Williams Books

Normally Bill Lear Jr. is described in books about his famous father THE Bill Lear (Learjet) as somewhat a playboy who crashed a lot of planes. Perhaps this is the curse of having a famous father? Bill Lear Jr. has his own say here and comes across a bit of an a@#hole but he did fly a lot of high-performance aircraft, starting from an early age. His experiences doing the early air shows and air races are worth reading about. It was a different time when business deals were a bit loose and so I will give Bill Jr. the benefit of the doubt. Even his military experience is notable. Later in his career he seems to have become a successful aircraft and avionics salesman. Like his father, he had problems/opportunities with women and I lost count after wife #3. I find it a bit strange that he writes very little of his relationships with his children. All in all, a good read about a pilot with opportunity and balls.

A friend loaned me the book. Having been in the aviation field all my life I found the book to be very entertaining. If you are merely an aviation Buff or involved, like I am, you will relate to much of the story. It's a fast read with hilarious anecdotes.

Owning and flying a WW II P-38 Lightning at age 17 is just one of the many episodes of his life that Bill Lear vividly brings back to life in this autobiography of his life. His knowledge of all aspects of aviation, his insight into life and relationships, combined with his great sense of humor, make this a book that is hard to put down once you start reading it. The only thing better than reading about his experiences is to hear him tell about some of them in person and I feel fortunate to have been able to experience that.

Non aviation enthusiasts will enjoy this book as well as aviation enthusiasts. It is a great gift idea and everyone of our friends who have read it have enjoyed it.

A book that once you pick up you can't put down. A wonderful insight into Aviation and the adventures of a truly remarkable man.

A great book from one of the coolest guys I know!!
It is a "must" for anybody, who has something to do with aviation.
I would appreciate it, when this book will be continues published.

I chose this book for my leadership development program at work. I enjoyed reading it, and found that it sparked a lot of ideas for things I could do to improve my own workplace. This book is short, funny, and to the point.

This book is a great one for those involved in business. It takes you on a journey that will certainly change your ordinary views about work, salary, and boss-employee relations. The Gifted Boss is for those who want to make a change and to elevate standards in the workplace: the best workplace for the best employees!

Very wise and up to date. I bought 2 for my store managers to read. This book identified some of my attitudes and policies even though I hadn't identified them myself--for example Nordstrom's employee review system. Thanks.

In this book, the author uses a short story to tell readers how a gifted boss and a great employee together can create synergy. The story starts with the author asking for help from a wise mentor, Max. He and Max spend a weekend together in Arizona, visiting different companies and talking with each other.

According to the Max, a gifted boss creates a magnetic work environment to attract great employees. He/She emphasizes goals and standards over procedural how-to rules. What is hired is help, not just time and efforts, from employees. He/she also cares about the personal development of employees by placing them outside their comfort zones. As for firing employees, a gifted boss helps them find new jobs.

In the book, Max also sheds light on a great employee. A great employee does not have to be expensive to hire. He/she is looking for a change and a chance. This great person is naturally productive and wants to be trusted that work will be done without constant supervision. He/she usually has one or more skills that are superior to those of the boss. As a result, great help is given to the boss through checking on the boss's work. A great employee also understands customers. He/she is entrepreneurial and is confident enough to seek measurement of his/her work and wants to be paid accordingly. Such great employees have to be courted by gifted bosses for they seldom change jobs. Courting here means a gifted boss has to be a friend and look for a chance to open up for offering a job to this great employee. This may happen after many years after they have become friends.

The author really understands how to be a gifted boss and the nature of a great employee. The story-telling writing style of this book makes it interesting and different from that of other books in Business.

I haven't read the book, but the example cited in the publisher's review, that of John Kilcullen, former chief of IDG Books during the 1990s, makes me hesitate. The idea that Kilcullen, one of the most heartily despised bosses in the computer book publishing industry, would be cited as a "Gifted Boss" because of a neat trick in luring in a name author, is sad. Go ahead and read the book, but skip over the parts about Kilcullen, he's no examplar.

After a bad experience for my wife, I bought this book for her and I. I feel that husband's should read it as much as their wives, since what happens in this office effects both. It should be a State requirement to be in every OB/GYN, office, or required reading at least in regard to Fibroids and Endometriosis,is concerned. If every doctor believed in handling patients like he does, there would have been no need for the Patients Bil of Rights.
This book is written in very simple terms and very good explanation's to every aspect of diagnosis, treatment, and anesthesia. A very honest author, with a great group of people offering advice from their areas of practice.

I've read a LOT of books on women's health - seems they are often written too casually by laypeople (with lots of anecdotes that may or may not be true). The ones written by doctors are often too long and too technical. This book bridged the gap perfectly! The Dr answered not only many questions I had, but many questions I didn't know I needed to ask. I was at first disappointed that my library system didn't carry this book -- but after I bought it from amazon.com, I was glad I had. I was surprised to find it an interesting read: definitely a keeper!

I bought this book several years ago, and it remains a favorite recommendation for others. Information is presented clearly and is easily understandable. Furthermore, Dr. Parker has a website that you can visit to reinforce the information in the book and contact information if anything needs clarification.
A must have for women and ob/gyns alike!

