Scott Books

I am a physician and I can assure you, this is the best book out there to get clear prospective and understanding about food allergies.
Each chapter has clear focus, breadth of knowledge that gives vital information and suggests remedial actions to prevent allergic reaction.
I love the book. Even medical school dont prepare you for your kids food allergies. No one in our family had it. Thanks for writing this excellent book.

Ditto everyone else's 5 star reviews. A fantastic book for parents and extended family members of the food allergic child. Sicherer write in a clear and concise manner, explaining all one needs to know. My child has food allergies, including Food Protein-Induced Enterocolitis Syndrome (FPIES), and I've done a lot of research and am active in an online FA support group. This book explains it all, even stuff I didn't already know. His FPIES section is excellent. I keep this book on out for quick access, as I often use it as a reference.

This is a great book! It's a fabulous reference guide to have if you have a child with food allergies. It addresses case studies of children with multiple food allergies and questions that real parents have! It details out different diagnosis processes, treatments and day to day living. If you are raising a child with food allergies - you must read this book.

As a seasoned mom, but a new one to the food allergy world, this book provides a lot of technical info all in one source. If you want to understand why our bodies react to certain foods and how to proceed, this book is for you.

We have been managing my child's food allergies for the past 5 years - I have read many, many books on the subject. This one is the absolute best! As much as I understood about food allergies, I still had many questions. This book has helped to clear up most of them. Many of the books on food allergy create a sense of panic, especially when you are new to the situation. The information in this book takes some of the anxiety out of everyday life - our children can have normal, healthy, fun-filled lives!

I picked up this book one day while at a bookstore and was going to just thumb through it but quickly made note of the ISBN# for later reference. This book is HUGE. Weighing in at 1608 pages I'm grateful it's hard bound so it can survive the use it will get.

The level of detail in this book is something you will be thankful for.

Well written and good coverage. Provides both overviews of the subject matter as well as every detail you'll ever need to know about PC hardware.

Excellent! I enjoyed it so much.
I learned many things I can use in my job as a PC tech.
Love this book.
Not for beginners.

As an instructor of computer and networking courses, I have had the opportunity to use and review scores of PC hardware books, and year after year, I always end up using Scott Mueller's Upgrading and Repairing PCs. If you are just someone who has never opened a PC case and you want to upgrade some hardware, then this book is for you. If you are someone who wants to truly understand the indepth workings of the PC, then this is the book for you. You can't go wrong with this book.

This book covers nearly the entire PC history. If you want to check out what's inside your "ancient" machines or see what's new in technology this is the book you want. I especially like to see the evolution of computer hardware.

This is a excellent book thats both sad and exciting. You can't help loviing Carter, who wants to be a superhero and save his father from dying. You also like his sister Minnie whose funny and constantly annoying Carter with her comments. I loved this book from start to finish and recommend it for everybody including adults and the president.

What a story. I was so excited to read it from beginning to the end. It is a great story and Carter is a great hero.

This is a great book! You got to read this story. If there is a funnier main person in a story than Carter, I bet there isn't. I wish this story went on for eever and that I was the Sub-Mariner to.

This is a exciting story about a boy who thinks he's a superhero who can breath under the ocean and swim with sharks even though he scared of them. It's also sad because of the father who's sick with something thats killing him. I especially liked the joke about Carters sisters big bra.

Just read this kid's book trying not to like it. I'm a writer too and it's competition, even though I write for adults. So, anyway, I got a story coming out that takes place partway in Norfolk, and I thought this would be a weak image of my far more expansive tale. It ain't. This is good. It ain't just for kids either. I am mightily impressed by Fuqua's lovely impressions of the area, of a dying man, and a boy who's tougher than nails and funnier than a dog in human clothes. Buy the book. You'll like it. You won't put the thing down, in fact. And I'm sorry to say that.

This is a great book for someone looking for a job. I have been out of the market for 16 years and it gave me a great deal of advice. Every chapter gives advice that most of us really can use. Chapter 3, Packaging Yourself For Job Success, I believe is the best and most useful chapter in the book.

I would recommend this book and the Grey Hair Management network.

I read this book with great interest. I tried some of the action steps that felt appropriate for me and found myself getting interviews. Not only that, I had my choice of offers. Read and do and you will regret not reading this book sooner. It is a must read for anyone who wants to improve their career status.

This is a straightforward, well-written guide to managing your career whether you employed or not.

If you think you have the answers, I predict you will take away information useful to your career.

Don't hesitate - just buy it!

Lessons learned from this book:
1. You're going to be "in transition" for the rest of your career.
2. Get over it.
3. Take control.

This book shows you how.

This book is named wrong ... it should be named Marketing "My Personal Business" Company for Dummies.

The concept of MyPB is not new, it's not revolutionary, but for technical people like me the idea of marketing oneself was foreign and scary. Jack & Scott have boiled the rhetoric down to simple to understand, and simple to implement concepts. Every page is filled with content that is both understandable and useful in this race for employment. While the book is written for and references executive level job hunting, the concepts can and should be applied to all levels.

