Washington Books

I picked this book up at the urging of a friend because she said it reminded her of Willa Cather's "My Antonia," and I consider that as beautiful a story as ever was written. Mr. Doherty, it seems, has taken on the task of transferring an oral history to written, and does it quite well - I could almost see the author's twinkling eyes, as if he were sitting at table regaling us alone. And even though most of the story lines were crass, the humor obvious, and the desire to please as wide open as a puppy's face, I couldn't help but be drawn in. Its retrospective telling, and simple eloquent style produce a story above its subject matter. After reading "The Ambiguity of Remorse" I wondered what small part of my life would be worth chronicling, and then realized, it all is.

I was lent a copy of this book from a member of Robert Doherty's family. I felt pressured to read it quickly because of others, anxiously awaiting their turn. I read it in one day and got lost in old America. The humanity, with it's grifts and postulations, seems so familiar but the setting and the modes of living are charmingly historical. I enjoyed the study of how influential the place and the time were in determining the mentality of the people in the story. The mountain and it's valley provided delightful imagery to accompany great tales and parables.The author is clever and reveals a refreshingly sinister sense of humor. I highly recomend this book. I'm purchasing my own copy and one for my mother.

I read The Ambiguity of Remorse with considerable pleasure. These are delightful, evocative tales, that allowed me to live for a while within a time that may now be gone from the world. Robert Doherty has made me a gift of Homer Eklund's boyhood town in the Washington State of the Thirties, and has let me share the lives of the people who inhabit it. The stories are funny and painful and real. Like life. I recommend it.

This collection of poems crept under my skin and has stayed there. Much of American Boy is about women---as mothers, as lovers, as the poet's source of pain, passion and inspiration. It is feelings as women long for them to be expressed. The images are haunting and lovely. Because of the format of the collection, the reader experiences the poet's journey through childhood, relationships, and ultimately, gentle forgiveness. After reading and re-reading, I'm recalling verses and lines of poetry that I'd assumed were forgotten. American Boy is an important experience that sticks with you.

Smith has given me more than enough to return to time and again in order to "remember" my own history as an "american boy" growing up. My favorite poem in the collection is "Druid Hill, 1969". In it Smith's language and imagery run at a pace that is at once fluid and choppy, evoking what is the poem's key image: that of a running reel to reel film projector "that Dad won in an Esso sales contest" and that will forever replay fading home movies. This poem has the feel of being a surprise, even to its author--it feels as if it were born whole and perfect, pen never leaving the page until the film had run its course.

This collection of poems crept under my skin and has stayed there. Much of American Boy is about women---as mothers, as lovers, as the poet's source of pain, passion and inspiration. It is feelings as women long for them to be expressed. The images are haunting and lovely. Because of the format of the collection, the reader experiences the poet's journey through childhood, relationships, and ultimately, gentle forgiveness. After reading and re-reading, I'm recalling verses and lines of poetry that I'd assumed were forgotten. American Boy is an important experience that sticks with you.

This was an enjoyable story set in a small farming town in Washington during World War II. There was a bit of a mystery, but not much action. This is more of a family/friendship story with a historical setting. It was a very good book, although less based in action then some of the other American Diaries.

I think this was a good book. I love historical fiction books and the American Diarie series is my fav. Josie is a cool character and her brother seems sweet. If you like fiction books about WW2 or the American Diaries you'll love this book.

Josie Poe lives during World War Two in a town called Palouse, Washington. She lives with her Mama, her Daddy, and her brother Tom. Everyone in town has a loved one fighting over in the Pacific or in Europe. Except the Poe family. So Josie is ashamed of her brother.Tom was acting really weird lately, so Josie wants to think of a good project for the war effort. Then, a robbery happens that involves Tom. Josie has to find out the truth about her older brother. But will the truth change her relationship with him forever? Find out and read this book!

