Washington Books

I have returned to Vietnam many times...I speak the language and have known about the atrocities that occured after April 30, 1975. I have read and re-read this work and I compare it to another great book...Decent Interval by Frank Snepp. The stories are unique yet the same, reeking of betrayal and abandonment by a "friend".
The author reveals arduous research and the ability to place these anecdotes onto paper without losing emotion and perhaps color. As a previous reviewer has stated...better late than never. My congradulations and thanks to the author.
I would give this book more stars if possible.
I am the author of ...Eye of the Tiger and Thoughts Etched in Jade.

In this book, Dr. McKelvey wrote a detailed and intimate account of the South Vietnamese military officers' fates after the end of the Vietnam War.

The message is troublesome but not surprising: the military personnel were rounded into re-education camps and suffered untold tragedies from humiliation, torture, mental degradation to physical impoverishment within a communist prison system. The majority of the officers were jailed from ten to fifteen years; one officer was detained for a total of 22 years.

While 70,000 former political inmates and their families were allowed to immigrate to the U.S. through the ODP (Orderly Departure Program), many more are still living on the fringes of the Vietnamese communist society. A former major drives a pedicab for a living. In this McKelvey's book, we heard the voices of a doctor, a tailor, a politician, an engineer, a spy, a pilot, and a teacher. They all endured "grueling and unforgiving ordeals that only the strongest would have survived." Family members were ostracized for being related to the political prisoners; their wives suffered uncounted financial, emotional, physical hardships, their children barred from a decent education.

The book is one of the few that deal with the long-term psychological effects of the incarceration on the inmates and the sufferings of their relatives.

The author concludes that: 1) War does not end when peace treaties are signed because the negative rippling effects of war and destruction affect many generations to come. 2) The U.S. should be very careful about intervening militarily in any part of the World. 3) The U.S., if it does go to war, cannot simply abandon friends and allies to the mercies of common enemies.

McKelvey, a Marine veteran of Vietnam, penned a marvelous oral history of former reeducation camp survivors. The Introduction is personal and touching. The book contains four major sections dealing with interviews with former prisoners: a doctor, an engineer, a tailor, a pilot and a spy. Families of prisoners give their stories of carrying on while their loved ones were in captivity.

The author probes deeply into the postwar lives of these former public servants and officers of South Vietnam. From the initial reporting date in June 1975 until their release, the interviewees recall the brutal details of the camps, their captors and the communist indoctrination--basically hard labor and starvation. "Reeducation" is a misnomer.

Nixon and Kissinger's "Peace with Honor" never materialized. Ford took care of the refugees in the U.S. but didn't/couldn't intervene. Carter, well...he was busy with pardoning draft dodgers and Iran. The U.N. and Amnesty International finally took notice in 1979 when it was too late for the majority of those who had perished.

I give this book four stars only because it reeks of academia, its format of Q&A rather than an arcing narrative. It should be included in every Vietnam class, especially those professors and students who care to learn about America's defeated and abandoned allies.

I am a student from Vietnam and now studying in the U.S. I chanced to read this book in our university library. Thanks the AUTHOR for an insightful book.

In fact, my family background was 'clean' in the eyes of our government because my parents were not involved in any military service for the former government. But I have friends whose family situations were exactly the same as those portrayed in the book. I must say those are incredible human sufferings, and not only for one generation. I am glad some of those stories are now heard, perhaps a bit late but still, better than never.

Here's a life-time lesson for me (and perhaps some others): no matter how and what communists tell you, don't hastily believe them. Just look at what and how they do, and you'll see it for yourself. For many of them, human dignity and lives are trivial and cheap.

Rousing and familiar, full of insight into our mind and a look into a human essence we should all posses. "Observe with eyes of color, listen with ears of sensitivity" I will take that with me from now on. Dr. Pedro Suarez, beautiful story. Barbara

I read this book through a cloud of tears. This book is a testimony to the beauty of loving, being loved and the courage of holding on to hope. Knowing personally what it means to have a "special angel" in one's life made it all that more moving. A must read, especially for those who can't appreciate the beauty in their life. :)

From the first chapter to the last word of the last page, this book holds your attention until you have finished reading the entire story. A truly outstanding work of fiction that every young teenager should read. As a teacher, I found this to be an easy, but sophisticated tale that covers many of the problems, conflicts, and consequences that our younger generation face. What a remarkable tool to use to help open up debates and discussions among different peer groups. I highly recommend "The Giving of Hope" to both parents and young adults. I can't wait for another book by Mr. Suarez.