For the price of a chain store meal you can gain advantage by leaps and bounds above your competition (assuming they don't buy this book). Compared to all the other "HELP" that is out there for us, the $20 spent on this book will be the best ROI you've seen in a long time.

I bought this volume of stories simply to get a copy of Fitzgerald's "May Day" which I'd read in one of my college texts and then could not find for years. I have always felt that "May Day" would make a superb film--and the screenwriter could lift most of the dialogue right out of the story. It is that good and simple and dramatic. Actually every one of the stories in this collection is first rate. Here is Fitzgerald, only in his 20's, writing of American aspirations before, during and after World War I. And no one wrote about this subject better than he did. The characters are rich and complex, all of them dissatisfied with the bones that life has thrown them, all of them desiring what others have. The reader sees their foibles and loves them anyway. These are not perfect people. They are real people in a time of trouble--fighting, most of them, simply to stay afloat in a world changing faster than anyone would have thought possible. I cannot recommend these brilliant stories highly enough. There is also a brief life and appreciation of Fitzgerald in this lovely Scribner edition.

The literary voice of the ninteen-twenties' "Jazz Age," F. Scott Fitzgerald was out of step with the grimmer thirties. Facing his wife's insanity, increasing alcoholism, and his own obsolesence as a writer, the stories collected here show Fitzgerald facing his demons in bracingly honest prose. If "Crazy Sunday" and the other tales of the adventures of Pat Hobby, down-and-out screenwriter, feel a bit like autobiographical wallow, and "Family In The Wind," about a doctor in the midst of a country tornado, is an interesting if uncharacteristic journey into Steinbeck country, it's the title story of the collection that's worth the price of admission.
Charlie Wales is an ex-broker, returned to Paris after all the good times have gone, with only the goal of regaining custody of his daughter after the death of his wife. A thinly veiled take on Fitzgerald's own troubled relations with daughter Scottie after wife Zelda's madness, it's at once a suspenseful, moving, and lyrical story. All his powers are at work here, as if he knew this was his last shot at literary immortality, and he was just about right.

The Book of Revelations in the New Testament is the most likely source from which F. Scott Fitzgerald draws his "Babylon Revisited". In Revelations, Babylon the Great (also an ancient Near Eastern city of materialism and sexual excess) is the `mother of whores' and the source of all evil in the Roman Empire. She is said to have been defeated by God and judged for her excessive sin. Upon her destruction, the saints rejoice while the merchants and hedonistic pleasure seekers morn. Symbolism abounds in this revision of the timeless tale and the choice of Fitzgerald's title could not be more appropriate.

Charlie himself is the regeneration of Babylon. During the economic boom of the 20's, Charlie and his wife lived life to its fullest and most shallow degree. They partied until sunup. They squandered wealth. We even get the impression that there was a significant amount of infidelity existing on both sides. As with Babylon, Charlie is punished: The stock market crash in 1929 liberates him of a fortune, "his child [is] taken from his control, [and] his wife escaped to a grave in Vermont."

As with Babylon, Charlie's fall had its rejoicers and mourners. Marion, his wife's bereaved sister, saw Charlie's fall as an opportunity to gain control of his child, and with sincere intentions rid her family of the sinner. Though she doesn't expressly rejoice in her brother-in-laws demise, she does blame him for her sister's death and understands why his life has turned out askew. Duncan and Lorraine, on the other hand, mourned the loss of their sinister partner in indulgence.

This story is complete with all of the historic reference and symbolism that has come to define F. Scott Fitzgerald. What a fantastic, unbelievably creative writer. It's amazing how timeless his writings are, and "Babylon Revisited" is the perfect example of that fact. It really makes you think about your own life.

The king of the 1920's Lit World wrote short stories for big money in Scribner's Magazine, Collier's, Esquire, and Saturday Evening Post. His first novel made him famous, This Side of Paradise, but his subsequent novels including The Great Gatsby sold meagerly. Zelda and Scott went through dough like drunken sailors, so Scott wrote short stories for a quick buck. This group of stories is among his best and though some or all were written commercially, Scott's talent was so huge that they rival his chief competitor's: Hemingway, Parker, Anderson, and Larder in charm and precision.

Above all, Fitzgerald is charming. The drunken rich boys of May Day are close to the authors experience and poignantly revealing. Scott was the son of a failed businessman. His mother's family was well to do and Scott associated with rich beauties that seemed always just beyond a snow covered golf course as in Winter Dreams. His experience with his future wife, Zelda Sear, an Alabama debutante is cloaked in fantasy in Ice Palace. Surely newlyweds are surprised to find they have married strangers. In that there is no secret, but Fitzgerald gives his bride a hysterical nightmare in a St Paul carnival ice maze. The reader loves Sally Carrol and is genuinely caught up in her dilemma of Minnesota in-laws and a suddenly stern husband.

