Shepard Books

I have given two sets of these books away as gifts. I just hope the recipients appreciate them and take good care of them.

Milne's classic children's books are perfectly illustrated by Shepard's clever line drawings. The originals are so superior to the Disney version that they are in a different league altogether. All children should hear the Pooh stories read by a loving adult. And the adult can enjoy Milne's sly humor on a separate plane from the child's appreciation.

The Winnie the Pooh stories are some of the best writing you will ever read. AA Milne has quite possibly the best writing style ever. Unfortunately, the last two books aren't Winnie the Pooh books. They are books of poems (and I really dislike poetry). Some will love that, but I was hoping for more Pooh.

I bought this for my niece, who will be three in January. Still a little old for her, but my sister and brother-in-law are very excited about reading aloud to her!

These books were purchased for grandchildren. I grew up having these read to me, read them all over & over to my own five, and now to the grandchildren.

A. A. Milne uses wonderful language, humor, suspense, making these books and their wisdom last into adulthood - we all have favorite quotes often used to fit specific situations. To this family, they represent the very best childhood literature.

Summary: A comical story of what first appears to be a threatening dragon who the setting's people want to slay. The dragon, however, is of no threat. When St. George is sent to "take care of it" the dragon cowers. When faced with this threat he sullenly, but humorously, replies ". . . Say he can write if he likes, but I can't give him an interview. I am not seeing anybody at present" (page not numbered). The three end fast friends and an uncertain threat is no longer a bother.
The author creates a believable character of a harmless dragon. What usually is portrayed as evil and dangerous, the persona of the dragon generates into a believable story. The twist of the dragon being afraid of St. George adds to the imaginable meaning the writer wants to evolve. Carefully setting the story, the author helps establish the voice of the characters. It evolves into a theme that proves that "things aren't always as they appear."

this is a great kids book. and even i love anything that rhymes. thank you so much.

The original "St. George and the Dragon" story is a frightening tale. Depending on which version you read, the townspeople give the scaly, stinking, vicious, dragon tribute of two sheep per day, and, when they invariably run out of sheep, they begin feeding it their own children. The King is obviously horrified, but what can he do? However, when the lottery selects his own daughter, who should appear but Sir George, (later the patron Saint of England) just in time for the king, if not for the subjects. The daughter worries for his safety, but the knight spears the dragon in its one vulnerable spot, then in a gallant display, borrows the daughter's girdle to drag the wounded dragon down to the town. For his own tribute, George asks only that the citizens become baptized; after this, he cuts off the dragon's head. Not a good ending for the dragon, but then, he wasn't a very nice dragon.

Like others before him, Kenneth Grahame modified this bloody tale for the consumption of the very young, and turned it completely on its head. This dragon would rather sleep than slay, purr than prey, and his true nature is discovered by a tow-headed young boy who gradually becomes friends with the pacifist, poetry-loving beast ("why I wouldn't hurt a fly."). Lay low, he advises him. Naturally, though, St. George arrives, and everyone acts as expected--except for the dragon. He simply refuses to attend his own demise:

"Well, tell him [St. George] to go away," said the dragon. "I'm sure he's not nice. Say he can write if he likes. But I won't see him." The boy, however, understands the underlying social pressures (which echo those of the British class system during Grahame's time) and replies: "But you've got to," said the boy. "You've got to fight him, you know, because he's St. George and you're the dragon."

The dragon, the knight, and the young boy, a person with neither power nor social distinction, make a plan. The plan is simple: Fake it. And so, like one of Vince McMahon's TV "wrestling" matches, St. George and the Dragon have it out, with flames and fury, and, as St. George just barely pierces the dragon in a pre-arranged safe spot. The townspeople, who have brought picnics for the presumed slaughter, were satisfied with the spectacle: "And all the others were happy because there had been a fight, and-well, they didn't need any other reason."

