Roberts Books

A thorough overview of the Lusitania's construction, features, and last voyage, as well as Ballard's impressive modern-day expeditions to the wreck itself. For the record Ballard's investigations strongly suggest the "accepted truth" of the liner being a clandestine courier of munitions for the British war effort was probably never true at all: or if true then stored armaments were not a factor in the ship's sinking. Rather Ballard points to the culprit being coal dust residue that had infiltrated the inner hull, and was set off by the initial impact of the torpedo. This is a great sort of book. It appeals visually, intellectually, and includes some terrific mythbusting that comes as a result of sound investigative work.

Of course, Dr Robert Ballard will forever remain the man who found the Titanic, but in this book he also provides the reader with an extremely well documented account of the loss of the Lusitania.

Mysteries are mysteries and whilst there are those experts which insist such and such happened, there will also be those who assert the opposite. I shouldn't say this I know, but it the way in which Bob Ballard takes such a thorough approach to his subject, it leaves one feeling that the only book you need to read on the entire subject of the loss of the Lusitania is this one.

Exploring the Lusitania - yet another four-funnelled passenger liner built before WW1, is a large coffee-table book approx. A4 size. Just a glance at the pictures throughout the richly illustrated pages (227 altogether) reveals the extent of the research to which the author has gone on behalf of the reader. There are many historic pictures of the ship itself - including when she was no more than a keel. Others include paintings of the day, newspaper cuttings and postcards showing internal and external views. Then there are the photographs of the tragedy itself and the effect it had upon the people of Ireland. Photographs of seemingly unimportant people at the booking office and individuals such as the Captain. Dr Ballard has been equally thorough when it comes to detailing the U-Boat which sank the Lusitania and we are treated to almost the same level of coverage of vessel and individuals and their trade of war.

Once again, however, the author has put together the most outstanding collection of artwork created by Ken Marschall. From thousands of photographic images taken from the wreckage itself, Bob Ballard created a complete montage (i.e. a big photograph made up of thousands of little photographs) of the various sections of the wreck so that Mr Marschall was able to provide us with the most accurate paintings of various sections and even the entire wreck. The one painting I had to look at again and again was the painting of the sinking across pages 96/97. For a moment there I thought the world's greatest photographer had been on hand to capture the event.

I congratulate Dr Ballard on another excellent and professional job of work. Another outstanding book and yet again 5 stars are not enough.

NM

The illustrations and photographs alone make this book worth owning. It is very direct and to the point for the most part.

Also of interest is the contrast between Lusitania, a shallow water wreck, and vessels such as Titanic and Bismarck which are under miles of water.

Bob Ballard's string of investigations into famous shipwrecks, while doing solid science continues in this exploration of the Lusitania.

The famous Cunard liner was torpedoed off the Irish coast in 1915, and was one of the pivotal events that dragged an isolationist America into the First World War.

Ballard's work at laying the groundwork for his book is again exceptional. Cunard's need to battle the White Star and other cruise lines for the transatlantic business is examined, and the method was indeed an interesting one. Cunard entered into an arrangement with the British government to build the Lusitania and her sister ship, Mauretania. In exchange for a loan, the government got the right to call the ships up for wartime service, and the builders set up placements for deck guns on the vessels.

This was before it was found that using cruise liners as "armed merchant cruisers" was just not practical.

In any case, the setting of the scene as the Lusitania headed east is well done--the German government has given fair warning to anyone sailing on British or Allied vessel that they're fair game. A German U-boat is known to be off the coast, the Lusitania is traveling at less than full power, her captain chooses not to zigzag, then waste time taking an involved bearing on the land...and the end is known.

Question: Did Winston Churchill stake out the Lusitania and let her be sunk as an effort to get the US into the war? It wouldn't be out of his mindset, but there appears to be little in the way of proof that he did such a thing. Of greater interest is the secret correspondence between Admiral Tirpitz and Admiral Jacky Fisher, in which the latter tells his German counterpart that he'd have done the same thing in going after the Lusitania if the roles were reversed.

The examination of the wreck is sad; there's not much left of her, as the ship has been used for depth charge practice. There was not much of an effort to get inside her as was done on other ships. Perhaps there's little point.

Once again, Ken Marschall's paintings are stellar and the book is well worth reading...and looking at.

This handsome companion to the excellent National Geographic documentary is the best overview and photographic record of the Lusitania disaster I have seen. If you only own or read one book on the Lusitania, let it be this one! It covers the key issues surrounding the tragedy: Why did the powerful, double bottom ship go down so quickly (only 18 minutes compared to over 2 hours for the less robust Titanic)?; What caused the second explosion?; Was the Lusitania carrying arms? Dr. Robert Ballard, who discovered the Titanic and explored the Bismarck, uses advanced equipment to go down into the ocean's depths to answer these questions and to give us a glimpse of how the Lusitania looks today through remarkable photographs and the masterpieces of maritime artist Ken Marschall.

