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WHAT A BARGAIN!Review Date: 2007-09-11
Couldn't put it downReview Date: 2007-08-02
It's just an amazing account. Read it - you'll think you lived through the whole thing.
Pacific AlamoReview Date: 2007-04-09
After the successful Japanese attacks on Pearl Harbor and the Philippines the American people were in shock. Much of the American Pacific fleet was damaged or resting on the bottom at Pearl. Macarthur's command in the Philippines was in retreat and Pacific skies were dominated by pilots of the Imperial Japanese Navy. The Armies and Navies of the United States and Great Britain, were being driven back by what was considered by many, an invincible war machine. The Japanese were riding a wave of victories and America was preparing for the possible invasion of Hawaii or the west coast, with little left to defend either. Moral was low and the American people needed hope.
Wake Island, a tiny atoll half way between Japan and Hawaii, unprepared and manned by civilian contractors and a small force of marine, navy, and army personnel was about to enter the annals of history
Valuable HistoryReview Date: 2006-12-24
The Admiral who left these guys to surrender really did the military a diservice and I felt like a U.S. reinforcement and resupply would have ultimately held off the Japanese. The courage of those who fought at Wake is definitely captured by the author in "The Battle for Wake Island." The Marines and naval aviators were defenitely inspiring with their heroic defense.
It was also an interesting study of life in the prison camps, with wonderful first hand accounts. The Marines in the Pacific accomplished some heroic feats and it all started at Wake Island. If you decide to read this book you will be blessed to learn about some great American heroes. The civilian factor on the island and some of their heroic feats also adds more interest into this incredible account of combat and survival. The book also does a good job in telling the story of the Japanese as conquerers and then being conquered by a mightier moral/military allied nation.
Just read it! An important American saga, more than a mere research resource.Review Date: 2006-10-06
John Wukovits provides the reader with an assembly of perspectives from the defenders on Wake, the American WWII home front, and the Japanese attackers stitched together with the recent (2002) accounts of the surviving defenders themselves.
Wukovits `s addition to the Wake Island literary anthology is a gripping study of the atoll's most historic moments. The story follows selected men, not just Marines, from their stateside civilian lives to their enlistments or private construction contract jobs on Wake.
Every tale of Wukovits's interviewees will hopefully make the reader value the many freedoms we take for granted.
The book is a fair and noble salute to the men, all the men, who faced off with the Imperial Japanese Navy to lift the United States out of its Pearl Harbor gloom.
REVIEW EVERY BOOK YOU READ-AUTHORS DESERVE YOUR OPINIONS TOO!

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GREAT READReview Date: 2008-10-29
The Old DaysReview Date: 2008-07-22
Surfings best photographerReview Date: 2008-05-09
Ball and Weights, good combo!Review Date: 2008-02-12
Wave After Wave (In The Ocean of Emotion)Review Date: 2008-06-02
Such is the art of Ron Stoner.
I call his photography art because that is exactly what it is. It captures more than a sport that is, for the most part, widely misunderstood by the majority and goes straight into the salty depths of its soul and lets you in on the secret that most surfers understand; that the ocean is just a symbol of something even greater and riding the waves is simply done out of appreciation and respect for that something greater.
And just like you can look at a Van Gogh or a Matisse and feel something within bursting forth, you can look at a Ron Stoner photograph and feel yourself melting into a world that is very, very Real but not too many of us actually frequent. It is the middle-ground...the veil between the seen and the unseen...the bridge between heaven and earth and even if you but receive the tiniest glimpses of its Reality, you will never ever be the same
...and why would you want to be?
Surfers exude a raw kind of spirituality. They seem to have a "knowing" that there is a magic to life...that "walking" on the water is the most normal thing there is...that all limitation comes from a shallow sense of self and begs release. Maybe it's because this group of people literally soak themselves in the primal soup where God Itself stirred the waters with Its Firey Imagination and created Life Itself.
And like the Living Spirit, everything beneath the surface is Forever, Eternal, Infinite, Beautiful. Even now you are breathing in and out bits and pieces of original life. Even now you are aligned with the Mind of Creation who without hesitation spews forth the invincible invisible.
