Stewart Books

This is the first and only study that gives a solid account of the life and work of this important early 19th century African-American writer. Stewart was a radical abolitionist, a feminist activist and a powerful public speaker. She was the first American-born woman of any race to lecture in public on political themes and leave extant copies of her texts. She preceded the better known Grimke sisters by five years. Before Frederick Douglass, before Sojourner Truth, Stewart, who lived in Boston in the 1830s, was arguing for black rights, North, and South. Her collected lectures are published here for the first time in this century, along with fascinating research on the life and career of this extraordinary woman.

Maria Stewart was not as well-remembered as Harriet Tubman or Frederick Douglass, but she is an important person nonetheless. Fortunately, she left behind a lot of written materials of her own life and there also exist other accounts form her contemporaries. There are all well edited by Marilyn Richardson into a concise volume that tells a pretty good story of Maria Stewart and what she was all about. Great job and an inspiring read.

The life and writings of Maria W. Stewart are a testament to the power of faith. Against all odds and against all cultural probability, Maria Stewart arose to become the first women, Black or White, to address a mixed gendered crowd on a political topic.

The essays and sketches, introduced and edited by Marilyn Richardson, provide firsthand accounts of Stewart's wisdom and courage. Given the era in which Stewart spoke and wrote, it is remarkable that a young (age 28), black woman could so lucidly and bravely address both Whites and Blacks.

Though addressed to people living under very different conditions, her words still speak courage and confrontation to all readers today. Thus this book is well worth reading both for its historical insights as well as for its modern implications.

Reviewer: Dr. Robert W. Kellemen is the author of "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction." He has also authored "Soul Physicians" and "Spiritual Friends."

I agree with the first reviewer. I recommend this book to everyone, although I have heard that some people find it a bit difficult to read at times. I think this is partly because the book has a dreamlike quality to it - by that I mean time moves strangely sometimes and there are different elements all acting at once - but like a dream, the whole flows together. If anyone is interested, an artist did a multimedia project, with the same title, based on the book. I think the artists' name is Adrienne Jenik and I believe she taught in the University of California system. The project she created is great, and it adds a level of interpretation and complexity to Brossards work. I highly recommend it.

Nicole Brossard is brilliant. It is advisable to read up on feminist theory a bit before you dive in. Otherwise some central symbols and meaning will be lost to you. If you like David Lynch... Brossard is way better. Some knowledge of the French language would be a boon also, if one is inclined to onamastic study. read it. then read it again. then put it aside for a year. read it again. repeat as required.

Mauve Desert is an excellent book and especially interesting for people interested in postmodern, translation and/or feminist theories. It is also a great example of a "hypertext" or non-linear text and one which incorporates scientific metaphors into the plot seamlessly. Brossard has done an exceptional job of both illustrating and dissecting issues of translation and language, especially as they relate to the world of mothers and daughters. Mauve Desert deftly negotiates several issues of linguistic mobility, both within the framework of the book and in the translation from the French original. She slips in and out of the languages of English, French and mathematics with ease. Ironically, despite this, my only issue with Mauve Desert is precisely one of translation. In both the French original and the English translation there is some linguistic cross-over in her word-play. Although the translator (Susanne de Lotbiniere-Harwood) does an admirable job with the bulk of the book, there are some expressions that should have been left as they were in the original (in my opinion). Regardless of this minor issue, there is nothing that truly detracts from Brossard's text and I recommend it highly - particularly the French original if you can read the language and are lucky enough to get your hands on a copy (they are even harder to come by than the English version)!
(N.B. I would prefer to give it 4.5 stars because of translation issues, but I can't bring myself to give it a 4.)

