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My favorite book of all timeReview Date: 2008-02-19
One question...Review Date: 2004-12-16
Top 100Review Date: 2001-03-14
It is one of the peculiarities of great literature, that having created it, the author sometimes loses control of it. Thus, Don Quijote, the first and greatest novel of Western Literature, may have been intended by Cervantes to be a devastating parody of the chivalric tales, but instead of making us scoff at the Don's antiquated ideas, the book gave us the quintessential romantic idealist hero. Similarly, when he wrote his Prix Goncourt winning book The Roots of Heaven, Romain Gary may have thought that he had crafted a novel of immense ambiguity, but readers have had little trouble finding in this tale of the French dentist Morel and his mad quest to save the elephants of Africa, a fairly straightforward metaphor for the struggle to preserve freedom.
Morel has come to a French Equatorial Africa which, in the wake of WWII, is percolating with unrest as the natives begin to agitate for independence. Meanwhile, the European settlers who developed the territory wish to hold on to what they've created. Added to the mix are various and sundry missionaries, anthropologists, prostitutes, traders, hunters, army deserters, and the like, who have all washed up in the colony.
Morel starts out by trying to get folks to sign a petition in favor of the elephants, but when he is met with scorn and indifference, he takes matters into his own hands and begins a campaign of low-grade (non-lethal) terrorism against those who hunt the animals. He quickly becomes the most wanted man in the colony, and then a legendary figure to the whole world. He is a hero to many, a traitorous and dangerous figure to the authorities, and a convenient opportunity to the rebels. People, with widely varying motives, including fomenting revolution, begin to join his crusade. At one point, when he is still petitioning, he explains to the local barmaid/prostitute, Minna, how he came to champion the elephant :
I first began thinking about the elephants during the war, when I was a prisoner in Germany, probably because they were the most different thing I could imagine from what surrounded me : they were the very image of immense liberty. Every time we looked at the barbed wire or were almost dying of misery and claustrophobia in solitary confinement, we tried to think of those big animals marching irresistibly through the open spaces of Africa, and it made us feel better. Barely alive, starved, exhausted, we would clench our teeth and follow our great free herds obstinately with our eyes, and see them march across the savanna and over the hills, and we could almost hear the earth tremble under that living mass of freedom. We tried not to speak of it, for fear the guards would notice, and sometimes we would just look at each other and wink, and then we knew that it was all right, that we could still see it, that it was still alive in us. We held on to the image of that gigantic liberty, and somehow it helped us to survive.
So regardless of Gary's supposed intent, Morel's own words, here and throughout the book, would seem to indicate that he himself sees the elephants as symbol's of freedom.
It would have been easy enough for Gary to simply turn Morel into an unalloyed hero, a classic freedom fighter, but he does not. Gary refers to Morel as an extremist of hope, and the emphasis is equally placed on the extremism. A Jesuit priest in the novel, loosely modeled on Tielhard de Chardin, quite accurately indicts Morel for elevating the idea of the elephants above even his fellow man. I think it's the priest who points out that Morel has chosen to place his hopes in the elephants because they are without sin, and the inability to accept Man's nature which this choice reflects is at heart anti-human. In addition, Gary does not simply demonize those who oppose Morel; many of them are just as idealistic as he. One of the best set speeches in the book comes from one of the colonists, whose elephant hunting wife Morel has just sentenced to a public flogging :
I know the tune. The elephants, you say. But it's only Europeans who have hunting weapons and who can afford permits, and what you mean is that we are the only people who are exploiting and exhausting Africa's natural wealth. That's a tune I've heard ever since I've been here, but the truth is that Africa's wealth isn't exploited enough, and that without us it wouldn't be exploited at all, and its very existence would be unknown. Without us, the so-called 'colonists'--and I'm not ashamed of that name--not a single vein of ore would be discovered, and the population wouldn't have doubled in twenty years. When I arrived here I found only syphilis, leprosy and sleeping sickness : I cured my people, fed them, clothed them, gave them work, houses and ambition--the desire to do what we do. It's men like me who have been, and still are, the leaven of Africa. You and your lot call that 'shameless exploitation of Africa's natural wealth'; I call it building up a new Africa for all, and first of all for the Africans. But because ivory was the first thing we were after when we came here at the turn of the century and because we're the only ones to hunt with modern weapons, you've thought it smart to make elephant hunting the symbol of capitalist exploitation.
Now this assessment of Morel's motives is quite wrong, but it's important for a couple of reasons. First, it presents a legitimate defense of the colonists. Second, the very misunderstanding reflects the reason why, even though Morel is generally a sympathetic figure, the Europeans may be right to resist him, because even though his motives may be pure, others can warp them to their own ends.
One of the characters explains the title of the book this way :
Our needs--for justice, for freedom and dignity--are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots...
The ferocity with which Morel clings to this sentiment and the absurd grandeur of his fight make him one of the more unforgettable heroes in all of literature and one whom it's odd to find in a French novel. Then again, as another charcter says of him :
I believe Morel was defending a certain idea of decency--the way we are treated on this earth filled him with indignation. At bottom, he was an Englishman without knowing it.
The book is not currently in print and it's not easy to find, but it's well worth the effort.
GRADE : A+
The Best Book Ever WrittenReview Date: 2000-11-12
What sets this book apart is that in the course of relating the story of the African herds, Gary presents the reader with every moral dilemma faced by man today. This makes for a spiritually and intellectually uplifting read, as if Gary has somehow tapped into a force both beyond and mightier than himself. One is swept along on whole passages, each of which seems more significant than the last.
Also of interest is the coming of age of Gary's views on conservation, many of which must have seemed ludicrous to the 1950's reader. Likewise the politics of Africa are discussed with brutal honesty. "When the African has his belly full" one character tells us, "perhaps then he too will take an interest in the aesthetic aspect of the elephant."
The Roots of Heaven has for years been my all time favorite novel. I believe it to be a book of cosmic significance, an experience of the Numinous with the potential to change lives. Over the last two decades I have urged many others to read it but, sadly, have had no success at all. Such a pity!
3 thought provoking stories of man's struggle for meaning.Review Date: 1998-08-02

