Smith Books

I purchased this book for a fellow knitter sight unseen. She was lucky to get it. I will be acquiring multiple copies of this book for my knitting friends. The instructions are clear and the writing style is charming. The illustrations are fun vintage images. A necessary book for every knitter.

This is such a fun book. I have read a little more than half of it now, and skimmed through the rest, and there is so much here. The history of knitting that she gives at the beginning as well as sprinkled throughout the text is very interesting. She shows ways to do things that I have never heard of, and explains some things so that I finally understand them! I don't know if this would be good for the complete beginner. But then, I think that knitting is easier learned from a person than a book. But, once you have a few basics down, this book will teach you a lot.

The writing style makes you feel as if she is sitting there talking to you. And the words "hip", "funky", and "not your grandmother's...", are never used. That is a real plus to me, as I find that whole trend rather irritating. (But that's a whole 'nother topic.)

Here are the chapter titles to give you an idea of what is in the book:
History
Knitting Implements, Ancient and Modern
Knitting Yarns
Gauge and Tension
Knit Movements, Stitch and Fabric
Selvedges. Casting on. Casting off. Edges
Shape: Increasing and Decreasing
Colour Knitting
Frame or Rake knitting
Looped Knitting
Beaded and Bead knitting
Embroidered Knitting
Garments
Details of Garments
Shetland Shawls
Gloves
Socks and Stockings
Knitting Hints

I found it very interesting that there was a chapter about rake and loom knitting, as that has become so popular again. I do knit on knitting boards too, and the directions and illustrations were the same that you would see in a more "modern" book. There really is nothing new under the sun! The spiral sock pattern looks fun too. I want to give that a try soon.

Overall, this book is full of interesting information, and while not as glitzy as the newer books, it would make a great addition to your knitting library.

I've taken my time between receiving the book and writing this review. This book has so much going for it I didn't know where to start. This is so information packed with techniques that I thought were "new" such as knitting with beads, looped knitting and felting.

I know how tempting those big books with all the beautiful color pictures are but you'd pay three, four or five times as much as you would for this little gem. It provides a surprisingly interesting chapter on the history of knitting.

It has an old-fashioned feel to it that is totally charming as are the illustrations which give the eye a rest among all the info provided. I purchased it mostly because I need techniques for Fair Isle knitting, and the book provides very good info on this.

Deserves to be in every knitters library no matter how hip you may be.

The Mary Thomas knitting books (As far as I know there are two, one on knitting per se and the other on knitting patterns.)are the only knitting books one would ever need to learn knitting and enjoy knitting for a lifetime. Granted, there are many wonderful modern books with better pictures, great diagrams, fine patterns and neater print, but contained in these two paperback Dover reprints of very old books are instructions for beginning through advanced knitters, simple explanations to all the knitting problems I have ever encountered and instructions for any knitting pattern you'd ever want to knit. There are even little funny bits in the margins for folks who like a good pun. I am a life-long knitter and have frequent use for these books. These books make great gifts for a knitting friend who does not own them

This is an old book with beautiful instructions to try some wonderful stitches that are not found in most new books on knitting.

i love this cookbook! simple recipes with beautiful results! im so glad i bought this book!

This book is very cute. I haven't given it to my daughter yet, but she will love it and want to cook all the time. Thanks

This is a cute book to get your little would be princess to help in the kitchen. 99% of the recipes are for desserts, so keep that in mind if you are looking for a cookbook to get your little ones interested and try new foods.

My experience with this seller was very good. I would buy from them again. My daughter got this cookbook as a gift and I thought it was great so I then bought it as a gift for someone else!

This is a great little cookbook for little girls. All the ingredients are simple and accessable with results that are not only yummy but appealing to look at. The pleasing result is what will hook a child.

I have seen some critics complain that Beery's cookbook's for children are too simplistic and is taken up by too many pictures. Hello! It's a book for children. The picture is what will inspire them to make it. And they will have fun while they create these nifty little fantasy theme treats.

This book is a marvelous gift, My niece loved hers even though her only prior interest in food was eating it. Highly recomended as a starter cookbook. And frankly it is so cute I plan to get a copy to add to my general cookbook collection.

This book is very easy to understand. The exercises are interesting and helpful. It has taught me so much.

Good book for beginners...I am a nurse and my daughter is starting school for her Associate towards her nursing degree...good book.

I'm an interpreter and this book is being very exciting to read, easy to carry around and easy to understand. It has graphics, and tests is a very good book.