DO NOT ORDER ANY BOOKS FROM BOOK AUTHORITY. I ORDERED THE CORE 4 FROM THEM ON SEPT. 1ST AND STILL HAVENT GOTTENT HE BOOOK AND IT IS THE 12TH. I CALLED AND THERE IS SOME ANSWERING MACHINE EVERYTIME. IT TOOK THEM ALMOST A WEEK TO PROCESS MY ORDER. CANT WAIT TO GET THE BOOKS, I HOPE BEFORE DECEMBER 31ST, 2000. LATER

I bought this core pack and the individual IIS and TCP/IP. After taking some classes, it was the perfect tool to cram with. I did not want to go though a 500-700 page book, so 180 or so pages was perfect. I passed one test a week.

An easy to read, comprehensive set of books. Just right for supplementing Microsoft Press Training Kits. I am proud to have a 100% success rate in all of my Microsoft exams, in part because of this series of books.

This book is well worth the money! Even if you haven't seen the movie that originated the book, you'll be fascinated by the small world of insects. As a 3D artist, I strongly recommend this book for its rich and wonderful reference pictures of insects at different stages of their lives. The diversity of their shapes, the richness of their textures. After the 2nd or 3rd page, you'll find yourself empathizing with these little creatures!

I saw this book in a bookstore but did not buy as it was overpriced (more than US$38) !!

But, it is indeed a good book showing insects and other creepy crawlies in action and close proxity. How the photographers did it was a remarkable achievement and certainly deserve to win awards for this work.

Anyone who likes good photos of insects will undoubtedly love this book.

Although this book is out of print, Warner Home Video has produced a VCD by the authors of the same title, and it is perhaps even more stunningly beautiful and awesome.

If you can, get the book and the VCD.

a must have for macro photographers--even for fine art photographers. beautifully depicted insects in detail never seen before. the world of insects shown as an amazing fantasy land.

I used this novel with my high school English class last fall. I teach in an urban environment where kids are reluctant to read, period. But I found that the students were REALLY into it. I had students who I suspect never read, reading it and telling me so. They kept saying, all year, "can't we read another novel like Mollyockett?".

It is told in flashback by the title character, Mollyockett, a medicine woman/weaver/wanderer, the last of her nation, the Peqwackets. She tells the story to a young English settler, Sarah. As she loses strength, Sarah tends to her and listens to her stories. For the most part, she tells the story chronologically... and she has an interesting life. Pat Stewart weaves the stories together seemlessly so that nothing seems forced or strange. If anything, she makes the reader want to know more about the real story.

We were lucky to be able to host the author at our school and she captivated the kids. Mostly, they wanted to know about Native American Medicine practices, since they were studying that as part of their unit, but many wanted to know how she actually wrote the story; she told them about the process of researching the history and making up parts she didn't know about. I still think some of the students had a hard time realizing that the story was based on the life of a real person!

It is rare to find historical, fictionalized accounts of Native Americans, and even rarer to find ones about Abenaki or any other New England Native American groups.

Anyway, I highly recommend this novel to teachers to use in their classrooms, but also to anyone who likes historical "fiction"... uhm, fictionalized history?

Basically, when we read fiction (or as in this case, fictionalized history), we want a story...the kind of story that in early times would have kept us listening to the storyteller until the tale was completely told. Pat Stewart's device, letting Mollyockett, the last of the Pequawkets, tell the story of her long life in the white man's world is just this kind of tale. It is clear that the author has carefully researched the life and times of her real-life character and that Mollyockett's story is based in fact. However, by taking some poetic license Stewart has been able to breathe life into Mollyockett, going beyond the facts and fleshing out the personal qualities and skills of this unusual woman. The result is a series of well-told tales that are revealing of both the storyteller's life and character, informative of the Native American history of New England, and revealing of the ambiguity of the French and Indian Wars. Avoiding the pitfalls of using any vernacular, Stewart has Mollyockett speak clear, almost poetic language. A storyteller herself, Stewart has faithfully produced a character that spins her own stories with a compelling, yet gentle voice that absorbs the reader. I recommend this book to readers of all ages who like good stories about real people and events that really happened.