I like to believe Ron Stoner remembered this and took photos as though he was trying to capture not just the sport and the art of surfing, but something that transcends time and space and rises to meet with the Eternal Grace that is forever making all things new, whole, and holy. He saw through a Divine Lense and captured things on film that leave you shaking your head and giggling silently to yourself out of sheer joy. It's too bad that Stoner could not fully grasp the Truth of his art/his life.
Why did Ron Stoner dissappear into the shadows of maddness?
Why did Van Gogh?
Why do any of us?
Why do some people burst forth with so much creativity in a relatively short period of time and then dissappear into the stillness of the night?
I don't know and I don't pretend to know.
Maybe they give the rest of us something to strive for. Not in the outer world, but in the realms of the hidden heart. Maybe they weren't mad or crazy but just frustrated that the world could not understand true passion and authentic love and original innocence which is deep within us all and for the most part, completely forgotten.
The sun goes down on us all- but like the waves of the sea- we all come out of something bigger than ourselves and even though we like to pretend we're separate from this Infinite Source of Power and Beauty, True Art, like the art Ron Stoner left us with, gets us to remember very, very quickly that we aren't.
I love this book.
Peace & Blessings,
john, "the Light Coach"

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Hamming it UpReview Date: 2008-05-12
Great story of hamthropolgyReview Date: 2008-04-20
pig raisingReview Date: 2007-12-18
I couldn't put the book downReview Date: 2007-07-11
You have to love hamReview Date: 2008-02-08
Now what this book does is illustrate, educate, and sharpen you taste buds for the incredible delight of eating great ham. There are taste matches made by the Creator: Iberian Pure Bellota ham with an ice-cold glass of Fino Sherry is one of them.

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Madden's conversations with Yankees from Scooter to O'NeillReview Date: 2004-02-06
Mickey Mantle and Billy Martin have died, which leaves only Whitey Ford to talk about the hell-raising days in the Fifties. Madden does talk with Hall of Famers Phil Rizzuto, Yogi Berra, and Reggie Jackson, but the chief charm here is in names that do not come to mind. I have all the New York Yankees Topps baseball cards from the year I was born, so I recognize the names Tommy Byrne and Charlie Silvera, but I do not know a lot about them. However, the name that stands out is Marius Russo, one of the last remaining links to Lou Gehrig, because I do not think I had ever heard (or even read) his name before.
I became a Yankee fans in 1965; in other words, the year after they stopped winning championships. So my early memories are watching Mel Stottlemyre hit an inside-the-park grand slam homerun at Yankee Stadium and my biggest (early) heartbreak was when my favorite player, Bobby Murcer, was traded for my father's favorite player, Bobby Bonds. So while "Pride of October" starts with as far back in Yankee history as living voices can remember, it eventually gets up to the teams and players of our lives. Even if, like Ron Blomberg, they never played in a postseason game. When Madden has chapters on Bobby Richardson and Joe Pepitone back to back, you know you are getting a true cross-section of the guys who have played for the Yankees.
The one exception to this rule is Arlene Howard, the widow of Elston Howard, who was the first African-American ballplayer to play for the Yankees. I totally buy into the argument that the reason the Yankees went from first to worst in the 1960s was because the front office was racist and refused to sign any blacks when they probably could have signed anyone they wanted (Mantle, Mays and Aaron in the same outfield? Sure, why not?). The only way to touch on that issue is for Howard's widow to relate what it was lie, talking forth in the home in Teaneck, New Jersey where the city fathers once tried to keep her and her husband from occupying.
My recommendation is to do what I did, which was basically to only read one chapter a day. Just enjoy the Scooter's stories about his friendship with Gerry Priddy and be offended by the way the Yankees forced him to retire, before moving on to Russo's recollections of the Iron Horse, Cro, and Fat Freddie Fitzsimmons. There is a brief section of black & white photographs, that starts with Gehrig and DiMaggio kneeling side by side in Spring Training and ends with Paul O'Neill cleaning out his locker for the last time. The photographs are just the frosting on the cake, because the main treat here is just reading how Madden sat down with each of these individuals, who told their stories, with Madden supplying relevant information to fill in the gaps.
