White Books

'Old Path White Clouds' is a story of Siddhartas life and the early spreading of the buddhist teachings, or "Dharma". The book is an excellent introduction to the basic ideas of buddhism.

This is a deeply wise book. It reflects the wisdom of Thich Nhat Nanh and gives a glimpse into enlightenment and how the enlightened person lives. I learned to ask questions that deepen insight through the reading of this book. It is a foundation for much of the work I do with CEO's and is a foundation for my leadership book "Unleashing Genius." A MUST READ FOR THOSE ON THE PATH.
Unleashing Genius: Leading Yourself, Teams and Corporations

M. Dianna Ryel-Lindsey
MA Indo-Tibetan Buddhism
Giovannina Jobson, Advisor
March 7th, 2008

Old Path, White Clouds: Walking in the Footsteps of the Buddha
By: Thich Nhat Hanh

While at Deer Park Monastery in California, I watched a video of Thich Nhat Hanh dictating what the experience of writing Old Path, White Clouds. He spoke of the memory of writing the book with sweet nostalgia, a far off look in his eye. Thich Nhat Hanh, the Venerable Vietnamese monk who has aided in changing the face of Buddhism in the West, whose work has been deemed "Engaged Buddhism," took on the project of writing the Buddha's life, footstep by footstep. He literally wrote this book with a pen. He would work in four hour shifts for quite a long period of time until the book was done. Thich Nhat Hanh claimed that he was walking alongside the Buddha, with the Buddha, in the Buddha's era. He said it was a marvelous experience to write Old Path, White Clouds. Two women typed up Thich Nhat Hanh's work, and one of the women spoke of stopping mid-sentence to cry because she was so moved by Thich Nhat Hanh's glorious, sensitive flow of words.

The book is to be made into a movie in 2008 by Producers Michel Shane and Anthony Romano. They sought out Thich Nhat Hanh to discuss receiving the rights to make a film from Old Path, White Clouds. Humbly, Thich Nhat Hanh was perfectly fine with this inquiry. However, he wanted the producers to spend some time in his France home, Plum Village Retreat Center and Monastery. Thich Nhat Hanh informed them that they must create this movie mindfully. That is the only way a movie of the life of the Buddha could be produced.

Further, the Dalai Lama has given his consent that the book is as accurate as possible, and the Dalai Lama has taken an advisory role in the creation of the movie's script. "Drawn directly from twenty-four Pali, Sanskrit, and Chinese sources, and retold by Thich Nhat Hanh in his inimitably beautiful style, this book traces the Buddha's life slowly and gently over the course of eighty years..." describes the back cover of the book. Thich Nhat Hanh's personal journey in writing this exquisite book, and the future production of this book into a movie prove the importance and earnest way in which Old Path, White Clouds can speak to all audiences about the Buddha's life.

The book is in three parts and quite large, so I thought it would be a great undertaking to read. Hidden underneath tangled, weaving Oak tree branches, in a small hut in Deer Park Monastery in Escondido, California, I began to read Old Path, White Clouds. In a quintessential retreat setting, I understood why Thich Nhat Hanh's face filled with nostalgia as he remembered "walking with the Buddha" when writing the book. I felt as if I were floating, levitating as my eyes glided quickly across the words. Meditating and reading this book every day made me feel quite close to the Buddha (and the Buddha within). Thich Nhat Hanh's mindfulness in concentration and detail are obvious in his poetic, lyrical writing style. His care and precision is evident, and takes the reader right along with him on a journey in becoming a part of the Buddha's community, the Sangha.

BOOK ONE

The first section details the Buddha's youth and decision to leave home for the monastic, mendicant life. The book begins with Siddhartha Gautama in the woods outside of a village in India. He meets Svasti, the young Buffalo herder and Sujata, a young villager girl with some wealth. They brought him rice and kusa grass to sit on comfortably for meditation. He taught the children to eat quietly, with reverence, in mindfulness and gratitude. The children were drawn to his presence. Soon, more children came to hear Siddhartha Gautama's teaching, and the children eventually dubbed him "The Awakened One," the Buddha.

Born in 560 BC in Lumbini (India?) near the city of Kapilavastu, The Buddha grew up in a kingdom of wealth and riches. (He died at eighty-years-old in 480 BC.) Siddhartha Gautama was born to King Suddhodana and Mahamaya, his mother.

...Siddhartha was told about the dream his mother had before giving birth to him. A magnificent white elephant with six tusks descended from the heavens surrounded by a chorus of beatific praises. The elephant approached her, its skin as white as mountain snow. It held a brilliant pink lotus flower in its trunk, and placed the flower within the queen's body. Then the elephant, too, entered her effortlessly, and all at once she was filled with deep ease and joy. She had the feeling she would never again know any suffering, worry, or pain, and she awoke with the sensation of pure bliss. When she got up from her bed, the ethereal music from the dream still echoed in her ears... [The holy men of the kingdom were summoned.]
Your majesty, the queen will give birth to a son who will be a great leader. He is destined to become either a mighty emperor who rules throughout the four directions or a great Teacher who will show the way of truth to all beings in Heaven and Earth...

Mahamaya died shortly after childbirth, and Siddhartha was raised by Mahapajapati, known as Gotami, his aunt. Siddhartha, the Prince, was not interested in the affairs of the kingdom, although well-read and studied, he longed for more.

