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Related Subjects: Smith Shaw Sabatini Scott Sherman Spencer Stewart Stevens Simmons Stanley Strauss Stuart Stone Shepard Sachs Sheridan
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Hidden GemReview Date: 2008-01-11
A Practioners GuideReview Date: 2007-12-06
Good job.
Great to help an organization start to think about variationReview Date: 2007-11-28
A must for Six Sigma DFSS Review Date: 2007-05-13
Interpreting data is about the patterns, not the pointsReview Date: 2007-03-07

Collectible price: $33.40

Eerily prescientReview Date: 2007-04-17
A classic novel of political intrigueReview Date: 2007-01-29
The novel portrays Washington DC as a snake pit of intrigue and maneuvering, where anything goes in an endless struggle for power and position. It also shows America's capitol as a city which still has a place for idealism and principles. No, these two things are not contradictory, as this novel also shows.
The story moves along at a brisk pace, although it slows down in places. This novel was written in the early 1960s, and thus the story contains certain anachronisms, such as the Soviet Union reaching the Moon before the United States does. The novel also has an intolerant and non-contemporary view of homosexuality, which is unfortunate, but which ultimately does not detract from the story. (The movie is far worse in this respect, incidentally.) No matter. This novel is as relevant today as it was when it was written, at the height of the good old Cold War.
One of the oddities of this novel is that almost all of the conflict occurs within the majority party (although unnamed, it is the Democrats.) The minority party (Republicans) play almost no role whatever, and the novel barely acknowledges that they exist. This is the Democrats of the 1960s, when that party was much more conservative than it is today.
This is an excellent novel that should be required reading for all high school and college students.
Best political novel (series) you will EVER read!!Review Date: 2004-07-30
Holds up after almost 5 decadesReview Date: 2005-05-31
A Shame it Isn't Still in PrintReview Date: 2004-08-16
While Drury's later writing became somewhat stilted and out-of-touch, this book is dead on and creates real and believable characters.
A fun game, for those really in the know, is to try and guess which fictional Senator corresponds to which real-life Senator from the era.
(A freebie- Brigham Anderson of Utah is reportedly based on John F. Kennedy, a surprising development given the... revelations... about Anderson in the book).


Crowley deckReview Date: 2004-04-17
Crowley was a man, I'm sure his potential was higher then any womans could ever be....
Otherwise this deck is awesome and so is the man who is behind them.
Thoth TarotReview Date: 2002-08-23
Nice deck.Review Date: 2002-01-22
Beautiful deckReview Date: 2002-02-10
NOT THE DECK FROM SWITZERLAND!!Review Date: 2004-02-12