Fitzgerald was a dreamer and The Diamond As Big As the Ritz is a parable about a family so rich, and so self-centered in their luxuries, they murder their guests less the secret of the their wealth be known. In an era where a million dollars could buy a country, Fitzgerald's fascination with success and the rich permeates his work.

F. Scott Fitzgerald is one of our greatest writers. He is best known today for his many wonderful novels, especially The Great Gatsby. As time has passed, his marvelous magazine stories have faded from sight . . . even though those were more widely read than his novels when they were written.

In Babylon Revisited: And Other Stories you will deepen your understanding of the novels . . . and of their author in these often semi-autobiographical tales. The best stories have as much impact as any of the novels in a spare exposition that adds to their power.

Each story deals with the same general theme: We live on hope which is based on illusions about reality. When faced with reality, we happily escape into new hopes based on different illusions. We are sort of like Peter Pan: We don't want to grow up.

The theme comes across with startling persuasiveness as Fitzgerald unpeels the many forms of hopeful illusions that will seem familiar to every reader.

The stories build chronologically across the backdrop of the United States after World War I in the 20's and 30's. That shift in authorship times also inadvertently adds the drama of seeing how the psychology of the young and educated changed as American went from mindless boom to seemingly unending bust.

Fitzgerald has a rich imagination to makes his world open up for readers so that you can feel both the physical sensations and the emotions of the characters . . . and become the characters while you are reading.

The stories themselves have that delightful quality of exaggeration that makes his points indelible.

The Ice Palace explores a Southern beauty's pursuit of an advantageous marriage in the frozen tundra of Minnesota in winter. May Day recounts the pursuit of pleasure and accomplishment by those of various social classes and beliefs. The Diamond as Big as the Ritz is a wild tale of a mythical place and the consequences of unlimited wealth. Winter Dreams deals with the painful consequences of acting on the illusions of romantic love. Absolution is an amazing story about how we can carelessly end up being untrue to God and ourselves. The Rich Boy considers how being rich and powerful can get in the way of being close to others. The Freshest Boy looks at being an awkward teenage boy and how he came to make peace with the world. Babylon Revisited shows how our mistakes can come home to roost after we believe we are invulnerable. Crazy Sunday is an astonishing look at the psychology of how we connect to one another through others. The Long Way Out is about a woman who suffers from a mental collapse and is now ready to return to her husband . . . when fate steps in.

My favorite stories in the book are May Day, The Diamond as Big as the Ritz, The Freshest Boy, Babylon Revisited and Crazy Sunday.

If you haven't read these stories before, you have a great treat ahead of you. If you can find a copy of George Guidall's narration for Recorded Books, your pleasure will be even greater.

You could fill a book with all the information I _don't_ know about Brazilian music... In fact, these guys already have! Concise, conversational, informative and very well laid out, this is an exceptionally readable book. Chapters on samba, bossa nova, tropicalia, forro and jazz include focused biographical sketches of dozens of key artists, as well as succinct historical information about the progress of Brazilian music from its European and African folk roots into its bewildering and often beautiful modern offshoots. The book's focus is nonpartisan: although there is plenty of room for aesthetic criticism within the various styles, the authors generally hold their preferences and dislikes to themselves. They do, however, give readers a good sense of which recordings might be best to check out -- an invaluable service considering how little of Brazil's vast musical output makes it to the United States. Highly recommended! Certainly the best English-language guide to Brazilian pop that you will find in print (online is a different matter), this is great for casual listeners and hardcore fans alike.

The Brazilian Sound is good as far as it goes - a who's who list and discography of 20th century Brazilian music. Although, the book has the feel of a junior college textbook, it's written in plain language. It would be a relatively easy read if it were not that a parenthetical list of Brazilian names breaks up every third or fourth paragraph. There are some very informative passages - notably the chapter on Bossa Nova and the "Escolas de Samba" section of Chapter 2. At their best, the authors provide clear and comphrensive explanations of the geneology and sociological context of the music.

Unfortunately, unless a person is willing to spend countless shopping hours and a couple of thousand dollars building up collection of Brazilian records, he or she will gain almost no insight from this book into what the music feels like. The authors describe individual works and artists in only vague terms - terms often identical to those previously used to describe others. They beat the term "syncopation" into irrelevance - it's clear only that all Brazilian music is syncopated. The authors habitually refer to folk music genres and song forms ala "Composer X's work is all based on the Y song form..." But they provide no practical examples or definitions of those genres or forms.

The authors stridently dumb-down their text, accepting as axiom that one has to "hear it to believe it" and that it is meaningless to describe Brazilian music in technical terms. They generally refrain from even using common musical terms - bar, measure, pulse, key, etc. - to give the reader a clearer understanding of Brazilian rhythmic and harmonic structures. They use few effective musical comparisons or verbal metaphors. It is understandably difficult to describe music in writing. But it is possible. Judicious use of metaphor, comparisions, and technical descriptions would have greatly fleshed out what in the end comes off as a skeletal text.

