Smith Books

'The Rescue' is a must read.The author presents a very detailed look at many aspects of life in the Philippines during the Japanese occupation.From sugar cane farmers,allied prisoners,the resistance,americans hideing in the jungle,life aboard a US submarine just to name a few & ties it all together at the end of the book.It reads like a novel but is all fact.The research is incredible. I have read dozens & dozens of WW2 books,this ranks near the top!!Don't miss this one!!!

My husband and I read this book aloud to each other as we drove several thousand miles by car recently. It made the arduous trip insignificant because we enjoyed the content of this book so much. It tells the varying background stories of the various participants, friend and foe, so it doesn't read like a novel but takes more concentration to follow. However, it then tells about their lives converging at a specific time in history. It's an amazing story much better than fiction and a great history lesson from a broad personal perspective.
Highly recommended.

I've read dozens of books of the era of World War Ii that this book covers - the Philippines - and this one has to be the best. I like the first person stories but they are only about one man's (or woman's) point of view. Steven Trent Smith tells the story of several different groups of people trying to escape capture by the Japanese. It's as exciting and fascinating as any made-up story as the missionaries and the POWs and the businessmen all prepare, with the help of Filipinos, to meet the U.S. Navy submarine so they can be rescued. I don't know when I couldn't put down a true history book but this one this one kept me up very late at night until I knew those folks were safely in Australia. Some of the facts are a little suspect but nothing that makes a difference in the story. If someone wants to read only one book about the tragic situation in the Philippines during World War II, this one is it.

Author Smith has combined three almost independent stories, that of those rescued from the Japanese on the Philippine Island Negros, the saga of the submarine Crevalle which affects the rescue and the aftermath of the survivors' stories and the historic events of the Battle of the Philippine Sea, influenced by the secret documents spirited away by the submarine during the rescue. Smith richly details the lives and living conditions of 40 Americans who become trapped on Negros by the Japanese invasion of the Philippines after their attack on Pearl Harbor. He follows them as conditions worsen, ultimately causing the survivors to move further and further into the jungles. Some become involved in the Philippine resistance movement, and well documented and dramatic stories of heroism and sacrifice by these men, women and children abound. In time General Douglas MacArthur orders the rescue of these Americans and the Crevalle becomes the focus. The details of the cooperation between the US Navy, the Philippine resistance forces and the survivors leading to the dramatic rescue make for great reading. On a parallel track are events culminating in the crash landing on the east coast of Negros of a Japanese aircraft containing two very senior Admirals and the "Z" Plan for the Japanese conquest of American forces in the Pacific. Through a series of brave actions by Philippinos and Americans, the Z Plan eventually is recovered and liberated, along with the American survivors, by the Crevalle. The book culminates with the Battle of the Philippine Sea (The Great Marianas Turkey Shoot), greatly influenced on both sides by the Z Plan, negatively for the Japanese and positively for the Americans. The book concludes by bringing the reader up to date on the subsequent lives of the key figures described throughout the book. This book is a great read, rich with history, full of heroic actions and giving a unique insight into events of enormous import in the individual lives of ordinary people caught up in an extraordinary time.

I thoroughly enjoyed this book. It makes what we see on shows like "Survivor" trivial trash. That said I offer the following comment in the spirit of constructive criticism.

More care should have been taken in research and/or being critically reviewed by a knowledgeable individual. The text (pg 284) mentions the Japanese carrier Zuikaku as being sunk in the Battle of the Philippine Sea. Try getting sunk off Cape Engano later in the year. Also stated (pg 283) was the Shokaku as being "the last remaining from the fleet that had struck Pearl Harbor." The Zuikaku was. Incorrect also (pg 288) is the claim that two escort carriers were sunk by naval gunfire off Samar. I believe only the Gambier Bay was sunk in that manner. U.S.S St Lo went down due to a kamikaze strike. I am only a casual reader of history and found these errors. Anyone who puts out a book on historical events should take rigorous action to ensure accuracy. I seem to be finding more and more books coming out with errors which distract from the holy grail of historical fact.

For many years the world behind the Iron Curtain was a mystery. There were Sovietologists of all different kinds. One famous Daniel Bell essay gave I believe eight or so different basic ways of interpreting the Soviet Union. Hedrick Smith is a reporter and what he did in this outstanding work was to look into the ordinary life of Soviet society as far as he could. He explained then close to thirty years ago many of the anomalies of the system. And when I read the book then I felt I really was getting inside information into a hidden and highly significant world.

I cannot claim to be a student of Russian history, but I have always foudn the ironies and disconnects of Russian life interesting. I just read this book in 2004, and now understand today's headlines from Russia, and their nostalgia for the order of the brutal regimes that preceded the fall of the Soviet Union. This is, as someone else said, a classic, a must read, a requirement for anyone who needs to understand Russia. Don't worry about it being date; part of Russian culture is that they cling hopelessly to the old while being swept cruelly away by the new. The attitudes and longings portrayed in this book appear to still be the same.