HELP!Review Date: 2000-03-26
peace
Not just poetryReview Date: 2005-05-27
Poetry that Pops!Review Date: 2005-05-28
SECRET INTRUSION
CAPTURED
TREE CLIMBER
YOU GAVE ME AWAY
ENDEAVORING TO BE WILD
VANITY
SOME THINGS ARE BETTER LEFT UNSAID
Also, the artwork by Jimmy Abegg which illuminates the background of each poem is bold and brilliant. I only wish I owned an original piece. Enjoy.
Great PoetReview Date: 2000-01-29
An unsung hero among contemporary American poetryReview Date: 2003-06-25
As I have stated, the most interesting aspect of Max's work is by far his exercise in vocabulary and meter. Max is very interested in maintaining traditional meter in most of his poems, bringing to mind, at least rhythmically, the best of Roethke and even Yeats. The poems in particular that demonstrate this talent are the excellent "Queen of the Nile," "Draw Nigh," and "Awake at Night." While these poems are never quite in perfect iambic pentameter, Max clearly knows his poetic devices and uses them effectively, creating his own interesting rhythms within the meter. Even in poems which are free-verse in nature, Max successfully keeps a steady rhythm throughout and displays some creative usage of assonance and particularly alliteration (a good example of both can be found in "My Reoccurring Desert Dream," "Vanity," and "Wilt Thou?"). I would say that this book must be best read aloud to appreciate Max's unique rhythm to its fullest potential (as all good poetry should be).
In addition, Max clearly engages in a breathtaking love affair with word play which is often so clever that the reader will only catch it after several reads. Take the poem "Jordan's Kiss and Then Some," in which Max cuts the word "Mother" in half at the end of a line, so that the word reads "Moth-/er." Here, we are given a clear description of this "mother." By simply cutting the word and emphasizing "moth," the reader understands the motivations and characteristics of this particular character. There are many little details thrown into this book similar to this example, and in addition, Max's vocabulary includes words I never thought could fit into a poem as well as he utilizes them. Words like "retroaction," "placation," and "kamikaze" somehow manage to find themselves seamlessly placed into Max's poems, and they manage to maintain both meter and rhythm. Who knew? Evidently, Max did.
Thematically, "At the Foot of Heaven" is a little more under whelming, but this doesn't make them at all disappointing. Clearly, this book is an exercise in meter and form, so if the themes and images are a bit simplistic, that is only because they were intended to be. Max's poems are not particularly long, but they all serve as interesting and complete thoughts unto themselves. He conjures up some fascinating images ("Tonight I wish to touch the stars./ To swing the moon in my cradle/ To pull the sky around my neck") but none of these images cast any question as to what direction he is going with them. Occasionally, Max finds himself with lines a little too simplistic in nature (i.e. "I would count ever speck of sand/ every bit of stardust to be with you"), but for the most part, he simply concerns himself with creating simple messages of love, faith, and humanity (indeed, the book is divided into sections with these titles) using extremely well-crafted poetic lines and some provocative, if obvious, metaphors and similes.
I must also note the fascinating layout of the book, which is actually a collaborative effort which an abstract painter named Jimmy Abegg, who I haven't heard of before or since. Mr. Abegg has a truly gifted eye for color and striking images, and his work compliments Max's tremendously. If for no other reason, this book is worth owning for Abegg's wonderful paintings. In addition, Max continues to exercise creativity in form often in fonts that he uses for many of his poems. Some of the fonts are so large that single words will overlap one another fill up entire lines. The result makes particular poems literally leap off of the page, in a creative approach that I have not seen before. Neither Max or Abegg are afraid to push boundaries in this book, and the creativity pays off.
A fellow student who is not an English major but who loves this book hit the nail on the head regarding its significance better than anything I could add: Max's fascinating use of form and simple messages very effectively bridge the gab between the literary world and the everyman who is not necessarily interested in reading poetry. Whereas this individual shied away from poetry in general, finding it too intimidating, this book, in its creativity and simplicity, made him want to take a second look at the literary world of poets. As the wonderful world of poetry seems to have lost its impact in America in this modern world (and most contemporary poets are starving), and that its appeal seems limited to English classrooms, such a statement pays Max the highest compliment imaginable. Indeed, after reading "At the Foot of Heaven," I am convinced that his unique style makes him one of the most gifted and promising contemporary poets currently writing in America. Keep an eye out for this guy.


Highly recommended for expectant parentsReview Date: 2002-09-14
A very uplifting book!Review Date: 2002-08-23
entertaining. I enjoyed the different stories and experiences. unlike most tech books, this book doesnt preach...It describes and portrays pregnancy as it really is. I applaud M.S. Woodson for getting it right.
Keepin' It RealReview Date: 2002-07-23
Worth the price!Review Date: 2002-08-05
pregnant at the same time and the one book that we all enjoy is this one. It is definately worth the price.
One of the best pregnancy books on the marketReview Date: 2003-02-12

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Powerful book about a quaint townReview Date: 2006-05-28
Well done.Review Date: 2006-05-14
- James Suhr
Engrossing readReview Date: 2006-03-09
Rockaway Rises!Review Date: 2006-03-08
A Work of Art - Only in WordsReview Date: 2005-09-09
Thanks Kevin, for bringing out Rockaway's story and for making it so genuine and truthful!!!