This 1998 edition serves as the update to the first, apparently published in 1990 or 1991. However, the amendments appear to have been quite minor - embodied by an isolated paragraph here and there, and four meager pages in the final "More Brazilian Sounds" chapter. It's as if nothing has really happened in the evolution of Brazilian music since 1990 - an impression that must be wrong.

The Brazilian Sound catalogs decent research, but is neither good writing nor effective music history.

The best book about Brazilian music in English, "The Brazilian Sound" is a beautifully written, in-depth guide to samba, bossa and other Brazilian genres. Many of the reviews below are on the mark, but BGB from WA seems not to have read the book (or to have read a different book!). The 1998 edition substantially upgrades the original 1991 version. There is much added in terms of early history, capoeira, racial issues, choro, and the blocos and afoxes in Bahia. There is more on important artists from the 1990s, like Marisa Monte, Daniela Mercury, Carlinhos Brown, Chico Cesar, Chico Science and Karnak, though these additions are in various chapters, not just the final one ("More Brazilian Sounds"). One needs to have actually read the book to know that, of course...The music is nicely described, in both musical and cultural terms. One gets a strong sense of how it sounds, and a clear understanding of its rhythmic, harmonic and melodic ingredients. Some of the writing is rather encyclopedic, dispensing a rather staggering amount of information, while many sections vividly convey a sense of the music. I often felt I was at a bossa nova club in '59, at an escola de samba rehearsal, watching one of the 1960s song festivals, or attending a forro party. "The Brazilian Life" brings to life both the current and past greats of Brazilian music. As a result, I added quite a few CDs to my collection, especially of artists like Milton Nascimento, Pixinguinha, Jobim and Marisa Monte. I can't recommend this book highly enough.

An excellent book for anyone who wants to explore Brazilian music beyond the well-known classics. Helps place current and past musicians in their historical contexts; helps you understand who influenced whom, etc. The book will pay for itself just by helping you guide your ever-growing collection of Brazilian CD's (hard to stop once you get started)!

A lively and well-written book, The Brazilian Sound provides a broad overview of the remarkable spectrum of musica popular brasileira, from samba, bossa nova and forro to tropicalia, choro and Brazilian rock. It takes us on a journey both through the evolution of Brazilian music and the history of Brazil, and places artists like Jobim within a cultural context that helps us appreciate their music all the more. One comes away with a solid grasp of the major artists and genres of Brazilian music, as well as their impact on the "North American Sound." There is an extensive glossary at the end that is worth the price of the book alone, and an exhaustive discography.

The authors succeed in bringing the music to life, whether they are conveying the playfulness of the choro musical style, placing the reader at an Olodum concert in Salvador, or describing a samba-school rehearsal on a "hot and humid night in Rio de Janeiro." For the latter, they write, "Surdos (bass drums) pound out a booming beat, and their incessant drive provides the foundation for the rest of the bateria, the drum-and-percussion section that will later parade triumphantly during Carnaval. Snare drums called caixas rattle away in a hypnotic frenzy, and above them tamborins (small cymbal-less tambourines that are hit with sticks) carry a high-pitched rhythmic phrase like popcorn in an overheated pot. Enter the sad cries and humorous moans of the cuica (friction drum), the crisp rhythmic accents of the reco-reco (scraper), and the hollow metallic tones of the agogo (double bell). Other percussion instruments add more colors, the ukelele-like cavaquinho adds its high-register plaintive harmonies, and the puxador (lead singer) belts out the melody...." Such vivid and elaborate descriptions helped me make sense of the wall of sound that is samba, and made me want to book the next flight to Rio de Janeiro for Carnaval.

The second edition adds more historical information and brings the book up to date with musical developments in the `90s. There is extensive additional information about the origins of capoeira (the Brazilian martial art which is accompanied by music in training and which is gaining increasing popularity all over the world), and about racial issues in Brazil as reflected in popular music. There are new profiles of contemporary artists such as Marisa Monte, Nacao Zumbi, Karnak, Daude, Chico Cesar, Daniela Mercury, Timbalada, and Carlinhos Brown. The descriptions of Bahian percussionist-songwriter Carlinhos Brown's collaboration with Sergio Mendes (on the 1992 album Brasileiro) and his groundbreaking 1996 solo album Alfagamabetizado are especially memorable. This is a classic study of Brazilian music, a must for any world-music aficionado.

I bought this product because one of the reviews of the other deck books said that this was the best book. My husband has learned a lot from it, and hopefully one day, we will actually have a deck in our yard :) Seriously, this is a good book, it is very thorough from beginning to end of the project. Highly recommended.

This is a good book for beginners. Wish there was a little more variety of design style. Haven't built my deck yet, but either way if you follow this books suggestions I imagine it will be a very good deck.

Building a Deck (Build Like A Pro)

My construction experience includes home additions, house remodeling/renovation, and many indoor upgrades, but only one deck. So, when we decided to replace our own old deck with one using the latest materials, a how-to book was in order. After reviewing deck books at local stores, this one stood out as the most useful.

