Ward Books

As a Benedictine, I am concerned with having accurate translations of the Holy Rule by which I live. Justin McCann's translation is the very best, free of the revisionism of many other translations. It is the only one I keep. I hope it never goes out of print!

Those of us who live and ride in or near Salida have known for years that there is much more to love about the area than the famed Monarch Crest Trail. But we would be the first to admit that some of the best of the riding in the area is rarely seen because it isn't necessarily easy to find.

Salida Singletrack has helped me to know the Upper Arkansas Valley better than I knew it before. I expected riders visiting here to benefit from a good guide book, but I never expected to have the book help me find new great rides right close to home.

Nathan's section for every "The Ride: Mileage Log" can help anyone with an odometer find the route. His descriptions are enticing and full of background information. Salida Singletrack is a fun book that's also very accurate and useful.

Pick up a copy of Salida Singletrack, then pay us a visit and find out just how good is some of Salida's lesser known riding.

Quilts are a lot like people. They are not overnight undertakings. They seldom turn out the way they were intended. Colors change when you run short of fabric. Edges misalign where you least expect it.

When Carol Nielson and her husband inherited an album quilt-half a quilt, to be precise-she had no idea of the journey on which the fragile folds of appliqués and painstaking stitches would call her. Created in 1857 by the women of the Salt Lake City LDS 14th Ward, the quilt was raffled off to raise money for the poor, the Perpetual Immigrating Fund, and for various Mormon charitable enterprises. Each block was designed and signed by one of the women, many of whom were wives of leading church authorities.

Nielson's desire to find the quilt's other half, and to find out more about the women whose legacy she had-both literally and figuratively-inherited, led her back in time through countless lives of hardship, joy, and spiritual conviction in the face of adversity.

Filled with detailed photographs of the quilt and images of those who stitched the blocks, this book is a stirring read, a rich and beautiful testimony to women whose hands shaped not only thread and cloth, but also a state, forging a community with their pioneer spirit.

"Carol Nielson has not only brought together two halves of a quilt, she has restored a forgotten community of women. Her patient research has transformed a family relic into a communal treasure."
-Laurel Thatcher Ulrich, author of A Midwife's Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812

"A vital contribution to Utah's rich history adding to an unfortunately under-appreciated and under-documented part of our history-frontier women."
-William Slaughter, Church of Jesus Christ of Latter-day Saints Historical Department

"A compelling and thorough study of a quilt, the pioneer women who stitched it, and ultimately, the Mormon experience that defined them."
-Kae Covington, author of Gathered in Time: Utah Quilts and Their Makers, Settlement to 1950


Carol Holindrake Nielson has a BA in English education from Utah State University. She has been a teacher, tutor, and an historical interpreter at Mount Vernon, Virginia. She lives in Layton, Utah.

78 color photographs, 45 halftones

This whole wonderful series (Scholastic Success With Maps by Linda Ward Beech) is so much fun and perfect for asynchronous learners. It is so colorful and clear and beautiful. A great deal for a full-color workbook series that goes step-by-step through all the map reading and map using skills. Five stars for all five books!

This whole wonderful series (Scholastic Success With Maps by Linda Ward Beech) is so much fun and perfect for asynchronous learners. It is so colorful and clear and beautiful. A great deal for a full-color workbook series that goes step-by-step through all the map reading and map using skills. Five stars for all five books!

You're probably familiar with the game Hangman, but just in case you aren't, here's how it works with two people: an individual comes up with a word or phrase while the other must guess it. At the bottom of the page are blanks representing letters. As the player guesses the letters, they are written in the appropriate spot. However, if a wrong letter is guessed, a body part is drawn on the gallows. If an entire body is drawn before the phrase is guessed, the one doing the guessing loses.

In his clever Scratch & Solve Hangman, Mike Ward offers a neat twist on an old favorite. You know how instant lottery cards require you to scratch off the metallic finish to reveal what's underneath? That's exactly the way this book works.

For each of the 96 puzzles, there are three components:

*Silver eggs for A through Z
*A dotted-line stick figure on the gallows
*Numbered blanks at the bottom

Here's an example of how a puzzle works. For puzzle one in the Scratch & Solve Hangman #3, I guess the letter "E". When I scratch off the silver egg under "E", it shows the numbers 6 and 8. I go to the bottom of the page and fill in the letter "E" for blanks 6 and 8.