This Young-Adult book was a breath of fresh air considering the material that is out there. The message contained within this book gives compassion, love, and the humanity and reverence that so many of us lack or forget. It is a must read...you will be a better person because of it.

I like this book because it goes right along with living the Christian lifestyle.My kids enjoy this book because it has activities for them to do so that they can relate to the bible.

I bought this book for my 11 year old neice and she loved it. She immersed herself in reading it and keeps going back to it.

Great devotion book for my almost 10 year old - she looks forward to reading it every day!

This is an awesome book. It has great informative devotionals for kids. The best thing about this book is that it's especially made for kids so you can understand it!

Exceptionally clear and easy to read. Finding find an area, a street, or even the spot on the street where an address is located, is a breeze. So much easier to handle than a fold out map that takes up the whole front seat of your car.

The best set of 8.5x11" maps I've found for the Seattle area.
The 42 maps are clear and easy to read. They cover from
Lynnwood to Kent, and West Point to Sammish/Issaquah. I've
been using a five year old version and really wanted an
updated version.

It doesn't cover anything on the otherside of ferries. It
would be better if it also went upto Everett.

This map is clear and easy to follow, even for a first-time visitor

Book is clear and well laid out. Color. Thin format. If you need a map that goes further north than Lynnwood or further south than Kent, you need to get the larger Thomas guide. Occasional errors in showing streets that go through when in reality they dead end. Useful tool.

One of his many on the city's neighborhoods, this book captures the old balck U Street in all its glory. Nicely done indeed!

The U Street Area of Washington, D.C. has had a long and varied history. It is best known as Washington D.C.'s Black Broadway for the vibrancy of its nightlife and for the many African American performing artists and intellectuals it attracted during the 1920s - 1930s. But U Street included much more than entertainment. It was the center of a largely self-contained African American community whcih flourished during the years of segregation beginning in the early 20th Century. In the late 1960s, U Street was decimated by the riots that followed the assassination of Dr. Martin Luther King, Jr., and the community was slow to recover. Today, with the completion of the U Street Cardozo Metro Station, the African American Civil War Memorial, and the Reeves Municipal Center, U Street is a thriving and lively neighborhood in a city very different from the segregated Washington D.C. prior to the 1960s The Greater U Street Area became a National Register Historic District in 1999.

In his photographic history "Greater U Street" (2002), published as part of the "Images of America" series, Paul K. Williams offers an overview of U Street from its beginnings to the present day. Williams is a Washington D,C, historian who works with a firm that specializes in historic properties. He has written several books about Washington D.C. neighborhoods for Images of America.

In a brief opening chapter, William begins with the Civil War era when the area that became U Street was used as an encampment area for Union soldiers. William offers some rare views of Civil War life and of the hospitals and orphanages, and some of the people, that made U Street home before the 20th Century.

The remainder of the book traces the development of what became black U Street, the "City Within a City". Williams offers a view of both change and continuity. Many historic buildings on U Street were designed by African American architects, flourished through the 1960s, and then fell into neglect. Williams traces the history of buildings such as the Whitelaw and Dunbar Hotels, the 12th Street YMCA. and the True Reformers Building, all of which have a long history within the community. Williams also devotes substantial space to old Griffith Stadium, located at the eastern boundary of the U Street Corridor, the site of the current Howard University Hospital. Griffith Stadium was on of the few Washington D.C. facilities which was never segregated. It was home to the old Washington Senators as well as to Washington D.C. teams in the Negro Leagues.

Williams documents U Street as the "Black Broadway" and his book is replete with photographs of performers who appeared on U Street. These include Bessie Smith, Billie Holiday, Sarah Vaughn, Ella Fitzgerald, Duke Ellington, Cab Calloway, Pearl Bailey,Louis Armstrong, and Harry Belafonte. The list could be extended. U Street was also home to the early African American lyric soprano, Lillian Evans Tibbs, known as "Madame Evanti" and to literary figures such as Langston Hughes, Jean Toomer, and Alain Locke who are also portrayed briefly in Williams's book.