The original story, one of several short studies published in Grahame's "Dream Days" (1898, ten years before Grahame's most famous and beloved work, "The Wind in the Willows") may be found at http://etext.lib.virginia.edu/etcbin/toccer-new2?id=GraDrea.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=7&division=div1. Grahame wrote "The Reluctant Dragon" long at times, and one sees his concerns with religion and nature so evident in the river adventure scene of Wind in the Willows. Inga Moore takes out most of the slower, descriptive narrative (which might be enjoyed by older readers), and focuses instead on the dragon/boy/St. George relationships and the exciting battle. Compare the following excerpts (the first is Grahame's); this is great abridgement except for the inexplicable deletion of the last sentence, a very funny, modernist touch by Graham:

1. Then a cloud of smoke obscured the mouth of the cave, and out of the midst of it the dragon himself, shining, sea-blue, magnificent, pranced splendidly forth; and everybody said, "Oo-oo-oo!" as if he had been a mighty rocket! His scales were glittering, his long spiky tail lashed his sides, his claws tore up the turf and sent it flying high over his back, and smoke and fire incessantly jetted from his angry nostrils. "Oh, well done, dragon!" cried the Boy, excitedly. "Didn't think he had it in him!" he added to himself.
2. Then a cloud of smoke billowed from the mouth of the cave, and out of the midst of it the dragon himself, shining, sea-blue, magnificent, pranced splendidly forth; and everybody said, "Oo-oo-oo!" His scales were glittering, his long spiky tail lashed his sides, his claws tore up the turf and sent it flying high over his back, and smoke and fire jetted from his nostrils. "Oh, well done, dragon!" cried the Boy, excitedly. "Didn't think he had it in him!" he added to himself.

Moore also displays great taste and talent in her beautiful colored pencil and ink drawings. She draws landscapes and houses in a traditional style with meticulous shading and detail, trees show the undertones of illustration from a 1912 publication. The friendly, easygoing dragon is drawn showing an easy confidence and an engaging smile, but he's actor enough to look ferocious when required. He's drawn in one of the most striking shades of blue since the ceramic in the movie "Diva." Overall, Inga Moore honors the original Grahame story while making the story and pictures maximally entertaining for young children. Publisher Candlewick has done it again; this is an extraordinary book.

Fanciful and charming. I enjoyed reading it to my nephew and he loved it too. The artwork is lovely also. I'm looking forward to reading it again, with or without my nephew.

I bought this book for my future child (due Feb 2006) as part of my growing library. I read it through and thought it was cute, if a bit antiquated (what do you expect for a book that was written over 100 years ago?) Basically, a young boy befriends a dragon. When the townsfolk realize the dragon exists, they call upon a champion to vanquish him, blaming the dragon for crimes that he didn't commit. The boy talks to the champion about his friend and they all agree to stage a fight, rather than fight to the death. Once the play fight is over (the champion only gives the dragon a small flesh wound), it is agreed by all that the dragon will not harm anyone and the townsfolk will stop telling lies about the dragon. Nice moral story.

My only problem with the book is that it has been "sensitively abridged". I'm not sure what that means for "The Reluctant Dragon", but my "sensitively abridged" copy of "The Wind in the Willows" (also by Kenneth Graham) edits out silly things like "splashes of whitewash all over his black fur". If the book has to be so politically correct that it can't even refer to the color of an animal's fur, I'm not sure that I really want to associate with the edition. I'd be curious to compare this edition of "The Reluctant Dragon" with the original text now.

This book may not be the best choice for very young children, as it is rather long (it takes about 25 minutes to read aloud), and they might lose interest. I loved this book as a child, and was not disappointed to re-read it as an adult. This tale of mutual understanding and shared compassion and friendship is very satisfying. While bits of it may be a bit tense for some children, the ending is thoroughly uplifting. I highly recommend this book for children who like stories about animals, as well as for anyone who just wants to read a pleasant, well-illustrated story.

I read this book to my inner city 4th graders--the quiet and stillness in the room was magical. As soon as I finished they asked me to read it again. This is absolutely the best read aloud book I have shared with students in my 30+ years as an educator. Why oh why is it out of print?

I enjoyed this book, but I hate to do the homework.

I'm on a mission to collect all of the Warton & Morton books. When I was growing up, I had all of them, first on tape, and later in print. I wore out the whole series listening to and reading them so much. They're very entertaining and wholesome stories that are captivating to young minds. I can't wait to read them to my daughter when she gets a little older.

This is such a sweet, gentle, loving little book.

It's about two brother toads, Morton and Warton, one very stodgy, and the other more of an adventurer. Warton, the braver brother, decides to go out into the snow (toads are supposed to hibernate in winter) to visit his aunt. Almost instantly he is plucked up by an owl who wants to eat him, but decides to save him for a week, to have as a special treat on his birthday. It turns out the owl is lonely and friendless and little by little he is won over by Warton's conversation and small acts of kindness.