In the 1930s Greenwich Village, already mythic as the American bohemia, was a disappointment to the visiting French architect, Le Corbusier. He found the skyscrapers of Lower Manhattan and mid-town, "mystically alluring", but the Village, which stood between these two sites of modernity, failed to measure up. In his later book, When the Cathedrals Were White (1947), he described it as "an urban no man's land made up of miserable low buildings and poor streets of dirty red brick". By contrast-and this contrasting story is the one that Luther S. Harris tells in Around Washington Square-Henry James, in his famous account of his return to the United States in 1904, celebrated the Village. He regretted the skyscrapers that "so cruelly over-topped" his beloved Trinity Church in Lower Manhattan, and he found the fashionable but bland Upper East Side no more congenial. In Greenwich Village, however, he found solace. "This portion of New York", he wrote, impresses many as "the most delectable."
"The village has a kind of established repose which is rare in other quarters of a long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare, the look of having had something of a social history." James has it right and so does Harris. The Village is the northernmost point of the old medieval Street pattern of colonial New York, and it marks the beginning of the modem grid. That doubled physical character is perhaps an apt symbol of the combination of historical presences and avant-garde creativity that has marked the cultural life of this part of the city.
Harris appropriately begins his story with the creation of Washington Square and goes beyond the usual accounts. He emphasizes the complexity of its birth, revealing that its creation required a modification to the recently established 1811 grid plan. That posed a political problem that was managed with patience, persistence, and astuteness by the then Mayor, Philip Hone, a merchant, one of New York's two great nineteenth-century diarists, and the father of the square. By starting at that point, however. Harris omits the separate history of Greenwich, from which the mixed-up street pattern of the West Village derives, and he neglects a longer and important social history that played itself out a couple of blocks from the square. South and west of the square was Manhattan's longest-established African American neighborhood; it dated from the seventeenth century, having been enabled by the Dutch, who allowed slaves to buy land there and use their income from that land to purchase their own freedom. The British authorities were less accommodating to the community, but it persisted into the nineteenth century until the infamous Civil War Draft Riots, when it was devastated by a series of savage attacks on blacks.
He subjects many of the myths of the Village to the test of documentation, sometimes enriching the myth, sometimes undercutting it. While most urban studies of this genre tend to repeat each other, with no one seeking solid evidence for the well-cultivated memories of the place, Harris has dug deep into the holdings of the Municipal Reference Library and Archives, into newspapers and city directories, and, with special success, the visual record of the neighborhood. The book is subtitled An illustrated History of Greenwich Village, and that it is indeed. It has over 200 illustrations, and a very high proportion of them are uncommon, not the usual suspects which-like the myths-get reused from one history to the next.
If Harris offers no thesis, he does have a point to make. Although Manhattan is marked by constant change or, as one historian recently it, "creative destruction", there is remarkable continuity in the Village. Even with the recent intrusion of Starbucks, book- and drugstore chains, and overbearing buildings recently erected on the square by New York University, the neighborhood's appeal to creative people persists, particularly creative people in the arts literature. His point is made by the multiplicity of individuals who populate his history from Whitman, Melville, Poe, and Anne Lynch's salon in the middle of the nineteenth century up until the present. These individuals-some well remembered, others less so-have provided a crucial density to the world of culture-making.
One cannot begin to summarize the number of connections made by Harris, but the entangled associations of artists and intellectuals with groups and places that he elaborates reveal how the Village works. Harris points to the allure of the history of the place and its inhabitants. The most ambitious and talented pursue the challenge and the glory of association with the ghosts of giants. But part of what is unique about the Village are its many physical and cultural nooks and crannies. Harris's strategy of combining an account of the architecture the physical layout of the Village with the history of its literary and artistic figures becomes an explanation. The area feeds on the power and energy of New York, but it provides space-a necessary space-for invention of self well as art.
Still, the maintenance of the Village has required vigilance. Le Corbusier's views were not unique, and Robert Moses, the power planner who reshaped New York during the middle third of the twentieth century, saw little to save around Washington Square. His plan to run expressways through the park and SoHo, just south of the Village, threatened both the history and the social texture of the neighborhood. One Village mother, worried that her child's swings in Washington Square Park were at risk, took up her pen. The result, writes Harris, was not only a successful political mobilization that stopped Moses, but also The Death and Life of American Cities (1961), perhaps the most influential book on cities, planning, and architecture to be published in the twentieth century.

It is clear that years of devoted and painstaking research went into the writing of this book. One is given a strong idea of how the neighborhood has evolved as well as the society and mores of its inhabitants over several centuries. The book is well illustrated and there are many images that I have never seen elsewhere.

