Scott Books

Appeared in Sing Out! the Folk Music Magazine, June, 2003 by Rich Warren
Scott Alarik is arguably the finest contemporary journalist covering the folk community. Alarik begins with a succinct, well-reasoned definition of folk in his introduction and moves on. (He considers the word 'folk' to include the contemporary aspect of the music, and prefers using 'traditional' or 'traditional folk music' when describing the older music.) For this book, Alarik has collected more than 300 columns primarily written for the Boston Globe (along with a few written for these pages) over more than a decade; from Dave Carter and Tracy Grammer in September 1991 to The Mammals in August 2002. As a performer himself, Scott brings considerable knowledge to the table, knowing what questions to ask and how to approach his subjects. You'll find conversations with Dar Williams, Pete Seeger, Gordon Bok, Hankus Netsky of the Klezmer Conservatory Band, a good number of Irish artists and even Patricia Monteith, station manager at WUMB. However, unlike some others writing about the community, Scott is objective without an axe to grind or a chip on his shoulder. He handles the descriptive prose and invites the artists to do the talking. While Scott removed dated references, the book does read like a collection of columns, often ending abruptly. As a newspaper writer myself, I know the brick wall of column length limitations. Many times I wished the short pieces were longer with a more graceful flow. One very distracting newspaper style element is putting one quote in each piece in large type, about 10-points larger than the body text. Obviously, the book is Boston oriented, but that should not lessen enjoyment for readers in Omaha or Sacramento. Sadly for researchers, the book is not indexed. The sub-title, Adventures in the Modern Folk Underground, captures the essence of this book. It is rich with nuggets of intelligence and insight. Scott gives us the stories behind the songs, the singers and the music. He covers a multitude of subjects, with many artists turning up in more than one chapter. Even if you never read a word, the scores of Robert Corwin's black and white photos are worth the price of admission. Corwin's lens brings to light whatever soul Alarik might miss with words. While some interest in the folk community is likely a prerequisite to an interest in this book, others would do well to understand that, in a broader sense, the folk community is a microcosm of the larger music community. There's a lot to learn here. If someone approached me wanting to know more about this music that I love so dearly, I would buy that friend a copy of Deep Community.

Author, songwriter, and folksinger Scott Alarik is fully qualified to document the current U.S. Folk Scene. His new book, Deep Community: Adventures in the Modern Folk Underground (2003), is comprised of articles he has written between 1990 and 2002 for the Boston Globe newspaper and Sing Out! The Folk Music Magazine. Black & white photographs by the noted music photographer, Robert Corwin, add immediacy and drama. Published by Ellis Paul manager Ralph Jaccodine's Black Wolf Press, Deep Community is comprehensive in scope, detailed in its appraisal, and accurately researched. There are illuminating interviews and articles here about older generation performers, musicians of every stripe, from traditional to pop, including Celtic, Klezmer, bluegrass, old timey, new acoustic, cowboy, blues, and songwriters, some Music Industry acts as well as grass roots & DYI performers, the New England dance community, managers, agents, record producers & labels, coffeehouses & commercial venues, festivals, concert promoters, folk radio, folk arts & educational organizations, and, of course, today's hottest young stars, all presented up-close & personal. Mr. Alarik writes from a valuable three-pronged perspective: his Boston Globe pieces are tailored for broad readership, his Sing Out! articles for a targeted folk music audience, and all are informed by his many years as a professional folk performer. Throughout the book, his extensive knowledge of folk music, its values, and its value to the culture is obvious. Mr. Alarik writes with insight, humor, curiosity, and profound respect for his subject. This is a fascinating, intelligent, and imminently readable book presenting ideas & perspectives that resonate far beyond the boundaries of the folk world. My only complaint is the lack of an index.