The text of the book is very well-written. It does not go into as much of depth as longer books as it explains the sinking through accounts of select survivors, some alive at the time of the book's publication. Still, it reveals many lesser known points. First Sea Lord Winston Churchill, in France at the time of the tragedy, might have ordered a naval escort for the famed passenger liner (pg. 78). It notes that the U.S. tanker Gunflight was torpedoed the week before (pg. 124). Unlike the documentary, readers learn that nurse Alice Lines--who was still alive when the documentary was made--actually missed the lifeboat when she made her desperate leap with baby Audrey (pg. 102). The book takes a fair look at the sinking. There is much empathy for the German side (Lusitania was, after all, an auxiliary cruiser in a war zone) and is quite critical of Captain Turner who ignored the Admiralty's instructions on steering a zigzag course away from the shore in areas where subs lurked. The most valuable part of this book on a informational level is that it solves the mystery of the second explosion some witnesses believed was a second torpedo or the explosion of arms in the ships magazine.

As interesting as the text is, the illustrations make this book the best on the subject. Photos and startlingly accurate period postcards give the reader a look at Lusitania's interior in first, second, and steerage classes. Posters and memorabilia illustrate the propaganda war which followed. Finally, pages 144-89 explore the Lusitania and compares the ship then & now in remarkable photos. The highlight is a well preserved first class tub and shower found just outside the ship compared with a period illustration (pp. 172-3). A fold-out shows the sunken giant in full length thanks to the excellent work of artist Marschall. His realistic paintings look like photographs!

The book is very thorough. It includes a critical look at the inquiries into the sinking, the fates of some of the major players including U Boat commander Schwieger, a brief look at Lusitania's sister ship Mauretania, and a chronology of the two Cunard sisters. The only inconsistency I found was that Schwieger reported that he did not know he had torpedoed the Lusitania until he saw her name on her bow; however, the Lusitania name was covered up at the time to trick the enemy during the war (pg. 203). Still, this book is an excellent introduction to the Lusitania story and a more than sufficient and revealing account if one chooses not to read further.

I AM A GREAT LOVER OF VICTORIAN-STYLE, FORMAL, PERFECTLY-RHYMED AND MUSICAL VERSE BY THE ROMANTICS, SUCH AS KEATS, GEORGE GORDON,LORD BYRON, CHARLES SWINBURNE, P. B. SHELLEY AND E. A. POE. IT IS EXTREMELY RARE NOW, IN AMERICA AT LEAST, TO FIND A POET WHO NOT ONLY COMPARES TO THESE GREAT POETIC GIANTS, BUT WHO, IN SOME CASES, ACTUALLY SURPASSES THEM IN HIS ABILITY TO SUSTAIN ATMOSPHERE, RHYTM, TENSION AND PERFECTION OF END AND INTERNAL RHYME. MR. KEVIN NICHOLAS ROBERTS HAS ACCOMPLISHED ALL OF THESE THINGS. I HAVE GIVEN COPIES OF BOTH HIS BOOKS, FATAL WOMEN & QUEST FOR THE BELOVED, TO ALL THE POETRY LOVERS I KNOW, AND AS A DOCTORAL CANDIDATE IN LITERATURE:POETRY, I KNOW QUITE A FEW. WITHOUT FAIL, HE HAS PLEASED AND AMAZED THEM ALL! THE ONLY COMPLAINTS I HAVE HEARD IS THAT THE BOOK IS TOO BRIEF--IT CONTAINS ONLY 21 POEMS (SOME VERY LONG, OTHERS SONNNETS, SHORT RONDELS AND THE LIKE, AVERAING ABOUT 3 PAGES PER POEM. THOUGH MY TWO FAVORITE POEMS, "OPHELIA" AND "ALLAYNE" ARE BOTH OVER 10 PAGES IN LENGTH, ACHIEVING WHAT POE ONCE SAID WAS IMPOSSIBLE: TO SUSTAIN PERFECTION AND ATMOSPHERIC TENSION FOR MORE THAN 40 STANZAS. ROBERTS DOES THIS AND MUCHMORE IN "ALLAYNE."

DUE TO SPACE LIMIATATIONS, I WOULD LIKE TO CONCKUDE BY SIMPLY SAYING THAT THIS IS THE BEST POETRY COLLECTION I HAVE READ FROM A POET WRITING AFTER 1909. IF YOU LIKE THE CONTEMPORARY, UNRHYMING, EXPERIMENTAL POETRY, YOU MAY NOT AGREE WITH MY FEELING THAT THIS WORK IS EXCEPTIONALLY MOVING AND IMPOSSIBLE TO READ ONLY ONCE. I'VE HAD THE COLLECTION FOR 2 YEARS, AND I STILL READ IT ALMOT EVERY NIGHT BEFORE BED. IT GIVES ME NEAUTIFUL, WONDERFULLY ROMANTIC DREAMS WHEREIN I AM THE HEROINE, THE POET MY DARK KNIGHT, CARRYING ME AWAY TO A FAIRYLAND BEYOND MOST CONTEMPORARY IMAGINATIONS. OH! AND HE EVEN "COMPLETED" SAMUEL T. COLERIDGE'S POEM FRAGMENT "KUBLA KHAN!" AND IT'S BRILLIANT, WRITTEN PRECISELT 200 YEARS AFTER THE ORIGINAL AND SUSTAINING EXACTLY THE ORIGINAL POEM'S LANGUAGE, MOOD AND GENIUS. GET THIS BOOK, OR GIVE IT TO SOMEONE WHO MELTS UNDER THE OTUCH OF THE ROMANTICS. YOU WILL NEVER WANT TO PART WITH IT. AND IT EVEN LOOKS BEAUTIFUL--VERY HIGH-QUALITY PRODUCTION WITH J. WTERHOUSE'S GLORIOUS "OPHELIA" PAINTING ON THE FRONT AND BACK COVERS. GET IT, READ IT, CRY AND SIGH OVER IT, AND LET IT CARRY YOU INTO DREAMLAND. I COULD LOVE THIS MAN. :)

I highly recommend this book by poet Kevin Roberts. He has an eloquent way with words. From the beginning to the end of the book I found myself transported into the poems. This book is so beautifully written. This author is a master poet!