On television and in movies, and even in many books, children are constantly exposed to the idea that violence is the solution to almost every problem. I love the fact that in this work, intelligence, kindness, and compassion solve Warton's dilemma.

If you have a child who is just developing enough of an attention span to sit through a chapter book, it's hard to beat this little gem. It's very short, for one thing -- under seventy pages -- which makes it great for restless five or six year olds. And it has just enough danger in it to have small children on the edge of their seats without being too scary. It's cute and funny, and it's message is a great blessing.

It also has lots of sequels, which is a big plus when you're trying to get kids interested in reading more. Unfortunately most of the other Warton and Morton books are out of print, but any reasonable library should have them.

Our book study just completed Miracles Do Happen. It was incredible to see God open hearts and minds to Jesus' healing power. It's written in a simple style but it packs a punch in terms of presenting the Gospel. The son of a friend of our group was diagnosed with a recurrence of a brain tumor, and just like in the book, Sister Briege showed up in our town and was able to pray with him and his family. His prognosis is now quite favorable, praise God. If you want to hear the story of how Jesus still cares about His people, how Jesus is still in the healing business and you need a reason to have hope in Christ, this book is the best choice I've ever seen.

This is a great inspiration to me, though I am not catholic.
Her words are uplifting and healing.

"Miracles Do Happen" is an excellent testimony to the power of faith. Briege Mckenna developed sever arthritis as a young adult, which confined her to a wheel chair. When attending a Catholic Charismatic prayer services, she was miraculously healed. Allegedly, she received a private revelation, in which God asked her to be a healer to others. She debated whether the message was really from God, as she was a member of a contemplative community, but after a period of discernment and a series of signs, she lost all doubt.

"Miracles do Happen" is an autobiography of Sr. Briege's healing ministry. She prays for people and many have been healed of spiritual and physical pains and diseases. The book is full of stories and photos of people, whom she has encountered during her journey and many of whom were healed by prayers. It is easy to be skeptical of spiritual healers today, but unlike many charlatans in the field, Sr. Briege does not accept money or promote products or methodology for financial gains. The book is great for renewing faith in prayer, and offers much guidance and learning to discern God's voice in your life through prayer. Sr.Briege herself spends an estimated two-three hours in prayer each day, and write about the types of Christian spiritual practices which have been spiritually edifying for her.

This is a simple book about the role that prayer and faith has played in her life, and in the lives of others whom she has had the fortune to know, during her religious life and is not bogged down in theological explanations or issues related to debatable doctrines. It is written simply as an intimate conversation, as often is the case of works from saints, and when one reads it one has to wonder if they are living in a very special life time of a woman who might be recognized as a saint in the future.

This is a wonderful book. We often need to remind ourselves about the present of our Lord Jesus Christ in our daily lives, and Sr. McKenna has done a wonderful job of doing so. Buy, read and believe...

This is the story of how Sister Breige McKenna became a healer of human bodies and human souls. She herself had a instantaneous healing from Rhematoid Arthritis. Because of this book I sought out her phone number and upon hearing a healing prayer over the phone, I was healed spiritually. I have never been the same and I thank God for it! Buy this, you won't regret it!!!

American playwrights aren't good at creating a career of playwriting. Why, I can't say. They write dynamically for a given period and then off they go into putting the holy bible on stage or some such epic. They become mystics, like Allen Ginsberg. Shepard wrote plays for a while and then, I think, Hollywood put the zap on him and he was gone. His occasional pieces today are weak imitations of his former self. Money and fame may be responsible. Who knows? Here gathered in a single anthology are the key works, on which his life's reputation rests. "True West" sets the stage: we have real dramatic conflict, exciting dialog (of the sort last heard in Albee's "Zoo Story"), and high theatricality. The rest of the anthology is well worth reading, but for my money Shepard wrote a fine short play but his long and longer pieces are less interesting. Shepard has said in interviews that he sees plays as an outlet for ideas. The problem as I see it is that he has none.

I like to call this collection Best of Shepard Vol. 1. This collection belongs in any actors collection. Sam Shepard is a true, unique American voice. His eccentric characters, sparse writing and classic plays. I've seen "Buried Child" on-Broadway and scenes from "Buried Child", "Curse of the Starving Class", "Savage Love" and "True West" in countless acting classes. One of America's greatest writers.

