Smith Books

This is a very special book and a wonderful present to give anyone. I have given this book to my daughter's teacher, a good friend and a sibling. It's story is universal and the message is wonderful. The drawings and layout of the book are genious. Highly recommend it.

By far...the best book ever written. Great gift item for baby showers or for a young child.

This is a gorgeous book with a beautiful story.
I read this book aloud to my guests at my own bridal luncheon and it was a hit.

I plan to buy several as gifts.
Buy this book for yourself and for those you care about.
Do not pass this book up. It is a gem.

We are using this book in lieu of the traditional Guest Book at our wedding. There are lots of blank spaces in the margins that guest can use to sign it "yearbook style" and it makes a nice book to have on a coffee table after the wedding. Much more unique than a plain guest book.

The Story of the Heart is very moving. The art is beautiful and the story is wonderful. I've given this as an early Valentine's Day present to my wife, daughter, and mother, and they all love it. So do I.

The cover of the book leads one to think that this will be a volume of traditional or "antique" Swedish style, but this is not the case. I was personally looking for a book of traditional and old fashioned Swedish interior and exterior styles and this book is not that, thus I gave it three stars. The book is nicely written and there are plenty of photographs and there is a bit of traditional style but the book focuses largely on the modern takes on Swedish style and many of the photos are of places in the United States that have somewhat Swedish flavored styles and definately very modern styles.

I was very delighted with this book. The pictures are very fine quality and I was especially excited with the references and pictures of the 10 Chimneys property. I recently visited that property and one could not take pictures of the interiors so this book is a great reference. I only wish there would have been pictures of the master bedroom in the guest house that Alfred had made for his new bride.

This book has the most beautiful pictures of all kinds of Swedish furniture. Lots of information but most importantly fabulous pictures so you can see how it was used and in what settings. Great if you are adding a few pieces or a lot of pieces to your home. Great resourse for Designers also.

In my opinion, this is the best book that I have found on the SWEDISH STYLE of home decorating.

This is a large hardback book, with wonderful photos of homes decorated in the "modern" Swedish style.

If you love the Swedish style decorating, then you will refer to this book quite often---as I have.

This is a monumental book for both the general public with an interest in the nuances associated with interior design and the seasoned interior design professional who is seeking a guide book to Swedish style. Not only are you rewarded with lush pictography throughout the book but the corresponding discourse is informative and inspiring on numerous levels. This book will take pride of place within my expansive collection and I am sure that I will be referring to it for years to come

A book which was at the heart of architectural theory for over 1500 years can't be entirely outdated. Many of the issues and ideas which Vitruvius brings up are still relevant to modern architecture and, at the very least, give us an idea of the theory behind much architecture, both before and after Vitruvius' life. Of course, it can't be relied upon as a comprehensive guide to architecture and there are some points which are innacurate in terms of history or theory, but you take this book with a pinch of salt, and accept that this is where architectural theory started, and you have to respect it for that!

Vitruvius's 10 books (or chapters) on architecture lets you view life through the lens of the 1st century BC builder. While Vitruvius does explain the principals of how to build various buildings and rules for the construction and use of columns, perhaps the most amusing part of the book is his description of life and the things that govern it. Throughout the book he describes certain materials that should be selected for building and their composition of the four basic elements: earth, air, fire, and water. In some sections he spends an excessive amount of time making a point, and some points are glossed over. Many of the things he describes we are still doing to this day. A fascinating read all in all.

however, it is an ancient book... I used the dimensions and architectural scales to build my model of a greek temple. Very informative when it comes to that, cause not many books have to-scale drawings of the building.

This is a wonderful look at the world and its building materials through the eyes of Roman. Great insights into Roman perceptions about how the world worked.

I really enjoyed reading this fascinating book. However, when I compared it to another translation (a two volume edition, translated by Granger) it seemed that it was missing some bits of information.

It was easier to read though, so if you are interested in a casual read, this is the book for you. For a research project, you should probably stick to Granger's books.

A Genie in the House of Saud: Zubis Rises (A Genie in the House of Saud)

A bit arachaic in language and cultural approach, but the narrative pictures Doughty draws are fascinating; submersion into a little known cultural and time. Great for anthropological studies.

