROMOTION!!! She was a woman who even stalked Ethel Merman (!!) etc. This extremely well written biography is brilliant, crazy, and engrossing --- and the perfect coming together of writer and subject. Reading it you are VERY aware of where JS's got the inspiration for her novels.

Ms. Seaman has produced a work of exceptional depth and quality, truly bringing the essence of Miss Susann to life, and making her compulsion for fame and regognition understandable. What struck me most was the tenacity with which Miss Susann clung to her dream of glory, only to have it so cruelly taken from her at such a young age--almost like a character in one of her classic novels. If the life of a working artist and the world of celebrity interests you, this is a book you will quite enjoy.

LOVELY ME takes honors for being the most lurid bio I've ever read. It was great!

I recommend reading this book before you pick up VALLEY OF THE DOLLS, because once you read VOTD, you'll know from exactly which well Jackie drew these experiences. Just as VOTD was a roman a clef for life as Jackie knew it, LM is the real-life retelling of VOTD.

I admire Jackie Susann. Not only was she a Philadelphian and a writer, like me, but she had such tenacity. Even when cancer, a failed career, a mentally-ill son, and a dim future stared her in the face, she plodded on and closed her ears to the naysayers. She never once took her eyes off her dream of being a published author and bolstering VOTD to being the best-selling novel in history. We can all learn something from her.

Since most everyone should be familiar with the basic premise of the novel by the time this review is read, I'll point out a few worthy considerations. Mapp and Lucia, the fourth volume in the Lucia series by the inimitable E.F. Benson, is simultaneously fantastic and sublime. Benson's brilliance is his ability to translate significant, though sometimes easily missed observations onto the page using the most exquisite and economical description possible. He manages to take some of the silliest social aspects of human behavior, renders it important, and turns it into a first-rate triumph. The reader walks away from Benson completely satisfied and certainly hungry for more.

I'm sure the fourth installment can be read on its own, but I consider the first three in the series (Queen Lucia, Lucia in London : A Novel and Miss Mapp) indispensable in getting the most out of Mapp and Lucia. While all three are delectable entertainments (think social reality TV done to its fullest potential), this one departs its counterparts in a rather bizarre turn of events in the plot. Despite its absurd hilarity, it was logical and it worked, almost too perfectly.

Many thanks go to the originator (In Honor Bound) of this fabulous fondness for Lucia in our family. I am now officially and unashamedly a Luciaphile (would it be too much to admit that I've picked up a thing or two from her? Or would Benson be proud?), and I have no problems getting others on this habit. Just make sure you pair this series with your favorite treat--time with Lucia is worthy of indulgence.

Oover the last fifteen years I have been meaning to read certain authors. H.E. Bates, Anthony Trollope, P.G. Wodehouse, E.F. Benson and the like.

Last week I succumbed to a nasty bout of influenza and E.F. Benson. I had grabbed the slender volume of "Mapp & Lucia" from the library shelf and it had rested in my bookcase for almost a week. Not wanting to dull my brain with endless hours of television, I cracked open "Mapp & Lucia".

Ten pages into the book and I was hooked. Lucia, her period of mourning almost over is looking to regain her iron control on her hometown. First action, regain her star role as Queen Elizabeth in the village fete.

As I read Lucia's plots and plans, a strange thought hit me. Lucia is the creature Hyacinth Bucket (the main character of the BBC's Keeping Up Appearances) secretly dreams of being. Having taken over the fete from her dazed and confused friend, Lucia goes onto greater pastures, the hometown of Miss Elizabeth Mapp, reigning social goddesss.

Miss Elizabeth Mapp (known as Mapp) plots with her friends to rent out their respective homes a profit. Lucia and her best friend (a gentleman who brings to mind a cross between KUA's Richard and AYBS Mr Humphries) move and slowly begin to take over the town. Mapp is not pleased and a genteel war of one-upsmanship begins between the two ladies.