This collection of plays is extraordinary. Shepard threads tales of cartoonlike characters bound by the direst of circumstances excellently.

The basic text of the most exciting playwright of recent decades. The place to start when discovering the American drama as reader, actor, or teacher!

11th grade English Essay
Phillips Academy, Andover

"True West"

The play is about the struggle between modern society and more traditional ways of life. Lee and Austin represent two disconnected brothers with drastically different upbringings who have come to accept different norms. Against the growth of the city and the suburb, their spirit of the Wild West, though diminished, still exists. They steal and fight just like cowboys and highway robbers. Yet, both Lee and Austin are scared and frustrated. Lee doesn't know if he should try to blend into the new ways, and Austin doesn't know if he should go back to the old ways. And this play about two writers writing about the West is in itself a Western story. It has all the excitement and violence of a rider's life.

Who else would steal a dozen toasters and TVs? Austin and Lee were lawless and wild, daring enough to do anything. Austin's car is like a horse, and driving out is like going for a raid. "Lee enters abruptly into kitchen carrying a stolen TV set." The sentence has such an air of ease as if Lee entered with a Shopping bag. Stealing is no more than a normal part of Lee's life. He lives off of it, like those high-way riders who plunder by-passers in the old days. The wholesale raid of the toasters shows the wilder side of Austin." It was toasters you challenged me to. Only toasters. I ignored other temptation." He says to Lee after the thievery. These words make Austin sound like a warrior who has just beaten his rival in some major battle. The only irony is that the major battle was about stealing a dozen toasters. Austin is bragging about his lawlessness, and that is a very cowboy thing to do. Not only are these brothers such "professional" thief, they also are more than violent. From Lee "ax-chops(ing) at the typewriter using a nine-iron" to Austin trying to choke his brother with a telephone cord while their mom is standing on the side. It is hard to get worse than that. It is like a misplaced scene from a Old Western movie. Not only do these pair of thief like to kill each other, they also have that independence and individualism that Western heroic images render so forcefully. On top of living on the desert by himself, Lee also says "I don't sleep." , and does not seem to eat breakfast. "Do you Eat Breakfast?" "Look, don't worry about me pal. I can take care of myself." When Austin asks him if he needs any help with money, "Lee suddenly lungs at Austin, grabs him violently by the shirt and shakes him with tremendous power." Lee wants money, but he is going to get it by himself, not through his little brother. Lawless, violent, and independent, Lee and Austin are depicted in the play as the "True Western Heroes" borne at a wrong time. This, however, is only the first layer of the play. It makes the story entertaining, but not meaningful.

"Yappin' their fool heads off. They don't yap like that on the desert. They howl. These are city coyotes here." The deeper meaning of the play is about the difference between the city "coyotes" and the country "coyotes". The country "coyote", Lee, is older, lives on a desert, use to catch snakes, and uneducated. The city "coyote", Austin, is younger, writes screen plays, does not remember having ever caught snakes, and has an Ivy League education. The brothers grew up together, but went onto totally different paths of life. But they don't merely represent two disgruntled brothers, but the struggle between the different ways of life. In Austin's eyes, the place where they used to live is "built up", but in Lee's eyes, the place has been "wiped out". But the struggle is not that simple. At the same time of feeling deep nostalgia, and refusing to adapt to the new way with help from his brother, because "it is too cold up there." , Lee also says the new houses that he saw were "like a paradise" with "Blonde people movin' in and outa' the rooms." Lee is deeply rooted in the old way of life and very unprepared socially and mentally for anything other than roaming around and stealing things. He likes comfort like anyone else, but the life of those living in those houses is like "paradise". They are far and aloft, and are not in his reach. Lee wants to write something to change his life, and Austin tells him that he can really turn things around and buy a ranch. Lee's excitement was obvious, " (laughs) A ranch? I could get a ranch?" We can see that it is very clear that even when Lee tries to change, he is only trying to change back to the old ways. Austin at the end of the play suddenly made a deal with Lee asking his brother to bring him to the desert. This shows the conflict at the other end of spectrum. Austin has more money, and has a seemingly good life. But is he really happy? Is his frustration with life any less than Lee's? No. The society that he has so well adapted to is of little comfort to him. He tries for years to get a screenplay to production, but at the whim of an executive, the deal goes to his brother. Austin is frustrated, and though he types betters, suffers as much. Lee asks Austin "maybe we're too intelligent..... One of us has even got a Ivy League Diploma. Now that means somethin' don't it?" But no, it doesn't mean as much as it seems.

