Roberts Books

I enjoy Kathy Hogan Trochecks books, although when I was reading this one, once I reached page 54, it then went to page 295. I was able to pick it back up again at page 88. I'm sure a printing error, But I did miss out on 34 pages of the book.

I love all of the Callahan Garrity books, and I own the entire series. This was my favorite out of all them. The suspense and twists and turns keep you on the edge of your seat, but the humor and heart are the backbone of the books. I love that the Callahan books are set in Atlanta; it's so much more refreshing than the typical New York or LA settings that many books use. I wish Ms Trocheck would write more Callahan books, but from what I can see, she has moved on to romances (written under the name Mary Kay Andrews) which are still good, but not as good as Callahan.

I adore all of Callahan Gerrity Mysteries and this one was the fiest de resistance. I could not put it down. I ate, slept and drank every word and loved it....Kathy Trochek is a master of description and weaver of mystery. Just loved it.

It's a few days before Christmas, and sometimes disorganized Callahan Garrity, actually has things under control for a change. That is, until her deadbeat brother, Brian, shows up after 10 long years, with a toddler, Maura, who he says is his daughter. Callahan is always used to trouble following Brian, so when she finds out that he's actually kidnapped Maura from his estranged wife, she's not surprised. But, when Brian's ex-wife is found dead, the lead suspect is Brian. And though Callahan knows that he's many things, she knows that he's no murderer. So now it's time for her, her hilarious mother, Edna, and the employees of the House Mouse Cleaning Service to do some serious detective work around Atlanta, before Christmas is ruined for everyone.

This was my first Callahan Garrity mystery, and I was not one bit disappointed. Callahan, and her mother Edna are two hilarious characters, and the mother/daughter relationship between the two of them is absolutely fantastic. Whether you're a mystery lover, or a fan of family drama's, this is a must-have this holiday season.

Erika Sorocco

I deliberately waited over a year to purchase and read Midnight Clear by my favorite mystery author, Kathy Hogan Trocheck. I've always paced myself with her books because there aren't that many to begin with plus it's been over 3 years since KHT last wrote one. I hope that she is working on something new, because all of us Callahan Garrity fans are anxiously awaiting the next mystery featuring Callahan, Edna & the rest of the House Mouse cleaning crew! As for Midnight Clear-it just doesn't get any better than this. Kid brother Brian, who had been in absentia for 10 years suddenly shows up at Edna's doorstep with a surprise in his truck-a 3 year old girl named Maura. There is a major murder mystery for Callahan to solve, but it looks like Brian is the prime suspect-his ex-wife is found murdered in her bed. You'll find yourself rapidly turning the pages until you reach the surprise ending, KHT pulls out all the stops with this one. Once you reach the very end, however, you realize you want more books to come out featuring Callahan Garrity & co. As the previous reviewer mentioned, if only Ms. Trocheck would write as often as Sue Grafton does! Very highly recommended-along with all of her other books. Enjoy!

Slightly worn but in great shape considering it's age. Learned of this text from straightdope.com and worth every penny.

I own two worn-out copies, because I enjoy this book too much to be without. Before buying my first copy of Mrs. Byrnes Dictionary, I couldn't use the word cephalonamancy in a sentence. Can you imagine?

Get a copy!

The book, which I love, was in excellent condition. I was surprised by the speed of delivery. Thanx.

Etymology is a guilty pleasure of mine-- and this book is the guiltiest of them all! Deliciously obscure words all at my fingertips...what more could i ask for. This copy was hard to come by... i think it's out of print now and so if you happen to see a used copy somewhere, no matter how dog-earred, grab it! You won't be disappointed. It's a gem.

I was given an earlier printing of this book when I first learned to read, and I think it has something to do with my childhood nickname of "Dictionary Breath." It has remained among my most treasured possessions!