Used price: $14.70

UnbalancedReview Date: 2008-02-25
Many dots connected for refreshing view of North's slavery complicityReview Date: 2008-02-07
That includes the financial tentacles of the New York Cotton Exchange and the economic impact of cotton itself, with the South producing 2/3 the world's cotton and exporting half of that total. Those two tidbits alone should help readers understand more of why Southern fire-eaters held out hope either that the North wouldn't oppose their secession or that Britain would intervene.
Hypocrisy in interdicting the slave trade is also exposed. The British had taken the lead in this, but Americans charged they were hypocrites because British traders still brought goods to Africa that were important in the slave trade. Meanwhile, the U.S. government had negotiated a deal with the British that only the U.S. Navy could interdict U.S. ships off the coast of Africa. Unfortunately, until just before the Civil War, the U.S. Navy didn't actually do much interdiction.
Beyond that, though the fact of the North having slaves was known to me, the authors still do a good job of illustrating details of slave life, slave purchases, advertisements for slaves and more.
Also, a slice of the North's antebellum intelligencia is found highly complicit in the pseudoscience of racial studies, including the 19th-century fad of phrenology.
And, for those unfamiliar, the authors show just how much of a minority position abolition was in the North.
Finally, this book has several helpful maps, illustrating the triangular trade, where all in Africa slaves came from and more.
Everyone benefited from slaveryReview Date: 2008-01-24
Must readReview Date: 2007-06-11
Skeletons in Yankee ClosetsReview Date: 2007-10-04


The whole series!Review Date: 2007-05-29
great releaseReview Date: 2006-07-14
Superb!Review Date: 2006-07-14
Great!Review Date: 2006-07-14
It works great when you are in a hurry and you can't find the right person for the job!
It made my job easier and I even fired some of my assistants because this book is all I need!
Complete!Review Date: 2006-07-11