I must, grudgingly, give this monumental classic work of travel and adventure five stars, despite the fact that I don't really like the author. Doughty was probably not a very nice, friendly person; his life and opinions seem centered around a strict, almost fanatical and unforgiving, religiosity (he was a very fervent christian). Nevertheless, what he set out to do, he did with ample success and eficiency; and what he set out to do is not so simple as it seems at first sight,in my opinion, except for one of his main, but most superficial goals: to redeem the English language from the poverty and oversimplicity it had fallen into (Doughty believed the English language had fallen from grace since Spencer: I wonder, what would he think of it now?).

"Travels..." is an account of Doughty's two years of wandering through the Desert, in the 2nd half of the 19th century, with Hejaz and Nejd nomads. Unlike many other travellers before him (such as Sir Richard Burton), he never even tried to pretend he was a muslim, but admited to the nomads he travelled with that he was christian....and then went on, once and again for two years, to argue christianity's superiority over Islam and to explain how the fact that they were muslims excited his pity at seeing them fooled by their fraudulent Islamic beliefs. We know that traveleng in Arabia in those times was quite risky and dangerous, so it is a wonder that he was not killed by the nomads he was travelling with after they had to hear, for the hundredth time, how their faith was a fraud!!! This pious propensity, or even thirst for martyrdom (some times the provocations seem to point at that), is also quite trying for the reader.

However, if you can stomach the religious dissertations in his very special saintly style, the reading is rewarding indeed. Doughty had the (undeserved, I think with envy)luck to find the remains of the Nabataean town of Hegra, which he describes in some depth, with sketches of the tombs and copies of the inscriptions he found there. Who doesn't dream of finding the abandoned, lost, ancient town, built by a mysterious half-forgotten people? His descriptions of life with a Nomadic tribe of those times, with its unbelievable hardships, due to the famine-level subsistence usual among nomads, are an etnographic work of first rank. His report of the abuse, threats and indignities he had to suffer at the hands of the nomads because of his refusal to deny his christianity are unintentionally funny, in spite of himself.

But it is when we see that Doughty constantly compares the nomads of the desert with the Patriarchs of the Bible, and we know he can imagine himself in the company of Abraham's or Ishmael's tribes, when we learn the extent of the religious significance that this journey had for him. The ignorance and fanaticism that he finds in these nomads, he imagines in the Patriarchs of the Bible. For him Christianity, his own faith, was the light and salvation that took people out of the pitiful and primitive state these nomads live in. In fact, his journey is actually a pilgrimage to invest his religion with a significance that maybe he had been in the process of losing from sight.

And it is this, the fact that this author had set out for a journey with the intention of profoundly despising the people he was going to live with, what makes me despise him as a person, even though I see the importance of his work. Although Doughty repeats, now and then, the common, admiring expressions that were usual and fashionable to speak about the nomadic Arabs of those times -all the usal "noble savage" stuff-, we can read between lines (and later on, directly) that he thinks they are repulsive, inferior creatures. He goes to Arabia thinking he will be a superior among primitives, and he leaves Arabia, two years later, convinced that this has, indeed, been the case. In my opinion, the one who comes out the worst from the experience, is himself, although I have to thank him for recording his experiences and so, giving me the oportunity of reading between lines and learning from that.

I would like to add that this is not a complete edition of Doughty's work, which I read in the Dover two-volume edition, with an introduction by T.E.Lawrence and translations (of the Nabatean inscriptions) by Ernest Renan, and with some beautifully drawn maps.

There are few travel books that can stand up to the depredations of time - indeed, travel literature by its nature tends to be ephemeral. We may peruse the Victorian travelers, but mainly to get a sense of the exotic, from a time when it still was that way.

Fewer travel books still can claim to have had a conscious impact beyond their own genre. One thinks of Stendahl's travels in the South of France, Radishchev's journey from Petersburg to Moscow, or Stephens and Catherwood in the Yucatan. But Doughty is in a class by himself.

This remarkably eccentric man with the remarkably eccentric writing style set off into one of the last fringes of society, to a world where the art of the word was cultivated and where a man's worth was set by his speech. He is not an easy read. Yet his writing reflects the sense of a major intellect from one culture confronted by a tradition which is very old, very venerable and yet totally alien from that in which he was raised. That he sought to explain it by creating a new way of writing is perhaps not remarkable.

Many writers of the last century have been quite vocal about the debt that they owe him; one sometimes wonders if this is honored more in the breach than we would like to believe. But try him on for size, but be prepared to be patient. You will find that his style will win you over if you are.