The truth is, the old West as it was disappeared long ago. It is no longer filled with rugged mountains, uncharted rivers, cowboy hats, and one does not have the freedom to roam around for thousands of miles with only wild animals as his companion anymore. The untamed natural world went away a hundred years ago with the railroads, and has been changing even more ever since. It is sad to see the past go by for those who grew up as a part of it. Faced with new situations, some of these people try to adapt, some have no chance to adapt, and some don't even want to adapt. And for those who have adapted, they wonder if the decision to change in the first place was valid after all. They wonder if they should go back. That poor Lee had no chance to adapt. He was left out by progresses, and envies dearly the seemingly much more comfortable life that others have. Austin at the same time is in the mainstream of modern life, but he is just as troubled and depressed by commercialism. However, within all these confusions and fightings, all these differences and changes, there is something that has always stayed the same, and that is the true spirit of the West, the "True West". The motivation for people to go to the West in the first place is also the motivation that made the world more modernized. The struggles that the first settlers of the West faced were no different from the struggles that people now face as they move into new ways of life. That spirit is not limited to time nor place, it is about the fundamental human eagerness for new and for more, and at the same time, the unquenchable ties to the past.

This book was absolutely wonderful. I was so pulled into it with the characters and the writing. I would highly recommend this book to anyone. A+++++++

I'm always looking for a good book -- one that takes me somewhere else; one that has intrigue. This one does it and more. I look forward to more from this author.

Mr.DeCure's "Reef Dance" is a stand-up story which takes the reader through a gamut of human emotion - deception, love, abandonment, anger, and fear. In the forum of a child dependancy court, contrasted with the uncertain ride of the surfer, the protagonist of "Reef Dance," J Sheppard, carries the reader through his life's tulmultuous series of waves, both literally at the beach, and figuratively through the heart-breaking stories of a Los Angeles child dependancy case, and his personal story of early abandonment by his mother, which eternally haunts him. The character of J Sheppard gives the reader a first-hand look at what abandonment and deception can do to the human spirt, and how these emotional blows exacerbate J's emotional carnage. "Reef Dance" is a compelling story which insists that the reader stay till the end to learn the outcome. Mr. DeCure's use of the adjective and his colorful descriptions thrust the reader into the settings themselves, making the story all the more interesting and cohesive. A very good read!

Mr. DeCure has done an extraordinary job of mixing the maturity of working a high energy job while maintaining the love of the surf. This is a must read by anybody who loves the surf but does not share the stereotypical "surf bum" attitude toward life and values.

Mr.DeCure's "Reef Dance" is a stand-up story which takes the reader through a gamut of human emotion - deception, love, abandonment, anger, and fear. In the forum of a child dependancy court, contrasted with the uncertain ride of the surfer, the protagonist of "Reef Dance," J Sheppard, carries the reader through his life's tulmultuous series of waves, both literally at the beach, and figuratively through the heart-breaking stories of a Los Angeles child dependancy case, and his personal story of early abandonment by his mother, which eternally haunts him. The character of J Sheppard gives the reader a first-hand look at what abandonment and deception can do to the human spirt, and how these emotional blows exacerbate J's emotional carnage. "Reef Dance" is a compelling story which insists that the reader stay till the end to learn the outcome. Mr. DeCure's use of the adjective and his colorful descriptions thrust the reader into the settings themselves, making the story all the more interesting and cohesive. A very good read!

The irony here is that neither Woodward nor Bernstein would speak with the author, despite having made millionaires out of themselves over the past 30-plus years by insinuating themselves into other peoples' lives and putting everything they've ever been told by anyone about anyone else between book covers. A bit of a double standard. Still, this look at how Watergate affected these two reporters is an engrossing read and a first class research job. Many many intriguing revelations for anyone who follows journalism and those who still like to read about the Watergate scandal. It's all tied up with a red bow because of the revelation in 2005 that Deep Throat was former FBI official Mark Felt, a secret that Woodstein kept religiously for three decades. Woodward's latest books on Bush are a bit boring, but that doesn't come across here. His Belushi expose remains his best, but this book points out that Woodward never again went outside politics in his reporting. Too bad. He should.

