S Books

I really loved Peter Hessler's Rivertown and found Oracle Bones just as enjoyable. The author's style of writing is original and surprising, at unexpected points of his books. I studied in Taiwan in the mid-70's and found Peter Hessler's descriptions of the Chinese to be very similar to my own experiences. I get the feeling that there are others who are finding his writing just as enjoyable - a few days ago I was in the Denver airport and saw a copy of The New Yorker with his article about the Olympics listed at the top. He is a wonderful writer and anyone picking up this book will finish it knowing quite a bit more than he did before starting it.

I've read it before going to sleep and more than a few times it made stay up later than I wanted. The book is well written, without artful gimmicks (it doesn't try hard to be literary), but also without the cliches and boring turns of phrases one sees in modern 'reporting'.
The book weaves the past and the present. The past appears in the form of the oracle bones that belonged to the Shang dynasty. Hessler talks to old scholars, people who dedicated their lives to the study of ancient Chinese history; he finds out how their lives were affected by the Communists and ruminates on the importance of writing for Chinese culture.
The 'present' part of the book looks at ordinary people and the way they lead their lives in this fast-changing society. Hessler is clearly aware that this is not a free society, but he doesn't hit you over the head with it: instead, what he cares about is these people - their stories, aspirations, dreams. Some of them are former students and friends, and he doesn't shy away from getting involved in their lives.
All in all a pleasure to read.

I brought this book with me when I moved to Shanghai, China and eventually got around to reading after 2 months of living here. I have previously studied many of the topics he had touch base upon in his book, from the history of oracle bones, to the current politics (such as Xinjiang's struggle for independence). I even took a class once (ancient history of china) where a professor had criticized the book for being misinformed on its information regarding the oracle bones. All this considered, I kept an open mind when reading Mr. Hessler's novel and ended up enjoying it greatly.

I enjoyed the fact that Mr. Hessler took a different route when writing this book. He focused a lot on the individual stories of Chinese citizens, while sliding in factual events, history, and culture. This made the book as enjoyable as a fiction novel. Most of the facts in the book were previously known to me, so in some ways, I was a bit disappointed (looking forward to enhance my knowledge on the region). But like I said, it was the individual people he met on his journeys through China that made the book a page-turner. I would suggest this book for anyone who has any interest in China, or just a good story about a different culture. If you are in the Asian/Chinese studies field you may find this book a little below your level. Although you may, like me, end up enjoying it for what it is, entertaining!

I enjoyed the book very much because author use his point of view to describe his journey through his students, friends and travel through out the China abut the feeling toward past, today and the future of China.

An interesting story that will leave you happy to have read it, Oracle Bones is worth the time.
A country is best learned about by living with the people; something the author has done. Furthermore, he is able to relate the feeling of China in a way that is accessible and entertaining. Thankfully without cliche. . . for example, never does Hessler mention the "raising importance of China on the world stage." By avoiding the subject he toys with a tension that is best only alluded to: we as westerners are aware of China on the horizon; his job as a journalist is simply to offer well vetted evidence. All of this sets a stage for an understated humor.
The idiosyncrasies of particular regions in China (as in any country), are illustrated by slang. For example, one Sichuanese student named Willy, who sought his fortune in Wenzhou, writes to Hessler of his "backward and yashua [toothbrush] hometown--Sichuan". Throughout the story is the word "jiade". Meaning pirated, jiade becomes a catch-phrase and an inside joke that we're in on.
A method employed throughout the book is that of a parallel narrative: Artifacts A through Z. These are loosely interconnected chapters that pepper the book's 458 pages. They function as historical vignettes; Hessler here has an opportunity to contrast his travel documentary within the context of ancient Chinese history. In Artifact A, we are introduced to the Oracle Bones of the book's title. Oracle Bones are the oldest surviving Chinese writing. Named in Chinese "jiaguwen", they were ideas carved onto tortoise shells and cow scapulas. Cryptic passages such as "The king goes to the hunting field; the whole day he will not encounter great wind" or "We ritually report the king's sick eyes to Grandfather Ding" were, depending how they broke apart, read as an oracle. "The irony of Chinese archeology" Hessler points out, "is that the earliest known writings attempt to tell the future. . . . From the Shang, the voice of the turtle speaks." Throughout the different Artifact chapters the author demonstrates his diverse and growing knowledge of archeological sites, past dynasties, and oracle bone era written characters compared to their classical and contemporary counterparts.
The plot shifts toward a more investigative thriller. Mr. Hessler follows a thread of a story for The New Yorker: did historian Chen Mengjia commit suicide and, if so, why? Mengjia had travelled to the Unites States in the 1930s. There he documented ancient Chinese bronze artworks that had wound up in private hands. The Artifact chapters also begin to follow this theme. Part of the intrigue in this subplot lies in the how so many of the older generation in China were persecuted and threatened under Mao. Mengjia's book was published later by the communists. Only they had a different idea for the title: Our Country's Shang and Zhou Bronzes Looted by American Imperialists. As the author unravels what happened, he must, upon interviewing elder intellectuals, word his questions carefully so as not to offend. This story dovetails nicely into Chairman Mao's misguided-- and later aborted-- attempt to simplify the written Chinese character. We find ourselves uncovering a linguistic mystery.
In a story like this, being a journalist is a perfect job to keep things interesting. Whether we're in a border town across the river from North Korea for a National Geographic piece, or in a threatened hutong neighborhood in Beijing (where he finds an apartment-- and the next story) he moves the tale along. We witness the sad fate of Falun Gong members as China "cleans up" for a State Visit in Beijing. Later, the attacks of September 11th allow us a peek into the expatriate world as a news starved Hessler buys jiade videos to see more of what happened in New York. All along we are aware of the tremendous rate of growth in the country. The locals say, "we live in chai nar" (meaning "demolish where?").
Reading Oracle Bones is a learning experience. The placement of the Artifact chapters is an enjoyable way to break up the story, and there are many facts woven into the book by way of this lexicon. Having myself lived outside the States for several years, I could identify with some of the difficulties Peter runs into. As the Olympic games approach, and with China in the news, I have been checking the bylines of my New Yorker magazines for Mr. Hessler's name, to learn what he has been up to. I enjoyed the book and recommend it.