Hendrick Smith is a New York Times correspondent that spent the years 1970-75 living in and among the Soviet people, studying both the people and the culture. As much as a westerner could he immersed himself in many aspects of their lives interviewing workers, peasants, government beaurocrats, physicists, writers, movie producers, dissidents and students. He came away with a picture of a passionate and conflicted people; at times warm and hospitible, fearful and paranoid, petty and tyrannical, cynical and apathetic, and proud and loyal. In a country where the state is in overwhelming control of nearly every aspect of their lives, where a stroke of the pen from a government beaurocrat could destroy a man's life for the slightest misstep, the Russian are hardy souls that have found many ingenious ways to cope and survive.

In a supposedly classless utopia Smith shows us a country deeply divided by class distinctions, much more so than anywhere in the west. With a haughtiness that rivals the most snobbish western aristocrat, the cultural elite enjoy a life that is completely out of reach of the common man. They get to shop at special stores, stocked to the gills with imported goods from all over the world (Soviet made items considered beneath them) while the rest of the country spends on average 22 hours a week per household standing in line for basic necessities. The blatant corruption and hypocrisy is startling, but don't you dare voice it. Smith claims that just a few weeks of this type of living would wither away the will of your average American, and I believe him.

Only a westerner living among the Soviet people could write such a book. He tells of his 11-year-old daughter, enrolled in a Soviet public school, coming home and practising military drills taught as a regular part of the curriculum, or repeating songs and slogans extolling the `Great Leninist State' and condemning America without really comprehending the meaning of anything she's saying. Soviets are taught from an early age to simply parrot the idealogical dogma that is fed to them on an almost daily basis without digging too deeply. The Russians are so used to being lied to by their own government that they assume all nations lie to their people, and the Soviet government uses this political cynicisim as an effective means of control.

Although many of these `facts' about life in the USSR are fairly common knowledge in America (especially if you grew up during the Reagan years), Smith puts a human face on it that transforms this grey, drab, and seemingly monotonous totalitarian state into a vivid and colorful mosaic of a sincere, intelligent and deeply conflicted people with a communal inferiority complex

I have been a student of the Soviet Union for many years, but did not come across this book until very recently, and I must say that I feel this one book does more to provide a picture of Soviet life than perhaps all the other study I had done previously.

While it is true that there is an "American bias" to this book, it isn't overpowering, and it leaves room for the "unbiased" student to draw plenty of their own conclusions. Overall I find this to be the least biased of all the western histories of the Soviet Union.

What I found most fascinating was the distinct parallel between American conservatives (who of course are anti-Marxist) and Russian conservatives of the time (where were very pro-Marxist).

As a student of Marxism, I fully understand this, but this book demonstrated it so well. In mentality, its safe to say that many of America's far right Republicans would have been among the USSR's Marxist orthodoxy.

This book is a must read for anyone interested in the Soviet Union, it will dispell myths on both sides.

Although this book is now rather dated (from the Brezhnev era of the 1970s) it still sticks in my mind as a very vivid portrait of Russia and the Russians...I read it in my late teens circa 1989 or so. I didn't read THE NEW RUSSIANS until a couple of years ago. Both are excellent books but I enjoyed THE RUSSIANS more, I think. Any student of Russia would do well to read this book even today...although it's no longer contemporary/current events it still captures like a snapshot the then-USSR in the late 70s, and even some discussion of the earlier times in people's memories then--Krushchev, Stalin, etc. I found the book insightful and still relevant when I myself I finally visited Russia in 1993. Should be available at most Public Libraries...handle with care, the copies will be old.

The product came in good condition. It also was delivered in the amount of time that was suggested. I am very pleased with my book.

Excellent resource for educators and people who want to be involved with changing the educational system in our society.

This is an essential book for anyone interested in education. Its comprehensive coverage gives much background, even at the risk of being distracting when you want to follow-up on the leads to so many interesting source-books and links. Though you are told to dip in anywhere, you must read the first section, esp. "The Industrial Age System of Education" by Senge and "A Primer to the Five Disciplines" (Personal Mastery, Mental Models, Shared Vision, Team Learning and Systems Thinking) (pp. 27-93).

The authors consider this book a "prequel" to their other books about learning organizations (p.7). That's true. Though this is the most recent book, you can start with this one and go on to the others for further depth. Some repetitions may only serve well for mastery.

The whole book is very readable and informative. Concepts are clearly explained. It follows the same excellent editing format as The Fifth Discipline Fieldbook and The Dance of Change.