A MUST-READ FOR WATERGATE JUNKIES! We have all followed Woodward and Bernstein's careers through newspaper articles and the occa¬sional TV interview. Now Alicia Shepard has gathered all those data into a book about what Watergate did for them...and to them. It is a fascinating tale of young reporters who got sudden fame and fortune early in their lives, and how Woodward prospered while Bernstein foundered.
Shepard had access to their entire Watergate archives, and my only criticism of the book is its liberal quotations of that material. When "letters and telegrams" pour in from all over the country to them, it is not necessary to quote from so many. It slows down the narrative and you will find yourself skipping over most of these repetitive passages. All in all, it is a 266 page book that would have a much easier read at about 225. But if you love Water¬gate and all that came in its wake, pick up this book and read about how it careened the careers of these little reports to un¬known heights and depths.

When the five burglars bungled their bugging mission at the Watergate in June of 1972, they unwittingly changed not only our country's political history, but its journalistic one as well. Alicia Shepard has masterfully chronicled the successes and struggles, both professional and personal, of Bob Woodward and Carl Bernstein, the men who blew the lid off Watergate, in this informative and enjoyable book. She recounts their investigation of the scandal, illuminating a new perspective through extensive interviews with their editors. She pulls no punches in exposing their triumphs and their failures in the ensuring three decades, in their reporting, their marriages, and even their relationship with each other. The result is an eminently readable book that will leave you feeling as if you have finally gotten the inside scoop on the men whose names are synonymous with Watergate.

Alicia C. Shepard has written what should become the definitive biography of Bob Woodward and Carl Bernstein. Her book is scholarly without being pedantic and revelatory without being salacious. She skillfully shows how Watergate affected not only history, but journalism, and the lives of the two young men who doggedly pursued the truth. This book is must reading for anyone who wants to become a journalist, or who cares about what journalists do.

John DeDakis
CNN Senior Copy Editor, "The Situation Room"
Author, FAST TRACK
[...]

This book is a terrific explanation of the Kismet that brought Woodward and Bernstein together with the fortunate, and rare, backing of a committed publisher to chronicle truth in the midst of near-battlefield conditions. Read it and be amazed that it happened. Read it and be proud of journalism, many members of Congress, our courts and citizens reading, watching, and caring that our government, not politics, carried the day. It's so interestingly written that it shoved aside all the rest of the books on my "must read" pile.

Shephard created a book satiated with texture, woven in embroidery of dyes and rituals. In African Accents, the author shares with us her stories through textiles. She recreates African accents for readers who have formerly collected pieces of cultural tradition and for the newly converted. Scanning through the craft section of any bookstore, one could notice a scarcity of African crafts, house style, and decorating books. With this book, Shephard undertakes a worthy task. The author's time spent in Senegal piqued her already flourishing interest in African design. Shephard prefaces each chapter with anecdotes, the significance of fiber technique, and facts about the fabrics used for the easy to follow hand-made crafts she shares later in the book. The author separates the fabric regionally and explains the social and rich cultural aspects tied into the various designs and processes.
The first part of the book is devoted to recreating the essence of each separate style of fabric, (that is, if you choose to). Some fabric recreations are simple and others are intricate including embroidery and weaving. Shephard cautions that replicating the fabric does not replace the real thing, but could rather deepen one's appreciation for the years of apprenticeship. In reproducing the designs on the fabrics, the book includes actual sized symbols with their meaning. Some of the Ashanti designs on the fabrics, the author indicates, are the equivalent of the European family crest.
In part two of the book the chapters are devoted to each room of your home and the art of gift giving. Secrets and tricks are provided to lend your pillows, clocks and picture frames the professional touch. There is certainly no limitation of "how to" procedures. I tried a few myself and although the suggestion of the staple gun for the kente stool fell short of my expectation (probably the gun itself) I pulled out the old hammer and nail and my stool looked unfailingly as Shephard had promised. Some of the crafts, if you were not handy with a sewing machine would be better left to the local tailor. Yet, there was a time when a sewing machine was a staple in most family's homes. The art of sewing and the practicality of its uses have been forgotten. But if sewing seems impossible for you, Shephard happily offers other easy alternatives.
This is a consummate reason for a recommendation of this slim book to be on the shelves of all art leagues. The book makes it apparent that Spanish and French artists popular in the 19th and 20th centuries have gained much of their appeal with the use of African art infused with their own. Shephard's passion for the continent exudes throughout the book, aquatinting the reader with crafts and fabric otherwise inaccessible. It is a craft-book du nouveau, a comprehensive history lesson, and a full color tabletop book. It is a significant forefront of a happily growing movement. Through this thoughtful undertaking the beauty of the textiles, that have been admired and used for years, could now have intimate meanings and representations. Choosing that kente, Kuba or mudcloth after reading Shephard's book will add new substance to its use.