A very useful book. It discusses various gynecological problems and bladder problems, diagnosis, and treatment options. Unlike many books on the subject, this book includes newer treatment options, for example, totally laproscopic hysterectomy techniques that can preserve the cervix, and allow faster recovery. Discusses the risks of various options; even includes a few statistics.

I love this book. Its like having an owners manual for your female parts. It was easy to read and covered all the problems a woman faces with their reproductive system. I bought lots of books when facing a hysterectomy, and this book was clear and to the point without scaring me to death. It will stay on my shelf because it covers common problems like fibroids, embolization, ovarian cysts, abnormal bleeding, common bladder problems, hysterectomy options. Its written clearly and helped me talk to my Dr.

Of the eleven novels by Wendell Berry in the Port William saga, Hannah Coulter is probably the best. It is a complete life told with great sensitivity of a poor girl and an outsider to the families written about in the other novels of the saga. Hannah has great determination and ability to overcome her limitations with the help of her grandmother and the Feltner, Coulter and Catlett families. The story covers the period from 1922 until the turn of the century. It is an epic tale.

This is one of the best books I have read - a wonderful book of community and belonging

In his Port William novels, Wendell Berry has built a community of nostalgia and gentleness that provides an opportunity to redirect our attention, for at least a time, from the day's most discouraging headlines. Enough of modern society trickles into the edges of Hannah Coulter's story, however, that we are reminded she may very well be our own contemporary.

This is the story of a woman widowed twice, who has never had extreme wealth but who seems to have learned contentedness in most situations and to be quietly resigned to the rest. Is she an idealized and not fully real character? Probably, but that could also be said of some of the many angst-drenched lead characters in other contemporary fiction, and I admit I find someone like this far more interesting.

The difference in her world from that of so many of the rest of us is summed up by another Port William resident's summary of what has happened to her children who have moved on to Ohio, California, and beyond.

"Andy said, 'You're worried because they've left the membership,' and he smiled...They've gone over from the world of membership to the world of organization. Nathan would say the world of employment.'...One of the attractions of moving away into the world of employment, i think, is being disconnected and free, unbothered by membership.It is a life of beginnings without memories, but it is a life too that ends without being remembered. The life of membership with all its cumbers is traded away for the life of employment that makes itself free by forgetting you clean as a whistle when you are not of any more use. When they get to retirement age, [my children] will be cast out of place and out of mind like worn-out replaceable parts, to be alone at the last maybe and soon forgotten.

"'But the membership,' Andy said, 'keeps the memories even of horses and mules and milk cows and dogs.'"

And that is the magic of Berry's writing; his telling of stories of those who are still *members* of a community helps keep their memories alive and reminds us of our own need to find our own community within our own spaces.

I don't always agree with Berry. Sometimes I agree with his dianoses but wonder what practical solution there is for the problems he notices. But one thing I must say is that he is able to beautifully capture the pathos and wonder of human community. Quite simply this is a beautiful meditation on life and relationship. If you do not come away longing for or at least pondering community and what it means you may want to check you pulse. His descriptions of married life are sublime.
A few random questions I have as I read the Port William novels:
-What would happen if an Italian immigrant moved to Port William? Would they be welcome?
-What is evil? Would you ever want to just kick someone out because they were so bad?
-Should I just let the effect of the novel wash over me or should I respond to a larger message?

ok.. I read this a year ago and loved it! It is elegantly written and soulful and kind. BUT after reading Wallace Stegner's 'Crossing to Safety'..and re-reading a chapter of 'Hannah Coulter', I'm afraid this book falls downward into a whole other category of writing. In my mind, 'Hannah Coulter' lacks humor..detail.. and the complexities of marriage. While Berry doesn't sugarcoat or gloss over his characters, he doesn't go into as much depth as I'd like, leaving me wondering and frustrated as to what's really going on inside Hannah, Nathan, and all the other folks of Port William. There just must be a whole lot more than 'everything's fine' in bucolic Port William..

The beauty of Stegner's book is that he manages to write 300 some odd pages on 'very quiet lives' and I truly hated for the book to end. With 'Hannah', I was left wanting more, not at just the end, but throughout the entire read.

Since I too travel a lot, I really appreciated Mr. Sinunu's stories. I wish everyone would be exposed to his writings, especially in todays climate. It was SUPERB!!

I read this book at the library and the next day ordered five copies for holiday gifts! Perfect for traveler or wanna-be traveler.

This book jumped out at me in the store. Who wouldn't want ideas on "living a more rewarding life?" The author, William Sinunu has traveled around the world looking for "cultural intelligence."

He travels to Norway and learns about simplicity, to India and learns about inner peace, and to Spain, to learn about creativity. He also keeps his eyes open when his friends travel to the United States. He studies them and asks questions and how to make your life "sweeter."

Maybe not everyone in those countries is exactly like the example he writes about, but one thing he discovers is certainly true: Some Americans rush around, wanting more, needing more...money, time, things. We can always learn from other people, other cultures. From each other.

I loved that, at the end of each small story (only about 2-3 pages) he would have a quote at the bottom, or a blurb taken from psycholgists. The book was fun to read, it read very quickly, and I found myself breathing more slowly as I went.

