Roberts Books

I knew before I read this book that it was going to share wisdom not only for my entire lifetime but a priceless piece of information and knowledge that I needed just at that time to help me understand and live through an excruciatingly painful chapter in my life and move forward with new insight and unimaginable growth. I think this book should be a mandatory piece of the western education tool kit for living a fulfilled and abundant life lived with true purpose. Nice job.....I'm eternaly grateful.

It gives a great perspective as to how we humans experience love. It also gives a good explanation of what is the difference between romatic love and, true and mature love. It talks about expectations, desires, passion, commitment, fears, etc. It helped me to understand why my love parners acted the way they did in our relationships, as well as why I kept fighting for those unfruitful relationships. ¡Trully interesting!

This book is for anyone truly ready to enter a relationship with a clear open mind and heart. In this time when intimate relationships cannot find their way, endless divorces, embittered men and woman, frustrated couples... this book will lead the way to the new paradigm of relationship. I highly recommend it.

In this companion volume to Johnson's "He" & "She" books, he analyzes a medieval story (similar to Marie-Louise von Franz & Allan Chinen) in terms of Jungian psychology--but pursuing p. 195: "The task of salvaging love from the swamp of romance." He describes Western misinterpretation & overemphasis on being in love & its projection of the inner human soul (p. 63: "animus is the soul in woman just as anima is the soul in man") onto an external person--leading to later disaster. Interestingly, it closely parallels Trungpa's "Cutting Through Spiritual Materialism" that I read in parallel. I think Trungpa would agree with Johnson that: p. 32: "Many Western people, caught up in misunderstanding of Eastern religions or philosophy, make an ideal of getting rid of the ego. We need to understand that the ego is absolutely necessary; it has a vital role to play in the drama of evolving consciousness" & Johnson (p. 151) provides an enlightening, extraordinary definition of ego "death." Also, they both address the illusions/delusions of incorrect assumptions/preconceptions & the materialization of spiritual matters. Johnson's concluding chapters (an American Indian legend, a dream, & an analysis contrasting romantic love, human love, & friendship) rounded out his view since earlier chapters seemed a bit over-the-top via overgeneralization, over intellectualization (too much Thinker vs. Feeler), & a religious view of romance & spirituality (vs. Jungian individuation, balance, & integration). I'm uneasy with Johnson's "love the one you're with" (p. 129) philosophy & his praise of Eastern marriage. While he demonstrates how romantic love is egocentric vs. altruistic human love, he deemphasizes this in his story analysis. It seems to me that Tristan was a puer (Peter Pan) archetypal hero--not an adult. Much of what Johnson vilifies as romance could be attributed to narcissism instead--could romantic love merely be an implementation of narcissism? Further, archetypes form complexes by combining with human experience; thus, anima & animus are complexes as well as archetypes. An adult could apply archetypal spiritual love to a real person to form a (human) love complex. Thus, rather than an Eastern contractual marriage or Western falling-in-love, one could follow the Middle Way of human love, balancing one's inner & outer worlds without sacrificing personal affinity. Johnson seems to imply this without explicating it. He performs a most valuable service by exposing idealized romantic falling-in-love & facilitating modern understanding of human love & commitment in a society with a dearth of both.

If you are a man, and you are deeply suffering because either you are in love, or because you feel you are loosing one, this book is worth a hundred psycho-therapy sessions. It is very likely that it will help you to understand yourself, and therefore you would become much more likely to take control, or at least, to feel wide relief associated to deep understanding!

Interesting last novel in the Starbridge series by Susan Howatch. Would recommend it to anyone but particuarly to those who have read the previous five novels in series. Helps if you are an Anglican,Episcopalian or Roman Catholic. Starbridge series is both emotional and theological. Starbridge series is set in mid-twentieth century in southern England when theology was going thru some changes and allowing some more High Church thinking into general circulation, but with many battles on the subject. The series had mostly to do with Anglican clergy attempting to work out some theological/emotional conflicts.
Linda Sheean

Knowing that those likely to read this review may well already share my love for the series as a whole, I shall begin by saying that Susan's gift for characterisation, with a great honesty and much room for grace to do its work, is always superb, and here at a new peak. My general approach to her main figures in the series is to see Jonathan Darrow as someone I'd love to hear preach but might be nervous to meet (even if he tends to compress 40 years worth of direction into a week's retreat) - Neville Aysgarth as someone I'd like to shake by the shoulders - Nicholas Darrow as one I'd closet with a library of the first fifteen centuries of Christian thought before he'd be allowed out - and Charles Ashworth as the ultimate Christian intellectual with whom I'd love to share weekly four-hour lunches with the best claret on the table. In this volume, Charles is once again the key character, and the reader finds, as he himself gradually learns, that the old glittering image is still much alive and as troublesome as ever.