He wasn't interested in women, but nonetheless, he did meet Yasodhara. Her care and concern for the poor of India and her unconventional views brought her and Siddhartha to be close. Siddhartha was disgusted by the politics of India at the time, especially the Caste System, and Yasodhara agreed. They eventually married. Siddhartha and Yasodhara would speak of compassion together and meditated together. Their lives revolved around generosity, working with the poor. Yasodhara learned to care for herself to be able to give more; she listened as Siddhartha advised. Siddhartha continued to voice his concerns that more must be done, that he was destined to take a journey to solve the problems of India in his day.

In the meantime, Yasodhara became pregnant. Their son was named Rahula, "a fetter or a bondage." According to legend, it is more likely that he was named after a lunar eclipse (rahu) that might have occurred around the time of Rahula's birth. During many talks, Yasodhara (lovingly called Gopa by the Buddha) came to understand that Siddhartha had a mission to accomplish. He consoled her:

Gopa, please don't worry. You are a woman of depth. You are my partner, the one who can help me to truly fulfill my quest... In the near future I must leave and travel far from you; I know you possess the courage to continue your work. You will care for and raise our child well. Though I am gone, though I am far away from you, my love remains the same... And when I have found the Way, I will return to you and to our child.

Thus, Siddhartha left for a life of wandering, renouncing all for the sake of spirituality. He found numerous teachers among the forest-dwelling monks of India. He accomplished easily and quickly numerous deep levels of meditation: the state of no materiality, the state of neither perception nor non-perception, and so on... "He realized that the body and mind formed one reality that could not be separated. The peace and comfort of the body were directly related to the peace and comfort of the mind." He learned of the joys of meditation and the inseparability of interdependence and non-self.

"If the waves understood that they themselves were water, they would transcend birth and death and arrive at inner peace, overcoming all fear." Siddhartha's consciousness was raised to the suffering of all sentient beings; it is a common ground shared by all. Through meditation, Siddhartha became the Buddha, the Awakened One.

Siddhartha gazed at the star and exclaimed out of deep compassion, "All beings contain within themselves the seeds of Enlightenment, and yet we drown in the ocean of birth and death for so many thousands of lifetimes!"... He promised to share his discovery to bring help all others liberate themselves from suffering.

In Deer Park, the radiant Buddha taught his five ascetic friends of the Dharma, the law or words of the Buddha. His knowledge, he shared. At once, he had turned the Wheel of the Dharma. The Buddha taught of the Middle Way path, and also, the Noble Eightfold Path: right understanding, right thought, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration.

He stated, "I have followed this Noble Eightfold Path and have realized understanding, liberation, and peace."

BOOK TWO

This section of Old Path, White Clouds gives descriptions of the Buddha's travels around India and the quickly growing Sangha. Uruvela Kassapa begins the book by stating:

On this fresh spring morning,
the Enlightened One passes through our city
with the noble community of 1,250 disciples.
All are walking with slow, calm, and radiant steps.

The Sangha grew rapidly with exposure to the radiant teacher, the Buddha, and his dedicated disciples. In the second chapter, the Buddha determines that India's monsoon season is not a pleasant or safe time to travel. Thus, the three month deep meditation retreat was established. With donations and the working hands of the Sangha, the community built huts from bamboo, thatch, and pounded earth. For the first year the location for the Sangha was the Bamboo Forest. This was a time of deep reflection, study, and meditation for the monks and disciples. It became a valued tradition.

An ascetic Dighanakha had questions for the Buddha. He did not believe in doctrine or subscribing to any tenets. The Buddha replied:

You see, my friend, if we are attached to some belief and hold it to be absolute truth, we may one day find ourselves... thinking that we already possess the truth, we will be unable to open our minds to receive the truth, even if truth comes knocking at our door... My teaching is not doctrine or philosophy... It is the result of direct experience.

The Buddha handles doubt so elegantly! He is never on the defensive proving a point. He leads by example. His words are controlled, compassionate, and gentle. The Buddha's life, he leads by his own genuine experience.

Thich Nhat Hanh agrees, "Do not think the knowledge you presently possess is changeless, absolute truth. Avoid being narrow-minded and bound to present views. Learn and practice nonattachment from views in order to be open to receive others' viewpoints."

The Buddha goes on to describe a gorgeous metaphor:
I must state clearly that my teaching is a method to experience reality itself, just as a finger pointing to the moon is not the moon itself. An intelligent person makes use of the finger to see the moon. A person who only looks at the finger and mistakes it for the moon will never see the real moon... My teaching is like a raft used to cross the river. Only a fool would carry the raft around after he had already reached the other shore, the shore of liberation.

This teaching is vital in Buddhism. The teachings of the Buddha are stepping stones, not the end-all. Buddhism leaves the path open to the individual's experience, and if a person holds too tightly to "the view" or "the Buddha's words," they will be carrying a very heavy raft on their shoulders.

Next, the disciples experience Ambapali and her power of physical beauty. Sariputta asked the Buddha, "Master, how should a monk regard a woman's beauty? Is beauty, especially that of a woman, an obstacle to spiritual practice?"

The Buddha answered:
Bhikkhus, [(disciples)] the true nature of all dharmas transcends beauty and ugliness. Beauty and ugliness are only concepts created by our minds... But perhaps no beauty has more capacity to distract a man's concentration than a woman's beauty. If one is obsessed with a woman's beauty, he can lose his way.

This has long been an issue historically with Buddhism. The female, seen as a mara, or distraction (sometimes translated to be demon), is an obstruction in the monk's path of becoming enlightened. Of course, feminists have harped on this. Yet, many modern women see this as a sign of the times and let it go. Unattached, many women know that they can become enlightenment to the same extent as men and are not concerned with the term "mara." Thich Nhat Hanh presents the issue gently in Old Path, White Clouds.

