Wagner Books

This fast paced and very readable book is sure to catch the interest of baseball fans and sports card collectors, as well as would-be detectives. It's a good length for even the reluctant reader. Set in a small city on the Mississippi River, the story has been well researched. The author obviously has a good knowledge of sports card collecting, as well as a keen understanding of kids! The characters in the story are well developed and diverse. As a read aloud, the book sparked the interest of the whole class . I've been using this book in my fifth grade classroom for several years now, and it's alwqys a favorite. The students invariably ask for other books by Ms. Amann.

I initially read this book because I knew the author, and the story takes place in my hometown. After reading the first couple of chapters, I was eager to find out what was going to happen. It was exciting! I also enjoyed learning more about baseball cards and the value of collecting them. This is an excellent book for children (and their parents) who want a good mystery about something that they are interested in (baseball and baseball cards). A great birthday or Christmas gift!

The T206 Honus Wagner Caper is an exciting mystery. It takes place in LaCrosse, Wi. where I live. The scenes in the baseball card shop and at the boathouse are my favorites. The young boys in the story sure get themselves into a lot trouble. I would recommend this book to anyone who enjoys suspense, with a flavor of baseball mixed in.

Even if you know little or nothing about baseball or baseball card collecting, you will enjoy this book. I read this book with my twelve year old son and we were both caught up in the story and the mystery. The characters and setting come alive for young people; my son couldn't wait to find out what would happen. There is enough suspense to keep an adult interested so it is a great story to share at bedtime or while riding in the car. I highly recommend this book for boys and girls in late elementary school.

This is a fabulous book. I happened to see a documentary on PBS about this family. So after watching it, I checked out Amazon to see if there was a book, also. I ordered the book and read it in 1 day. I could not put it down. Highly recommended!!

I really don't like to read...let alone do a report on something that I have read! I don't know why, but I actually like doing it for this book...... It has some really funny, sad, and just odd things in it. I mean who would have a pet goat as a kid? I am in Highschool and lots of my friends and teachers were all dying to read this book. I would sit in class and read bits and pieces and the kids around me would always want to hear more...it was weird! Stuff like having a boxing ring in the front yard, or ten sisters sleeping in one bed not knowing who wet the bed in the morning...for some reason that sparked their interest???? Then there was the sad stuff in the book that was described in detail. It really made me learn a lot more then I already knew about these ladies, it's like stepping into their shoes (although they didn't wear them too often) I really like the book, after I read it there were just soo many things to tell about it in the report I did for my sophmore English class that it ended up getting an "A"...which is odd for me! :) This book is great...there are just soo many things to like about it, so many stories. The part I really like about the book though was that sometimes the sisters had different view points about the story, it was kinda neat to see what each one said about certain things...if they remembered or included it. And living in Iowa, it was a big highlight of my life...not many things can do that here! thanx-AM

Courage comes at an early age... these women had it in 1942 and even today display that same courage. As I know each one of these women personnally, my review may be a bit biased...but anyone that reads this work will see that I am only telling the facts. Each sister is a remarkable work of art. This book is a true "Love story" about "Family" and the meaning it gives to our lives. "Divided" as a family at such an early age has given great meaning to "togetherness" as each sister worked their way from mid 20th Century to present day.... Their style of writing is free and bold as they tell of perceptions and feelings. Just to get ten sisters to sit down and author a book together is almost fiction. Yet again their spirit of "one for all" won out, and I, a reader won too. This book is "true LIFE" at its worst, and best

I became interested in "Ten Sisters" when I noticed that the story took place in my home state of Illinois, but specifically central Illinois. I just graduated from EIU which is located in Charleston and just next door to Mattoon. Reading about the Waggoners in those towns was such a joy, but meeting nine of the sisters was an even greater honor. They signed my book at the mall in Mattoon and were extremely gracious at my interest in their stories. I wasn't able to finish the novel before I met them, but even so, reading the chapters after I had met the authors gave the book a personal touch. I was in disbelief at some of the personal trials they went through. It is amazing that any of them survived so much heartache and uncertainty! My favorite aspect of the book is how Jenny and the older sisters wrote about the same period of time, but by the time you get to Vera's, Audrey's, and Doris' chapters, you are set in a completely different timeframe with completely different lifestyles. It is amazing how so many different stories come out of one very close, very special family. They told me that they will be coming out with an audio version of the book and they'll be featured in a popular women's magazine in Nov. or Dec. I'll be sure to check it out, and you should too!

