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A Hidden Gem for Lovers of Russian LiteratureReview Date: 2008-04-07
A young aristocratReview Date: 2006-11-14
The main character wants to be a young man `comme il faut': `The comme il faut people I respected and considered worthy of being on terms of equality with me; the comme il ne faut pas I pretended to despise but in reality hated. The lower classes did not exist for me, I despised them completely.'
This stands in sharp contrast with: `His tendency of ecstatic adoration of the ideal virtue and a conviction that the purpose of man's life is continually to perfect himself. At that time it seemed very possible to improve all men, to destroy all the vices and miseries of mankind.'
But as the young man states himself: `noble words seldom go with noble deeds.'
His life is not without problems: his father, who loses all credit with his son, is a big gambler and doesn't give a damn for his estate. His mother adores her husband and forgives him everything. But she dies when the main character is still young. He receives an aristocratic education and, unsurprisingly, his life goes on very smoothly with `dancing' problems, adolescent loves and student exams.
This book contains beautiful pictures of the Russian countryside and lively childhood memories, but it is rather innocent stuff.
Only for Tolstoy fans.
For a picture of the lower classes (still not the `people of the abyss'), I recommend Maksim Gorky's `My Childhood'.
Promising Prose But Little Drama from Tolstoy in His TwentiesReview Date: 2007-08-24
Tolstoy was born in 1828 and he was in his twenties when he wrote this early work. He his famous for detailed physical descriptions combined with emotional drama. For example, read that wonderul short story Master and Man that combines those two elements. The present work has the detailed descriptions but lacks the emotional appeal and lacks the great characters that we see in other works, i.e.: a crying youth because he is humiliated is hardly a great emotional experienece.
Tolstoy remains as one of the leading writers of novels. His impressive legacy includes three of four monumental works including War and Peace, Anna Karenina, and the novella The Death of Ivan Ilych. According to his own estimate, he has over 400 works - as he describes in one of his non-fiction works.
Tolstoy's writing can be divided into three phases: the early years up to 1860 to 1861, the mid-career years from approximately 1861 to 1890, and his final years when he turned to non-fiction polemics. His most important fiction was written in the middle period, and it started with the release of The Cossacks in 1863. That story contains emotional elements and descriptions similar to what we read in Anna Karenina. His writings before The Cossacks contains his famous detail but lacks the same level of drama and emotion.
The present work is a good example of his early work pre-1961. Tostoy follows a Gogol like approach to produce a lengthy and detailed account of a young man growing up. The narrative is about a young man living in rural Russia. He goes on to attend university in Moscow and he is the son of a landowner as was Tolstoy himself. The story covers the boy's experiences from around the age of ten to the age of twenty. The character is based on one of Tolstoy's childhood friends and includes other characters based on real people that he knew. The story is a work of fiction. Tolstoy's own father died when he was still young as did his mother who died before his father.
This is a very slow read. It took me a week on and off to get through 314 pages in small font. Readers should not confuse this work with his famous works that came in his mid-career. The prose is excellent, especially the description of the thunderstorm about one third of the way into the book, but the story lacks drama and charm. Considering the author and his complete body of work, this is just 4 stars among the stories by Tolstoy.
As a side note, this is a beautifully bound hardcover book.
Nascent MasteryReview Date: 2002-09-10
Early TolstoyReview Date: 2001-08-21
But beyond being similiar to David Copperfield, this book has moments in it that match parts of Karenin and War and Peace in beauty and texture if not in scope. What's amazing about Tolstoy is that his earliest work (this and his early war sketches) seem as artistically mature as his later, epic masterpieces. The death-obsession and intense philosophical and spiritual doubts that plagued Tolstoy later in life did not all of a sudden erupt while writing Anna Karenin; but rather they were always there in one form or another... an echo of adolescent sadness.

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comprehensiveReview Date: 2008-10-18
Excellent resource bookReview Date: 2007-02-07
Great ReferenceReview Date: 2006-01-01
In Depth!Review Date: 2003-11-24
Sweat it! It is worth it!Review Date: 2004-06-09

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GoodReview Date: 2007-03-06
Really lameReview Date: 2004-04-01
If you're a teenager this book might be insightful but if you're an adult working to understand people and relationships, leave this book on the shelf. I assumed that a PhD would write something with significantly greater depth. I was wrong.