Even though it's frustrating sometimes to be seen in a certain way, as if our culture is "wrong" somehow, you can take from it what you will. I, myself, would like to be more like others in the world. We only have one life to live, why rush through it?

This was a great book to pick up and put down. This book really made me see a lot of things in a different perspective. I have also tried to adapt a couple of the passages to my own life. I passed this book on to a friend. This was one that is to good not to share.

Sometimes, a book will catch me off guard . . . such was the
case with LIFE COULD BY SWEETER
by William Sinunu . . . I had never heard of it or the author before,
but when browsing in a bookstore, its jacket caught my
attention . . . it promised "the secrets to living a happier, healthier,
more rewarding life" by learning from our neighbors around the world.

That sounded good to me . . . turns out that I was not let
down . . . this was a treat to read, and I've already enjoyed
sharing much of it with others.

Some of the advice is basic, but we need to be reminded
of it; e.g., Sinunu describes one trip he was on in this passage:

"Oh no, not at Miss Daphne's party," our hostess scolded, shaking her
finger playfully at her newfound friend. "All the watches come off baby."
Reaching toward him, she unsnapped his watch and slipped it into his
pocket, then grabbed his hands and began to dance. "Life is to enjoy,"
she reminded him. "Just laugh and let it all go. Make life a vacation."

I also liked how the author cited various research studies to support
his beliefs, such as:

* According to psychologist Thomas Spencer, Americans wear
approximately twenty percent of the clothes they own.

* According to a study examining the effect of close relationships on
health and well-being by University of Michigan psychologist Stephanie
Brown, it's better to give than receive! The study found that older adults
who do not help others are more than twice as likely to pass away as
those who do help out.

* According to Psychologist Paul Rozin, Pizza Hut personal pan pizzas
in Europe are approximately two-thirds the size of personal pan pizzas
in the United States. According to an article in the August 14, 2004
WALL STREET JOURNAL, a serving of Philadelphia Cream Cheese
marketed to U.S. consumers contains fourteen percent more calories
than the same size serving in Italy. A jar of Hellmann's Mayonnaise
purchased in the United Kingdom has half the saturated fat of the
Hellmann's sold in the United States. Kellogg's All-Bran bought in
the United States has three times the sodium as the same brand sold
in Mexico. A standard beverage bottle for sodas in Europe is about half
a pint--roughly half the amount of the standard sixteen-ounce can sold
in the United States. Perhaps it's no wonder that the United States has
the highest rate of obesity in the world.

Lastly, there were these other memorable tidbits that made this
book so interesting to me--and the perfect gift to give somebody:

* Running her hand along her chin, Rania said, "Well, I do have a few
rules that I try to remember before every purchase. I ask myself, `Do I
really need this? Do I really love it? Is it made well?' " Deep in thought,
Rania went on, "But my cardinal rule," she said, clapping her hands gently
together in front of her face, "is to always go for quality. I buy the cheapest
of the best, never the best of the cheapest. That way, I spend relatively
little on clothes, but still have a good-looking wardrobe."

* [at a party for friends] "To our friends," Martine whispered as a
single tear trickled down her cheek, "To the family we have the luxury
of choosing. Each of you is very special to us. Thank you for joining
us tonight." . . .

As Eduoard grew misty-eyed, Martine reached out and took his hands.
"Life is about cherishing and appreciating the people in our lives," she said
quietly.

* I remember rocking in the chair by his bedside, pleading with God to take
him now and end his suffering. Even if euthanasia had been legal in the
United States, could I have made the decision to end his life? I cannot
honestly say. I was so distraught at the time that I don't know if I was
in the proper state of mind to make such a momentous decision. Nor do I
know what means could be used that would guarantee no pain. What I do
know is that dying does not scare me, only the potential suffering that
precedes it. I remember wondering at the time: If we put our animals out
of their misery when they are in severe pain and there is no hope for
recovery, why not the family member we love?

An artist whose prose and narrative arcs generate irresistible pull and evoke in readers a genuine sense of entire worlds, Edward P. Jones has written two books. The first, Lost in the City, garnered the PEN/Hemingway award. The second, The Known World, won the Pulitzer Prize. African American, a luminary of American letters, Jones affirms that which is humble and human, and does so with startling power. In the words of MLK he has a "heart full of grace, a soul generated by love."

This collection, first published in 1992, was considered Jones's first literary effort. I find this idea of firsts interesting and would like to look at it briefly before I move on to a few of the craft elements in his stories that I would most like to steal.

This collection of short stories was published a decade before Jones won the 2004 Pulitzer Prize for his novel "The Known World." Some of the stories in the collection were first published in the 1980s in literary magazines like Ploughshares and Callaloo. One of the stories "Marie" also appeared in the Paris Review in 1992. The thing that I find interesting is that these publications do not seem to register with the general public or even reviewers. Instead, his books are presented as sudden, award winning events. Instead of a writing career spanning 25 years of craft and respectable publications, we are presented with the image of a of sudden event, a spectacular storm, a writer whose first novel won the Pulitzer Prize.

In any event, the first thing I did when I opened "Lost in the City" was to read the opening lines of each story. I wanted to see how and where he began his stories. I was thinking of an essay by Debra Spark called "Getting In and Getting Out." The essay appears in "Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life." There is an anecdote in the essay about a friend the author who is screening stories for the Iowa Short Fiction Prize. She says, "If I have to read another story that begins `The alarm clock rang,' I'll shoot myself."