I believe the other reviews of this book to be quite accurate; rightfully noting its annoyingly bad layout(lacking index, missing page headings of what you're reading, etc). Disregarding these shortfalls, Orwell's writing itself easily makes up for--and surpasses--were the publishers have blundered. I read these essays with child-like Christmas morning joy; finding pleasure in them as if peeling away the wrapping paper from the presents, leaving me engulfed with intrigue over Orwell's subjects, prose and opinions. This book is a real treasure trove for all those who enjoyed Orwell's most famous, if not cliche, works of 1984 and Animal Farm.

This is a beautiful, compact, hardcover, volume with a cloth bookmark built into the binding. If you are an Orwell fan, this book is well worth the money. It contains a very wide selection of Orwell essays, including the most popular ones such as "Shooting an Elephant," but also the rarer ones as well. I especially enjoyed reading Orwell's "As I Please" columns from the Tribune; these are difficult to find in compiled form.

I highly recommend this volume, but I must echo the same complaint of other reviewers: There is no index, and this makes it impossible to find Orwell's essays on a specific topic unless you already know what to look for. For example, Orwell's "As I Please" columns are labeled by the sequence number of their creation with no indication of topic. This is not very useful, as Orwell wrote about so many varied things.

All in all, a good value, but I must deduct one star because of the lack of an index. Also, I would certainly recommend this book for the Orwell aficionado, but not necessarily for the new or casual Orwell reader. Read Orwell's novels first; you will have a better appreciation of the essays afterwards.

In these by times highly emotional essays written in the 1930s and 1940s George Orwell gives us with in depth analyses his personal viewpoint on the literary, political and socio-economic scene.

In literature, he sees the novel as `a Protestant form of art, a product of the free mind, of the autonomous individual.' Orwell's aim was to `push the world in a certain direction: a battle against totalitarianism and for democratic Socialism.'
In his criticism he searches for the essential (hidden) message of the author.
Dickens's rather naïve creed is: `If man would behave decently, the world would be decent.' His ideal is `a hundred thousand pounds, a quaint old house, a sweetly womanly wife, a horde of children and no work.'
Henry Miller's books are `a passive acceptance of decay and evil.'
H.G. Wells dreams of a utopian World State.
R. Kipling is a jingo imperialist, but he didn't understand that `an empire is primarily a money-making concern'.
W.B. Yeats is in essence a defender of feudalism, `a great hater of democracy and of human equality, of the modern world, science, technology and the concept of progress.'
A. Koestler's main theme is `the decadence of revolutions owing to corrupting effects of power.'
P.G. Wodehouse's real sin is to present the English upper classes as much nicer than they are.
In `Gulliver's Travels', J. Swift delivers a frontal attack on totalitarianism and shows that he is a disbeliever in the possibility of happiness.

Orwell's view on world matters is rightly `no Law, only Power'.
Nationalism is inseparable from the desire for power.
The concentration of the media in the hands of a few rich men puts the freedom of the press and intellectual liberty under attack. The `very concept of objective truth' is lost.
The Spanish war showed him the essential horror of army life.
He is extremely severe for the British establishment: `The British ruling class thought that Fascism was on their side.' For them, `it is better to inherit, than to work.' `In an England ruled by stupidity, to be `clever' was to be suspect.'