Appeared in Sing Out! the Folk Music Magazine, June, 2003 by Rich Warren
Scott Alarik is arguably the finest contemporary journalist covering the folk community. Alarik begins with a succinct, well-reasoned definition of folk in his introduction and moves on. (He considers the word 'folk' to include the contemporary aspect of the music, and prefers using 'traditional' or 'traditional folk music' when describing the older music.) For this book, Alarik has collected more than 300 columns primarily written for the Boston Globe (along with a few written for these pages) over more than a decade; from Dave Carter and Tracy Grammer in September 1991 to The Mammals in August 2002. As a performer himself, Scott brings considerable knowledge to the table, knowing what questions to ask and how to approach his subjects. You'll find conversations with Dar Williams, Pete Seeger, Gordon Bok, Hankus Netsky of the Klezmer Conservatory Band, a good number of Irish artists and even Patricia Monteith, station manager at WUMB. However, unlike some others writing about the community, Scott is objective without an axe to grind or a chip on his shoulder. He handles the descriptive prose and invites the artists to do the talking. While Scott removed dated references, the book does read like a collection of columns, often ending abruptly. As a newspaper writer myself, I know the brick wall of column length limitations. Many times I wished the short pieces were longer with a more graceful flow. One very distracting newspaper style element is putting one quote in each piece in large type, about 10-points larger than the body text. Obviously, the book is Boston oriented, but that should not lessen enjoyment for readers in Omaha or Sacramento. Sadly for researchers, the book is not indexed. The sub-title, Adventures in the Modern Folk Underground, captures the essence of this book. It is rich with nuggets of intelligence and insight. Scott gives us the stories behind the songs, the singers and the music. He covers a multitude of subjects, with many artists turning up in more than one chapter. Even if you never read a word, the scores of Robert Corwin's black and white photos are worth the price of admission. Corwin's lens brings to light whatever soul Alarik might miss with words. While some interest in the folk community is likely a prerequisite to an interest in this book, others would do well to understand that, in a broader sense, the folk community is a microcosm of the larger music community. There's a lot to learn here. If someone approached me wanting to know more about this music that I love so dearly, I would buy that friend a copy of Deep Community.

Library Journal
Alarik, folk writer for the Boston Globe and music critic for National Public Radio's Here and Now program, has compiled nearly 125 of his brief articles to capture the spirit and substance of folk music at the turn of the 20th century. Initially published in Sing Out!, the Boston Globe, and Folk Music Magazine, these sketches portray a wide range of folkies, including the well known (e.g., Joan Baez, Pete Seeger, Judy Collins, and Emmylou Harris), the seasoned veterans (e.g., Utah Phillips and Ronnie Gilbert), the up-and-comers (e.g., Bill Morrissey, Dar Williams, Greg Brown, and Chris Smither), the relatively obscure (e.g., Jerry O'Sullivan, Natalie MacMaster, and Aine Minogue), and important folk entrepreneurs (e.g., Chris Strachwitz and Ralph Jaccodine). Though focusing on singer-songwriters and the sounds of his home base of Boston, the author defines the folk genre to cover a broad expanse of musical styles, including Celtic music, bluegrass, country dance, acoustic blues, the women's music movement, and the Latin revival. He emphasizes such themes as the crippling effects of the fickle music business, the potential of the Internet for folk, the importance of tradition, the definition of folk music, gender in folk, and the sense of community engendered by folk artists. Fascinating, informative, well written, and enhanced by Corwin's photos, this book offers an essential primer to the continuing folk revival that first blossomed during the 1980s. Highly recommended to anyone remotely interested in American music, folk, and the music industry.-Dave Szatmary, Univ. of Washington, Seattle Copyright 2003 Reed Business Information.

CORRECTED REVEIW:

DEEP COMMUNITY by Scott Alarik
July 15, 2003

Reviewer: Susan E. Naiman-Pascar (see more about me) from Lynn, MA United States
"Deep Community," authored by Scott Alarik, is an incredibly insightful, exquisitely written and well put-together book, a patchwork quilt woven of stories and reviews about the modern folk genre and the music that comes out of a music community segregated (Thank goodness!) from the mainstream of the pop music culture. It has always been so, and as most mainstream music trends have been born and died, folkmusic stays ever-bouyant and followed by its loyal fans. It has evolved to include ancient, traditional, topical, blues, and merging new styles of music such as "Afro-Celtic." "Deep Community" is a DEEP examination and look inside the hearts and minds of the artists, songwriters, singers and musicians who create this music and perform it.
I have been a "folkie" since I attended my first Newport Folk Festival in the summer of 1963, entered art school in Boston that same September and Harvard Square became my "hangout." I became a member of Club 47 on Palmer Street just outside the Square and was a regular attendee every Friday and Saturday night until the club closed its doors in October of 1968. The club opened again a few years later, has changed hands several times and is presently a strong and ongoing folk establishment now known as Club Passim.
Once again I am proud to be a member and recently attended a book release and music night the club hosted for Scott's book. Present were Ellis Paul, Vance Gilbert, Robbie O'Connell, Catie Curtis, Aoife O'Donovan and Aine Minogue. To start off the evening, and between the two sets by all of the performers, Scott read exerpts about each one from his book. It has to be one of the best evenings of folkmusic I've ever attended.
Like that evening, "Deep Community" is a collection of reviews I've been reading for many years from Scott's career as Boston Globe's folk critic. The artists run the genres from Pete Seeger, Tom Rush, Judy Collins, Bill Morrissey, Joan Baez and Utah Phillips to newer and younger artists such as Ellis Paul, Vance Gilbert, Dar Williams, John Gorka, Eddie from Ohio, Christine Lavin, Richard Shindell, Patty Larkin, Dave Carter and Tracy Grammer, just to name a few.
Aside from Scott's individual, truthful, creative and unrepetitious reviews, the artists' thoughts and feelings about their reasons for being folk performers, their love of the music, and their dedication to preserving and keeping folkmusic alive are interspersed throughout the book. The book is written from Scott's own experience as a folk performer and his perspective as a gifted writer. I don't want to say too many specifics or make too many references because I want you to buy the book, read it for yourself, and see why it should be an important and integral part of your folk library.
Along with Paul Stookey's and Geoff Bartley's reviews, and artists I've personally had the good fortune with whom to discuss Scott's book, I feel there isn't enough to be said about what a folk masterpiece and fitting tribute "Deep Community" is to a medium I hold passionately to my heart and to the man who wrote it. Thank you, Scott!!!

