S Books

I wanted to know the real scoop for years on the Geronimo Pratt case. Although I'm not yet finished reading the book, it is very obvious that Mt. Pratt got screwed, like so many others caught up in the "good old USA" system. Obviously this one is a case of racial prejudice, but it could have just as easily been some other kind of prejudice. It is clear that the concept of "innocent until proven guilty" is just a nice theory that should be strictly adhered to but rarely is. The presumed guilt is clear from the get go on the part of the police. It continues on to the top with lies and deception on the part of the police to get a conviction at any cost, especially with regard to the truth. It's frightening and a relief to know it's not me. But next time it could be me, or anyone who gets targeted by individuals in a position of power, who have no integrity, and don't give a hoot about the constitution of the US.

This is certainly one of the best books I've ever read. Jack Olsen did an outstanding job of weaving together all the facts in a highly readable narrative of one of the most blatant chapters of injustice in 20th century legal history.

I already had considerable knowledge of the case before I read this book. In the early 1990s, the case was being publicized again. I was a reporter for Wave Newspapers in Los Angeles and journeyed with a co-worker to the state prison at Tehachapi where Pratt was then being held and we interviewed him. I then wrote several stories about his situation.

Pratt was imprisoned for 27 years for a crime he clearly did not commit. The prosecution was part of the FBI's notorious COINTELPRO operation-essentially a war against numerous dissenting groups in the 1960s including the Black Panther Party. As Olsen makes clear, in Pratt's case this also involved LAPD and the L.A. County District Attorney's office.

Pratt was convicted of the December 1968 Santa Monica tennis-court murder of school teacher Caroline Olsen. There was considerable doubt about the credibility of key-witness Julius Butler, who had a previous falling out with Pratt, and was later proven to be an informant. (When I was a reporter, I actually contacted Butler. He yelled that he was "tired of this" and hung up on me.) Plus, numerous other Panthers could have confirmed he was at a meeting in Oakland the day of the murder but most wouldn't testify because of a severe split in the ranks.

Appeal after appeal was turned down despite more and more evidence being discovered pointing to Pratt's innocence. In all probability the crime was committed by two low-level Panther members to obtain money for drugs.

That ties in with the only complaint I would make about Olsen's book. He really glossed over the fact that the FBI and police campaign against the Panthers (which I am not defending) was not just because of their militant political rhetoric. They had a lot of criminal types within the group.

Regardless, this is an extraordinary book about another era and the governmental abuses of that time. Johnnie Cochran redeemed himself in my eyes by getting Pratt released. That was after he was involved in a travesty of justice, himself, by getting O.J. Simpson off. But that's another story.

The courage and essential goodness of Geronimo Pratt, in spite of receiving a life sentence for a crime he did not commit, is truly inspiring. This is a wonderful book.

Geronimo Pratt had one of the most honorable and incredible lives I have ever heard of. This book documents his entire life, from is Morgan City childhood to his unjust incarceration for the murder of Caroline Olsen. I literally had trouble putting this book down. It is a great read for anyone interested in the judicial system, the FBI's COINTELPRO, the Black Panther Party, and racism in general. READ THIS BOOK!!!

This book should be mandatory reading for every black person when they turn 15 years old. To read what the gov't put this man through was utterly shocking. After you read this book read "The Judas Factor - The Plot to Kill Malcolm X." You'll be numb after reading these two books back to back.

Lee: The Last Years

This is a wonderful book about a wonderful man. Although Robert E. Lee is most remembered as a General, for most of his adult life, he was an engineer and educator (although in the army). Mr. Lee could have become very wealthy after the war by simply allowing his name to be used commercially. However, he wanted to make a contribution and did so by accepting the position as President of Washington College. He seldom spoke of the war and brought no military flavor to the College.

There is an argument that Robert E. Lee is responsible for more American dead than any other single individual. The difficult part of this book is tying to tie that Robert E. Lee to the man he was in his last five (5) years. He played Santa at Christmas, broke up a lynching, stroked the ego of his horse Traveller, was a good family man, looked out for the under dog and took care of his students, even when they were in trouble. How he handled all these situations, often minor by standards of the war, brings out the essence of the man including his character, values, wit and subtle humor.

I have read/studied history and biography for 40 years. I have spent more time on Robert E. Lee than any other individual and this book someway brings all my study of Mr. Lee together and puts it in perspective. I highly recommend this book to anyone with any interest in American History. Thanks Mr. Flood.

Outstanding biography of the man. Much has been written about the general, this book brings the humble father, husband and Christian man to life.

I've long considered myself a student of Southern history and the Civil War. Heck, I've been a historian at museums so I think I have a pretty good knowledge of the Civil War era. Furthermore, I live in Virginia and have been to the campus of Washington and Lee University. However, nearly every page of Charles Bracelen Flood's work on Robert E. Lee's post-war years is full of information I've never heard about. Flood has used many differing sources to pull together a wonderful, highly readable account of Lee's years after the war, how he came to be President of Washington College, and his role in the reconstruction of this country. What jumps out off the pages is that for as much as Lee has been studied and idolized for his exploits on the battlefield, his postwar years as President of the college should get just as much press. While Lee did not think defending his native state was wrong, he did wish for both North and South to reconcile as quickly as possible. After reading the book, I still do not think Lee is the god that some people hold him up to be, but he does stand out as a good man who wanted to bring the nation back together while also helping his fellow Southerners get back on their feet. While Flood's writing can be unimaginative at times and I thought he threw in little stories and vignettes that he didn't need too, the book is excellent overall and should be a must read for anyone interested in Lee. However, the book is such an easy, good read that I think almost anyone should pick it up.