This book was just what I needed.......Review Date: 2007-04-03
Excellent ReadReview Date: 2007-01-11
Next LevelReview Date: 2005-03-30
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zero to the boneReview Date: 2008-08-28
Superb Writing, Content, Style But Not For the Faint of HeartReview Date: 2006-12-09
For writing style, detail, and organization, this is one of the best books I have ever read. As for the crime that is the foundation, it is the worst about which I have ever read.
ChillingReview Date: 2005-05-04
Definitely Not for the Squeamish!!!!!Review Date: 2007-10-21
A must-read, cannot-put-down, horrifying true taleReview Date: 2002-08-04

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Excellent!!!Review Date: 2001-07-05
Among the book of Tanembaum, Derry Grossman, D'prima, and the introductions of differential equations of C. R. Wylie and Kreiszig in their books of advanced mathematics for engineering, I keep this. If you plan to learn differential equations, if you want to have a really good text as introduction to the topic, then this is the book to buy, you won't lose your money.
A good book, flawed by plagiarismReview Date: 2007-12-03
I would have given this book 4 or 5 stars except for one glaring fact: Large sections are copied without attribution from other authors. When I went to my bookshelf to seek clarification on some points I noticed that large sections of the chapters on Fourier series, and partial differential equations were copied without attribution from the excellent book "Mathematics of Physics and Modern Engineering," by I. S. Sokolnikoff and R. M. Redheffer (McGraw Hill, Kogakusha, 1958). I provide some details below. Although Simmons has inserted some historical and other comments, and shown some minor manipulations more explicity in a few cases, errors, sloppiness, and omissions have crept into the copy which make it less clear and accurate than the original. Sokolnikoff's excellence still comes through Simmons' light reprocessing, and it is hard to give Simmons credit for that. I would be very unhappy if I were to see my work being used without attribution the way Simmons does. One wonders what other books Simmons has copied from to produce this text.
Details
Fourier Series. Simmons pp 246 -262. Sokolnikoff pp 175 -211
Simmons rewords the text, and reorders it slightly, but the flow of the argument, points made, and equations are exactly the same. Simmons leaves out a good section on complex Fourier series because of his aversion to complex numbers. Here are examples of Simmons "light reprocessing":
Simmons: "We begin our treatment with some classical calculations that were performed by Euler. Our point of view is the the function f(x) in (1) is defined on the closed interval - Pi LE x LE Pi, and we must find the coefficients in the series expansion."
Sokolnikoff: "We take the point of view that f(x) in (18-1) is known on (-Pi, Pi) and that the coefficients an and bn are to be found."
An error has crept into Simmons copy. Simmons refers to a closed interval, whereas Sokolnikoff's original refers to an open interval by using rounded brackets. Also, Sokolnikoff's English is better. There are many examples like this.
Simmons fills in a few steps by explicitly giving trigonometric identities, whereas Sokolnikoff merely asks the reader to recall them. This makes Simmons' treatment a bit easier to read.
Simmons' treatment of "Pointwise Convergence of Fourier Series" on pp 293-297 is a complete copy of Sokolnikoff's treatment on pp 204-207.
Partial Differential Equations. Simmons: pp302 - 322; Sokolnikoff pp 431-471
Simmon' treatment of the vibrating string copied part of the derivation from Sokolnikoff, particularly the discussion around Simmons' Fig 48 (Sokolnikoff's Fig 3 in Ch. 6). Simmons copy of this diagram showing the forces on a string leaves out some critical elements making it unclear. It does not show the tension on the element of the string from BOTH left and right, it just shows the rightward tension - acting on the LEFT end of the element. Also it doesn't show the differential dy in the diagram. Quite a muddle. Sloppy. If Simmons had copied Sokolikoff's diagram accurately, it would have been much clearer.
The Heat flow example in Simmons' Sec 48 is a copy of Sokolnikoff's Ch. 6 Section 9 (p455).
Treatment of the Dirichlet problem in Simmons' Sec. 41 is a copy of Sokolnikoff's Ch. 6 Sec. 12 (p 467), except that Simmons shows explicitly some easy manipulations that Sokolnikoff had left as a problem for the student.