Ernest Newman's book remains the best introduction to Wagner's operas. He is astonishingly good on Wagner's sources, and on the draft processes Wagner went through as he transformed source material into his final forms. Other books deal with different aspects of individual operas in more depth, but this is still one of the books to start with. Everybody interested in Wagner should - well, the first thing to do might be to listen to excerpts from "Die Walku:re", "Tristan" or "Parsifal", say, and be awed by the music - but once you've heard the music, if you're still interested, you should get this book.

Laon

Nobody ever wrote more insighfully, brilliantly and accessibly about the titanic contribution of Richard Wagner to western culture than did E. Newman. This is a classic that should be read by all and anyone interested in what all the fuss is about. It's an old book but it's not dated. Take his translations seriously. Even though there are a lot of anachronisms (thou sayest...etc), they were anachronisms that RW intended when he wrote the poem. May I also recommend the Solti Recording of the Ring; the Furtwangler studio recording of Tristan; the Jochum Meistersinger and (gasp) the Levine Parsifal (the Knappertsbusch is sublime in so many special ways you may have to buy both. May I also recommend the Ring Interactive CD Rom. It is a blast.

I won't repeat the praise that other reviewers have expressed for this volume. This book is a classic by a Wagner scholar who really knows what he is talking about. It is an indispensable reference for any Wagner enthusiast.

Scholars and critics say that Herr Wagner's talent was in synthesis. The negative critics, e.g., specialists in a field from which they feel Wagner has stolen, tend to discredit Wagner for that. The grail was not, alas, the cup used at the last supper, prior to the opera "Parsifal" anyway. What's more the Grail theme was plagiarized from Mendelssohn. The plot of the Ring was not, alas, the same plot as the German novel "The Nibelungenlied." Wagnerians like myself, rather, see that synthesis as a symptom of Wagner's genius. He was able to take a series of sources, stories, novels, epics, songs, and cement them into a supreme art form, Gesamptkunstwerk, better than the sum of all the parts.

Newman comments intellegently on all aspects of the operas. He includes musical themes--surely a necessity in the work of that expert user of the leitmotif!--and even the psychological dimensions of the music. (Before I saw "Tristan und Isolde," I attended a presentation of a musicologist who nearly broke into tears as to the depth of the music in that opera. His comments reminded me of those of Newman regarding the same piece, which reminds me of Jung, one, whom you might say, was a product of some of the same Germanic trends of the late 19th century. But, enough on that...)

I read each review before I see the opera to which it applies. I read them again periodically. They are magnificent, allow for reasonable criticism. But they also give the devil his due.

I cannot recommend the book more strongly for anyone interested in Wagner, especially if you plan to hear or see the operas. Then leave the volume next to your bed. It's well worth re-reading, learning all dimensions of the music of perhaps the best composer who ever lived.

Is that extreme? Perhaps. Was Wagner's genius extreme? Off the scale.

Read and enjoy it.

In this book, M. Owen Lee grapples with the issue of whether we can (and should) enjoy Wagner's art, in the knowledge of Wagner's notorious flaws (such as his fiery anti-semitism, etc.) Drawing from classical Greek mythology, Mr. Lee discusses how it is common for great artists to have flawed personal lives, and that the value of the artwork should therefore be judged independently of its creator. Indeed, the artist creates his art as an act of self-healing. He therefore encourages the enjoyment of the music of Richard Wagner. (Yep, the Wagnerholics of the world can now listen without guilt. :-)

A lot of the material is taken from the book, "Aspects of Wagner", which M. Owen Lee acknowledges as a source. Since I had read these books back-to-back, the repetition of material was easy to see.