Great book. Easy to understand and programmed text creates a good way of reinforcing what is learned. I have bought copies for all of my office staff and they find it very helpful.

The only medical terms I knew, before I got this book, were from "House" the Tv show. I didn't even understand much of it then. I can't wait to go back and watch it over and understand what they are saying.

The funds for cultural revolution rest in the coffers of a bankrupt society. That's not to say that change is meaningless. Raoul Vaneigem believes - along with the rest of the troupe from THE SITUATIONIST INTERNATIONAL - that if change comes from within the very culture being critiqued, then the only way to effect change is to change the way culture affects.

UNDERNEATH THE PAVING STONES - THE BEACH!

Urban renewel and changing the economic goal posts cannot prevent the inevitable exploding of the plastic society. Sometime. When the world becomes its own refuse the voices of refusal will echo down time until it pins the world against its own refusal.

If madness is the only remedy against the insanity of our contracting world, then THE REVOLUTION OF EVERYDAY LIFE might be a good guide. Its truth will speak to anyone whose heart is passionate, whose soul is strong, and whose mind is as yet still taciturn; it will help them express the homily:

I TAKE MY DESIRES FOR REALITY BECAUSE I BELIEVE IN THE REALITY OF MY DESIRES.

I concur wholeheartedly that this is momentous writing:
one that is even now more critical and urgent than 40 years ago, when it was first published.

Each page offers words-thoughts that ricochet long after their initial bang! Here's a sample:

+ to work for delight and authenticity is barely distinguishable from preparing for a general insurrection.

+ the surest chances of liberation lie in what is most familiar. Was it ever otherwise?...
the living reality of non-adaptation to the world is always crouched ready to spring...
it confronts you at each self-evasion, it grasps your shoulder, catches your eye, and the dialogue begins...

+ docility is no longer ensured by priestly magic, it results from a mass of minor hypnoses...
ideological hypnosis is replacing the bayonet.

+ people who talk about revolution without referring explicitly to everyday life,
without understanding what is subversive about love and what is positive in the refusal of constrains,
--such have a corpse in their mouth.

+ if the word 'innovation' means anything it means transcendence, not camouflage.

+ consume, consume: we take ashes for fire.

+ the young are already old and everything we are building is already a ruin.

+ the obligation to produce alienates the passion for creation.

+ affluent survival entails the pauperisation of life.

+ the dictatorship of quantified exchange (market value) colonized everyday life... the bourgeoisie traded in BEING for HAVING.

+ the fight is unfair. words serve power better than they do men...
at this moment language swoops down on living experience, ties it hand and foot, robs it of its substance, ABSTRACTS it.

+ the system of commercial exchange has come to govern all of people's everyday relations with themselves and with their fellows.
every aspect of public and private life is dominated by the quantitative.

+ ideology still has one trick up its sleeve--that of posing false questions,
raising false dilemmas and leaving the conditioned individual with the worry of sorting out which is the truer of the two.

+ even when it is co-opted and turned against its original purposes, poetry always gets what it wants in the end...
no poetic sign is ever completely turned by ideology.

+ the long revolution means that we have to build a parallel society
which can counter the dominant system until such time as it is strong enough to replace it.

+ the fight for language is the fight for the freedom to love, for the reversal of perspective.
the battle is between metaphysical facts and the reality of facts:
i mean between facts conceived statically as part of a system of interpretation of the world
and the facts understood in their development by the praxis which transform them.

And on and on the explosive phrases go, injecting heavy doses of adrenaline into our resolve.

Even though I take exception to Vaneigem's advocacy of violent resistance,
his book comes the closest to diagnosing the cause of our present narcosis and, even better,
grounds the revolutionary turning on the rich dirt of everyday life.

How could we ever think it would be otherwise?

No Amazon review can really do this masterpiece justice. This is simply one of those classics that will sweep you away, leaving you stunned that someone was able to so precisely articulate the mechanical alienation from self and palpable inner decay that you feel daily as you sit in your cubicle (wash, rinse, repeat) and mimic the farcical motions assigned to humans in modern industrial civilization--a hierarchical vaccum in which "survival" is contingent upon our economic value, obedience to Power and our ability to force others to either consume or produce. The dominance of the lie of economic value has poisoned every area of our lives and left us defunct as human beings, most notably stealing from us the innate urge to spontaneously create and give.

Vaneigem attacks the dead, vacuous nature of modern life with all of the venomous intensity conceivable. He does not misuse or mince words. Each sentence is filled to the brim with harsh truth, the sheer brute force of which will take your breath away.