I just got this book yesterday and I have already read it through about 1ten times. How could this poetry collection exist since 2000 and I never heard of it. I love Romantic poetry, and NOBODY TOLD ME!!!!

The reviewer on the back cover describes Kevin N. Roberts as "Easily one of the ten greatest poets of past and present centuries." He is, without doubt, exactly correct.

The book focuses on the femme fatales of history and, apparently, of the poet's own life and experience. My faves are: OPHELIA, ALLAYNE (breathless!!!), HYACINTHE, MORTICHE AND, THE INCONSTANT CLAYRE.

ALLAYNE seems like an impossible poem to write. How did he do it? Poe says it could not be done, to sustain perfection beyond 40 stanzas. But this man did, and did it better than Poe or any of his contemporaries. Unbelieveable!

If he ever comes out with another poetry collection, SOMEONE BETTER TELL ME. I WANT IT!

I got Kevin Roberts's name and book title--FATAL WOMEN--from a well-respected amazon reviewer. I tried it, and I cannot beli9eve that this man is not the biggest poet working in America and Europe today! He needs advertising.

Oh, and Kevin, if you read this: I LOVE YOU! Will you marry me?

FATAL WOMEN is like an antibiotic for the sickly and weakened body of modern English poetry! Finally we can see that the emperors of what poetry is and is supposed to be, have no clothes, they, in fact, are naked, for FATAL WOMEN has made us see! The last sixty years have seen an amazing outpouring of the most banal and insipid poetry imaginable. A small army of professors, armed with cartloads of advanced degrees in various subgenres of literature, especially the notorious MFA, have reduced poetry to a troglodytic science devoid of all feeling. This handful of folks have written reams of poetry for each other which has been widely published but read only by a very few outside of the cloistered walls of academe. So it is with the greatest brilliance that Kevin Roberts' FATAL WOMEN has arrived in the nick of time to save poetry from total irrelevance in the current age. FATAL WOMEN is full of poetry of the profoundest human feelings elucidated in the most lapidary of styles. His poetry is beautiful! Each poem is like a bright, or dark, willowy sorceress with powers supernaturally benignant or malign. Have you read the great Victorian poet Algernon Charles Swinburne? If you have had the pleasure you will discover something marvelous. Mr. Roberts seems to have, and this most incredibly, fetched the poetic baton from the late Swinburne. Reading FATAL WOMEN is the rarest of treats. The poetry of Mr. Roberts soars on beautiful wings both angelic and demonian. Here is poetry to make the reader cry with joy!

Real eye opener for someone that doesn't have time for food research and a review for those that have.

This book came recommended, and it was sent as a gift to my daughter for her family. They are highly impressed with the articles. My teenage grand daughter is very impressed at the knowledge she has learned. Memaw

I HAVE OWNED THIS BOOK FOR OVER 5 YRS NOW. I USE IT REGULARLY TO LOOK OP NUTRITIONAL PROPERTIES FOR THINGS THAT I EAT. I AM AN RN WITH HEALTHY EATING HABITS AND I JUST LIKE TO KNOW HOW DIFFERENT FOODS PROMOTE HEATH OR WHAT COULD BE HARMFULL FOR ME. I ALSO USE IT TO TEACH MY KIDS WHAT THEY ARE CONSUMING. THEY ARE NOW MORE WILLING TO TRY ASPARGUS AFTER THE PROPERTIES ARE EXPLAINED TO THEM. I LET MY FRIEND WHO SURVIVED BREAST CANCER BORROW IT TO MODIFY HER EATING HABITS. WHAT AN EXCELLENT BOOK. IT STAYS IN MY KITCHEN.

A reminder that you really are what you eat. Great reference on foods and their nutritional value. Much of this information is now available online. But, if you prefer a hard copy for frequent reference this is a great book.

I boutht this book in 1997 and still use it and have it handy all the time! i'm always trying to keep up my healthy habits and maintain a balanced diet. this book is a must have! it is written wisely and very easy to understand. it is written in alphabetical order and you can look up almost every sickness, foods, vitamins and minerals, what is good for what, what are the drawbacks and where to find them. for sickness what it is, what should you eat, what to cut down, what to avoid. etc. if you are a person like me and like to know what you eat, you must own this book! by the way i'm ordering today a 2004 copy for my mother in law who has recovered from breast cancer and is so much into eating healthy.

I bought the book as a gift for a friend. It arrived in good condition, although it took a little while to get here. It appears to be amusing for those who like Star Trek.

Able to remove an appendix with one hand tied behind his back, The Doctor is also able to write an engaging book with tongue firmly pressed into his holographic cheek. While more "truthful" than Leslie Nielson's A Liar's Autobiography, The Hologram's Handbook is similar in tone and manner, told by a person who is rarely able to look beyond the mirror. The Doctor tells us organics just how things really are, and how they should be. Everything we love about The Doctor is here - from the biting sarcasm to the Data-esque desire to experience humanity. If you're like me and think The Doctor was the best (and perhaps the only truly great) part of Voyager, then this one is a must read.