Watching this character struggle with bereavement and grief of all varieties, and finally face the long-hidden "demons" which lurked in shadows to affect his relationship with his children and with his old nemesis Aysgarth, is incredibly moving and insightful. Dramatic though the plot becomes, it is a marvellous work wherein a seasoned bishop comes to new self-knowledge, humility, compassion ... and, while I'll not give the ending away, ultimately a specific setting of happiness which some readers will have thought he should have snatched 30 years before.

I listened to what I wanted from a work called "Absolute Truths"-I who am desperately conservative in Christianity and most things. After Charles Ashworth's triumph in "Glittering Images," and his overall positive portrayal in the books between that and this, I didn't want to find out that the truth I thought he had found, and that Howatch suggested he had found, was a lie, another of the tragic misconceptions that Howatch regularly and regretfully demolishes in her characters ("Anti-Sex Ashworth" toppled by doubt and lust stronger than his convictions-what a depressing concept).

It wasn't. But in the interim between "Glittering Images" and "Absolute Truths," Ashworth's grip on the truth had shifted until he had become a false man holding a true thing, or, to put it another way, Ashworth had grown as much as he could during "Glittering Images," but he still had far to grow, and "Absolute Truths" pushed him farther.

Thus Howatch, as in the rest of this Starbridge series, follows a plot sequence of strength debilitating into weakness, then supernaturally resolved into strength (or truth to lies to truth, or any number of other ways may describe this spiritual falling and rising pattern). We cannot however assume that the characters will live happily ever after, that their lives are "solved," or even that the weakness resolved in the novel will never return in later years. Howatch's cruces do not involve perfect or perfectible people, but perfect moments of grace that make the rest of lives better or in some way bearable. In a sort of backhanded optimism, Ashworth writes in the midst of his revelations, "Dimly I realised that this state of companionable hell could be classified as a form of survival." At the end of "Absolute Truths," Howatch permits Ashworth an idyllically happy old age and a platform for reminiscence, a sort of sop to him and to her for six dramatically painful novels in the series, but we must not forget that after "Glittering Images" Ashworth needed "Absolute Truths" to correct him further. After receiving revelation that revolutionised his life, he needed more revelation. As such, these novels are some of the most true-to-life of any fiction I've read portraying the Christian way of living. They give hope, not for all things to turn out alright, but for all things to "intermingle," as Ashworth insists, for good-and for there to be moments, rising above the doubt and pain, in which we may see God and absolute truths as clearly as our eyes can function. We may live a long time, decades, in the strength vouchsafed by these moments. Then we may need another, as Ashworth did.

When we started out in Book #1, the narrator, Charles Ashworth, was still fairly young. In this novel, he is again the narrator but he is elderly and the bishop of Starbridge. Being this age, he can wind up everyone's story. There is his whole generation of people and their families in the Anglican Church plus his childrens' generation of people. Of all the books, I'd say this one you better read as #6 and not out of order. There are simply too many stories which are wrapped up here that won't have the same impact on you if you haven't read books 1-5. This novel has its share of worldly problems with: gay priests (2), the ghost of Jardine appearing in the cathederal, an exorcism of the cathedral, a possible embezzlement by Dean Aysgarth from cathedral funds, a suicide, death of a spouse and finding another spouse. It also has combined therapeutic-spiritual sessions again with Jon Darrow as spiritual director for both Ashworth and Aysgarth. Once I started any of the 6 books, I couldn't stop reading till the end and this one was no exception.

Although this is the last book in the Starbridge series it is actually set in time before its immediate prequel, Mystical Paths. Howatch obviously had good reasons for doing this; no other book could have rounded up the series so perfectly, and certainly it was a delight to return to Chares Ashworh as narrator, who began the whole series. This time Charles is at the evening of his life. He has been the Bishop of Salisbury for some years.. Some of those nearest and dearest to him have passed away and he has to come to terms not only with the sense of loss, doubt and lack of direction, but also with his wayward Dean, Neville Ayesgarth, who still insists on going off on a tangent in affairs of the Cathedral. As in Scandalous Risks, scandal seems only around the corner and Charles has to develop very strong spiritual muscles in order to bring matters to an outcome worthy of a Christian.
I must not forget to mention that in this novel Starbridge Cathedral itself - in the other books merely a background stat - becomes a major character, and a star player during the Grande Finale The climax of this book is not only deeply moving, it is also absolutely perfect. As is the entire series.

Another weird book by Munsch.

Kristen's clueless parents drive to the zoo instead of the hospital when her mom is in labor. Three times, they ignore their daughter's warnings that their son is another's, and three times they get whapped in the face by the not-a-people-baby.

