Stone Books
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PerfectReview Date: 2004-03-08
Honesty in printReview Date: 2000-07-03
an uplifting, and satisfying feast of wordsReview Date: 1999-05-02
See him "read" (aka, perform) these if you can, but in the meantime, buy the book and support the work!
An accomplished, admirable collectionReview Date: 1998-09-22
An often heard praise for a poet these days is that he "takes the straw of the ordinary and spins it into gold." However, it may be said Mark Cox takes it one step further, that he gives his gold an unusual new texture and shine. Ever since the appearance of his chapbook Barbells of the Gods in 1988, Cox has been taking perfectly good poetic lines and spinning them into something even better. One line from that chapbook could well have read "Let's... throw our cigarettes from this car like ecstatic hearts, / and let the sparks lead us home." That would have been a good line for most of us. But Cox does a brilliant thing. He reverses the tenor and the vehicle of the simile so it reads "Let's throw our hearts from this car like ecstatic cigarettes..." and for my money the lyric and imagistic movement of the line is enhanced by this strategy. Something emotionally unexpected and vivid comes from it. This is just the sort of gold weaving Cox has practiced and improved over the past decade. His new book, Thirty-Seven Years from the Stone, exhibits a very high level of accomplishment.
Cox's great sense of the absurdity and communicative strength of similes, and his artistry with them, continues beautifully in poems like Like a Simile:
"Fell into bed like a tree/ Slept like boiling water/ Got from bed like a camel/ And showered like a tin roof./ Went downstairs like a slinky/ Drove to work like a water skier/ Entered the trailer like a bad smell/ Where I changed clothes like a burn victim/ Drank my coffee like a mosquito/ And waited like a bus stop./ A whistle blew./ Then I painted like I was in a knife fight for eight hours/ Drank like a burning building/ Drove home like a bank shot/ Unlocked the door like a jeweler/ And entered the house like an argument next door./ The dog smiled like a chain saw./ The wife pretended to be asleep/ I pretended to eat./ She lay on the bed like a matress/ I sat at the table like a chair./ Until I inched along the stair rail like a sprinkler/ Entered like smoke from a fire in the next room/ And apologized like a toaster./ The covers did not open like I was an envelope/ And she was a 24-hour teller/ So I undressed like an apprentice matador/ Discovering bullsh*t on his shoes."
Working with the concept on a larger scale, with extended metaphor and simile, Cox excels. Even a title might reflect a brilliant reversal of the expected, such as The Tunnel at the End of the Light, and then build upon it: "The summer my body began to fit,/ living seemed fluid/ as putting my arm through a sleeve--/ when I threw crusts of bread in the air,/ they became birds,/ when I held her,/ I held myself-" .
There is a great emotional investment in each poem of Thirty-Seven Years from the Stone, but Cox does not stray toward the sentimental and false. Do not mistake heart and courage for sentimentality. Whether reflecting on fatherhood in poems like Make the Cobra Talk, or on his future death in Grain, the uniquely rendered similes transmit a genuineness within the oddity: "...like a snapping turtle in a two-dollar butterfly net,/ I will refuse the new world" Cox says of the prospect of leaving the ones he loves behind when he dies. It's a tenacious spirit that inhabits these poems, that grabs on and holds us even as it turns the world upside-down. Thirty-Seven Years from the Stone is an accomplished, admirable collection of poems.
Richly textured poems that don't bow to fashion.Review Date: 1998-06-16

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masterpiece, period.Review Date: 2008-09-14
This is, as Miller's and Moore's above mentioned works, an enlightning examination on the superhero's figure, recreated in a distant future by a bunch of weird teenagers. From that distance, Warren's analysis of it gives us a unique perspective.
The story is amazing, breathtaking and mature, and the ending is just great. Warren's take on the characters is great, his Batman gives us the real feel of it in a nutshell.
The art is soooo appropriated for the future setting, kind of manga takeover.
I loved everything of it, and you will too. I'm planning to buy a second copy, and maybe a third one, to keep for the future generations.
sci fi cyberpunk style meets superhero archtypes in "Titans: Paper, Stone, Scissors" Review Date: 2008-08-09
Perhaps Adam Warren's only work for DC Comics, Titans: Paper, Stone, Scissors," is a fun romp set in the far flung future, where a formerly earthbound galactic diaspora has populated the stars. Four undergrads (a disaster survivor, a parasitic alien occupying a host body, an non-believing poly-theistic magician & a young athlete) come together to re-create ancient 20th-century superhero archtypes (DC Comics Cyborg, Starfire, Raven & Nightwing, respectively) to save their university from the imminent attack of WMD's gone wild.
I also recommend his more recent "Empowered" paperback series (super-hero parody, with tons of fan service), published by Dark Horse Comics & his tamer, more scifi oriented "Iron Man-Hypervelocity" and "Livewires" mini-series for Marvel Comics. (My only reservation about the later two titles is Warren didn't provide finished art... instead scripting and doing the page layout for the stories.)
I love this book!Review Date: 1998-08-29
Very intelligent graphic novelReview Date: 2000-01-21
This is Warren when he's most intelligent. A great read for the casual reader, this story also offers a highly intelligent, satiric meta-story about the stupidity of super-hero comics (sic!). Well worth the read if you like your comics more intelligent than just mindless action.
The only complaint I can really have about this are the garish colors, but that is a matter of taste.
Another well-done piece by Adam Warren!Review Date: 1999-07-30
Especially interesting was the "appearance" of a current DC superhero and how Warren managed to incorporate him into the new Titans! From beginning to slam-bang finish, this story is well worth your time and money.