Doughty had reflected his belief throughout his journey and I am not surprised. He decreased the Bedw traditions and tried to link it completely to the teaching of Islam. He knew from the beginning that the Bedw tradition especially in the northern part of the Arabian Peninsula has nothing to do with the teaching of Islam. It was basically their culture. He did used the Bedw to serve his purpose since he wrote this book only to the western readers at that time to capture their imagination of the Arabian desert and to lay down the first step toward the colonization period that took place 30 years later.
Doughty in his book has described the Bedew life with many details that have shocked me. Since he lived with my great grandfather (Tollog) during his stay on al Harra, I was able to tell how close he was to reflect the real life of my tribe.
If we ignore his belief's reflection in his writing, we can conclude that his book is truly a masterpiece in detailing the life of one of the most isolated part of the world in 1800 century.

After reading this work detailing the 1870s [mis]adventures of the legendary Charles M. Doughty, one comes to understand much better why T.E.Lawrence so admired the Bedu and mistrusted the Arab city dweller. Doughty's "travels" really amounted to being "driven" through hostile lands occupied by "fanatics," continuously handed off from one group of outlaws and thieves to another. "I found in them an implacable fanaticism," wrote Doughty. "All their life is passed in fraud and deceipt." Sacred oaths, swearing in the name of God out of mere habit, traditional mores of protecting the fellow-traveller in one's charge honored mostly in the breach. One friendly Arab acquaintance along the tortured path tells Doughty, "I hope that your life may be preserved: but they will not suffer you to dwell amongst them! You will be driven from place to place. As many among them as have travelled, are liberal; but the rest, no." Abdullah el-Kenneyny advised Doughty, "I am even now in amazement! that in such a country, you openly avow yourself to be an Englishman; but how may you pass even one day in safety. You have lived hitherto with the Bedu; but it is otherwise in the townships."

Early on, the strange language seemed humorous and distracting, but it soon grows on you. "Give me a hand" becomes "Lend me a grip of thy five." Robbed, stripped, insulted, the intrepid Doughty gives the evil-doers the back of his hand as often as he dared, many times with his hand on a revolver hidden under his robes. One bluff carried off successfully against fellow travellers, who were sworn, of course, to defend him -- "By the life of Him who created us, in what instant you show me a gun's mouth, I will lay dead your carcasses upon this earth."

Occasionally some paragraph seems to be the obvious inspiration for a like passage in Lawrence's "Seven Pillars of Wisdom," an exquisitely detailed description of how a camel comes to a halt and lies down being one of the most obvious examples.

A major feature of this work is the great care taken by the author to use and then explain the Arabic vocabulary for places and things unique to the Arab culture. Each and every page is peppered with these terms. There is a fine glossary, praise God, the Merciful One!

The first half of this collection of selected passages from the massive original work will give readers warm feelings for the Bedouin and sweet dreams of wandering amongst them at peace with God and nature. The second half will likely wipe out any such urge. Civilizations still clash, 130 years later. Extremists rear their ugly heads on both sides of a vast chasm. Will the next 130 years bring much fundamental change?

I first read this book when I was 11 or 12, circa 1962.

It was so appealing that I adapted it into a play for a 7th grade book report. My teacher, the doughty Mrs. Kerrigan, took me to task for not reading a REAL play. I held my ground, however, and insisted that the dialogue and imagery made it as actable as any "play" could be.

Here I am, lifetimes later, still chuckling over this little masterpiece.

If you like Jean Shepherd's "Christmas Story", you will love this book!

Many times reading this book I related it to my own childhood in the 1980's. It's amazing to think that this was written in the 1950's, about the author's childhood in the 1930's. It's also hard to believe that such normalcy could have taken place in an era when we never hear about anything but misery. Unbelievable as well, is that happiness and life carried on without the direct interference of the New Deal. This book is truly a gem that will bring you back to the forts and treehouses we used to play in.

I'm sure that mothers and daughters will enjoy the book as well, but fathers and sons will get the most from it. I first read a borrowed copy of this book at age 10 back in the 1970s, and I loved it. Its praise of living leisurely, making your own fun, spending time with friends rather than parents, even doing nothing at all, seemed to validate my own boyhood lifestyle. I never forgot the book and finally bought it for myself from Amazon 30 years later.