The Buddha continues, "...the beautiful may still appear beautiful and the ugly may still appear ugly, but because you have attained liberation, you are not bound by either... Such a person understands the impermanent and empty nature of all things." In this account of the Buddha's life, this is where the teachings are morphing progressively from Hinayâna to Mahâyâna Buddhism.

Following this, the Buddha returns to his home palace to meet his son Rahula as an older boy. Rahula joins the Buddha on his quest and becomes the youngest disciple, layperson. He is too young to become a full-fledged monk. The Buddha states, "With understanding and love, there is nothing you cannot accomplish." These are simple, profound, and beautiful words; the Buddha elaborates quite a bit on the correct form of love that does not hold possession or greed.

The Buddha and the Sangha are walking once again and encounter an "untouchable," a man of the lowest Indian caste bathing in the river. The Buddha approaches him to greet him in a friendly manner. The man backs away! "I am an untouchable. I don't want to pollute you and your monks."

The Buddha replies, "You are human being like the rest of us," and he invites him to join the Sangha.

Sunita, the man, placed his palms to his forehead, astonished, he says, "No one has ever spoken so kindly to me before." He devotes the rest of his life to the Buddha and his teachings.

In an incredibly important point in the book, it covers the historical trials of women who wanted to become lay disciples and eventual nuns. "After hearing the Dharma talk, the queen and princess felt their hearts open. They both wanted to become lay disciples, but did not dare ask." At that time in India, politically, it would have been considered absurd and for women to become nuns. Their place in society had to do with tending the home and serving their husbands and children. There was no room for strict devotion to a spiritual path, monastic devotion.

A group of women, including the Buddha's aunt Gotami, shaved their heads, dressed in robes, and walked barefoot to meet the Buddha and portray their eager earnestness in becoming lay disciples and eventual nuns. The Buddha was not discriminatory against women, but he was unsure as to how to open the Sangha without disrupting it inside and out. He was afraid that society would not support the Sangha with women in it. Harmful conflict could come to consume the Sangha.

Finally, the Buddha comes up with strict laws that would allow the women to become nuns. The rules were stricter than the monks'. It has remained this way unto this day.

Here are the extra eight rules for women:
First, a nun, or bhikkhuni, will always defer to a bhikkhu, even if she is older or has practiced longer than he has. Second, all bhikkhunis, must spend the retreat season at a center within reach of a center of bhikkhus in order to receive spiritual support and further study. Third, twice a month, the bhikkhunis should delegate someone to invite the bhikkhus to decide on a date for uposatha, the special day of observance. A bhikkhu should visit the nuns, teach them, and encourage them in their practice. Fourth, after the rainy season retreat, nuns must attend Pavarana ceremony and present an account of their practice, not only before other nuns, but before the monks. Fifth, whenever a bhikkhuni breaks a precept, she must confess before both the bhikkhunis and the bhikkhus. Sixth, after a period of practice as a novice, a bhikkhuni will take full vows before the communities of both monks and nuns. Seventh, a bhikkhuni should not criticize or censure a bhikkhu. Eighth, a bhikkhuni will not give Dharma instruction to a community of bhikkhus.

These rules sound terrifyingly sexist to the modern ear. However, the women were so elated to be part of the Sangha and learn alongside the Buddha, that they bowed, thanked him, and accepted the rules immediately. It was understood that the Buddha was defying society and taking a huge risk for the women's sake. In order to defend the Sangha to society, the rules were set up to protect the nuns, to help ensure their place in the Sangha. Unfortunately, the rules have historically remained until modern day.

Shortly thereafter, the Buddha delivered The Sûtra on the Four Establishments of Mindfulness. Ananda repeated the Buddha's words, "Sati means `to dwell in mindfulness,' that is, the practitioner remains aware of everything taking place in his body, feelings, mind, and objects of mind- the four establishments of mindfulness, or awareness." This is where venerable Thich Nhat Hanh picked up his famous words, "Present Moment, Wonderful Moment." Being present is being able to truly live life in happy awareness no matter what realities occur.

BOOK THREE

The third book entails further, deeper teachings of the Buddha like full breathing, the raft not being the shore (do not get stuck in the teachings), and virtuous action and wisdom being "the two most precious things in life." He also teaches of co-dependent arising not to be grasped through logic and words solely. This must be contemplated through the art of meditation. "When you look at a leaf or a raindrop, meditate on all the conditions, near and distant, that have contributed to the presence of that leaf or raindrop. Know that the world is woven out of interconnected threads."

The Buddha continues in his teachings and traveling. Ending up at one point in Alavi, he meets a farmer. He refuses to give a Dharma talk until the farmer and all present had finished eating. The Buddha then elucidates a discussion on hunger. "If I delivered a Dharma talk while our brother was still hungry, he would not be able to concentrate. There is no greater suffering than hunger." Always remember those who are hungry, is the advice of the Buddha.

The book finishes with gorgeous verses of the Buddha's teaching. Ananda stated, "Lord, listening to the sound of the tide and looking out over the waves, I follow my breath and dwell in the present moment. My mind and body find perfect ease. I find that the ocean renews me."

The teachings become more and more esoteric. Uttiya asked, "After you die, will you continue to exist or not?"