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Almost a required book for "budding" rose growersReview Date: 2001-07-15
This book is wonderful!!!Review Date: 2001-04-12
Most beautiful picturesReview Date: 2007-07-03
Roses by Sunset MagazineReview Date: 2007-05-06
Must-have for novice or experienced rose growerReview Date: 2005-03-27
The roses covered are certainly the most popular and easy to grow, and there is a section in the back that lists specific roses that are favorites of regional rosarians. So, for instance, if you are in zone 5-6 in Ohio, you can find best roses for the midwest/great lakes area, and so on. This is really valuable because a rose that will be a star for one gardener (such as Mr. Lincoln), might not perform well in another garden in a different part of the country.

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Flourishes is First RateReview Date: 2005-04-14
LOVED IT!!Review Date: 2002-07-23
Loved Ruffled Flourishes!Review Date: 2002-11-09
Roussel gives his characters odd names and I am sure there must be some hidden meaning behind them. The main character is Sox St. Louis. His maybe-love interest is named Flaxen, and Sparta, the TV network correspondent is his media nemesis. The president is named Carl Crayon (that name doesn't exactly instill confidence, does it?). Aren't you just dying to know how and why these characters were named? I am.
Even though Ruffled Flouishes "is a work of fiction and all of its characters and events are imaginary creations of the author" - yadayadayada...you get a real feel for what it must be like to work in the inner sanctum of the White House as the spokesman for the president of the United States. Even the lingo sounds authentic. (And it probably is since Roussel served two tours of duty in the White House under Presidents Ford and Regan.)
For students of crisis management, the transcript of a 40 minute press briefing on pages 73-87 is most enlightening. How White House deputy press secretary St. Louis tap dances around the media, saying just enough to make them think he has said something profound when, in fact, he's said nothing, is a priceless how-to manual.
The book is humorous and a good, fun read. I highly recommend it.
Ruffled FlourishesReview Date: 2002-07-18
I found it to be quite refreshing and entertaining. The human side of the deputy press secretary was very endearing. I kept reading just to see if he would continue to mess things up with the character, Flaxen. It was interesting to get the perspective of the inner workings of the White House Press. It was equally entertaining to read the author's interpretation of the media. Who would have imagined it would be like that? I loved the way the author was able to combine both the professional and human side of the character.
This book is HILARIOUS!!Review Date: 2003-01-09