The book is now more than 50 years old, yet it seems strikingly contemporary because the trends that Smith spotted in the 1950s (structuring children's playtime, always trying to teach and "improve" our kids, being a "pal" to our kids) have only accelerated since. Smith treats everything with nostalgia and humor, making every page a joy, if a tiny bit sad.

I now have a baby boy of my own, and I'm going to save my copy for him to read, years from now. I strongly recommend this book to young fathers, and fathers-to-be.

This book should never be out of print. A glorious, accurate dipiction of childhood from a boy's perspective. We can all relate. Sweet and innocent: when he talks about smoking "weed," it was real weeds from a back lot! When duct tape was the most valuable thing on the planet and an abandoned lot was a wonderland, it will all come back to you.

What a wonderful little book! Very short, only 124 pages, and I think the best word to describe it is - bemusing. I was charmed by the writer's account of his childhood in the Roaring Twenties. Written in 1957, so many of his observations on parenting (and he had two of his own) are certainly true today. We micro-and macro-manage our children. Are they ever left to their own devices any more? I do remember one of the things he did, running a needle under the skin of my finger. I have a note in my copy that says this book should be given to whichever of my children's children reaches 6 first.

A book that shows the mom or daughter in your life that there is a special bond -even among the differences.

My mom and I, unfortunately, do not see eye-to-eye..... yet this book made each of us choke up. It's a keeper.

If you have a daughter, particularly one who is on the brink of womanhood and preparing to leave or has already left the nest, this is the perfect book to give her. In other words, if you have a daughter 18 or over, give her this book immediately. You may even want to read it with her, but be warned that you will both shed a joyful tear or two. This short, picture-book for adults tells the story of a mother and child and the lessons they learn. Sadly, even a mother's love cannot protect a child against all life's hardships, but the irrevocable truth still stands: there is no greater love than that of a mother for a daughter and the nurturing love that melds into true friendship as years go by is a shared gift. Treasure this little book as you read it for a few minutes with your own daughter, and hold its message in your heart forever.

I bought this book for my mom while on my first vacation away from her in California. I was 18 years old and for quite sometime had been struggling with her issues of letting go. Because of this book I finally understood that she was also struggling with having to let go and I learned to be a little more patient. I think she too realized that although she couldn't always protect me, I would still be her daughter.

My mother has always loved books by Carol Lynn Pearson; I think one reason is that she named her daughters Lynne & Carol (and we used to be Pearsons)! By far, this is my favorite Pearson book. Recommended by an Amazon friend, I bought this book for my mother who has always lived thousands of miles from me. As luck would have it, my daughter was visiting me when I started reading this lovely little story. From the very beginning, I knew this book was written about us. The tears started flowing on the first page and didn't stop until the last page of this poignantly written "Fable For Our Times." WILL YOU STILL BE MY DAUGHTER? is actually a parable about an acorn that falls from a beautiful, strong oak. The oak loves her daughter and wants to protect her from pain and disappointment. However, as in real life, we can only hope that our children will have the strength (roots) to persevere.

There is a special bond between a mother and her daughter and this book celebrates that bond. You must read this beautiful keepsake with your daughter, especially if she is going through a difficult time. I now need to buy another copy of this book for my mother. I loved this touching tale and recommend it to all mothers. Put it somewhere handy so it can be read over and over!

This book has been in my family for four generations, the 1912 edition having been given to my father by his grandmother in 1948.

The premise of the story is given in the introduction; the narrator happens upon a marvelous clock in Father Time's attic, which strikes the hour with songs and puppet dances. Twenty-four stories follow, one for each hour of the day. Each story begins with a verse that corresponds to the hour of the day: lighting the fire, preparing breakfast, sending the children to school, making the noonday meal, milking, tea, bedtime. The verses alone are fascinating, as they bring to life the househould routines of a very different era.

The stories are illustrated with Howard Pyle's remarkable drawings. Each tale has a frontispiece for the title, and the beginning of the text and each picture caption is heralded with a large ornmental letter like those in illuminated manuscripts. The illustrations are gorgeous. Pyle was fond of capturing scenes of nobility and royal splendour, pastoral life, and witchcraft. Some are stylized portraits of princesses in exquisite gowns and classic poses, while others demonstrate Pyle's gift for caricature and expression.