Although I have never started a story with this particular phrase, I do tend to begin a story at the beginning. So as I read through the Jones collection I paid particular attention to the places he began his stories.

In "The Girl Who Raised Pigeons," Jones begins the narrative at some undefined future moment when the crisis of the story has already forced the characters' world to change. "Her father would say years later that she had dreamed that part of it, that she had never gone through the kitchen window...." The story never travels completely forward into the world from which these first lines are described. However, the story does end with a certain inevitability--a sort of narrative arc that points forward so that we understand how the characters arrive to the point we find them in the opening of the story.

"The Girl Who Raised Pigeons" covers a lot of ground in twenty-five pages. It outlines the decay of a Black, D.C. neighborhood and shows us how that decay affects the community. On one level it is a story about a father's coming to fatherhood as well as his young daughter's coming of age. It is about the place and the power of the natural world even in the urban environment. It is about an urban Black community on the edge of change.

The narrative is carried along by the story of the young girl and her pigeons. The story is usually told through a close third person narrator; however, the point of view does shift at times from the young girl, Betsy Ann Morgan, to other characters. These shifts offer insight into the community in which Betsy and her father live. But these shifts seldom last for more than a line or two and then quickly move back to Betsy.

I paid close attention to these shifts in point of view. But before I discuss them I would like to think a bit more about where these stories begin.

Another story that begins post-crisis is "The First Day." The story opens with the line: "On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and..." This is the story about a child's first day of school. The story is short, only 5 pages, but it has taken a common event, a child's first day of school, and uses it to point out the divisions between social classes in the Black community. One of the interesting things about this story is that it is told in the first person. The protagonist never reaches the crisis described in the first line within the span of the story. The narrator shows nothing but love and admiration for her mother throughout the course of the story. We are lead by that single clause, "long before I learned to be ashamed of my mother," and the trajectory of the story to understand that the protagonists shame is inevitable.

I find it fascinating that he entire story hinges on this single clause. We never see a hint of shame in the narrator aside from her opening line. If that clause were deleted we would not necessarily know that the narrator would ever come to be ashamed of her mother. But knowing this first line and following the trajectory of the story we know that the crisis and the change are inevitable.

Jones also opens his stories from the middle. The narrator then takes the story back to that middle before moving farther forward. He does this in the story "A New Man."

"A New Man" begins with the lines, "One day in late October, Woodrow L. Cunningham came home early with his bad heart and found his daughter with two boys." The narrative eventually makes its way back to explain exactly how Woodrow came to find his daughter with two boys, but it does not stop there. The narrative continues. It carries the story farther. We come to understand exactly what this event means in the life of Woodrow and how it comes to define his essential character.

Now, rather than continue with this idea of how or where Jones begins his stories, I would like to move on to two other divices Jones uses: point of view, and the idea of epiphany and change within a character.

As I mentioned earlier, Jones does not shy away from changing the narrative point of view if it serves the story. But the places where he shifts point of view seem to be dependent on a few things. He only ever shifts in a third person narrative. The point of view never shifts for more than three or four sentences. The point of view only shifts in stories that are 20 pages in length or longer. He always quickly brings the point of view back to its original place.

It is the brevity in the shift that I find most interesting. It is like one of those little flashes of insight that Woolf wrote about--matches struck unexpectedly in the dark--or the mirror in Joyce's "The Dead." The shift lets us see for a moment how the character looks within their world. For example the title story of the collection, "Lost in the City," is told by a close third person narrator. However, there are two moments in the story where the focus shifts from the protagonist, Lydia Walsh, to her taxi driver. The first shift occurs about two thirds through the story: "He thought that maybe she had been born elsewhere, that she did not know Washington, would not know the streets beyond what the white people called the federal enclave." This shift in point of view ends quickly. The narrator brings our focus back to Lydia. "But in fact, the farther north he went, the more she knew about where they were going."

At the end of "Lost in the City," the point of view again shifts for a moment. "The cab driver thought that her crying meant that maybe it had finally hit her that her mother had died and that soon his passenger would be coming to herself."

I suspect that it is the brevity of these shifts that make them work. Another aspect of these shifts is the fact that they are subtly revealing--not deeply or overtly revealing--and they are always revealing something in the protagonist. These shifts in point of view seem to stress the importance of community in these stories. They show, however briefly, that these characters do not live in isolation, that on some level they are always aware of themselves within the context of others--or perhaps it is that we should always be aware of them within the context of a greater community.

The final aspect of this collection of stories that I would like to look at relates to an issue raised in an essay by Jim Shepard titled, "I Know Myself Real Well. That's the Problem." In this essay, Shepard criticizes the tendency for novice fiction to create characters who are "whooshing along the conveyor belts" of narrative toward some kind of epiphany. Given that my stories have this tendency, I am curious how Jones creates a sense of movement and revelation without allowing his characters to fall into that whooshing conveyor belt.