Drawings are rejected from the art exhibit, parties given, ownership of produce and fruit desputed with the poor town in the middle. Matters come to a head on Boxing Day (December 26) when Mapp decides to steal a longed for recipe that Lucia refuses to give to her.

Lucia stumbles on her rival in the kitchen and both women are swept out to sea on Lucia's kitchen table (yes, Lucia's kitchen table, this is a not a mis-type). The town mourns the two ladies as lost and the Great War of Mapp-Lucia as over.

Okay, enough said. You'll have to succumb to the collective charms of the ladies Mapp and Lucia yourself and find out all the bits I've left out. Now, I'm off hunt down and read the rest of E.F. Benson's wonderful books.

"Mapp & Lucia" is like reading Trollope's "Barchester Towers" with the gloves off. The teacup may be small, but the battles rumble like thunder on the bay. Lucia is incredible. She combines absolute self-absorption with ironclad charming resolve to succeed in her every endeavor. She really is wasted being queen of Society in a small English village when fulfilling the duties of Lord High Admiral would not cause her so much as a tiny frown.

Lucia is a newly minted widow in this hilarious outing. Her fires have been banked, and she is anxious to get back in the swing and show her mettle. She rents a house for the summer from the formidable Miss Elizabeth Mapp of Tilling. Miss Mapp is clearly the leader of society in Tilling and revels in her role. Lucia eyes the situation, and the lines are drawn in the most charming but resolute way possible Lucia is the richer of the two and possibly more clever, but Miss Mapp has some powerful advantages of her own. She has pride of place, a town full of quaking allies, and indomnable perseverance. When these two square off, the fun begins and doesn't let up.

This is a delightful read, a mood lifter of the first magnitude. "Mapp & Lucia" is my introduction to Lucia, and I cannot wait to further my acquaintance with this fascinating lady.
-sweetmolly-Amazon Reviewer

E F Benson's characters are just sublimely and achingly funny, it seems with Mapp and Lucia he was aiming to scrutinise and satarise the nosensical heirarchy and rivalry of bored and over privelaged upper middle class folk.
This aspect of the British Class system was one he knew well and which was breathing it's last in the times in which Mapp and Lucia live, witness the somewaht irritating coldness with which the Ladies treat their Maids, Drivers and Shop staff.
Lucia is the dominant character, lithe, fashionable and razor sharp while Mapp is clumsy, mumsy and opts for bulldog tactics.
The two appear in many novels, Lucia more often and one cannot help wonder if she was based on a Lady whom Benson was ever so slightly in love with, but here they meet for the first time, as Lucia moves to "Tilling" for the summer in Mapps rented out home "Mallards". The array of colurful charcters they surround themselves with and draw into their delighfully bitchy and cunning war agaisnt each other, are of equal delight, of particualr note are Quaint Irene and Georgie. Perhaps seen as little more than bohemian in their day but doubtless these characters would now be seen as obviously Lesbain and Gay; with the former being in love with Lucia. A daring inclusion in Benson's time but subtle and beautifully inclusive one.
Fans of these deliciously naughty pair should see the 1986 TV series which is available on DVD. Geraldine McKewan (of current Miss Marple fame)is petite, pretty, acid and simply perfect as Lucia while Prunella Scales (Cybil of Fawlty Towers) brings Miss Mapp to dusty, dowdy and bullish life! Excellent stuff!
The series was filmed in Rye in Sussex, home town of Benson, it used many locations close to his home (Lamb House), such as the lovley houses of Watchbell Street (My favourite being No 11 which was used as Godiva's house) and "Twistevens" shop on Mermaid Street, actually a Tea Room in reality.
WELL WORTH A VISIT! Literature fans may also wish to know that Lamb House was once home to American novelist, Henry James before Benson's time. One can also visit Benson's Grave in the town. Benson was Lord Mayor of Rye for a while and the river "Tilling"-ton flows through the town.

Read these books and discover the truth. It's all there -- the vanity, greed, passion, jealousy, and exultation. Don't let the objects of all these towering emotions fool you (lobster recipes, psychic bridge, red currant fool, babytalk Italian, dead budgies, suspect gurus, the Moonlight Sonata), it is the stuff of life!