Yasmain Broady-Soya...

African Accents by Lisa Shepard is more than just another book with homey decorator projects for the Do-It-Yourselfer. As Shepard makes clear in her introduction, her passion for genuine African fabrics is based on admiration for their strong colors and designs coupled an educated appreciation for the craftsmanship that goes into their creation.

Since she recognizes that collection of these beautiful fabrics may well be beyond the reach of the average pocketbook, she sets out to teach us how to duplicate the look with affordable materials and then provides detailed instructions for sophisticated decorating projects that are reasonably easy to accomplish.

Make your own stamps with potatoes, compressed sponges or rubber stamps to get the look of Adinkra cloth. Shepard provides over 20 different Adinkra symbols to copy together with their African names and meanings.

Choose from over a dozen images to create unique Korhogo designs (and I dare you to resist trying the panels and floor cloth projects in the book). Try mudcloth, Kuba cloth or Kasaii velvet.

The instructions are clear and the power of the designs would enhance just about any room in your home or office.

They would also be fairly easy for a school group or Scout troop to teach children about the strength and beauty of the cultures they represent. I can easily imagine a group of kids having a good time creating Adinkra stamps at a children's birthday party.

Shepard expresses the hope that working on the projects will increase the readers appreciation for the real thing. A quick glance through this lovely book will convince you.

This was exactly what I was searching for...beautiful, inspiring photos of projects that you can easily do for yourself. If has great graphic designs you can copy and use for stenciling, stamping, etc. Loved the cardboard spear and the textiles.

I must have bought 10 other books on exotic decor, ethnic decor and this is the only one that really thrilled me.

I enjoyed lisa's book but I'm not much of a craftsperson. I love african style, and came away with some good ideas. Some of these projects require more than I am willing to give. I'm into simplistic projects that look like there was alot of effort. The projects range from easy to not so easy. The are some good internet sources but some of them are no longer avalible. I have not attempted any of the crafts in the book but I'm looking foreward to Lisa's next release (coming out in October). I think her next release may be what I'm looking for.

Ms. Shepard's knowledge and appreciation for African textiles and crafts is shown with style throughout this book. The craft instructions are clear and easy to follow (even for a novice craftsperson like myself!) The photographs are terrific also, they act as real motivators to try some of these great decorating ideas. How refreshing to see a crafts and decorating book with culturally diverse appeal!

When I went to introduce my preschooler to Winnie-the-Pooh, I bought the big book with the complete stories and poems. It didn't take long for me to figure out that it wasn't quite right for my 3-year-old. Reading a story out of the original works takes a good 15-20 minutes, which is more than one can really expect from a preschooler or toddler. Also, the original Pooh is a bit like Sesame Street, in that there are phrases and indeed entire sections of the stories that adults will find amusing but which will just go over a child's head.

And yet, I didn't want to break down and go the route of the Disney-fied Pooh books, with their cartoonish illustrations and watered-down plots and characters.

That's why I was so pleased to find the Easy-to-Read series. There are six easy-to-read titles from two publishers. They are:

Winnie-the-Pooh and Some Bees
Pooh Goes Visiting
Eeyore Has a Birthday
Tigger Comes to the Forest
Christopher Robin Leads an Expedition
Pooh Invents a New Game

Each book is based on one chapter from the complete works. These little books are divided into four chapters, although it should be no problem to read one from start to finish in one sitting.

The print is large and well spaced, and there are ample illustrations (the original drawings by E.H. Shepard) on every page spread to keep little eyes engaged in the story. Most important, the editor has removed most of the passages that aren't so kid friendly and has simplified the stories without giving them a Disney style candy coating. One could read the original story and then the easy-to-read version and get the same basic plot; when going from the Milne works to the Disney versions, the same is certainly not true.