But his solution is also naïve: `common ownership of the means of production. The State, representing the whole nation, owns everything, and everyone is a State employee.' In other words, he pleads for a massive bureaucracy.
But he contradicts himself when he complains that `everything in our age conspires to turn the writer into a minor official!'

These essays contain also vivid memories of his public school life (`irrational terror') and of his Indian life ('Shooting an elephant'). He comments on sports (`war without shooting), detective stories (J.H. Chase), poetry (`the most hated art form'), mildly pornographic comic postcards (`a harmless rebellion against virtue') and ends with a superb portrait of Ghandi.

These remarkable essays, written by a fearless superb free mind, a fighter for justice and a true `révolté' (A. Camus), are a must read.

As a lit major very interested in politics, I find this collection to be fascinating and instructive. Mr. Orwell's views on what corporations would do to the news media and the stifling effects of politically correct speech are vital today, and should be required in civics and political science classes.

Mr. Orwell managed to anger and inform both liberals and conservatives by exposing hypocrisy and dull-minded dogma. His writing style is sharp and free of tiresome twists and turns. In fact, "Politics and the English Language" (954) targets academic writing that is puffed up for no reason other than to hide the fact that the writer has little to say. (And this article should be required reading in graduate literature classes!)

The power of his insights and imagery can be seen in "How the Poor Die," a sad, upsetting essay that made me want a shower and a drink when I finished reading it. (Again, this is current today with the horribly neglected and virtually unregulated "assited living facilities"--and even the Walter Reed outpatient scandal.)

So few writers have had such vision that it is worth repeating the cliche: George Orwell was a social prophet--a genuine one.

Because of Mr. Orwell's deep understanding of political systems and human nature, his excellent style, and the breadth of his subject matter, I think it would not be over-praising him to say that this volume ranks with Montaigne's collected essays.

This volume is lovely, both in binding and text size; however, as other reviewers have pointed out, the publisher should have taken the trouble to include an index at the end of 1363 pages of essays! (Write to Knopf/Random House to complain!)

I'm going to contact my county library to arrange donating a copy of this; it is a shame this book isn't on the shelves!

George Orwell: 1984 and beyond


The futurist novels 1984 and Animal Farm are George Orwell's primary literary legacy. He contributed the phrase "Big Brother" to the language, and is remembered... if at all...as a novelist and social commentator.

But Orwell was much more than that - during the Second World War he worked for the BBC as a commentator, essayist and writer. He was a consummate professional, a brilliant satirist, and an indefatigable correspondent. He volunteered in the Spanish Civil War and wrote "Homage to Catalonia" from his experiences.

What is more surprising is that Orwell ...who died at 46... left voluminous essays, letters and reportage which have been compiled in four thick volumes by Sonia Orwell and Ian Angus. * (George Orwell: Collected Essays, Journalism and Letters; Volumes 1-IV, Nonpareil Books, 2000), and in his Collected Essays.

. He lived as a tramp for a while, got arrested for being drunk, worked low-level jobs and wrote "Down and out in London and Paris" from his experience. Orwell struggled personally and financially; his first marriage ended with h is wife's death, his second was short, and he was usually broke. That changed with the publication of l984 and Animal Farm...the latter a satire on the Russian Revolution. Ray Bradbury's classic "Fahrenheit 451" owes a debt to Orwell. His BBC broadcasts during the War were classics.

In his short life, Orwell produced a huge body of work: his Collected Writings run to 20 volumes, and his essays fill four books. He is one of the major figures of 20th Century English writing.
Major Works

"Down and Out in London and Paris" 1933
"The Road to Wigan Pier" 1937
"Homage to Catalonia" -- 1938
"1984: 1945
"Animal Farm" 1949
"Selected Essays" 1957
"Orwell: The War Broadcasts" 1985

Excellent book, but I am not sure the distinction is between Western and Oriental tactics. I suspect that American Indians, frontier scouts, the British SAS, U.S. Special Operations community, etc...would be very familiar with, and skilled at, these tactics.

A classic dilemma that resurfaces every time we go to war. Militaries, at least in the West, prepare to fight the last war and not the next one. As a free society, the public tends to forget the hard lessons learned and shuns warriors during times of peace. The end result is that we constantly are reinventing the wheel after every war/generation.

Victor Davis Hanson, in a recent editorial in the City Journal called Why Study War, gave a perfect example from the Post-Vietnam era; "The public perception in the Carter years was that America had lost a war that for moral and practical reasons it should never have fought--a catastrophe, for many in the universities, that it must never repeat. The necessary corrective wasn't to learn how such wars started, went forward, and were lost. Better to ignore anything that had to do with such odious business in the first place"...."A wartime public illiterate about the conflicts of the past can easily find itself paralyzed in the acrimony of the present. Without standards of historical comparison, it will prove ill equipped to make informed judgments."