Finally, Kristen has to save the day, which she does in a quick and admirable way (the illustrations in the zoo are funny in and of themselves, by the way). Everybody gets their own baby back, and we're told that everything is fine from then on... until Kristen's mom had twins. (Uh-oh.)

This book is so absurd, you can't not love it. I really recommend it to anybody having a second child. It's a wonderful change of pace from standard "new baby" books.

My 20 month old daughter loves it. I'm not sure that she connects it to her 2 month old brother, but she sure enjoys having us read it to her. She pulls it out again and again and screams along!

I read Alligator Baby. I liked this book because it has funny pictures. In the book I read that the "gorilla grabbed her mom's ear and the father's ear and they both yelled Aaaaaaahhhhhaaaaa!" This helped convince me that it was a good book.

I love Robert Munsch and this is one of his books that the kids in my 2nd grade class loved the most!

This is a good book for when bringing home baby. We bought it for our toddler as a fun way to explain that we are bringing him a baby brother from the hospital.

Ayn Rand is one of the foremost communicators of our time. Her ability to communicate complex issues cogently, logically and passionately means that, decades later, her works are still being sited as `the text' to read, in politics, philosophy or morality. Clarity, integration and style are thoroughly discussed. The advice given here applies to all non-fiction writing (see also her book on fiction writing The Art of Fiction: A Guide for Writers and Readers) and it's not the usual recycled blurb. Rand's method of thinking, led to her method of writing and style. This book lets you into some of those secrets and allows anybody to improve their writing skills.

I was rather impressed with what Rand had to say about writing and style. As the authoress of the second-most influential book ("Atlas Shrugged"), she has a lot to say on the matter. And, as always, you cannot stop a bandersnatch.

There are some preliminaries. First, as with all of her writings, this book's ideas are outgrowths of her philosophy of Objectivism. For Rand aficionados, you know that it keeps cropping up with everything that she writes. So if you either agree with her, or are willing to plow around it, then get this book.

Second, this book is really edited selections from a longer seminar she had on writing. If the discussion seems out of joint at times, it is due to the selecting/editing process. To help round out here ideas, I suggest reading "The Art of Writing Fiction" and "The Romanic Manifesto," all of which were extracted from this same meeting.

Rand is one of the finest systematic thinkers ever, and this book shows it. She is able to take something apart, separate, correlate, and analyze the parts, and then put it back together again.

By being so analytical, she gets the writing process right. The first five chapters are really the basting cap essential in explosive writing. Writing can be simplified by preparation, organization, and thinking, which is the message of these chapters.

Chapters 5 through 8 cover the more traditional nuts and bolts of writing. Chapter 5, on creating an outline, is the key link between thinking and writing. She is right when suggesting that everyone writing nonfiction should use an outline. It organizes both the mind and the writing. I was glad that the editors included some sample outlines of Rand's writing, to watch how the process proceeds from outline to full article.

I think out of all of the chapters, "Writing the Draft" was the most helpful. The editor subtitled it "The primacy of the subconscious." This highlights Rand's point that writing is really something that comes spontaneously form a disciplined mind. Furthermore, the chapter contains several subsections on "The Squirms," helpful mulling, euthanizing pet sentences, and handling interruptions.

This last point cannot be emphasized too much: writing is a job, and it takes concentration. Rand likens it to heating a blast furnace--you work up to a high temperature, and that temperature must be maintained for weeks to get the desired results. While writing "Atlas Shrugged," she had to sequester herself for thirteen years.

I have a similar experience while writing. People visibly see you clacking on the computer, but what they do not see is the amount of focus inside your head, invisible to your eyes. So they want you to answer the phone, run this errand, baby-sit, chat, paint a house, watch some idiotizing program on TV, or come in on your day off because so-and-so called in sick so they could stay home watching some idiotizing program on TV. You need to be as harsh with writing as you would with your bill-paying job. Indeed, a good writer sees writing AS A SECOND JOB!

The last chapters are a potpourri of topics that did not fit in either "The Romantic Manifesto" or "The Art of Fiction." They are helpful for what they are, but seem a bit out of place and curt. They serve as surveys to the topics.

The only critique I have would be rearranging the chapters. Move chapter 12 ("Acquiring Ideas For Writing") up between chapters 1 and 2, since the thinking process--the process of reverie and listening to the unconscious percolate--precedes the choice of a subject and theme. I would also move chapter 11 ("Selecting a title") to go after chapter 7 ("Editing"), and moved chapter 8 ("Style") between the chapters on writing the draft and editing. Since this book was edited posthumously, this organizational error is not hers.

Here is my ideal order:

1. Preliminary remarks
2. Acquiring Ideas for Writing
3. Choosing a Subject and Theme
4. Judging one's Audience
5. Applying Philosophy
6. Creating an Outline
7. Writing the Draft
8. Style
9. Editing
10. Selecting a Title
11. Book Reviews
12. Writing a Book
Appendix: Outlines

For a second or third reading, it may be helpful to use this order, since it follows the process of thinking-writing-rewriting.