While some of the words don't really seem to merit an entry in this book over its a delightful collection. There are some words such as "grassation" (to lie in wait to attack) which are so incredibly useful I don't know why they aren't in more common circulation.

I would like to see the etymology included, but speculating about a word's etymology and then looking it up elsewhere has become part of the game for me and my friends.

I got this album free from a radio station on the 70's cause they didn't want it. What idiots! Like averybody else says, there is some of the tastiest and heaviest guitar work EVER on this album. My favorite moments are in If You Know Love - turn it up and listen to the absolutely killer guitar playing and lyrics to live by.
Also love the intrumentals Outward Bound and on the opposite end of the spectrum Candlelight. This band can kick A or be sooo subtle and beautiful. Yeah, the vocals are probably the weakest link but not so bad. One of my desert island discs definitely. If you love rock or blues guitar do yourself a big favor and find this album!!!

I was a diehard Mark I fan, totally inflexible when it came to my Wishbone Ash....i loved all 3 albums....tolerated Wishbone IV....i saw them twice, in 1972 and 1973, both times at The warehouse in New Orleans...what SHOWS !!!! Magical Music at its best....but...when Ted turner quit, so did I...i never even bought or listened to ANY of the Mark II with laurie...which , as it turns out ,was my loss....
HOWEVER, last year,I went to see the new lineup in Memphis, with the wonderfully laidback yet soulful Muddy from Finland on guitar with andy, and i SWEAR they were better than in 1972. SO , I ve been scarfing up everything Ash i could, to make up for lost time....I've found a BUNCH of gems, and New England is the crown jewel.This is ALMOST, and maybe, AS GOOD as Argus. Sacrilege, you may say???? I say, buy it and see. Hats off to Andy Powell for keeping the fire burning after all these years, never stagnating, or getting stale.

There's enough happening here to satisfy just about any rock aficionado... and audiophile! A well-recorded album, with plenty of ambience and wide-open space in the mix - that's but one of its many strong points; which, even, incredibly, survive those lossy compressed transcriptions. Listen on, you mellomanes... and now let's get on with the incredible songwriting and playing.

The album shifts gears to and from rocker to atmospheric ballad many times. And does it perfectly. And every song has gold nuggets to be mined within.

One unforgettable moment is the segue from "(In All Of My Dreams) You Rescue Me" to "Runaway." Listening at a respectably loud volume level, if anything ever made someone jump... lulled by ambient chirping crickets; then suddenly SLAMMED with the opening chords of Runaway! WOW! The sonic equivalent of the horror movie "cheap scare" - when the monster pops from the bushes. On vinyl, a careful listener hears a faint "bump" an instant before the onslaught... and even that's not enough preparation; even when you know what's coming, still not quite ready for it.

The songwriting is mostly haunting, mostly making you question: are these really Brits, rocking away in a "Southern" tradition? Can it be?

"Blue" overtones pervade the writing. The album ends with the eerie "candlelight," a solo electric guitar moaning to the moon; the perfect dessert after this musical feast.

I've listened to this album, in its entirety, easily over a hundred times. Probably more than any other. (The band, "Ash" with the album `77' might have been obliquely inspired by this, but not sure.) It is a standout, and remains a treasured part of my music collection. It should be part of yours.

I remember buying this when it was on 8 track. I simply had to buy it again...It's that good!

One of Laurie Wisefield's favorite Ash record when he was with the band!!! SOOOO much v-a-r-i-e-t-y on this one!!! The bass/guitar interplay in 'Lorelei' is near priceless. And those suspended ninths in 'Lonely Island' are beautifully played. Interestingly this record was recorded in BASSIST MARTIN TURNER's home basement studio, but goes to show that with very little, one CAN DO very much with!!! This is a TIMELESS CLASSIC!!! Amazing they were touring with AEROSHIP to promote this record back when it was originally released-too bad! Laurie Wisefeld IS DEF. one of the most underrated guitarists ever! (BTW, I always said Meta-lack-a's KIRK HAMMETT stole Laurie's looks and playing ability.) Laurie had great success w/TINA TURNER after leaving the Bone on Dec 30, 1985. He's currently working with some local English bands and has appeared on a musical program in England similar to Top of the Pops.

