Warren Books
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Not what I bet on, more than what I bargained forReview Date: 2003-01-17

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Shows where religion eres from the Bible!Review Date: 2008-07-22

wkrcReview Date: 2005-03-30
yes... in a sense phan
one who thanks wahyeh only for favors received after
being diverted from atheism by malachi constant
krc ups?
ong tall next day
perhaps phan seeminglly
chip?
yes... the puke green chip rob smiling breifly
gentle centurions?
af.cbp erdos shine
?
maybe
preocupation of attention spanning cognition
like trix?
i wouldn't list trix without prionic insomnia diverimento
is classical music they know
pogonip in dictionary
we're equzal on that
you are barber in navy?
genetically at least, by demeanor of ballot box freak.. genetic i suppose
box genetic information... the passing of script by assent in placve or mail
alt.mindcontrol smrc af?
dog already bit your ear off on the pen in the ear...
you fast mf... josh and i wrestle against you if you not
have pens
pencil... not pen
yes... geometry striking the dreadnaught of am strand
dark now
pogonip was a lark to them... then they gd'd ong through ft meade who that
world bank chairman...
we list his credit card numbers, black default... he make
interest on our borrow
and you would pay your own stock exchange back
one hand wash other

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Review of The Historical Dictionary of MaltaReview Date: 2007-01-19
Dr. Berg has provided a superb historical overview of this marvelous country and its rich history.

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A concise guideReview Date: 2006-08-18

Excellent historical reference for these townsReview Date: 1999-02-02

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Rendered with detailed exactnessReview Date: 2005-12-20


An Invaluable ResourceReview Date: 2000-07-31
With these principles firmly in mind, she relates the key figures and events beginning with the reaction to the Stamp Act in the mid-1760s. From this point, she provides an able and suprisingly veracious account of the principal political, military, and diplomatic occurences, as well as the ideological status of both the American and British people. In addition to this, she also makes a point to illuminate several important yet neglected individual and the part that they played in the struggle. The historical significance of such accounts are further augmented by the fact that Warren herself was personally acquanted, either in person or through correspondance. Her relationships, fortunately enough, were not restricted to obscure figures, but rather extended to many figures of enduring stature, such as John Adams.
Ultimately, the main value of the work is that it presents a contemporary scholarly exposition of the events of the American Revolution through the eyes of an individual who clearly embodied the libertarian and republican tendencies of the era. In the same vein, the work garners further importance as an example of the Anti-Federalist tradition. Warren, as many may know, was an outspoken opponent of the Constitution, writing as the reknowned "Columbian Patriot." The final chapter of this work offers further insight into this aspect of her though, so much so that Herbert J. Storing included it in his 7 volume collection of Anti-Federalist material.
Although the value of this work is immense, it goes without saying that one should not engage it as the definitive account of the Revolution. One should, of course, consult the works of modern scholars to gain a more comprehensive account of era. Still, Warren's volumes stand as perhaps the finest contemporary account of the Revolution, and they certainly deserve more attention than they have received in the nearly two centuries that they have been available.

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Wow! This one is different! Well done!Review Date: 2003-06-22

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THE BEST INSPIRATIONAL ROMANTIC TALES I HAVE EVER READReview Date: 2003-10-24
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It was originally a series of lectures delivered during the 1930's, updated and revised for print in the 1950's by the author himself. It talks about the role of the artist, the problem (described by Tillich) in modern culture of man being reduced to "a mere thing", where the world has been arranged so that "everything is a means to ends which are themselves means", without any ultimate goal, and how the true artist offers mankind a vision to grow beyond this.
He also explores the relation between the vision/philosophy/activity of the various authors and the Christian vision/philosophy/activity towards life, at first in relation to virtue (courage, discipline), to the reality of evil as something that cannot be explained away, but must be confronted (this was hauntingly well done), to the experience of the eternal within the temporal (mostly Eliot), some kind of awakening/conversion (all the authors), the corrosiveness and destruction of rationalism of any sort (everyone but Hemingway), and redemption (mostly Warren). It wasn't overdone or proselytizing, it was an accurate and fair appraisal of the authors themselves (Hemingway is _not_ made into a Christian, etc.). I actually found it very corrective and illuminating for my own understanding of these things, it made them much more concrete, manifest, less obscure and theoretical, less campy and sub-cultured (I was an Anglican Christian derascinating from Protestant Evangelicalism at the time I read the book).
The conclusion again briefly revisits the role of the artist within a society as one who offers you a vision of reality and explores it, helps you encounter it; whereas most of what passes for art today is really kitsch, a narcotic playing on assumed sympathies, entertainment rolled off a factory line that deadens the mind and dulls the wits. He notes how these authors bring the reader to a new encounter with reality, and the author himself did this for me in the process, while whetting my appetite to read the authors he writes about.
I can't more highly recommend it. I would also read Adorno's _Critical Models_ along with this.