I then guess "R", which revealed a stick figure sticking his tongue out! This means that the letter "R" is NOT a part of solution. If I had revealed six of those faces--which indicates drawing in the head, arms, torso and feet of the body on the gallows--then I would have lost!

However, because I guessed the phrase (poached eggs) before I drew all six body parts, I win! (Admittedly, I had the head and both arms drawn in before I guessed it! Whew!)

This little book is very portable, providing amusement and distraction just about anywhere. Highly recommended if you love Hangman!

You're probably familiar with the game Hangman, but just in case you aren't, here's how it works with two people: an individual comes up with a word or phrase while the other must guess it. At the bottom of the page are blanks representing letters. As the player guesses the letters, they are written in the appropriate spot. However, if a wrong letter is guessed, a body part is drawn on the gallows. If an entire body is drawn before the phrase is guessed, the one doing the guessing loses.

In his clever Scratch & Solve Hangman, Mike Ward offers a neat twist on an old favorite. You know how instant lottery cards require you to scratch off the metallic finish to reveal what's underneath? That's exactly the way this book works.

For each of the 96 puzzles, there are three components:

*Silver eggs for A through Z
*A dotted-line stick figure on the gallows
*Numbered blanks at the bottom

Here's an example of how a puzzle works. For puzzle one in the Scratch & Solve Hangman #3, I guess the letter "E". When I scratch off the silver egg under "E", it shows the numbers 6 and 8. I go to the bottom of the page and fill in the letter "E" for blanks 6 and 8.

I then guess "R", which revealed a stick figure sticking his tongue out! This means that the letter "R" is NOT a part of solution. If I had revealed six of those faces--which indicates drawing in the head, arms, torso and feet of the body on the gallows--then I would have lost!

However, because I guessed the phrase (poached eggs) before I drew all six body parts, I win! (Admittedly, I had the head and both arms drawn in before I guessed it! Whew!)

This little book is very portable, providing amusement and distraction just about anywhere. Highly recommended if you love Hangman!

Not rocket science entertainment here but overall a good deal for the price. All you need is a coin and a pen. Great for travel.

You're probably familiar with the game Hangman, but just in case you aren't, here's how it works with two people: an individual comes up with a word or phrase while the other must guess it. At the bottom of the page are blanks representing letters. As the player guesses the letters, they are written in the appropriate spot. However, if a wrong letter is guessed, a body part is drawn on the gallows. If an entire body is drawn before the phrase is guessed, the one doing the guessing loses.

In his clever Scratch & Solve Touch Hangman #3, Mike Ward offers a neat twist on an old favorite. You know how instant lottery cards require you to scratch off the metallic finish to reveal what's underneath? That's exactly the way this book works.

For each of the 96 puzzles, there are three components:

*Silver eggs for A through Z
*A dotted-line stick figure on the gallows
*Numbered blanks at the bottom

Here's an example of how a puzzle works. For puzzle one in the Scratch & Solve Tough Hangman #3, I guess the letter "A". When I scratch off the silver egg under "A", it shows a face in profile, sticking his tongue out. This means that I have to draw in one of the six body parts because "A" is NOT a part of solution. If I had revealed six of those faces--which indicates drawing in the head, arms, torso and feet of the body on the gallows--then I would have lost! And, as it turned out, I only guessed the letter "S" on correctly on the first one...which means I got hanged!

I then tried puzzle 2. I scratch of the silver egg under "T", which reveals the numbers 1, 5, and 9. I then go to the bottom of the page and fill in the letter "T" for blanks 1, 5, and 9. Fortunately, I solved this puzzle with just 4 body parts drawn. Whew! (The answer was "trustworthy")

This little book is very portable, providing amusement and distraction just about anywhere. It's much more challenging than the regular Scratch & Solve Hangman Games so if you find that series a bit too easy, try the Tough Hangman series! Highly recommended if you love Hangman (and brain farts)!

Since his achievements as a music publisher are familiar, may I recall that Don Gillespie's biography is a masterpiece of historical recreation--personal and yet factual, detailed and yet thorough--about an obscure but influential music figure in American music a century ago. For those who don't already know, Ward taught Delius, assigned to manage a plantation in northern Florida, more than he learned at the Leipzig music academy a few years later. One charm of Gillespie's book is incorporating his research efforts into the narrative. Indeed, were I a professor of graduate musicology, this is the sort of book I would give to my best students as an example of how to do uniquely valuable scholarship with otherwise forgotten eminences. The awards this book did not receive upon publication are hereby discredited