Fabulous!Review Date: 2003-05-19
homerun Review Date: 2004-10-13
But Ralph Houk Could Say Plenty About Being An Old YankeeeReview Date: 2004-04-05
There are some interviews that actually do shed new light on Yankee history-or hagiography, if you will. Marius Russo's inclusion among Madden's subjects is fortuitous. One of the team's lesser known talents over the years, Russo, a left handed pitcher who joined the Yanks in 1938, was included in this work as one of the last living connections to the Iron Horse, Lou Gehrig. Russo sheds light on a remarkable Yankee pitching staff of 1939 remembered both for its depth and its sabermetrics. Seven starters finished the season with double figure wins: Ruffing [21-7], Hadley [12-6], Pearson [12-5], Gomez [12-8], Donald [13-3], Sundra [11-1], and Hildebrand [10-4]. Russo, added to the rotation late in the season [why?], went 8-3, including a 7-0 stretch in September. Russo would never win more than 14 games in any of his six Yankee seasons, but one of his most poignant memories involved fallout from the demise of Gehrig. When the Yankee team fell to fifth place in 1940, columnist Jimmy Powers of the New York Daily News reported that the entire team had been infected by Gehrig's "polio," as his affliction was then diagnosed. The report shook baseball and resulted in a $1 million lawsuit against the writer.
Another lesser-known Yankee interviewee was the observant bench jockey and reserve catcher Charlie Silvera, whose entire nine years of backing up Berra, Houk, and Howard produced only 429 at bats. Silvera recalls an obscure but impressive Casey Stengel accomplishment: winning five successive World Series with a depleted roster. The Yankees, under the rules of the day, carried two or three prospects who never made the team but counted against the 25-man roster. Silvera's recollections also highlight one of the secrets of the Yankee dynasty: a network of astute West Coast scouts who steered reports of promising young prospects to the East Coast Yankee front office that took such reporting seriously. Silvera as much as anyone recounts the awe that most players since 1920 have felt about donning the Yankee pinstripes. Silvera and others-including many of the household names--are as proud of their being Yankees as their personal stats as Yankees. In a year where Silvera, for example, did not get his first at bat until June 17 [1949], he still won his first of five consecutive World Series rings.
As all of the interviewed players wore Yankee pinstripes, it is hard at times to separate the individuals from the history of the team itself. And one era that Madden treats with considerable detail is the post 1964 Yankee decline. Some of the best interviews come from Yankees who played or managed through that ten year era: Yogi, Ralph Houk, Mel Stottlemyre, Joe Pepitone, Bobby Richardson, Ron Blomberg, and Bobby Murcer. There are many theories of the fall of the Roman Empire, nearly as many as to the decline of the Yankees in those years. The author and the players named above are in fair agreement that poor front office management [trading Roger Maris to St. Louis, for example], the failure of certain Yankee veterans to obey "one of their own," Yogi Berra, as manager, the free agent draft, the decline of the farm teams, and parity. One other applicable statistic: I looked up the 1965 Yankee roster, and discovered exactly one African-American in the starting lineup, Elston Howard [whose widow Arlene is the only non-player interviewed for this work], and one black pitcher on the staff, Al Downing.
As an interviewer Bill Madden is more Eddie Lopat than Vic Raschi. The questions arrive to the plate with a gentle thud in the catcher's mitt or get obscured in the dust in front of home plate. Madden has no problem getting his subjects to cry, but he is averse to making them squirm. Thus the free pass to Whitey "Slick" Ford, whose nickname comes from the old expression "city-slicker." Whitey's description of himself as a "professional drinker" in his playing days says nothing and says everything. It is no surprise he does not like to talk about Mickey and Billy, and Madden does not press.
But perhaps we should not be surprised that Madden is no Bob Woodward where investigative reporting is concerned. The author has covered the Yankees for a quarter century. I hardly think he would endanger the source of his bread and butter. It is in his vested interest in continue the legend, and he does this in a warm and congenial way. And we always have Jim Bouton for the hardball accounts.
A Yankees' Version of "The Boys of Summer"Review Date: 2003-08-13

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ApasionanteReview Date: 2008-04-01
Con el estilo maravilloso de la narracion de Isabel Allende, es una mezcla perfecta entre fantasia y realidad que atrapa al lector hasta el final.