In just 163 pages, Pat Stewart tells the story of Mollyockett, an Abenaki Indian woman who lived most of her life in the hilly country of western Maine. (Or, rather, bedridden in her final days and hours, Mollyocket tells her own story to a ficticious young gift descended from one of Andover, Maine's, first settlers).
What a remarkable story she tells--a tale of the struggle between native people and settlers, a story of this strong woman's own deep apirituality and faith.
Even the book design is distinctive, modeled after a purse which Mollyockett wove and which now belongs to the Maine Historical Society.
I recommend this slim, creative and engaging book as a fine way to meet one of our country's native ancestors.

The journal gives you a nice neat way to keep track of your child's health.

I take it with me to the dr everytime and fill out all the info to see how he is growing. Then you can have it to compare to past appts. Also it has a great place to put questions for the dr, or notes...I've looked around and this one is great, and not "cheesy", with first this and first that! It has a place to note things if it's really important!!! I love it!

I took a chance in purchasing this book because there weren't any reviews for it. After looking at everything else available and reading the comments I thought this might be the best choice. I'm glad I went with this one. It's small enough to fit in a diaper bag and has an elastic band so it won't open up and damage the pages. It's spiral bound so it's easy to write in and flip through. It covers everything such as well visits, sick visits, places to write questions for the Dr., places to write Dr. advice and suggestions from appointments, illness records, milestones to look for, tooth chart with tooth names, dental visits, immunization records, x-rays taken, blood tests, other types of tests, allergies, accidents, surgeries, and growth charts. It also includes tidbits of information from what to have on hand for your first aid kit to baby-proofing the home. I live overseas and this is great for keeping my own record of my baby's health so no matter where we live I will know and remember this important information. Also because the book is small enough, I can easily take it with us on trips and have this information available should something happen while we're away from home. No matter if you move around or stay with the same doctor for your child's whole life, I think it's good to have your own written record of your child's health. The day after getting this book for myself I ordered another one for my husband's cousin who just had a baby.

The Mysteries of Quan takes the genre of the Celestine Prophecy to a whole new level. Not only did I find the writing to be excellent, but the characters were extremely engaging. I found myself relating to them on many levels. The master teacher, Quan, uses stories and simple metaphors to present a philosophy of life which transformed my thinking on many levels. The mysteries once revealed turned out to be very practical in their application to my life. Unhesitatingly, I recommend Quan to anyone interested in expanding their view of life and of what's possible.

I liked the Celestine Prophecy, but I LOVE the Mysteries of Quan! Using entertaining storytelling as well as excursions into quantum physics, the master teacher/guru, Quan, shares profound insights into how to live one's life effectively and happily. In particular I loved the mystery of the perfection of imperfection. Anyone interested in growing themselves as a person would do well to treat themselves to the Mysteries of Quan.

Embedded in an involving story about Quan, a mystical guru and his teachings to five students in Colombia and India, are poignant, life-changing core ideas and philosophies about one's place and purpose in the world. One of Quan's mysteries - the mystery of the Imperfection of life altered my thinking forever. This is the most practical spiritual book I've ever read! It's a must for anyone interested in personal growth and a real spiritual life - applied day by day.

Names On The Land is narrative almost to a fault but it is a FASCINATING exploration into how and why we name the landscape, and how as we name the land, we give it meaning, just as the landscape give meaning to us.

Anyone that is interested or works with geography (especially historians or natural scientists) will find this book a very powerful perspective.

A very cool book. I think it is a shame it is out of print!

Wallace Stegner was not only a great writer ("Angle of Repose") and teacher (Stanford English Dept. who mentored people like Harriet Doerr), he was also a great lover of writing. His UC Berkeley colleague and friend George Stewart appeared on Stegner's list of "must read" Western American writers for "Names on the Land" as classic non-fiction and for fiction ("Earth Abides" that he recommends as reading in tandem with Miller's classic "A Canticle for Leibowitz").

Dr. Stegner points out that Stewart was not prolific as a writer and, for that reason, is sometimes overlooked as a star in Western American literature. "Names on the Land" underscores the painstaking process of good writing as it was practiced by Stewart and very much appreciated by Stegner. The research is incredibly precise and reliable; the language is as clear and fast running as a mountain stream; and the effect on the reader is overwhelming.