Created by the rich and merchant class as an escape from the recurring ravages of yellow fever and cholera, Greenwich Village was, essentially, never really mapped out; never really settled in accordance to any public plan. Perhaps this haphazard beginning is what gave the area its combined refined yet anarchic flavor that exists until this day.

Luther Harris' book, "Around Washington Square: An Illustrated History of Greenwich Village" is an excellent introduction to the history, myths, lies, and unknown truths about this magnet for the students, the homeless, the artists, and the real estate agents who each value Greenwich Village for their own reasons. The text is very informative, and the illustrations are lush and generous. Broken down into easy-to-handle sections, Harris nonetheless is comprehensive. (He apologies to his readers if any particular individual, group, or building was omitted but he needn't have: just about all the bases were covered.) This is an exhaustive and wonderful book.

This is a very well-done and informative book about the Arts and Crafts Movement in the Pacific Northwest. I live in a new version of a Craftsman style house and found this book of great interest. Recommend!

Seattle, Portland, Spokane, and other areas of the Pacific Northwest step out of the shadows of history in this incredibly well-researched, thorough book. The authors' writing is simultaneously accessible and commanding, and the photographs of historic buildings, antiques, and unearthed "treasures" are wonderful to peruse. It is a top-notch publication that informs those interested in this geographical locale, as well as those interested in the overall Arts and Crafts movement.

I went to the Seattle Bungalow Fair the last weekend in September 2007. I met both authors and talked to them about their book. They spent lots of time researching the book and are very knowledgeable about the Arts and Crafts movement. I have been able to peruse it but have not had a chance to read it from cover to cover. It is a great book to just look at the pictures and captions. I am looking forward to learning more about the movement here in the Northwest. They have captured the true essence of the Northwest Arts and Crafts Movement. I would highly recommend that if you are in to Arts and Crafts, Bungalows, Mission, etc. that this is a must have book.
Paula

If you are like me, you have often wondered how our most talented novelists would see important historical characters. Gore Vidal has whetted our appetite with his novels about the first hundred years of the United States. In Aspire to the Heavens, talented mystery writer Mary Higgins Clark makes George Washington come alive as a simple man with many personal challenges in his life. Although I was familiar with the material in this book, Ms. Clark did a wonderful job of both making it more interesting and accessible by making his life into a personally focused biographical novel. As a result, I got a lot of new perspectives on my own life that I will benefit from for many years to come.

The book's title alludes to a promise that George Washington's mother asked for and received from him. She wanted him to always do his utmost. In her family, that had meant "Aspire to the Heavens." He took on that promise with her encouragement. Out of his own character, though, he decided to be the most decent man he could possibly be. That latter promise to himself is the one that this book focuses on.

The form of this book is to describe George Washington through the lens of his personal life, rather than his public accomplishments. The style reads more as though it is a novel rather than a biography, and there is certainly some literary license in the ascriptions of motives and personal thoughts. Yet, these devices work well as long as you remember not to take them too seriously and literally.

Although Washington will always seem larger than life to all Americans, he was a man who had many setbacks in his own life. Before the Revolutionary War, he was certainly not considered to be the great man most now believe him to have been.

Life was hard as a youngster. His father died when he was fairly young, and his mother carried a whip to help assert her authority over him and his siblings. She did not keep a very attractive household, which young George resented. Although she loved her son, she put him down verbally at every opportunity. Her opposition to his desire for an ocean-going career was a fortunate one for the United States and democracies everywhere, but a bitter disappointment to him at the time. George sought escape from her whenever possible, especially to the home of his half-brother at Mount Vernon (which he would eventually inherit and buy out from his sister-in-law).

An early friendship with the Fairfax family led to a long relationship with the first and greatest love of Washington's life, Sally Fairfax, his proposal to her similar-appearing sister (which was refused), as well as his interest in surveying as a career.

His mother constantly tried to discourage his military career, and complained bitterly about the risks he was taking during the colonial campaigns before the Revolutionary War. She blamed the early death of George's favorite half-brother on war-related illnesses.