I like the way the recepies are presented. Her book is full of technics that help one make an authentic Italian dish. I tries a risoto dish, a scallop, and a fish dish and they were total success, thanks to her suggestions.

This book was given as a gift to an Italian friend who had the following comments: The recipes seem to be more authentic Italian style with excellent flavors. The ingredients have been easy to find and the shopping for them fun. The narration provided is very helpful and the recipes easy to follow. The high quality pictures add to the enjoyment of trying new dishes.

This book brings back memories of my wonderful experiences in Italy. The food that one can prepare from this book rivals the food you get in Italy. As Americans we seem to think that Italian American food is Italian food, which of course it is not. But since it is what we grew up eating, it is what we expect. This cookbook is the authentic article. If you love authentic Italian food, or you want to, this is a great book to add to your library.

This book even gives you are recipe for homemade hand rolled pasta. Don't be discouraged if your pasta does not get thin enough when you roll it. I tried to make pasta once without the pasta rollers, big mistake on my part. I think you need to be born in Italy to get this right. But the recipe in the book does work fine with a pasta roller (either manual or KitchenAid attachment).

I can't recommend any specific recipes over another because they have all been good. However, if you are looking for an excuse to bake something the Zaletti (Venetian Raisin and Polenta Cookies) are a nice little afternoon snack with a cup of coffee or tea.

The photographs of Venice and the food are amazing in this book. The pictures of the Rialto vegetable market made me long to be back in Venice. The book itself is well constructed of heavy paper and a stiff cover. My one minor complaint would be that I would like to see more pictures of Italy and the recipes included in the book.

If you are interested in authentic Italian cooking this book is a winner. I highly recommend this book to any serious student of Italian food.

This was a present for friends, I already owned a copy and think it is one of the best Italian Cookbooks ever and always so easy to use, also brings back wonderful memories of Venice and it's markets.

The only cookbook that I remember the name of the author. Once you make bluefish and potatoes or pork chops with capers and anchovies you will remember her name too. (Actually I think the pork chop was supposed to be veal but we substituted. Her recipes are easily manipulated.)

Her husband liked broccoli stems so she found a way to make them. Cut up like matchsticks I have never thrown those stems away since.

This is a charming romp by Georgette Heyer. Highly recommended!

However, if you must buy THIS (Harlequin) edition, I suggest that you find an older edition of the book at your local library - and then go through and revise all the typos in your NEW edition. Otherwise, you'll find yourself confused and mentally thrown out of the story whenever the text makes no sense. Sadly, this happens with depressing frequency. Note that I've given this book only four stars because of this annoying problem.

Of course, no Georgian ne Jacobean period piece would be complete without sword fights. When one of the fencers is a lady fencing to keep up her disguise as a gentleman, well! And things just get better. Of course, her brother is disguised as . . . . My favorite hero rescues the damsel in distress/disguise and fishes her brother out of hot water. It's all in a day's work from one of my favorite authors. I wore the cover out on this one almost 40 years ago. Believe me, Ms Heyer stands the test of time!

Okay, I think I'm starting to get it. This is my 5th Heyer, and my favorite so far--the first one I've absolutely loved.

Prudence and Robin Marriot have returned to England in advance of their father, "the old gentleman." Their father is a con artist, and they're used to living a masquerade. This time, Prudence is dressed as a man, and Robin is dressed as a woman. I'm not quite clear what this is supposed to accomplish, but there's some danger relating to the Jacobite rising... Nevermind. It's not important.

Anyway, they're in disguise at their father's orders, and the plan was to lie low, but at an inn they run across Letty Grayson, and rescue her from a disastrous elopement, just in time to send her home with family friend Anthony Fanshaw, who she thinks her father wants her to marry.

Robin, as Kate, befriends Letty and eventually falls in love with her. Meanwhile, Anthony takes young Peter (Prudence) under his wing, and she falls in love with him, but she's apprehensive because he seems all too perceptive.