[...].
I recommend at least printing it out to fully revel and enjoy the intensity, though!

This book, along with Debord's "Society of the Spectacle", forms the core of the theoretical output of the Situationist Movement which emphasized the necessity of spontaneous, joyous creative activity to overcome the alienation and oppression of mass consumer culture, giving inspiration to the youthful insurrectionists of Paris '68.

The book is peppered with witty, canny, and memorable aphorisms on revolutionary struggle, and its emphasis on spontaneous activity motivated by felt needs for freedom and self-expression was at the time an important corrective to the Stalinist model of the revolutionary as selfless, altruistic drone. Vaneigem and the situationists go overboard at times in emphasizing the revolutionary value of selfishness, pleasure and spontaneity-- the shortcomings of 1968 are the proof. These shortcomings have been stretched to the point of parody in Hakim Bey's "Temporary Autonomous Zone" and the writings of the Crimethinc collective, but there are important elements of truth in them.

The presentation of the ideas is hobbled by Vaneigem's writing style-- you have to slog through 5 pages of bloated abstractions before coming across one of the keen one-liners that make the book worthwhile-- I think the ideas come across much more powerfully as street graffiti than in a 200 page manifesto. For a more palatable presentation of situationist ideas, check out American situationist Ken Knabb's wonderful piece "The Joy Of Revolution", available online or in his book Public Secrets: Collected Skirmishes of Ken Knabb.

This is one of the most viscerally exciting political / philosophical books in history. You can't help but be swept up by the force of Vaneigem's appeals... and though one may not assent to all of his positions or specific interpretations, all in all you will have to say that he had managed to tap into something very true.

read it, ponder it... and get out and live. you have nothing to lose but your boredom.

Secret of the Swamp King was another great book in the Wilderking Trilogy. Anyone who likes fantasy should read it.

This series is enthralling for my 10 year old daughter (who reads at a 8th grade level). It has adventure, danger, excitement and folklore to capture and maintain interest.

Young Aidan now serves at the court of King Darrrow. But his popularity also makes him dangerous enemies. Things come to a head when Darrow receives an anonymous letter claiming that Aidan is maneuvering to overthrow Darrow. Furious, the king sends Aidan into Feechiefen Swamp on a perilous quest. When Aidan reaches the swamp, he learns of a feechie war band led by the WilderKing. Who is this imposter? This second installment raises the stakes from the first book

Jonathan Rogers obviously loves C.S. Lewis' world of Narnia (see "The World According to Narnia"), and decided to create another fantasy world where kids and adults alike can see many "heart issues" of life portrayed in a creative way. The Secret of the Swamp King (Book 2 of the Wilderking Trilogy) is a great read for kids as they can imagine themselves in the shoes of Aiden Errolson. Aiden is the main character whose life is followed on his many adventures and challenges through his life in The Realms of Corenwald. Though he lives in a world totally foreign to the reader, it is very easy to relate to his troubles and joys during his journeys.
The book is a great link for the trilogy, leading to the more impressive climax in the 3rd book, "The Way of the Wilderking".
Well worth the time, especially to read with/give to kids.

I've got to hand it to MR. Rogers, he's done a wonderful job of following up on young Aidan Errolson. He's now a few years older and a member of King DArrow's court. True to the biblical parallels with David, Aidan has incurred the jealous wrath of his king. He may be the most loyal member of King Darrow's court, but Aidan is sent on a suicide mission to the Feechiefen Swamp in order to retrieve the legendary Frog Orchid. King Darrow thinks to see the end of young Aidan, but he meets up with his friend Dobro and becomes a Feechie friend to all Feechies. There's someone impersonating the legendary Wilderking out in the Feechifen and Aidan must find out who is enslaving Feechies to the civilizers ways of war and commerce. This book has more action and more intrigue to it. I loved it and read it in two days. Highly recommended!--James Somers, author: The Chronicles of Soone.

I sometimes try to decide which is my favourite Isak Dinesen book and always after a lengthy quandary settle on "Seven Gothic Tales". These long stories, constructed with the most unassuming virtuosity, leave behind the same feeling of mingled enchantment, wisdom and sadness as reading Shakespeare or her countryman Hans Christian Andersen.