PS.....By the way, Scott is also a talented and diversified singer/songwriter and musician in his own right. If you have a chance and he's playing in your area, be sure to catch his show. Though he often performs on his own, he also has a wonderful and unselfish habit of doing shows that showcase and expose to us folk fans several new and gifted performers on stage within one evening's entertainment.

This book adds more to mix than found in the earlier Delta Green Book and will expand the RPG experience further. I would highly recommend buying this book after getting the core book for Delta Green. Expands the conspiracies outside of the United States in both enemies and allies. Much more disturbing than the groups in the original Delta Green book and adds different plot angles. Very well written and compelling. A must have the Delta Green enthusiast

This product is awesome, but i don't receive form amazon, i buy from others sellers because the delay of order.

This order be canceled.

If Delta Green is the Best RPG suppliment ever, then this is Number 2. You get more bang for the buck out of this book for $40 than you do in 4 $20 books. It's very well written and is a great read as well. It is how a RPG SHOULD be written.
If you're a Call of Cthulhu gamer, then this book is a MUST! If you like horror, X-Files, etc...then check it out.

If you already have Delta Green, Countdown should be your next purchase (if you don't have Delta Green, BUY IT!!!). Countdown adds write-ups for PISCES (Britain), GRU SV-8 (Russia), The Skoptsi, The Outlook Group, Phenomen-X, Keepers of the Faith (Ghouls), and a new look at The Hastur Mythos. Add rules for the Gift (Psychic Powers) and international templates from all over the world and you have a book that would be cheap at twice the price!!

Pagan Publishing has done it again!!!

Well worth the seemingly hefty price. In addition to containing source material that benefits *any* modern-day game (e.g. details on international law-enforcement agencies), it includes expansions on things alluded to in the main Delta Green book, such as the Army of the Third Eye, and new icky horrors like the Skoptsi.

There is also wonderful information on ghoul society and on the "King in Yellow"/Hastur mythos, concluding with "Night Floors," which is in my opinion one of the best damn adventures ever written.

"Disabled and Challenged" is a well-written personal account of Terry's successful struggle with a severe disability. As Terry and Dr. Cohen so aptly put it, Terry is a person with a disability, not a disabled person. Terry's medical problems do not define "who he is", but rather, Terry defines who he is by how he deals with his disabilites and, like all of us, seeks fulfillment and happiness in life. A great read, I couldn't put it down.
Gerald M. Groe, Ph.D.

This is one of the greatest resources regarding MMD that we have found so far. Hearing Terry's challenges and his positive attitude about the cards he has been dealt have been a great inspiration to myself and my son, who also has MMD. Terry's positive attitude and ability to always find the good in every situation really encourages my son, and would appeal to anyone with any type of disability. We would be interested in any future books the author may write as well. This book is very easy to read and understand as well. We have read it many times.

This book brings courage, heart and wisdom to living with disabilities and challenge' and reminds everyone to do so with their own lives. Terry shares his story, his thinking, and feelings profoundly and so offers a real perspective on what impacts disabilities may have. And his strategies, realistic thinking, and commitment to live his dream are inspiring. A great collaboration of father and son.

I am a kid living with a disability. I am learning how to deal with it. This book showed me that when I am tired, it is ok to stop and rest.

As a teacher and a tutor of challenged students, I feel as if many of my questions have been answered. I have always made an effort to walk in the footsteps of my students ,and the Cohen Family has invited me to do so in DISABLED & CHALLENGED .I applaud you for your sincere honesty in sharing the rewards and challenges of your lives. I highly recommend this deep and heartfelt book .It is a gift to be shared among all .My sincere thanks and hopes that one day we will meet . YOU Terry Cohen, use your abilities to the fullest . One day ,I will shake your hand !
Sincerely, Judie Curry

Not being unfamiliar with the corruption so heavily pertinent in our so called "War on Drugs" it was a pleasant surprise to find new things in this book that I didn't know before. I do disagree with what they feel an "adict" is, but that doesn't change that this is a very telling and touching little story. I ordered it so I could lend it to friends who are really just too damn lazy to read a full book and I figured if pictures were involved they just might find it o.k, I recommend it to anyone in 6th grade and above with any amount of knowledge on the topic.