If your a fan of Voyager and you loved watching the episodes that pertained to the Doctor aboard then you will just love reading this book. It is funny, witty and just down right enjoyable. A must read for any Star Trek fan.

A brilliant and witty piece of Star Trek writing, possibly the wittiest piece of Star Trek writing I've ever read.

Robert Picardo catches the essence of Voyager's EMH, our beloved Doctor, in a way that only he could. Witty, insightful and thought provoking are all words that perfectly describe this book.

I couldn't put it down, Picardo's writing is so smooth it's like listening to the Doctor himself talking. And not only does he provide insightful views on his character, but also some views about life in general, which are recurrent themes throughout all the centuries portrayed on Star Trek.

And, unlike the show, this book gives equal credit to pre-Scorpion and post-Scorpion time periods, and the Doctor speaks of both Kes and Seven of Nine fondly.

However, the book wasn't perfect. While Picardo covers the Doctor's views on some of the major characters nicely, I felt that he failed to provide enough insight into his relationships with the other characters on Voyager, particularly Neelix and Harry Kim.

Another low point of the book me was his continued references to Lt. Joe Carey, a recurring guest star on Voyager. In one early episode, Carey was abrasive to the Doctor, and Picardo has played that out to the extreme here, often saying he didn't like Carey. I found that to be a little rough, Carey eventually died on an away mission for Voyager, and to speak ill of a dead crewmember like that doesn't cut it in my book.

I would also have liked to have read more about the Doctor's experiences in the Delta Quadrant, and not just about personal relationships. The Doctor remained active and onboard the ship during most of the alien takeovers, and more often than not entire episodes were devoted to his adventures. Wouldn't these sorts of experiences have shaped his views on life a little? He watched as Suder struggled to contain his violence, watched as the Hirogen tortured the bodies of Voyager crewmembers, and countless other such experiences. Wouldn't these sort have things changed him? Perhaps he held a grudge against the Hirogen? Or detested the way the Vidiians used their medical science to harm others? Little to no attention was paid to these in the book, and I didn't like that. Those sort of experiences deserved a chapter at least, but Picardo paid no attention to them.

But that being said, the book was excellent, and provided great insight into the Doctor's character.

A must read if you are a Voyager fan.

Robert Picardo opens his Foreword to the book asking "Do you often feel you are the only intelligent one in a universe of idiots?" Brannon Braga, one of the executive producers of "Star Trek: Voyager," has something else to say in his introduction, that the book is "a hundred page cry for help."

All joking aside though, "The Hologram's Handbook" is truly a revealing insight into the chacter of The Doctor from "Voyager." Robert Picardo goes completely in character to write this missive that includes information on everything from "the pros and cons of hololife" to "the program upgrade of kings."

Throughout, the book is written in The Doctor's style, assured of his own superiority and yet enriched for the experiences he has had with his friends and even family. The book provides the expected background on The Doctor as well as adventures that had never been previously be revealed. The book contains images from "Star Trek: Voyager" throughout, as well as cartoon caricatures which The Doctor seems to abhor, but says his publisher felt it would help him to not appear elitist.

If you wish to know more about The Doctor, then pick up "The Hologram's Handbook" today. Or, if you're a holographic reader who hopes to improve your well-being and social skills, simply download it onto the nearest padd and prepare to be enlightened.

I loved this book. I stumbled onto Ted Dekker a few months ago, and when I heard that Ted Dekker is working with Robert Liparulo, I had to read it.
And what a great story. A lot of suspense, and I couldn't put the book down.

Definitely a Recommend for every body to read.

Liparulo established himself as a major presence in the thriller market with "Comes a Horseman," followed by two other fine-tuned suspense novels. I had no doubt he could create the same chills for a younger audience, particularly since he draws from his own experience as a father.

I was not disappointed. "House of Dark Shadows" reads like a mix between a very tame Stephen King and a very mature Choose-Your-Own-Adventure book (you have to be much older than 16 to remember those!). When the King family--no relation to Stephen--relocates to a creepy old house in the woods, they have no idea what they are in for. Xander and Dave, the two brothers, take center stage as they stumble upon secrets and mysterious doorways in their new home. From unexplained footprints, to gladiators, to the jungle, Liparulo takes us along on a fast-paced adventure. He leaves us hanging, anxious for the next book, "Watcher in the Woods," and certain that there are plenty more escapades and dangers for the entire family to maneuver.

I haven't yet read a Liparulo book I didn't enjoy. He always gives a good story, memorable characters, and secrets lurking in every corner.

Oh, and "Gatekeepers" is book three? More good books to read!

Buy this book!

If you are a thriller reader, and are at all hesitant to pick up Bob's latest because it's in a young adult category, then trust me, it delivers for us adults! This review won't tell you about the story, all the other reviews do that. I want to focus on how the book reads.

I read almost every thriller writer in the genre, and Bob offers a unique world where violence, horror, suspense, mystery, and action are reduced to the most basic elements, then spun into a believable world - and all that without the industry's typical gratuitous languange, sex or overly descriptive violence. I would have my children read any of his books, but this series I'm holding on to for my nieces, nephews, and grandchildren. In House of Dark Shadows, Bob has delivered true supsense that caused me to read it in one afternoon (during the US Open no less). The opening scene will tell you this is no ordinary haunted house. While utilizing some familiar suspense tones (secret rooms, noises in the night, appearance of unknown forces), he does a great job blending them into a fast paced story that feels like it will come to conclusion. Then, it twists! That's primarily why I'll read the next book, but more importantly, I've become attached to this family, and want to know where they go next, and what historical setting they might experience.