Cons:

- This book was written in 2002 and needs a major revision to incorporate current building materials. For example, the deck railing chapter talks mostly about building railings out of wood. The same is true for decking, where almost the entire focus is on wood. The author devotes a page or so to Trex and a few other materials available in 2002, but a host of newer products are now available. Today, there are a wide variety of composite planking (plastics & wood) choices; all synthetic decking such as Azek deck "boards"; PVC and perma-cast balusters; and metal-reinforced vinyl/PVC railing (stainless steel cables, aluminum, steel).

- The book explains attaching the top of a staircase to the deck and methods for anchoring the stairs bottom to a concrete pad; without addressing the frost heave issue. In my area, outside concrete pads frequently frost-heave upwards up to an inch by mid-January. If the author's approach was used here, heaving would jack up the stair bottom, weakening or destroying stairs-to-deck connections. This was inexplicable since the author addresses the frost issue in other places.

- There were a few techniques described that, lacking a diagram or photograph, were too ambiguous to be useful.

- One book can't cover every construction scenario, but it was frustrating that it didn't cover some of the things I needed. E.g., in the section on how to flash the ledger board, the examples show houses with siding above and below the ledger. There were no examples of having siding above the ledger and a masonry wall below.

- If a ledger is lag-screwed against the house sheathing (through to a rim joist), our county building code requires flashing (metal, butyl rubber, etc.) between the sheathing and the ledger. Following the book's approach of having nothing at all there wouldn't pass inspection.

Pros:

- The main focus is teaching the reader how to build a deck, rather than how to deal with a contractor that will build your deck.

- Intelligently organized, with excellent "pro-tips", details, safety tips, building codes, diagrams, and photographs throughout.

- I didn't want a deck book for the novice. Not to worry; the author uses a writing style that worked for me, but should still work for a novice. The book may be too basic for a decking contractor, but it should be helpful for anyone else.

- Multiple approaches are described for most aspects of a deck project, versus having one this-is-the-way-to-do-it, approach.

- Occasional mention of the applicable building code (e.g., balusters can be spaced no farther than 4" apart), with advice of how to exceed standards, when the author believes building codes are too lax.

- Every aspect of a deck project is well discussed, except for financing. It starts with deck planning, and things you should consider, and progresses logically through foundations, ledgers, posts, and beams, joists, decking, railings, stairs, and custom details.

Summary:

This book was clearly worth its small cost, even though it didn't [adequately] cover newer materials or all construction issues. I improved several aspects of our planned deck, based on ideas in this book, and, found out most of what I needed to know in order to do the detail plans required by our county building inspections department.

My wife and I successfully built a deck using this book 2 years ago. Planned, submitted plans to village got building permit and final inspection. It felt good to accomplish such a large task with only 2 people who are not carpenters and haven't built a deck before. The deck is around 300 sq. ft. so it is not small. The book has all the information you need to build a solid deck. It also includes information on problems you could run into and ideas for customizing the deck. We are now building a smaller 100 sq. ft. deck for the front of our house. Believe me, we could not have done this without this great book.

I am a firm believer in the KISS method of doing things. (Keep It Simple Stupid") Every step is covered in this book so that anyone can learn from it. The "Build Like A Pro" series of books are all laid out like this one. The "Expert Tips" are great. They show you short cuts to help you do the jobs right, but in less time. This is stuff you only learn by doing the job everyday. They are trade secrets.

I got this for my fiance--she had a few of the original issues and wanted the whole set. It's a lot of fun if you don't mind the almost idiotic amount of scenes stolen directly from movies and other comics. Nothing original (except maybe in it's frenetic rush to cram every James Bond and Indiana Jones and Captain America story ever all together at once) but it certainly is entertaining. Note: Not recommended for guys with jealous girlfriends (lots of gratuitous eye candy in this thing).

But the attitude, dialog, and art in this series truly wins me over in a way that no other graphic novel has. I'll admit to not at all being a comic book junkie, but I do have a collection of close to fifty. I've never read a comic that sucked me in as fast as this one does. The vibrant coloring, extremely cliche and lame one-liners, and incredibly gorgeous women make this a very fun, very enjoyable read for any kid over 13.

I'd definitely rate the content of this book a PG-13 though, because there are a LOT of shots which show off 98% of the girl's bodies. Truth be told, those shots weren't really necessary for me because I enjoyed it for the action and humor, but I suppose there had to be a draw for the average, acne-ridden, comic book reading teenager that they wouldn't get from other comic books. And Abbey and the girls definitely do not disappoint in this area.

As a fan of a like-minded TV show called She Spies, I love this comic and would recommend it to anyone I know to be a fan of light fun reading. The action and humor is none-stop in this book. The only thing I didn't really like was the sub-plot involving "mysterious" male character "Zero". He really WAS a "zero" in my book as I couldn't bring myself to give a crap about him.