There is also a discussion of the opera "Tannhauser", which is discussed in about the same level of detail as his commentaries on the Ring.

Father M. Owen Lee, who is known for his erudite commentaries on Metropolitan Opera broadcasts has recently published another book about the Wagner's Ring Cycle, called "Athena Sings. Wagner and the Greeks." Father Lee is a Classics scholar, so it should be no surprise that the Greeks also inhabit "Wagner: The Terrible Man and His Truthful Art." One of the chief characters that Wagner is compared to in this slender book is Philoctetes, who was given a great gift by the god Apollo, but was also maimed with an incurable wound.

The three essays that make up this book were written to be given during the 1998 Larkin-Stuart lectures at the University of Toronto. These lectures are devoted to religious and ethical concerns, and Father Lee took the opportunity to examine the relationship of the artist, Wagner to his art.

The first lecture, "Wagner and the Wound That Would Not Heal" tells the story of Philoctetes, who was shunned by his fellow soldiers because of his unhealing wound. Finally, they exiled him on an island on their way to conquer Troy. In their tenth year of war, after the death of Achilles, the Greeks heard a prophecy "that the city would never be taken unless the wounded Philoctetes was brought to Troy with his bow (the gift from Apollo)." The Greeks sailed back to the island where they had abandoned Philoctetes and persuade the wounded, bitter man to use his gift to help them.

Father Owen is not a Wagner apologist, but he asks us to recognize our debt to the "hateful, wounded man [we] are in need of"---he whose music can penetrate deeply into our psyche and bring us, if not peace, then at least self-knowledge.

The second lecture, "Wagner's Influence: The First Hundred Years" discusses the effect that Wagner exercised, for good and ill, on music, art, literature, politics, and psychology. The author quotes philosopher Bryan Magee as being able to say: "Wagner has had a greater influence than any other single artist on the culture of our age."

Of course, the worm at the core of this lecture is Wagner's "unquestioned influence on Adolf Hitler." There are still people who won't listen to Wagner's music, and Father Lee acknowledges this artist's blatant anti-Semitism: "He probably wreaked more havoc on himself with his essay 'Judaism in Music' than with anything else he wrote." A hundred years later, Goebbels was able to use it as vicious propaganda.

Can we acknowledge this hateful, wounded man and still be pierced by the beauty of his music? The author goes on to quote Leonard Bernstein's article in the 'New York Times,' entitled "Wagner's Music isn't Racist:"

"...And if Wagner wrote great music, as I think he did, why should we not embrace it fully and be nourished by it?"

The third and last lecture that completes this book is entitled, "You Use Works of Art to See Your Soul." Father Owen Lee concentrates on Wagner's early opera, "Tannhäuser" to prove his point, with help from authors such as Baudelaire and Goethe. He is even tempted to wonder if Wagner had Martin Luther in mind when he created his tormented young hero, "who was gifted in song, clashed with the Pope, sought refuge in the Wartburg, defied the society he knew, and profoundly changed it."

Or perhaps, Wagner was thinking of Wagner.

These essays have convinced this reviewer at least, that a seriously flawed human being can produce indispensable, undying, truthful art.

Although this book consists of merely three lectures, and can be finished off in about 2 or 3 hours without difficulty, it has as much fresh insight as many other titles that take much longer to study. The first lecture exploring the influence of classic Greek mythology and cultural recognition through artistic expression - ie roughly how the Greek society established itself through artistic endeavour - gives the reader a pretty clear idea what Wagner was trying to accomplish for Germany through his music dramas, and also confirms a pretty outlandish level of self-confidence to even make such an attempt. The second lecture has some material which has already been covered in other books - notably Aspects of Wagner by Magee - but is still interesting. The final lecture with a detailed study of Tannhauser is excellent, the most interesting commentary on this opera I have read to date. The choice of Wassily Kandinsky's Die Nacht, inspired by Act II of Tristan und Isolde, for the front cover was very appropriate. Strongly recommended.