A well-written and important book that provides an in-depth analysis of small unit tactics.

Danger, danger, is very much the message put forth in this book and it should be heeded before it is too late. Some reviewers have mentioned Sun Tzu and his rules of warfare. Sun Tzu puts forth a very reasoned and systematic set of rules that define a nations path to victory or defeat. By definition, our present leadership has us solidly on the path of defeat. Our people in the field have to both fight our Eastern enemies as well as carry a great weight of poor leadership at the highest levels. This book is very informative and is for the most part, completely accurate and frightening.

The idea that hardware superiority alone can replace common sense is ludicrous and this book digs deeply into this. I remember seeing news footage of our troops in Afganistan heading up into steep mountainous terrain encumbered with huge heavy packs and body armor. They could barely move. They should have had only their clothes, rifles, ammunition and food and water and some good lightweight footwear. If you are going to fight an Apache you have to be an Apache. It seems at times to me that our soldiers are forced simply to carry as much weight in useless (and expensive) contractor equipment as a mule. Small unit combat and the tactics that win in this arena will be the deciding factor. Something also needs to be done about our so called free press. This game is for blood not for profitable commercial air time and these people should be subjected to the sort of censorship that our country used in WWII and the sooner the better.

I feel also that some of the opinions voiced on China are a bit over the top. The Chinese wish to better themselves and are not necessarily motivated by a desire to hurt us per se. It is very possible that in future that the Chinese could help us. They should not be blindly antagonized. They think and plan in a fashion that is very, very, long term. Our own leadership is cripplingly shortsighted in strategic planning.

I have lived and worked in the Mid East for a number of years and my personal opinion of the Iraq war can be summed up as follows:

1. The US leaves Iraq now and the country will dissolve into a bloody civil war.

2. The US leaves later and Iraq dissolves into a bloody civil war.

This book documents many of the reasons why this is so. Anyone who cares about the future of our country and indeed the world (China included) should read this book.

A sure test of talent and knowledge is the challenge of taking a very complex subject, explaining it in understandable terms and then offering solutions along with the understanding. My very brief stint in the Army ended long before Vietnam called the younger brothers of my generation. From the news reports it appeared that we suffered so many casualties only because the enemy was "sneaky" and prepared to die. How could the US lose to people who could not afford shoes?

Poole does a great job of bridging the gap from Sun Tzu to the muddy jungles of Vietnam and the significance of the lessons to our maneuver warfare. It is no accident that Boyd associate Willian Lind wrote the preface.

Poole finished the book just before 9/11. Our experience in Iraq and the Israeli experience during the past year show that we have much to learn. After 50 plus years of victories over various armies, the Israelis lost to what most consider a rag-tag army. Other than their heritage, they are as unlikely to defeat the Israelis as the sandal clod Vietnamese.

Poole's book is a gift to the small unit soldier and perhaps a greater gift to those in higher command who will order soldiers to assault targets with little understanding of what they may be facing. It may be at a distant command post or in the case of Somalia the commander flying overhead at 2,000 feet but unable to understand the river of lead flying down the street as he instructs troops to consolidate their positions.

This is a great aid to understanding current events and history from the comfort of your easy chair while balancing a martini on the arm. However, my sense is that it is far more valuable as a gift to a young trooper. In addition it should be mandatory reading ( along with Sun Tzu and Boyd's briefing slides) for every reporter who covers wars and "low intensity" conflicts.

Reading the book makes you appreciate Poole but feel uncomfortable with the contents. A great contribution.

As with all of Poole's works, we are treated here to an excellent analysis of the tactical sphere of war. This time, from the eastern fighter's perspective. Written, I believe, pre-9/11, the work itself is a thorough offering of actual techniques and wartime practices used by small units against western forces, but it is most remarkable in that it outlines in a concise and friendly manner what most analysts still fumble over on MSNBC.

In the world of tactical operations and small unit tactics, we can not ask for a better teacher than John Poole. Keep a close eye out for any and all of his works, for they have a lot to say about how and what western forces will fight for the next fifty years.

NOTE: This work makes a perfect companion to the author's "The Tiger Way," which outlines the ideal western method for combating such tactics.

I read all these reviews and in the main agree with them. However, the real "way of western combat" is exemplified right here: we -- AT THE BOTTOM LEVEL -- are discussing all this and implementing it as we go. And as another reviewer mentioned, our soldiers are getting at it and learning from this NOW. Here's the clincher: does the oriental soldier or citizen do this. No way. It's not in their culture. Hasn't been for thousands of years. Unlikely to be unless huge changes occur in their citizenry. West = democracy / more free / BOTTOM-UP APPROACH. East = tyrrany / less free / TOP-DOWN APPROACH.