The Buddha replied, "This question... I will not answer... I only answer questions that pertain directly to the practice of gaining mastery over one's mind and body in order to overcome all sorrows and anxieties." Becoming enlightened means no longer holding on to the fear of death. Becoming enlightened entails no death.

Finally, the book ends with the chapter entitled Old Path, White Clouds. The Buddha has passed away at eighty-years-old; he is given a wondrous ceremony in the midst of sal trees.

"For six days and nights, the people of Kusinara and nearby Pava came to offer flower, incense, dance, and music. Mandarava blossoms and other flowers soon thickly carpeted the area between the two sal trees." After this, his body was carried into town for a magnificent funeral. The practice of meditation and teaching Buddhism continued well after his death and to this day.

Thich Nhat Hanh concludes his compassionate book with, "The Buddha was the source... Wherever the rivers flowed, the Buddha would be there." Old Path, White Clouds is a timeless treasure as are the teachings of the Buddha. I recommend this book for: anyone curious about Buddhism, people young or old, those of any and all spiritual traditions, and practitioners on any level. Thich Nhat Hanh presents the Buddha's life with great reverence and sensitivity. This book's words flowed throughout my being as I read the superlative, spiritually provocative life story of Siddhartha Gautama, the Buddha.

This book is simply a masterpiece. Thich Nhat Hanh delivers the story of the Buddha and his path to enlightenment in peaceful words and pages. I will likely read this book throughout my life, again and again.

A clear and beautiful biography of the Buddha. Thich Nhat Hanh is the rare writer who can write simply without sounding simplistic. Anyone looking for a simple and engaging introduction to Buddha and Buddhism would do well to start here.

While this is Mark Stevens' first novel, you'd never know it. Stevens exhibits a mastery of storytelling and a thorough knowledge of the Colorado Rockies where the story is set.

Allison Coil, recovering from the trauma of surviving a commerical airline crash, leaves her fast-paced world and finds herself working as a hunting guide on horseback in the Eagle-Vail area. A blinding snowstorm doesn't stop animal rights activists from camping out and protesting, and Allison also forges her way home from a camp when a shot rings out. She sees something suspicious in the distance, but can't be sure of what it means. However, it soon becomes clear that a protestor and another hunting guide are both missing. While risking her life and facing real threats, she acts on instinct and slowly begins to unravel the mysteries to find the truth.

A plot filled with twists and nasty, greedy characters keep the suspense at a high level and are nicely interwoven in an easy style with good character development and a terrific setting. Mark Stevens as an author to watch - a great read!

Superb! Mark Stevens develops a group of interesting characters and thrusts them into a compelling story set in the fascinating world of guided Elk hunts (about which I previously knew nothing, but which I enjoyed learning about). For me, the book was a real page-turner in two respects: I eagerly turned the pages forward as I became engrossed in the story, and I found myself turning them backward to re-read Stevens' moving descriptions of the mountains and the ever-changing Colorado weather. This book would be particularly absorbing if read while traveling on an airplane (for reasons related to the plot that I will not divulge here), or if read within sight of the spectacular terrain that Stevens describes so well.

I went on a guided trip into the flat tops last summer. Wish I would have had the book with me. It would have made the trip that much more enjoyable. I liked Allison the main character. Her strength and charater were easy to imagine in that setting. The book is a real page turner. As a hunter and lover of mysteries, I found this book to be enjoyable on many levels. It is a must read for anyone that loves outfitting and guided hunts.

Mark Stevens brings a new voice to fiction wtih Antler Dust. Allison Coil was believable and tough even with all the high country mayhem.

Hooray for Mark Stevens in setting an evocative, fast paced, groundbreaking crime-adventure story in the gorgeous and storied Flattops of Colorado. The country breathes and lives in this new novel--you can smell the fir trees and hear the strange echoes of hoof on stone in the high country bowls. Stevens knows this country by heart and he takes you there with expertly crafted prose. Groundbreaking because the heroine is a hunting guide--a female hunting guide in a world of tough--and in this case--often ruthless men. The characters are great. They speak as they were born to speak and the reader gets sucked right into this high country drama. I welcome this brave new practitioner for making this crack-the-case story fresh and fun and gripping. Bravo.

This book was an instant hit, and we have sung it many times each day for my 12 month old grandson. The board book form is especially important for a book so "loved" by toddlers.

While the song is adorable and the pages are nice and sturdy, what I really like about this book are the illustrations. They are vibrant and clear and my son loves looking at this book over and over again. He is 16 months, so it is easy for him to point out animals and ask what they are. I like how the whale goes from being a baby, to a larger whale in the book and how different pages are shown with different perspectives. One page has a view from where the bird is flying in the sky--so the bird is large and the whale is small because he is swimming in the sea below. Another page has a broad view of the icebergs, sea, sky and northern lights. I am very impressed with the clarity and creativity of the illustrations in this book--and of course the song itself is fun to sing!

I love this book and the accompaning CD. My grandsons who are now 13 had this book when they were infants, and were still singing the songs when they were 5. I gave it as a gift to my God Daughter, and this one was a gift for my first Great Grandson. Raffi writes stories and songs that children should grow up with. I am positive I will give this book and CD again.

This book is great even if you don't know the music. My little guy 'reads' along while listening to the Raffi CD, but you don't need the CD to enjoy the book. The pictures are terrific for the child and adult. My son insists on reading this every night at bedtime, and that's okay with me!

My sister is a principal and highly recommeded this book for my grandchildren. THey love to read and sing so what better gift than to have it all wrapped into one.