M. Owen Lee is perhaps best known to opera lovers through his appearances on the Texaco Opera broadcasts, some of which have formed the core of two of his previous books. In his latest book, Father Lee demonstrates the personally committed criticism which is characteristic of his radio lectures. This is no mere apologia for Wagner. The author is painfully aware of Wagner's human failings, not merely the oft-discussed anti-Semitism, and he is troubled by the fact that the music of such a monster could move him so deeply. This book gives us a wonderful insight into the author's soul as he grapples with this question. I especially enjoyed the discussion of "Tannheuser" in the final chapter. (A few years ago I wrote to him about his love of Wagner, and he cared enough to write me a detailed letter in response--another sign of his genuine commitment to the subject). This book tells us not only about Wagner but also about the author himself, who has a unique capability of engaging the reader in a genuine dialogue.

Quite simply one of the greatest historical biographies you can find, and a source of marvelous insights into the Wagner family, the Fuehrer, the great composer himself, and of course Winifred Wagner. I came away with a far deeper understanding of this woman who, unfortunately, was never able to comprehend that the charming man who brought toys for her children and made Bayreuth a national shrine was in truth a demon. And yet despite that, you cannot read this book without feeling a deep sense of sympathy and admiration for this woman, who courageously saved the lives of many Jews and Communists, whom she naively believed were being persecuted by local thugs without the knowledge of her dear friend Hitler. Naive, at times stupid perhaps, but a great woman with an amazingly big heart, a girl brought up in a cruel orphanage in England to become the dowager empress of Bayreuth - an amazing story told with grace, thoroughness and objectivity. Absolutely a must read.

The subtitle of this book is important - A Life at the Heart of Hitler's Bayreuth - for Winifred Wagner's institutionalised childhood, her youth with the ageing hippie Klindworth couple and the early years of her marriage to Siegfried are all raced through in around 50 pages (out of 500). Another mere 50 cover the 30 odd years after her de-nazification hearings and the takeover of the Bayreuth Festival by her two sons. The main bulk of this book concerns itself with the 25 years of her relationship with Hitler (and his with the Wagner family and the Festival) and its immediate aftermath.

That said, Brigitte Hamann provides a fascinating and eminently readable account of that relationship. Her attitude towards her subject seems to change as the book progresses. Initially she presents Winifred as a fervently (German) Nationalist, anti-Semitic character, much influenced by the writing and the presence around Wahnfried of her brother-in-law, Houston Stewart Chamberlain, even before she met and fell under the spell of Onkel Wolfi, as the family referred to Hitler. (Incidentally, Chamberlain was also English by birth but, like Winifred, became more German than the Germans.) The older Winifred is a rather different person as portrayed here. Throughout the war, as evidenced by many of the testaments taken from her de-nazification hearings, Winifred became some kind of Schindleresque saint, saving everyone she could from the clutches of her top Nazi friends - friends, acquaintances, friends of friends, people she didn't know at all, jews, gentiles, the lot. One suspects that all this is coloured by Winifred's own practical need for self-justification at those hearings and should be taken with a slightly larger pinch of salt than Hamann seems prepared to. One can accept that there was a certain naivety to Winifred that wouldn't allow her to accept either what was happening to these people or that her beloved Fuhrer had any knowledge of what was being done in his name. But her continued and oft-expressed loyalty to both Hitler and the principles of National Socialism throughout her later life would suggest that her opinions had not changed gthat much since her youth.

What comes clearly out of Hamann's narrative is a Hitler who found in the Wagner family and its mistress a privacy, a domesticity and a family life he so obviously needed and lacked elsewhere. Hamann remains remarkably tacit on whether the Adolf/Winifred relationship was ever consummated. One suspects not. What does come as a surprise, though, is how early in the War the relationship between them broke down. After all those secret midnight trysts in the 30's, it comes as a shock to realise that they didn't meet at all during the last four years of the War and that correspondence between them became more and more infrequent and formal.