When you get too enthused by so many ideas and success stories of innovations, heed the advice for "The Strategy of Organizational Change". "Focus on one or two new priorities for change, not twelve. Most school systems are already overwhelmed with change. They don't need a new initiative; they need an approach that consolidates existing initiatives, eliminates "turf battles," and makes it easier for people to work together toward common ends." (p.25)

There are just too many passages that you wish to quote. The book is a treasure mine. However, for those (esp. busy administrators) who find the volume too daunting or verbose (592 pages!) and still want to get a handle on launching into transforming their schools into learning organisations, I would recommend, "Ten Steps to a Learning Organization" and start with the simple questionnaire given there.

Senge became famous for his book on learning organizations. In this book, he and his co-authors apply those concepts and ideas specifically to educational institutions. While much of their focus is on K12, the ideas and process are applicable to higher education as well. So many management books are really fads with superficial value, but Senge's books are very practical and valuable. This book in particular demonstrates a great deal of passion on the part of the author's for their topic.

Having been given the instructions to select a book of vision for a reading group in a graduate class, I didn't expect to choose one of over 500 pages. The length, however, is indicative of the power this book has for changing minds about schools and the way to structure them for learning. I found myself often reading passages aloud to other educators and anyone who would listen. Instead of stifling my curiosity, the book inspired me to dig deeper on the five disciplines. A great book for creating a vision of education that includes schools where students are learning. I may purchase another one to loan out!

I found this book exceptionally valuable and helpful to me in clarifying my thinking about events in my life and actions I wanted to take.

Some books lead the reader who reviews here to want to describe them in some detail. However, for me, this book was different. When I finally put it down, the best way I can think of to adequately describe my experience of reading Shift is to simply say that I experienced something I generally only feel in deep meditation: being totally one with the creation, no separation, at peace. It's one of the very few books I know I will go back and read again fairly soon.

Thirty-five years ago the author had a life-altering experience. Since then she devoted her efforts to understanding and conveying wisdom using word sculptures as her vehicle, challenged by the constantly shifting meanings of words. Her book is an exceptional tool for consciousness expansion. The word sculpture experience incorporates poetry, illustrations, stories, quotations, and questions- all different word tools for increased awareness, living in the present, and peace within. This unique book accelerates perception by including ink blots, cloud patterns, ambigrams, optical illusions, a consciousness diagram, and a discussion of the "Human Truth Puzzle." The work combines ordinary words in extraordinary ways to jump start readers' minds so that each person's unique wisdom can emerge. Even a beginner can understand this university level word course.

I was very impressed by this book. It is simple and beautifully expressed. Janet Smith Warfield's education, brilliance and spirituality shine through her intriguing choice of format and words. - Dr. Pilar Tan

Wow! I'm waking up before the alarm goes off each morning, refreshed and full of positive thoughts. One of Janet's greatest gifts is the thought provoking questions she asks. Her method of inquiry makes her work beyond just the ordinary, thought provoking read; it's an experience. This is truly unique. How does one put it in words?

Lawyer, grandmother, mediator and poet Janet Smith Warfield presents Shift: Change Your Words, Change Your World, a remarkable self-help guide to adapting one's consciousness to help bring peace to oneself and to the planet, one person at a time. Chapters encourage the reader to be honest with oneself, and attune to one's own thoughts and feelings, while being wary of negative impulses to judge or control other people, and touch upon the big spiritual questions. "None of the world religions has ever been able to define God. God is referred to as a mystery, something beyond human understanding. The word define means to limit. Of course, religions can't define God. What right do we humans have to limit God?" An utterly insightful guide to making sense of timeless wisdom, applicable to readers of all faiths and backgrounds.

Sir Nigel is the tale of the early adventures of Nigel the future commander of the White company, from his early squire hood culminating in his knighting on the battlefield and successfully winning his lady love.

In many the morals and world view of Sir Nigel clash with my own. Nigel is one of these simple strong souls who never see the relative nature of the world. To Nigel everything is black and white, good or evil without any shades of grey, Honour is all and fear is an unknown concept. Yet I enjoyed this story immensely. Why? Perhaps because it takes me back to the simplicity of childhood, that state of perfect heroes and right and just causes.

Also this is Conan-Doyle the author who bought us Sherlock Holmes so the quality of the writing is first rate as is the quality of the historical research and accuracy providing idealized visions of characters such as Prince Edward and John Chandos and events such as the Battle of Poiters.

I wasn't quite sure what to expect from this book. I very much enjoyed Doyle's Sherlock Holmes books, but there is quite a difference between detective stories set in the present (or at least what wast the present at the turn of the 20th century) and adventure books set in the Middle Ages. I am pleased to say that Doyle is just as good at adventure as he as at mystery, which is saying quite a bit.