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Read it first in GermanReview Date: 2007-05-31
Hilarious and Thought ProvokingReview Date: 2005-06-17
The first rolling stone subscriberReview Date: 2004-11-23
Ug lives with his ma and pa (Dugs and Dug, respectively) in the Stone Age. Ug is a bit saddened by the fact that his pants are completely made out of stone. He keeps believing that there must be something better out there. Pants that are softer than sandstone. Food that doesn't have to be eaten raw. Homes that are not caves. The more Ug dreams, the more his mother attempts to squash his resolve. And when, at long last, he and his father seem to be on the right path, a lack of certain tools bars their final triumph.
The book is written more like a graphic novel than a picture book. Here we have voice bubbles and the occasional footnote. I've probably never seen a picture book that used the word, "anachronism" more often than this puppy. The book is undoubtedly odd, there's no question. Briggs has an odd off-kilter sense of humor that serves him quite nobly in this endeavor. It's certainly a book for older children, though. And it occurs to me that books such as this are just begging for squeamish adults to get angry about. The mom walks about without a shirt (it's really not that noticeable, but some people might object). The fam eats raw meat with bloody regularity. And then there's the rather depressing final picture in the tale. Kids yearning for a vindicated Ug to prove to the world that he's right will take no comfort in the image of our now adult hero cave painting above the graves of his parents. But then, Briggs has always sorta been a fan of the letdown ending. "The Snowman" should've tipped me off that this book would end similarly. Only in this case, it doesn't mean you dislike the rest of the tale. It's just ... odd.
I doubt you've really seen a picture book like this before. It's incredibly wordy and more than a twinge depressing. Yet Ug's a likable enough fellow and spending a whole book with him is a pleasure. I wouldn't go handing this tale to anyone who you fear is stodgy or uptight. And kids will certainly dig the format, even if they don't understand all the words and references. Possibly the most amusing caveman picture book available to consumers in this day and age.
reluctant cave manReview Date: 2004-01-17
How can a boy genius survive among the primitives?Review Date: 2003-01-11

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Warming the Stone ChildrenReview Date: 2008-10-08
AngelLesa
Publisher of The Odd Mind Magazine
Host of The Odd Mind radio show
www.angellesa.com
A Brave New BookReview Date: 2006-09-03
A Moving Story of Survival and Triumph of the SpiritReview Date: 2006-08-24
Powerful, powerful story of pain--and hopeReview Date: 2007-04-26
Christine's parents made it clear from the beginning that she was an accident that they never wanted to happen. They wanted a boy and not "another damn girl." From the beginning this child had nowhere to turn but into herself.
The author takes us down her long path to recovery. There we meet her parents, Catholics who stayed together for that reason. Yet, they should've been divorced to save their children. In fact, one of her mother's descriptions of her husband was the "biggest mistake" she'd made in her life. Their fighting made living with them a daily nightmare. But, that was nothing compared to the physical and sexual abuse this child suffered at the hands of those she should've been able to trust the most.
As I read the author's story, I felt an almost unbearable the pain in my chest. Christine takes you through the many people who aided in saving her life. That's when the book really takes off. I began to breathe a bit easier. Yet, I could never seek real comfort as the author revealed the tragedies she had to overcome.
Still, I felt joy at her victory over the turmoil in her life. It is a testament of Christine Candor's fine spirit that she pursues life as a therapist and minister to those in need. Warming the Stone Children will warm and break your heart. Yet, you will revel in the greatness of good overcoming evil.
Armchair Interviews says: Story of one woman's climb out of a horrible childhood to being a surviving adult.
Mother-Daughter Sexual Abuse RevealedReview Date: 2006-04-14


The poetry book I've been searching for............!Review Date: 2007-08-05
Reminiscent of Poe and Frost....Review Date: 2007-04-28
Fascinating!Review Date: 2007-04-27
High quality literature!Review Date: 2007-05-19
I really love this book..................................Review Date: 2007-04-30

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Great Gift!Review Date: 2007-01-19
My New Favorite CookbookReview Date: 2005-04-18
worth havingReview Date: 2006-02-16
Simply delicious!Review Date: 2004-11-30
Offers menus drawn from the Shoshoni Retreat kitchenReview Date: 2004-07-06