Most of the other members of the Wagner family and many around the periphery come out of this book pretty badly. It seems as though there's something in the genes that drives Wagners to the bloodiest and most internecine of family wars. What is currently going on around the succession to possession of the Green Hill and all that goes with it appears to be little more than a re-run of what occurred towards the end of the war with the previous generation. Wieland emerges particularly badly. A spoiled kid determined to get his way and inclined to smash things if he didn't, he played the most political of games in securing the Festival for himself, conducting vicious and potentially lethal campaigns against the likes of Tietjen, Preetorius and even his own mother. And he was certainly the most duplicitous of all of them about his relationship with AH and the party. It transpires that he was actually second-in-command of a local concentration camp in the latter days of the War - something he would never admit to in later life. Wolfgang remains a much shadowier figure - perhaps because he was necessary to the writer for allowing access to the family archives, albeit still severely restricted and censored. Even Furtwangler turns out not have been quite the Parsifalian simpleton, devoted only to his art, that he and his supporters made him out to be after the Fall of Berlin. In fact, both before and after the War he was a dedicated schemer, determined to get the better of Toscanini, Tietjen and later the one he called the `K man', von Karajan, by whatever means it took.

So this book provides a good sprinkling of gossip as well as a fair amount of new material and information about a crucial and shaming period in Bayreuth's history, all meticulously researched and referenced. It also does us the service, like the film Downfall, of showing Hitler as a human being with human foibles and human insecurities rather than just as a mythical ogre - and that is what is so much more frightening.

One of the most interesting books of the many that have been written about Nazi Germany. The book explains the motivation behind the seeming adoration of Hitler by the Wagner family. Having read Friedelind Wagner's book "Heritage of Fire" , it was very interesting to get a more objective account of those years in Bayreuth. The book can be read on several different perspectives and is carefully document. this is a "saver"

This biography is for those with a deep interest in classical music history, Hitler and the Third Reich. For those who have the particular interest, this book repays close reading. I must personally thank the author, Brigitte Hamann, for the enormous research project she undertook to bring Winifred Wagner to 21st century readers, and to history. Hamann has meticulously read correspondence, archives, newspapers and conducted personal interviews with those still living. And unlike so many researchers, she brought her story to life in readable language. This is a jam-packed history, brimming with event, and I read almost every word with intense interest. Winifred Wagner's purpose in life was the Richard Wagner festival in Bayreuth, and as head of the festival she maintained a close friendship with Hitler, who was her chief sponsor from 1933 to 1944. The source of this partnership was the so-called "spiritual" relationship between the German nationalist ethos of Wagnerism and the theoretical underpinnings of Nazi Germany. Winifred Wagner was a hyper-nationalist and ardent Hitler supporter since the Munich putsch of 1923, she was a strong anti-Semite as her many letters attest; and yet she extended herself for individuals, especially Jews, many of whom she personally helped and who survived Nazi Germany because of her intervention with Hitler on their behalf. This is fully documented in the book. After the war, unlike most Nazis who hastened to obliterate their past, Winifred Wagner was proud of her friendship with Hitler and made no apologies; never did she try to whitewash her history. She was a remarkable, deeply deluded woman, who ran the Bayreuth festival and headed the Wagner family for many years. Her logistical abilities could easily have been put to deadly use in World War II - luckily, she was buried in Bayreuth where she could do the Allies no military harm! There is no doubt that Bayreuth today is implicated and besmirched by its close Nazi ties. This biography is a brilliant accomplishment. Only toward the end does the story begin to flag as Winifred's life winds down in a series of futile family quarrels. But til then it is a fascinating history. Do read it!

My 14 year old daughter has suffered with anxiety (specifically, OCD) since the age of four. This book is possibly the best book on the topic I've ever read, and I've read many. I enthusiastically recommend it to any parent with a child who suffers from anxiety.