I will refrain from explaining the plot to you once again, as that has already been done several times in previous reviews. What I wish to note in particular is the incredible realism Doyle mixes with outlandish chivalry. I find this difficult to explain, but the best I can do is briefly compare it to the Arthurian novels of the great Howard Pyle of the same era as Doyle. Pyle's books are the embodiment of boyhood ideals of chivalry. Knights fight for honor, and live in something resembling a fairy-tale land (though not quite as preposterous). Doyle's world, on the other hand, is the real world. It is a place of suffering mixed with joy, and the cunning of worldy men alongside the chivalry of others. It is a place where a man is actually liable to be crushed by a blow, whereas in Pyle's world a hero would seemingly have to try very hard to incapacitate himself. Doyle's world is actually meant to be historically accurate, and he took great trouble to research what he was writing about. This explanation is but one aspect of the "realness" of Doyle's style, but I find it impossible to adequately explain, and you will simply have to read the book to understand.

In truth, I prefer Pyle, but Doyle is not far behind. The difference would be largely made up for if Doyle's book contained excellent drawings and superb archaic english like Pyle's do. If you like Pyle, I imagine you will be delighted to find another author who writes Medieval adventure with so much skill, especially in so unlikely a figure (at least, to those of us used only to thinking of him as the author of the Sherlock Holmes books) as Sir Arthur Conan Doyle. I'm very much looking forward to finding the sequel.

Overall grade: A.

You're a Sherlock Holmes fan, right? Yes, of course you are. Everybody is. Look at the zillions of reprints of these stories. Every year there's another one. And who is the writer? Why, Arthur Conan Doyle, of course.

Or maybe you're a science-fiction or fantasy nut. The books you love best are those in which a very imaginative author conjures up a remarkable, detailed, complex world, puts human-type characters in it, and sets them in motion, reacting to the forces around them. You'd crawl through mud to find a book like this.

So why oh why oh why don't you give this neglected masterpiece, this Sir Nigel--and with Doyle as the author--the acclaim it so richly deserves? No, it's not fantasy or science-fiction, but it begins in England in 1348, and can you possibly imagine a time and place more foreign than that?

To briefly summarize, the story is about a young squire, Sir Nigel, and his quest to perform noble deeds so that he can win the hand of his love, who waits patiently for him to complete them. If you want nothing more than adventure, this book has it. He begins by rescuing a damsel from a scoundrel who would besmirch her honor; there is a small then a large sea battle against the Spanish; there is a journey to a cruel, pirate-infested island, and the revenge exacted on its leader; there are jousts, one on one and thirty on thirty; and in final there is a large, desperate battle between huge armies of French and English where much glory and blood is to be found. Large and small, adventures abound, and I haven't even mentioned half of them. And nothing here stretches credibility. Yes, Nigel is a hero, but he suffers setbacks also--some really embarrassing--and in fact misses most of a set-piece battle he was looking forward to when he almost gets his brains bashed in at the beginning of it.

Like all of Doyle's creations, this novel is rich in small details also. For example, forks hadn't been invented yet. It was considered good manners to hold your meat with your thumb and middle finger while cutting it; to do otherwise was bad form. When you're done with the meat, you toss the bone behind you for the dogs. Once a week, the whole mess was swept out and more hay is laid on the floor. He shows a great knowledge of weaponry as well, talking about the relative merits of the bow and the arbalest, the heavy stones heaved by mangonels, and of course the use of swords and shields and lance. These are just a couple of examples. Practically every page reveals insights as to the way of life in those times, not the least of which is the portrayal of the chivalraic code by which they all lived.

Lastly, it is beautifully written, almost lyrical. Nigel comes upon the fair Edith, "whose face had come so often betwixt him and his sleep." Is there a more economical or descriptive way to put this? And later, marching in war-torn Brittany: "As the darkness deepened there came in wild gusts the howling of wolves from the forest to remind them that they were in a land of war. So busy had men been for many years in hunting one another that the beasts of the chase had grown to a monstrous degree, until [even] the streets of the town were no longer safe . . ." Descriptive? Indeed, chilling.

This is exciting, informative, first-class fiction, and warrants a much larger audience than it has apprarently been getting over the years. Do your part!

I don't have much time to write this review, but if I did, it would be a long one full of words of praise. I read this book in its Spanish language version(only about 15 times). I found it really exciting and interesting. It is the classic story of the undersized fighter who at the end gets all the glory. The story is full of surprises and it will capture anyone's imagination (it got mine). Read it! -

The book just grabbed me from the very first paragraph. I knew that Sir Arthur is an excellent writer but I didn't know that he is that good with medieval adventures.
Everything he writes is very true historically and that makes the book even more enjoyable. His sense of humor and the story made me feel almost being there with Sir Nigel. The story itself is simple but full of surprises. If you are a kid or if you are one of those grown up kids like me you will love this book.