The stories themselves are wonderful, full of heroes and heroines, bravery, beauty, wits and trickery. Although there are allusions to mystic and Christian themes, and to folklore and fables, most of the stories will be unfamiliar and fresh to modern readers. The langauge is rich with metaphor, droll imagery, and dialogue that is made to be read aloud. As with Aesop's fables, the stories are meant to instruct, but the morals take a back seat to the storytelling, at least until the conclusion of each tale, and a great deal is left up to the reader to interpret.

This was my favorite book as a child, and I still turn to it on sleepless nights. But our beloved family heirloom is growing very delicate, so I am very glad that the book is still in print. I hope to share it with my own children someday.

This is the most wonderful collection of fairytales, which I first encountered in the third grade and have reread countless times since. I'd rank it with the multicolored Fairy Book series by Andrew Lang as world class for this genre. A classic!

My father heard these stories as a child. He read them to me. I read them to my kids and my grandkids. The vocabulary, the cadences, the varied plots and the sheer magic of these tales is timeless. The poems at the beginning of each chapter are related to the hours. Kids insist that you read them too. Pyle always sees to it that bullies, evil magicians, cheaters and older nasty siblings get their comeuppance. Little ones enjoy that aspect. Great archaic words are dusted off along with long disused similies and metaphores. It's the kind of book that comes to mind when you meet a bright eyed new child who has read everything else or seen everything else. At age 70 I still keep a copy in my bed's head board. Rap, tap, tap he knocked at the door.

The narrator of the twenty-four stories (plus an introduction) finds a special clock in Father Time's attic, which strikes on the hour with songs and puppet dances. "Four and twenty marvelous tales, one for each hour of the day" all start with a verse to coincide with that particular hour. Drawings are included to add further depth. Each ends with a morality lesson, which never interferes with the story, but helps wrap up that entry.

This nineteenth century collection is remarkable in different ways depending on the reader. The tales provide insight into daily household life and the morality of a bygone era. The contributions also furbish delightful fairy tales for the young at heart that are enhanced by superb figures of speech and tremendous illustrations with a finale moral lesson. This collection is a winner and will send many a reader searching for other works by Howard Pyle.

Harriet Klausner

I have been searching for this book for quite a while. The stories included are gloriously written and the illustrations are phenomenal. The reason I started looking for it again was because my Grandson will soon enjoy it. He is only 5 years old, but again, I started reading it (repeatedly) starting at age 7. I think I re-loaned it until my card was worn out! I will get him his very own copy and I know he will enjoy it as much as I.

Reviewed by Irene Watson for Reader Views (11/07)

Anita M. Smith (1893-1968) is not only portrayed as an accomplished writer, but also as an accomplished artist as she reveals Woodstock in this wonderful second edition "art book." What a breathtaking way to create a visual tribute to 20th century artists such as Konrad Cramer, Doris Lee, Andrew Dasburg, and of course herself, Anita M. Smith.

But there is more. Smith includes history and daily life. There is an extensive chapter on the Byrdcliffe Arts and Crafts colony as well a section emphasizing the Maverick music and arts festivals, the predecessor to Woodstock. This coffee table book also features nearly 200 photos accentuating local individuals and attractions.

Those of us that grew up in the era of the 1969 Woodstock Festival, even if we didn't attend it, will always relate to it. But, most of us, unless we live in the area, do not know the history of Woodstock. Smith gives the opportunity for us to visit Woodstock in a way we couldn't have in 1969.

"Woodstock History and Hearsay" is captivating to say the least. The local tradition and myths, along with the researched narrative and paintings captures the splendor and magic of one of America's oldest arts communities.

Although I've had this book for a while, it's been difficult to find time to adequately praise it. Consequently, several others have beat me to the punch, superbly. As Ms. Borsos properly notes, Woodstock, N.Y. is known for its character and characters, the one influencing the other in ways that made the town a haven for "passionate, energetic, entrepreneurial, hard working and artistic" people.

These U.S. born bohemian types fortunately included the late Anita M. Smith (1893-1968), whose paintings Weston and his sister Julia Blelock have lovingly compiled in the latest edition of this book. How they came to do that is as much of interest as the book itself, for the Blelocks' parents had during their childhood rented Smith's home, while she lived in a cottage next door, adopted them as her "spiritual" grandchildren, and wrote the first, 1959 edition of the book.