SUMMARY: I'd much rather be in the West facing the Eastern way of war rather than be in the East facing the Western way of war. Let's be data-driven: what is the kill ratio of WW2, Korea, and Vietnam? 40-1? 10-1? And yet, Poole's talk about Japan in WW2 making "infantry the most valued weapon". What?! Americans (and all European armies before them all the way back to Alexander) don't line up rows of infantry and charge across open fields to be mowed down. Doubt it? Guadacanal. Korea. etc. That's the "cultural" difference highlighted here: we value life, even a single soldiers.

Further reading: Carnage & Culture, by Victor Davis Hanson.

Robin Cody, Ricochet River (Knopf, 1992)

So there was a big flap a couple of years ago about the new edition of Ricochet River, which got edited (in Cody's words, "I toned down one passage and cut another...") before being reprinted. So I figured I'd get my hands on it and see what all the fuss was about. First and foremost: I entirely disagree with the assertion (in the same interview from which I took the last quote-- Rachel Simon's January 26, 2005 piece in the Oregon City News) that "...sexuality is peripheral to the actual story, Cody said...". It's a coming-of-age story. Sexuality is central to it. Looking beyond the coming-of-age motif, however, sex stands at the heart of this tale of three friends on the cusp of college-- Wade, the high school sports star; Lorna, his girlfriend; and Jesse, the new kid, who's better at sports than Wade, but has a lot to learn, and a lot to teach, about life. As the book opens, Wade and Lorna are at the start of a rough patch that lasts off and on throughout the novel, and Jesse, seeing a woman in possible distress, moves on in, which colors the relationship between the three of them. How can sex be peripheral?

That's not to say that sex is the only thing explored in this novel. There's a great deal about salmon, as well (though the salmon and the sex do tie into one another intermittently), and family ties, existential teen angst, friendship, individuality, the raw deal given the Native Americans, and a whole lot of other stuff. But Wade, Lorna, and Jesse are the focus of the story, and taking away from that, however little, undercuts it. This is a good, solid novel, and it deserves to be read in its original form. ***

RICOCHET RIVER
By Forrest Joe Hess

I'm writing a paper on the story Ricochet River. And I'm trying to determine to see who is the main character of the story and in my opinion I think Jesse is the main character,
Because he's always in the story and he's always doing sports better than every one. Like baseball, "He switched his glove to his other hand. Than he wound up with a mirror image of that hose we'd all seen and whipped another bullet. Right-handed! I was stunned. The pitch was a perfect strike." Or like football, "Jesse was open all night. The first three times we got the ball, he scored twice on an end around."

Jesse loves to tell stories about a guy named coyote. Coyote and Jesse have a lot in common. There both rebellion and athletic. These are the stories Jesse loves to tell, he will even tell them in class. "Huckleberry told Coyote to tie a thong to the spear, so he could haul Wishroosh in. Ho, said Coyote. That's what I was going to do. That was my idea all the time."

Jesse is always getting into trouble, its ether stealing from a store of getting into fights or even shooting pet animals. "The point, and it just made me sick, was we had just stalked and killed a farm-fat defenseless cripple."

Having myself grown up in a small Oregon town in the 1960's, I can assure you that Robin Cody has accurately captured this experience for others to share. He has woven a rich tapestry, taking you into a one-industry community, where local high school sports heroes reign supreme and small town mentality clashes with any thing, person or idea that--simply by being different--challenges the cherished status quo. Where bright young people who dream of a life beyond the city limits despair of ever escaping.

Robin Cody's profound understanding and respectful rendering of all cultures represented--small town; timber industry working class; teenagers and Native Americans--makes him my Tony Hillerman of the Northwest.
Katherine Lawrence

I am an avid reader, but tend to gravitate towards more "feminine" books in general. However, Ricochet River was a hit with me from the start. I really enjoyed the masculine, teenage point-of-view, despite my being an adult female. It was believable, funny, and good for any age. This new version has been slightly toned down to make it more appropriate for younger readers, while retaining its draw for older ones.

Robin Cody's award-winning RICOCHET RIVER is available in a new and improved 2005 edition. The author chose to revise his manuscript for high-school audiences, with the help of the editing students at Portland State University's student-run Ooligan Press. Re-reading his work after fourteen years, he found he could make distinct improvements. His legendary coming-of-age story, originally published as an adult novel by Knopf, is now stronger and more vivid than ever. Every parent of a high-school student should find it wonderfully appropriate reading. Anyone of any age who lives in the Pacific Northwest will benefit from reading this book. Place is a major character, and the story is tremendously enriching. I wish I'd read it when I moved to Oregon thirty-five years ago, and I've hastened to order copies for my born-in-Oregon children.

great product, great price and i really like. a great way to get the book on a student stipend.