Excellente libro para recomendar!
maravillosoReview Date: 2007-09-30
ExelenteReview Date: 2004-11-29
MCAC
Una magistral obra de la literatura LatinoamericanaReview Date: 2002-06-03
de la escritora Isabel Allende, me
parecio una obra genial, la manera
y el estilo de Allende son tan originales
que me dejan sin aliento y sin nada
mas que agregar,lo unico que se puede
decir es que la lean.
Retrato en Sepia: Una NovelaReview Date: 2002-05-21

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A great first book!Review Date: 2008-03-05
Remembering the 50"sReview Date: 2006-03-15
All Floatin'Review Date: 2005-03-04
"You see, it has just always felt to me like we're all floatin' in a big river...and the current's carryin' us along...some parts flowin' slow and easy--that's when times are good; and some parts are pretty rough--bad times for sure.
"The way I see it, we're all sort of born into it, and after that, we're on our own. What I haven't figured out is why some folks seem to spend most of their lives in the rough water. I been there, that's for sure. And I reckon there are times when the current's just too strong to escape. But sometimes, I think you can swim out of it, if you want to bad enough and try hard enough. Sometimes. And I believe we're put here for a reason. And we're supposed to find that reason somewhere along the way "
Helping Jim to navigate the river that season are his fast friends Gary Wayne Beesinger and Charles Luig. Together they get into all kinds of often very funny mischief, enjoy adventures, suffer misadventures and learn lessons about coping with tragedy, unrequited love, racism, and the various vagaries of life.
Mr. Black treads lightly on the racial angle, which is a relief, since we might otherwise just end up with another sermon on the evils of the American South. Likewise, he give us hints that the magic and monsters of our youthful imaginations lurk in the background of the tale, but he doesn't yield to the temptation to veer into Stephen King territory. These two sensible decisions to make a final scene work far better than it might have otherwise, as Jim experiences what can only be called a miracle, and we buy into it completely. This is a delightful book that deserves a wide readership and will surely make a terrific film one day.
A refreshing summer breeze from years pastReview Date: 2005-02-03
enchanting memoriesReview Date: 2005-01-30
RIVER SEASON is the quintessential American small town boys' experience told with charm, humor & magic.

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A good title for Junior High School readers.Review Date: 2008-01-07
Very enjoyable readReview Date: 2007-12-19
I do hope that this book is picked up by a commercial publishing house, because the attentions of a good editor could transform it from good to excellent. That's why I gave it 4 rather than 5 stars; with some polishing, this could be a 5 star novel. There are some places where the story lags and there is overly much detail, and others where I wish the story had been fleshed out somewhat more. But I know that almost all novels require some editing. Certainly this book is of a quality to warrant being picked up by a commercial publisher.
I also agree with other reviewers that this story would make a good Hallmark Channel movie, or something similar. The characters are well-developed (Luke is an especially funny kid!), and there is an ongoing conflict and flashbacks within Sam that would translate well to the screen.
This book might well appeal to a variety of audiences. It's ideal for young people aged 10-15 to read alone. But it would also be a really good book for parents and children, or teachers/students, to read out loud together, as it would likely trigger a lot of good discussion. On the other hand, I'm a 44 year old woman, and I enjoyed it too! So, yes, I'd say it could have broad appeal. I'm donating a second copy to my local Chicago library branch. In these times, I think we can all use all the "warm glows" we can get! :-) I hope to see more books by Mr. Nufer in the future.
Wonderful Story!Review Date: 2007-11-26
A Very Enjoyble ReadReview Date: 2007-10-26
A feel good book, great for Christmas!!!!Review Date: 2007-10-19

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Kierkegaard was not a confused "self" but an agonized, overly aware selfReview Date: 2008-10-03
Kierkegaard analyzes different types of despair and the origins of despair in such lengthy complicated and tedious detail, that I just wanted to tell him: chill and have a drink man, but admittedly, he fully engaged my mind, especially, when he reached the conclusion that despair is a direct result of self awareness. A body and brain makes a person but not a self. A self is one's relationships with self, others and God. Relating to oneself constitutes self awareness and the stronger one's faith is the stronger his/her self awareness.