The masterful current edition won the 2007 Independent Publisher's Award, presumably for its magnificent printing quality--and its fabulous content, including the introduction of Smith's 1920-1928 impressionist artwork, heretofore not in print. Smith's previously famous artistic renditions of New York's Catskill region had been shown in Chicago's Art Institute, Toronto (now Ontario's) Art Gallery, and Pennsylvania's Academy of Fine Arts.

But Smith was also first to write the Woodstock local history, which is far more scholarly and complete than most regional histories I have seen. Smith's life experience (recorded here in a time line) indicates the breadth of experience, knowledge and intellectual exposure she brought to her account, despite her grandmotherly familiarity with editors, during their childhoods.

Woodstock's Revolutionary-era Tory bent would not surprise anyone familiar with other rural New York areas. Setauket, Long Island, for example, has struggled (successfully) to retain its colonial feel, preserving even its circa 1730 Caroline Church, to which George II's Queen, Wilhelmina Karoline of Brandenburg-Anspach, gave its original alter cloth and Sacrament ornaments--and whose western side proudly exhibits Continental soldiers' bullet holes. Under British control for 7 years after the Revolution, Setauket was like Woodstock also home to Yankee boatmen whom the "damned Red Coats" labeled a local "Spy Ring."

Woodstock's Civil, World War I and World War II histories are also admirably recounted here, in a scholarly and equally engaging manner. Students of early American history will love the local color provided in chapters on New York's time along the budding nation's "western frontier," its liberation from Tory control, its 19th Century glass-making (a common art throughout the North East and into Canada) and rural agricultural disputes with large area landholders.

Then there are Smith's word-paintings of the beginnings and life in the original Byrdcliffe art colony, founded by Ralph Radcliffe Whitehead, Bolton Brown and Hervey White, the last of whom later split off to start another such early art commune, the Maverick.

As others have mentioned, the characters on Smith's word canvas include instantly recognizable popular, business, intellectual, literary and political names (Helen Hayes, Edward G. Robinson, John Burroughs, John Dewey, Thomas Mann, Eleanor Roosevelt and Pete Seeger) and less famous (Alexander Archipenko, George Bellows, Philip Guston, Yasuo Kuniyoshi, Charles Rosen and Conrad Kramer) alike. In a way, Anita Smith was rural New York's Gertrude Stein.

I can't recommend this fabulous 2nd edition highly enough.

--Alyssa A. Lappen

Several years ago I reviewed It happened in Woodstock which was originally published in 1959 and authored by a Philadelphia debutant, artist, herbalist and author Anita M. Smith. As I mentioned in my review it was a book not only remarkable for its good look, but also its amazing chronicling of the history of Woodstock from A.D. 1614 until 1971. The 1959 book was Woodstock's first official history and documented the run-up of events that culminated in the historic three day "Woodstock Music and Art Fair" that was celebrated in mid-August of 1969.

This second edition, Woodstock History and Hearsay published by Woodstock Arts includes an abundance of new material including a comprehensive list of endnotes, a bibliography and an expanded index. It is the recipient of the 2007 Independent Publisher Award and a finalist Foreward 2007 Book of the Year.

We have to thank the tireless efforts of Weston Blelock and his sister Julia for giving us the opportunity to experience through the writings of Anita M. Smith the history, art and lifestyle of Woodstock's inhabitants from its early settlement until the 1960s.

Moreover, with Woodstock History and Hearsay we can now fully appreciate the philosophy and art of such 20th century artists as George Bellow, Charles Rosen, Konrad Cramer, Henry Mattson, Yasuo Kuniyoshi, Alexander Archipenko, Arnold Blanch, Doris Lee, Henry Lee McFee, Alfeo Faggi and others.

It should be pointed out that Weston and Julia Blelock's mother, Nelle Thornton Jones Blelock was a close friend of Anita Smith and she had inherited from the latter all of her holdings, including artworks and written materials. When their mother died, Smith's estate passed onto them and they resolved to honor her and their mother through a program of restoration-including various buildings and gardens as well as the collection of intellectual property. Consequently, they had founded their company, Woodstock Arts which focus was "to embrace and celebrate a mindset and way of living that he been handed down to them from Anita." As a result, one of the first major projects was the development and publication of the second edition of Smith's 1959 Woodstock History and Hearsay.

As mentioned in the Preface, this second edition augments the original set of eighteen illustrations, always making sure that the images would be a reflection of Smith's own visual palate and sensibilities.