In the chapter from which I took the title to this review, Williams shows everyday life on U Street during the 1940s and 1950s. During this time, the area included many African American owned businesses some of which, such as the Industrial Savings Bank and the small Whitelaw Market, still operate today. For me the high point of the book is a series of photographs by the African American photographer Gordon Parks which show a wide variety of U Street life, from stores to homes to street. Parks's photographs together with others (pp. 71-84) bring the U Street area to life as little else can.

Near the end of the book, Williams offers several photographs of the destruction resulting from the riots on U Street in 1968. He also tells the sad tale of the subsequent deterioration of many of the community landmarks. Recovery was slow, in part because the construction of the Metro station restricted access to U Street, driving out many of the businesses that tried to return to the area in the early 1970s.

The final chapter of the book shows briefly the current resurgence of U Street, juxtaposed with photographs of historical buildings that remain in a state of decay. Appropriately, the book both begins and ends with photographs of a landmark U Street restaurant, Ben's Chili Bowl, which survived both the 1968 disturbances and the Metro construction to celebrate its 50th Anniversary in August 2008. Ben's Chili Bowl is itself the subject of a recent book in the Images of America series.

Those who live in or visit Washington D.C. have the opportunity to visit U Street for themselves, to walk a historic trail, and to see the sites described in this book and more. But for those who may see U Street and for those who have no contact with it, this book captures something of a special community.

Robin Friedman

I really enjoyed the book, being a native Washingtonian it brought back some old memories.

I really enjoyed the book, being a native Washingtonian it brought back some old memories.

I recommend Folger's editions for Shakespeare for people like me who love to read Shakespeare, but need a little help. The left page notations on the text are helpful and well-placed for easy reading.

William Shakespeare's "Hamlet" is arguably the most famous play ever written in the English language; it presents the world with questions and characters that have been the subject of thespian and scholarly debate ever since the Prince of Denmark's first appearance on the stage of London's Globe Theatre. Probably written and first performed in 1601 (estimates vary between 1600 and 1602), the play draws on Saxo Grammaticus's late 12th/early 13th century chronicle "Gesta Danorum," which includes a popular legend with a similar plot centering around a prince named Amleth; as well as several more contemporaneous sources, primarily Francois de Belleforest's "Histoires Tragiques, Extraicts des Oeuvres Italiennes de Bandel" (1559-1580), which expands on the story told in the "Gesta Danorum," and a lost play known as the "Ur-Hamlet" (i.e., original "Hamlet"), sometimes also attributed to Shakespeare, but equally likely written by a different author a few decades earlier. Another work frequently cited in this context is 16th century playwright Thomas Kyd's "Spanish Tragedie."

Pursuant to Shakespeare's wishes and like all of his works, "Hamlet" was not immediately published, and the original manuscript did not survive. However, in the absence of copyright laws or other forms of protection of what today would be called the playwright's intellectual property rights, first bootleg copies (so-called quartos) based on transcripts made during or after performances began to appear in 1603. Yet, it would not be until 1623 - seven years after Shakespeare's 1616 death - that his former fellow actors John Hemmings and Henry Condell published 36 of his plays (including this one) in a collection known as the First Folio.

As no print version of any of Shakespeare's plays has a bona fide claim to its author's first-hand blessings, ever since the Bard's death the world is left with numerous questions about his characters' motivations and psychological makeup; first and foremost, in this particular case: who is this Prince of Denmark anyway, and what's driving him - is he a reluctant suicide or reluctant avenger? A Renaissance man? Wrecked by Freudian guilt? Genuinely mad, or merely putting on a clever act of deception? Or is he someone else entirely? - Indeed, we're even left in doubt as to what exactly it was that Shakespeare meant his characters to say, with all attendant interpretative consequences: Does the Prince wish for his "too too sullied" or his "too too solid" flesh to "melt, thaw, and resolve itself into a dew" in his first major soliloquy (Act I, Scene 2)? Does he really contemplate "the stamp of [that] one defect" which may fatally taint the perception of a man's other virtues, "be they as pure as grace," before meeting his father's ghost (I, 4)? Does Polonius, when sending Reynaldo on a spying mission after Laertes, refer to his scheme as "a fetch of wit" or "a fetch of warrant" (II, 1)? Do Hamlet's musings in "To be, or not to be" (III, 1) concern "enterprises of great pith and moment" or "of great pitch and moment," whose "currents turn awry and lose the name of action" by his doubts? Does or doesn't the sight of the Norwegian army while Hamlet is on his way to England (IV, 4) prompt him, who has so far failed to carry out his purpose, to reflect "How all occasions do inform against me," and conclude his soliloquy with the vow "from this time forth my thoughts be bloody or be nothing worth"?