JRR Tolkien's late work Smith of Wootton Major has been published in a variety of formats. The version I am reviewing here is the Extended Version edited by Verlyn Flieger. It is preferable to all other versions, and it is unfortunate that Tolkien's US publishers have not made it widely available here.

Smith was first published in 1967. It is a charming story, set outside of Middle earth, in a place and time that still has links to Faery. Certain privileged individuals, such as Smith, are able to travel in Faery and learn from its wise inhabitants. The story is usually taken to be Tolkien's admission that his life was coming to its end and that his gifts must be passed on.

The Extended Version publishes Tolkien's original plans and drafts for the story, including a fascinating chronology that recalls the intricate Tale of Years in the Appendices to The Lord of the Rings. Part of the charm of Tolkien's works is the extensive and very apparent preparation he put into his tales. Nothing was ever produced without a long pre-history of writings and re-writings that often changed the story many times before it reached its final form. Flieger's editorial comments add much to our understanding and appreciation of this work as well.

Everything Tolkien wrote has an air of Faery at its best. This short work, which can be read in an hour or so, has some of the deepest and most inspiring links to that realm. It is the fay star which can be passed on but never given up, immeasurably enriching those who read it in the right spirit.

This is the quintessence of Tolkien's work and my favorite short story. There are writers that craft a good tale and then there are others who have actually been there. This book proves that Tolkien is among the latter.

In the little town of Wootton Major, they have a wonderful tradition where a special cake is baked every twenty four years, and eaten by twenty four good children. But, when a magical Faery star is slipped into this year's cake, it is eaten by the local smith's son. And so the life of the younger smith is changed beyond anyone's imagination - he is marked by beauty of face and voice, and (unbeknownst to anyone) he can even visit the land of Faery whenever he likes. It is a life of magic and giving.

I have long been familiar with J.R.R. Tolkein's famous books - The Hobbit and The Lord Of The Rings - but, this cute little book shows that just about everything that he put his hand to he did beautifully! This is a most wonderful little book, one that is sure to charm anyone who believes in beauty and wonder...and maybe hopes just a little that that land of Faery is a real place after all!

J.R.R. Tolkien's short work, "Smith of Wooten Major," which he wrote late in life, has already appeared in several fine editions, both by itself and in combination with other pieces by Tolkien, and most of us Tolkien enthusiasts already have it on our shelves. So why another one now, and why should we buy it? There are several compelling things about this book that make it highly attractive to those seeking a deeper understanding of Tolkien as a writer and thinker, and I'll only mention four here. First, this extended edition includes an important never-before-published essay by Tolkien on the story and on Tolkien's views of the nature of Faery, of its importance to him, of faery tales, and of the role of allegory in stories of this kind. It is a fascinating piece that provides new insight into Tolkien's thought as an artist trying to capture glimpses of Faery in his writing. The essay is in some ways an echoing companion piece for his famous earlier essay "On Fairy Stories," in which, among other things, Tolkien outlines his theory of sub-creation that he executed so successfully in "The Lord of the Rings." Second, the book contains never-before-published early notes and draft manuscripts for Smith, several pages of which are reproduced in the book itself in their original hand-written form with helpful transcriptions on the opposite page. These papers not only show Tolkien actively creating and revising his story and the history of its characters, but they also show Tolkien's working methods as a writer and so demonstrate, in a microcosm, the methods he used on such a large scale for "The Lord of the Rings." Third, Flieger's editorial contributions are very helpful. She provides an afterword that discusses the critical treatement of Smith, its genesis as a story, and outlines the new material which, as she says, allow the reader to follow "the authorial progression from explanation to inspiration to formulation to painstaking revision." Flieger's notes are also very helpful, for she points us to relevant matters in Tolkien's other works and illuminates puzzling aspects of Smith. And fourth, this is perhaps the first edition of Smith that takes Tolkien's statements that it is not a children's story seriously. He called Smith "an old man's book, already weighted with the presage of bereavement." Previous editions of Smith have ignored this statement and dressed the tale up as a children's book, presumably based on the unquestioned assumption (which Tolkien questioned very sharply in "On Fairy Stories") that because this is a faery tale, and because it is short, it must be for children. This edition honors Tolkien's view not only of Smith but of the importance of Faery and faery stories in general by beautifully reproducing the tale and the lovely Pauline Baynes illustrations, which were made for the first edition, and by setting them within a handsome hardcover text that Tolkien readers will prize very highly. This is a must have.

This new extended edition, edited by the estimable Verlyn Flieger, is a must-have for students and admirers of Tolkien. Of course, most of you will already have Smith of Wootton Major on your bookshelves, either in its own volume or in one of the several collections in which it has been reprinted -- so why get another copy?