As both doctor and founder of a EchoScribe Inc, a leading internet based medical transcription company, (www.echoscribe.com) I must recomend Stedmans as the dictionary that all physicians must own. There is also the PDA version that is also a good carry. It not only provides a quick reference, but in writing medical letters, and transcribing documents, this book is a "medical must have."

I am a transcriber and Stedman's Medical Dictionary is necessary for my work. It is invaluable. I also love the illustrations for clarification.

This medical dictionary provides simple definitions on key
terminology in the field of medicine. Some simple definitions
include the following:
- antigen involves the immune response
- a virus is incapable of growth beyond living cells
- bacterium multiply by cellular division

The volume contains the human anatomy in full color pictures.
For instance, the following parts are depicted:
- skull
- head and neck
- musculature
- cerebral hemispheres
- disc anatomy
- heart anatomy
- classic fractures and radiography depicting the events
- foot joints i.e. interphalangeal joint, tarsometa tarsal
joint, ankle joint

This medical dictionary is perfect for the science student
in your house. In addition, the book will complement the
existing personal library of medicinal acquisitions.

A great resource, I recommend the CD version for saving a lot of time and effort ... only if you can have a computer on while you're studying.

We first saw this book at our local Children's Museum. After reading it, I had to have this as part of our home library. The illustrations are so original, as is the funny story. It makes us laugh each time we read it together. Plus, the final soup is made of lots of different kinds of vegetables--a great healthy meal reinforcement for your preschooler.

My grandmother used to tell me this story and now I can pass that on to my grandchildren who unfortunately do not live in the same state. It's a wonderful story (with lines I still quote as an adult!) and terrific illustrations that will make you laugh right out loud.

The juxtaposition of the photograph-like mishmashed black and white backgrounds with the colorful illustrations of characters and key items make this book fun and interesting to look at. The twist on the nursery rhyme is hilarious and easy for children to identify with. My child loves to point out the different animals and vegetables and always laughs throughout the story (a lamb hanging out in the diswasher, etc gets lots of giggles). Makes vegetables fun.

We just love the cadence of the words, so fun to read. And the art is so unique, mixing photography with drawing of the characters. My 3 year old picks this one over and over. GREAT gift for a vegetarian friend! (the lady in the book gets so fed up going to Market and managing the animals and fish she has purchased, that she finally gives up and makes veggie soup for everyone~animals included) We are not vegetarians, and this book in no way was preaching Veganism...but it would be appreciated on another level by a Vegan I think. Just buy it...its great.

Anne Miranda made a fun story out of a small nursery rhyme.

The book keeps the rhythm of the old rhyme but you will have trouble keeping it as the artwork has many things to take you away from the story.

The pictures made my daughter stay on each page for a little while as she had to see what happened as each animal started to trash the old lady's house.

It's a great little book and I have had to read it every night. A couple times in fact.

My wife and I recently came back from a 2-week RV trip from Alaska exploring as far north as Chena Hot Springs and as far south as Seward and had a wonderful time. This guide book helped us tremendously on our journey because it was easy to use, accurate, and comprehensive. If and when we do decide to return to Alaska for another trip, we'll be sure to buy the same guide and the latest edition.

This is great for the RV's not so good for tent campers and Motorcycle Adventure tourers.

Since we will be camping most of the time while in Alaska, this book is a great guide.

This guide is a little dated (3rd edition - 2005), but it's not hard to cross reference the campgrounds in this guide with a more recent (Trailer Life) guide, so that's not a major problem. The campground descriptions are spot on, but the feature we relied on most was the "Big Rigs" symbol. We pull a 32' 5th wheel, so we're not really huge, but knowing you can maneuver before you enter a campground is worth it's weight in Alaska gold.

This is a GREAT book! I highly recommend it if you are planning a trip to Alaska. It is VERY informative and VERY detailed. I enjoyed it immensely and I know I will take it with me when I visit Alaska next year! Thanks to the authors for such a great book!

The book really speaks to the most urgent problem in todsy's workplace in my view: lack of trust. As we are all asked to do more with less (time, people and money), it is more important than ever to establish and sustain trust in the workplace. The techniques and skills set forth in the book are applicable to every walk of life. I highly recommend this book for anyone who wants to improve their relationships with others, as well as with themselves.

Hi - this book has helped me explain to my employees and colleagues the importance of trust in the work place and how we can enhance it.

We've probably all experienced that really bad job that drained every bit of creativity, energy, and enthusiasm we had. Perhaps you had that overbearing boss who had unrealistic expectations or that supervisor who wouldn't just trust you do your work. Maybe you worked in a place where suggestions or attempts to solve problems were quickly quashed or met with anger.