WORRIED NO MORE by Dr. Aureen Pinto Wagner is a very comprehensive and informative book designed to help parents, school personnel and mental health professionals deal with anxious children and adolescents. The second edition has a completely new look making it even more reader friendly, practical and easy to use. Dr. Wagner uses her vast knowledge of and empathy toward anxious children to provide specific strategies as well as forms and tools for decreasing and managing anxiety. I have found these strategies to be highly effective. I often use her forms and tools when I treat anxious youth (and adults). I highly recommend this book to mental health professionals, school personnel and parents of anxious children.
Martha Spital, LCSW-R New York, New York

Dr. Wagner's expertise comes alive in this practical guidebook for anyone who is trying to help an anxious child get up and over the "worry hill." The techniques are incredibly empowering for children of all ages and I have successfully used her step-by-step guidelines and easy to use forms. The children have really enjoyed the approaches and it has been a moving experience to watch them overcome their worse fears. I highly highly recommend this workbook and you will not be disappointed.

I've ordered several books to better understand my daughter's OCD but since she is not the traditional "hand-washer" the books didn't help. This book does. It explores so many facets of OCD that I didn't see (nor did her psychologist) before. It has helped me look at my daughter's behaviors in a new way and see the disease manifest itself in ways I never thought of before. I would highly recommend this easy-to-read book to anyone who has a child with OCD and/or anxiety problems. It was exactly what I needed.

If you like angels, you will love this book. It has a variety of easy to complex projects, one includes ribbon embroidery. There are so many cute projects, you won't know which one to do first.

I bought this book because of the adorable Raphael angel on the cover. The charts are all large enough and easy to read, and all of the finished projects are a manageable size. I've seen charts of the Raphael angel before but I was discouraged from buying them because they were too large which means you would have to special order the fabric and then spend a fortune framing the finished piece, so I never bought any of them. But this book was "an answer to prayer!" The Raphael angel, of course, is my favorite piece, but there are all kinds and types of angels in here of differnt sizes and incorporating different themes. I appreciate that none of them are too large and that none of them would take very long to complete. If you know someone who loves cross stitch and angels, this book would make a very lovely gift. There is also an adorable angel alphabet. Just think of the many ways you could use that to make various gifts. I was also very fortunate to get this book used, in excellent condition, for a very low price. It is worth buying many of these books used because you can get a substantial discount.

This is my favorite cross stitch book, I've used it for so long and so hard it has compleatly fallen apart! All of the angels are adorable. The charts are clear and easy to read and the patters are easy to adapt to other projects. I stitched my moms name, JOY, with the angels on letters pattern, did the small Raphael Cherub on 32 ct brown linen and compleated the Herb Angel, each project was spectacular!! I would never lend out this book, for fear it would not come home again! Happy stitching!

If you like the series, this art book is really worth buying!

The printing quality is very high. It has a hard cover with a mix of a matte and glossy finish which looks very classy. It has really high quality paper, and vellum inserts in between chapters. It also has a lot of color pages, including some color comic chapters in watercolor. Very nice!

The book also has a lot of unique content, including a chapter on how Stan makes each chapter (told in comic form!) There are some interesting sketches and a section showing how Stan comes up with those nice introductory illustrations. It also has jaw-droppingly nice con drawings that you can't really see in other places.

If you're a fan of Stan's work and thinking of picking this up, it's worth the price!

Stan Sakai's fantastic Usagi Yojimbo is probably one of the best character in modern comics today. With this 20th anniversary book, old fans and new readers alike get the best of Usagi as well as an insightful history in the creation and mastery behind such a well-loved character. Looks at players in the world of Usagi, the use of Japanese mythos and culture from the days of the first shoganate, and the art style of Stan himself is just a brief sampling of what you'll find in this collection. It is more than well worth the money for anyone with even a passing interest in Japan, comics, and, of course, Miyamoto Usagi.