Because Verlyn Flieger has included several additional (and essential) pieces to the Smith puzzle that have never been available before. These include: Flieger's introduction and afterword on Smith; Tolkien's Note to Clyde Kilby on the Genesis of Smith; his draft preface to a proposed new edition of George MacDonald's The Golden Key, from which kindling the story of Smith was struck -- though the preface was abandoned and the edition of The Golden Key never published; a long essay by Tolkien on the internals of Smith; a timetable and cast of characters with never-before-published details; and most interestingly, the entire draft of Smith, in both typescript and manuscript, reproduced in facsimile.

This is invaluable material for anybody interested in the development and meaning of Smith of Wootton Major. Prior to this edition, Verlyn Flieger quoted from some of these unpublished pieces in her 1997 volume A Question of Time: J.R.R. Tolkien's Road to Faërie, and even Tom Shippey (in The Road to Middle-earth) acknowledged the advantage she had in having seen this material. Now, it's available to all of us.

My one complaint about the book is that it is poorly produced (by HarperCollins, Tolkien's British publisher). The production quality -- and sadly, this is typical of British-made books of the past several decades -- is rather low. The spine is glued, rather than sewn, and it creaks and cracks, threatening to break any time the book is opened. The paper is like stiff newsprint and has a tendency to smudge. Terrible. But unfortunately, this volume has not been printed in the U.S., and the content is important enough to overcome the lackluster production quality.

this was a very good book and i enjoyed it a lot. everyone should read it because it has a very good story line. i would reccomend this book to people who love to read.

My seven year old daughter and I finished this book last night. She was very sad to have it end. What a wonderful account of the devastating storm that hit the islands of Assateague and Chincoteague and the relief efforts to rebuild the islands and the devastated wild pony population.

It was very heartwarming to read in the epilogue excerpts from actual letters of children that sent in their hard earned money to buy back the ponies sold at previous Pony Penning Days to replenish the wild herds of Assateugue. These children and others like them preserved a tradition that had been maintained for over 100 years and because of them continues on today. In fact, Marguerite Henry dedicated this book to those very children that made it all possible.

Marguerite Henry does an excellent job of using local dialect in the telling of the story, especially with Grandpa and Grandma. You can not help but become involved in the characters and their concerns become very real to you.

I read this book many many years ago and had forgotten a great deal of the story. One of the things I did remember was Misty being put in Grandma's kitchen to wait out the storm.

If you are like me and read this book many years ago I encourage to reread it. You will be glad you did.

Marguerite Henry really did it again! She wrote another great book. The only bad thing about this book is they save the best parts for last! If you get bored while reading, keep on reading for it is worth it. You will love this book...Read it!

-Emily Patton

This is the true story of Misty, a famous horse who gave birth to a foal named Stormy during a raging, devastating storm. The book then presents an accurately detailed account of rebuilding the island of Chincoteauge after the storm.
The plot of this is exciting and suspenseful book twists just to the reader's liking, and has times of slow sadness. The odd regional colloquial speech of the characters may sometimes confuses the reader, but it is so well written you it presents a mental picture better than a movie.
This is a very interesting book to me. Its many scenes convey many different emotions: some humor, some happiness, and some intense sorrow. I am also extremely inspired by Paul Beebe, who shows courage and self-control as I would like to. It is a favorite of mine, and a worthy addition to any bookshelf.

No pony would want to be pregnant in the middle of the big hurricane that killed almost everything in Chincoteague and Assateague. Paul and Maureen love the fact that Misty is going to have a baby until the storm hits. When Paul and Maureen leave Misty, everyone is extremely worried. Misty needs to find a way to survive along with her unborn baby! This is a wonderful story that will have you hanging on to every page. I recommend this book to anybody who has read Misty of Chincoteague or anyone who likes horse stories.

This was, together with the book "Two years of holidays" by Jules
Verne my favourite childhood book (translated into slovak)
back in early seventies in Czechoslovakia.
I guess it will appeal to every boy who likes to read adventure books,
especially about the american indians

When I was 10 years old this was my very favorite book. I am so happy that it is still available because I want to buy one for my grandchildren.

I first read this book as a teenager, and have re-read it many times since then, discovering new levels of enjoyment as forty years have passed by. The story is set in the early or mid-1800's. Yan is the sickly city boy who goes to visit his cousin Sam in the country to recover his health. They gradually get better acquainted, making allowances for each other's differing experiences, perspectives and education. An enjoyable story and plot line unfolds, including conflict resolution, evaluating personalities, recognizing age and generation differences, and building trust. The book is absolutely filled to overflowing with fascinating woodlore information, skills and techniques, and countless drawings and sketches to explain or illustrate what the boys are discovering, doing, making or building. I have nothing but praise for this American Classic!

My mother brought well-loved books from her childhood--Ernest Thompson Seton, Dan Beard, L Frank Baum, from her family's home. So I grew up on among other things, this book.