I didn't give these books five stars because the editor retained some language and dialogue that may be a bit confusing for children in the intended age range. Nevertheless, these books are a wonderful introduction to a classic cast of characters for the preschool set.

This is our very first book on tape. My son is five and listened intently to every word. I can't wait to go on vacation and have him listen while we are in the car for 4 hours. The reader is very clear speaking. I am not able to talk while this is playing because my son really wants to listen to it. He loves to be read to. I wish I would have discovered this sooner!

What a refreshing change to hear Pooh in his native tongue! I am a great fan of Disney movies but Pooh is something special in this wonderful audio version of the timeless stories. My 5 year old listens to this tape all the time!

My 3 1/2 year-old son and I absolutely love this cassette on a number of levels! The acting is great: lively without being over-the-top, convincing without being melodramatic. The cast brings out the humor of Milne's writing beautifully. I have to admit that I was not a Milne fan before purchasing this; I just didn't 'get' it. After listening to this cassette, I realized why: Winnie the Pooh is marketed here in the U.S. as an early childhood character/series. But it's not. The stories, the humor, the characters, and the language all are aimed at children about the age of Christoper Robin, who must be atleast 5, *and* at their parents. Ie there are elements that a child would never get, but I do, and so both my preschooler and I understand at our levels. Other fantastic aspects: great sound quality, sound effects, choice of stories. One point: Because of the British accents and idioms, this products works best for a patient and interested child. Also, for the preschooler (such as mine), it required that I listen with him the first few times until he understood the storyline well enough to follow without me. But don't let this discourage you. From the start, my child enjoyed the different voices (especially piglet) and sound effects. The subtlety only means that he doesn't get bored with it -- after even the 30th time.

This little book is an exact reproduction of Chapter 2 in the original book, Winnie-the-Pooh by A.A. Milne, with illustrations by Shephard. All the charm of the original, in a perfect size for reading to littler kids, who can feel satisfied at having been read "the whole story."

This little book is part of a series of 10 such Pooh books published by Dutton.

I found this book around the house, no idea who bought it or when, and read it over the last week in bits before falling asleep, or waiting in the car, then finishing the last 100 pages this afternoon.

Sam Shepard tells the kind of stories we all wish we had experienced - acting in movies, serious action, funny exploits, deep emotions. Lots of surprising twists, the narrator often detaches himself from the callow preoccupations of lesser mortals.

The brevity of some of the tales and the lack of continuity are offset by the continuing exposure of novel incidents and thoughts. It reminded me of sitting in front of a TV and flipping through the channels.

It was good enough that I ordered more Shepard writing from Amazon.

Through Cruising Paradise the voice of Sam Shepard kept me company during a week or two. I read his fragmented stories before falling asleep and felt at ease. I think it's the way he uses the language; lucid, clear, to the point, intense. The language flows and takes you to the images of endless roads, wide open spaces and the people who live there or just drive through it . You can feel the heat, you can hear the conversations, while all the time, in the back of your head Shepards voice leads you. He doesn't describe the situations in very much detail, he just lets the people talk, or think and that's enough. Wonderful experience. I believe it is the art of leaving out, to show what's there, in language and in imagery. Hope to find this again.

What can I say! This is simply the best book I've ever read! Shepard's short stories strike you right in the hart in a way other authors only can dream about. Who can for example ever forget about the boy with his drunken father in the desert, or the actor who travels by car from L.A. down to the djungles of Mexico? No other author I have read have so completly spellbound me before, and I have read all of the so called great authors. One can only hope that the Nobel foundation discovers the greatness in Shepard.

Cruising Paradise is a lean muscular book. The writing is sometimes brutal and always powerful. His writing is reminiscent of Hemingway and Jim Harrison, but with a Southwestern flair and a stronger sense of immediacy. It is not the plots or so much the characters in the story that drive the book, but the sense of movement and restlessness in the stories peppered with stoicism that make his stories so interesting. His stories seem to be autobiographical, even those he clearly passes off as fiction. Recommended stories in the book are Nuevo Mundo, A Small Company of Friends, and Cruising Paradise. If you are sick of reading books that seemed contrived or cliche' give this one a look.

While reading this book, I had to stop more than a few times either to catch my breath or close my eyes and let what I just read sink in. I grew up down on the Mexican border, and Shepard's descriptions of events in that part of the world rang true, and were written in a terse manner, as is appropriate for the setting and characters. Brilliant.