Watson Books
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A student's perspectiveReview Date: 2002-11-30
Inside nursingReview Date: 2000-04-30


Poems and journals of a lively and lovable old rascal.Review Date: 2001-06-20
Burton Watson has always struck me as an eminently civilized scholar and as a fine translator. Unlike certain others, he wears his scholarship lightly, and doesn't overburden the text with extraneous matter. His many translations from Chinese and Japanese Literature are of uniformly high quality, and are well worth having as they are books one often returns to.
Lu Yu (1125-1210) was an amazingly prolific poet, and left behind almost 10,000 poems as well as a variety of prose writings. His poetry is characterized by occasional spasms of intense patriotism, but mainly by a carefree enjoyment of life. Hence his literary name 'Fang-weng' or 'The old man who does as he pleases.' He adopted this name as a gesture of defiance after being dismissed from his official post for "drunkenness and irresponsibilty." This image of a lively and lovable old rascal is borne out by the poetry.
The present book offers a selection of sixty-three of Lu Yu's poems which provide us with glimpses of the poet's daily life. Here is a brief example, with my obliques added to indicate line breaks :
"My medicine's crude, yet the old farmer / swears it really works. / my poems are shallow, yet the mountain monk / has immoderate praise for their skill. / Cakes in pockets, with packets of tea / they come to pay me a visit. / What harm if in the midst of loneliness / we have one little laugh ? (p.59).
Besides the poems, Watson has also included translations of excerpts from Lu Yu's famous 'Diary of a trip to Shu' which was written in 1170 and describes the sights along the Grand Canal, the hair-raising experience of sailing through the Yangtze gorges, and the temples, shrines, and scenic spots he visited when travelling to take up the position of vice-governor of the province of K'uei-chou. This is a truly marvelous travel journal, and presents us with a vivid picture of life in central China in the twelfth century. Here is a brief passage selected at random which described an event Lu Yu witnessed in the Ch'ien-tao 6th year (1170 A.D.) 12th month :
"25th day : I watched the troops staging a mock battle on the water. There were seven hundred large warships, each ... fitted out with walls and turrets. Their flags and pennants shone brightly, their gongs and drums clattered and clanged as they raced back and forth, crashing through the huge waves as swiftly as though they had wings. Thirty or forty thousand people came to watch - it was in fact one of the most spectacular sights in the world" (p.100)
In addition to a typically interesting and informative Introduction, and his usual light annotations to all selections, Watson has also provided a useful map of 'Places Important in the Life of Lu Yu,' along with some bibliographical information. The book is small 8vo in size (6 by 8.5 inches), beautifully printed on excellent paper, stitched, and bound in full cloth.
Lu Yu was a unique and interesting figure, and anyone who cares for Chinese poetry in English is certain enjoy this book.
Songs and Sojourns of a Stubborn HawkReview Date: 2008-02-06
Of course, bombastically hawkish poems with preachy political themes, while convincingly sincere, tend not to weather the passage of centuries all that well even under the best of circumstances, and Lu Yu's seem especially bound to jar against contemporary poetic expectations and sensibilities. The opposite may be said of his irreverent homebody poems of simple everyday family life--these appeal directly to us across the intervening barriers of time, space, culture, and history; they feel more like real poetry to us. In which case the translator, Burton Watson, has struck a judicious balance between these two themes, including enough of the former that we get a proper and accurate sense of what Lu Yu's characteristic concerns were while somewhat favoring the latter ones we (and he, the translator, as he tells us outright) are more likely to enjoy as literature. And as always, with Watson the resulting translations are as close to a brilliant fusion of scholarly accuracy and literary quality as is perhaps humanly possible.
In addition to this modest sampling of Lu Yu's voluminous output of poems, Watson also includes a selective translation of Lu Yu's prose "Diary of a Trip to Shu" (about one third of the original). This seems a bit chopped up, okay for a generalist like me but probably a bit annoying for committed Sinologists. But one gets a vivid impression of the sights and sounds, the experiences and hardships of river travel as Lu Yu records the ups and downs of his trip. Here too we get a glimpse of a different, deeper Lu Yu with hints of an interest in Taoism. Usually poetry is the venue by which scholar officials such as Lu explored such concerns, but there's almost no hint of it in Lu's poetry at all. And then here of all places in a prosaic travel journal on the way to a government post it pops up unexpectedly. Lu Yu, just as he pleases, going against the grain to the very end.