"A Drug War Carol" may seem derivative at first blush, but it is a unique and entertaining vehicle that skillfully introduces the basic history of our misguided national crusade against drugs. It is also a good, non-exhaustive primer for those already familiar with the underlying policy debate.

The famous Dickens story is reworked into a modern tale where a Drug Czar is forced to contemplate the history of drug prohibition. He also witnesses the human toll that government policies have on people like cancer and pain patients. Unlike Ebenezer Scrooge, however, this Czar's "change of heart" is less than certain.

The historical record of the federal government's War on Drugs carries many of the same hallmarks of its current efforts: third-rate bureaucrats setting national policy; self-serving grandstanding by political leaders; doctors being jailed for providing treatment; the criminalization of addiction; a judiciary that sanctions the erosion of fundamental individual liberties; the wanton bureaucratic rejection of medical and scientific opinion; dubious efforts aimed at international drug control; and a media that is all too complicit in providing sustenance to government sensationalism. The institutional dynamics that were in play seventy years ago are still prevalent today.

Thankfully, the American public is no longer subjected to the naked racist appeals employed by "drug morality" advocates found here. Coke-addled black men raping white women and crazed Mexicans preying upon schoolchildren and executing people served as popular bogeymen. (The book overlooks the virulent anti-Chinese sentiment used to crusade against opium.) Instead, the Drug War now simply incarcerates a disproportionate number of racial minorities under a plethora of state and federal laws like mandatory minimum sentences, all under the "due process of law."

This "graphic novella" deserves a wide readership, especially among high school students, who are the principal targets of endless government propaganda and invasive practices like random drug testing, body searches and drug-sniffing dogs. The future is theirs, and that is why the federal government is finding novel ways to indoctrinate them and humiliate them into submission. Hopefully they will consider the examples of 1920's anti-prohibition advocates Pauline Morton Sabin and Henry Joy: Principled individual action can indeed make a difference.

When it comes to sharing my viewpoints on America's "War on Drugs", I have always struggled with replying to the simplistic catchphrases which seem to come from those who are blind to the destruction caused by this politically and economically motivated war. As such, it was with great pleasure to find this little gem.

Through a narrative employing Charles Dickens' classic storyline, "A Drug War Carol" comprehensively, yet succinctly covers the often ignored/suppressed history that gave rise to this immoral and self-serving--but significant--U.S. policy. From its inception during 1920s prohibition, the war on (some) drugs (and some users) has been waged with zeal and corruption, and in the process, has eradicated the Bill of Rights. In the past 80 years, our country (and many other countries which the U.S. can influence or control) have suffered, while arrogant and power-hungry politicians continually feed this monster with our tax-dollars, and in exchange, give us half-truths, exaggerations, or just outright lies.

Trying to explain this to others however, is challenging. This is simply because most of us have lived our whole life eagerly lapping up this propaganda.

I encourage everyone to buy as many copies of this book that you can afford and give it to friends and family. We need to wake up!!!

Also, for a richly detailed investigation into the origins and first 40 years of the U.S. drug war, see Douglas Valentine's "The Strength of the Wolf: The Secret History of America's War on Drugs". It is a facinating and compelling read.

This book reveals the truth around the WOD and who imposed the current devastating situation where much human dammage is related to prohibition and War on Drugs. I recomend the book and i'm sorry there is no chance of giving it six stars.
Joergen

I had seen this story in an online form, and was greatly impressed by the quality of the art. I was pleased to see that the print edition is even stronger. Highly recommended.

If you are using the Rational Unified Process, or considering doing so, and worried about applying it to a whole IT department rather than separate projects then this book could well be useful. The book has four parts - From RUP to EUP, Beyond Development, Enterprise Management Disciplines and Putting it all Together. Each section has several chapters and the chapters all start with a nice reader ROI section (showing the payoff for reading that chapter). The writing is clear and there are plenty of diagrams, tables and helpful tips.

The book starts of with some background in the RUP. I particularly liked the description of RUP as serial in the large and iterative in the small. Within the RUP there are also nine disciplines (Business Modeling, Requirements, Analysis and Design, Implementation, Test, Deployment, Configuration and Change Management, Project Management, and Environment). The authors outline 10 best practices they see as core to the EUP (they extend the original 6 in RUP) - Develop iteratively, Manage requirements, Proven architecture, Modeling, Continuously verify quality, Manage change, Collaborative development, Look beyond deployment, Deliver working software regularly and Manage risk. Each is clearly described.