Divided into fifteen chapters and packed with historical detail, the book explores early settlement, frontier days, glass making in the nineteenth century which was an impetus for Woodstock's growth, Catskill farmers rebelling against feudalism, a comprehensive chapter pertaining to the famous Byrdcliffe Arts and Crafts Colony, the first Woodstock Festival, Rosie Magee who was a mother to a generation of artists, George Bellows and other leading artists, the Art Students League, Ohayo Mountain, upper Hamlets, Woodstock and World War II, and various local personalities.

It is quite obvious that Smith has done a tidy bit of research making the scenes of Woodstock, her inhabitants and neighbours from the surrounding areas come alive. And as an important added feature is the relevant Integration of 170 black and white photos highlighting works of art of several local personalities and landmarks and the book's 196 images include 7 maps and two portfolios with 19 reproductions.

Woodstock History and Hearsay will appeal to booklovers who relish a fascinating read reflecting, as Julia Blelock mentions in the Preface, "Woodstock-known internationally because of its art heritage and the 1969 festival-represents a special blend of imagination, creativity and commitment to an alternative way of life."

Norm Goldman, Editor Bookpleasures

This book is a history of Woodstock, New York, with an emphasis on the development of its artistic community. Originally published in 1959, the book has been updated with endnotes by Weston Blelock and many new images and plates. Smith first arrived in Woodstock in 1912, when she spent a summer with the artists' colony. She soon returned to Woodstock to take up full-time residence, and in addition to painting, began collecting stories and anecdotes from townspeople. Her interest in local history became widely known, and in 1931, she began publishing papers about the history of Woodstock through the Historical Society of Woodstock. Following World War II, she compiled a history of the wartime contributions of Woodstock community members. In 1959, she published a volume of her historical research on town history, Woodstock: History and Hearsay. In this edition, family friends, Weston and Julia Blelock, have painstakingly reviewed Smith's manuscript, added endnotes, a new introduction, a biographical timeline of Smith's life, and hundreds of new illustrations and photographs. This edition includes an index, an annotated list of illustrations, a bibliography, and endnotes, as well as the World War II service record summaries from Smith's original work.

The book represents a massive work of scholarship, covering the history of Woodstock from its earliest European settlement through the period just after World War II. As well as being an active member of the artistic community, Smith was an avid collector of stories, and recorded firsthand accounts of life in Woodstock dating as far back as the early Nineteenth Century. In this book, she includes stories of frontier life, the glass-making factories, and a large section on the Down-Rent War, a rebellion against feudal land ownership. She then traces the development of the Byrdcliffe Art Colony, the Maverick Festival, and many of the artists who came to live in Woodstock. At the end of the book is a remarkable history of the WWII contributions of Woodstock residents, at the home front as well as in the services. In addition to the plates contained in Smith's 1959 edition, the Blelocks have added hundreds of photographs, color reproductions, and maps that make the present volume quite attractive as well as illustrative of Smith's stories.

The book is a delight to read, as well as highly informative. Smith writes in a down-to-earth narrative style, conveying the character of her interviewees. She clearly had a wide range of interests and cultivated friendships with people from all walks of life. She discusses some of the politics and personality conflicts of the original artists' community impartially, although she was a firsthand witness and participant in many of the events. Scholars studying artists who resided in Woodstock during these early years will find much of interest in the book, as she provides many personal anecdotes about her colleagues and mentors. Smith's details of the WWII contributions on the home front are particularly interesting for the information they provide about the effects the war had on the social climate of a representative small American town. Overall, the volume is a treasure trove of historical information, fascinating to read, and a pleasure to browse through.

The character and essence of a community is based on the quality and type of people who settle in it. From its early beginnings and into the present times, Woodstock, NY has attracted a cast of charismatic, passionate, energetic, entrepeneurial, hard working and artistic group of people to grace her historical stage. Different eras attracted a different type of characteristic in its settlers. All helped build the community into the dynamic, artistic community which it is today. Each person left his or her imprint and indelible presence ... Anita M. Smith the author of this book is no exception. She first became well known for her impressionistic paintings of the region which were exhibited at such prestigious locations as the Art Institute of Chicago, the Pennsylvania Academy of Fine Arts and the Art Gallery of Toronto (now called the Art Gallery of Ontario). Such recognition speaks volumes about her artistic talent. Ms Smith had a strong presence in the community and was the first person to research and record the complex history of Woodstock which was published as the first edition of Woodstock: Hearsay and History. We can thank Weston and Julia Blelock for including more colorful photos of her paintings in the second edition. They also provided an outstanding biographical timeline of Anita's life which gives the reader an idea of how well traveled and broad her outlook on life was. I particularly enjoyed the preface where they provide a background of why this book is so important to them and how personally meaningful it is. When growing up, they knew Anita by the dimunitive "Nietsie" ...