How you answer any of these questions, and how you consequently view the play's characters, depends in no small part on the text you read. Like all Folger Shakespeare editions, this one is based on what the editors have deemed the "best early printed version," while allowing the reader a unique direct comparison of the principal reliable versions by including a text essentially combining these versions, with unobtrusive markers characterizing those passages appearing only in one particular version. For "Hamlet," the editors eschewed the play's very first (1603) quarto, which was possibly compiled by a journeyman actor and whose inconsistencies with all subsequent versions (textually as well as plot-wise and even regarding character names) have caused it to be generally considered a "bad" quarto, in favor of the 1604 Second Quarto, which some even believe to be based on Shakespeare's own first draft of the play and which, in any event, while more extensive than the 1623 First Folio (in turn, thought to be closest to the version(s) actually produced on the Globe Theatre stage), boasts about as secure a claim of authenticity as the latter. In some instances, the text follows the Second Quarto (Q2) without visually alerting the reader to the differences vis-a-vis the First Folio (F1), thus compelling those more used to the latter version to seek out the extensive end notes to reassure themselves that (in the examples given above) it might indeed be "solid flesh," "warrant," and "pith and moment" (F1) instead of "sullied flesh," "wit," and "pitch and moment" (Q2). In other instances, however, the First Folio's language (clearly marked as such) is given preference over that of the Second Quarto; while crucially, the text also includes all those passages *only* contained in the latter, including the "stamp of one defect" and "bloody thoughts" monologues, whose interpretation has such a direct bearing on many a reader's understanding of Hamlet's character.

The text is amplified by illustrations and annotations for those unfamiliar with 16th century English, scene-by-scene plot summaries, a short biography of Shakespeare, and introductory and concluding essays on this and the Bard's other plays and on Shakespearean theatre, as well as extensive suggestions for further reading, and a key to the play's most famous lines. While it is unlikely that after 400 years of debate any one version, be it in print, on stage or on screen, will be able to generate unanimous acceptance as the "definitive" rendition of this complex play, this is an excellent starting point for an in-depth excursion into the Prince of Denmark's world.

Also recommended:
The Oxford Shakespeare: The Complete Works 2nd Edition
BBC Shakespeare Tragedies DVD Giftbox
Olivier's Shakespeare - Criterion Collection (Hamlet / Henry V / Richard III)
William Shakespeare's Hamlet (Two-Disc Special Edition)
Grigori Kozintsev's Hamlet
Hamlet
Rosencrantz & Guildenstern Are Dead
Peter Brook's King Lear
Richard III
Julius Caesar

Centuries of audience recognize the brilliance of Shakespeare's Hamlet. This review treats the editing, printing, binding, appendices, et cetera - work done by Folger Shakespeare Library. Overall, a great product.

*** PRINTING & BINDING ***
This new 8.5 x 5.5-inch format is fantastic! Print is much sharper and bigger. Margins are much bigger - excellent paper quality. Binding/cover has a slight plastic laminate - more durable. Copyright 1992. (total weight: 18 ounces)
From 15 years, we still have a copy of the old 6.75 x 4-inch format - page for page identical content (same Copyright), but very cramped and hard to read - small fuzzy print - cheap coarse paper - tiny cramped margins - distracting.
The new 8.5 x 5.5-inch format is a tremendous pleasure.

*** APPENDICES ***
The essay by Michael Neill is also brilliant - "Hamlet: A Modern Perspective"

***** EDITING *****
Almost all of the editor's explanatory notes (on facing page) are helpful in finding the original meaning. However, in some cases they've missed it. These occasional blunders may betray a tinge of naive, academic reluctance to plunge in and fathom the depths of Hamlet's profound sadness, sarcasm and gloom.
exempli gratia :

Act 5, Scene 2, line 237-38
-- "Since no man of aught he leaves knows, what is 't to leave betimes?"
Hamlet's meaning: Since no one knows when they'll die, what is it to die early?