This is a great book. It has tons of covers and pages of fun filled stuff. Getting this book is like getting 3 FULL GRAPHIC NOVELS!!!! This is actually my first usagi Yojimbo book and I almost know EVERY CHARACHTER!!!

Knowledgeably written by Herbert Wagner (a recognized authority on Harley-Davidson motorcycles), At The Creation: Myth, Reality, And The Origin Of The Harley-Davidson Motorcycle, 1901-1909 is the meticulously researched history of this popular favorite two-wheeled motorized vehicle and the Milwaukee, Wisconsin company that made them. Black-and-white photographs (some of them vintage) wonderfully embellish the straightforward, factual recounting of the history of the Harley-Davidson motorcycle, including its first race, first dealer, the first customer, as well as the many myths concerning its creation that would later go on to become full fledged urban legends. At The Creation is an excellent and fascinating survey for motorcycle buffs in general, and Harley-Davidson fans in particular!

Koanes wrote:

Mr. Wagner obviously spent a great deal of time searching libraries for newspaper and magazine accounts of the period, as well as interviews with a few surviving old timers, to sort through the B.S and get to the facts about what was really going on in Milwaukee in 1903-1909. I can only imagine what it was like to see a motorcycle flying down the street with no brakes, dodging pedestrians, horses, carts, and wagons.

Herb Wagner has written a book that will become a classic. What
a good story. And his conclusions will amaze you. The pioneer days of motorcycling in America are brought to life with exquisite detail. Never seen before photgraphs. A must read for
any motorcycle enthusiast.

This is a fascinating book told by Beethoven himself. Considering the large volume of compositions written by Beethoven, it is amazing the amount of Beethoven's letter-writing. Many of his letters describe work-in-progress. Others talk about his patrons, fellow musicians, publishers, and personal friends. There are even some letters written to some of the women Beethoven admired. There are musical quotations of different compositions that were works-in-progress. Some of the pages show copies of some of Beethoven's actual scores. The translator lavishly uses footnotes to describe the historical background surrounding the period of Beethoven's life.

Beethoven's Letters
As a pianist, teacher, adjudicator, examiner, critic and author, I am often presented with performances of Beethoven's works that offer no insight or understanding of Beethoven the man or his music! When giving master classes, I encourage students to read his letters and analyze his music before attempting to perform it. Most consider Beethoven an unpleasant, angry, reclusive human being! Beethoven's letters prove these thoughts to be totally invalid! When writing to his brothers (Heiligenstadt Testament),Beethoven shows an essence of lament because he is so distraught about the false opinions of others toward him. In his letter's we find the true essence of this great man.
Beethoven was a man of morality, truth, and beauty very much like Schubert. Beethoven's deep love of nature is well-known and well documented in his letters and shows in his music too! He was a deeply religious man. Beethoven's attitude may have been more of conventional Catholic ecclesiastical views, but as his letters show, there are countless evidences of his spirituality.
In Beethoven's letter's the fundamental differences are clear. I feel the most important ones are these:
Purity. There is never one single moment of something demonic or unhealthy in his music.
Dignity. He is always completely honest in his music. And there is never a trace of something that might be interpreted as self pity. Pain and sorrow, yes, but nothing to suggest that he ever felt sorry for himself.
His letter's convey a very good guess that Beethoven's deafness may have been a result of his attempts to press his excellent hearing sense to the extreme in order to gain the ultimate understanding of music! The reading of Beethoven's letters is paramount for those who truly want to know the essence of the man and how to approach performing his music!

Author: Raymond Vacchino M.Mus.(MT) A.Mus. L.R.S.M. Licentiate (hon.)

How could it not be fascinating? The real thing - he was not writing with the thought that his letters would ever be published and as the editor says - how can we judge a genius by ordinary means?? His personal life was extreme, but his letters show us the real man with a true heart and extreme emotions. I just loved this book. I'm not a music specialist - this book is written for the general public - I love classical music and play the piano - but now as I play Beethoven his life rings out more meaningfully to me and I forgive him his sins of passion - as I thrill in playing the music of this genius.