I grew up (in the 1940's and 1950's) about 50 miles from where Silas House now lives, and I can vouch for the authenticity of his picture of life in these mountains. He's an excellent writer, and I highly recommend his work to anyone interested in the people of the southern Appalachians.
In addition, I highly recommend his work to anyone interested in the relationships among people. House's narratives aren't about the region - they're about people (as any good literature must be).

I read this book along time ago, but I can still remember it. It is an awesome story about the struggles of life years ago in the appalachian mountains. This story left me on the edge of the bed every night until I finished it. I want to read it again soon.

Silas House has written a beautiful book that is so descriptive that you'd swear you could smell the wet leaves as the characters walk through the woods after a spring rain. This love story between Irish Saul Sullivan and Cherokee Vine is not to be missed. Wonderfully drawn characters, (my favorite is Serena, the wild midwife who befriends Vine), and lyrical, evocative writing make this a story not to be missed. If you enjoy this as much as I did, read House's The Coal Tattoo next, followed by Clay's Quilt. This will follow the whole family's saga from start to finish. All of these are wonderful stories, but this is the best of the batch, followed closely by Clay's Quilt.

This is a beautifully written, beautifully told story of Vine, a young Cherokee woman in Kentucky of the early 1900's. Vine is a three dimensional character, well-defined and very real.

While the story is slowly paced, it does not lag in any way. House does a great job of describing what "Holler" life was like during that period of time, and especially what life was like for Native Americans. Esme, Aidia and Serena are also well written characters and add a great dynamic to the story.

I did find that the characters of Saul and Aaron needed a little bit more defining for me. Why did Aaron become the type of person that he did? Other than Saul being described as a man of few words, I never got a good sense of him. I'm not sure it was an entirely good idea to have written him out of so much of the book. I would have liked to have read more about the relationship between him and Vine. Regardless, this is still a great book that I highly recommend.

Silas House writes beautiful novels. He teaches rich American History many of us would never learn if not for his books. I love to read about the Appalachians.

thare is no real story to speek of its more a colection of WoD historys and myths but thows not into the "world od darkness" may not want to or nead to read this but its still intresting

well illustrated version of the classic liturature to those who dont read anything befor the 16th century, informative the parts "left out of the bible" or taken ut. good read tok me less than2 hours
if any one knows of a better version of this book let me know
Still G

This is quite an enjoyable book. The Chronicle of Caine is complimented with Beckett's alternate theory of Clan Caine and Clan Abel. The Chronicle of Shadows is full of wonderful quotes a Noddist character could recite. And the Chronicle of Secrets is perfect for bringing about Gehenna. But while this book is worth buying, I just want to point out two problems with it that bothered me.

The first is that "The Tale of the First City" goes from pages 46-55, and has only one footnote throughout it. Some scholarly insights would have been useful. The second is minor, but worth correcting. On page 53, substitute the name Giovanni with Cappadocian. The Giovanni clan came long after the Cappadocian clan, and were not a part of the original Antidiluvians.

Otherwise, this is a wonderful source book and a good read as well. I highly recommend it to storytellers for Vampire: the Masquerade.

Exactly like as the title says. It is a great read, but unfortunately the book will leave you wanting for more.
The Book of Nod presents the history of the vampires as thought for Vampire:The Masquerade. This novel can be enjoyed even by those that are not familiar with the Masquerade setting and other novels. It offers the big picture, explains how the vampires came to be, has great quotes and "commandments", if you will, that vampires are supposed to live by. You will understand the vampire clans and what their traits are and the reader is bound to have a favorite one out of the bunch.

This little book was made to be a resource for the Vampire Masquerade game but it can definitely be read and enjoyed by fans who have no idea what Vampire Masquerade even is.

This short book, which can be read in like 30-60 minutes, shows the origins of the vampires, and their sects, and shows their 'fall from grace' from heaven and why they were shunned by all.

And while the book might be extremely short in length, the build quality easily makes up for that. There are wonderful drawings, indexes, and footnotes litered throughout the book. And the silver lined pages, attached cloth bookmark, and smooth hardcover scream quality like no other.

This book is a must read for any vampire or horror fan who wants to learn a bit more on vampire history and their origin.

I am part way through this book and love it. It takes you on a realistic and practical journey of change. It also explains why the techniques work and then has exercises that help you experience it. What's also key is that Jennifer White speaks from her own personal experience of applying these tools.

I've ready many books on how to get the life you want but by far this is the best yet. Easy to read, there's little exercises to do to get you thinking and she even provides ideas for making more. Brilliant. If you know you're not living your best life, then this book will really get you going in the right direction with motivation. Get it!!!

Does it seem strange to anyone that all of the 26 reviews for this book sound exactly the same? Almost like the same person wrote all of the reviews.......or coached others on how to write them.....hmmm...

If you feel that you work to hard and earn to little, this book is for you. Jennifer White shows you how to be more effective in whatever you do. When you become more effective--you will start earning more money-because your more effective, more valuable. Jennifer is one of the top coaches in the nation and it's not for no reason. Her methods are sound. Proven. They Work. Highly recommended.

Zev Saftlas, Author of Motivation That Works: How to Get Motivated and Stay Motivated

Jennifer White's book is not for wimps and losers.

A self-help book written by one of the finest success coaches in the country, "Work Less, Make More" is an innovative tool to help self-driven, highly motivated individuals who are probably already successful do more and do better - to pull themselves out of a stalled rut, perhaps; to work more effectively; to make a quantum leap to a higher level of success; and clearly, to make a substantially higher level of income while working at a physically less demanding level.