The author was Karen Blixen, a coffee-planter in Kenya who wrote the wonderful "Out of Africa", (which has little in common with the movie.) But as Isak Dinesen, she moved through an imaginary but meticulously evoked late-18th century Europe, where the paradoxes of love and fate, innocence and disillusion, order and dream, are played out gracefully and remorselessly.

Where did she get her stories from? I feel as if I never had to read them, as if I have always known them. Artificial and stylised yet almost unbearably true, they linger like music and burn like ice.
I envy anyone who has yet to read them.

dinesen/blixen was a true, living Scheherazade. this is an astounding collection of stories within stories within stories within stories. beautifully, elegantly written and set in various european locales, starring wonderfully alive characters straight out of fairytales, dreams and myth. these are strange, magical narratives (novellas, to be a stickler) with a modern sensibility. brimming with metaphors that will make you pause. kind of a cross between e.t.a. hoffman and a.s. byatt. definitely going to read more of her stuff.

This is a demanding work of seven multilayered and esoteric stories in this, Dinesen's first book.

We know of Dinesen more commonly by way of Meryl Streep, who played Dinesen, or the Baroness Karen Blixen, in "Out of Africa." But the woman we find here as the author of these stories is no easily-understood, Hollywood character. Her stories within stories are rich in symbolism, imagination, and a "long ago and far away" feeling that is carefully, carefully, controlled by the author. Dinesen wrote some of these tales in Africa, and finished others along with ordering the book back home in Denmark, after her farm had failed. She wrote, interestingly, in English (and did her own translations back into Danish later on). Many books follow this one, including LAST TALES and, of course, OUT OF AFRICA. Dinesen, while the heroic, strong, individualist of Streep's portrayal, is also kind of strange, introspective, and fabulously bizarre. She uses her stories' plot lines as a means, one feels, to work out her life philosophies, reshape and recast ideas and symbolic imagery, and impart creative insights. After getting to about the fourth or fifth story, one can see that she uses the same imagery repeatedly and even the same turns of phrase.

I have read this volume at least once before, and wanted to go through it again knowing just that much more literature and biblical references. (It helps to be well read in the classics when reading Dinesen.) Anything is up for her use, and if you don't see it, something will be lost to you as you interpret the stories and what they meant, or even, what happened. She loves Shakespeare (OUT OF AFRICA was written in five sections, after the five-act structure of Shakespearian drama), and Don Giovanni, she has interesting ideas about femininity and independent women, and symbolizes these issues with women who are doll-like, women who seem as if they can fly, women who are witches in some way or another, etc. She likes to toy with the mind of God, as well, having characters pronounce his proclivities, likes and dislikes, etc., quite often. I found these to be some of the most interesting passages, after some of the gender-defining ones, that is. (She chose her pseudonym, "Isak," as it is Hebrew for "He who laughs" and she definitely plays with many ideas here, many humorously.)

Of the seven tales (The Old Chevalier, The Roads Round Pisa, The Monkey, The Supper at Elsinore, The Dreamers, The Poet, and The Deluge at Norderney), The Roads Round Pisa is my favorite, and I have studied it for a graduate class. In the book, a mistake is the central event, and we learn of it only at the end. Our main character, Count Augustus Von Schimmelmann, is writing a letter to a friend, when a carriage accident occurs in front of him. An old woman, who seemed at first to him to be a man, is injured and asks that he go and seek out her granddaughter so that she may forgive her for an estrangement before she dies, as she believes she will do shortly. Augustus sets out for Pisa and in an inn meets a young man, with whom he engages in an interesting conversation. Soon, however, he finds out that this man is a woman, and whereas before he had been asking "him" for help in finding his way into the city, now he offers her his assistance as a gentleman. Their subsequent conversation holds a particularly compelling passage I have never forgotten. In it, Dinesen explicates a concept of women's differences, physically, psychologically and societally, from men through the artful use of the host and guest metaphor.

This passage is a key to the story's mood when toward the end the mistake around which the characters swirl is revealed. But the passage is also an interesting philosophical and societal analogy that provokes thought and discussion. This is, then, quintessential Dinesen.

The other stories deal with identity and loss (The Dreamers), a ghost who is allowed to rise up from hell whenever the sound between Denmark and Sweden freezes over (Supper at Elsinore), the mirage of lost love (The Old Chevalier), poetry and power (The Poet), the societal roles of women (The Monkey), and identity (The Deluge at Norderney), but these are very brief and basic categorizations. One could safely say that all the stories deal with many of the others' main themes. The book as a whole is an excellent study of the power of fiction to suggest and manipulate, with beautiful, evocative writing and deep and stirring underlying meanings. I recommend it.