Bracelen Flood clearly does extensive research in order to render this intimate and engrossing portrayal of Lee.

Lee: The Last Years was well worth reading. A must for anyone who wants to know a little more of the Rest of The Story about a fine American, though much misunderstood.

the author brings us back to april 1865 during the last days of lincoln administation and to the death of the president and the hunt for the people who plotted and carried this horrible deed. the focus is mainly on jonh w. booth. his captured and death and soldiers and regular people who accomplished this mission are brought to life like it just happened, not over 140 years ago. excellent writing made to book an easy read.

This has to be one of the most fascinating ,interesting ,and probably the most factual treatment of the trial and execution of the assassins of President Lincoln.
There are several reasons that this book is so outstanding.It's large size,9 1/2 X 12 inches is required to do the photographs justice.The paper, quality,printing ,color reproduction and overall construction are supurb.The two authors are outstanding in their knowledge and long time interest in the subject.It has a selected bibliography that must be as good as one will find on the subject.The organization of the book makes it a clear ,concise and easily absorbed chronology of events that was probably even more captivating in its day than the period after the Assassination of President Kennedy.
The book also shows, as a besides, the difference in the art of photography in 1865 compared to what we have come to take for granted today or in the time of Kennedy's assassination. The fact that newspapers did not even have the ability to print a photograph. Photographs were not even available until several days after taken,and forget about color photography then. Come the advances in 100 years and we watched events live and in our living rooms with the assassination of JFK.
Compare this advancement in recording and speedy dissipating of information with the regression of and the drawn out, convoluting that takes place in the legal and justice that has become the norm today. Absolutely amazing in both cases.A few weeks and negligable expense in the case of Lincoln and years and untold millions with Kennedy.There has been great advances in the information processes and just the opposite in the legal and justice process.
Getting back to how the assassination is covered in this book. The authors have been able to make the reader feel that they were living at the time the event took place and convey what it might have felt to witness those great events taking place.There have been many books on the subject,and it was complicated;but the authors have boiled it down to the essentials.The hundreds of photographs,illustrations,reproductions and illustrations are a real treasure trove that have been collected and assembled in a way that obviously must have talen taken lot of time ,knowledge and contacts.
If you want a book that details the capture,trial and execution of President Lincoln,in a clear,concise way;look no further --this is the book you are looking for.

James Swanson has done a super job at presenting Lincoln's assassins thru the the use of pictures of the individuals as well as documents of the time. An excellent source for teachers dealing with the capture, trial, and execution of those associated with Lincoln's assassination.

I saw James Swanson giving a speech about his other book "Manhunt" and found him fascinating to listen to. he knew facts that I had never heard before and could describe them with such detail I felt like I was watching it happen. I read "Manhunt" and was thrilled to have the details of those twelve days come to life. When I saw this book I snatched it up as quickly as I could. It is the perfect book for both the avid reader and for those who like to look at artifacts and photographs of the era. This is by far my new favorite Civil War book (and I have many). James and Daniel did an excellent job of laying out the story then showing artifacts and pictures from the event. I've looked at this book for hours and am only through the second chapter! Not that it's hard to get through, just fun to look at and read.

This text dovetails nicely with Swanson's recent effort "Manhunt", but more from an artifact perspective than a written one. Many of the pictures are one-of-a-kind, especially Alexander Gardner's entire collection from the courtyard at the D.C. prison where the conspirators were hung. Again, this is not a complete text (nor does it aspire to be), but a great addition to any historical collection regarding the Lincoln assasination.

In our household, we were "bread and buttered" listening to the Clancy Brothers and Tommy Makem. The 33-1/3 rpm Columbia records were scratched and worn from overuse. We would play the records on family occasions and holidays. We would play favorite songs in the mornings during breakfast and as we made ready for school. In hindsight, I am surprised that the neighbors never complained or called the police.

Tommy Makem died last summer. The two eldest members of the quartet, Tom and Pat Clancy predeceased him. Liam Clancy is the sole surviving member of the recording group. This book is a sketchy and incomplete attempt at an autobiography, but it is as good as we are likely to get from this Clancy. Its strengths far outweigh its deficiencies. Readers should count themselves fortunate that Liam remembered anything at all after so many long nights and sexual misadventures. Perhaps, Tommy Makem, who abstained from drinking for most of his life, should have been taking notes for him (Makem wrote some wonderful essays, but I do not know if he ever published a full length book).

Liam Clancy was the youngest of eleven children. One of his problems when the recording group was formed in the USA was that his two much older brothers scarcely knew their youngest sibling at all. They had to introduce themselves to him when he arrived in New York. The Irish ballads and rebel songs (the Irish rebellions always seemed more successful in song than in reality) that the Clancy Brothers and Tommy Makem performed proved to be immensely popular. In addition the Irish diaspora, the authentic songs gained wide acceptance among fans of the Greenwich Village Folk Music scene. Liam Clancy became a fast friend of Bob Dylan.

There is a lovely story of how Clancy dropped his given Christian name while working as an actor in an Irish theatre company. A fellow actor chided him for answering to Willie, telling him that it was an "English" sounding name. He adopted the Gaelicized form and has been "Liam" ever since.

Pour yourself a drink and enjoy this book. Be thankful that the next generation of Clancy and Makem family members have taken up the songs that their fathers helped popularize internationally. Imagine how quiet our homes would have been if Clancy had kept up his father's plans and became an insurance agent!

Liam Clancy's has great literary talent. His bio is a tribute to his family and to his native land. Catholic schools greatly contributed to his native talent for the stage----I am not sure why he makes a critical remark of the Church.