*

I have put this book in my mix of style guides, and will read it along with Strunk and White, Trimble's "Writing With Style," The Chicago Manual, and "The Little, Brown Handbook."

(I would rate it five stars, but the disordered chapter organization talked me out of it.)

This book offers guidance on a variety of topics and problems that a writer of non-fiction, whether articles or books, might encounter. The advice is never formulaic, but rather gives the reader methods by which to improve his own writing process and style. Highly recommended.

It starts slow and plods along for a few chapters but eventually Rand strikes a resonant chord and the writing comes to life. Ayn Rand will get your mind 'right' about writing and get your mental tool-box organized, to handle odd-jobs or the magnum-opus.

As with so much of Ayn Rand's writing, she takes on an issue (in this case, nonfiction writing) that seems hopelessly complex, and then explains it with such clarity that you're left wondering what all the confusion was about in the first place. If you're stuck in your writing, even if you've never read anything by Rand before, this book is priceless.

These recipes are OUTSTANDING! They are so simple and use simple, fresh, flavorful ingredients that most people already have on hand. Some examples of recipes include:
Baguette Stuffed with Sun-Dried Tomatoes, Mascarpone, and Basil
Blanchards Corn Chowder
Spicy Coconut and Sweet Potato Soup
Chicken and Green Bean Salad with Kalamata Olive Dressing
Potato Salad with Lime and Sun-Dried Tomatoes
Orzo Salad with Corn, Tomatoes, Feta, and Chili-Lime Vinaigrette
Sweet-and-Sour Swordfish with Onions, Raisins, and Tomatoes
Calypso Chicken with Lime
Pan-Roasted Chicken with Lemon, Olives, and Rosemary
Penne with Sun-Dried Tomatoes, Capers, and Olives
Island Rice with Cumin and Coconut
Light-as-a-Cloud Lemon Mousse
Coconut Cheesecake
Homemade Coconut Ice Cream

Believe me when I say that neither you nor your dinner guests will be sorry that you ordered this cookbook!! I promise! It is my absolute FAVORITE cookbook and my go-to when I don't know what to make. Order now...you won't be sorry!!

I met the Blanchards at a book singing where they were demonstrating some of the recipes; that was a few years back and I have not tired of awesome ideas found in this book. I have given this book to several family and friends and they rave about it as well!

The restaurant is beautiful and the cookbook is awesome. I've made several of the recipes and all were fabulous!

I also own a lot of cookbooks. I love to read them. I checked this book out from the library, and it is the only one I have ever checked out for free that I wanted to pay for, not matter how much it cost. Wonderful tips on products, unpretentious - almost apologetic in tone because she didn't graduate from culinary school (neither did I! Perfect!), beautiful photography, many, many recipes I want to try. Sandwiches fillings that become dips that become sauces, terrific adaptation and suggestions. I am so glad to have this cookbook/story. It is an irresistable love story of food and hospitality. Makes me want to go to their restaurant in Anguilla - wherever that is..... At least I can eat and serve the food! Try it at your library and see. Delightful.

This is one of the best cookbooks we own (and we own a lot). Everything we have tried has turned out great and taste wonderful. Well worth owning

this book is loaded with useful and quality information. It includes all sucjects needed for maintaining a healthy dragon. it has all of the subjects from diet to habitat.

I got this book after I got the dragon. I wish I had the book first. I found out I don't like the little buggers and gave the thing away to a friend with the book in tow. Book is well written and easy to read. It shows all the concerns a dragon owner should be aware of and proper care and maintenance. It might be a little outdated, with the new foods that are ready to eat that are produced for them. Also, not a lot on personalities, but I didn't expect much on that either.

I highly recommend this bearded dragon manual. It is far more detailed and accurate than all of the other bearded books I have bought off of here. It contains information that the other books have forgotten or intentionally excluded and I recommend this book to anyone whose looking for a book on how to take care of a bearded dragon properly.

This is an excellent book for a Bearded Dragon beginner. Lots of helpful info. My son has been looking at it a lot since getting his beardie. It has answered most of his questions.

This book is an easy read that provides excellent information on the care of Bearded Dragons. Before you get your dragon, get this book! It could mean the difference between a happy healthy lizard and a dead one.

Already have a dragon? Get the book anyway. You could still learn some things that will make your pet's life better.