In addition to the change best practices, EUP adds a Production phase and a Retirement phase. They point out that the Production phase is not just maintenance or just operations and support but both and more. I think that any organization building systems should spend as much time and effort thinking about production and running their application in production (which includes maintaining it over time) as they do in building it and I was glad to see this so strongly proposed. They also added an operations and support discipline, mostly but not entirely in the production phase. This discipline includes running the system and making hot fixes. I think the Retirement phase is overkill for most organizations but some will find it useful.

They also added some "Enterprise Management" disciplines for use outside the context of a project and this too is a good idea. The disciplines are Enterprise business modeling, Enterprise Portfolio Management, Enterprise Architecture (I particularly liked the idea that "modifiability" should be considered as part of an enterprise architecture - far too few organizations do this well and fail to differentiate between stable services and much more changeable ones), Strategic Reuse (Again I liked the called-out focus on this - without a real plan no reuse is going to happen), People management , Enterprise Administration and Software Process Improvement (Another good one and a timely reminder to all that you should keep improving your software processes)

Overall I liked the book, though it was a somewhat dry subject (as methodologies often are). There was a lot of good advice, some nice tips and some clearly hard-won experience being shared!

Many IT organizations still pursue pet projects and develop duplicate applications in isolation, only to address later crises in corporate reporting, portfolio management, IT infrastructure, business objectives, and other areas.

EUP gives a coherent roadmap of how to architect smarter and for the long term. For organizations that don't have a strong enterprise aptitude, this book is a lifesaver. The EUP provides the business case for implementing EUP that will help cut through the politics by addressing the benefits to the bottom line for pursuing an Enterprise Unified Process.

I will be referencing the EUP regularly, and passing it around to others in my organization!

The Enterprise Unified Process (EUP) unites diverse disciplines, including development, enterprise architecture, operations, production and portfolio management, reuse and business process modeling, under an easy to follow framework. It was refreshing to find a book that recognizes the need to accommodate the installed base of existing software as part of the planning, development and deployment process. This is an excellent guide for any manager who wants to ensure that essential IT disciplines are addressed.

The focus of EUP is to enhance the commonly accepted Rational Unified Process (RUP). The authors have added new disciplines to RUP that include business modeling, portfolio management, enterprise administration, reuse, enterprise architecture and process improvement. The introduction of business modeling into the overall process is essential to weave IT processes and disciplines into the most essential driver of any systems initiative - the business. The enterprise architecture discussion was also refreshing given that many organizations have forgone this discipline and have created redundant, stovepipe applications and data structures that significantly stifle business agility.

The "Reuse" chapter raises the rarely deployed reuse strategy. It is critically important to not replicate business processes, models, systems, data structures, source code and interfaces. The costs and risks of trying to keep parallel assets synchronized have been written about extensively. This book promotes the idea that reuse is just another aspect of the enterprise unified process. It is also one of the few discussions about reuse that recognizes the value of harvesting existing assets.

Also of note is the portfolio management discussion that focuses attention on the need to incorporate project management with application management. It should be noted, however, that portfolio management has much less focus on applications than the traditional industry definition as promoted by Gartner, Inc.

Finally, this book makes great use of tips, tool references and citations to books or papers that readers can use to expand on their understanding of a given topic. The last chapter of the book takes a realistic and honest look at deploying the enterprise unified process, including its possible retirement.

This book is must readying for any organization using -- or attempting to use -- the RUP. The EUP's additional disciplines completes the RUP in a necessary and sufficient manner.
The book is written in a straight-forward manner, is easy to read and is well-organized. Each chapter reminds you to be practical (the antipatterns), explains how the additional discipline relates to the others and provides software tools and suggested reading.
Don't RUPture your software development efforts without having the more comprehensive approach of the EUP!

The book provides a very readable coverage of IBM's Rational Unified Process, as well as useful extensions that address important aspects of enterprise systems planning, development, and management. The systematic and disciplined treatment is greatly enhanced by the inclusion of much useful, pragmatic advice that draws from the practical experience of the authors in building real systems.
I quite liked this book. Although it doesn't give enough emphasis to conceptual data analysis (something RUP has always been weak on), it has loads of useful, practical content that make it a worthwhile addition to the literature.

I loved this book as a great intro to different kinds of birds that we actually see in our parks. But I think the story, as simple as it is, didn't capture my son.

I especially like this book as it can be read on at least two levels. The initial story is catchy with the rhyming words and plot. The older child can also enjoy learning about the various types of birds depicted in the story. It gives a mother or a teacher much to discuss with the child.