I was curious how it had survived the years since I'd last read it at the age of 11.

Very well, thank you. The people are alive--much more than I'd remembered for the most part--and I'm enjoying the observation and learning from experience that the boys do.

This book has an autobiographical feel, set in Ontario in the last quarter of the 19th century. It deals with the interaction between an adolescent loner "from town" and the people and environment of the back country through woodcraft, and with his growth in that context. Though it contains much of Seton's wonderful woodcraft and illustrations, it is most valuable for the story and the lessons about human nature and rural poverty (my own youth).

My mother first read it to me from a tattered hand-me-down copy in the early 1950's when I was too young to read it for myself. It shaped my attitudes toward the natural world and helped me understand my own adolescence. To me, it is probably the single most important book I ever read.

I WISH I COULD HAVE GIVEN IT 500 STARS! READ IT! THAT'S MY ORDER! Man I love this book!

I can't speak for others, but in my case I was always of the impression that campaign finance was the best solution for the country. I bought into the idea that there was massive corruption in government, and that a way to curb this would be through restricting contributions from large donors. This is what I was always led to believe, so naturally I would be for campaign finance reform.

After reading Bradley Smith's book, however, my view on the issue has completely changed. He documents in great detail the harm of campaign finance, how it can restrict the political speech of challengers and grassroots movements, and ultimately how the reform process will never end if it continues, and will only bring on more restrictions to help close "loopholes" in the current set of reforms.

Though I believe there is still a great deal of discrimination and corruption in politics (just look at the voter caging that took place in the 2000 and 2004 elections), I no longer am of the viewpoint that money is THE key factor in this problem, and limiting its use in the campaign process will only hurt the average US citizen's means of obtaining information and supporting a candidate in a monetary sense, rather than promote an even playing field for all those involved in an election.

I greatly appreciate Professor Smith's analysis. If nothing else, the rarely heard opposition to campaing finance reform is set forth clearly in this book. There is, however, some shortcomings in his analysis.

First, take this passage (there are other analogous ones in the book that prove a similar point) from page 71:

"(Steve) Forbes indicated that he would not have sought the nomination had former congressman and secretary of housing and urban development Jack Kemp decided to run. Kemp chose not to run in large part because he did not want to engage in fund-raising. Had Forbes been able to donate to Kemp the $25 million he planned to spend on his own campaign, Kemp might have run and would quite likely have been a frontrunner for the Republican nomination."

It is easy to see that from this bit (and others) that Professor Smith does not wish to gloss over that fact that money in fact DOES affect politics. Later on that same page he entertains a thought experiment in which all campaign contributions were banned to see who would run in such a scenario. He admits that those with the most name recognition (athletes, celebrities, incumbents, succesful business persons active in their community, etc.) would be able to win. And importantly, he says that those who would win in the experiment wouldnt be much different than those who win now. It would seem then, that name recognition or fame also affects politics.

Thus, the following two things Professor Smith does not challenge: money affects politics, and name recognition affects politics. Now, it is also apparent that money affects name recognition (think TV ads). Given that Professor Smith does not argue with these things, an proponent of reform is unlikely to be swayed. For proponents the unconstested fact that money affects politics (and can buy at least some degree of name recognition) is enough to justify contribution limits. So, it would have been better to see Professor Smith adress more directly the proponents onjections.

I also find lacking that Professor Smith does not mention much about spending for state or local elections and how money affects politics in those instances. For example, in the Austin, TX city council elections recently, 4 Democratic candidates with near identical views ran. The election came to a runoff between the two top contenders, both of whom had TV ads while the other two did not. Does this disprove Professor Smith's arguments? No, but it would be better if he discussed local elections as well.

This book changing my way of thinking 180 degrees. I was a huge John McCain and Campaign Finance Reform fan, but I read this book just to see what the other side had to say. I am sure glad I did! Smith points out many problems with alleged reform on mulitple levels. If you are interested in campaign finance reform, however you may feel about the subject, I suggest you read this book.

As the best known critic of campaign finance reform, Bradley Smith makes strong arguments not just against the legislation itself but against the philosophy underlying the entire movement. This is important, because many supporters of reform refuse to acknowledge that any case against their rationale exists. Many critiques of campaign finance legislation focus on proving that not nearly as much money is spent on campaigning as the public has been led to believe, or that the proposed legislation would give certain types of grassroots groups an unfair advantage over others. Smith's attack goes much further than that. He demonstrates why, in the long run, strict regulation of campaigns will harm everyone by crippling their ability to channel their talents into meaningful participation in the political process.

