White Books

we all know that knowledge is power. this book has made a signifigant contribution to my existing knowledge, on the whitetailed deer. i gained some valuable insight about their habits, good details about the rut. this book is simply an excellent, complete information source, i learned stuff that i know will help me this season. i would like to say something about amazon.com; this place has all of the great books on deer. this is another great information source for the bowhunter that wants to continually upgrade his hunting knowledge. truly excellent book!!!! i welcome all e-mails from dedicated bowhunters. dave "lefty" mullins

I purchased this book, thinking that it was a hunting book. I was quite surprised that the book was a photojournal rather than a hunting book.

However, the book is filled with lots of extraordinary pictures of whitetails. The book does contain a lot of information on whitetail deer. Some of it can be applied to hunting, a lot of it is "interesting" or "nice to know" type information.

Despite this book not being what I expected, it is still a very fine book. I did learn a lot about whitetail deer in this book and the photography was excellent. I'd recommend this book to anyone who enjoys the beauty of a whitetail deer, hunters and non-hunters alike.

Whitetail: Behavior Through the Seasons was the best whitetail book that I have ever read. Alsheimer has a wonderful way of words and is unparalled with the camera. Each page is filled with stunning pictures that coinside with the reading. The book will be read and looked at agin and agin. It's truely worth every penny.

This is a book for everyone. Naturalist, conservationist, hunter, whatever you may be you'll enjoy this book. Based on what Mr. Alsheimer does best, photography, he takes you through the seasons. The pictures are splendid. Accompaning this photographic walk through a yearly whitetail lifecycle is a sound base of information concerning the whitetail's behavior.

very informative book a must own for beginners, i would like to see more from these authors

What can I say? From the first sentence, this book grabs you like a drowning child and doesn't let go until you're a weeping mass of emotional flotsam, flapping about on the bathroom floor. Uncontrollably weep at its brilliance! Wonder at the ability of this large man to stay afloat! Shudder with ecstasy as each new passage leaves you yearning, nay - aching for more! Cackle like a shrieking rooster, page after page after page!

No extensive whitewater library is complete without WhiteWater!

I just recieved Mark Blaines book last week as a gift and was instantly drawn to the catchy title and exciting cover shot. Judging a book by it's cover it looked great so I headed straight for the bathroom. No, did not use it for toilet paper! I just do my reading away from the hurricane that is my home. As a testament to this fine book my legs fell asleep and have fallen asleep a couple of more times since. Anyone that has spent anytime sitting on a toilet can tell you, you sit too long your legs fall asleep.
But I digress, the point of this meandering is that this book is great and fun to read. Interspersed within the more technical information are brief descriptions of whitewater rivers around the world. This is a format I really enjoy as it allows my A.D.D. afflicted brain a cunning diversion. I have done a bit of whitewater rafting and kayaking and find after reading this book a renewed feeling of desire for not only the boat but the feeling that a river rewards you with. The complete inundation of senses coupled with waves of adrenalin(and sometimes nausea) that a whitewater trip provides.
I am a practical person and a parent I may not be able to hit the river right away but atleast I can tuck myself away in my bathroom and escape to the rivers of my mind thanks to Mr. Blaine.

Whitewater moves up to #446821 in sales. Take that, East St. Louis.

If you are interested in first person accounts then this is a must-read book. Peter White was a second Lieutenant and platoon commander in the King's Own Scots Borderers, in 52nd Division, and saw service from October 1944 to May 1945. During this time he participated in the assault on Walcheren, the defense of the Meuse, Operation "Blackcock", the clearing of the western banks of the Rhine, the battle for Wesel, the battle for Ibbenbüren, and the final operations east and west of the Weser river towards Bremen, good worm's eye perspective descriptions of which are included in this book because, against orders, he kept a diary, and it is based on this that the memoir was written.

Unlike his colleague Sydney Jary, author of the famous memoir "18 Platoon" and the longest-surviving platoon commander on the western Front in 1944-45, French was not born for war, and least of all for the infantry business of killing people up close. He was also a very religious man, a teetotaller and had a strong artistic bent, which shows in the very high quality of the good number of sketches which illustrate the book. This distance to the business he had to perform is what gives the book a unique quality.