In an era of instant gratification and 10 second sound bites, "Names on the Land" doesn't seem "contemporary." But for a thoughtful reader of books, Stewart's masterpiece merits a place of honor in his or her permanent collection and (as Stegner admitted) a lifetime of periodic re-reading and reference.

In this unusual little book, George R. Stewart has compiled an endlessly intriguing account of the whys and wherefores of American place-names. The book as a whole provides a haunting, curiously oblique perspective on American history, as he delves into the cultural, historic, and (sometimes) military themes behind the names we use every day. The book goes into the names of cities, states, rivers, mountains, streets, and more.

I think you might get more out of this volume if you are aware of the way it is organized. I myself half-expected this book to be organized by state, perhaps in alphabetical order. This is not the case. Stewart has organized his data by THEMES in naming, and how these themes have emerged in our history. Therefore, the book (very roughly) follows our history chronologically, as various naming trends have come and gone, in the context of various cultural waves. This pattern tends to approximately follow the "peopling" of the continent (by descendants of Europeans) from east to west. Some chapters are mostly devoted to single states, but this is the exception, rather than the rule.

The chapter titles are not necessarily always very helpful, which is the closest thing I have to a caveat about this book. I'm telling you right now that the chapters roughly follow the settling of our continent, from east to west (and from south to north in the far western states). So, this should help you get oriented if you are browsing around... You might want to think of each chapter as a little independent essay. That might help you break the whole text down into digestible parts.

Some themes in naming include: the popularity of the name "Columbus," during and shortly after the Revolution; the tendency to adapt feminine names for the Southern plantations; Greek or Latin names; ancient indian names; English town names given new life on our shores; and many, many more.

One interesting fact I learned, reading this book, is that five of the six states in my native New England should, technically, probably be considered to be spelled wrong. (New Hampshire is the lone, proud exception). Stewart tells the tale of how each state was named, although he doesn't clump the five stories all together. You have to do saome digging... If you happen to harbor an inner, pedantic curmudgeon, who sometimes likes to rail against the stupidity of all humanity apart from him- (your-)self, this is the kind of thing that could give you great, and prolonged, delight. Also, you might be surprised at how many place-names have warm, human stories behind them. This can foster a real sense of human connection to our nation's past -- a connection that is not necessarily to participants in our nation's huge struggles, but simply to quiet, thoughtful people who tried to come up with words that just sounded right.

I would like to post here a private theory I have about George R. Stewart, which may be of interest to you in this context. Professor Stewart taught English at Berkeley, for much of the twentieth century. Concurrently on the faculty at that institution was the great American anthropologist Alfred Kroeber, who today is perhaps best remembered for his work with the last Yahi indian, Ishi, and also for his status as the father of acclaimed science fiction author Ursula Kroeber LeGuin. This last-named person, Ursula K. LeGuin, would have grown up hearing about Professor Stewart, and his odd hobby of place-names. If you read her young adult fantasy trilogy, the Earthsea Trilogy, you will find there a character called the Master Namer, who is a sort of professor in a school for young wizards. He and his classes exhibit many of the traits that we find in evidence within "Names on the Land." I believe that Ursula K. LeGuin probably based this character upon the fascinating George R. Stewart, and his hobby. Therefore, if you enjoy this book, you may wish to read Ursula LeGuin's "A Wizard of Earthsea," to encounter there a thinly disguised fictional version of Professor Stewart.

At any rate, this book is really something special. I recommend that you seek out a copy, and if you know a local history teacher, maybe you could lend it to him and suggest that he fashion some lesson plans from its singularly neato contents. Two thumbs up!