One of the best books on ODEsReview Date: 2002-10-21
One of the bestReview Date: 2003-07-17
The subject treatment has sufficient detail for the really interested people and is sufficiently concise for those seeking nifty tricks and methods to solve ODEs.
Some higher end stuff such as non-linear DEs has also been treated well. Though I didn't know a word about these particular equations, the book taught me well enough to handle a few types of those.
Great book!
A superb introduction - and then someReview Date: 2003-01-10
He derives the first type of elliptical integral from the motion of the pendulum at page 21 (on my elderly foreign-printed software version I've had for years). That's the level it's pitched at.

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Shot Glass DivaReview Date: 2008-10-15
A good readReview Date: 2008-10-11
The DivaReview Date: 2008-10-07
Eventually she comes to her senses and make amends. Good reading material so get book to find out exactly how things work out for her.
A Positive TransformationReview Date: 2008-10-02
From High Society to RealityReview Date: 2008-09-25

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Great Ending!Review Date: 2007-08-08
After a known pedophile was killed last year, the murder was quickly shoved under the rug because no one was too concerned. Unfortunately, the recent murder of a priest, believed to be a pedophile, suggests the murders will continue. The murder of a priest isn't something people are soon to forget about. The media has sensationalized the killer by naming him "the Saint" because of the St. Nicholas medallion (patron saint of children) left behind at all the scenes.
The police force doesn't have the time or resources to handle the case so retired cop Phil Broker is brought back because of his involvement in the original search for the killer and to help take care of one of the suspects; fellow officer Harry Cantrell is an alcoholic with a quick and sometimes volatile temper. He and Phil used to be partners and best friends until a falling out split them apart. Phil's side mission is to make sure Harry gets into rehab. Harry also has a well publicized hate-on for pedophiles. The other suspect is lawyer Gloria Russell who lost a case that put a pedophile back on the street.
I enjoyed reading Vapor Trail which is the sequel to the hit police thriller Absolute Zero but you don't have to have read it to enjoy this novel's plot and characters. The characters were true to life and the plot was suspenseful. There wasn't a lot of jargon to distract from the storyline or flow of reading. The ending was great. I thought things were going one way and they ended up going the other, for the betterment of the story. I recommend reading Vapor Trail and I would also like to read more from this author.
A solid mysteryReview Date: 2004-07-10
Quite a few loose ends in this one.Review Date: 2004-10-22
SAINTS AND SINNERSReview Date: 2003-06-27
Throw in the cop who used to be Broker's friend, who is now an alcoholic and renegade, and who could possibly be the Saint; the ambitious attorney Gloria Russell, who has a picture of the young victim in her office; and Broker's ex-girlfriend, Janey, and you've got a potboiler going.
Logan agains masters his skill of believable characters, a strong feel for his surroundings and a great twist at the end. The identity of the Saint...ah, well, you just have to read it...great reading.
HIGHLY RECOMMENDED.
Logan scores againReview Date: 2003-09-30
Well, "Vapor Trail" has it all, in spades, ( as they say), and I enjoyed it tremendously!
One thing more....Logan is on my very short list of authors that I'll buy without bothering to read the blurb on the back page. He writes it, I'll enjoy it. Buy "Vapor Trail" without reservations. You won't be disappointed.
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SIMMONS DOES IT AGAIN!!!Review Date: 2006-01-07
WARNING SPOILERS!!!!Review Date: 2005-08-17
teenage james bond gets involved in bioterror plotReview Date: 2006-09-22
Motherless, he and his seventy-year-old father suffer a huge generation gap. The touching part is the way they navigate their relationship. His father is arrested for murder and Evan finds himself with some evidence that would clear his father but implicate him in some criminal activity of his own. Aided by his nerdy partner in crime, Ruben, Evan discovers a clue and decides that the best course of action is to look for more evidence that would not incriminate them. The action moves to Paris as they hunt down the mysterious Lubchenko. The Bond girl is Erika, Evan's other best friend, on whom he harbors a secret crush. She speaks French and joins the caper to translate when they head to Paris.