The first section of this book reads like a mystery thriller only it was true of the situation in London just 100 years before most of us were born. The rampant use of denial, obfuscation, and just plain lies by the medical and political power base is amazing. That is "big egos running wild"! They expressed themselves or failed to express like the EPA at the expense of the health and lives of many people. The book "Reclaiming Our Health" by John Robbins, 1996, shows it is still going on today. Just take note of all the repeated ads for pharmaceuticals you don't need on the network news broadcasts each evening. Critical thinking is necessary to protect yourself and your loved ones. Dr. John Snow was a Master of critical thinking, a gift to the human race! I have read approximately 2 to 3 books a week all my adult life and seldom read fiction. The best books are often first mentioned in a book I read. Elizabeth Royte's excellent book "Bottlemania" tipped me off to this book. Both are must reads. As stated in Royte's book, "We can live without oil, but not clean water".
Blessings on both authors and all their loved ones! They have served their fellow humans very well!

Engaging, enlightening -- could not put the book down. If you drink water you must educate yourself and read this book. Dr Morris weaves his points with medical research history and brings you to the present conclusion, our water is still not safe, millions still die each year from drinking it. His conclusions inspire you to do something about it locally and globally. Thank you for the references, too. I am inspired to read more about these topics and subtopics.

Robert Morris' book is great for anyone who is interested in issues of drinking water supply and safety. For that reason I give it five stars.

I was puzzled by a major omission. Morris mentions repeatedly that population growth is straining the water supply. Why is there no follow-up on this? In the book's conclusion, Morris makes seven proposals to guard against present and future threats to safe drinking water. Population control does not even appear on the list. It should have been #1. Without population control, most of Morris' proposals either won't be possible or won't work to reduce the problem. If we don't take steps soon to stabilize world population, waterborne disease may well become one of the major Grim Reapers doing it for us.

Morris also discusses how strained municipal and other local government resources are in the U.S., making it difficult to invest in necessary water infrastructure. I would like to point out that a major reason governments are so strained is that in the last few decades a huge percentage of local revenues has gone to automobile infrastructure--roads, highways, parking lots, and the like. America sooner or later needs to rethink its love affair with the automobile. For more on this, see Kunstler's book Geography of Nowhere: The Rise and Decline of America's Man-Made Landscape and Shoup's book The High Cost of Free Parking.

I've recently finished reading "The Blue Death" which highlights early stuggles against cholera. Throughout this gripping book, I felt a resonance with a book I read as a child in the early 1940's titled "Microbe Hunters" by Paul de Kruif. De Kruif's description of Pasteur's struggles with rabies was also compelling...and scary! His book sparked my early interest in science. Perhaps, Dr. Morris' book will do the same for today's young people.Gene Primoff

This book is a great read. It provides an interesting and exciting history of the search to find the cause of cholera. It then goes on to discuss the status of drinking water in the US up to the present. Dr. Morris provides science to the reader in the form of a fast moving novel. I would reccomend it to anyone.

Whether you like President Bush or not, you should read this book. It paints a disturbing picture of the realities of his administration. And it educates the reader how our political process has gone astray. This is another example of the fact that the best non-fiction books rarely make the top seller's lists because mainstream publishers are politically motivated.

This book contains enough history about each candidate to make anyone feel confident with their vote. And, unlike almost any other political book I've read, it is suprisingly non-partisan. Furthermore, it really opens you eyes on the political fund raising system and what the candidates actually have to do before the become president.

After reading this book, it will become much easier to see through the candidates rhetoric, and this book or one like it should be a pre-requisite before voting.

A disturbing book.

It is a terrible thing to contemplate what money has done to prostitute the American political process. People don't support candidates to do better for the country. They're buying influence and -- if you don't pay, you can't play.

The saddest thing is to look at these obscene expenditures on campaigns and consider what some of that money could do in a good way. And then to consider what more all the money that will be stolen as a result could do on top of that.

This book is THE benchmark for investigative journalism done by the people at www.publicintegrity.org. An honest, fair and balanced presentation of the facts surrounding the Democratic candidates for President 2004 (which has since been whitled down to Kerry) and President Gearge W. Bush. You simply cannot say you are an informed voter until you read this book.

Let me start by saying I do not want George W. Bush re-elected, and I don't have any interest in John Kerry running the White House for the next four years either. I left myself open to have my opinions on American government influenced by this book, but I could never have imagined the magnitude in which this book changed my beliefs of our political process. It's no secret to anyone that money rules each and every major player in our political system. But what this book does is demonstrate just how out of control it's gotten. Author Charles Lewis uses indisputable facts and figures to show the shortcomings each of this year's presidential candidates, especially each candidate's willingness to let money and particular groups dictate the policy he feels is best suited to run the country. He hammers Bush in a bad way, but nothing he says can be considered untrue. Lewis uses the Freedom of Information Act to compile a body of evidence that implicates Bush in a dozen shady financial undertakings and also describes the way in which many of Bush's closest advisers landed high-level positions in government. You simply cannot fathom the number of Bush's advisers who were once employees or board members in companies (pharmaceutical, energy, law firms, etc.) that make up Bush's chief campaign donors. That is, at least until you read this book and Lewis starts listing them one after another. Lewis and the Center of Public Integrity maintained their own integrity by taking a completely non-partisan approach to this book, unafraid to tackle Bush and Democratic challengers alike. I cannot wait until 2008 to see what Lewis uncovers next. Hopefully, Bush and his cronies (or Kerry, for that matter) won't further gut our rights as Americans and refuse us the right to read it -- and Lewis' right to write it.