The editors have an embarrassing note:
"237-38. 'of aught he leaves knows' : knows anything about what he leaves behind"

Act 3.2.38
-- "I hope we have reformed that indifferently with us, sir."
Meaning: ... reformed our performance segments which were only average or mediocre ...

The editors misfire:
"38. 'indifferently' : pretty well"

Note: The word "indifferent" appears again in three more scenes. In all cases the meaning is: ordinary, unexceptional, somewhat, uninspired, tolerable, undistinguished, passable, average, mediocre, so-so ...
[see Act 2.2.245 / Act 3.1.132 / Act 5.2.110]

This really is "The Tragical History of Hamlet Prince of Denmark" and not only the Prince but his family. Not only his family but his friends. Not only his friends but all though that came before him and is told to those that came after him.

You can take time to scrutinize and pick apart many underlying themes or may of the phrases that now challenge Bible sayings in today's sound bites. But the real fun is in just reading the story and you will find that it is not as foreign as you may have thought.

A quick synopsis is that Old Hamlet conquered Old Fortinbras seizing his land. Now that Old Hamlet is dead, Young Fortinbras wants his land back and is willing to take it by force. Meanwhile back in Dänemark Young Hamlet who is excessively grieving for the loss of his father, gets a now insight from his fathers ghost. Looks like he was a victim of a "murder most foul"; it looks like his mother and uncle were in cahoots on the murder.

The story is about what each person felt and acted or did not act upon the situation.

You will find many movies and perverted imitations of the story but nothing will replace the original scripts that were intended to be watched.

Hanging Cpt. Gordon by Ron Soodalter was for me, an exceptional read. It's a non-fiction that reads like a novel, it's well written, and very fluid. The bulk of the books goes into the social and political sentiments of the mid 1800's especially as they related to slavery and the trafficking of slaves from the African continent to the Americas.

The author, I believe, pain stakingly and with great detail (20 pages of footnotes) painted a psychological picture of the major players, Cpt. Gordon, the prosecutor, the defense team (dream team of 1864) and of president Lincoln, and what motivated these men. We come to see Cpt. Morgan as an unfortunate but wretched soul, whose life and death had to be used as an example, that trafficking in slaves, along with slavery in the territories and new states would not be allowed.

From an historical stand point, it was interesting to see how New York and the other eastern seaboard states were heavily invested in the slave trafficking that was vital to the supply of slaves to the south. Slave trafficking florished during the 40 year period that anti trafficking laws were on the books as a capital offense. Trafficking florished and no one was hanged because of the involvement of New York financiers, insurers, ship builders, legal community and politicians.

This is not a feel good history book, but for those that want an accurate account of what took place in this country during the 1800's as it ralates to slavery, slave trafficking and slave laws, this is the book.

Hanging Captain Gordon is a good review of the slave trade and the majority attitudes that prevailed just before the start of the Civil War. The book arouses sympathy for Captain Gordon's widow and children, revulsion over the treatment of African captives, and horror at the crudeness of our entire justice system in the 18th and 19th centuries. It does not make me proud of my European ancestors. Anyone willing to critically evaluate American culture will benefit from reading this book.

