Ward Books

This book was well-planned from the outset. Three of the most highly respected authors from the US, Great Britain, and Germany bring treatment philosophies together in a manner that pays great attention to pictoral demonstration. A comprehensive book dealing with current approaches to cranio-maxillofacial trauma has been long overdue. Of particular mention here is the respect to which these authors have given to reconstruction of the soft-tissue component of injury, including facial nerve injury. The book is well-written in general. The treatment concepts reflect current practice standard, including the use of modern imaging and case preparation techniques. The color illustrations are well chosen throughout. It is highly recommended

Jeffrey R. Marcus MD
Chief, Pediatric Plastic Surgery
and Craniofacial Surgery
Director, Craniomaxillofacial Trauma
Duke University
Durham NC USA

I have to believe that any body who reads any one of Shel Silverstein's books is going to want to read the rest of his works and want to know something about the author who has become one of their favorites. In this juvenile biography by S. Ward, young readers will learn about the cartoonist and musician who became a beloved children's author. They will find it interesting that his work was first considered too childish for adults and too adult for children. But most kids know the adult world does not make a whole lot of sense (a lesson they probably learned, in part, from Silverstein's books).

Ward does try to provide some critical perspectives on Silverstein's work; for example, while describing Silverstein's first book, "The Giving Tree," a side-bar notes that some people thinking the story is more about a selfish boy than a giving tree. Ward also talks about how Silverstein wants people to make up their own minds about his stories, which is another good things for kids to know about literature. I really like how Ward talks more about the relationship between an author and their work, and that work and its readers, than focusing just on the biographical details of his life. That is what makes this a first-rate introduction to Silverstein for young readers.

I do find it somewhat ironic that visually this is such a busy book. Silverstein's books are black on white, whether we are talking the lines of verse or the ink drawings. These books have detailed backgrounds, with the page numbers on gold ribbons, Silverstein's signature in gold ink under the picture, which is in a wavy paper shape, and much, much more. This is a format used throughout the About the Author series, which makes it over ironic to have visual overkill in a children's series about writers.

"Meet The Tiger" (later retitled "The Saint meets the Tiger") published in 1928, was Leslie Charteris's first book in the Saint Saga (even though Hodder & Stoughton later pretended that Enter the Saint was, presumably because they weren't the publishers of the former).

It's a useful (though not infallible) rule of thumb that if a book doesn't hook you by the end of the first page, it's not going to. Here are the first two paragraphs of "Meet the Tiger":

'Baycombe is a village on the North of Devon coast that is so isolated from civilisation that even at the height of the summer holiday season it is neglected by the rush of lean and plump, tall and short, papas, mammas, and infants. Consequently, there was some sort of excuse for a man who had taken up his dwelling there falling into the monotony of regular habits -- even for a man who had only lived there for three days -- even (let the worst be known) for a man so unconventional as Simon Templar.

It was not so very long after Simon Templar had settled down in Baycombe that the peacefully sedate village became most unsettled, and things began to happen there that shocked and flabbergasted its peacefully sedate inhabitants, as will be related; but at first Simon Templar found Baycombe as dull as it had been for the last six hundred years.'

Not the greatest opening Leslie Charteris ever wrote -- he was to become pretty skillful later -- but quite respectable for a young man of 21 in only his third book. The character so introduced, of course, was to become the longest-running fictional hero of the 20th century.

Even at this early stage, the Saint (plausibly from his initials -- but you knew that) is a more well-developed, more travelled and certainly more eccentric character than his near-contemporary, Bulldog Drummond. There are few of the wilder parts of the world which he has not visited, and few of those in which he has not had adventures. He has won a gold rush in South Africa, and lost his holding in a poker game twenty-four hours later. He has run guns into China, whisky into the United States and perfume into England. He deserted after a year in the Spanish Foreign Legion (Drummond would have been horrified at the idea of joining, let alone deserting).

Likewise Patricia Holm, the Saint's companion in so many later adventures, is a much more interesting heroine than boring little Phyllis Drummond, who exists only to be kidnapped and rescued -- someone whom the swine have got, or might get, and nothing more.

The elements of the plot are pretty much the standard stuff of the day: a debonair hero for the reader to identify with; a million dollars in gold stolen from a Chicago bank by a mysterious mastermind known as The Tiger; a gang of ruthless criminals; and of course a damsel in distress. What separates this from the majority of such efforts is the way Charteris plays with these elements -- tongue clearly in cheek, in places -- and weaves a story that carries you along from first to last. Some of the characters (Algy, for instance, or Aunt Agatha) are so skillfully drawn that you feel you'd recognise them if they walked into your local pub.

Other characters that recur later include Simon's faithful manservant Orace, and -- briefly, in Knight Templar -- Detective Inspector Carn.

From what I can make out, "Meet The Tiger" is very difficult to get hold of; but if you want to read the Saint books it's worth making the effort. They're definitely best if read in the right order.

P.S. For a list of -- and discussion of -- all Charteris's Saint books, see my So You'd Like To... Guide.

"Meet The Tiger" (later retitled "The Saint meets the Tiger") published in 1928, was Leslie Charteris's first book in the Saint Saga (even though Hodder & Stoughton later pretended that Enter the Saint was, presumably because they weren't the publishers of the former).