French volunteered for service and served in the anti-aircraft artillery before being transferred to the infantry in 1944. He started with the AA section of the battalion before being transferred to command of a rifle platoon. French's observations on the life of the infantry are sobering. When reading the book, the amount of misery and hardship endured by the soldiers is overwhelming at times. Unlike other authors, French does never stop to consider the life lived by him and his soldiers as something extraordinary and weird. His diary is full of reflections on this life, his thoughts about the civilians through whose life he is passing - either being taken in by newly liberated Dutch, or turning out Germans of their homes requisitioned for his platoon. At times, the writing has a lyrical quality about it that lets one enter into the scene easily.

"The occupants of the flat I had selected for Platoon HQ were a very well dressed, portly, red-faced man who was suffering from most obvious mental turmoil in trying to know what manner to adopt towards us. [...] The mother, like the daughter, had a sleek, trim elegance akin to a Dresden figure which was added to by expensive well-cut clothes in soft tasteful colours. In their startling contrast to the Jocks, they made the latter look like heaps of mud-smeared vegetables."

White also writes a lot about his thoughts of the men he is commanding, their attitudes and behaviour, and the book provides a list of all those who did not make it through the war, a large part of the men who he commanded, while he himself escaped unscathed.

There are harrowing accounts of combat, the worst of which is probably the battle accident (friendly fire incident) at Ibbenbüren when his platoon is shot up by a platoon of British self-propelled guns with high losses in killed and wounded.

In conclusion, I have not read anything like this in a long time. The book is a compelling read - although I would recommend the winter for reading it, to be better able to relate to the hardship suffered by French and his men. I can not recommend this book highly enough to anyone who wants to get a glimpse into the world of the men who fought to liberate Europe from Nazi occupation.

This is the best kind of memoir: filled with details about the actions, thoughts, emotions and terrifying events this fine officer went through with the greatest courage. I could not put it down. Those who want to get a glimpse of the real horror of war and the truly awe-inspiring courage of these men must get this book. It ranks among my top ten best memoirs of that war. These men were truly amazing.

An officer with the Scottish 52nd Lowland Division, Peter White shares the real discomfort caused by lack of sleep, hours without meals, inadequate clothing while at the sharp end of an infantry unit. Through the winter of 1944, White's unit fought and suffered horrendous casualties in NW Europe. White details the self-inflicted wounds, the "bomb-happy" soldiers, the friendly fire victims, the mundane life-taking accidents, and the AWOL types, all the way to the other end of the spectrum detailing the gallantry and courage of many other men of his unit in combat. Peter White examines the role chance had in own survival when he describes how two platoons were detailed to work up each side of a farm track. His platoon made it okay but the other platoon was cut down by concealed MG-42s. With the Jocks is one of the best personal combat memoirs of WWII.

Peter White was an officer with the 52nd Lowland Division in WWII. The Division was sent to NW Europe after the Market Garden fiasco (A battle the Division was planned to be in) and fought all the way to VE-Day. White is an interesting person himself and his disdain of swearing and his gentlemanly manners are evident to the reader. White is also an artist who contributes some of the illustrations in the book, he also illustrates to the reader the life of the British Soldier at war. You see the life and death struggle with the enemy and the boredom of the soldiers' life in great detail. White also details the attitude of his men towards the German civilians in the last days of the war. The book is quite long, and I have top admit losing the author in some places (cultural differences perhaps) but overall I enjoyed the book.

In the spring of 1851 Hawthorne wrote to his publisher, James Fields (of the renowned Ticknor and Fields), proposing a children's book retelling six well-known stories from Greek mythology. He planned to adopt "a tone in some degree Gothic or romantic." In addition, he wanted to make the fables suitable for young Christian children: "of course, I shall purge all the old heathen wickedness, and put in a moral wherever practicable."

I am usually not a fan of sanitized tales--even when written by someone the status of Nathaniel Hawthorne. But, in spite of their overt preachiness and their occasional preciousness, there's something charming and original about these adaptations. Even adults might enjoy these six tales: Perseus's slaughter of Medusa, Midas and his golden touch, Pandora's box (stripped of Prometheus's role), the apples of the Hesperides (or Hercules's Eleventh Labor), Baucis and Philemon and the magic pitcher (which, in my opinion, is the best of the lot), and Bellerophon and Pegasus's battle with the monster Chimaera.