The law on the books was quite clear in 1860. Any American convicted of engaging in the slave trade was subject to the death penalty. Surely Captain Nathanial Gordon from Portland, Maine had no reason to believe that this could ever happen to him as he sailed toward Africa on just such a mission in the Spring of 1860. For up until this time not a single American citizen had ever been sentenced to die for this most heinous of crimes. Yes, the slave trade was alive and well in the year before the American Civil War would commence and a great many Americans were still involved up to their ears. "Hanging Captain Gordon" is author Ron Soodalter's remarkable account of the life and death of one Captain Nathanial Gordon who would pay the ultimate price for essentially being in the wrong place at the wrong time. This is a captivating book that recalls a series of events that history had largely forgotten. It is compelling reading.
Most Americans will be shocked and disgusted when they learn just how widespread slave trading was in the first six decades of the nineteenth century. And what is most disturbing is how complicit many Americans were in this practice. There was lots of money to be made in the slave trade. Here in the U.S. many "respected" businessmen participated as investors in such enterprises. They would outfit the vessels and make all of the other necessary arrangements to carry out the sordid mission. Many of the the most prominent businessmen in New York and other major northern cities were involved. Many other Americans were all too happy to work as officers and crew members on these ships. And just in case someone was caught in the act there were legions of corrupt politicians and judges to provide cover. And so in 1860 as a divided America prepared to face off on the question of slavery here at home a lively slave trade continued to flourish in ports such as Havana and Rio de Janiero. It was Captain Gordon's great misfortune to be nabbed by the American steamer USS Mohican as he sailed westward with some 897 slaves on board. They were packed below like so many sardines. Nathanial Gordon and his crew had been caught red-handed at a time when the political winds at home were shifting dramatically. For it would come to pass that Nathanial Gordon of Maine would be made an example of. History would demand that he pay the ultimate price.
I found "Hanging Captain Gordon" to be very thoroughly researched and particularly well written. This one held my interest from cover to cover. Ron Soodalter gives the reader a very thorough picture of all of the forces at work and players involved in the highly charged atmosphere surrounding the trial and conviction of Captain Gordon. In addition, Soodalter presents more compelling evidence at just how great a President Abraham Lincoln really was. As many in American bombarded the President with requests for a pardon for Captain Gordon Lincoln resisted. He saw the hanging of Captain Gordon as an opportunity to send a clear message to all that slave trading would no longer be tolerated. In the end Lincoln was correct. Slave trading would largely disappear for nearly a century.
Ron Soodhalter concludes "Hanging Captain Gordon" with a "Afterword" on how new forms of slave trading have begun to re-appear in recent years. His examples are surely food for thought. "Hanging Captain Gordon" is packed with material I had never seen anywhere else. This one is an absolute must for history buffs. Highly recommended!

Mr. Soodalter does an amazing job by taking a little known event and giving it life. His characters and events are so real and the lack of support to end slavery is shameful. Although there was legislation, the politicians did little to prevent slavery from continuing (they all had them) and Soodalter shows how little things have changed in the world in his final chapter. This is an adventure, a great story, told by an excellent historian and story-teller. This is a must read!!

I was very pleased with this retelling of "The Legend of Sleepy Hollow." Donald Cook's illustrations will especially help in bringing the action to life for children. This book offers parents and children an opportunity to discuss the action and what they believe may have been the outcome based on the mysterious ending of the story. As other reviewers maintain, this is a great spooky story for kids.

My son LOVES this story, in all its many versions. Easy reading
(second grade) and lovely illustrations. A must have for those who love to be "spooked"!

This is a children's version of the Washington Irving ghost story. My 7-year-old son read it in one afternoon and loved it. This will get any child reading who is the least bit interested in scary stories. Especially recommended for kids who are a little too young for Goosebumps but desperately want to read them.

A classic, brilliantly written novel. A schoolmaster, and a little town in colonial New York, create a normal, sometimes humerous beginning to the novel. However, as the tale goes on, you hear of the Ledgend of the Headless horseman of Sleepy Hollow. This mysterious, classic thriller will have you sifting through the pages you'll never be prepared for the unexpected, climacting conclusion! A must read for any Halloween fan! Just a brilliant story, hands down.

What a great nutrition book. It covers everything. It's like having a session with your own personal dietician. The format is easy to follow, the layout is colorful and interesting and it inspires the reader to make sound nutritional changes in their diet and develop healthier habits in their life. I wish I'd read this book years ago.

I found this book lives up to its title. It is an all around, useful aid to get off the yo-yo diet track, and onto a lifestyle change. We all know that is easier said than done. I am using the journals, and finding all their suggestions to be realistic. I love the idea of pleasurable eating as well as healthy eating. It is wonderful to have a "guidebook" written by professionals who really know their subject-and their audience.

This book is fun and easy to read. It is a week to week guide book on getting healthy. The assignments are realistic and attainable, so I was encouraged right off the bat! It's a refreshing realistic look at diet and fitness. I highly recommend it!

We used the Healthy Habits for Life as our winter employee wellness promotion and it was an overwhelming success. Staff evaluated it highly and provided comments such as "it was the most common sense approach I've seen." "It was the kick-off to our family's lifestyle change." We plan to offer it to our employees every year.