This book, along with TOP CAT by the same author, are my kids' favorite books (ages 6,4 and 2). And I love them, too! I never tire of reading them out loud, although both of my older children can recite the book and "read" it themselves now. We checked it out from the library and kept renewing it over and over because the kids loved it so much. We finally bought our own copy and I know the kids are going to fight over who gets to take it with them when they move out 15 or so years from now. :) It is a delightful story and I love how Ms. Ehlert labels everything. I especially like the details provided at the end regarding the birds shown throughout the book.

Another favorite of my 3 1/2 year-old daughter, along with "Top Cat" by the same author. Hmmm...is it possible that Top Cat or his little brother is the cat in "Feathers for Lunch"?

That aside, the pictures in this wonderful book allow a child a good first look at several North American birds, and the text introduces your child to their birdsong. All the birds are "drawn" (I believe they are actually designed by paper cut), to actual life-size.

This is a wonderful little book for children to learn some common American birds and their calls. The story is about a cat trying to catch a bird for lunch but the bell on the collar keeps giving him away, hence "feathers for lunch" but the illustrations are almost all birds such as the Northern Cardinal, Blue Jay, Morning Dove, House Wren, Northern Flicker, etc... My little boy actually likes Ehlert's "Top Cat" better, but this story has seen many readings. My boy can tell the difference between several birds that he sees in his backyard. Recommended for the little birders.

This book has really terrific info on all the red tape you'll have to cut to make it as a government contractor!

Scott Stanberry shows you just how easy it is to contract for the government. Some contractors take one look at the government spec's and throw up their hands. Government spec's aren't as hard as they look. This book will take you step by step through the process of bidding government contracts. Once you get use to the paper work, which this book shows you some of, you have it made. Read this book and go out and make your fortune in government contracting.

Larry Hobson- government contractor for over 30 years

Having had several months of government contracting experience prior to reading, I found that this book covers its bases very well, explains all necessary concepts clearly (elaborating where necessary and with precise examples), and solidifies the structural framework of how contracting works. I would definitely not group this book with the "--- for Dummies" books, which are often vague and leave you lingering with questions. Written from the ground up; great as a fundamentals book for the seasoned contractor or as a starting block for those considering/beginning in the field. HIGHLY RECOMMENDED!

Very informative and a useful tool for anyone interested in selling to the federal government.

Currently a member of the Federal Acquisition workforce, I see this book covers the gamut, as we know it. Particularly impressive is its coverage of GSA. GSA is a prime Federal market research tool. This can give prospective contractors an idea of what government organizations regularly buy, and government contacts for soliciting business.

As an insider, there does still exist widespread indirect nepotism; cronyism; military who roll into contracts, and other versions of same (so much so that various government bodies such as Government Accounting Office handle contests of unfair play), so the better you know the rules of the game, the better your chances of getting in and getting your fair play of public funds. Government is pro small business; however, you have to slog thru bureaucracy, and that means having the information to even get started and what to do. The driving force is supposed to be acquiring the "best value" for public funds for a requirement. This book can be a map to help you on your journey to propose how you can get the job done. If you know where you want to go, pick up this map, and get the edge to get there.

This book is meant to probide travelers with inspirations while flying the sometimes not-so-friendly skies. The messages contained within the book are meant to provide readers with a sense of meaning, purpose and direction in life. The book is not meant to be read in one sitting, although at 140 pages it can be read on a short flight.

Mark Scott's Flights of Faith is the kind of traveling companion we'd all love to sit with on those long business trips away from home. Flights of Faith offers comfort, grace, and perhaps most welcome of all, genuine humor -- just what we need in the fast-paced, often disquieting world we make our way along. And while its appeal to travelers is obvious, that is merely the point of departure for a book that offers every reader on life's journey substantially more to think about. Thanks, Mark!

I am a member of Pastor Mark Scott's congregation and am happy to report he brings the same insight and humor to this collection of meditations which we enjoy every week. I very much enjoyed the comments and observations which Pastor Scott has put forth in his book, "Flights of Faith". This is an easy read in bite-size pieces that will be great for relaxing in the waiting area or on the plane with. I found myself nodding in agreement often because many of the situations and thoughts he verbalizes each of us have probably had. I appreciate the way Pastor Scott connects these everyday life things to our spiritual life. Yet, he does this in a way which does not attempt to hammer you over the head with religion. His meditations provide a new and positive take to the ordinary and sometimes dreary task of air travel. There are many interesting observations on the airport and airline travel life here. I know I'll not look at the complimentary soft drink and peanuts the same way again!