These are strangely compelling stories, all of which evoke a sense of mystery and poetry. Floods and monkeys, skulls and puppet shows, vie with each other and figure here in short works that are too realistic for fables but too bizarre to be mistaken for reality.

Gothic surrealism might be the best way to describe the tone achieved by the author, whose real name was Karen Blixen (made familiar to modern audiences by the film "Out of Africa"). This is a reissue of a volume that first appeared in 1934.

Borrowing the author's phrase, each story is "like an echo in the engulfing darkness." Atmospheric and brooding, these tales are part Poe and part Brothers Grimm. Exotic in characterization as well as setting, we are introduced to a polyglot collection of virgin nuns and wandering n'er do wells, who cling to rooftops and journey on rhino-horn laden dhows.

Escape from the ordinary world is promised and delivered, but somehow, the people in these stories also remind us of people we know and situations that might not be as straightforward as we have assumed. A scarf may not be a scarf. The wind may be more than the wind. A scarf blown in the wind recalls to one character the memory of a little white snake -- madness is hinted at, at every turn.

They are seven distinctive tales. Yet, the evocation of place, the depiction of eccentricity, the precariousness of life, suffuse them all. They are magnetic and memorable. Even so, some readers may find the tales a bit too weird for their tastes.

If you find this review helpful you might want to read some of my other reviews, including those on subjects ranging from biography to architecture, as well as religion and fiction.

Why isn't I. Dinesen's work more widely known and accepted in the modernist pantheon? Her reputation seems to have settled into that of oddball literary personality and vehicle for Meryl Streep, however the work itself would have eluded me, despite a decent education in high school and university (for example, I was given Hesse and Camus to read in 10th grade, why not Isak?)had I not been attracted to this title in a dusty library. The work is about as anti-Hollywood as I could possibly imagine. Perhaps the answer is, she is not really a modernist but some sort of high baroque romanticist belonging more in the 19th century world of German prose; the "layering of stories" effect, especially in "Roads to Pisa", reads like she is channeling the world of Jan Potocki, enigmatic author of "The Saragossa Manuscript," who like Casanova moved in that incredible world of the international bohemian intellectual elite that Rexroth describes so well somewhere in one of his essays; that world of post-chaises and midnight rendezvous and military officers with seemingly endless resources of money, brains, education and cunning ... in fact "Saragossa" and Casanova's "Memoirs" were the books that came to my mind as I read her...reading this stuff is like eating a chocolate eclair with a brain more powerful than yours will ever be...why aren't there writers like this anymore? Was it all only a dream?

This is a very readable, engaging, and concise look at the U.S. Civil war by Fletcher Pratt (1897-1956). This book first arrived in 1935, but don't worry about its antiquity. This is an excellent account of that tragic conflict, and you should enjoy it whether you are a Civil War buff or one with only a casual interest. Pratt concentrates heavily on the major battles and events, and tells the story of this bloody conflict in concise and readable detail. As one who has read superb in-depth accounts of specific campaigns or occurences by James McPherson and Bruce Catton, I'd recommend these two excellent authors for indepth reading. For a solid, concise, general history, Pratt has the ticket.

Where I thought the book was really outstanding was in the occasional observations about the big picture that the author threw in occasionally. For example, this is the first book where I have read that the North's oft cited advantage in men and machines at the start of the war was not as great as most claim. Also interesting was the observation that it was the battle at Chickamauga that was more important than Gettysburg. Agree or disagree, I really liked these observations when they happened.

What disappointed me was that the battles were dealt with in such a cursory way that they were hard to follow. Probably a necessity when dealing with the entire war in 480 pages. But Gettysburg, for example, took only about 15 pages. It was hard to get a sense of the drama and the personalities involved. Little was mentioned of Stuart's disappearance and late arrival to the battle or of Chamberlains desperate defense and repulse. Also, there were few dates given in the book. If you are already knowledgeable about the Civil War, this may not matter, but if not, it could be a problem... especially since the author sometimes follows one campaign to it's conclusion then backtracks in time to pick up the thread of another campaign.

This book's value, to me, came in those moments where the author put aside simply recounting events and offered up some insights into the bigger picture. I'd recommend this book most to people who know a bit about the war already but want to get some new insights.

I have the new edition of this book, I bought it soon as I saw it sitting on a store shelf, despite already having 5 or 6 copies of the old pocketbook sized editions. I love this book. If you are going to read only one history of the civil war, make it this one. If you are going to spend the rest of your life reading histories of the civil war, start with this one.