The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.

I never heard Liam Clancy sing until a couple of months ago, when I found a copy of an album called "The Lark in the Morning" that looked interesting, given its cover and its date of the mid-50s. Growing up, The Clancy Brothers and Tommy Makem were heard of but not heard by me--I associated them with Aran knit sweaters, hearty shour-an'-begorra singalongs,novelty tunes, and the kind of kitsch that the previous generation had listened to complacently before the revival in the 70s of a tougher trad scene out of Ireland shook it all up again.

Well, I heard the tracks on "Lark" in the car without knowing who was who since I could not see the CD case listings. But when I finished it, I noticed that the songs that had stood out from the rest were all by Liam C. Impressed, I read the liner notes about one Diane Hamilton, who I had never heard of, and Tradition Records, the label for which "Lark" was the debut issue. But the whole story was not clear, given the brief notes, until I read "Women of the Mountain."

From the title, I expected a tale of lusty drunken couplings and riotuous escapades from the "Folksmen"/"Kingston Trio" era. Instead, an evocative tale of growing up eating mortar and chalk for nutrition during WWII, poverty, clerical abuse, and hardscrabble small-town life in Waterford's Carrick-on-Suir unfolded smoothly and eloquently. Sure, the blarney sometimes is laid on a bit too thick for less glib me, but the stage Irishman tendencies are kept mercifully in check by realism: the death of a sibling, the estrangement from mother and Church, the entanglement with Diane H. (who turns out to be a Guggenheim nearly as neurotic as her relative Peggy G. did for Beckett!), and the adventures on the road, in theatre, and on stage.

One surprise and a reason for four stars is the lopsided nature of the book: the singing takes decididly second fiddle to the stage in the dramatic sense. This was fascinating for me, but it misleads the reader perhaps who by the back photo of the group harmonizing might expect far more about Clancy's musical experience. He mentions, for example, as if offhandedly that he learned the tin whistle. Yes, but how? As a musician, did he find it easy after the guitar? How did it help his reportoire? Did he learn it so the group could expand its range? How does it sound to him? How does he play it? Here, music as enacted comes rather late in the book, in not a lot of detail, and seems rather superficially treated as opposed to other incidents and events.

I do commend Clancy on his delicacy with relating his own romantic and emotional engagements with women and men--he reminds us of the fragility we all possess and the need to recognize humanity in each other. And he makes his point after having earned the right to say so after his own checkered past. He comes off wise without sounding pious, intelligent without acting snobbish, and flawed without playing it up as maudlin. He handles people and places with stamina and wit, and his own coming-of-age here, while cut off while he's not even thirty yet, needs however fuller exposition than is given here. The New York Greenwich Village years deserve more depth than they're given here; the book's unbalanced in favoring much more from his pre-NYC years (nothing wrong with that) and again this may mislead misinformed readers as to its actual coverage of many more early situations predating the group's rise to fame. I also got little sense of how he got along with his fellow group members--granted that two are his brothers--but how the three Clancys got along with Makem who was from Keady in the north and from a different region, musical tradition, and political regime seemed like the sort of detail that could have enriched the book.

I guess a sequel is in the works. Like recent Irish memoirs by Frank McCourt and Hugo Hamilton, the autobiographical account stops suddently, at the height of a self-realization by the author in his formative years. I do not know if this book would have been published if McCourt had not led the way, but resilient Clancy's tale too deserves a wide readership for dispelling (as do McC and HH in their accounts--also see John McGahern's memoir) the myths of recent Irish life, while advocating a return to the more durable and more feminine myths that inspired Yeats, Behan, Synge, Joyce, and the Slieve-na-mBan/Sleivenamon that gives its rounded breasted mountain shape to the landscape that rose above Clancy's hometown.

First of all,there are 17 other reviews;most of them excellent and all deserve to be read.I read a fair bit of modern Irish Writing.The McCourts,Roddy Doyle,Brendan Behan,Morgan Llywelyn,Brendan O'Carroll,just to name a few.What I really like about these writers is their magical use of language.Although I have been a fan of Tommy Makem and the Clancy Brothers for at least 30 years,I have never read anything about them.I had no idea of how much they were involved in acting;let alone that any of them had such gifted writing skills.What a surprise;Liam's skills are as good as his musical talents.
Though not a Clancy,I heard Tommy Makem perform here in Toronto at an intimate club a few months ago.He did "Oh, me name is Dick Darby,I'm a cobbler.";mentioned on page 102.That had to be the best recitation I ever witnessed.
I would like to quote something Liam wrote about his experience in North Carolina in 1956 and he was writing about it nearly 50 years after the fact.
From page 170....
"South Carolina in the spring was seductive with scents of growing things,of magnolias and hibiscus,the air heavy with noontime heat and the swampy buzz of katydids and flying critters.The nights there belonged to the frogs and bats and flying beetles and the countless mingled smells of a land at rest after a burgeoning day's work fermenting life." Imagine the thoughts of a 21 year old,written 50 years later.
I also had no idea of Clancy's involvment with the people like Oscar Brand,Bob Dylan,Woody Guthrie,Pete Seeger,Odetta,Barbara Streisand,Lenny Bruce,Jean Ritchie,Ramblin' Jack Elliot,Brendan Behan,Diane (Guggenheim),Josh White,Alan Lomax,Mary O'Hara and on and on.
Liam gives a great insight into the world of acting and folk music of the 50's and the 60's. Now that I have read the book,I am looking forward to listening to the tape.
I also have no idea if Liam has a second book planned to cover the last 40 years.I am sure it would be a great follow up.How about it Liam,you're only 70 ,and you must still have lots to tell us.
Thanks.