One way that Jones avoids this narrative conveyor belt is by beginning the story someplace other than the beginning and ending the story in a place that points to the inevitability of change or crisis, but he does not necessarily show us that change or crisis. This can also be seen in the story, "The First Day." We do not experience the moment when the narrator becomes ashamed of her mother. We are told in the opening line that the narrator will indeed one day be ashamed of her mother. We are lift at the end of the story with the inevitability that, despite the strength and character of the mother, the child will one day become as ashamed of her as other members of the community.

Often in this collection of stories the narrator is not even aware of his or her change. The reader senses that something is in fact permanently altered, but it is difficult to say exactly what that thing is. At the close of the story "My Mother's House," we do not find the protagonist, a mother whose biological son has just murdered by her godson over a dispute involving drugs and money, in the throws of some sort of epiphany.

Her husband, who is not the father of either child, works as a bodyguard for her biological son. Her husband skulks away from the scene of the crime, leaving her in the street to comfort her dieing godson. She has always known that her husband was a weak man. At the close of this story we find the protagonist drinking a fifth of vodka and walking from room to room in the house her drug-dealing son purchased for her. She unlocks all the doors and windows, "for Santiago (her son) had no key to her house. And outside that house there was a very cruel would and she did not like to think that her child was out there without a place to come to."

The protagonist knows throughout the story that the world is indeed cruel. The cruelty is not a revelation. Nor does she necessarily seem poised to make some sort of change. In fact, she opens her house in a rough neighborhood so that her son, who has just murdered her godson and pointed a gun at her face, may come into the house for comfort.

Perhaps the real change at the end of this story takes place in the reader. After we have experienced this world, we can never view these characters or their world in the same light--we will never be able to read this story in the same way again.

In the end, there are still many more aspects of this collection that will occupy me throughout the coming months. I have marked my copy of the book with many notes. I find myself referring back to them often.

Edward P. Jones writes heartbreaking but beautiful stories of the struggling poorer parts in DC--right next door but far away from the glamor of national politics. These stories are moving and they pack a punch.

Synchronicity is, more or less, a random event that seems to have more than a random meaning. Such it was when I read Edward P. Jones' short story collection Lost In The City directly after having read Sherman Alexie's Ten Little Indians. The reason was that Alexie's book showed off everything that's wrong with PC Elitist art and literature, coming from a person in an ethnic minority, while Jones' book- a 1992 National Book Award finalist, reprinted after the great success of his 2003 NBA and Pulitzer prize winning novel The Known World- showed off almost everything that minority writers can do to `fight the stereotype', as Alexie preaches, but does not practice. Both men's books deal with specific peoples in specific locals- Alexie's with Spokane Indians in Washington state, while Jones' with blacks in Washington, D.C. Jones, unlike Alexie, has quality writing in all fourteen of his stories, because his characters are fully realized, and nor caricatures nor stereotypes, and the situations that they have to deal with flow naturally out of predicaments of their proscribed lives. Are there some stereotypically `black' characters? A few, but they are minor characters, and in the background of the tales, as are most walking stereotypes you or I know. And there are seeming stereotypes- such as young hoodlums and drug dealers, that are revealed to have nuances and depths. Alexie does not undermine and nuance his characters in any way in his worst stories, while his best tale- one on the life cycle of a marriage between Indians, is his best tale precisely for the fact that its focus is on the marriage, not that it is an `Indian marriage'. Race and bigotry and pain are the reason for many Alexie tales, and they quickly devolve into screeds. Jones is a much more mature writer, and his worst tales, which are merely solid stories, are so not because of predictability, screeding, nor stereotyping, but simply because they go on too long, or the conversations do not serve the tale well. Those are minor ills, though, as this is a book that well should be praised. In comparison, especially, to the pap that's published nowadays, it's a great book....Why is it so difficult to find great writers and stories? Why does not the publishing industry find and promote more Edward P. Joneses? Well, first off, there are not that many, but, these stories may not be `moneymakers' because they do not offer pat solutions, nor are the characters caricatures, and they do not skim along the mere surfaces of things. It also takes an effort for readers to fully appreciate the multi-hued, and deeply textured tales and portraits Jones relates, and most people suffer from video game or MTV languor. Yet, is there, or has there ever been, a better virtual reality machine than a great piece of writing? A great poem puts you in a moment, and a great story can arc you through events that you can feel, almost as if experiencing them for yourself.

I loathe the cheapening of thought and conversation and striving for insight. That is why I love this book, and the relative handful of other works like it that are out there. Instead of the shot at a quick, cheap, moneymaker, publishers should seek quality, and promote it, to develop careers, rather than get one hit wonders, whose one hit was dependent upon things other than the writing quality- which is usually sorely lacking. Accept lesser profits in the short term, but greater in the long run, while also contributing to literature. It then forces an upward spiral of writing, where people can look to an Edward Jones, or William Kennedy, or Charles Johnson, and say, `I want to write like them, because they're good, and I want to contribute to my culture,', rather than this several decades long downward spiral where bad writers see a Mary Gaitskill or Yann Martell or Stephen Elliott or (fill in the Oprah-type writer) being published, and say, `I want to write like them, because it's easy, and I can write better than that crap, and I want to be famous.'