Wow!!! A Mind BlowerReview Date: 2006-01-30
WowReview Date: 2005-11-10
Enlightening and EnrichingReview Date: 2005-10-17
No Blarney Here!Review Date: 2005-11-01
It is quite clear this book is the result of much personal meditation, inspiration, insight, and thorough research, and an attempt to reach out to all of us to wake up, to open our eyes, to snap out of our complacency and see, really see, what the Universe, the holy books, the mystical books, the animals, the plants, the oceans, mountains, and our Mother Earth are trying to tell us. Everything we need to know to stop those who would push the self-destruct button, is hidden in full view if we only we would open our eyes.
A Great Read.....Review Date: 2005-10-29
Thank you for "Saving The Best Wine" till last!! Most books for me burn out after about 10 pages. But not yours!! It instantly peaked my interest and held my attention till the very "final word." Thank you! Can't wait till the next book.
This author has such an exquisite Biblical background, the gift of God-given insights, a superb mastery of alternative wisdom, rich pithy expressionism plus a delightful warm, sharp sense of humor!
A great read. Another plus for Clinton, Massachusett - truly labeled--"Best Extradordinary Town By A Dam Site." R.L.Harding,
publishusa@yahoo.com

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You've got to be bad before you can be good!Review Date: 2000-12-02
You've got to be bad before you can be good!Review Date: 2000-12-02
You've got to be bad before you can be good!Review Date: 2000-12-02
This is THE BOOK to buy!Review Date: 2000-10-02
You Gotta Be Bad Before You Can Be GoodReview Date: 2000-05-10


Excellent resourceReview Date: 2008-05-04
He knows what the Bible talks about!!!!Review Date: 2008-04-03
As a graduate from Westminster Theological Seminary I also have been faithful to preach Christ-Centered sermons so far.
Taking a look at Bob's Beasley's book, I have been so thankful to our LORD that I review his book "101 Portraits of Jesus in the Hebrew Scriptures."
This book is one of the best books I have been reading so far. Bob does his best to reveal our LORD CHRIST from the old testment of scripture.
The contents of the book is so precisely and spiritually summarized that anyone who reads this book will have great insight of how to read the Bible as Jesus wants.
Bob says about this book that it is primarily for lay people, but I am sure that all kinds of preachers have to read this book mandatorily.
Luke 24:27 Then beginning with Moses and all the prophets, he interpreted to them the things about himself in all the scriptures.
Pastor Junshik Hwang, Ann Arbor, Michigan
101 Days of JesusReview Date: 2008-01-23
Guided Tour of Old Testament Shows Christ on Every PageReview Date: 2008-01-16

Patriotic ExcellenceReview Date: 2000-12-12
I am especially involved in the study of history. The play was actually quite accurate except for all the singing and dancing which was added for theatrical purposes. The play had great lyrics and music. Not only was the book version well done the movie was also excellent. The movie stayed word for word with the book.
This play attracted my attention to a specific theme. When John Adams was desperate and discouraged he did not give up. He kept on pushing and pushing untill he had the outcome he wanted. A major theme of this novel would have to be to not give up when faced with tremendous odds. If John Adams had given up then we would most likely still be under British rule.
This play should definitly be read by all u.s. history classes. It inspires patriotism just at the mention of the title. This play is a great source and accurate account of exactly how this great nation became so great. A truly outstanding book.
1776 -- One of the Best Plays of All TimeReview Date: 2001-04-05
Engrossing and Very Historically AccurateReview Date: 1999-10-21
Peter Stone's book that goes with Sherman Edward's songsReview Date: 2004-11-07
Granted this is drama and not history. A historian would point to a big error in that John Dickinson did not show up the day of the crucial vote so that Pennsylvania would not kill independence. But Stone lays out the positions of those who oppose independence, not only Dickinson but Edmund Rutledge of South Carolina, who wants independence but sees it as independence for South Carolina. Consequently, even though we know that these men are going to sign their John Hancocks to the Declaration we still wonder how it will happen given the obstacles. The biggest one is slavery, and while the song "Molasses To Rum" captures the Triangle Trade, it is the debate between Rutledge on the one side and Adams, Thomas Jefferson, and Benjamin Franklin on the other that is even more memorable as the Founding Fathers discuss the difference between "property" and "people being treated like property."
One of the most unusual things about "1776" as a musical is that the vast majority of songs are in Act I, because once the declaration committe's draft is read to the congress ("The Egg"), the debate becomes too important for anything but the most somber of songs. The genius here is the ability to mix low comedy, as in "The Lees of Old Virginia," with the historical drama, best represented by the moment when Franklin justifies the need for independency to Dickinson. Stone takes Franklin's old words, "We are a new nationality. We require a new nation," and amplifies them into a moment of ideological clarity. It is the gravity of that moment which allows the songs by Sherman Edwards to go off in fanciful directions, along with Franklin's pointed reminder at the crucial moment that the Founding Fathers were not demi-gods.
I maintain there is a wonderful educational opportunity with "1776." Obviously it is not what "really" happened, but it is based on such things, from the words of the Declaration of Indpendence to the letters exchanged between John and Abigail always addressed to "My dearest friend." Granted, not all students will be interested in exploring the reality behind the drama, but for those willing to make the connection, it is a worthwhile step in the development of their critical faculties.
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