An interesting work which is probably too subjective to be acceptable to the academic community as such. Coupled with books on killology such as "on killing" it paints an interesting picture of human nature, violence, domination and submission.

The inference about the banality of evil (referring explicitly to the [...] Govt of Germany) has caused a furore amongst those who like their "bad" people evil and exceptional.

This book clearly illustrates that good people do bad things.

An important work and I am sure that it is going to be one of the first books to be put on the bonfire by those who simplify the social interaction of those who commit atrocities.

I also think that it reveals a real insight into American atrocities in Viet Nam and Iraq (amongst other locations that Americans have insisted on using military "assistance" upon).

If your looking to find the blind spot in the American Psyche then this is a great start. Take a look at "words that work" after you read this if you really want to be scared of Americans.

Primary sources are as important in psychology as they are in history. This book gives great insight into the thinking of Stanley Milgram, one of the most famous names in the world of social psychology. The book has some technical passages since he is describing research studies, but overall did not require great effort or time to read--a plus for those of us in the teaching profession. My students will benefit from the background information I learned about Milgram's research, much more information than is included in most textbooks.

Are you and I any different from Heinrich Himmler or Adolph Eichmann? Of course, we want to believe that we are made from entirely different clay than those evil monsters, but reading Stanley Milgram's book, _Obedience To Authority_, will make you wonder.

The book describes an experiment that was conducted in the 1960s by Yale University psychology professor Stanley Milgram. Milgram placed advertisements in local newspapers, soliciting volunteers for an experiment in human psychology. The volunteers were told that the experiment was about memory and learning, but in reality, the experiment was about the conflict between conscience and authority. The volunteers were told to read sets of words to a man, and then test him on how well he remembered them. They were further instructed to administer an electric shock whenever the man made a mistake in remembering the words. The shocks began at 15 volts, and proceeded by 15-volt increments, all the way up to 450 volts. At the 150-volt level, the man screamed in agony and begged to be set free. At each shock level from that point up to 300 volts, the man let out a horrifying scream. At the 300-volt shock, the man stated that he would not answer any more questions. The volunteers were told to treat each non-response as an incorrect answer, and to continue with the shocks. After the 330-volt shock, no further sound was heard from the man.

Happily, the victim of the shocks was an actor who wasn't really being shocked at all. The real purpose of the experiment was to observe how the volunteers would behave when confronted with a choice between cruelty and disobedience.

The results of this experiment were amazing. Two-thirds of the volunteers continued to shock the man, all the way up to the 450-volt shock. Even after the 330-volt shock, when they had good reason to think that they might have killed the man, they continued administering shocks all the way to 450 volts. Only one-third of the volunteers defied their instructions and refused to continue the experiment due to concern for the man receiving the shocks.

This book presents insights into human nature that you will find both highly disturbing and quite fascinating. Think about the implications of Milgram's experiment. Now ask yourself... did Henry Wirz get a fair trial? Did Adolph Eichmann get a fair trial? How can we make sure that there will never be another Holocaust? Did Nelson Rockefeller do the right thing at Attica? Was justice done in the case of William Calley? These are some of the questions raised by this magnificent book. They are questions worth pondering and discussing.

Everybody should read this book.

Just finished reading Obedience to Authority for a graduate seminar, and must say that it is one of the more relevant and insightful books I've read during my training. In this highly ambitious book, Milgram, motivated in large part by the large-scale and gruesome acts against humanity that occurred during WWII, sets himself to the task of identifying the conditions under which "people would defy authority in the face of a clear moral imperative". To his (and this reviewer's) surprise, he finds that when ordinary individuals are commanded by figures of authority to carry out morally reprehensible acts, they lack the intrapersonal resources required to disobey. While his method of inquiry may be shocking by today's standards, I find his experimental designs, variable manipulations, and theoretical contributions as elegant in their simplicity and highly illuminating.

To that end, I strongly recommend this book to scholars and engaged citizens. Not only is it a fascinating read, but it reminds the reader of the importance of moral autonomy in today's world, as well.

The results of the experiments in this book are astounding and make you think about what your own reaction would be.

I am an avid reader of the paranormal. I head a paranormal book of the month club due to my ever-expanding library. When I started reading this book, I found I couldn't put it down. It's very captivating and well written. It's not just about the Salem Witch Trials at all, which is scarcely talked about in this book. This book goes indepth about stories and tales you have never heard about before. I loved it! I highly recommend this book to any lover of the paranormal.

You can tell that this book is something special just by looking at the quirky artwork on the front cover. I must admit that I've never visited that part of the world before, but was surprised to find out that New England has such a rich history of folklore and creepy tales. I love the informative way in which all the stories are presented. They have depth and the author usually always offers a theory as to why the (mostly) supernatural events have occurred. My most favourite story in the collection was "Beyond the Dark Entry". It discusses the demise of a small hamlet by the name of Dudleytown. This story was genuinely creepy. I also loved "From the Mountains of Madness" which details some of the eerie experiences various people have had on the top of Mount Washington. Another thing I liked about this book was that even though some of the subject matter or folklore may have stretched the truth a little over the years, they never fall into the trap of being so far-fetched that you feel like you're being taken for a ride. This was a thoroughly entertaining book and I would recommend it to anyone who is interested in this genre. I consider this to be one of my most favourite reads ever!!