Suspend all your usual stereotypes about insensitive or materialistic surgeons! Donald W Miller, a cardiac surgeon, is a most knowledgeable, sincere, and deep thinker who has contributed a monumental work of art to our human quest for understanding. Heart in Hand is a wonderful gift, especially in this Information Age where true meaning and personal significance are often lost to Moore's Law and the next Microsoft takeover. Miller's exhaustive reflections on the nature of life are backed by solid scientific evidence, intuition, and a passionate appreciation for philosophy (especially that of Arthur Schopenhauer), Woody Allen movies, classical music, biology, and mystical experience. Although it seems almost impossible to integrate these diverse resources into only 213 pages of text, Miller does it brilliantly, adhering to his own message in the book that simplicity is a virtue. Examples of simplicity he provides include the guileless but compassionate fool of Danny in Woody Allen's Broadway Danny Rose, and the ageless simplicity found in the immortal music of the Beatles and Theolonious Monk.

Heart in Hand helps us realize that we are all deeply interconnected. All matter in the universe is comprised of leptons and quarks, force is really the same as substance, and we are all products of the big bang. He advocates for scientific and analytical thinking, but admits to the limits of this approach and suggests a need for mysticism and intuitive understanding too. However, don't mistake Miller's openness to mysticism as an endorsement of Western religion. Probing questions about religion will raise many ecclesiastic eyebrows, and he may get tossed out of a few churches! For example, he doubts that we have souls if we evolved from bacteria, and describes the secret and cunning of priests as "pretending to possess the means to satisfy mans great metaphysical need by saying that the great riddle has reached them direct." His deep sincerity and honesty is evident, and his description of Schopenhauer's writings on morality is a good primer for many supposedly good religious folk who are actually more instrumental in separating the human race through judgemental thinking than encouraging true compassion.

This grand integration of multiple dimensions of science and art succeeds on many levels. This is a technical book with tons of useful information on biology, history, art, and even sex, and Miller shares many personal preferences for future reading and listening. This is also a very fun book that celebrates life while standing on the shoulders of many significant and creative minds. You may want to read Heart in Hand multiple times, and will surely come away with new insights and pleasure every time.

There are still many questions unanswered. What happened before the big bang? Could there still be a personal God? Is there a personal purpose for each person during this brief planetary residence? Miller by no means answers all these questions. There will always be more questions to ask. What Miller does offer are personal experiences, knowledge that is extensive and refined, and great insight. Heart in Hand will most surely enrich your life. The surgeon adequately satisfied this psychologists' desire for a great read! I'll refer to it often in my work with clients.

Dr Miller told me of his book, and as I was so impressed with him as a person and a surgeon, it was the first book I read during my recovery. Even though I was still on pain killers when I started, I couldn't put it down, staying awake longer than I should have each night.

I heartily agree with the first two reviews written before mine, and will let them stand as my views also.

To unwind from his work, Dr. Miller told me he that on Saturdays he frequently gets an intellectually stimulating book on tape, and then takes his dog for an all day hike in the Cascade Mountains (near Seattle) while he listens to the book. This gives me the thought that he really is a renaissance man.

Pain killers aside, I thought the whole theme falls together for you during the last few pages. You may wonder as you go along as to how it all falls together. He does not disappoint you at the end.

I felt it was one of the best books I have ever read.

If you liked THE POWER OF MYTH, the PBS TV series/book of Joseph Campbell interviews by Bill Moyers, you will be captivated by HEART IN HAND. Joseph Campbell tells us how religions and myths from many cultures are, essentially, one variegated story of humankind's spiritual journey. Dr. Miller, in a most readable prose style, takes current knowledge from many scientific fields--medicine, astronomy, biology, quantum physics--and relates it to philopsophy, humor, religion, and the arts, particularly music.