It is not enough to merely say why a writer is good, but show it, praise it, and honor it as among the best an individual can do, and the highest that human beings can achieve. On that note I will close with the terrific end of The Night Rhonda Ferguson Was Killed:

She made a pallet for her daughter beside the bed and turned out the light when she left the room. Occasionally, Cassandra would drift into what Anita thought was sleep. All the while Cassandra gritted her teeth. Sometime, way late in the night, Cassandra spoke out, and at first Anita thought she was talking in her sleep: She asked Anita to sing that song she sung in the car on the way home. Anita sang; long after her parents had gone to bed, long after she stopped wondering if Cassandra was listening, Anita sang. She sang on into the night for herself alone, her voice pushing back everything she did not yet understand.
Understand yet?

Edward P. Jones's stories about Washington D.C. are unconventional in that some don't have endings. Often they just come to a stop. You are forced to reflect back on what you just read.

Some are better than others. "The First Day" is about an illiterate mother taking her daughter to register for kindergarten. She has to pay another woman to fill out the registration papers for her. If that one doesn't get to you, you don't have a heart.


Many of the other stories are quite long, some as many as thirty pages. My favorite was "The Store," about a boy who takes a "make work" job at a neighborhood grocery and ends up managing the place. The store becomes more important than his personal life and he loses a woman he loved because of it. "Young Lions" is about a violent young man who doesn't hesitate to shoot a clerk during a hold-up. In the end, his violent lifestyle impinges on his personal life, and he starts slapping around the woman he really loves.

Washington D.C. is definitely a character in the stories. The streets are Alphabetical and the Avenues are named after states, but this the Washington of the sixties and deterioration is only just beginning to envelope the black section of town. There are stories about how involvement in drugs debases the characters and their family members. There are stories about characters who emigrated from the South. I can't think of one that didn't touch me in some way, and that doesn't usually happen in a collection of short stories.

Edward P. Jones should be a better known author than he is.

great product, great price and i really like. a great way to get the book on a student stipend.

As both doctor and founder of a EchoScribe Inc, a leading internet based medical transcription company, (www.echoscribe.com) I must recomend Stedmans as the dictionary that all physicians must own. There is also the PDA version that is also a good carry. It not only provides a quick reference, but in writing medical letters, and transcribing documents, this book is a "medical must have."

I am a transcriber and Stedman's Medical Dictionary is necessary for my work. It is invaluable. I also love the illustrations for clarification.

This medical dictionary provides simple definitions on key
terminology in the field of medicine. Some simple definitions
include the following:
- antigen involves the immune response
- a virus is incapable of growth beyond living cells
- bacterium multiply by cellular division

The volume contains the human anatomy in full color pictures.
For instance, the following parts are depicted:
- skull
- head and neck
- musculature
- cerebral hemispheres
- disc anatomy
- heart anatomy
- classic fractures and radiography depicting the events
- foot joints i.e. interphalangeal joint, tarsometa tarsal
joint, ankle joint

This medical dictionary is perfect for the science student
in your house. In addition, the book will complement the
existing personal library of medicinal acquisitions.

A great resource, I recommend the CD version for saving a lot of time and effort ... only if you can have a computer on while you're studying.

To say it exudes wit, humour, intelligence and charm is a big understatement.
He was 56 at the time he wrote it... so, we have the benefit of experience too...
A MUST READ.

ADB

PS: The film done about it (using the book as the script) is also very good if a bit slow in parts (specially political speeches).

If you want to know about Winston Churchill's early life and just how well he was able to write well then look no further. The prose is rich, his vocabulary is extensive and the phrasing is pure Churchill. This is a great introduction into his life and writing ability and many sayings and phrases Churchill is known for are given in this volume. Few, if any, are willing to risk potential embarrassment by stating as one of their life's accomplishments any book that they have read. However, if one is able to add having read this book among those achievements then at least that part of their life will not have been wasted.

I got this for my grandfather for Christmas. He was POW during WWII, and was wanting to read about Churchill's POW experiences. A big hit!! My grandfather couldn't put the book down.

His writing is great; his stories are told in a refreshing, whimsical tone; and one gets the sense that he loves his life. Even though I was very familiar with the event of his life before reading this, I found it thoroughly engaging and would recommend it to anyone with an interest in this extraordinary man.

This 372 page long book would be good, but no more, if it wasn't for the first 40-or-so pages, which are a gem. The book covers the first 30 years of Churchill's life and the first forty pages cover his childhood. Although Churchill had a miserable childhood - his father was distant, his mother more interested in lovers than in her son, and he was bullied at boarding school - Churchill narrates his story with unsurpassed wit and without any hard feelings for the ones that failed him. Some passages, like the description of how he was grappling with the beast called maths, are just hilarious. The first forty pages alone make this book a must read. In the rest of the book, the most interesting part is the story of Churchill's capture by the Boers and escape. You don't need to be interested in Churchill, the statesman, to like this book. Here he is at his most human and disarming.

Stumped at dinnertime? This book makes cooking dinner easy. Look to see what vegetables you have lying around, find the vegetable in the book, and start cooking. It's that easy. By the time the water's boiling and the pasta's cooked, your sauce is ready.

The vegetables are organized from Artichoke to Zucchini, making it easy to find what you need. The easy-to-prepare recipes are a lifesaver when you're hungry, ready for something quick and easy, and want to use up what you have in the refrigerator.