Robert Peterson (1925-2006) wrote this pioneering history in 1970 when many ex-players were living. Drawing on interviews, Peterson makes the Negro Leagues come to life. Readers learn of stars like Bullet Joe Rogan, Satchel Paige, Josh Gibson ("the black Babe Ruth"), Cool Papa Bell, Oscar Charleston, etc., and teams like the Kansas City Monarchs, Homestead Grays, Indianapolis Clowns, Chicago American Giants, etc. The Negro Leagues were one of the largest black-owned businesses, though a couple teams (Pittsburgh Crawfords) were run by racketeers. Readers learn about Rube Foster, who founded the Negro National League in 1920, the annual All-Star game in Chicago's Comiskey Park, barnstorming against white big leaguers, and travel conditions that ranged from decent to difficult and discriminatory. There is also an appendix with team rosters and yearly standings.

The Negro Leagues began to fade as Jackie Robinson joined the Dodgers in 1947, and folded completely in 1960 - a sad day signalling a better era. Then this book arrived to bring attention to the Leagues and its players. One, Ted "Double-Duty" Radcliffe (1902-2005), became a fixture at White Sox games, signing autographs, and throwing out the first ball on his 101st and 102nd birthdays.

Today fans can visit The Negro Leagues Baseball Museum in Kansas City, buy team merchandise, and enjoy several good books on the subject, including I WAS RIGHT ON TIME (by Buck O'Neil), BASEBALL'S GREAT EXPERIMENT and several others. Peterson deserves at least a little credit for this.

A scholarly effort by a great Negro Leagues historian, evidenced by Oxford University Press imprint. Highly informative, a tremendous read! Five-star plus*****

"Negro baseball," writes Robert W. Peterson, "was both a gladsome thing and a blot on America's conscience."

And in that one sentence, Peterson defines the glory of Negro Leagues baseball and how it also magnified the sordid race hatred of this nation, with the ramifications still being felt today.

When the book was published in 1970, the Negro Leagues was not really known by a whiter (oops, I mean "wider") audience. Peterson, who had a journalism background as an editor for the New York World-Telegram and The Sun, set out on this journey in 1966 by interviewing players, studying microfilm of black newspapers and delving into game accounts & features in sporting publications.

He traces the history of some of the greatest players and teams ever in the game from post-Civil War to 1947. Along with a history highlighted through extensive interviews are a recap of yearly standings and a register of players and league/team officials.

Names such as Cool Papa Bell, Judy Johnson, Buck Leonard and Rube Foster & teams like the Kansas City Monarchs, Cleveland Buckeyes and Pittsburgh Crawfords come to life and opened a door to a wealth of research into NLB that continues today.

Peterson, who passed away in February 2006 at the age of 80, was on a 2006 committee that selected players/executives from NLB and the pre-NLB era for baseball's Hall of Fame. His ballot was filled out before his death and used in the vote.

It can't be forgotten that NLB welcomed whites and women on the field of play, in the grandstands and in the front offices. Truly, Peterson shows in Only the Ball Was White that there were no rear entrances, separate facilities and racial hatred in Negro Leagues Baseball. The book will never lose its standing as a true beacon to a history that must never again be forgotten.

I consider myself a self-educated baseball historian, but had very little knowledge of the Negro Leagues - until I read this book. It's a wonderful introduction to the proud but sad history of the African American experience in baseball in the first half of the 20th century. I now have a strong working knowledge of the dominent personalities of the Negro Leagues and its many extraodinary athletes - many of whom would have been certain stars in the Majors.