From the title of this book, I was expecting mostly ghost stories. However, this book is unique in its genre, and I was very pleasantly surprised! Although this book has much legend and lore, of which I am not usually a fan, this author's ability as a raconteur quickly overcomes the boundaries of time. These tales are superbly told by a master at his game. Joseph Citro, in his own words, claims to be an "anthologizer." That is exactly what he does here, and he does it well.

The author's ability to narrate a captivating tale is the epitome of the classic New England story-teller, wry humor included. His prose breathes invigorating life into these stories, most of which are "off the beaten path." He will at times make you shiver, and at other times scratch your head. Gathered for your inspection are some of the most creepy, bizarre, and, in some cases, well-documented strange happenings from across the region. Joseph Citro has set himself apart as a top-notch investigator of odd history and unsolved mysteries, a true "Bard of the Bizarre." I am especially a fan of the stories about the sightings of the "Yankee Bigfoot." There were some pages I couldn't turn fast enough.

This collection peeks into lots of New England's nooks and crannies, and should be included in any ghost story, folklore, or mystery-filled library. These strange tales are engrossing, well varied, and unique. I would love to sit down with the author over a roaring campfire, late at night, with only the forest winds howling . . .

Another collection of the incredibly bizarre and truly creepifying true tales of New England from Joe Citro. Not only are these tales so weird, so full of the Yankee spirit, so very scary, but Citro imbues them with the clever, dry-wit of the twinkle-eyed New England storyteller. This book was fantastic. Part of it might be that these places are very familiar to me and it isn't hard to imagine these weird, magical, creepy things occurring in the depths of old New England. Also, these tales are so absolutely bizarre that not even New England's best storytellers (from Nathaniel Hawthorne to Steven King) could have imagined them. I couldn't put this book down, and yet, I couldn't read it at night. Wonderful, scary, and fascinating collection. Grade: A+

What you'll love about this book is that Citro spins a good yarn. His storytelling style reads well, and your eyes effotlessly flow over the words. As for whether these stories are true, he includes some fantastically compelling reasons why they could possible be more than simple legend or folklore. Documentation, methodical investigations by qualified skeptics, law enforcement sightings, journalists, and witness-upon-witnesses, all shared in a non-overbearing fashion. He's not trying to prove anything, he's just tickling our thoughts -- and it works!

The stories themselves are either interesting, quirky, terrifying (or all of the above), and all of them -- I mean all of them -- are utterly unique. Just stuff you couldn't have made up on your own even if you were using hallucinogens!

If you're a skeptic it will challenge you. If you're a person of faith it will make you rethink your pre-assumed theologies. But ultimately this book succeeds because at its heart they're just well-told stories that will chill you to the bone and make you think at the same time.

A friend maintains that "very few conspiracies don't get found out".. this is definitely true in this case, but how many other experiments have been done on children, perhaps wards of the state in numerous states using private agencies subcontracting with state child care agencies that we might never hear about?

Of particular interest is the Fernald school chapter, where MIT researchers befriended vulnerable kids and traded "friendship" and "caring" for doses of irradiated milk the kids were made to drink without their knowledge or consent in Massachusetts.

The release of Eileen Welsome's book "THE PLUTONIUM FILES- America's Secret Medical Experiments in the Cold War" in paperback will hopefully make this important book more accessible to the general public.

Detailing the effort of the US government to test the effects of Plutonium and other radioactive substances on people, the book outlines first the creation and evolution of the nuclear program that created the need for such testing, and then the US government's attempt to conduct such testing on its own citizens without their knowledge or informed consent. On strictly a superficial level there is much here which will attract the "x-files" crowd: Super-secret installations, eccentric scientists and far-fetched experiments on unsuspecting citizens. The kind of information that makes conspiracy theorists sit back from their computers in darkened little rooms, pump their fist in the air and utter that now-hackneyed phrase: "The truth is out there"

Fortunately for the reader, Welsome assiduously avoids such sensationalism and instead draws a largely compassionate picture of the US government's program and of the people who perpetrated it and who participated in it. Welsome's well structured and organized account of the growth of the plutonium testing programs involving critically ill persons across America during the Cold War years teems with information and insight, yet it manages to treat victim and perpetrator alike with a measure of respect and empathy that places this book well above the level of the standard "Shocking Expose". To her great credit Welsome goes beyond merely packaging the results of her extensive research and alarming discoveries in a "tell-all" book.

Certainly, THE PLUTONIUM FILES introduces information which, by its nature is bound to shock and disturb many, but the book also addresses the too-often forgotten issue of context: Was what happened acceptable by the standards of the time in which it occurred? In addressing this question Welsome probes more deeply into her subject, examining the duality, the moral dichotomy, inherent in the decision to implement this program. In a time when the world was still dealing with the results of a devastating world war and the possibility of another seemed likely the need for answers had an immediacy which could be ignored only at the world's peril. Hard decisions had to be made and extraordinary measures taken; Welsome is clearly cognizant of this as she assess each program and as she examines and balances the need against the action and its end result, the author treats the reader to some of her best analysis.

The Plutonium Files- America's Secret Medical Experiments in the Cold War is certainly an important book; one which adds a significant chapter to the recorded history of the growth of atomic science. Despite its scientific topic and exhaustive sourcing the books narrative is direct and engaging, its organization straightforward and its conclusions informed and objective. A book that is well worth its price, Welsome's book would be a great Christmas present for everyone from an avid historian to the omni-present x-files fan; who will find much in here to confirm their most exotic fears. Overall an excellent book for which the author has received two much deserved awards.

This book was completely amazing.

First, you want to be appalled {as well you should} with the amount and type of experiments that were carried out {radioactive cocktails for pregnant women!!}. How could anyone do this to another person??