Anyway, if you ask me, this series is begging to be turned into a summer blockbuster film and I've actually begun writing a script for it. Probably doesn't mean squat since I'm not at all affiliated with hollywood, but the fact remains that I'd really like to see this series get the big-screen treatment.

To me, this graphic novel perfectly embodies what comics are meant to do. It pulls the viewer into a whole other world for the span of about an hour.

What's included:

Introduction by "Evil Dead" Star Bruce Campbell
Introduction by Danger Girl Creator/Artist J. Scott Campbell
Danger Girl Preview
Danger Girl 1-7
Cover Gallery containing all regular and variant covers
5 Page Danger Girl Sketchbook

Danger Girl is a wonderful world of action and adventure told through beautiful artwork and a story that is just plain fun. It follows adventurer Abby Chase as she is recruited into the female secret agent team known as Team Danger Girl in their attempts to stop an evil terrorist threat to the world from a neo-fascist organization called The Hammer Empire. This trade collects the first and really only good Danger Girl story as most of the one-shots that followed where done by different artists and were not up to par.

Like all the Image books of the 90's, most people paid attention to Danger Girl because of J. Scott Campbell's artwork as he was already famous from the comic Gen 13. But unlike previous Image comics that relied on art, Danger Girl and the other Cliffhanger Comics, Battle Chasers and Crimson, actually had a story that was bearable to read.

Danger Girl is heavily influenced by Campbell's love for the movies, and fortunately his love for downright entertaining movies such as Indiana Jones and Back to the Future. While the story resembles Charlie's Angels, True Lies, or a James Bond film more, it holds the feel of all those entertaining and fun adventure and spy movies by not taking itself too seriously.

A particularly enjoyable element to the comic is the "Previously in the pages of Danger Girl" page that begins each issue of Danger Girl. In just one page, the creators recap the last issue, throw in some funny captions, and always use a "cliffhanger" by warning of our heroes' "apparent DOOM!" These recaps have the campy feel of old TV shows like Bullwinkle and the Adam West Batman when they would preview the next episode.

What adds to the story-telling is Campbell's artistic style that is influenced by animation which gives the characters movement and expression rather than just magazine poses. Campbell also uses many widescreen panels along with well-timed close ups to show that he really had the cinematography of the story in mind when creating Danger Girl to make it feel like an action movie.

The weakest part of Danger Girl: The Ultimate Collection is the 5 page sketchbook in the back. It is interesting to see some inner-workings of Campbell's art, but it is not nearly enough for fans of his work. These sketches and many others can be found in "J. Scott Campbell's Danger Girl Sketchbook."

All in all, Danger Girl is a fun comic that strays away from the superhero theme and actually puts a little comedy into a "comic" book. The art is great and the story is entertaining. Take Danger Girl for what it is and don't take it too serious because it doesn't take itself that serious.

The tone of Danger Girl falls somewhere between a wry pastiche and loving celebration of all things 'spy' - at once ultra-cool, and uber-camp, spectacular and cliche, tantalisingly sexy and good clean fun. The stylised, gorgeously colorful pages positively ooze action, and the cinamatic layout draws you the delightfully exciting and improbable world of Abbey Chase, renowned explorer and rogue. Like any Bond film worth it's salt, the plot kicks off with a (literally) explosive opening sequence in which Abbey, with Indiana Jones' determination (and Lara Croft's bosom) chases down a lost artifact and is introduced to covert crime-busting team, the Danger Girls - fronted by the mysterious 'Deuce' (a witty and adroit caricature of Sean Connery).

It seems as if every page that follows is riddled with references to other spy and action thrillers, from shiny gadgets to pithy one-liners (usually delivered mid-battle, or following a sticky demise) and constantly treads the line between gentle ribbing and heartfelt admiration - it seems pretty clear that this is the world that J. Scott Campbell would inhabit if he could (probably with his own island fortress and buxom bodyguards). Its hard not to grin at the pure exhilarating pace, peppered with set pieces that would honor any summer blockbuster, and I frequently chuckled with delight at the plot-refreshers between each chapter (in my head they were narrated by James Earl Jones, and prefixed with 'Previously, on DAAAANGER GIRL!).

Having been indoctrinated into the team, we chase Abbey and her Danger Girl chums as they battle across Europe in defiance of the evil Hammer Empire - a neo-fascist regime with dreams of world-domination (seriously, are there any neo-fascists out there content to just read the paper and watch Jeopardy?). Cue car chases, romantic interludes, gun, knife and fist fights and of course plenty of heaving chests crammed into leather catsuits. Every frame is furiously detailed and, as I mentioned earlier there is sufficient skin on display to induce the loosening of collars - though in a James Bond-ish, PG13 kinda way. Aside from the pneumatic qualities of its Heroines, the artwork is simply superb, and its gratifying that every page is treated with the same glamor and sharpness.