Told in the first person in an incredibly consistent narrative voice, no sentence is out of character. Evan walks a moral tightrope throughout and the buildup to the climax is masterful, a perfectly paced thriller. Simmons employs a unique style of characterization; instead of assigning them adjectives, he has Evan tell a story about the characters' behavior. So when he tells the story about his father's business partner offering him beer at twelve years old, the reader knows what sort of man he is. Though there is underage drinking, there is also a mild anti-drug message. The language is relatively clean and the single violent scene is necessary. Chapters are short, as few as four pages. This title has appeal for young adult readers tired of the same old stuff. One of the most exciting reads to come along in a while--the intriguing cover art and title are only icing on the cake.
--Original and entertaining--Review Date: 2005-11-05
Since Mr. Macalister, Evan's millionaire father, is not willing to give his son a lot of cash, Evan who works part-time in his dad's medical company takes to stealing what he considers unused electronic equipment and selling it online. Evan actually says that he "liberates" the items! When a man from the company is murdered and Mr. Macalister is arrested, Evan's realizes that the police need the murdered man's laptop computer. Unfortunately, it's one of the items that he had sold on eBay. Evan learns that the computer is in Paris and a man named Lubchenko holds all of the answers. Evan feels guilty and wants to help his father. He talks his two best friends into going to France with him. Of course, his Dad's credit card is used for a lavish visit to Paris, but finding Lubchenko is not as easy as they had hoped.
This breezy, humorous story of teenagers seemingly outwitting adults is something that, I think, both parents and their teens would enjoy.
Ferris Bueller Goes to ParisReview Date: 2006-04-26
Finding Lubchenko is actually a mystery/thriller. Sixteen-year-old Evan is called to the principals's office one day to hear the news that his wealthy father has been arrested for murder. The fact that his straight-laced, Lutheran father could have actually committed the murder is never a serious possibility. However, Evan's own shady activities (stealing from his father's biotech firm) put him in a difficult bind. He has the evidence to free his father, but to share this evidence with the FBI will surely get Evan and Ruben into deep trouble. Evan decides instead to find evidence regarding who really committed the murder. This requires a trip to Paris (charged to Dad's credit card), and a somewhat dangerous investigation following the path of a real killer.
Despite the presence of a murderer, and the extremely dysfunctional relationship between Evan and his Dad, this is a relatively light novel. Evan's voice, expressed in first person, is entertaining and smart-alecky. The book is peppered with brief tangents illustrating Evan's relationship with his Dad, Evan's unrequited love of Erika, Evan's insecurities, and the teen night life in Paris. Most of these asides contribute to the development of Evan's character, and particularly illustrate his relationship with his widowed father.
I found Finding Lubchenko to be a fast-paced, enjoyable adventure, with an engaging teen voice. I will keep my eyes open for other books by Michael Simmons.
This review was originally published on my blog, Jen Robinson's Book Page, on April 24th, 2006.

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Hyperion as it should have beenReview Date: 2008-02-25
Starts to drag after a whileReview Date: 2008-01-25
superb science-fictionReview Date: 2007-12-01
addresses problems like good and evil, powerfully emotive. but i regret that i have given it spur of the moment five stars, since i think actually it merits three, and i dont know how to edit the star rating. it is nonetheless a great read.
having time on my hands now... i hope to more appropriately address this book! it addresses a fundamentally important issue: does god use evil and pain as an instigator of these two things, to whatever ends. as a christian, i believe that god has to deal with these things but does not insigate them. it may however be in accordance with Gods purpose that we go through a form of crucifixion or whatever. Jesus for example was 'obedient' in that "he humbled himself and became 'obedient' unto death, even the death of the cross". of course God does not gain anything but pain himself in allowing us to be afflicted, however it is part of his scheme in moving us towards perfection -"that we may be one, even as he is one","i in them and thou in me, that they may be perfect in one". i quote st Augustine's prayer at the end of "de trinitate": "that augustine may be one even as God is one". the goal is a movement towards our perfect oneness in God, and it may just be that suffering is necessary.
if we say that suffering is not necessary then all suffering is just a 'waste', a dreadful waste, therefore i have to conclude that it is necessary and taken in grace, of some form of benefit. of course, if we say that suffering may be necessary, we also have to believe that it is unnecessary and unwanted, ie we cannot be blase and apathetic in the face of suffering. the stoics argued that "what is meant to be is meant to be". in a sense yes, but also clearly these dreadful things are not meant to be... hence the term 'evil'. evil is unwanted and is that which seeks to negate and destroy all that is good... including being itself.