It is fun to read Martha Washington referred to by her pet name of "Patsy" throughout the book. You will also read here a sensitive interpretation of Washington's frustrations as a step-father and in securing Patsy's love and attention. As you may know, the story ends tragically as both step-children die at fairly young while, while the Washingtons never have children of their own. Their step-daughter asks them to adopt two of her children after her husband dies, whom the Washingtons' raise.

The book's structure is an interesting one. The main historical thread is the aftermath of John Adams's inauguration and the Washingtons' trimphant return to Mount Vernon to farm. This development is interspaced with flashbacks of key moments in the lives of both George and Patsy.

After you have finished enjoying the book, I suggest that you evaluate your own life from the perspective of how you will be remembered as a family member and as a friend. Many people focus too much on their careers and public accomplishments. This book can help you assess the balance you have achieved in your life. All of us can learn from how George Washington came to keep silent when something upset him rather than creating a fuss that would have hurt his closest relationships. He was a fine family man and friend, as a result, as well as an inspiring, steady leader.

Show loving support for all those you care about . . . always!

I just finished reading Aspire to the Heavens for the second time. When I first discovered this true gem a few years ago, I didn't understand why it was the only Mary Higgins Clark novel left shelved at my local library during peak lending season. Admittedly I was somewhat surprised after reading Ms. Clark's introductory page stating that this was NOT a suspense novel, but rather a story about the life of George Washington. Expecting to dive into a juicy suspense - imagine my disappointment! However, after browsing over the first few pages, Ms. Clark's writing style (as always) had me immediately intrigued. This fabulous little book took us into Mr. Washington's personal life from his uncomfortable relationship with his own mother, to his lifelong infatutation with his best friend's wife, through to his spunky courtship and marriage to the wonderful and intuitive Mrs. Washington (Martha). Mary Higgins Clark taught us to KNOW George Washington, with all his leadership q! ! ualities and common sense mannerisms, allowing us to respect and admire him for the great person he was (much in the same way that he WAS perceived by his countrymen of the 1700's). This magnificent book gives us history, adventure, romance and a glimpse into a bygone era. A suspense novel it was not - but my, what a pleasant surprise! And once again, Ms. Clark's amazing writing talent managed to wrap up the novel at precisely the best possible moment, leaving me feeling like the characters were good acquaintances, yet leaving me with still another feeling - that I had gained privileged information about a truly amazing person who was not a mere piece of fiction. This is a book you will want to keep in your home library and share with the entire reading community!

ASPIRE TO THE HEAVENS was first published in the late 1960's, well before Mary Higgins Clark's meteoric success as a author of mystery/thrillers. This biographical novel breathes life into the stick figure we know as George Washington. Portrayed as a kindly and responsible man with a welcome dash of humor, ASPIRE TO THE HEAVENS covers Washington's career from rash youth to an undaunted and vital old age. Interesting light is shown on Washington's hopeless love for the beautiful Sally Fairfax, wife of his best friend, also illuminated are his difficulties with his controlling virago of a mother. After rereading this underappreciated yet gleaming work of fiction, one can almost feel regret that Mary Higgins Clark did not continue in the field of historical literature, it is to be wondered what she might have done with figures like Jefferson and Adams. ASPIRE TO THE HEAVENS is highly recommended.

it is exelente book if you need same ideas ,for your paintigs this book it's greatfull

Armin Zweite's chronology of the life and work of Barnett Newman is absolutely fantastic. Written in a compact style hitherto unknown by art commentators the book flows from one anecdote to another. Complete and well referenced, the book is as complete as one would wish without ever being overbearing. Given the limited scope of Newman's work I would have hope that all prints were in color but alas only about 50% are color. Still the works are presented logically and connections are made throughout the book. HIGHLY, HIGHLY recommended for anyone. HIGHLY, HIGHLY, HIGHLY, HIGHLY, HIGHLY, HIGHLY recommended for the abstract art enthusiast.

Apart from the Catalogue Raisonné, this is the best contribution to the understanding of Newman's work in recent years. It is the catalogue for an exhibition held at the National Gallery in London and, therefore, carries no surprise: All the masterpieces are there, arranged in a chronological order, beautifully illustrated and accompanied by an enlightening text.