In keeping with its big-budget movie cousins, the plot really isn't that unique, and the twists and turns didn't leaving me shaking my head. Still, it all fits perfectly as a 90 minute popcorn-munching ride, and this edition features some bonus artwork (cover art, conceptual sketches etc), plus a forward by Bruce 'Evil Dead' Campbell which sets the tone nicely.

If this was a film it would be produced by the Wachowski brothers, Directed by John Woo and star Jenna Jameson and Angelina Jolie. As a graphic novel, I heartily recommend it to comic-fans, newcomers alike, and anyone else who could use a bit of Danger in their lives.

What are the differences between this Danger Girl title and the upcoming one: Absolute Danger Girl, except the price? In other words will the latter feature everything or nearly everything that this collection offers? So that it follows, is it worth buying both titles? Please note that I have taken into consideration the exorbitant price of Absolute Danger Girl and I still wish to own it if it happens to have mostly new material that can not be found in Danger Girl: The Ultimate Collection.

I just purchased this book after meeting the
author and in real life the famous Col. Taz.
He attended one of our Siberian Husky Club
meetings.

I have an adopted Sibe and have also had
two Malamutes. This book is a primer for
anyone that owns one of these special
breeds, and also is a warning for those who
have not done their research.

Almost every story can be related to real
life and from internet sites that I visit. It
will bring tears of laughter to your eyes and
will bring a smile to your face for any of your
past furry friends and an appreciation of those
that you currently have the privelege to have
in your household.

I have read this book many, many times, it never gets old. It will make you laugh out loud, cry, and say to yourself "Oh My God, that is totally my dog!!!" For every saint who owns a Siberian Husky, it is a must read. Each of our own dogs' personalities, antics, and senses of humor come alive in every chapter. This is an extremely well written and clever insight into the world of Siberian Husky ownership or rescue. For anyone thinking about adopting or fostering a Siberian Husky, this book tells the truth about life with this wonderful breed of dog.

This book is a must for any dog owner. It chronicles the antics of a Husky owner and rescuer. If you have a high maintenance breed dog you will die laughing and if you have a low maintenance dog you will count your blessings and laugh hysterically!

A must read for anyone thinking of buying a Siberian Husky! Scott has seen it all in his years of rescuing this demanding high-maintenance breed. Through the years, he's taken in dogs rejected by owners who had little idea what they were getting into when they selected that intractable house-eating energizer bunny of a pup who, it just turns out, is also adept at climbing or digging under fences. We get to meet Scott's sweet delinquents in this collection of short moving essays which have, for years, been entertaining readers on the internet.

Here is Taz, Colonel Taz, he of the piercing blue eyes and regal disposition. A gentle Tasmanian Devil whose early goal is to invite the feline residents to dinner - as the main course. Beautiful tragic Kismet, who escaped and was lost forever moments after being rescued. Sweet loving Missy, whose mental acuity was left severely impacted from childhood disease. Missy's reaction to everything in life can be summed up as "Oooh, this is fun!" - yet, she'll howl like a banshee if left alone. Actually, a banshee wouldn?t quite live up to the sheer abandon with which a Siberian Husky will let the world know that you are the reincarnation of Vincent Price visiting some horrible medieval torture on this poor helpless creature by leaving it alone for but a moment.

Each of Scott's witty, funny, occasionally heart-rending tale is a complete story in itself. Yet, the cumulative effect of the book is more than the sum of its parts. I would recommend this life-affirming book to all, even if you have already read the individual essays in the past.

as someone who has has siberians around the house for the last twenty years, all i can say is it's all true.

over the past few years of reading these stories on sibernet, i've always smiled when i would see myself or my dogs in these stories. i have a few friends who have gotten sibes based on these stories, and a few who have read them and said 'what was i thinking.'

this book is a crash course in being owned by huskies. it's full of love and laughter and tears. and so is life with sibes.

anyone who shares their lives with dogs should get this book.

In writing The Elements of UML Style, Scott Ambler has done the software modeling community a great service. As a consultant and trainer of numerous corporate clients, I see many teams whose individuals understand the semantics of UML, but have yet to gel as a team with common practices and style. On these teams, communication and productivity often suffer when arguments erupt over why something is modeled the way it is and how my way is better. Teams need to agree on a set of common practices and style. The Elements of UML Style is a great starting point.

The Elements of UML Style is small, concise, intuitively organized, and well explained. It proceeds section by section through the various UML diagrams, in the order they are used on a project. These sections provide many tried and true common sense guidelines and some valuable, but less obvious guidelines aimed at creating well-formed models.

Is it necessary? Yes. This is the best compendium of UML modeling guidelines I have seen published. Projects would be foolish to start from scratch.

Is it sufficient? No. It is a starting point. Projects will want to adjust and go beyond what Ambler writes here. For example, The Elements of UML Style provides general guidelines that urge adopting common naming conventions (section 2.3). A corporation or project will want to nail down specific guidelines for their use case, class, and component names. Also, Ambler focuses on the diagrams of UML, but there is more to modeling than the diagrams. UML itself avoids topics such as what constitutes a well-formed use case specification, and so does Ambler's book. One would have to turn to other books or training, such as IconMedialab's Advanced Use Case Lab course for detailed guidelines in these areas.