Jennifer White's focus is on results and the premise, while difficult to envision, is achievable for those who are willing to make a paradigm shift in their outlook on what constitutes success, to undergo a sea change in their relationships with their family, their friends, their customers and their constituents.

This book is NOT for those that are unwilling to subject themselves to an intense level of scrutiny and, for a significant period of time, to pull themselves a long way out of previous comfort zones and to instill in themselves new habits.

My personal opinion is that this book is most likely to be successful for those individuals that are to a significant extent self-employed, self-driven, highly motivated and worrying with the realization that their career needs a lift. For those that qualify and are willing to change, Jennifer White's perscription will help you to become more deeply fulfilled and earn substantially higher financial rewards without driving yourself to an ulcer, without insulating yourself from your family and friends and without contemplating an early grave.

And isn't that what we all want, after all!

Paul Weiss

This is, with no exaggeration, the most unbelievable story I have ever read. Seriously, a hundred and something Spaniards enslave an entire country only to become some of the richest people on the planet. The tragedy and scale of this is really unmatched. Not to take anything away from the author, but it would be hard to screw this up. And he doesn't. It is meticulously researched, and engrossing. I had small issue with the dramatic voice he used to try and bring the events to life, but this was minor.

This is an apparently well researched history that is enjoyable to read. The concern I have is relative to the author's habit of citing conflicting and/or inconsistent ages of the characters. For example, on pages 172 and 174, Gonzalo Pizarro is the "twenty-three-year old", yet on page 175 he is twenty-one. Another: on page 217, Juan Pizarro is the"twenty-five-year-old Juan" while in the very next paragraph Juan is "the twenty-three-year-old."

No doubt the author is dealing with various source data, but if he felt it so important to state the ages of his characters in multiple places, why didn't he get it right? Sadly, this sloppiness throws some doubt on the scholarship behind the entire book. I am not an expert on the Inca's and merely read this book for enjoyment and personal education. If a mere layman can find such obvious conflicts and errors, one wonders what else might be wrong relative to more important items presents as facts in this book.

This book had me immersed in it for 5 days. Luckily I was off work. In the first part, it recounts in great details the conquest of Peru by the conquistadores, making us outraged at the treatment the Incas received over the almost 40 years the fight for their rich land continued. What we seldom hear is that the Incas and their allies raged a counter-attack against the Spaniards before they disappeared as a ruling civilization in Peru. The book recounts this rebellion. The second part deals with the rediscovery by explorers of such ancient ruins of the Incas as Macchu Picchu and Vilcabamba.

The whole story is absolutely halting and cinematic in quality. I ate up the whole 500 and something pages as if it were not enough. I feel I have learned tremendously about the Incas and what happened to them and I now dream of traveling to that part of the world. All in all, a tragic story told in an extraordinary way by the author.

What to say about a thoroughly riveting author and subject?! I recently returned from a trip to Peru, having read most of the popular tomes about the Incas. However, I was unlucky enough to have missed this book before I left. Though I enjoy reading history a great deal, I was unprepared for the depth of detail about the "conquest of
the Incas" contained in this book. It could have been presented in a dry manner, but I found myself unable to stop until I had spent an entire day reading the book in its entirety. The author has a very engaging style --- this book read like the best of adventure fiction. If you are considering a trip to the Cuzco/Lima areas, read this book beforehand and take it along! Being able to read his analysis of the battles near Cuzco while actually on-site would be fascinating. I cannot recommend this book more highly.

Last Days of the Incas is a splendid book, a complex story well told. Readable and compelling. What I particularly enjoyed: bookending the narrative of fall of the Inca empire with the 20th century hunt for Machu Picchu, Vilcabama, and other Inca sites; inspired comparisons, such as between Wall Street IPOs and conquest expeditions; observations from Machiavelli in the chapter headings, a reminder of how timeless is the tale of an empire's self-destruction.

Dan

If you are interested in photography and in making excellent photographs whether digital or traditional film its important to read Ansel Adams. He did the photography and the development of film and the printing and his photographs of the landscape especially known for photographing Yosemite are exquisitely perfect in black and white. In this book that is part of a series of 3 he gave us everything we need to make great photographs. Why would someone who is a digital photographer read this book? Its to understand the basics the foundation of photography. This book is The Negative and in digital photography what you get is the negative and the print together and you want to understand what you have and what you can do make that photograph or that negative in black and white photography what you want it to be what you visualized when you saw the image in real life.
The book The Negative is sometimes difficult to follow cause he was truly a Master and most of us are not so just keep reading to get whats of value to you as a reader and a photographer
This book The Negative is part of a three book series includes
The Camera
Basic Techniques of Photography that has revised edition from his student John Schaeffer
Read all these books if you are committed to excellence in your photography
JG

I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!

If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)

If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!

Concisely written in Adams' own scholarly style, "The Negative" is a valuable resource for photographers learning the foundation of technically correct (as opposed to generally good) base exposure in a variety of scenes, both pedestrian and those that are more conflicting. One must, however, consider that more than 4 decades have passed since the techniques were founded and the technology described can be viewed, in many cases, with a quaint tug at nostalgia. Today's evaluative and matrix metering systems, programmed along the Zone System, do a remarkable job where once exposure was tedious and error prone, and this is where learning the Zone System to competently handle difficult scenes is a useful addition to a photographer's "book of tricks". But despite the clarity of explanation and steps, Adams' Zone System remains a complex, intertwining system to understand (theory) and apply (field application); it never was and never will be a five-minute task. For B&W fine art photographers, "The Negative" holds a timeless reference quality with many techniques remaining the solid benchmarks for fine art production. In summary, a tremendously good read and a most valuable addition to any learned photographer's library.