This book is a richly textured volume, a multi-layered historical document filled with fascinating detailed accurate history obtained from local archives. It also contains anecdotal stories, similar to local legends about various residents from the Revolutionary War, Civil War, through World Wars I and II and into the present. Reading about local residents and their experiences during the Revolutionary War made this most important event in US history come alive with meaning. What stands out most is that prior to 1775, loyalty to the King of England was the expected political position. However, shortly thereafter *if* anyone expressed support for England it was considered treason, punishable by imprisonment or worse. Revolutionary War politics comes alive for the reader, making one realize that the mood of the people had shifted towards independence, to making a break from the Crown a reality. The following chapters are especially captivating, filled with many unique stories which engage the reader's attention from start to finish: "Chapter Two - Frontier Days: Indian Forays, Revolution and Liberty", "Chapter Three - Glass Making in the Nineteenth Century", "Chapter Four: The Down-Rent War: Catskill Farmers Rebel Against Feudalism".

Each chapter stands out for its well documented and researched contents, indicating meticulous attention to accuracy which makes the book so great. Along with real history, the hearsay keeps the reader hooked, wanting to read more. Anita interviewed local residents and preserved their human interest stories, providing amusing and entertaining tales from the past. Most especially intriguing are her insightful stories about the local artists who started two famous art colonies in Woodstock: the Byrdcliffe and the Maverick. Ralph Radcliffe Whitehead, Hervey White and Bolton Brown were the founders of Byrdcliffe. Later, Hervey White separated from the group and started the Maverick. He was also the founder of the first Woodstock Festival (not to be confused with the 1969 rock concert which went by the same name but was held on a nearby farmland). I loved reading about their life stories, as young adults when they broke with convention, travelled to Italy and experienced other cultures. The wonderful true stories about Rosie Magee a local resident who provided food and lodging to a generation of artists is a thrill to read. One's heart goes out to this generous, kind-hearted, hard working lady who was a kindred soul to the artists ... A most highly recommended book. Erika Borsos [pepper flower]

EXCELLENT, EXCELLENT!! Thanks God I bought this Bible... It opened my eyes about God. It made me closer to Jesus Christ... I'm going to buy more as gifts. This is definitely one of the best!! Thanks God for the life of Pastor Chuck Smith. Everytime I read it, Im encouraged despite these troublesome time. For sure, God will Bless if you read the Bible.. PAstor Chuck's comments are very easy to understand, but deep. God BLess!! =)

I met Pastor Chuck Smith's Grandson at a biology class I took for Homeschooling and I love Pastor Chuck's Bible is so great!!

Reviewing the HOLY BIBLE - now that's not right!

Well anyway. I have admired the teaching style and content of Pastor Chuck's Bible teaching for many years. I place a great deal of weight on his knowledge and years of experience in knowing God.

The quality of the book construction is excellent. The "bubbles" with Pastor Chuck's comments are a little over done. A lot of the comments are just that - comments. Others are an explanation of what is going on behind the text and tying together different scripture passages - very helpful.

I appreciate the information provided. I would have preferred a separate book as a commentary with more meat. Pastor Chuck certainly has the knowledge and experience to write such a book.

The bottom line: I would purchase this again. Be prepared for the distraction of 2-3 notes per page - often just Pastor Chuck's reaction to a scripture.

A Bible with commentary by one of the earth's best Bible teachers. It is like the reader is right there at a Bible study and Pastor Chuck is teaching.

Very nice.

I have sat under Chuck since the Jesus People Movement. I began as a wobbly new Christian, barely able to stand. His down-to-earth, expository teaching--verse by verse, chapter by chapter, book by book--placed me on a Rock and grounded in Christ. 37 years later, I'm still listening to him on MP3 and following along with this great commentary Bible, and passing on the good teaching to others. I cannot recommend this Bible with enough enthusiasm. It's perfect for new believers as well as old hands such as I.