Will I be an object modeler just by reading this book? No. This is not an intro book to modeling. Read Craig Larman's "Applying UML and Patterns" (for example) to learn how to object model. Instead, The Elements of UML Style brings together many of the nuggets that will help to become a better, more consistent, and easily understood modeler. I will be recommending this book to my clients.

This book has lots of excellent recommendations on style and presentation of UML diagrams. Ambler offers up 236 recommendations to questions such as: How often should I use stereotypes? Should we model keys into our DBMS? Should we require activation boxes on our sequence diagrams?

I have to recommend this little book to anyone beginning to use UML. More experienced object modelers will have developed their own modeling conventions, but they also will benefit from reading Ambler's articulate perspective. He is an accomplished modeler and an effective communicator.

Ambler covers style guidelines for all 9 UML 1.x diagrams. IMHO most of his suggestions are right-on, and his explanations are consise and accessible. I have been modeling OO systems for 10 years, and I don't agree with every recommendation Ambler makes, but I appreciate what he is offering in this book.

I especially like the fact that Ambler included an Appendix that lists all 236 guidelines in just a few pages. The book also has a high-quality bibliography of other modeling resources, and I was quite pleased that this short book also includes an Index for rapid access to terms.

Most development groups endorse the need for programming conventions and consistent naming standards. "The Elements of UML Style" is an extension of this philosophy to UML models, and every project will benefit from the ideas it presents.

There are two people I look to for information about UML: Martin Fowler (noteably: UML Distilled), and Scott Ambler.

With this book all the pieces are there. "UML Distilled" tells us how to use UML, "Agile Modeling" tells us how to use it in an agile way, and now "The Elements of UML Style" tells us how to use it so that the results look good and are understandable.

Physically, it's a nice book. Small and thin, it packs well, and will fit easily into the most overstuffed briefcase or backpack.

The format is good as well. Organized around the different diagrams, with extras for general guidelines and a quick overview of Agile Modeling, it covers related issues together in an easy to digest format. The guidelines themselves are short, concise, and well illustrated with examples.

I found it an easy book to read, being able to pick it up for a few minutes at a time without having to spend a lot of time to regain my context.

No matter how much you model, or what tools you use to do it, this little book will help make your diagrams better.

This is a great reference book for anyone wanting to improve their UML modeling skills. It won't teach you how to model, but it will teach you how to create UML diagrams which are much easier to read and to understand. Although Ambler preaches that "content is more important than representation", the reality is that if your diagrams look like crap then people think that your work is crap. This book describes a collection of very simple techniques, many of which could be considered modeling patterns, for making your UML diagrams look good.

The book contains both modeling tool diagrams and sketches, showing how you'd apply the various techniques with both your users at a whiteboard or developers at a workstation. The sketches are easy to read, which is pretty amazing considering the book is the size of paperback.

The second chapter is almost worth the price of the book itself because it overviews guidelines which could be used on any type of diagram, UML or not. Chapters 4, 5, and 10 are must reads for business analysts because they cover techniques to improve use case diagrams, class diagrams, and activity diagrams, the things you're most likely to show your end users. Making your diagrams understandable is an important step to communicating what you're doing, and maybe even getting funding for your project.

Other chapters focus on guidelines for technical diagrams. Modeling tool vendors should pick this book up and automate these guidelines. If they were to do that they would really improve the quality of their tools.

If you're serious about UML modeling, then this is a must have book. It's so cheap your company should even consider getting a copy for each analyst, architect, and designer that you have on staff.

I still remember the first time I read something written by Scott Ambler. It was an article about 9 years ago in Software Development magazine (actually it was probably the forerunner) about use cases. His style of writing is, was, and always will be so easy to read and comprehend. Perhaps that is why so many folks write to agree and/or disagree with his ideas: there's no AMBIguity there.

Scott's subscribes to and adheres to the KISS principle (Keep It Simple, Scott!). That is what makes it easy to understand and appreciate. In this book Scott has very capably tackled the easily misunderstood (and therefore often misapplied) ideas of the Unified Modeling Language (UML) and presented them in a manner than anyone can understand and apply in their work.

This book is small enough to fit in your pocket but is incredibly massive in applicability. It belongs on the desks of every developer (AND their manager!) working with UML. Whether applying UML in an XP environment or within the constraints of behemoth software development projects, a basic understanding of the UML is essential. This book will get your team there, quickly.

Research shows that the number one factor that contributes to project success (or failure) is the ability (or inability) to communicate well. That was one of the goals of the UML, a truly UNIFIED language in the arena of modeling. A key value in Agile Modeling (AM) is communication. Coupled with the AM principle of Know Your Models and the AM practice of Apply Modeling Standards, this book will assure that your project's modeling efforts shine.