As a reader, I've been allowed in this book to glimpse the family relationship and each of their unique personalities while at the same time using my own imagination to paint a picture of their history, and current importance to their world.

I hope this book sees the publishing success it deserves. By the way, It's design shows well on the bookshelf too. I look forward to the series continuing.

I didn't read this personally, but my 16 year old son read them in record time! The first book makes you want to read the second one immediately! The main drawback to this is the third book won't be out until January 2009. My son said he wants to read the third book when it comes out, but he will still continue to live without reading it immediately :) He really enjoyed both books and he doesn't think they're too scary, but when I read them, I may disagree!

I emailed Robert Liparulo and he responded to me personally. He seems like a very nice person and according to my son, an excellent author. I'm looking forward to reading his books!

I haven't seen the Young Adult years in...years, but I can tell you that this series is SCARY even for adults. I finished House of Dark Shadows a little while ago and can testify that it's freakier than Flowers in the Attic by V. C. Andrews and just about as scary as The Amityville Horror. Did I mention this book was scary, LOL? But I finished it. I just didn't read it at night. Seriously. And I'm thankful that my house has neither an attic or a basement or I wouldn't be able to sleep! I know it's just fiction, but while I was reading the story I was in it, so it seemed real to me. Too real.

So far I haven't found a spiritual element (like they didn't even pray when scared) but it's still an incredibly entertaining tale of horror. I dare say it ranks right up there with any number of scary secular novels. There is even some blood in the book. Did I mention it was scary? Bottom line...this is top notch fiction but it is tolerable even for big honking chickens like me. In fact, I want to read the next book right away...but it's dark outside, so that'll have to wait until tomorrow!

This book is a fantastic guide to doing Active Imagination. If you are new to the ideas of Carl Jung, this book has the introduction that you need. I have used the techniques from this book on many occasions, and I know I will keep going back to it. Active Imagination has helped me in working with my compulsions and in understanding my bad habits. This is not a 'self-help' book with catchy slogans and common-sense rephrased kind of book. You will end up talking nonsense to yourself and trying to make sense of it. What kind of 'self-help' book would ever encourage you to make up a bunch of nonsense and then try to understand it! When you see the way to express your instincts you will open up a part of yourself that you may never have known before.

I really liked this book! Tons of info, personal experiences and suggestions are within on how to work with the unconscious mind in a healthy way. great for magicians, witches, sorcerers and lay folk alike!

I have previously read only one book on dream interpretation and think this one is excellent. I've always steered away from dream interpretation because I thought they were too mental for me. I am by nature an intellectual and caught up in daydreaming most of the time anyway. But Johnson tells me to bring feeling and body into the interpretation process, and that I like.

He also warned against passive daydreaming concerning any real person for they will feel something over the collective unconscious. Compared inner work to marching around the walls of Jericho -- conquering a psychic center might take years of persistent work.

All in all: simple and concise. I recommend it.

This wonderful book is clear and practical, and really goes to the point. It instructs you and helps you at two levels: first it explains how our dreams and imagination function as a link between our conscious and unconscious lives; then it goes on to instruct the reader on how to learn from this link and how to build a fruitful and lifelong dialogue between these two spheres of being. In order to achieve the latter, the author shows us, with clear examples, the way to understand our dreams and to use our imagination and so find the wisdom that we all have inside. Although this all sounds like any other self-help book, here the author never means to sound witty, empty or artificially triumphant. He promises nothing and makes sure we understand that what he is telling us is nothing new: many cultures use these same methods for the psychological, spiritual well-being of people. But we happen to be living in a time and culture that have lost the sense of inner life.Reading this book is like listening to the words of a loving teacher, who knows things because "he has been there before".Well-written and packed with no-nonsense spirituality, without losing touch with the world where we live or our common sense.

though i wouldn't follow the author's exact attributions to symbols in dreams (use your personal ones - what do they mean to you?), the book is still excellent for interpretation and analysis. keep reading it, especially the most important parts, as you are likely to forget. i recommend first reading Owning Your Own Shadow as a primer, also by Robert A. Johnson.

This book contains the clearest, easiest to understand explanation I've found for how trauma affects the brain. A must read for all those dealing with trauma, trauma victims or PTSD.

How lucky I've been to discover this book now, years after initial publication! I second other Amazon reviews, esp. by trauma survivors. Easy read.(CD recording of it also available.) Important parts:
1) Most of the book explains PTSD and related symptoms, many which might seem at first to have nothing to do with trauma. More important to me than the rest, because of unraveling confusing experiences in my life.
2) Scripts of guided imagery. Some may be important for some trauma survivors to read before listening to them on CD, because of concern of how we might react to the power of voice and music, e.g. meditation on grief. Sleep meditation seems the most powerful.
3) Information about 11 things people who have successfully recovered have done. Validating. Offers a healing direction.
4) Unexpected information about development of gifts as a result of trauma.
5) The title might be encouraging to other survivors of trauma. Look how far we've come, rather than how much we've left undone. "I look forward to reclaiming my strength and using the full range of my gifts." It's good to know that I'm not alone in benefitting from that affirmation.
6) Those who know the trauma survivor can benefit in recognizing PTSD problems, because they can ask for specific help about how to deal with the person who has PTSD. "It ain't easy."
7) I've given the book to some helping professionals who have told me, "It sounds like I should get that book." I'm ordering more copies.