It's a useful (though not infallible) rule of thumb that if a book doesn't hook you by the end of the first page, it's not going to. Here are the first two paragraphs of "Meet the Tiger":

'Baycombe is a village on the North of Devon coast that is so isolated from civilisation that even at the height of the summer holiday season it is neglected by the rush of lean and plump, tall and short, papas, mammas, and infants. Consequently, there was some sort of excuse for a man who had taken up his dwelling there falling into the monotony of regular habits -- even for a man who had only lived there for three days -- even (let the worst be known) for a man so unconventional as Simon Templar.

It was not so very long after Simon Templar had settled down in Baycombe that the peacefully sedate village became most unsettled, and things began to happen there that shocked and flabbergasted its peacefully sedate inhabitants, as will be related; but at first Simon Templar found Baycombe as dull as it had been for the last six hundred years.'

Not the greatest opening Leslie Charteris ever wrote -- he was to become pretty skillful later -- but quite respectable for a young man of 21 in only his third book. The character so introduced, of course, was to become the longest-running fictional hero of the 20th century.

Even at this early stage, the Saint (plausibly from his initials -- but you knew that) is a more well-developed, more travelled and certainly more eccentric character than his near-contemporary, Bulldog Drummond. There are few of the wilder parts of the world which he has not visited, and few of those in which he has not had adventures. He has won a gold rush in South Africa, and lost his holding in a poker game twenty-four hours later. He has run guns into China, whisky into the United States and perfume into England. He deserted after a year in the Spanish Foreign Legion (Drummond would have been horrified at the idea of joining, let alone deserting).

Likewise Patricia Holm, the Saint's companion in so many later adventures, is a much more interesting heroine than boring little Phyllis Drummond, who exists only to be kidnapped and rescued -- someone whom the swine have got, or might get, and nothing more.

The elements of the plot are pretty much the standard stuff of the day: a debonair hero for the reader to identify with; a million dollars in gold stolen from a Chicago bank by a mysterious mastermind known as The Tiger; a gang of ruthless criminals; and of course a damsel in distress. What separates this from the majority of such efforts is the way Charteris plays with these elements -- tongue clearly in cheek, in places -- and weaves a story that carries you along from first to last. Some of the characters (Algy, for instance, or Aunt Agatha) are so skillfully drawn that you feel you'd recognise them if they walked into your local pub.

Other characters that recur later include Simon's faithful manservant Orace, and -- briefly, in Knight Templar -- Detective Inspector Carn.

From what I can make out, "Meet The Tiger" is very difficult to get hold of; but if you want to read the Saint books it's worth making the effort. They're definitely best if read in the right order.

P.S. For a list of -- and discussion of -- all Charteris's Saint books, see my So You'd Like To... Guide.

If you're looking for this item and you actually find one for sale, then you should probably buy it. The quality of the content is about on par with the original edition of Dungeons and Dragons. There are fewer spelling errors in it.

I bought this book at my college book store in 1986. I've tried almost every recipe and they're all easy to follow and yield great results. I usually need photos to help me out but this is so thorough they're not necessary. I loan it so often that I'm looking to pick up a few copies for friends. If you want to eat "clean" this is a good place to start and most of the ingredients are available at typical or whole food grocery stores. You can also gain some knowledge about the region, which in today's political climate can't be a bad thing.

Just wanted to say this is one of my favorite books. I very much
like books regarding real people and their Christian lives.
This one is special because of the man himself. I have brought
several of these books and give them to friends so they can
enjoy hopefully as much as I have. Mr. Ward grew up and lived
in my area of the U.S. which made it even more interesting and
relevant to me.
I just hope you enjoy it half as much as I did. Enjoy

Without a doubt, these CDs are the very best product I have had for outreach to teenagers. I have bought all 4 that are on the market, and can't wait until they make some more. They are intersting, challenging, relevant and steeped in God's word.

When we think of the Civil Rights movement we reflect on the efforts of Martin Luther King, Jr. and all of the great challenges of the 1960s and 1970s. Professor Mary Ward takes us through a time before the movement where the foundation for social progress was being realized. A Mission for Justice is a detailed look at the struggles of the African American people by way of the Black church. I have had the privilege of taking classes with Professor Ward at Fordham University. She brought to her classes intensity and impressive knowledge about the African American experience and the Black Church. I believe you'll feel the same in her book.

Or even just love the early Gothic genre then this book is a MUST READ!

So little was ever known or written about Radcliffe but Norton does a spectacular job of digging and unearthing some fascinating and wonderful facts, tidbits and surmises. Since not a lot was known on Radcliffe he follows a lot of conclusions on her upbringing, life, marriage and writing to a very crystal clear logical conclusion.

He writes extensively on her novels and the influences that she read and saw (plays etc.)that formed her glowing genius with the pen. Different theories of the sublime, terror, horror....the picturesqe that she obviously had read and applied.

This is one of those very specific biographies. It's read because you are one of the many enchanted followers of her magic pen. If you adore Radcliffe and thrill at her turn of phrase and the deeply nostaglic past she dredges up in her pages than this biography by Norton is absolutely indispenible to you. You will come away with something having learning a great deal on her, her times, her influences, the long reaching influence of her novels, as well as some tidbits of not so important but engaging nevertheless facts.