God is true love (loving kindness), and does not want suffering... ergo 'the enemy and accuser of the brethren and of all that is good.' we must for our own preservation accept the presence of an anti-god and the prescence of its attribute 'evil'. nonetheless... nature and the cosmos, all creation are somehow still perfect, even in their imperfection. perfectly imperfect. this is because god is the great mender. he can join the pieces back together and can maintain a high degree of order inspite of that which seeks annihilation and destruction.
where it gets more difficult is when we assume that God is all powerful. if he is all powerful, then why has he allowed evil and suffering. and yet he is true love! we shall have to wait and see.
thank you dan simmons for a hell of a good stomping read! very intelligent. choose again?... yes i would choose this book again.
love and respect, snow-flake.xxx
A good surprise.Review Date: 2007-11-06
Simmons' two science fiction classics under one cover as they were meant to beReview Date: 2007-11-18
Each of the pilgrims have their own reason for going on this journey of no return. One wants to save the life of his daughter who is aging backwards after encountering the Shrike; one wants to kill the creature after being duped into starting the war; another believes that somehow he brought the Shrike back when he wrote his Hyperion Cantos. They are all seeking answers which might result in death. The Shrike's reappearence means the end of everything to many and an answer to mysteries for others.
Dan Simmons' first two books in his quartet set in and around the planet Hyperion is a well written space opera that lives up to the genres potential--it is epic storytelling that really hasn't been seen since Frank Herbert's DUNE series or John Varley's Gaean trilogy. While the prose can often become overly florid at times, Simmons does a terrific job of creating his universe and the characters that inhabit it. Many have pointed out the parallels to The Canterbury Tales and with good reason--Simmons is an educated writer that isn't afraid to throw in literary references to enrich his story.
This book along with Endymion, The Rise of Endymion (again, both were written as a single novel) and the short story "Orphans of the Helix" (published in the collection Worlds Enough & Time)are all worth reading. Don't let those who argue that Simmons' intelligent references to other novels is a bad thing--he makes assumptions about the intelligence of his readers--it just enhances the experience.

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Not very Scarey.Review Date: 2008-10-25
Great BookReview Date: 2008-10-13
Excellent Zombie anthologyReview Date: 2008-10-05
Many of these stories have been previously published, but almost all were new to me. One obvious component: sex angles and zombies seem to mix. Not all include that perspective, but this is certainly not PG-13.
My favorites from this LARGE collection were Ghost Dance by Sherman Alexie, The Third Dead Body by Nina Kiriki Hoffman, Malthusian's Zombie by Jeffrey Ford, Home Delivery by Stephen King, Deadman's Road by Joe R. Lansdale, The Song the Zombie Sang by Harlan Ellison and Robert Silverberg.
This review originally appeared on duskbeforethedawn.net.Thoughts on each story:
* This Year's Class Picture by Dan Simmons: the author of the Hyperion series plus the Illiad/Olympus duology tells the tale of Ms. Geiss, teacher extraordinaire, continuing to teach her class and recruit new students even though they and most of the rest in the city are dead and zombies. The repetition of the lessons and Ms. Geiss persistence are well told.
* Some Zombie Contingency Plans by Kelly Link: interestingly written and well paced story of Soap the ex-con with a painting, who always has a contingency plan against zombies and several other possibilities; the ending threw me (re-read the final paragraph until my eyes hurt), but the journey to the end was enjoyable, as Soap crashes Carly's party and cons her.
* Death and Suffrage by Dale Bailey; zombies dig their way out to vote, based on a presidential campaign manager's repressed memories being brought to the fore after a little girl's accidental shooting. If only the dead would vote this November...
* Ghost Dance by Sherman Alexie; one of my favorites, though I wish it were longer. Custer's army arises from the dead, drawn by murdered Indian blood, and an FBI agent named Edgar (not Mulder) has visions of their lives and the damage/murder that they do.