This book causes you to think deeply about alot of things. Especially things you didn't realize were issues in your life or the life of ones you love. Read it with a highlighter and pen in hand!!

I just wrote a long review. I pressed Preview your review. It's no where to be seen. Oh well.

Suffice to say, for now, Belleruth Naparstek, in her beautifully put together composition, has created a wonderful, easy to read, 'makes sense' story, (with up-to-date findings on brain chemistry, and the workings of the body chemistry, etc)-that explains, for me, clearly, why my father, is the way he is, and, what he has 'walked through' since being a WWII COMBAT Gunner, and UNITED STATES MARINE CORPS Enlisted man, at the ages of 17, 18, 19 and 20, in the years, 1942, 1943, 1944, and 1945 in the South Pacific. It has also provided much insight into how I might even 'help' him now, in his 82nd year, and, it has also given me great insight, into 'what' is my problem--the blessing, and the curse, from my own experience, of being a survivor of a traumatic (life threatening) experience.

Naperstek's book is a very readable, straightforward analysis of the symptomatology of PTSD and of the various non-verbal therapies now available to treat the disorder. It's an extremely effective synthesis of the current state of therapeutic approaches to PTSD treatment, including very recent remarkable advances in the brain scanning technologies that have given scientists and medical professionals extraordinary access to the brain's activities involving PTSD triggers, areas of the brain affected by those stimuli, and a very convincing argument for non-verbal therapeutic practices (as opposed to "talk therapy").

In the late 1860s Prussia, led by Kaiser Wilhelm and Chancellor Otto von Bismarck, engaged the French government headed by Napoleon III in heated negotiations over the throne of Spain and the sovereignty of the Low Countries. The dispute grew as France looked for a fight.

France declared war in 1870 but was ill prepared to fight the ensuing Franco-Prussian War. Poorly equipped and incompetently led, the French soldiers were badly used. The result, from the French point of view was a catastrophe. At the battle of Sedan the Prussians captured over 100,000 French troops and Napoleon III himself. France was forced to cede Alsace-Lorraine to the Germans. In the immediate aftermath of the war, a left-wing rebellion erupted in Paris. It was suppressed with brutal rigor.

Like Tolstoy's War and Peace, Zola's The Debacle is a historical novel in which the facts of the war are very accurately described, and then well-drawn fictional characters are inserted. The story is told with verve through the eyes of two soldiers. The events of the Franco-Prussian War are extremely complex, yet Zola never lets the reader get lost. The story is engrossing and compelling. This is one of the great books of French literature.

To the reader who comes to this review by way of my history of the Tour de France, this book is related to the Tour rather obliquely. Tour founder Henri Desgrange wrote extensively in the sports newspaper L'Auto, which also owned the Tour de France. Desgrange tried to model his own writing style on Zola's.
-Bill McGann, Author of "The Story of the Tour de France"

As a big student of the War of 1870-71, I was a bit skeptic when I saw this was a historical novel, especially one that was a political commentary. Well, my skepticism was destroyed after about 15 minutes of reading this book. Not only is the author a veteran of the war, his style is SO engrossing I didn't stop reading until I finished the entire book!

The amount of details that are in the narritive can only come from someone who participated in the historical events that are narrated. Zola's characters are easy to identify with, and anyone can pick one character and say "yeah, that's me" as they read the story.

I recommend this book to anyone interested in the F/P War or French/European culture/life of the Second Empire. Vivé Napoleon III!

Emile Zola's La Debacle, the 19th of his 20 volume Rougon-Macquart series, describes the crushing defeat of the French armies at the hands of the Prussians in the Franco-Prussian war of 1870-71. During Zola's lifetime, this novel was regarded as his masterpiece. History has decreed that it would be Germinal that would be more enduring, but this is still an outstanding novel. All the stories in this series are linked with recurring characters and interwoven plot lines. Like Germinal, this is a story of destruction and rebirth.

This novel is divided into three sections. In Zola's typical style, each section is focused on a period of several days, with several weeks or months between sections. The main character of the story in Jean Macquart, a character from an earlier novel (La Terre) in the series. Macquart is an enlisted soldier marching to the front with his comrades to face the Prussians. Zola, never a soldier himself, describes well the lot of Jean and his comrades. Lots of marching, fatigue, boredom, and grumbling about the leadership. Hanging over the story, and unbeknowst to the characters, is the coming whirlwind. The Emporer himself (Napoleon III) makes an appearance, but it is rather tragi-comic.
The second section is focused on the battle of Sedan. There are several story threads designed to explain the action of the battle at different times and from perspectives. The descriptions are quite graphic and detailed. Ultimately, the French Army is totally destroyed, the surviving characters become prisoners of war. In the third section, Jean is reunited with his comrade Maurice in Paris at the height of the Commune. The primary theme of this novel is to describe the `rot' of the Third Empire, and how its destruction gives the survivors hope for a brighter future.

The Oxford World Classics translation is outstanding. It contains detailed endnotes to explain topical or historical references that would be lost on modern English speaking/reading audiences. There are several maps and a detailed list of characters to keep everything straight. This edition also contains a well written introduction to allow the reader to place the novel in historical and literary context.