Trust and Betrayal in the Workplace unequivocally illustrates that such situations not only make the job a hassle but also inhibit the potential productivity of all employees. Basically, as the employee realizes that he or she (or others around them) is being devalued, he or she becomes less committed to doing the best job possible.

Dealing with the resulting morale issue is extremely challenging. Even if the actual problem is addressed, often lost trust is difficult to repair. For instance, if the company attempts to encourage employees to report potential problems, few will likely come forward because they can't possibly believe that they won't get yelled at or have their issues ignored once again. Trust and Betrayal in the Workplace explains that this situation need not be futile. There are ways to rebuild trust and address past issues to create a stronger, more productive business.

This is an excellent work that cuts through the typical babble that fills many pages of others books on the subject of trust. The content is exceeding meaty. The organization of the material is first-rate. One of the very best books on the subject. Highly recommended!

The Reina's develop understandable definitions and offer a well researched and thought out framework for both the development and practice of trust. They also offer practical and accessible vignettes and case studies illustrating the 'trust behaviors' that are so crucial to effective organizations and relationships.

Probably the most powerful part of the book is the section on Betrayal. Betrayal is a huge factor in our lives and we rarely talk about it. This book offers a language, method, and solution for both talking about betrayal and beginning the process of healing from it.

This is an important book for people interested in getting to the root of systemic problems in institutions, families, and relationships.

I highly recommend it!

Well written history is a rare treat, and rarer still is a history by one who lived through it. Grant writes engagingly and humorously and with great humility for a man who achieved so much. That he wrote this in the throes of cancer, finishing it on death's door and yet has no sence of savig himself or self pity is remarkable. It's a pity there is no one like this in the elections.

References to political memoirs often suggest that Grant's memoirs are some of the best ever published. Have worked my way slowly through almost 800 pages of his memoirs, the accolades are deserved. Autobiographies by their nature are bound to be someway self-serving (he makes no reference to his well documented drink problems) and I am sure many historians could pick flaws with some of Grant's recollections, but the book is exceptionally well written and interesting. To my surprise, the author comes across as being compassionate and showing a high degree of empathy for many he fought against during the civil war.

He is very honest in his commentaries and is not afraid to be critical of US policy. The Mexican-American war (1846-1848) was unnecessarily provoked and in his opinion "the war which resulted, as one of the most unjust ever waged by a stronger nation against a weaker nation. ... We were sent to provoke a fight, but it was essential that the Mexicans should commence it."

Grant is not shy in admitting that especially in his early military career, he was often frightened and would rather have been somewhere else when the bullets were flying. He is also self-effacing and sometimes humorous about his impact in early combat situations. "My exploit was equal to that of the soldier who boasted that he had cut of the leg of one of the enemy. When asked why he had not cut off his head, he replied: `Someone had done that before.' "

Grant is a very good storyteller and has an excellent eye for detail and description. His contrasting profiles of Generals Taylor and Scott whom he fought under during the Mexican war are models of clarity and painting pictures with words.

His account of the civil war contains numerous interesting anecdotes including one instance when inspecting a picket line which was close to a Confederate picket line. After his picket line called "Turn out the guard for the commanding General," he heard a similar command from the Confederate picket and a reference to General Grant. The Confederate line saluted "which I returned." - Amazing!

Obviously, the bulk of his memoirs relate to the civil war. He suggests that he was of the same mind set as Secretary of State Seward, "that the war would be over in ninety days." Grant is very respectful of many of his former colleagues who fought against him during this war. He has little respect for the "Demagogues who were to old to enter the army ... others who entertained so high an opinion of their own ability that they did not believe they could be spared from the direction of the state of affairs," but who constantly poured oil on the secessionist fire.

He lauds many of his comrades including Generals Sherman and Sheridan. While respecting Secretary of War Stanton, he does not appear to have been a great fan of his style of management. He also writes approvingly of Confederate Generals Longstreet, Lee, Bragg, Joseph Johnston and others, and takes great delight in ridiculing the military genius of Confederate President Jefferson Davis who he obviously despised. Grant writes sensitively of General Lee and the surrender at Appomattox.

The author believes the death of Lincoln was a disaster not just for the North, but for the vanquished South. "He would have proven the best friend the South could have had." Interestingly, Grant makes no reference to the Gettysburg Address and to the best of my recollection only references the Battle of Gettysburg but once. He was otherwise involved in the Battle of Vicksburg at the same time.

I glossed over some of the detailed military and battle descriptions in this book, but overall it is a great read. It is also interesting to note that the book saved Grant's penurious family from a life of poverty. Published by his friend Samuel Clemens, these memoirs became a bestseller after Grant died from throat cancer.

U.S. Grant is often said to have been a failure at everything in his life except his marriage, war, and his memoirs. The latter, written as he was dying of throat cancer in 1884-1885, provide a straightforward account of his years in uniform during the Civil War.