* Blossom by David J. Schow; okey-dokey! A little kinky sex gone awry turns a beautiful girl into a dead girl and then into a man-eating zombie. Descriptive, to say the least!
* The Third Dead Body by Nina Kiriki Hoffman; a zombie story from the zombie's point of view; a murdered hooker, cursed by her voodoo grandma, must love the man that killed her and rises from the grave to find him. Very well written and entertaining.
* The Dead by Michael Swanwick; the third zombie + sex story in a row, interesting grouping, Mr. Adams. The business side of using cheap zombies for everything - factory workers, stunt doubles...and, yes, as call girls/guys. Good character work in this story.
* The Dead Kid by Darrell Schweitzer; school age bullies who keep `the dead kid' in their forest fort put one young man through a right of passage; should he abuse the zombie dead kid like the other gang members or save him?
* Malthusian's Zombie by Jeffrey Ford; Mr. Ford bases this on a book by Julian Jaynes (which I actually have in my possession, and have always thought it would be a great basis for a story). A well written slight of hand, featuring mind programming that turned soldiers to zombies in a secret government project, following the theories of Dr. Jaynes.
* Beautiful Stuff by Susan Palwick; a 9/11-ish story about what the dead would say to the living about revenge and death. Nicely done.
* Sex, Death and Starshine by Clive Barker; the upcoming death of a theater motivates it's dead patrons and stars to gather for one last performance and viewing, taking some of the living with them;
* Stockholm Syndrome by David Tallerman; surviving human gets sympathetic with a semi-intelligent zombie who reminds him of his dead son...even though the zombie is trying to break into other humans houses.
* Bobby Conroy Comes Back from the Dead by Joe Hill; two former lovers, one now married, on the set of Dawn of the Dead as extras. No real zombies, just remembrances of how things used to be and wishful thinking of how things could have been.
* Those Who Seek Forgiveness by Laurell K. Hamilton; I enjoyed the first few Anita Blake novels, before they became overly porno. This story hearkens back to her early work, where she deftly describes Anita the animator, the woman doing a job that she is bound to do, explaining zombies and how they work to the living and raising the dead.
* In Beauty, Like the Night by Norman Partridge; hmmm...a porn mag star on an island where he'd planned to weather any disaster with his centerfold girls turns into...you guess it...night of the living porn queen.
* Prairie by Brian Evenson; a poetically written parable of exploration in the new world, but instead of indians we find the walking dead;
* Everything Is Better with Zombies by Hannah Wolf Bowen; an enjoyable tale of high school kids, imagining zombies at every grave of their small town cemetery, to take their minds off of their other problems.
* Home Delivery by Stephen King; a excellent tale from the master, an isolated Maine (of course) island community, that bands together when a zombie plague from space attacks the rest of the world. The characterization and back story are indicative of King's other great works.
* Less Than Zombie by Douglas E. Winter; from the intro, this is a mod of another story by Bret Easton Ellis, a tale of people in LA, getting high, and believing if they kill their friends in gruesome ways, they will come back as zombies. Not one of my favs of the collection.
* Sparks Fly Upward by Lisa Morton; the politics of over population and abortion in an isolated colony after a zombie outbreak told from the diary of the mother. An unique zombie story for this and any other collection, and exceptionally well written.
* Meathouse Man by George R. R. Martin; a sad short story by one of my favorite authors, featuring a young man who can run corpses to do multiple jobs, but all he wants his to find his true love. His search takes him to many jobs, many worlds, and to the meathouse, where corpses respond to his needs. A sad tale, but as always well paced with a well brought out leading character.
* Deadman's Road by Joe R. Lansdale; a Texas western zombie tale, with the resolute Reverend Jebidiah Rains, part gunslinger, part warrior of God, always fighter of evil. He helps a deputy escort a prisoner down Deadman's Road, in search of an evil zombie who was a killer and bully when alive.
* The Skull-Faced Boy by David Barr Kirtley; superbly written from the point of view of an intelligent zombie (his brain wasn't eaten) who has to decide if he is on the side of the living (his father) or the dead (his friend). The zombies organize behind the intelligent zombies!