Threading these stories together is Eustace Bright, Hawthorne's college-age narrator, who relates his versions to a gaggle of local children (a couple of whom taunt him for his bumptiousness). Hawthorne uses this framing device to insert himself as his own critic. Overhearing one of the stories, the father of one of the children is not amused, finding Eustace's taste "altogether Gothic" and advising him "never more to meddle with a classical myth." To this critique, Eustace petulantly responds that "an old Greek had no more right to them, than a modern Yankee has," and he accuses classical writers of forming these tales "into shapes of indestructible beauty, indeed, but cold and heartless." If anything, Hawthorne has certainly brought warmth to these old stories.

Still, the reading level might be a tall order for many children under 8 (although an adult can adapt them for reading out loud). Hawthorne sprinkles his prose with salutatory references to his real-life neighbors in the Berkshires (there's even a line about Melville writing "Moby Dick") and with puns and quips that have lost their context. And he gets carried away with his descriptions of the countryside. Hawthorne's evocative passages will surely strike modern readers as hopelessly old-fashioned, although the author realized that he was trying the patience of children even from his own day. After three florid and nearly insufferable paragraphs describing a meadow, for example, Hawthorne apologetically interrupts himself that "we must not waste our valuable pages with any more talk about the spring-time and the wild flowers. There is something, we hope, more interesting to be talked about."

What's more interesting, of course, are the stories of Greek gods and monsters and flying horses. Fortunately for readers young and old, Hawthorne mostly stays away from the scenery and sticks to the legends.

Once upon a time (I was about 8), a family friend handed down his Collier's Junior Classic series to me - each volume is a glorious hodgepodge of short stories from here, there, and everywhere. I got to be very fond of Greek mythology, especially "The Chimaera" and "The Miraculous Pitcher", since the Collier retellings of their respective legends were much more lively than the ordinary.

Alas, I forgot the name of the author of "The Chimaera", and even that my favourite versions of the myths were all written by the same person. Some talented guy writing for the series, no doubt, I would have said, if I'd thought about it. A couple of years ago, I started browsing through an impressive-looking illustrated volume of mythology in a bookstore (which you now see before you). Whoa. "Scarlet Letter" Nathaniel Hawthorne wrote *THESE*?

His retellings of Greek myths were originally spread over 2 volumes (the other being _Tanglewood Tales_), but they can be obtained in a single volume these days. I can personally do without the gang of Tanglewood kids providing the official audience for the stories-within-a-story, or the defense against critics put into the mouth of the storyteller Eustace Bright, but then I want more space for more myths. :) Each myth in _A Wonder Book_ has an Introductory and After the Story section where the storyteller leads up to the tale, then fends off any awkward questions from his young audience.

"The Gorgon's Head" - The story of Perseus, from his infancy through the quest for Medusa's head. Hawthorne skates delicately past the question of who put Perseus and his mother, Danae, in a chest and abandoned them on the sea, let alone why (toned down for kids, and all that), and of course doesn't go into detail about what mischief Polydectes might intend if Perseus can be got out of the way.

Hawthorne is otherwise thorough about details: he even includes the Three Gray Women, who share the use of a single eye, who had to be persuaded to reveal the location of the monsters whose gaze turns living creatures to stone.

"The Golden Touch" - The Midas legend, of how a king, blinded by a love of gold, foolishly asked Apollo that he be given the gift of turning things into gold with a touch. Be careful what you ask for...

"The Paradise of Children" - The story of Pandora's box. Hawthorne's version, much as I like his other mythological tales, has been prettified a little too much: everyone in the world was a child who never grew up, before the box arrived.

"The Three Golden Apples" - The 11th labour of Hercules, wherein the king sent him to fetch the apples of the Hesperides. The tale begins with Hercules meeting a band of nymphs, who hear his account (only briefly summarized, alas) of his preceding labours before directing him to the one person who can direct him to the garden: the Old Man of the Sea...

"The Miraculous Pitcher" - Philemon and his wife Bauchis have grown old together - the only kindly folk living for a good way around a prosperous village, whose inhabitants delight in tormenting vagabonds (although they'll fawn on wealthy-looking strangers). Then one day a ragged youth called Quicksilver and a taciturn man with an appearance of great wisdom are driven out of the village...

"The Chimaera" - Bellerophon's pursuit of Pegasus, whom he seeks because only in the air does he have a chance of killing the monstrous chimaera. Bellerophon's long wait beside the fountain of Pirene, where Pegasus descends to drink, is enlivened by several characters living round about: an old man who can't even remember his glory days, an overly timid maiden who'd run from anything unusual, a yokel who only appreciates plowhorses, and a little boy (the only one who really believes in Pegasus).