Then, you think of the people in your own life who have gotten bone marrow transplants, or radiation treatment for cancer. It gets harder to hold the original doctors as evil monsters. Don't misunderstand me - informed consent is a must. How do you inform them of outcomes that are absolutely unknown - how do you start to know?

I thought a lot about this book as I read it, and continue to think about it now that I'm done. I'm sure there must be a middle ground between what they did, and what needed to be done. It is riveting and amazing.

This book has been haunting me since I finished it almost a year ago. How could we justify human experimentation? In the name of national security in the time of war? In the name of national pride in the age of nuclear arm race? Or, simply for the sake of personal career advancement? The answer is: WE CANNOT. What strikes me is that some of the scientists in question were building their career and reputation by conducting these secret experimentation. They were enjoying their fame and success while their victims and many generations after (if the victims still managed to have children) continued to suffer. What disgusts me the most is that even in the final moment of their life some of these scientists still denied any wrong-doing. When I read to that part, my heart ached and I could not hold back my tears, for I was a scientist too. Now a year later, I am still haunted by those stories. But more so I have come to realize a new question: If those experiments were done on other animals instead of human, would the book still raised the same controversy and interest?

This book is scary to say the least. It is well researched and details what is a practice probably still going on today in experiements we do not know about. I was particularly troubled by the Fernald school, where unwanted kids were befriended by MIT researchers who took them on trips and gave them presents in return for the kids drinking radioactive milkshakes. Was some of this done to generate data for use in bringing the first commercial microwave to market by Raytheon?

I was a guinea pig of sorts growing up in state child care and years later was confronted in an interview with what i suspect was a NSA employee as to whether i knew what " a controlled experiment is". As a young child, a former Pentagon official befriended me and tracked me,keeping files for research purposes over a 20+ year period.

Whitey Bulger is alleged to have been a participant in the MK Ultra experiments involving LSD.

I strongly recommend this and Jonathan Harr's "A Civil Action" to anyone!

Rattrap is an excellent book. Because of events like the Kobe Bryant case, one might think that the plot would be straightforward and predictable. It is anything but predictable. Ms Hamilton takes the characters through series of highly charged emotional events that are thought provoking in their presentation. The raw power of life comes through in many of its varieties and is dealt with in ways that leave the reader wondering about life and people in general. While some may feel that these unabashed displays of life are offensive, I find them refreshing. The characters are real and the ways that they deal with life are real.
More importantly, the book is enjoyable. I highly recommend this book and look forward to more offerings from Ms Hamilton.

Great character line it has all the good stuff! The story line is very believable it has a driving movement or action in it. The characters are very news worthy, it has drama,guns,sex,murder,drugs,and it keeps you wondering what happens next. Very good story line very good first book with great imagination, well thought out, Great effort to keep it real. Good job! Ed Abner

"In order to defeat evil, you must understand the nature of evil." This is a profound and demanding statement that occurs several times in Sarah's first novel. In many important ways it is a summary of the novel. Over the course of the novel, the reader is given the chance (choice?) to understand not only the `greater evil' of the main villain, but also the `lesser evils' of the various characters in the novel. The novel also wrestles with the idea that perception creates reality.

RATTRAP as a story can be read on many levels, from the erotic novel to a philosophic discourse on the nature of evil and thus should appeal to a very diverse audience. The novel also contains many vignettes that will amuse, arouse, disgust, enlighten, and entertain.

This one of the most intense and believable novels I've read in a very long time. I look forward to reading Sarah's next novel!

Sarah, I thought this book was fantastic. Read every word cover to cover. Graphic, but not offensive, and I think you displayed a wide array of knowledge and familiarity with sports, pop culture, history, art and so much more. It took me a while to get through all the book, but it was well worth it. A job well done and best of luck in the future.

Jose Romero
Seattle Times Seahawks writer

Having read and thoroughly enjoyed Sarah's stories online I couldn't resist trying her first book, despite the fact that I read very few novels, don't care for violence, and have no particular interest in sports. But it was like getting on a wild carnival ride, once you got into this story, there was no way you were leaving until the ride was over. Be prepared for twists and turns and bumps in the road. Sarah will keep you guessing with her rapid fire short chapter style.
And be prepared to meet some larger than life characters along the way. There are enough bad guys to populate three novels. But for those of us that have witnessed examples of celebrity "justice" in action in recent history, this book will land a little close to home. Sex, professional sports, the criminal justice system, race, gangs, there doesn't seem to be a topic that Sarah is afraid to tackle head on. Where one so young gets the knowledge and confidence to do so and make the book believable and real is beyond me but more power to her. I know that Sarah's goal is to be a full time writer and I think she's well on her way. What a great first book. She's almost converted me to become a novel reader; at least when her second book comes out and I hope that's soon. Bravo Sarah, I just hope you will still have some time to titillate your online story fans as well.

My friends keep telling me I should write a book about my grief, but I think that what Elizabeth Harper Neeld has written is better than anything I could produce. This book is so readable and covers every aspect of grief. My husband died four months ago, and I have found this book exceedingly helpful. Elixabeth put the most important step first "To experience and express grief fully." There are hundreds of ways to run away from grief, but it is necessary "to feel it to heal it." I was given the best advice by a friend who said to "lean into the pain." The second choice "To endure with patience," has helped me be more patient and compassionate with myself. Thank you, Elizabeth for this beautiful book. I will buy it for everyone I know who loses someone dear.

My husband died suddenly in 2005 and I've done a lot of grief work using all tools available-counseling, guided imagery dvd's, bereavement groups, journaling and LOTS of reading. This is by far the best resource and guide for anyone experiencing such a loss. I've recommended it several times and have given it to friends who have lost spouses. Don't hesitate to buy it.