A thorough overview of the Lusitania's construction, features, and last voyage, as well as Ballard's impressive modern-day expeditions to the wreck itself. For the record Ballard's investigations strongly suggest the "accepted truth" of the liner being a clandestine courier of munitions for the British war effort was probably never true at all: or if true then stored armaments were not a factor in the ship's sinking. Rather Ballard points to the culprit being coal dust residue that had infiltrated the inner hull, and was set off by the initial impact of the torpedo. This is a great sort of book. It appeals visually, intellectually, and includes some terrific mythbusting that comes as a result of sound investigative work.

Of course, Dr Robert Ballard will forever remain the man who found the Titanic, but in this book he also provides the reader with an extremely well documented account of the loss of the Lusitania.

Mysteries are mysteries and whilst there are those experts which insist such and such happened, there will also be those who assert the opposite. I shouldn't say this I know, but it the way in which Bob Ballard takes such a thorough approach to his subject, it leaves one feeling that the only book you need to read on the entire subject of the loss of the Lusitania is this one.

Exploring the Lusitania - yet another four-funnelled passenger liner built before WW1, is a large coffee-table book approx. A4 size. Just a glance at the pictures throughout the richly illustrated pages (227 altogether) reveals the extent of the research to which the author has gone on behalf of the reader. There are many historic pictures of the ship itself - including when she was no more than a keel. Others include paintings of the day, newspaper cuttings and postcards showing internal and external views. Then there are the photographs of the tragedy itself and the effect it had upon the people of Ireland. Photographs of seemingly unimportant people at the booking office and individuals such as the Captain. Dr Ballard has been equally thorough when it comes to detailing the U-Boat which sank the Lusitania and we are treated to almost the same level of coverage of vessel and individuals and their trade of war.

Once again, however, the author has put together the most outstanding collection of artwork created by Ken Marschall. From thousands of photographic images taken from the wreckage itself, Bob Ballard created a complete montage (i.e. a big photograph made up of thousands of little photographs) of the various sections of the wreck so that Mr Marschall was able to provide us with the most accurate paintings of various sections and even the entire wreck. The one painting I had to look at again and again was the painting of the sinking across pages 96/97. For a moment there I thought the world's greatest photographer had been on hand to capture the event.

I congratulate Dr Ballard on another excellent and professional job of work. Another outstanding book and yet again 5 stars are not enough.

NM

The illustrations and photographs alone make this book worth owning. It is very direct and to the point for the most part.

Also of interest is the contrast between Lusitania, a shallow water wreck, and vessels such as Titanic and Bismarck which are under miles of water.

Bob Ballard's string of investigations into famous shipwrecks, while doing solid science continues in this exploration of the Lusitania.

The famous Cunard liner was torpedoed off the Irish coast in 1915, and was one of the pivotal events that dragged an isolationist America into the First World War.

Ballard's work at laying the groundwork for his book is again exceptional. Cunard's need to battle the White Star and other cruise lines for the transatlantic business is examined, and the method was indeed an interesting one. Cunard entered into an arrangement with the British government to build the Lusitania and her sister ship, Mauretania. In exchange for a loan, the government got the right to call the ships up for wartime service, and the builders set up placements for deck guns on the vessels.

This was before it was found that using cruise liners as "armed merchant cruisers" was just not practical.

In any case, the setting of the scene as the Lusitania headed east is well done--the German government has given fair warning to anyone sailing on British or Allied vessel that they're fair game. A German U-boat is known to be off the coast, the Lusitania is traveling at less than full power, her captain chooses not to zigzag, then waste time taking an involved bearing on the land...and the end is known.

Question: Did Winston Churchill stake out the Lusitania and let her be sunk as an effort to get the US into the war? It wouldn't be out of his mindset, but there appears to be little in the way of proof that he did such a thing. Of greater interest is the secret correspondence between Admiral Tirpitz and Admiral Jacky Fisher, in which the latter tells his German counterpart that he'd have done the same thing in going after the Lusitania if the roles were reversed.

The examination of the wreck is sad; there's not much left of her, as the ship has been used for depth charge practice. There was not much of an effort to get inside her as was done on other ships. Perhaps there's little point.