And they're thrust into the middle of London society, drawing far more attention than they'd intended, and Peter/Prudence is getting into scrapes that Anthony just happens to be on the spot to rescue him/her from.

Then their father arrives and announces he's a Viscount, the lost heir to the title, and things get even more topsy-turvy.

It took me a while initially to realize what was going on--that Prudence = Peter and Robin = Kate. It's not directly stated in the beginning, and while on the one hand, I was confused when it's first revealed--Peter was attracted to Sir Anthony? I didn't realize Heyer was that controversial--on the other hand, the masquerade was delightful, and once I got my bearings, I liked the way it was revealed.

The style is different from modern novels, at least most of the ones I read, and the reader doesn't get much of the characters' internal thoughts. Still, from their actions and dialogue, it's easy to discern what they're thinking and feeling. I'm beginning to see why so many authors love Heyer's work, and that ability to show emotion rather than just telling it.

I know I have one, possibly two more Heyers in my TBR pile that a friend gave me. Once I read those, I'm going to have to start buying my own. I surrender--I'm hooked.

I was extremely suprized by this Georgette Heyer book. It is way different than Fridays Child, The Nonesuch, or Cotillion. I have read many of her books, but this one was more of a mystery laced with romance. Initally the first several chapters in this book were hard to understand, there is a very involved plot, and it was hard to figure out what was going on. So after my intial read, I re-read it and I loved it! Filled with dangerous plots, mystery, a brave heroine, and romance. This book will keep you at the edge of your seat!!!

Of course, no Georgian ne Jacobean period piece would be complete without sword fights. When one of the fencers is a lady fencing to keep up her disguise as a gentleman, well! And things just get better. Of course, her brother is disguised as . . . . My favorite hero rescues the damsel in distress/disguise and fishes her brother out of hot water. It's all in a day's work from one of my favorite authors. I wore the cover out on this one almost 40 years ago. Believe me, Ms Heyer stands the test of time!

These are the people who founded our great country. These are people who we have all heard about, but don't really know who they were. This book is a great introduction to our founders and what made them do what they did.

As always, Bennett tosses us a great story about our founding fathers. His writing is coordinated and he points out the best of the dramatic tales (real) that they endured--as individuals, as well as family heads. If only, when future historians look back on our current days, they would be able to say..."Those were great days." Alas, I doubt it. Although the founders were what might be called "normal mortals", to challenge each other to create our great nation makes one proud to be able to say "we belong!" They were clearly heroes.

I was tasked to find an appropriate book to give to outstanding high schoolers for our local Rotary Club. I felt this book well represented the ideal of the club. This book should serve as a valuable resource in future years as these young men and women matriculate to higher learning, and careers.

Bennett chose his material well. Historians may argue with some of the details in his commentary (e.g., that Burr shot to kill Hamilton, aiming directly at his chest). Others may take issue with some of the "nuclear family" biases inherent in his commentary. That isn't the meat of the book. The importance of the book rests in the quotes of the founding generation, and Bennett went beyond some of the most famous quotes and speeches, although these are represented as well, to give us a true feeling of a generation that approached life with a genuine goal of self-improvement. Most interesting were some passages from Abigail Adams, from her "tough love" to John Quincy through her disdain for french dancers. Anything regarding Bennett's personal life is irrelevant for assessing the value of this work.

The United States of America was blessed with a generation of founding fathers who were at the same time people of action, and people of thought. They were an incredibly brilliant group of political and moral thinkers. Washington, Adams, Jefferson, Franklin, Hamilton, Madison had a profound understanding of both human nature and the unique circumstances bound up with the founding of the United States. Their dream was of creating a nation like no other before, one based on principles of freedom, and dignity of the individual The ideal formulation is of course in one of the documents central to this collection, ' The Declaration of Independence' , life, liberty and the pursuit of happiness.
In this anthology of the founding fathers' writings in story, letter song, speech and hymn we feel the spirit of a new and great nation and vision for mankind.
God Bless America.