This book reminds us to think about our faith in the most ordinary of circumstances. Even those who have only flown a few times should be able to relate to the parallels the author draws between the experience of flying and the role God plays in our lives. This isn't just a "feel good" book. The author reminds us of what God requires of us, as well as what He gives us. Any Christian reading this book will feel refreshed, renewed, and resolved to practice his or her faith in everday situations as well as in crises and in celebrations.

I loved these meditations! I am preparing to lead a study tour to Israel, and many of my travelers are facing their first international flight. I plan to purchase each of the participants this book! Thank you, Dr. Scott, for your insight, your wit, and your gift for sharing faith. I heartily recommend this book for seasoned travelers and for first-time flyers.

This book was illustrated so beautifully that I wanted a copy for myself. The story is based on a real individual and that just added to the power of the book. I recommend this book for any family, school or public library.

Freedom River
By Doreen Rappaport and Illustrated by Bryan Collier
Review by Shelley Styles, Maggie Mathena, and Sylvia Robison


This nonfiction picture book is a true story of one of the journeys made by John Parker, a successful business, into Kentucky to help an African American family escape to freedom into Ohio. John Parker owned a foundry where he employed white people. This particular story began with one of John's employees saying that some one had helped a slave woman cross the river during the night. Another employee answered that perhaps Mr. Parker had helped the woman escape. One of John's employees, Jim Shrofe's father owned slaves. Jim Shrofe taunted, "I dare him to cross the river and try to steal my father's slaves, if he does, my father will set the dogs on him and rip him to shreds."
Although there was a $1000 reward for John, dead or alive, he kept trying to help others. In November, John crossed the river and saw a black man in the shadows and told him about his boat to freedom. The man told John that he couldn't go and leave his wife and baby. As the man ran away, a white man swung a club at John, they wrestled and John escaped back to the river.
December and January came and John couldn't get across the river to help slaves escape. Jim Shrofe continued to taunt that John was too scared to mess with his daddy's slaves. John kept quiet, until April. John went back across the river and found the same man and told him that he had come back for him and his family. The man told John to leave him alone because since the first time he had come the master watches them carefully and took their baby and makes her sleep at the end of his bed. He also said that the master has a loaded pistol at his side and would kill anyone who comes after the baby. John went home feeling bad that he could not help this family.
The next night, John rowed back across the river to save the family. They were afraid, so John told the father to hold his shoes and he would go get their baby. Soon John came back with the baby followed by the sound of gun shots. They ran to the boat and rowed back across the river. The man lost John's shoes when he was running.
Soon after John made it home, he heard a knock on the door. It was Jim Shrofe holding John's shoes. He offered the shoes in exchange for his father's slaves. John said that he had never seen the shoes before and invited Jim in to look for the slaves, allowing more time for the family to get a head start to freedom. Jim Shrofe did not show up for work the next day, or ever again.
The author used words like Listen, Listen; wait, wait; run, row to describe how John planned and accomplished his tasks to help others to freedom. She used text to self and text to world to help the reader visualize the events that took place during John's plight. The illustrator used wavy lines across the faces of the characters to represent the river, for the river was the path to freedom.

Doreen Rapport Freedom River; Illustration by Bryan Collier
14pp. ISBN 0-7868-0350-9.-ISBN 0-7868-1229-X (pbk.).-ISBN 0-7868-229-0 (lib.bdg.)
(Intermediate)

Freedom River is a true story, about getting from Kentucky to the free state Ohio. John Parker a former slave, and now a businessman of Ripely Ohio. John then helps a couple and their child escape being slaves to freedom. The freeing of these salves is taken place through out the year. Both the author and the illustrator work wonderfully together to make this book seem real. The text clearly goes along with the pictures. The illustration is remarkable, the pictures look like photographs. Bryan Collier uses a different technique for his illustrations, it looks as if the pictures are pieces of a puzzle arranged together. As you begin to read this book look closely at the faces of the people, you will see wavy lines, these lines represent the Ohio River. The color schemes really put things in perspective also, they are realistic colors. Through out this book, Doreen Rapport uses short phrases to describe the event that is taking place: Run. Run, Row. Row, Listen. Listen, Wait. Wait, Closer. Louder, Crawl. Crawl. This gives the reader insight to what is going on in the picture by just two word phrases. Another author that does this same technique is Under the Quilt of Night by Deborah Hopkinson. The ending of this story is really surprising, I but when thought about it makes sense. This book is just not about the freeing of slaves, but it is about doing what is right in life, helping others out. I recommend this book to adults and children in the intermediate level. An interesting addition to the end of the story is a historical note which explains in great detail about the life of John Parker.