Once again, Ken Marschall's paintings are stellar and the book is well worth reading...and looking at.

This handsome companion to the excellent National Geographic documentary is the best overview and photographic record of the Lusitania disaster I have seen. If you only own or read one book on the Lusitania, let it be this one! It covers the key issues surrounding the tragedy: Why did the powerful, double bottom ship go down so quickly (only 18 minutes compared to over 2 hours for the less robust Titanic)?; What caused the second explosion?; Was the Lusitania carrying arms? Dr. Robert Ballard, who discovered the Titanic and explored the Bismarck, uses advanced equipment to go down into the ocean's depths to answer these questions and to give us a glimpse of how the Lusitania looks today through remarkable photographs and the masterpieces of maritime artist Ken Marschall.

The text of the book is very well-written. It does not go into as much of depth as longer books as it explains the sinking through accounts of select survivors, some alive at the time of the book's publication. Still, it reveals many lesser known points. First Sea Lord Winston Churchill, in France at the time of the tragedy, might have ordered a naval escort for the famed passenger liner (pg. 78). It notes that the U.S. tanker Gunflight was torpedoed the week before (pg. 124). Unlike the documentary, readers learn that nurse Alice Lines--who was still alive when the documentary was made--actually missed the lifeboat when she made her desperate leap with baby Audrey (pg. 102). The book takes a fair look at the sinking. There is much empathy for the German side (Lusitania was, after all, an auxiliary cruiser in a war zone) and is quite critical of Captain Turner who ignored the Admiralty's instructions on steering a zigzag course away from the shore in areas where subs lurked. The most valuable part of this book on a informational level is that it solves the mystery of the second explosion some witnesses believed was a second torpedo or the explosion of arms in the ships magazine.

As interesting as the text is, the illustrations make this book the best on the subject. Photos and startlingly accurate period postcards give the reader a look at Lusitania's interior in first, second, and steerage classes. Posters and memorabilia illustrate the propaganda war which followed. Finally, pages 144-89 explore the Lusitania and compares the ship then & now in remarkable photos. The highlight is a well preserved first class tub and shower found just outside the ship compared with a period illustration (pp. 172-3). A fold-out shows the sunken giant in full length thanks to the excellent work of artist Marschall. His realistic paintings look like photographs!

The book is very thorough. It includes a critical look at the inquiries into the sinking, the fates of some of the major players including U Boat commander Schwieger, a brief look at Lusitania's sister ship Mauretania, and a chronology of the two Cunard sisters. The only inconsistency I found was that Schwieger reported that he did not know he had torpedoed the Lusitania until he saw her name on her bow; however, the Lusitania name was covered up at the time to trick the enemy during the war (pg. 203). Still, this book is an excellent introduction to the Lusitania story and a more than sufficient and revealing account if one chooses not to read further.

I AM A GREAT LOVER OF VICTORIAN-STYLE, FORMAL, PERFECTLY-RHYMED AND MUSICAL VERSE BY THE ROMANTICS, SUCH AS KEATS, GEORGE GORDON,LORD BYRON, CHARLES SWINBURNE, P. B. SHELLEY AND E. A. POE. IT IS EXTREMELY RARE NOW, IN AMERICA AT LEAST, TO FIND A POET WHO NOT ONLY COMPARES TO THESE GREAT POETIC GIANTS, BUT WHO, IN SOME CASES, ACTUALLY SURPASSES THEM IN HIS ABILITY TO SUSTAIN ATMOSPHERE, RHYTM, TENSION AND PERFECTION OF END AND INTERNAL RHYME. MR. KEVIN NICHOLAS ROBERTS HAS ACCOMPLISHED ALL OF THESE THINGS. I HAVE GIVEN COPIES OF BOTH HIS BOOKS, FATAL WOMEN & QUEST FOR THE BELOVED, TO ALL THE POETRY LOVERS I KNOW, AND AS A DOCTORAL CANDIDATE IN LITERATURE:POETRY, I KNOW QUITE A FEW. WITHOUT FAIL, HE HAS PLEASED AND AMAZED THEM ALL! THE ONLY COMPLAINTS I HAVE HEARD IS THAT THE BOOK IS TOO BRIEF--IT CONTAINS ONLY 21 POEMS (SOME VERY LONG, OTHERS SONNNETS, SHORT RONDELS AND THE LIKE, AVERAING ABOUT 3 PAGES PER POEM. THOUGH MY TWO FAVORITE POEMS, "OPHELIA" AND "ALLAYNE" ARE BOTH OVER 10 PAGES IN LENGTH, ACHIEVING WHAT POE ONCE SAID WAS IMPOSSIBLE: TO SUSTAIN PERFECTION AND ATMOSPHERIC TENSION FOR MORE THAN 40 STANZAS. ROBERTS DOES THIS AND MUCHMORE IN "ALLAYNE."