I have several thoughts about this novel that potential readers may or may not find interesting. First, this is an outstanding novel, whether one likes war novels or not. Zola is one of the greatest novelists ever to put pen to paper, and this is arguable one of his best works. The characters in this story are detailed and realistic, the dialogue outstanding, and the plot complex and compelling, but easy to read. Anyone who is afraid of approaching Zola because of past experience with the 19th century English `greats' should not be concerned. Zola has none of the pretentiousness or Victorian puritanism of his English contemporaries, and his writing, while often gloomy, is not ponderous.

Second, with the exception of a few small tweaks for poetic license, this book is an outstanding example of historical fiction. Beyond an enjoyable novel, this book will also provide the reader a history lesson of the first order. In particular, I would highly recommend this book to American readers who know little or nothing of French history of this era. I think that the events of the Commune would be most surprising to many Americans. Certainly the Franco-Prussian war was one of the defining events for the French (and Germans), much as the Civil War was for Americans. The outcome of this war had long lasting political, economic, cultural, and military implications that affect us today.

Third, if I had one complaint about this book, it would be that the author's knowledge of the outcome of the battle weighs over the entire novel. I would almost argue that this novel is defeatist. This is definitely an antiwar novel, but no real sense of imminent destruction covers the Prussian soldiers as it does the French. That is, this is an antiwar novel from the French perspective, but not really from the Prussian. It strikes me that the message conveyed by Zola (probably inadvertantly) is not antiwar in general, but antiwar only for the losers.

Overall though, this is an outstanding novel, one of the best ever written. Highly recommended.

In this novel, as in all of his greatest works (Germinal, La Terre), Zola achieves the wide-ranging scope of a sweeping, romantic epic, without romanticizing the details of his settings or the emotions of his characters. As a result, we get an in-depth examination of the effects of war, on both national and personal levels. Zola thoroughly outlines the movements of troops and supplies, the political intrigue happening within the French government, and the diplomatic relations between nations, yet he never loses sight of the individual.
The narrative focuses on the friendship between Jean Macquart and Maurice Levasseur, two French soldiers from contrasting backgrounds who are brought together by the war. Jean Macquart, who previously starred in Zola's novel The Earth (La Terre), is an experienced soldier and a sturdy, dependable, salt-of-the-earth kind of guy. Maurice is a novice in the military, was raised in a privileged background, and has an emotional, introspective, and fragile nature. In addition to these two players, Zola presents myriad perspectives on the war. The multitudinous cast includes an emperor and a king; generals, grunts, and officers in between; farmers, shopkeepers, industrialists, doctors, and their wives. The combatants in this war range from highly-skilled military men to peasants with guns thrust into their hands, from the privileged elite to penniless beggars. The chaos of war ensnares them all in a series of events beyond their control or understanding, pushing them to the climactic tragedy of the Battle of Sedan.
Throughout the book, Zola condemns the futility of war in general, and the ineptitude of the French commanders in particular. The book is not totally pessimistic, however, as he does include some romantic concessions to the glory of patriotism, the strength of friendship, and the heroism that can arise when ordinary men are thrust into extraordinary circumstances. This is one of Zola's greatest works, and I would recommend it to anyone, especially those who enjoy classic literature or historical fiction. It is both intellectually challenging and emotionally moving. I would caution the reader that it does help to have some knowledge of French geography and happenings in French history around the time of the Franco-Prussian War.

This was an amazing story about the Franco-Prussian war, but it could have been about any war and the destructive influence it has on men and women, and on all human relationships. Zola tells the story, in vivid, sometimes gruesome but always very compassionate and heartbreaking detail (most of the plot is based on real historical events), of the absolute disaster that was the Franco-Prussian "debacle" of 1870-1.

For anyone interested in French history, it is required reading. This was an absolutely pivotal event in the formation of the Third Republic and the death of the Second Empire, an Empire which Zola had already suggested in his previous novels was rotten to the core. Writing twenty years after the event, Zola was describing a memory still vivid in the minds of most of his readers.

The Franco-Prussian war was truly a debacle. Not only had Napoleon III provoked the French into a doomed war with the Prussians, who with their superior artillery and military tactics ended up invading France and slaughtering and starving thousands upon thousands of men, but he ultimately set the French against each other when, at the end of the war, some Frenchmen and women wanted to surrender the hopeless cause-and some wanted to fight to the death-their deaths-on principle. Many of the French showed amazing bravery and refused to surrender, even after Napoleon III was taken prisoner and a new French government acted to conclude the war.

In a famous and tragic episode, after the war was lost and many French were working to effect a surrender, political radicals staged a hopeless but heroic last stand in Paris, electing an independent municipal government-the famous Paris Commune-and holding the city. Eventually other Frenchmen were finally set against their brothers to force them to wave the white flag. In their determination to not yield one inch of the soil to the Prussian invaders, in one of the most powerful and haunting scenes in the novel (and in history), the Commune sets Paris on fire and Zola describes the entire city of lights roaring with fire, gone up with smoke and having turned the sky red.

If you've ever been in Paris it's a compelling scene and you'll remember all the places he mentions if, like me, you've spent some time there. It's odd to think that the Pere Lachaise cemetery, where so many of us go to see the graves of Oscar Wilde, Sarah Bernhardt, Jim Morrison or Abelard and Heloise (a site featured on an episode of America's Next Top Model no less!) is where thousands of French radicals-and uninvolved Parisian civilians as well- were lined up against the wall and shot point-blank in summary executions-by their own countrymen-something that Zola and others would never forget. I think it's very important that Zola dealt with these crimes in his novel.