An excellant book which gives the average individual an insight to one of the most remarkable ships in the US Navy. Covers the history from the ships design to her scrapping. Tells in great detail, yet in a very readable text, the story of the crew, the officers and the ship in World War II.

This was an amazing book, one of my favorites by a good deal.

It tells the story of the USS Washington, from birth till victory in WWII (which effectively ended its life. In a real tragedy what's left of the Washington is probably razor blades and paper clips right now . . .)

The perspective is from the men who served on board her, but it does not follow any specific group, it weaves together different crewmembers experience into a composite of what the ship went through. You get an appreciation of what daily life must have been from the lowest ranks to the O-10 Admirals on board during the war. The writing enables this because it is so absorbing, detailed, and fluid.

The USS Washington was in a bit of an odd place historically. It was a battleship in what would prove to be a carrier war, so its prestige status in the fleet was cut short of its designers aspirations as soon as its brethren were settling on the silt in Pearl Harbor. Its technical prestige status would later be eclipsed by the Iowa class battleships, the largest U.S. and widely considered to be the most supreme battleships ever built, likely able to best even the Yamato and Musashi thanks to radar fire control and some other innovative design features. Yet despite this position it would be the USS Washington that would be the battleship to do the most to win the war.

The story follows the ship starting with its shakedown cruise, where you can see just how many teething problems a ship as large as 45,000 ton war wagon will inevitably have, especially considering the level of engineering analyses available to her designers at the time. Training then proceeded to the heat of the Caribbean, complete with Monkey stow-aways. After Pearl the USS Washington is surprisingly sent to the Northern Atlantic to help the British escort convoys on the Murmansk run. The comparison between the American and British navies was particularly interesting. The American radar control of the main and secondary batteries was essentially two orders of magnitude better than what any other nation had in WWII. The most amazing moment on the Murmansk run is when a British battleship slices in half a British destroyer, and how the fleet reacts. However the USS Washington is never fully committed to battle in the North Seas, much to the frustration of her crew.

The Washington then gets called to the Pacific for the eventual push all the way to Japan, starting with the Solomons. Here the Washington proves her worth, especially in the early naval battles around Guadalcanal where victory was very much in doubt. The most distinguished part of her career, and some of the most white knuckle, page turning reading in the book, is when the Washington and South Dakota go toe-to-toe with the Kirishima and Hiei, two Japanese ships of the line. Washington emerges victorious after sending Kirishima to the bottom. The Washington continues to make her presence known with multiple shore bombardment raids. Later in the war she primarily provides anti-aircraft cover for the Halsey's carriers. In another moment of sheer frustration Washington is flagship of TF 34 which is denied the opportunity to pursue Kurita's center force in the Battle of Leyte, despite Admiral Lee's request to Halsey. Had TF 34 engage Kurita it would have been the type of open ocean battleship to battleship engagement that the Navy had been built around for decades, but which never really came to pass.

Despite the intensity of the battles the book really is about life on board the ship, which could be downright tedious when not in the combat zone. There are plenty of foul-ups, lighthearted moments, and horseplay to shield the reader from any boredom however.

The Washington's collision with the Indiana is another astounding piece of real life history, and again expertly crafted into words by the author.

If anyone has a family member who served in the Navy during WWII, if anyone has ever wondered what it was like inside a ship at war, if anyone has an interest in battlehips or their history this book will be tremendously enjoyable. I only hope that someday it is re-published so that more people can be introduced to the amazing story of the Washington and the men who fought her in the greatest naval war in history.

Battleship at War catalogs the relatively brief but action packed career of USS Washington, one of the great ships to serve in the Navy during World War Two. Of all the American battleships to serve during the war, Washington had the most distinguished career, serving in both the Atlantic and the Pacific, and sinking the Japanese battleship Kirishima during the Second Naval battle of Guadalcanal. This book righfully takes its place alongside Edward Stafford's "The Big E" (which narrates the career of the carrier Enterprise) as a premier work of the genre. It is incredible to me that both of these great titles are out of print, just as it is incredible to me that the richest country in the world could have failed to preserve these proud ships when other ships with much less distinguished careers survive to this day. Battleship at War is a must read for anybody who is serious about naval history.