The most interesting part of Kierkegaard's discussion is his understanding of the will. The will is synonymous with the self that binds a person's different aspect into one whole. However, for Kierkegaard, the inability to make a choice is equivalent to the ability to make a choice. The self is the will, or possibly, the lack of will.
Kierkegaard is one of the first thinkers who wrote about despair or the sickness associated with existence, which is likely the reason he is associated with existentialism. The reader might hear this despair's echo in Sartre's Nausea and Camus' Absurdity. Still, Kierkegaard uniquely explores and presents his philosophy about being, existence and faith but like others before and after him he gets stuck in endless intellectual circles.
PricelessReview Date: 2006-10-27
Written by Anti-Climacus, K's very idealized Christian author who always does his best to expose externalisms in the lives of human beings--both Christians and pagans.
I'm not going to get into a major discussion of this book here; you can do that on your own or peruse some of the other reviews on this page. I will, however, give a very cursory sketch of _some_ of his great ideas.
1. It is written from an unabashedly orthodox Christian standpoint (orthodox meaning Apostles Creed). While there are a few passages contained therein that can be read like Arminian creeds, overall this book presupposes God's Word as Truth itself and thus is congruent mostly with what is later called Van Tillian apologetics (of course one could then say that Van Til had some Kierkegaard in him!).
2. It is written to examine what faith, in its nature as an exclusively Christian concept, is. But ever heard that Kierkegaard hated doctrine, that he loved the irrational leap into blind faith? Forget it. That's Johannes de Silentio. The passion and power of his prose here, along with his journal notes as provided by the Hongs' priceless scholarship, show that when he lists "dogma" with the three essentials of Christianity (the other two are faith and paradox), he meant it! (It wasn't just Anti-Climacus's idea.) He even says that once people throw out the "thou shalts" and God's special revelation as what it is--that Christianity is dead. Once we make Christ into an event, once philosophers merge God and man together--that Christianity is dead. Very powerful stuff. Now what does this have to do with faith? Kierkegaard shows that all natural men put their faith in themselves--and they will despair forever as they autonomously insist that they are the source of themselves. What Christianity insists on in men's putting their faith in the Creator as the Bible commands. Faith in God is not irrational, Kierkegaard says; but it is the gospel, as so wonderful, so inexpressibly amazing, that cannot fit into the minds of rationalistic men. This is a huge distinction. And a wonderful one!
3. It is written to examine thanklessness in those who don't look like they're despairing. This is where he attacks the Danish State Church. It's brutal and very convicting. I won't spoil it for you.
Despair is the refusal of man to admit who he is--a creature of his Creator. It's hubris, it's solipsism, it's pride, it's fear of humiliation. But Kierkegaard doesn't stop there. He shows the solution; he shows Christ as the only answer, using Christ's character as manifested in the gospels to show that it is our rebellion that He saves all men from. In this way, Anti-Climacus is in no way judgmental or self-righteous.
Another note: the Hongs are amazing. Write them a letter and tell them how amazing their work is. Each Princeton Kierkegaard book contains journal entries, an historical introduction, earlier draft changes, indices, &c.
And one more: another reviewer was totally right when he said that some of this is so powerful and--yea-- beautiful that you won't know you're reading Theology. The passage starting with the hourglass on pages 27-8 comes to mind immediately.
I only detract a star because of the ambiguity in certain places that has deceived many non-Christians into thinking that they're a-okay. And I've met a few of them, working at a bookstore as I did. It's written for Christians, so use your Biblical framework while reading it.
Hong translation excelsReview Date: 2006-06-10
"The self is a self which relates itself to itself or is a relation relating itself to itself in the relation."
Don't get too flummoxed by the first page, it gets better.
One thing I like about Kierkegaard is that he knows how to WRITE. Other philosophers lose common literary skills that make writing enjoyable, for example, Kant. You cannot sit down and read 200 pages of a Critique of Pure reason straight, your head will explode. With Kierkegaard however, he is so enjoyable and fun to read, you hardly notice your're reading philosophy.