Hawthorne's gentle, charming collection of classic myths retold for the children of his day is a neglected classic. Addressing the reader in personable Victorian fashion, his prose is clear and beautiful. Consider this sample:

"Within the verge of the wood there were columbines, looking more pale than red, because they were so modest, and had thought proper to seclude themselves too anxiously from the sun. There were wild geraniums, too, and a thousand white blossoms of the strawberry. The trailing arbutus was not yet quite out of bloom; but it hid its precious flowers under the last year's withered forest-leaves, as carefully as a mother-bird hides its little young ones."

But Hawthorne is also equal to the task of less genteel, more vigorous images:

"At this sound the three heads reared themselves erect, and belched out great flashes of flame. Before Bellerophon had time to consider what to do next, the monster flung itself out of the cavern and sprung straight toward him, with its immense claws extended, and its snaky tail twisting itself venomously behind."

Adding to the pleasure of these retold tales is the gorgeous art of Arthur Rackham, both in black-and-white drawings and full-color plates, which captures the unearthly beauty and the unexpectedly surprising humor of Hawthorne's work. Highly recommended!

One day last week, I could not, even after hours of deliberation (the snow had made engagements scarce), decide what book to read next. I finally came upon this little volume on the end of my parent's bookshelf and decided to give it try. How could I have known what charms were in store? I felt like a little girl again, and as Eustace Bright, the ambitious college student who narrates these tales, held his little auditors in awe, my eyes, too, were wide with wonder. It truly is a "wonder book," full of high fantasy, thrilling action, and the inimitable imagery of a master. Though geared towards "boys and girls," Hawthorne explains in his introduction that "children possess an unestimated sensibility to whatever is deep or high, in imagination or feeling, so long as it is simple . . . It is only the artificial and complex that bewilder them." Indeed; the book hardly condescends, and so will gently stretch the middle-grader's vocabulary. But readers -- or listeners -- of all ages will delight in this collection of tales, for I was equally, if not more, entertained by the introductories and postludes to each story, which relate the antics and dialogue of Eustace and the little children he entertains. These interludes also expand the stories by slipping in commentary and interpretation.

Don't pass this one by; it will truly win your heart, whoever you may be!

I am a parent who is reading WHITE STAR to my daughter's third grade class. We are half way through the book and the 10-year olds are so absorbed with this story. We cannot wait to see what happens next! So far, we've learned some things about the early 1900s as the author includes real historical events. A great historical novel!

I hosted one of the books from the book club for my daughters 4th grade class. This ended up being the book I was chosen to read. My daughter and I had just visited the Titanic museum in Branson and it tied in so well. We both had a hard time putting the book down. It was so exciting to see what would happen next. This book really got my 9 year old excited about reading and all of the kids in the group thought it was the best book out of 3 that they read for the book club. Frindle was another of the books they read. Amazing that the author was so young when she wrote the book. I'm hoping she has more books for my daughter to read.

This book provides insight into the life of a young teenage girl and a young gentleman, divided by time and space. The historical aspects of this novel can spark discussion about life during the early 1900's. This short yet poignant book captivates readers from the first page to the last. I highly recommend it for adolescent readers.

This was an excellent piece of work. The author did a great job studying history, including symbolism, foreshadowing, enriching vocabulary, etc. As a former middle school teacher, I HIGHLY recommend teachers using this book as a class reading. It allows for much discussion on conflict, isolation, resolution, forgiveness, etc.

Excellent job, Rebecca! You definitely have a future in writing!

10 Minute Cards to Give and Share provides exactly what the title offers. The cards are simple and easy to finish within a few minutes, and look great in the process. The book offers over 140 card designs, one per page, and a full color photo of each design. The material list is allows for easy substitutions, and the directions for each card are almost unnecessary. The book offers great inspiration if you want to just sit down and create nice looking, fast creations. This is a nice book to have on your bookshelf for some quick ideas!

I find this book very useful and inspirational when making cards. The directions are easy to follow, but the pictures are so good that most of the time I don't need the directions. The cards use stamps and supplies from many different companies, and it's easy to substitute if you don;t have the exact image. I have one other card making book, but I reach for this one most. Most of the cards really are 10 minutes or less.