I've eaten probably two dozen of these recipes and have yet to find a dud.

There are few cookbooks that are as universally useful as this one. While the subject matter (pasta sauces) is limited, the situations in which you can use these recipes is almost limitless. The book contains simple recipes that make me think that my mom was slacking when she fed us bottled sauce when I was a child. And you can find elegant recipes that use unusual ingredients in imaginative ways. Best of all, you'll love this book if you're a budget-constained novice (like my recent college-grad brother to whom I gave this book - many of the recipes are neither expensive nor difficult) or an accomplished cook, especially in Italian cooking, looking for new ways to prepare pasta. Regardless of your situation, you can find a good recipe in this book. Frankly, this book is indispensible if you want to cook interesting pasta. My copy is so stained from the many sauces that I've cooked that I have an extra "clean" copy that I'm saving for posterity.

I have cooked recipes from this book for my Italian colleagues who were universally impressed by the results. And, quite honestly, I'm not sure if my wife would have married me if I hadn't delved into this book. The first time that I cooked "Spicy mixed peppers with basil and parmesan" was an unqualified success.

This book contains over 100 great recipes for pasta sauces, but if you want suggestions for some specific ones (the type for which you'd bend a corner of a page if you were to give the book as a gift) try (page numbers refer to the hardback version):

Cheap sauces
1) Chopped broccoli puree with garlic (pg. 65)
2) Blanched broccoli with spicy black olive vinaigrette (pg. 67)
3) Aglio e olio (a great garlic and olive oil recipe) (pg. 148)
4) Pasta alla puttanesca (pg. 290)
5) Pasta arrabbiata (pg. 296)

Sauces to impress
1) Golden Cauiflower in Spicy Tomato Sauce (pg. 101)
2) Sauteed endive with bell peppers, shallots and white wine (pg. 124)
3) Carmelized vidalia onions with black olives and rosemary (pg. 152)
4) Steamed green beans with double mushroom sauce (pg. 164)
5) Spicy mixed peppers with basil and parmesan (pg. 234)
6) Roasted red pepper sauce (pg. 238)
7) Roasted new potatoes with herbs, garlic and balsamic vinegar (pg. 248)
8) Spinach in tomato sauce with shallots and carrots (pg. 263)
9) Slow-cooked zucchini with tomato sauce (pg. 312)

Of course, almost anything else from the book is worth trying as well. These are just some recipes to start. Overall, this book is fantastic. I use it at least twice a week, and the inspiration that it has provided is even more pervasive. Grazie, Jack Bishop!

Though there are some rare occasions when I indulge in a greasy, dripping with fat, and tantalizingly delicious bacon cheeseburger, I never cook meat in my home, because it smells like... well, what it is. I have a decent collection of vegetarian cookbooks, but this has become a fast favorite. I'll admit it, combining vegetables with pasta really shouldn't be much of a task for a seasoned cook such as myself, but there are some simply amazing combinations of greens, olives, pine nuts, and veggies in every color and variety that I just wouldn't have thought of on my own. I LOVE THIS COOKBOOK. The layout is fantastic, the recipes are superb, and the dishes are easy to make and taste fantastic. I live with a vegan, and she also praises every recipe that we have tried. There is a list of vegan recipes in the front of the book, but I have found that there are many recipes not included on the list where the shredded parmesan can simply be omitted. The portions are generous, but I will admit that on certain recipes I slightly increase the amount of vegetables.

This is the best kitchen resource for pasta and vegetables! Look up the vegetables you have, and for each one, there are a bunch of great sauces to choose from. Plus he suggests substitutions or alterations. Once you've done some, you get the hang of how to mix and match to fit your pantry, or your harvest. Well-written, clear and complete... one of my most used cookbooks ever.

Outstanding book!! Simple and approachable. The most used cookbook in kitchen...Some recipes can be combined to add dimension and complexity. (Of course, as an omnivore, all recipes can be improved with a little pancetta, prosciutto or sausage, not to mention a splash of wine). Huge fan of Jack Bishop!

ps. why buy paperback? Esp. when the hardbacks are nicer and more durable...as well as cheaper!!

Excellent book, but I am not sure the distinction is between Western and Oriental tactics. I suspect that American Indians, frontier scouts, the British SAS, U.S. Special Operations community, etc...would be very familiar with, and skilled at, these tactics.

A classic dilemma that resurfaces every time we go to war. Militaries, at least in the West, prepare to fight the last war and not the next one. As a free society, the public tends to forget the hard lessons learned and shuns warriors during times of peace. The end result is that we constantly are reinventing the wheel after every war/generation.

Victor Davis Hanson, in a recent editorial in the City Journal called Why Study War, gave a perfect example from the Post-Vietnam era; "The public perception in the Carter years was that America had lost a war that for moral and practical reasons it should never have fought--a catastrophe, for many in the universities, that it must never repeat. The necessary corrective wasn't to learn how such wars started, went forward, and were lost. Better to ignore anything that had to do with such odious business in the first place"...."A wartime public illiterate about the conflicts of the past can easily find itself paralyzed in the acrimony of the present. Without standards of historical comparison, it will prove ill equipped to make informed judgments."

A well-written and important book that provides an in-depth analysis of small unit tactics.