I gave this as a gift to my cousin's husband after she died. He'd read a number of books on the topic and said this book included helpful information that he'd never read before. He gave it to his step daughters to read next since he felt they could benefit from it as well.

Harper Neeld's book is an incredibly detailed compilation of the author's personal experiences in the sudden loss of her young husband, interviews with other widows/widowers, and discussions of phases of the grieving process. I would rate this book highly, along with one of my favorite grief authors, thanatologist Alan Wolfelt (e.g. Understanding Your Grief books). Harper Neeld seamlessly combines her painful, personal story with factual, helpful guidelines to create one of the best written boooks I have read on widowhood. I used the introspective questions with my grief therapist, who liked the book so much that she borrowed it and used it for a class she taught.

After my husband died suddenly, I was beside myself. My aunt insisted on placing this book in my hands. It has been a lifeline to me. I have purchased well over 20 copies of it for friends and continue to haunt my local bookstore when they don't have it on the shelf for immediate purchase. Having read almost every grief book out there, don't waste your money, just buy this one and learn to live again.

Though it is a favorite saying of the book's characters, "dark and empty" is only partially correct in describing this novel. It is indeed dark, but it is not empty by any means; on the contrary, it is filled with rich storylines, plots, counterplots, and enough action to keep things moving.

The amount of combat has decreased from the previous trilogy, but when it happens, it is far more intense than before. Instead of Slaadi, Erevis takes on fellow Shades and even his own God. There is a scene between Mask and Erevis that makes the entire book worthwhile (yet even without it, the book would still merit five stars).

The pacing drags slightly at times, but only because so much is happening that Paul S. Kemp must take time to explain it all. The descriptions are vivid and rich with detail. Even these slow moments are significant. They often involve the political machinations of Sembia, and the causes of the unrest that could very well lead to civil war. Unbeknownst to the mortal politicians of Sembia, unseen hands are guiding events in precisely that direction. A slew of new characters are introduced, and fleshed-out accordingly. One great thing about Kemp's writing is that he subtly helps the reader see things from everyone's point of view. At times, I found myself cheering on the drug-addicted servant of Shar, even though she was ruining the lives of many a good soul. It is this quality-- the lack of preaching and one-sided perspectives-- that really set all of the Erevis Cale novels apart from the typical WOTC fare.

Sex also plays a role in this new book. A number of reviewers have criticised Kemp for introducing Varra into the plot during the last trilogy, yet I think that she plays a key role in Cale's story. She helps keep him human. She represents the mortal hopes&dreams of Erevis Cale before he became a Shade. With Jak gone (though he does appear in this book, for a short while), she is the last bastion of his humanity. She is present in this novel, but most of the sexual encounters involve the main villainess. She, and the rest of Shar's Servants, bring a whole new dimesion to the story. Prince Rivalen and The Leaves of One Night, first seen in the novel 'Mistress of the Night' by Don Bassingthwaite and Dave Gross , show up in this book. I love the way that this series brings so many huge, realm-spanning events and characters into the fold, yet keeps the story personal, the motivations believable and human.

Numerous other characters from Cale's past show up as well. The entire Uskevren clan has a long-awaited reunion with 'Mister Cale'. Erevis' struggle to keep his Shade-self hidden makes this all the more interesting, as does his conflict with the still somewhat immature Tamlin.

The last twenty pages really bring the book together. They contain the most action, and some of the most important plot development, in the entire book. In his usual, infamous fashion, Kemp leaves us hanging three-fourths of the way through a monumentous event. Luckily, the second book in the series has already been released, or else I would be tearing my hair out in frustration. All in all, this series is transcendent for the Realms. I recommend it to anyone who enjoys a good story, and especially to those D&D players who prefer the plot of a campaign over the mindless hack-and-slash. This is truly a thinking man's series.

One final note- the events of this trilogy lead up to the 4th edition shift, for those of you who actually play D&D. This series, and the story therein, plays a significant role in the changes that take place during that one hundred year break between 3.5 to 4th edition; in fact, the spell-plague is a direct result. I shall say no more, to ensure that nothing is spoiled for anyone.

I have read quite a bit of fantasy in my day and I must say that out of all I've read Paul S Kemp's work is truly spectacular. He creates fascinating protagonists that are fleshed out and realistic. None of the things Erevis Cale does is without motivation and reason. The villains that Mr. Kemp created from the last book series defy description and the new villains are just as good. I can say without a doubt that Mr. Kemp creates fantastic characters of any variety.

Shadowbred is a great tale, filled with intrigue, action, Lies, redemption ,character development, and a bit of romance. The story takes a bit of time to focus on the protagonist, Erevis Cale but since this is the first book and the author needed to set the stage for the main plot the delay is acceptable. The book, like all the Erevis Cale books, ends in a horrible cliff hanger that kept me on the edge of my seat all year waiting for the next book. This book is a must have from a great author and I would recommend it to anybody.

Though some parts are a bit slow, I'm really enjoying this series of the Erevis Cale story... probably the best I've read thus far. Can't wait to start on Book 2!

Treachery!

I was minding my business. No, I was. Just perusing through some Forgotten Realms books, wondering what Forgotten Realms was. Breezy little reads, infested with elfs and bearded dwarfs, I thought, though I have played the Shadows of Amn game and Aerie's whinning added winged elfs to my disgust. It was the front cover that caught my attention; the stylised design so artistic I started flicking through the preview. Well, you don't really flick a page you mouse click it and it's not really a mouse . . . Stop rushing me, I'll get to the point eventually.