The Negative (Ansel Adams Photography, Book 2)

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.

It is understandable why this book earned a Pulitzer for the author. Written in the early 1950's, it was the first time Civil War events were treated from a human versus fact-after-fact view. However, Shelby Foote later wrote a superior account that not only provides the human side, but also presents all the historical data.

Part 3 of Bruce Catton's fantastic trilogy of the civil war is an interesting look at how the Army of the Potomac ended the war. From a discussion of a daring plan to plant dynamite underneath confederate lines to the chasing down of Lee's Army by Grant a true sense of what happened during the civil war can be gathered form this trilogy. An essential collection to any civil war historical library.

A Stillness at Appomattox is the last in the trilogy of the Army of the Potomac and covers from the period from late 1863/early 1864 (before the Wilderness and Spotsylvania Campaign) to April 1865 (Appomattox).

While the book is certainly heavily weighted in its coverage of the Union side, Catton is fair in his assessment of the various Union leaders. Of course, there is also the unique writing style that Catton possessed - a free flowing and smooth narrative rich with details.

My only complaint is the lack of maps. However, one must also bear in mind that the first edition was written in 1953, a time when books did not have the number of detailed maps that you would find in more recent titles.

Complaint aside, I highly recommend the book and series as the best coverage of the Union Army of the Potomac during the Civil War.

Read and enjoy!

It would be an almost impossible task for anyone to figure out just how many books have been written dealing with the American Civil War. It would also be difficult to determine which Civil War historians are most often cited by their peers but there is no doubt that Bruce Catton would be near or more likely at the top of any such list. The reason for this is quite simply that Catton was one of the great historical writers of all time. Very few people can take their readers into the heart of an army, both those of it's soldiers and leaders like Catton and even fewer convey their story in the very clear and easy to read style that this author has mastered. To read this book of pure history is in many ways like reading a historical novel and even the reader who already has a firm grasp on the historical facts of this story will sometimes find themselves wondering what happens next.

This is the story of the last campaign of the Army of the Potomac, that Ill-fated army that had so often been humiliated by Robert E. Lee and his Army of Northern Virginia. This campaign was to be different however because there was a new man calling the shots and having a man like U. S. Grant at the helm made all of the difference in the world. It took Grant a while though to convince this often badly led army that he was any different than his predecessors. Different he was however and once he locked horns with Lee he wasn't going to let up until one army or the other was destroyed. In other words Grant understood what had to be done and he was determined to do it.

Catton's main field of study was this man Grant but one of the author's most endearing qualities is that he makes no effort to whitewash or hide his subject's faults. Catton also does not attempt to build Grant up by tearing away at Lee like many of the more recent Grant biographers have done. He simply makes Grant's greatness apparent by telling the story the way it happened and it doesn't take long for the reader to figure out what an outstanding general Grant was.

The author has done a lot of searching through soldier's letters and memoirs as well as regimental histories and this leads to a very personal perspective of the last year of the war. The stories he has gleaned from these sources are poignant, somber, gleeful and funny. For example, one entire brigade falls out of the final advance upon Lee's army to chase down and cook some chickens that have been scattered by artillery fire. I think it was Napoleon who said something about an army traveling on it's stomach.

I highly recommend this book to anyone with an interest in the Civil War. The hard core Civil War reader will find new information here and the casual reader will find that this book is fun to read and no one should have a problem following the story. If Amazon allowed six stars this is one of the few books that would qualify.

This superb narrative about the Union's Army of the Potomac in the war's final year captured the 1954 Pulitzer Prize. The book is one of several superbly readable volumes on the Civil War by author/historian Bruce Catton (1899-1978).

This narrative covers the Army of the Potomac from the start of the brutal 1864 wilderness campaign through the war's end a year later at Appomattox. The author shows that General Ulysses S. Grant was more capable than brilliant, and fiercely determined to keep the pressure on General Lee's rebel army until the Confederates had no choice but to quit. Given the Union's advantage in men and material, the strategy made sense. What was less sensible were costly errors by Union officers, frightful casualties, and a sickening Union failure to clinch victory on the first day at Petersburg (thus reducing carnage on both sides).

The author perused many soldier diaries and letters to show us the life of the average Union enlisted man. That soldier was well-paid ($16 a month), but forced to endure boredom, rough weather, marching, stress, and dangers from disease and a tough, determined enemy.

This moving look at the last year of conflict is probably the best of Catton's narratives on the Civil War.

This book is an amazing adventure and a true page-turner. I started reading it on a Tuesday morning and had it finished by Wednesday afternoon. The characters truly come to life and you feel as if you yourself are a part of the story. I have passed the book on to my 9 year old sister and she is loving it! We can't wait for book 2!!

I am a mom of 6 kids (mostly adults now) and grandmother of 1 and was delighted to receive this book to review. The books that have often been assigned or available in school for kids to read if not the "classics" of literature many times have questionable values and language that are not appropriate for grades third through eighth. This book is written primarily with that audience in mind although kids (and adults!) of all ages can enjoy this story and parents can rest assured that while both good and evil are present that there is a clear distinction.