This book however, I wouldn't recommend to beginners, I'd choose either "Either/Or" or "The two ages"
life saverReview Date: 2006-03-03
The Best Review Date: 2006-03-08
Again, not including the Bible, "The Sickness Unto Death" is perhaps the only literary work I have ever read that altered my life, either by perception or action.
His elaborations on the various forms of despair should hit everyone, as there are several, each applicable to each personality.
If anyone were to ask me to recommend a single work, this would be it.
I must add, that I have not read scores of philosophy, only a handful. I say that to say this. This book may seem somewhat difficult to understand at first, but it gets easier the more you read and the more accustomed you get to SK's style. Once the first few pages regarding the definition of self have been comprehended, the rest falls beautifully into place.

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Soul catcher, it caught me!Review Date: 2008-03-07
Each page has a starting sentence to act as a guide and posses questions one might not have thought to ask themselves. The questions really get you thinking and they cause you to be honest with yourself.
It has really helped me greatly. Getting my thoughts down on paper has really helped me go after goals that prior I was too scared to go after.
It caught meReview Date: 2008-01-24
Beautifully doneReview Date: 2007-03-08
Soul CatcherReview Date: 2007-01-09
Beautiful JournalReview Date: 2006-08-19

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Beautiful whimsyReview Date: 2008-02-13
The story is of a young woman who is going blind - it is an exploration of sight and how imagination can compensate for the loss of sight. The ending is inspiring.
This book would be excellent to expose children to a different perspective of the world and also would make a lovely gift for any adult who enjoys detailed and whimsical illustrations.
Power of ImaginationReview Date: 2007-08-11
Chinese Version is a little BetterReview Date: 2007-06-21
This book is age appropriate for older children to adults, not exactly children. I wouldn't buy it for anyone younger than 10.
Beauty in our Minds: The Sound of ColorsReview Date: 2007-03-11
A Multi-Layered Book of the Journey Towards HopeReview Date: 2007-11-22
The girl disembarks at various subway stops (subway illustrations are always panelled strips running across the middle of a two page spread), and climbs colorfully patterned stairs (often reminscent of M.C.Escher) and arrives at archtypal settings: An apple tree sitting Eden-like in a verdant forest, alongside dolphis and atop a whale, a topiary-adorned maze. Jimmy Liao presents his metaphors on both adult and children's levels. While adults may recognize the symbolic conflicts and issues presented by a maze; for example, children benefit from the explicit text: "Sometimes the street twist themselves into a maze.But if you look hard enough, there's always a way out. Other sections may benefit from discussion at an age-appropriate level. At one subway station, there are four trains going in both directions, all filled with people, and all colored differently. THe girl stands between them, "Which is the right one? It's easy to get lost underground."
At his point, she seems to take her own route, riding a kiddie train (decorated with motifs decorated a la Guaguin, Matisse, and others), then abandons the train to a white swan swimming against a cloudy yet luminescent background (a mystically beautiful and serene illustration). She slowly arrives at her answers. "HOme is the place where everything I've lost is waiting patiently for me to find my way back." She realizes that because she "went forward, step by step, into the dark," used her other sense (listening "for the sound of colors I can't see"; smelling the shapes and tasting "the light and dark," and hoping for someone "who'll sit beside me, sip tea, tell me her hopes for the future, and listen to mine." (Here, the two-page spread depicts her sitting on a green oval-shaped chair, surrounded by four rows of empty chairs in various colors, shapes, and sizes.
Towards the conclusion, the young girl encounters a butterfly, whom she believes may offer the answers to her hopes and dreams:
She'll tale me
to the friend I need to find.
She'll lead me to the place
where all the colors are.
she'll bring me back to the light that I lost,
still glowing here, in my heart.
An enormously colorful mosaic of birds, flowers, eyes, and other motifs surround the now smiling girl, when Liao write "in my heart." It's neither saccharine or precious. While the book may be read at many levels, and it simulatneously present many emotions and moods (fear, comfort, solitude, hope, wonder) the overall effect is an almost staggering visual and narrative display of poetry. The undertones can be dark and may even frighten some children (know your audience), but for othos who have begun their own journies of self- and other- discovery, for those who feel lost or have experienced pain, poor health, or disability, this book highlights the fact and ignites thought of possibility and transcendance.
Related Subjects: Vega
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