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Surprising and enlighteningReview Date: 2006-06-03
The Russian Roots of NazismReview Date: 2006-03-19
Karla Poewe
Professor, University of Calgary
New insights into the Intellectual Roots of NazismReview Date: 2006-03-18
Irving Hexham, Professor of Religious Studies, University of Calgary.
Well-researched studyReview Date: 2006-11-05
With "The Russian Roots of Nazism", an extremely dense and well-researched text, Kellog provides an important new study on a still insufficiently explored aspect of the history of contemporary German-Russian relations. His book focuses on the years 1918-1923, and details at length the connections that a number of prominent émigrés from the former Tsarist empire had with the early Nazi elite, in general, and Adolf Hitler, in particular. The central theme of the study is the rise and fall of the short-lived, yet important émigré association Aufbau: "Wirtschaftspolitische Vereinigung für den Osten" (Reconstruction: Economic-Political Organisation for the East). With such an intriguing subject, Kellog will find many readers among historians and the interested public of both Russia and Germany as well as other countries.
Kellog's analysis suffers, however, from an overemphasis of the pro-Slavic tendencies in the German extreme right and an insufficient consideration of the deep roots of the Nazis' rabid anti-Slavism. More generally, Kellog could have considered in more detail rival influences on Nazism such as `scientific racism' or occultism in order to make a better case for his thesis about the `Russian roots' of Nazism. While he, at one point, puts his position on the nature of Nazism close to Ernst Nolte's (p. 199), he, in fact, succeeds in providing arguments against Nolte's assertion that fascism is essentially anti-Marxism. Kellog's many quotes show that the `bolshevik' part in the Nazis' talk about `Jewish Bolshevism' was secondary and that the Nazis instead thought that the bolsheviks were guided by `Jewish finance capitalism' (e.g. p. 226) - thus, oddly, making the Nazi interpretation of communism somewhat similar to the communist interpretation of Nazism.
Remarkable and unexpectedReview Date: 2006-03-27
Interesting also is the relationship with Wagner clan in Bayreuth , so that the book is complementary to Joachim Kohler's Wagner's Hitler; and that both groups visited Henry Ford in Detroit to seek funds , arising from his anti-semitic attitudes.
Kellogg does not explore the implications that the General Staff in Berlin was seeking a rapprochment with bolshevik Russia at this time .Nor does he assess Ludendorff as a politician.Above all , he does not refect on the confrontation between class-ridden White Russian Officers and the Bohemian Corporal who spent the war in the trenches on the Western Front.
Anyone coming to study this period and phase of the Nazi Party/ Adolf Hitler will have to take note of this book and its importance.
I hope that Michael Kellogg will go on to produce works that follow on this pivotal start.

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Wonderful idea and a great gift!!Review Date: 2008-04-11
Perfect Little Children's BookReview Date: 2008-04-10
A Wonderful Book Review Date: 2008-03-28
It's a perfect book for children with parents in the military.
I think it has a very positive message, and wonderful illustrations.
I highly recommend this book.
Don't Miss This One!!Review Date: 2008-04-10
MUST HAVE!Review Date: 2007-04-29

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Rich in history and nostalgia Review Date: 2005-01-20
Mary Evans Seeley is an expert on Christmas celebrations in the White House. Several years ago, she decided to share her knowledge and research dealing with personal First Family recollections and the result is the wonderful book "Season's Greetings from the White House."
It is a book for historians, Americana fans, Christmas collectors and art lovers. More than just behind-the-scenes stories, this richly illustrated volume shows, in full color throughout, the actual cards, prints and other Presidential gifts of sterling silver, pewter, glass, wood and leather. Most of the gifts were designed for distribution to White House staffers.
Seeley, who resides in Tampa, Florida, shares with the reader, the personal experiences of the wide variety of artists whose works came to grace Presidential cards and gift prints. To bring in historical color, the author interviewed a number of First Ladies and children of First Families.
The book's frontispiece displays the magnificent Neapolitan Baroque crèche in the White House East Room in 1963. The photograph was selected by President and Mrs. Kennedy for their Christmas card scheduled to be sent in December. Less than 30 were personally signed by both the President and First Lady prior to their fateful Dallas trip. These dual-signed Christmas cards are among the rarest of all Presidential Christmas memorabilia.
The photos of Seeley's historical collection of White House Christmas cards offers an interesting glimpse of our nation's culture and its values through the years.
It's no matter if you look upon the book as a major scholarly effort or simply a beautiful insight into the traditions of our First Families, "Season's Greetings from the White House" makes an excellent gift for the holidays and is a wonderful reference book for historians who are seeking the human side of Christmas in the Presidential Mansion.
Fascinating non-political book on White House historyReview Date: 2007-01-12
A Wonderful Resource.Review Date: 2006-03-01
A WONDERFUL COLLECTION!Review Date: 1998-07-08
All White House Christmas Books will be measured by this oneReview Date: 1999-09-23