The first half of the book serves as a comprehensive survey of arguments brought against reform. He begins by analyzing why the proposed legislation would give incumbents enormous advantages over challengers. From there, he discusses how the term corruption has been expanded to mean anything that a legislator does to respond to the wishes of constituents who helped contribute to her campaign-whether or not a causal link can be established between particular contributions and particular legislation. He concludes it with a section on how limits placed on monetary expenditures made to pay for speech are, in fact, limits placed on speech itself because the expenditure of money to pay for speech is inextricably linked to speech itself.

In the second half, he deconstructs philosophical arguments used to justify reforms and turns them on their heads. He starts by pointing out that supporters of reform typically ignore the fact that most non-monetary means of influencing politicians are not distributed on an egalitarian basis. Thus, simply removing private contributions from our political system will not make everyone equal overnight. He develops this point by discussing the traditional notion of political equality-that "...Citizens are free to use their differing abilities, financial wherewithal, and personal disposition to become more or less active in political life, and to attempt to persuade their fellow citizens to vote in a particular manner." He points out that campaign finance reform is nothing more than an attempt to narrow the pool of individuals afforded this freedom.

He concludes by hammering this point home: "...Because the First Amendment...makes no distinction between the different types of political influence, it allows a maximum number of voters to participate and helps to prevent any one faction or interest from gaining the upper hand in political debate." This Madisonian indictment of the campaign finance movement goes above and beyond merely attacking various legislative proposals as incumbent protection schemes. It cuts through all the political rhetoric and reveals what campaign finance reform really is: an attempt by a coalition of elite groups to cast the rules of political debate on their own terms.

If you're concerned about free speech, read this book. You won't be disappointed.

FROM JOANNE ELLER KANSAS CITY,MO.

Normally, I do not get enthused enough about a book to actually look forward to writing about it. But for VANISHED GLORY, this is a joy. I thoroughly and completely enjoyed this book from cover to cover.

From first page to last, it captures your heart and you fall in love with this family. The characters are unforgettable and you are soon invested in every joy and suffering that happens to them.

When the family arrived here in my home town of Kansas City, it was so riveting, I literally could not put it down, and you won't be able to either.
FROM: JOANNE ELLER KANSAS CITY, MO.

Review from: CURLED UP WITH A GOOD BOOK:

Tom Dougan, the scion of the clan, left his beloved Ireland in 1737 shortly after the British rulers hanged his best friend. He survived a two-month boat trip to America as well as attacks by Pennsylvania Native Americans to marry his love, Mary Kerr, and raise six children. Thus begins the reader's interesting and often moving trip through the lives, loves and low points of this family's existence.

Based on true tales from author Connie Lynne Smith's own family history, Vanished Glory is a poignant portrayal of how each of the six generations of Dougans met and dealt with the particular challenges of their specific time.

Smith deftly weaves the multiple stories together to provide a fascinating tapestry of hard-learned lessons from the past from which the reader can benefit. She briefly synopsizes periods with a gentle touch and imparts the knowledge gleaned from them in historical perspective. It is a sweeping, well-paced saga traversing the past from the Revolutionary War to World War II to form the heart-warming tale of the quintessential American family.

FROM: CURLED UP WITH A GOOD BOOK

This is a wonderful book. It held my interest from the first page to the last. By the time I finished it, I felt as though I knew some of the characters.

I hope Connie Lynne Smith continues to write. I enjoyed her warm, down to earth style. Since I read the book I have recommended it to my friends.

Definitely a winner!!!

Beginning in the 1700's, and spanning eras up through the World Wars, Vanished Glory: A Family In America by Connie Lynne Smith is a impressively written historical novel that traces the roots, struggles, victories, and heartbreak of a family with roots in American soil since its colonial days when the Irish patriarch escaped English tyranny for life in the New World. A resounding tale of legacies handed through the generations and challenges defining each new decade, Vanished Glory is a wonderful and highly commended reading experience which documents Connie Lynne Smith as storyteller of talented originality.

From Reviewer Jane McCaffrey

Vanished Glory was an overwhelming experience for me. For a few days, I was left speechless. But I wanted to put my thoughts together, so I could tell others how important this book is and what it meant to me.

Vanished Glory was a jolting reminder of the sacrifices that were made and the blood that was spilled and what it took to build this country. Our freedom was hard fought and came at an awful price. I'm glad I was reminded of this sacrifice.

Vanished Glory is also the story of a family and how they responded when called. The Dougans were real people with flaws and failings like the rest of us. I could relate to this family. It was also the heartbreaking story of a young girl and her mother and the blows life dealt them and how they overcame them, together. When I finished Vanished Glory, I counted the many blessings that I have received in my life and thanked God for them.

Vanished Glory was also one of the most descriptive novels I have ever read. I could see everything, smell everything, experience everything. I felt like I had taken a trip back in time and indeed I had.

Thank you, Connie Lynne Smith, for introducing me to this family and the times they lived in. They will not soon be forgotten by me or anyone else who is lucky enough to read this thrilling, spellbinding story.