So I'm reading the prologue and Torm's beard I'm thinking, we got ourselves a cliche hobbit here sans the endless barding, don't we? Some kid excited about skipping stones and good golly a troll attack. Run to mum/mom, fellas, this could get scary. And it was for the kid and his mum/mom, otherwise they wouldn't have been hiding, or were until the troll found them. And while the kid is tossing twigs at it and I'm rolling a saving throw to keep from laughing, the suspense is building to a peak as the troll rears up for the kill---

And a dark man appears out of the shadows, dark sword in hand.

Shadows out, the troll slain. The screams of the villagers, slowly fading. The trolls, now doing the shrieking. And then the silence. The commendable build up of suspense that didn't read as cheesy had even Bane grunting grudging approval. Interest ensnared, I initiated the purchase ritual despite that awful font size all Realms-class books preen themselves with.

I must say I was impressed, very impressed. Kemp dispenses with pretentious prose and pace-slogging descriptions in favour of a no nonsense writing that's pragmatically practical when writing a cast of killers. The irrelevance of whether pragmatically is a word or not aside, Shadowbred is a slick little read of epic adventure. Despite the occasional reference to events of the last trilogy, the book can be read as it is just fine. Villains ranging from calm to homocidially insane, heroes you wouldn't want to meet in a daytime alley, and a talking dog that, ah ... eats shadows.

The Shadovar have recovered a mythallar from the depths of the sea, aspiring to add another upside mountaintop city to their collection. A parasentient battery able to empower magical objects, they need a mind mage to awaken its slumber, and have captured Magadon for the job. Bored teasing Lolth's abdomen, some Shar slut has decided to conquer the world, starting with the merchant cities of Sembia.

Divide from within, conquer from out. Caught between civil war and deceitful allies, the Twilight War begins. Find the book and herald the shadowstorm.

That's a bit of a problem. Guess she forgot Cale's from Sembia.

Get ready to rock.

Enter the Cale. A year ago he was a man. Butler by trade, assassin by profession. Now he's a shade, able to teleport through shadows and heal himself of injuries. But the price has come at an emotional cost to the soul. Erevis is his name; First Chosen of Mask, the deity of thieves. And blaming Mask for the loss of his humanity and best friend, Cale makes for a refreshing hero to read as he fights a war between reverence and resentment.

To find Magadon Cale needs Mask, and with a cataclysm coming Mask needs Cale. On one hand you have Salvatore and his introspective pet drow, who could attack Ao and live to tell the tavern tale. The same swordfights book after book. On the other hand you have Cale, forced to choose between the family he left in Selgaunt and a friend screaming help in his mind.

Because the game has gotten bigger now. Gone are the silly but deadly slaads of the past trilogy. The stakes are higher and Cale is going to need all the help he can get. They're cold, they're assassins, and the lines flow faster than the bodies they sprawl in their wake; and in place of their rival bickering that was classic Kemp, Rivan is back with his signature sneering.

The villains are no less interesting, from the calm and mannered Rivalen, an archmage orchestrating Shar's dark ambitions and apparently 2000yrs old, to Elyril, a sadistic sylph of ruthless amorality sowing political strife. Loyalty is its own reward. Rivalen has murdered his mother to prove his fealty to Shar. Elyril would thank the slut just to be stepped on by her feet. Rivan has finally accepted his second place to Mask. Faced with a siege he cannot repel, Tamlin wars between private ambition and a father's name to live up to. Magadon is losing his sanity within himself. And Cale, his life and humanity flipped over by the deity he trusted, must find that core within himself.

How far would you go to get your friend back?

Shar's own priest, thousands of years old, a shade himself -- bursting through the door, Cale grabs Rivalen by the shirt, shadows sparking violently.

"Where is Magadon!"

The look on Rivalen's face, the sheer chutzpa -- the scene is worth the price of the book alone.

This is Kemp. This is his Cale. This is Shadowbred. And if you're looking for a Realms book that's not saturated with blonde elfs, mindless action and unkillable Drizzt, Mystra's butt cheeks is this the book for you.

I know alot of you who follow R.A.Salvatore are probably thinking to yourselves that if I have read any of the novels by the master of fine fantasy fiction himself, then there is no way I could possibly be serious about the title of this review. Well I am as serious as a heart attack. While reading this novel and the rest of the novels involving Erevis Cale I did, if for only the time it took me to finish said novels, totally forget about the Transitions series that Mr. Salvatore is currently working on. This review, however, isn't about the novels involving Drizzt, so lets get on topic.

Mr. Kemp knows how to create a powerful, evolving main character and surround him with a supporting cast that greatly improve the flow of the story, and do a great job of keeping you interested. Erevis Cale is that character. Although each of the characters in the story are powerful in their own way, Mr. Kemp makes them extremely easily to identify with and become attached to due to their individual character flaws. Whether it is Erevis' attempts at coming to grips with his newfound power, or Drasek Riven's craving for more of it, you will feel as if you have been reading about them for years.

These books are hard to put down. Many authors use different chapters to jump between different settings/events in the storyline, which normally makes it easy to find a stopping point. This is not the case with this series/author. Every chapter ends with something that makes you want to keep reading to find out just how it affects the story in the next chapter.

I picked up this book to give me something else to read while I wait for the next book in the "Transitions" series to come out, and I ended up reading the whole Erevis Cale collection. Now along with Mr. Salvatore and Mr. Knaak, I am adding Mr. Kemp to my list of favorite fantasy fiction authors. Pick this book up and I think you will be as surprised and hooked as I am.