It would take thousands of words to express the reasons I love this book. But somehow that wouldn't be appropriate. What I will say is this:

Bruce Canton could spend two pages discribing a muddy campaign, and you will come away knowing it was muddy and what a loggistical problem that was. Shelby Foote could spend a chapter on a muddy campaingn and you will come away knowing it was muddy and how much the troops complaigned about it and maybe a funny incident or two. Fletcher Pratt could spend a paragraph or two on that campaign, and when done you'll notice your leg's hurt. Why? Because you didn't want to get mud on your couch.

What can I say about this book? Well, how about in a lifetime of reading many books on the Civil War, both good and great, this one stands head and shoulders above them all. While more ink than the blood that was spilled has been used by many others to explain this terrible war, Pratt managed to capture the essence of the conflict in a short, brilliant book.
Pratt was a military historian of the first rank, but was also known for clever and exciting high fantasy stories. Perhaps it was this versatility that honed his storytelling ability to the sharp edge that we see here. While not missing a single important detail of politics, causes, battles, and personalities, he weaves an engrossing tale from start to finish, and creates a solidly researched history that is also a page-turner. This book is a joy to the student of the Civil War, but also appeals to those with no particular interest in that conflict, solely on the merit of Pratt's tight storytelling.
This book was written in 1935, and much new material on the Civil War has surfaced since then. Others, such as Shelby Foote, Bruce Catton and James McPherson have written much longer and more comprehensive works on the war that are excellent in their own right. Yet this little book still shines out as a gem among them. With its solid scholarship, sharp storytelling, and precise choice of details, it is the first rate Cliff Notes to the Civil War.

Theo Logos

I first read this book when I was about nine years old, having fished it out of my parents' bookcase to while away some idle hours. Eventually, I wore out its fragile binding and was left with a heap of pages until one day, on a visit to Washington DC, I was delighted to find a fresh copy in a second-hand bookstore. To this day, if I crave entertainment and inspiration, I take this book down from the shelf and open it at random. Whatever chapter - paragraph! - I choose is bound to shine.

Just how accurate or balanced Pratt's account of the Civil War is, I do not know. I have not read any other books about it. But he has made Grant, Lee, Lincoln, Stanton, Davis, McLellan, Hooker, Sherman, Sheridan, Bragg, Jackson, Stuart and dozens of others come alive for me.

Aged nine, I did not understand all the long words by any means. (What on earth was the "Dithyramb of Shiva", and what was an "Experiment in Tauromachy"?) But I loved them, and almost always figured out the meaning by the context.

In a way, Pratt made it possible for me to study history at university many years later. He inoculated me against the idea that history has to be boring, because I had such a stunning counter-example at the back of my mind. There are very few books of fiction that I have read that come anywhere near being so entertaining.

Anyone who hasn't read this book really ought to, if they have the slightest interest in military matters and delight in fine writing. Just one tip: if you can get hold of a hardback, it will last longer. The paperback gets fragile after a few readings, and the pages are apt to fall out unless you hold it very carefully.

I purchased several of these books to lead a spiritual formation group in my parish. The book has helped my people share their faith and their struggles in that faith. It has also introduced them to the concept of accountability, which is always good.

The only problem that I encountered is the tremendous amount of oral reading required for each lesson. Some of my folks are self-conscious about their reading skills and as you take turns reading, it can be laborioius. Other than that, I would highly recommend this workbook to anyone wanting to go deeper in their spiritual life.

Adding in the how to the why. This book is a great handbook to go along with Streams of Living Water.

Streams is a book that takes about the different "streams" of Christianity and provides references and information on those different streams.

This handbook brings out the how of each stream. Each chapter deals with a different stream and how to practice that stream. There are real live applications for you to use to become better immersed in the particular stream.

This is a great book for someone who is working on the spiritual formation and needs help in the direction of figuring it out. This is also a useful guide for a small group or Sunday School class who wants to review the history of the church and the many streams that make it up.

I really enjoyed the Charismatic stream and what it had to offer in terms of understanding spiritual gifts and also fruits of the harvest.