Although Zola doesn't pretend that some of the Communards were not, in fact, war profiteers or criminals, he has much sympathy with some of them and their sincere political committments; as a man of the left he cannot help but find common ground with some of their arguments or with their feeling of betrayal by their own government. He is also disgusted, as so many French were, with the brutal way in which they were liquidated.

The hero of the story is Jean Macquart. You definitely don't have to have read any of the other books in the Rougon-Macquart series of twenty novels (!) to appreciate this book, however if you have read La Terre (The Earth) you will already like Jean for his general kindness and sensible nature. He is a sweet man who has an unlikely friendship with Maurice, the young radically-inclined soldier who ultimately joins the Commune. The introduction to my book was a bit heavy handed, (I suggest reading it after you've completed the novel since it gives all major plot points away) claiming that they represent the two "eternal sides of France", but there's a real human relationship here.

By today's standards this friendship would seem over the top and overly sentimental, but taken in the historical context it's quite a beautiful friendship. More than anything we get a sense of the senseless slaughter of a pointless war, the deep fraternal divisions it causes, and these are embodied in two very appealing characters, Jean and Maurice. Zola makes it clear that it makes sense, obviously, that Maurice would be furious and feel betrayed. I'm a pacifist, but if the invaders are at your door-which they literally were in this case-it's hard to know how you would feel.

On the other hand Jean's view is portrayed with sympathy-he's endured tremendous suffering due to this ridiculous war, and like Maurice he's shown tremendous bravery and courage, like so many Frenchmen did at that time (take that everyone who makes fun of the French tendency to surrender-I wish all of you had to read this book!) but he is an ordinary person who would like to get back to ordinary life-which really is a normal emotion to have. He also hates to see Paris burning-it's the epitome of craziness to him, and to us, even while we also see Maurice's view, that no one should care anymore, France is dead and defeated.

At the end, when Jean perseveres and goes on to build a new France, we're hopeful for him. But we can't help feeling the looming shadow of two World Wars to come, and it's also a sad book, reminding us of the vast physical and emotional wounds war leaves behind.

An absolute masterpiece!

. . . I will be singing these songs. I grant you that the piano music requires a talented pianist (and even the vocal range is nothing to sneer at, particularly if you sing both a Jamie and Cathy song), but OH, the beauty! This is one of my favorite musicals of all time, and this songbook, though perhaps not Quite complete (I wish, I wish, I WISH it had See I'm Smiling. Still, it's more complete than the vast majority of musical's songbooks!), is incredible. If you love JRB, L5Y, or just are looking for a good audition piece, this is where your life begins!

The songs, lyrics, and rhythm beautifully portray the love/hate story of Jamie and Cathy. Jason Robert Brown's dreams and styling really show through. The arrangements are probabley best for intermediate-advanced piano players. It's wonderful!

Great piano/vocal arrangements! This sheet music is very true to the cast recording. The arrangements reflect varying degrees of complexity, with the piano score averaging moderate playing difficulty. Pianists/vocalists who enjoy "The Last Five Years" will find this to be a very satisfying sheet music purchase.

Jason Robert Brown has been among my favorite composers in the business for quite a while. His books are among the most played music in my collection, and for good reason. They cover a tremendous emotional range, and this book is well worth the money.

A few caveats: I'm a music major, having played piano for 15 years and sung for most of my life, and I still think this music is HARD! Be aware if you're a less experienced musician that you may find most of his work frustratingly difficult. Also, if you own the vocal selections books from his individual shows (I own all but Parade), you will find considerable overlap in these books. From each of the shows so far that such books are available, this book includes 3 songs that you may already have and one new song. It also includes, however, many songs that are not available anywhere else, and is still very much worthwhile for what is left.

This is an amazing show with music that will rip your heart out. The book itself includes 12 songs: Still Hurting, The Next Ten Minutes, If I Didn't Believe in You, & A Summer in Ohio, to name a few. It's a must for any musical theater fan.

Poignant, powerful stories. Beautifully written with a distinctive and important design. This book's not to be missed--by you, your friends, your business colleagues. Bravo!

Within his book A Leader Becomes A Leader, Kevin Sheehan delightfully illustrates the essence of true leadership. He poignantly definies a diverse group of past and present leaders; while exploring their life events and characteristics of greatness. Encourage your friends, family and coworkers to read this motivational book!

The author does a phenomenal job of breaking the topic down into small manageable and inspiring readings; also covers a great cross-section of leaders and the characteristics that made them successful. I ordered a dozen copies as executive and motivational gifts.

J. Kevin Sheehan presents a celebration of what's possible in his biographical snapshots of great leaders. By focusing on the unique character traits of outstanding leaders the author transforms the mysteries of leadership into something very real. He answers the question "what made them great?" in an extremely concise and inspirational style. Great as a corporate gift or graduation present. My children have used it for school projects and I have found inspiration for my own business. No home or school library should be without this most valuable tool.

What I love most about "A Leader Becomes A Leader" is it's timeless simplicity. I can take this book (turn off the television) and spend quality time with a young child, parent, teacher, grandparent or peer and connect on a visual, thoughtful and emotional level. These inspiring stories remain simple, true and steadfast in their messages of perseverance (and are told with grace). A thoughtful journey through and towards what is really important in life. A great exploration on human potential. This must be shared!