Danger, danger, is very much the message put forth in this book and it should be heeded before it is too late. Some reviewers have mentioned Sun Tzu and his rules of warfare. Sun Tzu puts forth a very reasoned and systematic set of rules that define a nations path to victory or defeat. By definition, our present leadership has us solidly on the path of defeat. Our people in the field have to both fight our Eastern enemies as well as carry a great weight of poor leadership at the highest levels. This book is very informative and is for the most part, completely accurate and frightening.

The idea that hardware superiority alone can replace common sense is ludicrous and this book digs deeply into this. I remember seeing news footage of our troops in Afganistan heading up into steep mountainous terrain encumbered with huge heavy packs and body armor. They could barely move. They should have had only their clothes, rifles, ammunition and food and water and some good lightweight footwear. If you are going to fight an Apache you have to be an Apache. It seems at times to me that our soldiers are forced simply to carry as much weight in useless (and expensive) contractor equipment as a mule. Small unit combat and the tactics that win in this arena will be the deciding factor. Something also needs to be done about our so called free press. This game is for blood not for profitable commercial air time and these people should be subjected to the sort of censorship that our country used in WWII and the sooner the better.

I feel also that some of the opinions voiced on China are a bit over the top. The Chinese wish to better themselves and are not necessarily motivated by a desire to hurt us per se. It is very possible that in future that the Chinese could help us. They should not be blindly antagonized. They think and plan in a fashion that is very, very, long term. Our own leadership is cripplingly shortsighted in strategic planning.

I have lived and worked in the Mid East for a number of years and my personal opinion of the Iraq war can be summed up as follows:

1. The US leaves Iraq now and the country will dissolve into a bloody civil war.

2. The US leaves later and Iraq dissolves into a bloody civil war.

This book documents many of the reasons why this is so. Anyone who cares about the future of our country and indeed the world (China included) should read this book.

A sure test of talent and knowledge is the challenge of taking a very complex subject, explaining it in understandable terms and then offering solutions along with the understanding. My very brief stint in the Army ended long before Vietnam called the younger brothers of my generation. From the news reports it appeared that we suffered so many casualties only because the enemy was "sneaky" and prepared to die. How could the US lose to people who could not afford shoes?

Poole does a great job of bridging the gap from Sun Tzu to the muddy jungles of Vietnam and the significance of the lessons to our maneuver warfare. It is no accident that Boyd associate Willian Lind wrote the preface.

Poole finished the book just before 9/11. Our experience in Iraq and the Israeli experience during the past year show that we have much to learn. After 50 plus years of victories over various armies, the Israelis lost to what most consider a rag-tag army. Other than their heritage, they are as unlikely to defeat the Israelis as the sandal clod Vietnamese.

Poole's book is a gift to the small unit soldier and perhaps a greater gift to those in higher command who will order soldiers to assault targets with little understanding of what they may be facing. It may be at a distant command post or in the case of Somalia the commander flying overhead at 2,000 feet but unable to understand the river of lead flying down the street as he instructs troops to consolidate their positions.

This is a great aid to understanding current events and history from the comfort of your easy chair while balancing a martini on the arm. However, my sense is that it is far more valuable as a gift to a young trooper. In addition it should be mandatory reading ( along with Sun Tzu and Boyd's briefing slides) for every reporter who covers wars and "low intensity" conflicts.

Reading the book makes you appreciate Poole but feel uncomfortable with the contents. A great contribution.

As with all of Poole's works, we are treated here to an excellent analysis of the tactical sphere of war. This time, from the eastern fighter's perspective. Written, I believe, pre-9/11, the work itself is a thorough offering of actual techniques and wartime practices used by small units against western forces, but it is most remarkable in that it outlines in a concise and friendly manner what most analysts still fumble over on MSNBC.

In the world of tactical operations and small unit tactics, we can not ask for a better teacher than John Poole. Keep a close eye out for any and all of his works, for they have a lot to say about how and what western forces will fight for the next fifty years.

NOTE: This work makes a perfect companion to the author's "The Tiger Way," which outlines the ideal western method for combating such tactics.

I read all these reviews and in the main agree with them. However, the real "way of western combat" is exemplified right here: we -- AT THE BOTTOM LEVEL -- are discussing all this and implementing it as we go. And as another reviewer mentioned, our soldiers are getting at it and learning from this NOW. Here's the clincher: does the oriental soldier or citizen do this. No way. It's not in their culture. Hasn't been for thousands of years. Unlikely to be unless huge changes occur in their citizenry. West = democracy / more free / BOTTOM-UP APPROACH. East = tyrrany / less free / TOP-DOWN APPROACH.

SUMMARY: I'd much rather be in the West facing the Eastern way of war rather than be in the East facing the Western way of war. Let's be data-driven: what is the kill ratio of WW2, Korea, and Vietnam? 40-1? 10-1? And yet, Poole's talk about Japan in WW2 making "infantry the most valued weapon". What?! Americans (and all European armies before them all the way back to Alexander) don't line up rows of infantry and charge across open fields to be mowed down. Doubt it? Guadacanal. Korea. etc. That's the "cultural" difference highlighted here: we value life, even a single soldiers.

Further reading: Carnage & Culture, by Victor Davis Hanson.