Grant passes quickly over his Ohio boyhood and time at the United States Military Academy. His service in the Mexican War and his financial misfortunes out of uniform between the wars get only slightly more coverage. His story really begins with his return to uniform in 1861 as a commander of Illinois volunteers. The narrative follows Grant's campaigns in Missouri, Tennessee, Vicksburg, Chattanooga, his elevation to supreme command of the Union Armies, and the final grinding agony of the war in Virgina. The account ends with the cessation of hostilies in 1865.

Grant's memoirs are remarkable reading for a number of reasons. First, they provide insight into the first-rate military mind of a consistantly successful general. Grant's ability to determine the essentials of a situation and remain focused on them are evident. Second, the memoirs are a classic example of clear, simple, English narrative. Third, they display the considerable modesty of a naturally reserved man, a departure from the egotism often found in the personal memoirs of famous men. Grant himself continues to be something of a mystery to historians; these memoirs do not really lift the veil of his sense of privacy.

The Union Army of the Civil War had more than its fair share of politicians in uniform and politically-minded generals. Grant was not immune to spinning history his way; careful-eyed scholars have found more than a few instances where Grant remembered only part of the story or settled a few scores with old opponents. Nevertheless, Grant's memoirs are a valuable resource for understanding the conduct of the Civil War, not least because Grant became such a key figure in the winning of it.

Grant's memoirs are highly recommended to students of the Civil War, and to scholars seeking to understand the art of war in the midst of rebellion.

General Grant's use of the English language is very interesting and informative. Absolutely a pleasure to read.

This book is a must-read for any Civil War or American history buff. Grant's writing is consistently clear, elegant, beautiful. He gives an engaging account of his wartime experiences that are accurate to the best of his ability, and he writes with introspection and humility. The personal letters at the end of the volume reveal much about this fascinating man, and are a welcome addition. Please read this one! Another wonderful book in this series is the volume containing Frederick Douglass's autobiographical works.

The Lunar Module (LM) is an incredibly complex engineering marvel that was used as a temporary home for 12 astronauts on the harsh lunar surface. It was also a landing vehicle and a launch vehicle. As an engineer by education and experience I find this vehicle breath taking.

It is fascinating to see the complexity of all of the systems on the LM. Extremely well illustrated, this book provides an excellent overview into the work that went into developing the vehicle. One can see by the sophistication of the LM that the training necessary for the astronauts to competently operate it was serious business. Even more amazing is that this is just the high level view of this marvel. Each of the systems: Radar, propulsions, life support, instrumentation (and more) have many more layers of complexity!

This book and Virtual Apollo about the command and service modules (also written by Scott Sullivan) are both worth the read for anyone interested in the space program or engineering marvels, or both!

Virtual Apollo: A Pictorial Essay of the Engineering and Construction of the Apollo Command and Service Modules: Apogee Books Space Series 30 (Apogee Books Space Series)

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

This book is how I'd like to see a lot of other aerospace subjects covered. It gives a vivid and easy to understand perspective of all the little ins and outs to the subject. The level of detail is unprecidented outside of an engineering office. The autor obviously has a love affair going on with autocad.

I always wondered what the heck is behind that flat panel on the back of the LM ascent stage. Now I know! And you could too if you buy this book.

This book is great! The renderings are very thorough. My one regret is that I wish there were more photographs of the items that were rendered. But this being the internet age, you can find most of those on the web!

"Virtual LM" provides a detailed pictorial explanation of the Apollo Lunar Module and its "baggage" - the ALSEP packages and Lunar Rover. Carefully drawn color-coded diagrams explain the structure and systems of the Lunar Module, showing detail from several different angles. If you have an engineering bent, and love (or need) to know how things work, this is the book for you. If you want an overview of the Lunar Module - this book gives you more detail than you will ever need to know.

The Apollo Lunar module was born from the concept that a single lunar vehicle would be too large for any rocket booster concepts at the time. A man named John Houbolt persued an idea that if 2 vehicles could rendezvous in lunar orbit vs. trying to build a complex lander and orbiter in Earth orbit, a single, smaller launch vehicle could do the mission.
NASA bought into the revolutionary idea in 1962, and the race to the Moon began in earnest.

Scott Sullivan has produced a beautiful testimony to the first manned spacecraft to land on the Moon. This book will be "must buy" for all the engineers that will build the new Orion Lunar Lander. Sullivan shows in beautiful illustrations what was put and where on this ungainly vehicle that was never designed to return people to Earth. His masterful use of pictures and text pulls back the foil, so to speak and lets the reader discover the simplicity that allowed the eagle to land. He shows the differences between each LM, and where they put the car!!!

An excellent companion to HBO's miniseries-"From the Earth to the Moon".