Nick Stewart is an eleven year old boy and he has just been transplanted from his home in Washington, D.C. to Colorado. His mom was killed in an auto accident earlier that year and only Nick and his dad, an anthropology professor, are left. Nick's dad is having a rough time coping with his grief as is Nick. Nick's mom, Laura, was the glue that held them together but now the two of them are drifting apart. Nick is resentful of the time his dad spends with his students and misses his mom very much.

Nick is on a history school trip to an old West town called Silverado where he learns of a legend of Slim Marano who was wrongfully hanged by the town for murdering his boss at Falcon Mine. As Nick goes through the town with the tour guide, some strange things happen. Nick also become convinced he needs to find out who the true killer was and looks forward to researching and writing the paper the history teacher assigned. However, somehow Nick ends up in the wrong place and the wrong time and is accused of stealing Slim's journal from the museum!! Nick knows who did it but it is his word against theirs so he is suspended from school.

Nick's dad is very frustrated with Nick and doesn't know what to think but takes Nick along on a student dig in the mountains only a couple miles from Silverado. Unfortunately there is a cave-in and Nick is caught in it. However the spirit of Slim Marano appears and tells Nick that he needs his help to clear his name so that his family in generations to come will not have the shame of a murderer as an ancestor. Nick agrees to help him and so the adventures begin.

I enjoyed the way the book was written and the many abilities of the "spirits" of Slim and his friends. I also enjoyed the good vs. evil as well as the plot twists and turns that were not too complicated for even younger children to follow but do add excitement and intrigue for kids of pre-teen age. Most of all, I really enjoyed that Ms. Henn did not feel it necessary to add vulgarity or swearing to the book as so many authors do in the guise of making it "real."

Very highly recommended especially for third to eighth graders!!

I read the book Nick and Slim the Legend of the Falcon Mine which is a mystery. What made me keep reading this book was that I wanted to find out who killed Otis. My favorite scene of the book was when Nick first found Slim. The author did a great job of expressing Nick's fear. My favorite character was Nick because he was a great spy for Slim. I recommend this book because it is suspenseful and full of adventure. Any kid my age would really enjoy it. I can not wait for the author's next book to be released.

Nick & Slim: The Legend of the Falcon Mine is a novel for young adults that blends fantasy and the Old West into a rollicking adventure. In the present day, a young Nick is framed for stealing a museum artifact - the journal of the notorious Slim Marano, hanged for murder more than one hundred years ago. An unexpected meeting with Slim's spirit shows Nick that he and Slim have something in common; both of them have been unjustly set up. Nick travels through time and becomes embroiled in a search to expose a dark and terrible conspiracy. Aided by spirits and mortals a like, Nick and Slim must discover the truth, prove their innocence, and rescue lives in the balance. A handful of black-and-white illustrations enhance this lengthy yet enthralling novel.

The Birth of a New Classic
Nick and Slim: The Legend of the Falcon Mine

By Samantha Roberts January 30, 2007 [...]

From the moment I picked up the book, I felt like I was a character in Nick and Slim: The Legend of the Falcon Mine. Every chapter revealed new plot twists and villains, and left me eager to find out what happens next. Even the author, Pamela Henn, said she experienced the same sense of surprise while she was writing the book.

"I didn't know who the villain was until the last couple chapters revealed who made the most sense to be the villain," Henn told me. "That was kind of the fun part of this whole project."

Just when I would start to guess where the story was headed, the storyline would change and draw me further into the adventure.

Nick and Slim is the story of Nick Stewart, whose life undergoes a series of tragic changes. His mother dies when he is 11 years old. His dad Lee then moves them to Colorado where he gets a job teaching anthropology. Nick finds himself in a new school trying to deal with his grief and a work-obsessed father.

On a school trip to the ghost town Silverado, he runs into more trouble. The field trip is part of a school assignment. He has to investigate the murder of Otis Watkins and the hanging of Slim Marano, who was wrongly accused of committing the crime.

Nick notices that the glass in a display case is broken. Before he can react, some of the school bullies beat him up. The bullies had stolen Slim Marano's journal--"the one piece of circumstantial evidence that had convicted Slim"--and slipped it into Nick's pocket. Nick finds himself not only trying to clear Slim Marano's name, but also trying to clear his own.

Later, Nick meets the spirit of Slim Marano, who takes him back in time to help him unravel the mystery and stop Slim's hanging. Slim's ghostly friends Michael, Keenan, and Christopher join in, and they begin on an adventure that uncovers a lot more than they ever expected.

The story of Nick and Slim grew out of a challenge to the author from a friend. Henn was an animation artist for Walt Disney. She worked on The Little Mermaid, Roger Rabbit shorts, Mickey Mouse shorts, Pocahontas, and The Legend of Mulan. She was also the model for Belle in Beauty and the Beast. After 20 years, she quit Disney and started her own business, White Wolf Studios. Nick and Slim is her first children's novel, which grew out of writing classes she taught at the studio.

"I'm really excited about it," Henn said. "I love history, and I use history as the template, or the background that we can lay the characters on. Slim is a ghost or a spirit. He can go anywhere, and he can take Nick anywhere or to any time, so we can explore really neat countries, cultures, and times."

I would compare Pamela Henn's story to The Chronicles of Narnia and the Harry Potter series. Silverado seemed like a town right out of the Old West. Add a kid from the 21st century and a few spirits wanting to change history, and you have a classic.

Henn is already working on a sequel, Nick and Slim: The Secret of Smuggler's Cove. A third book in the series is in development. I am certainly looking forward to them!

Samantha Roberts is a member of the Scholastic Kids Press Corps.