Doreen Rapport Freedom River; Illustration by Bryan Collier
14pp. ISBN 0-7868-0350-9.-ISBN 0-7868-1229-X (pbk.).-ISBN 0-7868-229-0 (lib.bdg.)
(Intermediate)

Freedom River is a true story, about getting from Kentucky to the free state Ohio. John Parker a former slave, and now a businessman of Ripely Ohio. John then helps a couple and their child escape being slaves to freedom. The freeing of these salves is taken place through out the year. Both the author and the illustrator work wonderfully together to make this book seem real. The text clearly goes along with the pictures. The illustration is remarkable, the pictures look like photographs. Bryan Collier uses a different technique for his illustrations, it looks as if the pictures are pieces of a puzzle arranged together. As you begin to read this book look closely at the faces of the people, you will see wavy lines, these lines represent the Ohio River. The color schemes really put things in perspective also, they are realistic colors. Through out this book, Doreen Rapport uses short phrases to describe the event that is taking place: Run. Run, Row. Row, Listen. Listen, Wait. Wait, Closer. Louder, Crawl. Crawl. This gives the reader insight to what is going on in the picture by just two word phrases. Another author that does this same technique is Under the Quilt of Night by Deborah Hopkinson. The ending of this story is really surprising, I but when thought about it makes sense. This book is just not about the freeing of slaves, but it is about doing what is right in life, helping others out. I recommend this book to adults and children in the intermediate level. An interesting addition to the end of the story is a historical note which explains in great detail about the life of John Parker.

In the book, A Freedom River, the writing of Doreen Rappaport along with the illustrations of Bryan Collier together create a stunning retelling of one particular trip on the Underground Railroad. This is the story of a slave family escaping from the slave state of Kentucky to the free state of Ohio.
The book's uniqueness lies not in its topic, but rather in the characters. John Parker, this true story's hero, was not only a conductor on the Underground Railroad, but also an accomplished businessman from Ripley, Ohio. He was born a slave and worked to buy his freedom. He owned his own foundry, and employed both black and white individuals from both Ohio and Kentucky. He helped to make this book unique because he is not a well known conductor, but his impact on the Underground Railroad was just as great. It is said that he helped over 900 slaves escape to freedom during his lifetime.
A Freedom River draws the reader into the experience of the Underground Railroad. It masterfully pulls forth every imaginable emotion, as the characters must make choices that may end in the separation of families, death or freedom. The pace of the book along with large, bold directives, such as RUN, CRAWL, and LISTEN, create a feeling of breathlessness, much as if the reader too, were running for freedom.
The illustrations work hand in hand with the written word in order to create the overall experience of the book. The multi-textured collages with realistic faces add emotion and dept to the story. Wavy lives found throughout the illustrations deeply symbolize the river and its importance in the search for freedom.
This is a beautiful book and worthy of a rating of more than five stars. It could be successfully used with children from 1st to 6th grade. It is an excellent book for introducing and further understanding the Underground Railroad.

THRIVE! is a wake-up call to the fact that there is nothing more important than our spiritual health. Tackling issues such as self-acceptance, forgiveness and rejection head-on, we are encouraged to honestly and finally deal with our issues!

Felicia T. Scott has captured the essence of what it takes to survive this existence we call "Life". 'Thrive!' is a lifeline to anyone who is sinking into the depths of despair, despondency and discouragement. Thank you Ms. Scott for not only feeding us with nourishing words of wisdom but also showing us how to prepare our own meals!

Felicia Scott is a truthteller who spurs you to action. She has a matter of fact way of presenting issues and solutions that actually empowers the reader. Thrive! is a must-read, especially for that person looking to grow and is willing to turn within to experience their own greatness. --Cheryl Smith, KKDA-AM, Dallas, TX

Felicia Scott's book provides an eloquent, insightful and humorous pathway to those who seek guidance down life's rocky road. She maps out a no-nonsense guide on how to deal with issues-she inspires us to take control, get over it-and move on. Ms. Scott's beautiful poetry is an added bonus. I highly recommend this book to anyone who is feeling sorry for themselves-you will feel empowered to move on by the end of the book.

THRIVE! 7 Strategies for Extraordinary Living is like the perfect blend of WOMAN THOU ART LOOSED and CHICKEN SOUP FOR THE WOMAN'S SOUL. It will capture the heart of every woman who felt she was the only one going through and assure her that she can overcome; she can rise to every occasion. Yes, she can survive! In fact, she can do more than that - she can Thrive!

Ms. Scott, thank you for your transparency, insight and courage in writing this book. Sometimes I felt like I personally knew you and even more than that...you personally knew me. You were all up in my business!

It's more than a book to me. It's more of a life reference guide that I will turn to again and again for encouragement, wisdom and inspiration. I'm very excited about using the journaling guide in the back to help me dig out the beautiful woman that's inside of me.

Thank you so much for writing this book! I know what my friends are getting for Christmas this year.