I've taught paper crafts classes for over 10 years and I'm always interested seeing other people's work. When I purchase a book with no prior reviews I hope for the best but expect far less. This book exceeded my hopes.

There are chapters on high tech and photo cards, punches, pocket cards, shaker cards, fancy folds, die cuts, dimensional embellishments, rub ons & stickers and stamping.

There are a ton of professional quality samples. They might be quick, but they are excellently done, spanning all occasions and age groups.

The format of the pages is exactly the same as Card Maker magazine, so I'm assuming the book is by the same publisher. I don't usually read that one, so I can't say if it's a compilation of projects from the magazine or if they are all new cards. Regardless, I'm glad I got this book.

About a year ago a teacher/performer friend asked me who my first guitar teacher was. Larry McCabe, quite a few years ago. My friend looked surprised, and told me he uses Larry's books in his own teaching, and that Larry had written something like 80 books to date. I had no idea, as Larry was in the process of writing his first book when I had lessons with him. So when it came time to brush up on some basic blues licks for a band I'm in I ended up obtaining some of Larry's books.

This book of blues turnarounds is where I started. What a great book - full of excellent turnaround licks. At this point I've only played through about half of them note for note, but have used those as a basis for coming up with my own licks. And to me, that is the mark of a great book - lots of useful information if read note-for-note, but can also be used as a springboard for creating new ideas.

The licks I've learned from the book thus far are all in the key of C, but can be easily used in other keys if one has a basic knowledge of the notes on the fretboard. I'd highly recommend this book for a beginner wanting to learn stock blues licks, or intermediate players who need to expand their blues vocabulary.

An Excellent Choice for the Early Intermediate Blues Guitarist

A turnaround is a lick played at the end of a section of music. A blues turnaround would be played in measures 11-12 of a 12-bar blues, or measures 7-8 of an eight-bar blues.

Electric urban blues turnarounds are fairly easy to play, and the difference from one to another is subtle. Having the ability to play a variety of turnarounds is an important skill in blues guitar playing. This is the best book I know of that addresses exclusively the subject of electric blues guitar turnarounds.

This a book for a VERY ambitious beginner, or an early intermediate guitarist who has an interest in Chicago blues in the classic style of Muddy Waters, Howlin' Wolf, Jimmy Reed, etc.

The licks are all arranged in the key of C. This is for ease of analysis and comparison. The user is encouraged to transpose the licks to other keys - a worthwhile project for exploring and learning the fingerboard. Very, very good practice for learning the art of blues phrasing.

Great book from one of our leading authors. My students (and myself) have consistently benefited from the interesting instruction contained here.

My students and I work from several of Larry McCabe's guitar books and find that the books produce consistently high results.

This book, like the others, is exceptionally well crafted, specific in intent, and the guitar lines are accurately written exactly as they are heard on the CD. Larry McCabe books are the work of a dedicated teacher who has achieved a high level of respect nationally in the field of music education.

Larry asked me to write a review for this book, and I am happy to do so. The object of this book is to teach the art of playing blues guitar turnarounds to a guitarist who has some prior experience but is just beginning to explore electric blues.

If a student knows how to bend the strings and perhaps play slurs, slides, and hammers, blues turnarounds are not difficult to play. What is important is to play them authentically and with conviction. This book does a very good job in advancing those objectives.

A component of this book that is quite effective is that every phrase is written in the Key of C. The student should then transpose each lick to other keys, a desirable skill that encourages individual incentive and ability to solve arranging problems.

The turnarounds sound exactly like the ones played on classic blues recordings by the great artists from Chicago and other urban areas.

I know other teachers who swear by Larry's books, and I am one of them. Great book- effective in its aims, ambitious content, fun to work through, and a great value.

this is hands-down the BEST qigong I've ever practiced, and I've practiced a lot (tai chi, xingyi, baguazhang, iron shirt, wing tsun etc.)

Buddhism, Qigong, the I Ching, and Chinese medicine have been integrally linked together for centuries. All these systems originate from a common theoretical view of reality and compliment, clarify, support, and occasionally challenge each other. Larry Johnson's 18 Buddha Hands Qigong examines Qigong in general, and the energetic transformations possible through these practices, exploring what is referred to as 18 Buddha Hands presents an intriguing perspective of the Yin/Yang mechanics of Qigong, within the manifold framework of the Medical I Ching. 18 Buddha Hands Qigong is highly recommended for students of Buddhism, Qigong, the I Ching, personal health from the perspective of Chinese medical practice and theory.