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Outrageous OrielReview Date: 2007-03-09
A Lively Look at the 17th Century English CourtReview Date: 2006-08-30

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I love this book!Review Date: 2007-01-15
The book highlights six schemes - arctic, ocean, forest, earth, desert and kaleidoscope (kaleidoscope is not based on nature). Each scheme is introduced with outdoor photographs, then the color schemes are moved indoors and translated into home decor. The results are awesome, and have really helped me focus my color choices.
Beautiful color photos aboundReview Date: 2001-12-16

poetry to live withReview Date: 2008-07-14
focused and complexedReview Date: 2008-07-12
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The completed reviewReview Date: 2004-04-15
Sef Britton
The Partisan- a great book by a great man -Incomplete reviewReview Date: 2004-03-26
Mr Watson (as he is known to us) is a great man and his writings are just as grand. I hope to see him claim the respect he deserves.
Thank you sir.


All the info you'll needReview Date: 2005-10-11
YOU MUST BUY THIS BOOK!!!Review Date: 2006-06-05

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Great Illustration resourceReview Date: 2001-08-27
Illustrative!!Review Date: 2001-08-01

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Tips For Photgraphing Animals in their GloryReview Date: 2003-09-26
A Great 'How to' BookReview Date: 2000-09-22

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Not just another artist biographyReview Date: 2002-02-03
ONE OF THE LEGENDS OF GLAMOUR ARTReview Date: 2005-12-12
Due to an injury suffered as a child, Armstrong was unfit for military duty in WWI but made his contribution in other ways such as by painting recruitment posters. In the 20's, Armstrong was doing a great deal of commercial work, illustrating his beautiful women hawking products such as Orange Kist and Nehi soft drinks, Tudor Plates, Blue Bird grape juice, and many others. Throughout the teens and 20's, the bulk of Amstrong's women were done in facial portraits. As we move into the 30's and 40's, Armstrong has now developed the glamorous pin-up style he's most well known for. The Armstrong woman is beautiful, demure, and always stylish. The thing that stands out about his work to me has always been that his women are painted in the latest fashions. His work from this period is my favorite. Page 109 of the book displays one of my most favorite Armstrong paintings entitled "Song of India" showing a semi-nude, raven haired beauty dressed in wispy, silky robes, fluttering in the wind against the back drop of ancient India. It's a striking, evocative piece.
But less you think that Armstrong was strictly a pin-up artist, this book shows otherwise. There is a marvelous pastel of The Frankenstein monster, done during the filming of Bride of Frankenstein that is just a treat to behold. There is even a photograph of Boris Karloff, in full Jack Pierce makeup, posting for Armstrong. Other celebrity portraits in the book include Constance Bennett, best known for the Topper movies; Mary Astor of The Maltese Falcon, and James Gleason, a great character actor who appeared in over 125 films in his career. Armstrong himself road the celebrity circuit and counted actors James Cagney and Henry Fonda among his friends. While the authors make the clear distinction between glamour and pin-up artists, Armstrong did certainly do his share of risqué pin-ups, including many nudes. One great piece in the book is "Hold Everything" showing an embarrassed brunette clutching her dress close to her that has just fallen off. There are a number of great WWII era pin-ups just like this one in the book.
This is a fascinating look at one of the true giants of illustration. The book features over 300 full color paintings by Armstrong, printed on heavy stock paper. An outstanding book from Watson-Guptill.
Reviewed by Tim Janson
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