This book made me feel like I was part of this
amazing, ground breaking, informative conversation. I learned
an immense amount, and it served as a great compliment
to my weekly lessons.

In this book, Murrays shared their unique insights in connecting Raymond Dart's developmental process and movement with F.M. Alexander's technique. From it,I got a much clear understanding of "mechanical advantage" and the technique of F.M. Alexander. I also treasure Murray's emphasis in a dynamic process rather than a fix or static position. The editor did a great job in footnotes and photos that link and clarify various references. This book is a must read for anyone interested in Alexander Technique, poise and movement. An understanding of Alexander technique and reading in Raymond Dart's "skill and Poise" may be required to appreciate the messages conveyed in this book.

This book ranks right up there with the works of Walter Carrington as required reading for any serious student and all teachers of the Alexander Technique (second only, of course, to Alexander's own books). I have had the amazing experience of having had a few lessons with the Murrays and can attest to the value of their "Dart procedures" for me personally. This tightly edited, easy-to-read book is the only comprehensive, written account of the Murrays' work with the technique. It details the genesis of the "Dart procedures," their basis in core Alexander technique principles and practical tips for the student and teacher. The numerous photographs are a critical aid to understanding. (Not for beginners. This book will likely be beyond those who have had no lessons in the technique.)

I personally am very selective when it comes to any art survey volume. An art survey I have found can be either very weak, or very important and powerful, yet rarely anything in-between. In terms of the Italian Renaissance they are rarely on the powerful side as they don't function to serve the key purposes for historians, curators, and collectors. Most importantly surveys rarely clarify the impact of significant artists of a period and their relationship to the bigger realm of art history between their collective works. This is not the case with Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting.

For example, the current exhibition, of the same title, at The Metropolitan Museum of Art in New York. The rich and informative catalogue by David Allan Brown et al., a publication done in association with the National Gallery of Art, Washington, D.C., focuses on the most intense period of the Renaissance in Venice. The work examines a time when Giorgione, Titian (young at the time,) Sebastiano del Piombo, and Palma Vecchio worked alongside each other, and their lesser known colleagues, each and all in the light of the great Giovanni Bellini. The period which is examined represents the first three decades of the sixteenth century. It also represents a pivotal and major period of visual, and intellectual, impact for Italian art in Italy, Europe, and the world.

Brown et. al. does not handle this exhibition catalogue like a normal, or typical, survey. With 336 p., 9 1/2 x 11 1/2 , 31 halftones + 162 color illus. it is a masterfully planned art volume. Although written in a serious and scholarly manner, a layman will enjoy it.

The volume does not divide up the artists, but looks at their interrelationships. Secular subjects are explored, as are themes of music, love, and time. The leading scholars efforts, along with their detailed entries, provides a solid source for continuing discussion of pictures that are nothing short of monumental.

Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting is an exhibition book that is, in my view, well worth obtaining now while available at the publisher price. I see this work as a required addition to any great library on Renaissance art today, and will certainly be valued tomorrow.

This remarkable show (and catalogue) is a summary of Venetian painting from 1500 to 1530, allowing a side by side comparison of the work of Bellini, Giorgione, and Titian in what was one of Venice's astonishing high water marks of artistic creativity.

Once you have been bitten by the bug, these paintings are with you for good. Seeing this work firsthand, one can't help be seduced by the ravishing, luminous beauty light and layers of glazing that makes these paintings unique. The stillness in some of these works suggest the real subject here is light and color -- something these Venetians seem to have captured like no other group of artists.

The reproductions in the catalogue are quite good, and there are a very generous amount of close detail shots of the paintings too -- something particularly useful in illustrating the intricacy of detail in Giorgione's work. The essays are interesting, but my favorite is one I almost missed after the technical photographs of xrays in the back: an essay which describes how the Venetian painters were at a remarkable crossroads of shared experimentation in color including glassmakers, creators of fabric dyes, and other tradesmen that contributed to a new world of color effects in paint. For example the painters would use finely ground glass mixed into the oils to give the glazes a more bright, refractory quality.

This is a captivating show and a great catalogue to accompany it.

A must for the student and lover of the Renaissance and Venice in particular.