I thought the book was very well illustrated and easy to follow. I also bought the DVD and between the two was able to do the movements

This very fine book has been in print in one form or another since the early-to-mid 1980s. Not many music books remain in print that long, but this is an exceptional collection of model solos in the urban blues style.

The book is quite popular with music teachers (as evidenced by the other reviews) and it is enjoyable and productive for students as well. The book is aimed at the ambitious early intermediate student, and a few of the solos will challenge an intermediate guitarist.

There are 25 full-length solos in the book, each written in notation and tablature, and each recorded note-for-note on the accompanying CD. The band on the CD is excellent. There are five solos in C, five in G, five in D, five in A, and five in E. The solos are played to standard blues progressions, meaning that they may be "plugged in" to similar blues progressions that are found in many, many songs.

The solos sound exactly like the solos heard on real blues records. They are varied and performed with taste, authenticity, and feeling. You can hear why the author was a columnist for Living Blues Magazine and why his work has received consistently high reviews in a number of guitar magazines.

Great book, highly recommended.

I wish all music instruction books were written in this format. The song tabs just go from one page to the next without a bunch of talking/writing in between, and the song numbers in the book actually match the song numbers on the cd...what a rare and unique idea! Of course, none of that would matter if the material were bad, but that's not the case, the solos are great - quite diverse too. There is a lot of helpful information in this book: theory, writing your own solos, a guide to blues styles and artists,etc. - but it's all in it's own section of the book, not sprinkled throughout the book here and there making it impossible to find. As a full time guitar instructor I would just like to say "great job", "great blues solos" and "great, easy to use format". Thanks.

The author of this book, Larry McCabe, is re-releasing books that have gone out of print for one reason or another. This particular book is an old friend. After I received it, I went into my library and found a copy. It has been in print in one form or another for 25 years. Most instruction books don't last anywhere near that long. First, this book (as the author warns) is not for beginners. You need to be familiar with the movable blues scales we all use. If you are playing out, and feel comfortable with the whole neck, get this book. The style of lead is closer to Gatemouth Brown and Freddie King than anyone else. If you don't know who these men are, buy their CDs. You are in for a treat. Please read the author's introduction. There is a lot of good info there. The Tab system is the older style. It should take about 30 seconds to adjust. It's actually easier to read than the current form. If you consider yourself a Rock guitarist instead of Blues, you really could use this book. If you use these solos as a "how to", instead of just memorizing them, they will give you some new weapons. You know, for scaring the heck out of other guitarists.

77th New York Volunteers: "Sojering" In The VI Corps is a complete and meticulously researched history of one of the most respected units of the Union Army. Also known as the Bemis Heights Regiment, it was organized by Congressman James McKean from recruits principally drawn from Essex, Fulton, and Saratoga counties. Leaving for the battlefront on Thanksgiving Day, 1861, the 77th New York Volunteers were to see action in Antietam, Fredericksburg, Gettysburg, Spotsylvania, Fort Steadman, Appomattox, and more than 46 other civil war battlefields both major and minor, tactical and strategic. Author Robert Morrow deftly personalizes this history with firsthand accounts of representative members of what became an enduring military brotherhood of men who came together after war's end for fifty annual reunions. No dedicated Civil War Studies collection or supplemental reading list would be complete without the addition of Robert Morrow's 77th New York Volunteers: "Sojering" In The VI Corps.

I only wish this treatment were given to the other Civil War units that figure in my family history. Robert F. Morrow, Jr. has given a documented, factual, compelling account that relies heavily on the historical record and never resorts to the kind of guesswork that is so common in small history volumes. He covers the unit from its formation by a Congressman who willingly went to war (find one of those these days) through every major battle. If you have any connection to the 77th, this is a must-have, but if you want to read about an honorable and brave unit that was consistently out in front in some of the most terrible battles of the war, you'll find this interesting, too.

The "77th New York Volunteers: 'Sojering' in the VI Corps" spins an instructive insight into the lives of Union 'sojers' of the 77th, filled with firsthand accounts of fear and bravery, duty and honor, comedy and tragedy, so thoroughly researched by the great-great-grandson of just such a sojer.