I've worked as a small group minister for years now, and I feel that this workbook is excellent for starting a group of established Christians. Each discussion is clearly mapped out with leader's instructions in the margins. Through the course six different aspects or facets of Jesus are presented, and almost no one is intimately familiar with all six, so it stands to minister to long time church goers. But the new Christian will be strengthened too.
Other Christian authors are writing about Jesus as presented by various denominations (like Brian McLaren and Philip Yancey)but this little book is very easy to use for generating discussions.
What I found most important is that each section ends with several exercises or disciplines to practice in the time between sessions. Group members will surely experience spiritual growth if they practice the disciplines.
Lastly, it ends with an invitation to continue on as a group, using what has been learned through the study as a format for continued group life.

This is a great resource for bringing more balance into your life. The book describes six ways of meeting God - Holiness, Charismatic, Contemplative, Social Justice, Incarnational, and Evangelical - and sometimes these words don't mean what you think they mean. The authors encourage the reader to broaden their relationship with and vision of God, and for me, I was able to see God working more powerfully, and in many more ways, than before.

What separates this small group guide from others is that it provides a framework for all future groups that actually contains concrete paths to real character transformation. That framework has some key components: (1) An emphasis on trying spiritual exercises in your everyday life, with plenty of ideas for exercises provided; (2) An emphasis on growing toward a balanced spiritual life, centered around 6 areas of spirituality: personal prayer, holiness, interaction with the Holy Spirit, compassion for others, gospel knowledge/sharing, and interweaving the sacred into the secular life; (3) Seeking spiritual growth in partnership with other believers who will encourage and listen to one another; (4) A non-judgmental, non-legalistic attitude.

The content of the studies is solid, based on the life of Jesus as He modeled for us the 6 areas of spiritual life. There are also well-thought out discussion questions that allow for deep reflection. There is virtually no prep time because each session is read through and discussed together.

I am currently going through this study for the second time with a larger group (15-25), and it works well even in the larger context, especially when we break up into smaller groups for some segments. I have heard from several people how great this study is. I believe that if churches used a framework like this one for their small groups, the Church of Jesus Christ would see an astonishing amount of fruit that would surprise the world.

Taming the Wolf was a exuberant read not only were life issues dealt with but the insecurities of the main characters were real and vulnerable enough that the story allowed for the reader to get a understanding of how these issues made Samara and Marcus the people they were. Maureen Smith takes her readers on a fast ride through DC, New York, & Atlanta as Marcus & Samara fall in love.

Samara Layton was the girl that everyone wanted to be with the mother who has the statue of a Hollywood celebrity but Samara was not that girl she was the girl who only wanted her mother's love. When she finds herself doing the one thing she hates more than anything to save her community organization she finds herself in the hunting zone of Marcus Wolf. Marcus Wolf would rather be doing anything other then sitting at a fashion show but this one particular fashion show would make an impact on his life like none other. Marcus had trust issues when dealing with women that all stemmed from his mother. Having a big heart, he always was willing to lend a helping hand so when Samara comes to him requesting financial backing to save her community center he willingly gives it to her.

Neither Marcus or Samara realize they are falling in love until its to late and they find their selves on the run away path to love but not before drama can interrupt their love tryst. With mutual family drama, Marcus & Samara find that even complicated emotional baggage cannot over ride true love.

Maureen Smith writes a story that shows love can overcome any obstacle as well as succeed even when the odds are against it. Taming the Wolf was a story that could be read quickly because of how well it flowed from beginning to end.

I loved this book! The two main characters were soooo... Hot together.
Maureen Smith possesses such a strong, decriptive narrative of the chemistry between Marcus and Ms Dubois. I really love her writing style and can't wait for her new book. She is now on my list of favorite authors. This book is a must-read for romantics.

Of all of her novels, I think this is my least favorite. Not that it wasn't good, because it was. But I think I'd gotten spoiled with the romantic suspense ones and this one kinda surprised me.

Marcus Wolf however, is right up there with Garrison. The story was cute and sensual and had almost everything I was looking for. I think I'm going to go back and read it, maybe change my mind a little.

THIS IS A LOVE STORY WHICH I LOVED!!! THE CHARACTERS, THE LUSTING SCENES, THE LAUGHTER, AND THE TEARS... IT WILL KEEP YOU READING, BELIEVE ME!! VERY ORIGINAL, THE STORY WAS WONDERFUL!!! LOVING FOR LOVE? OR NOT REALLY LOOKING FOR LOVE? READ THIS TO GET SOME IN SIGHTS!!!! **SWEETNESS**

Maureen Smith is officially my best story writer. I love her books. They are filled with detailed scenes, romance, and love scenes. She describes the perfect gentleman with a wild side that every woman goes crazy over. I will definitely buy all of her books. She is great at building up the tension between the characters without making you bored. A definite must read!!! The plot thickened with every chapter. My mouth was gaped wide open the whole time I read the book. If it wasnt the plot shocking me it was the steamy love scenes. I have to say this was her best book EVER!!!