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Send em SouthReview Date: 2005-10-24
A great read for young people and their parents!Review Date: 2001-09-26
The best kind of book.Review Date: 2001-09-21
excellent bookReview Date: 2001-08-27
Send 'Em SouthReview Date: 2001-08-24
The adventure captivates the reader in a whole new world, time, place, and setting, making you feel like you are in the book, experiencing the thrilling adventure, right along with the characters! Altogether, making this an incredible book, and series. I HIGHLY recommend it. I give it 5 stars! (It's the best!)

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A great addition of any bookshelfReview Date: 2002-05-29
An excellent resource for elementary teachers :)Review Date: 1997-06-29
Great for book clubReview Date: 2006-02-27
Great poems and Lovely illustrationsReview Date: 2006-03-13
by well known children's artists. I have 6 grandchildren, ranging from babies to a 9 year old. This book has material for
all ages, and it is well organized by subjects..."spooky poems",
"mostly nonsense", etc. The kids love it and so do I.
Collection of fantastic poemsReview Date: 1999-07-03

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A MUST HAVE BOOK for practitioners in the RECOVERY field!!!Review Date: 2008-10-10
I believe that ALL practitioners in the field of RECOVERY should read this book, or at least OWN it as a reference guide. You will use it over and over again.
I liked it so much, I bought two copies.
Slaying The DragonReview Date: 2001-09-20
This book contains an excellent historical context which is useful to many addictions professionals.
The perfect alcoholism historyReview Date: 2007-12-04
One of the BEST Histories of Treatment in the U.S.Review Date: 1998-03-31
It should be a "must read" for anyone interested in treatment and recovery. William L. White did a great service for the treatment field by writing this book
Excellant history of chemical dependencyReview Date: 2005-07-09

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memorable and broodingReview Date: 1998-05-11
dreamy somber illustrations & haunting storyReview Date: 2004-11-20
As usual the young queen bears a girl and dies, the king remarries a "superlatively beautiful queen", who "also had a proud heart and a greedy, jealous temper".
So the story goes on as usual, but is somehow injected with new Excitement! new Pathos.
Although snow white is supremely silly, and the prince falls in love far too easily, the Dwarves are excellently drawn & written.
Instead of being humorous shovel-totting twats they're just stolid kindly woodsmen who grow fond of poor young SW.
The story is retold very nicely and fresh, but it is the paintings that make this book priceless.
Every single page is a peek into an enchanted world, moody romantic & mysterious.
kotori ojadis@yahoo.com
Hauntingly Beautiful! Something for everyone!Review Date: 2000-01-18
Snow White by Josephine Poole & Angela Barrett--SUPERB!Review Date: 2003-01-31
The images are
detailed but not fussy. They are highly evocative of German Romanticism -- very moody, dreamy, somewhat melancholy, with
an emphasis on the grandeur of Nature. If you enjoy the illustrations of Maurice Sendak, Edward Gorey, Arthur Rackham, et
al., you will like this book.
Like Barrett's artwork, Poole's text tells the classic tale soberly, including the queen's
botched attempts to strangle Snow White with silken laces and prick her with a poison comb. There is also more mention of
Snow White's mother and father than in many retellings. This version is certainly more in line with magical/mystical/matriarchal
imagery than Disney's.
Some of the images -- e.g., drops of blood -- and the story itself may be too intense for very young readers. For me, this book is a contemporary gem and is worth seeking out.
Poole & Barrett edition of Snow WhiteReview Date: 2002-08-22
If you like this, also check out the same author/illustrator team's collaboration on "Joan of Arc."
The illustrations are beautiful without being frou-frou, serious without being creepy. Highly recommended for ages 4-8.
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