* The Age of Sorrow by Nancy Kilpatrick; instead of being the last man on earth, what about being the last woman on earth? well-imagined, nicely written, a sad downward spiral, as one would realistically expect.
* Bitter Grounds by Neil Gaiman; a fantasy of drifting, where the people that you meet you are supposed to meet, leading you on a path to voodoo lovers and zombie powder taking a professor's place at a conference in New Orleans.
* She's Taking Her Tits to the Grave by Catherine Cheek; a lively tale of a blonde L.A. barbie, called back from the dead but she doesn't know who did it. She stumbles from lover to husband trying to find out who, decaying all the way (except for the silicone).
* Dead Like Me by Adam by Troy Castro; if you want to live amidst a zombie plague, pretend to be dead. A somewhat lackluster self-help manual.
* Zora and the Zombie by Andy Duncan; voodoo and zombies in Haiti around Roosevelt's time. Zora seeks to solve the puzzle of Felicia, a woman found after she was thought dead 30 years, and of the voodoo gods that surround Haiti. The same coffee girls as in Gaiman's story are mentioned here as well!.
* Calcutta, Lord of Nerves by Poppy Z. Brite; "It seemed to me that the dead were among the best-fed citizens of Calcutta." A great line from a lyrically written tour through Calcutta after the zombies came. The goddess Kali worshiped by the living and the dead.
* Followed by Will McIntosh; corpses follow around the well off, or people who have used or invested in something that causes other people to suffer. One of the shortest, but sweet.
* The Song the Zombie Sang by Harlan Ellison and Robert Silverberg; one of the best of the bunch. A skilled musician kept animated after his death to perform, his music technically accurate but not passionate, encounters a live equal as a musician who sees through his charade and pain.
* Passion Play by Nancy Holder; we've been to Oberammerau and seen the Passionspielhaus. I haven't seen the play but the way Ms. Holder describes the event of having zombies in the play portraying Christ crucified on the cross is outstanding. The play has been done since the time of the plague....the plague returns when the zombies are treated inhumanely, even though given the sacrement from a sympathetic priest. Well done.
* Almost the Last Story by Almost the Last Man by Scott Edelman; stories of a writer locked in a library as the world around him deteriorates overrun by zombies.
* How the Day Runs Down by John Langan; the "Our Town" Stage Manager narrates the zombie invasion of the town, and shoots a few zombies of his own. Explanation, characters with stories, a well written parallel.
CheapReview Date: 2008-10-05
An Amazing CompendiumReview Date: 2008-10-14
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When people think of Nineteenth Century Russian Literature as whole, names like Dostoevsky, Pushkin and Chekhov come to mind. "Crime and Punishment", "Eugene Onegin" and "The Cherry Orchard" are works we might randomly associate with the novel, the narrative-poem and the plays of the great Russian masters.
Childhood, Boyhood, and Youth is that work which stands on the periphery, not only of Tolstoy's works but also of Russian literature in general. It feels Russian, the characters are Russians but the influences come from French literature (Rousseau) and Germany (Schiller, Goethe). There is a Bildungsroman element but I wouldn't want to label it a novel of development. There is also something more. Feeling, wonder, innocence, they too appear in the French and Germanic influences but there is also a great deal of sensation (a "novel of sensation"?). Reading this book, I could feel the narrator's home, I could feel his emotions. It is a work that explores the visceral aspects of being young, growing up and trying to find one's way in society.
Tolstoy's work often carry a great philosophical and moral weight. He was heavily influenced by Arthur Schopenhauer and his theories about the "will-to-live" and the endless cravings of "desire". Not only that, he was reading up on the works of the Shakers, their celibacy stance. The Kreuzer Sonata and The Devil are essentially works in which Tolstoy is maddened with lust and morality.
Here, you could say is the lighter Tolstoy, a Tolstoy of impressions, beauty, and tender emotions. There is no moralizing or foreboding, no fear of judgment, no murdering of wives. It is novel that looks forward to Proust in its dreamlike presentation of being young. While reading this book I felt like I disappeared into the child I once was and still am. A true hidden treasure and also the perfect example of how all Russian literature is not necessarily dark and murky.