I'm doing research on the hope of writing a romance novel based on a story my ex-husband told me about how his grandfather came to America. I found this book fascinating. It gave me a real feel for the time and the place. And unlike many history books, it wasn't boring.

Fred Morton certainly lived up to his reputation in this novel about the waning days of the "Imperial City of Vienna" and all the different personages inhabiting the Empire [Stalin, Hitler, Trotsky] during these turbulent pre WWI years. Excellent for history buffs such as myself or anyone else for that matter who enjoys a good read about the declining days of Empire and the effect of the Great War on European Aristocracy. Also interesting to note that Franz Ferdinand's three surviving children [daughter and two sons] were taken in by a friend after their parents murder by a Serbian Terrorist [not family as they were morgantic children due to their mother's status] and all eventually found themselves sent to a concentration camp [Therienstadt] when Austria was gobbled up by Germany during the Nazi's rise to power..as they did not possess "Imperial Status" Dont hear too much about this in any books. Eventually they were liberated by the Allies and their property restored to them. Sophie outlived both her younger brothers living to the ripe old age of 91. Her desendents live today in Konopiste; the Palace of Arch Duke Ferdinand and his wife Sophie Chotek.

There is an historical theory, or perhaps it is no more than a bon mot, that empires at the end of their power and political influence spend their last energies on a showy efflorescence, like a century plant. The prime examples would be 18th century Venice and early 20th century Vienna.

In "Thunder at Twilight," Frederic Morton presents a gossipy and apparently frothy portrait of such a bloom, told as a tragic love story. Like a good Mozart opera, there is a subsidiary, comic love story as well.

The tragic lovers are Franz Ferdinand, crown price of Austria-Hungary, and his wife, Sophie Chotek. Because Sophie was not royal, merely a countess, the archduke could not marry her as consort but only as a morganatic wife, and their children would not be in line for succession to the throne,

The comic lovers are Emperor Franz Joseph and the Widow Schratt, who also could not marry but who were so proper that they did not even make out.

The villain is Montenuevo, first court chamberlain, epitomizing the sclerotic empire that after rolling along for 800 years had almost seized its gears.

There is a huge supporting cast: Trotsky, Lenin and Stalin; Freud and Jung; the mad general Conrad von Hotzendorf and the crazed Serb Apis, etc. etc.

With an eye on the weather and the changes of seasons and in a flurry of adjectives, Morton leads them all toward a doom. This is one of the few reviews of the period that treats Franz Ferdinand as anything more than a stage prop.

In fact, in Morton's interpretation, the archduke is practically the only sensible man in the empire, full of fierce words masking a desperate attempt to keep Austria out of war with Russia. Sophie plays the calming influence who steadies her hotheaded lover.

Morton rightly calls Franz Ferdinand's policy appeasement of Serbia. It could never have worked. As we know from a further century of bitter experience, the South Slavs can neither govern themselves nor be governed

Conrad, though incompetent, was right. Serbia needed to be crushed. The problem was, Austria could not do it unless Russia stood aside; and Russia, another dying empire, was as full of aristocratic nitwits as Vienna, and had its own ungovernable Slavs (and Germans, like Lenin).

As hardcore history, "Thunder at Twilight" is too light, too consciously melodramatic. But it is great fun to read and seems to get the big picture more exactly right than more ponderous tomes.

A college professor recommended this to me so I read it in about a day. It is very interesting how Morton weaves history into some sort of a novel that's very easy to read. Inspired by the death of his uncle in World War I, Morton writes about the history and the climax leading up to the very moment when the Crown Prince Francis Ferdinand and his wife Sophie were assassinated by a Serbian terrorist youth.

Morton explains the nasty relationship with the Hapsburg Empire (that includes Austria) and the lower Slavic nations and the growing animosity between them. This is a great book for history buffs. My only complaints are that there aren't any citations in the book and that the friendship between Carl Jung and Sigmund Freud don't seem to have anything to do with the story itself.

This is a favorite of mine, all the info about the Fin du siecle, Rudolph, and why we went into World War 1, and why some young people don't make it somehow!

Amazing and amazingly entertaining book, very very higly recommended. I dont have anything to add to the info of the book itself, go for the editorial reviews.