High marks for Michel Arnaud's photographic tour of Nashville. It seems to me that his (mostly) black and white portraits capture the essence of a generation - that host of Country and Western aspirants who flocked to Opreyville like the budding movie stars flocking to Hollywood. A few succeeded; many failed. There is less pulchritude in Michel Arnaud's book than if he had chosen to point his camera around Los Angeles, but many more characterful faces. He is a portraitist of the enthusiast, evoking the drink-fuelled abandon of the busking has-beens; the relaxed humanity of the established old-timers; the bounce of the new populists. They all come across as natural and relaxed: Alan Jackson lounging in split jeans on one of the floats of his private seaplane; Ray Wylie Hubbard peering cheerfully at the camera through steel-rimmed specs; wiry Chet Atkins, absorbed in tuning his guitar. The Roots win hands down for me, but there is something for everyone in this evocative album, which shows the Nashville that still retains its vitality underneath the publicised image.

High marks for Michel Arnaud's photographic tour of Nashville. It seems to me that his (mostly) black and white portraits capture the essence of a generation - that host of Country and Western aspirants who flocked to Opreyville like the budding movie stars flocking to Hollywood. A few succeeded; many failed. There is less pulchritude in Michel Arnaud's book than if he had chosen to point his camera around Los Angeles, but many more characterful faces. He is a portraitist of the enthusiast, evoking the drink-fuelled abandon of the busking has-beens; the relaxed humanity of the established old-timers; the bounce of the new populists. They all come across as natural and relaxed: Alan Jackson lounging in split jeans on one of the floats of his private seaplane; Ray Wylie Hubbard peering cheerfully at the camera through steel-rimmed specs; wiry Chet Atkins, absorbed in tuning his guitar. The Roots win hands down for me, but there is something for everyone in this evocative album, which shows the Nashville that still retains its vitality underneath the publicised image.

At first glance I thought this book was going to be just another "picture" book about famous country stars; I was happily and totally mistaken. While Arnaud and Hicks have captured some beautiful images and descriptions of the Nashville scene's legendary greats, the unique quality of this book is the fact that it also depicts the "stars" of Nashville whose lights have yet to shine, or whose lights may never shine. I found this book to be a wonderful tribute, not necessarily to those who have "made it," but more to the "pilgrimage" of those brave souls who journey to Nashville seeking to "make it" in the music business.

Although I am not a big fan of country music, nor am I musically inclined, as I gazed at the faces in this book, some recognizable, but many not, I felt a connection with them. That connection being the subject of hope and dreams.

The common thread among the people photographed in this book is not only their journey to Nashville, but their hopes and dreams of acquiring success in the music business. Arnaud and Hicks have incredibly captured the visual and written theme of this pursuit of success. I applaud Arnaud and Hicks for not just honoring and capitalizing on the images of those who have "made it," but for honoring the image of the journey and those "pilgrims" still on its path in Nashville.

I am a horticulturist and wanted a book to research a Provencal garden I wanted to design for a client. I was leary because there were many books and I was not sure which one would be good. I made a great pick. The pictures are great and provided me with lots of ideas. The author knows a lot about gardens and specifically design. I highly recommend to anyone that wants to creat a garden with high design and a great spiritual feel.

The French country garden has experienced a renaissance in recent years. Following Rousseau's stipulation to "please the eye" the reader will find this is accomplished by placing what Jones identifies as "Land Art," right at the heart of the garden and making it the focus. Around it, she strikes a personal balance between formality and gentle disorder.

Drawing inspiration from the iconic region of Provence, New Gardens in ProvenceV features 30 designs detailing the full extent and exciting diversity of the modern French country garden.

Hundreds of arresting photographs capture Provence's seductive allure that are sure to gain favor among Francophiles. St. Fiacre the patron saint of gardens would approve of this wonderful celebration of new interpretations of French gardens, old-fashioned techniques, and the rediscovering of obscure heirlooms.

This is a very lovely book with large beautiful photos. I had been looking for a book that captured the true essence of Provencal gardens. The narratives were very informative as well. Because these were "modern" gardens I felt that the look they presented was attainable for my own garden design. One negative is the book does not go into much detail about the actual plants used. There is some plant descriptions but not as much as I hoped. I was also looking forward to more photos of the garden on the front cover. Overall, the book is one of my favorites and will be a source of reference for my ongoing gardening projects!