To be read and re-readReview Date: 2008-03-05
Ratzinger first deals squarely with belief and points out that it is within the context of doubt that the theist and the atheist can enter into dialogue. After all, the Christian believes; he does not see. Likewise, the atheists "sees" what is optical and does not believe in what cannot be empirically verified. But, both the Christian and the atheist, if he is honest, must have doubts about the nature of his belief or non-belief. There must be times when the atheist says: "yet perhaps it is true (page 46).
For Ratzinger the word credo means:
"man does not regard seeing, hearing and touching as the totality of what concerns him, that he does not view the area of his world as marked off by what he can see and touch but seeks a second mode of access to reality, a mode he calls in fact belief, and in such a way that he finds in it the decisive enlargement of his whole view of the world" (page 50).
For Ratzinger the radicality of Christianity is that "God has come so near to us that we can kill him and that he thereby, so it seems, ceases to be God for us".
Ratzinger poses the question of whether "it would not have been much simpler to believe in the Mysterious Eternal... to leave us as at an infinite distance". (page 55)
Ratzinger notes that belief does not come "though the private search for truth but through a process of reception.. Faith cannot and should not be a mere product of reflection" (page 92). Faith demands unity and calls for the fellow believer; it is by nature related to a Church." (page 98).
On the nature of the Trinity, he noted that: "He is one, but at as the exceedingly great, entirely Other, he himself transcends the bounds of singular and plural; he lies beyond the" (page 125).
On the "I am who I am" scene in exodus, he notes that the words sound like a "rebuff","like a refusal to give a name than the pronouncement of a name (page 127) "I am" is as much as to say "I am here for you" " a Being-for". (page 129).
"The name is no longer merely a word, but a person: Jesus himself." (page 133) Ratzinger goes on to say that the meaning of a "name" is its invocability. God, by having a name, becomes accessible to me. "He is handing himself over to men in such a way that he can be called upon".
"And by doing this he enters into coexistence with them; he puts himself within reach; he is "there" for them". The name is no longer just a word at which we clutch; it is now flesh of our flesh, bone of our bone. God is one of us" (page 134/135).
Ratzinger notes the great saying by Tertullian: "Christ called himself truth, not custom". (page 141)
His thought then becomes even more metaphysical:
"Whoever looks thoroughly at matter will discover that it is being-thought objectivised thought. So it cannot be ultimate. All being is ultimately being-thought and can be traced back to
"Christian belief in God means that things are the being-thought of a creative consciousness of a creative freedom and that the creative conciousness that hears up all things has released what has been thought into the freedom of its own, independent existence". (page 137).
"The doctrine of the triune God, means at bottom renouncing any solution and remaining content with a mystery that cannot be plumbed by man (page 168)". "Faith consists of a series of contradictions held together by grace". (page 171).
"It now became clear that the dialogue, the relatio stands behind substance as an equally primordial form of being". I note here that Ratzinger preempts some of the philosophical work done by the great Jesuit Thomist, Norris Clarke and by the personalist, John F Crosby. "Father is purely a concept of relationship. Only in being for the other is he Father; in his own being in himself he is simply God". (page 183). "By calling the Lord "Son", John gives him a name that always points away from him and beyond him; he thus employs a term that denotes essentially a relatedness, He thereby puts his whole Christology into the context of the idea of relation" (page 185).
Moving on to focus of the office and nature of Christ, he notes that Christ "performs himself and gives himself; his work is the giving of himself" (page 204). "The person of Jesus is his teaching and his teaching is he himself" "message and person are identical" (page 206). "Jesus is his work" "His being is pure actualitas of "from" and "for"(page 228).
"For John, the picture of the pierced side forms the climax not only of the crucifixion scene but the whole story of Jesus... his existence is completely open. Now he is entirely "for"; now he is no longer a single individual but "Adam" from whose side, Eve, a new mankind is formed". (page 241) "The future of man hangs on the Criss - the redemption of Man is the Cross. And, he can only come to himself by letting the walls of his existence be broken down, by looking on him who has been pierced" (p242)
"Talk of original sin means no man can start from scratch any more (completely unimpaired by history" (page 249). "Last judgement, on the other hand is the answer to these collective entanglements" (page 249).
"Being a Christian means essentially changing over from being for oneself to being for one another". "Christ is the infinite self expenditure of God" (page 261).
"Love demands infinity, indestructibility; indeed it is, so to love demands, infinity, indestructibility; indeed, it is, so to speak, a call for infinity" (page 302).
Ratzinger's analysis of the resurrection and the Last judgement is deeply impressive, noting its deeply serious nature. Of hell, he notes that it "consists in man's being unwilling to receive anything, in his desire to be self sufficient. It is the expression of enclosure in one's own being alone."
Finally, on the Church, Ratzinger approaches the evil evident in the Church in a sober fashion. "At bottom there is always a hidden pride at work when criticism of the Church adopts that tone of rancorous bitterness which today is already becoming a fashionable habit"
He notes that Christ in his earthly ministry scandalised others; is is surprising that he does so again when he gives himself over to be broken sacramentally on his altars, ministered, at times, by deeply sinful ministers and consumed also by those whose lifes often contradict the gospel. Don't we all in our own way contradict the gospel in our daily lives?
Cardinal Ratzinger, Benedict XVIReview Date: 2007-11-15
IT'S ALL ABOUT JESUSReview Date: 2007-05-31
Brings back memories of theology class ...Review Date: 2007-04-01
A little difficult to read...Review Date: 2007-07-14
I started reading this book 3 years ago...I haven't made it past page 15 yet. Why? Well, I think I'm in need of a more focused brain - I have a touch of A.D.D. and a book this focused is very hard for me to digest.
On the funny side of all this I want to share a conversation between two priests about this book. Both priests had bought the book to read and one of them said "I just can't seem to get past chapter 1" the other said "Oh good. I couldn't make it past the 3rd paragraph"
This book was written very early in Joseph Ratzinger's vocation and was more a part of his proving his qualifications to teach Theology (I guess the equivalent would be a Doctorate thesis).
So if you're anything like me, this book may be over your head. I'll get back to it one day but it is highly recommended by many, many people I trust. Therefore I recomment this book.
If you are intellectually superior, you may not find this review helpful. However, if you more on the average level I hope this review is of some assistance to you.

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A very interesting book, a true championReview Date: 1999-11-06
Great Picturers!Review Date: 2000-02-14
awesome bookReview Date: 2000-01-30
BEST BOOK EVER.Review Date: 2000-01-09
Wonderful BookReview Date: 2000-03-22
Related Subjects: Smith Shaw Sabatini Scott Sherman Spencer Stewart Stevens Simmons Stanley Strauss Stuart Stone Shepard Sachs Sheridan
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