DUE TO SPACE LIMIATATIONS, I WOULD LIKE TO CONCKUDE BY SIMPLY SAYING THAT THIS IS THE BEST POETRY COLLECTION I HAVE READ FROM A POET WRITING AFTER 1909. IF YOU LIKE THE CONTEMPORARY, UNRHYMING, EXPERIMENTAL POETRY, YOU MAY NOT AGREE WITH MY FEELING THAT THIS WORK IS EXCEPTIONALLY MOVING AND IMPOSSIBLE TO READ ONLY ONCE. I'VE HAD THE COLLECTION FOR 2 YEARS, AND I STILL READ IT ALMOT EVERY NIGHT BEFORE BED. IT GIVES ME NEAUTIFUL, WONDERFULLY ROMANTIC DREAMS WHEREIN I AM THE HEROINE, THE POET MY DARK KNIGHT, CARRYING ME AWAY TO A FAIRYLAND BEYOND MOST CONTEMPORARY IMAGINATIONS. OH! AND HE EVEN "COMPLETED" SAMUEL T. COLERIDGE'S POEM FRAGMENT "KUBLA KHAN!" AND IT'S BRILLIANT, WRITTEN PRECISELT 200 YEARS AFTER THE ORIGINAL AND SUSTAINING EXACTLY THE ORIGINAL POEM'S LANGUAGE, MOOD AND GENIUS. GET THIS BOOK, OR GIVE IT TO SOMEONE WHO MELTS UNDER THE OTUCH OF THE ROMANTICS. YOU WILL NEVER WANT TO PART WITH IT. AND IT EVEN LOOKS BEAUTIFUL--VERY HIGH-QUALITY PRODUCTION WITH J. WTERHOUSE'S GLORIOUS "OPHELIA" PAINTING ON THE FRONT AND BACK COVERS. GET IT, READ IT, CRY AND SIGH OVER IT, AND LET IT CARRY YOU INTO DREAMLAND. I COULD LOVE THIS MAN. :)

I highly recommend this book by poet Kevin Roberts. He has an eloquent way with words. From the beginning to the end of the book I found myself transported into the poems. This book is so beautifully written. This author is a master poet!

I just got this book yesterday and I have already read it through about 1ten times. How could this poetry collection exist since 2000 and I never heard of it. I love Romantic poetry, and NOBODY TOLD ME!!!!

The reviewer on the back cover describes Kevin N. Roberts as "Easily one of the ten greatest poets of past and present centuries." He is, without doubt, exactly correct.

The book focuses on the femme fatales of history and, apparently, of the poet's own life and experience. My faves are: OPHELIA, ALLAYNE (breathless!!!), HYACINTHE, MORTICHE AND, THE INCONSTANT CLAYRE.

ALLAYNE seems like an impossible poem to write. How did he do it? Poe says it could not be done, to sustain perfection beyond 40 stanzas. But this man did, and did it better than Poe or any of his contemporaries. Unbelieveable!

If he ever comes out with another poetry collection, SOMEONE BETTER TELL ME. I WANT IT!

I got Kevin Roberts's name and book title--FATAL WOMEN--from a well-respected amazon reviewer. I tried it, and I cannot beli9eve that this man is not the biggest poet working in America and Europe today! He needs advertising.

Oh, and Kevin, if you read this: I LOVE YOU! Will you marry me?

FATAL WOMEN is like an antibiotic for the sickly and weakened body of modern English poetry! Finally we can see that the emperors of what poetry is and is supposed to be, have no clothes, they, in fact, are naked, for FATAL WOMEN has made us see! The last sixty years have seen an amazing outpouring of the most banal and insipid poetry imaginable. A small army of professors, armed with cartloads of advanced degrees in various subgenres of literature, especially the notorious MFA, have reduced poetry to a troglodytic science devoid of all feeling. This handful of folks have written reams of poetry for each other which has been widely published but read only by a very few outside of the cloistered walls of academe. So it is with the greatest brilliance that Kevin Roberts' FATAL WOMEN has arrived in the nick of time to save poetry from total irrelevance in the current age. FATAL WOMEN is full of poetry of the profoundest human feelings elucidated in the most lapidary of styles. His poetry is beautiful! Each poem is like a bright, or dark, willowy sorceress with powers supernaturally benignant or malign. Have you read the great Victorian poet Algernon Charles Swinburne? If you have had the pleasure you will discover something marvelous. Mr. Roberts seems to have, and this most incredibly, fetched the poetic baton from the late Swinburne. Reading FATAL WOMEN is the rarest of treats. The poetry of Mr. Roberts soars on beautiful wings both angelic and demonian. Here is poetry to make the reader cry with joy!