When he describes his book as 'reflections on the nature of life,' don't jump out of your easy chair. This book is the opposite of pompous. In our so called Information Age, it is hard as hell to get a grip on what we are really doing on the planet at the end of this tumultuous century. This book helps. Dr. Miller offers the layman, like myself, a science lesson and then shows how the intricate facts of the physical world relate to the domain of the soul. For one who is uncertain about what evolution means, he gives a telling explanation in terms of genes--ours and those of our ancestors. He draws from his extensive personal interests--microbiology, sex, opera, jazz, Arthur Schopenhauer, conducting a symphony orchestra, Jack Kerouac, Richard Wagner, Thelonious Monk, compassion in the practice of medicine, Woody Allen, God, and death--and translates them into integral meditations about what it is to be alive. As he goes along, he connects things, a lot of things. Joseph Campbell describes our mythological exit from the Garden of Eden as moving from unity with God/Eternity into a world of opposites/duality, man/woman, and mortality. Microbiology informs us that single-cell bacteria clone asexually and keep reproducing ad-infinitum, as long as they have a favorable environment. Death, in evolutionary terms, is not part of the 'program' until these little bits of life evolve far enough to reproduce sexually. This eventually occurs in more advanced single-cell organisms called eukaryotes that exchange and commingle their genetic DNA to produce genetically new offspring. These ancient ancestors also reside East of Eden, genetically programmed to 'senescence and eventual death.'

This is a highly personal and diverse choice of subject matter. If it were not, he would have written a rather eccentric textbook. Because he cares deeply, and has cared for a long time, about what is beneath the surface of things, this is an exceptional and valuable book by an unusually curious man. Dr. Miller is a wonder in his ability to concisely reveal so much useful information in a little over two hundred pages. He is completely honest in telling us what science knows and does not know. From his practice of medicine he offers convincing evidence of how our emotions and moral choices profoundly influence our physical health. He neither preaches nor does he attempt to dispel the mystery of existence. To the contrary, the 'big picture' he gives us is, as the kids say... awesome. He quotes jazz pianist Bill Evans regarding the meaning of art. Bill said it's to enrich life. This book will enrich your life.

If one has trepidations about mortality, then Dr. Donald Miller may assuage his and her misgivings. His book, Heart In Hand, however, is not just about death and dying, it is about life and living. Indeed, Dr. Miller traces the beginning of life to the one-celled amoeba and carries it forward to man in its highest form, most notably, as defined by Arthur Schopenhauer, Richard Wagner, and Woody Allen. He also makes several references to himself, his family, his friends, and his patients.

He no doubt has spent sleepless nights in Seattle as a heart surgeon, and in the process, has much time to think about six facets of life, each one represented by a chapter in his book. While it may be unusual for one to cross the divide between Schopenhauer and Allen, one sees where the two are not far apart, except by 147 years between birth, and the book is filled with quotations of both, which are treats, and saves one from the tedium of heavy reading, especially Schopenhauer; all of this in just 213 pages of text, with additional endnotes, reading and film selections.

Dr. Miller's explanation of evolution has condensed the so-called theory into very interesting and coherent facts, and could be a primer for teachers. There are also many other facts that could be described as interesting trivia. And his explanation of sex, and indeed, compassion, touches the sensibilities. His chapters, "Searching for God," and the "Metaphysics of Music" are engrossing. But the chapter "Confronting Death" should get to core of everyone's being. Of course, death is inevitable, and when one is born, every day he and she creeps one day closer. But knowing it doesn't help. And for many, it is a perplexing and often debilitating experience. Dr. Miller enlightens us with one quotation from Schopenhauer, "Where was I before my birth?" "For it is irrefutably certain that non-existence after death cannot be different from non-existence before birth..." If one is hesitant to confront any of the volumes that have been written to assuage our fear of death, this chapter is enough. It takes us there without cringing, and with a simple but plausible explanation.

It is Schopenhauer and Woody Allen who are the main players in this book. Unless one has read the older philosopher, probably in his most important work, "The World as Will and Representation," and "Essays and Aphorisms," a compilation selected and translated by R. J.. Hollingdale, much has been missed about his views about compassion, living and dying. Likewise, unless one has analyzed the films of Woody Allen, and assumes that he is more than a comedian, then Dr. Miller shows where he is a deep thinker, and very preoccupied with death, which is made light through his comedy, but has a very serious and obvious cognizance. Dr. Miller is generous in his observations about Schopenhauer, Allen, and finally Richard Wagner, who was immensely influenced by the philosopher and his above mentioned book, and his chapter, "The Metaphysics of Music" is one that will inspire all music lovers, especially Wagnerians. The good doctor again reminds us about the soothing effects of music on our health.

So here we have a small volume packed with much to think about. It is a quick read, engrossing, and one which the reader will no doubt absorb in one sitting, and feel good about it.