As I read it, I kept thinking to myself what a tragedy it was that these great black ballplayers were barred from the Major Leagues. How different the game would have been. Cool Papa Bell - maybe the fastest man ever to play the game. Satchel Paige - one of the greatest pitchers of all time, black or white. Josh Gibson - the Babe Ruth of the Negro Leagues. Pop Lloyd - the Black Honus Wagner.

It's a overwhelmingly sad chapter in American history for sure; but it's also a compelling story of perseverence and dedication that allowed the Negro Leagues to succeed for so long in the face of incredible obstacles. If you love baseball history, do yourself a favor and read this book. Your baseball knowledge will not be complete without an understanding of the Negro Leagues.

Robert Peterson originally published this book in 1970 so it's really the original and standard history of the Negro Leagues. Peterson not only tells the history of these leagues and some of the great players, but also provides brief biographical sketches of dozens of players whose big league service would otherwise be lost to history. The book also has extensive appendices with annual standings and box scores of all-star games. The book gives us glimpses into Jim Crow America (and it was not just in the South).

Peterson portrays the often overlooked fact that the Negro Leagues were a business venture run almost exclusively by and for black people. And it was a tough business at that, but one that drew often sizeable crowds, especially on exciting and exhausting barnstorming tours. The Negro Leagues could not survive integration as its best players were siphoned off to the 'majors'. Despite the obvious benefits to those men who were finally broke through the wall of prejudice, the reader also understands that there was a sense of loss when the leagues shut down in 1960. More powerfully, the reader experiences the lost opportunities suffered by those players who never got the chance to play in the majors and make major league money, like Jimmie Crutchfield, the Black Lloyd Waner, who barely made a living on one side of Pittsburgh playing for the Crawfords while Waner hauled down $12,000 a year (a princely sum at the time) playing for the Pirates.

A must read for anyone interested in baseball, race relations, or American history.

The pouty look on the author's face on the cover of the book should be enough for anyone to know exactly how the book will read.
As a current Hodgkin's patient, I was highly disappointed in Only When I Sleep. I kept reading it only because I wanted to be able to write a review here to counter those that convinced me I should buy the book. I am experiencing how personally devastating cancer can be, however, I am ashamed (and a little bit angry) that people might think that all cancer patients behave like spoiled children, moping around in search of pity and verbally abusing those who love them.
There are certain emotions and ideas about cancer which the author writes about that I do agree with; however, it's mind-boggling why someone would want to actually put their selfish and immature behavior on display like this. Shaw-Brawley wasn't happy unless everyone was coddling her; she had to see everyone cry over her before she was happy. Her poor parents and husband deserve some kind of award for putting up with her--they were probably exhausted by the time her treatments were over. I agree that families experience cancer right along with the patient--there's no denying that--but none should have to suffer like Shaw-Brawley's.
I don't doubt that keeping a journal throughout her ordeal was beneficial and cathartic to Shaw-Brawley, it was not something I feel she should share with the world. In no way am I saying that what she was feeling was wrong or that she should have kept it bottled up...it just wasn't worth publishing. Journals are meant for personal reflection and should be kept in a box in the back of the closet.
I gave the book two stars only because it must have took some kind of gumption to show this side of herself in a book. Do yourself a favor and don't buy this book...neither the writing or the editing is that good anyway.

Lisa is a brave and intelligent person. The words she writes of her cancer experience are from inside her soul, they are real. She dares to speak of her fear. You can hear her fear and her courage to fight fear. She insists on explaining this life changing event. She describes cancer's potential and how paraylzing an experience can be. I myself am a (2) time Hodgkins Disease survivor. I can relate to Lisa in many, many ways. The title, "Only When I Sleep," says it all. I strongly encourage anyone to read this book to hear words of a cancer experience and the meaning of a cancer survivor. Those who have experienced cancer and read this book will applaud Lisa for her strength to overcome adversity and commend her for not letting her experience go unnoticed. That yes, Cancer is life changing, it will try to take you down, but for many not without a fight. With a loving support system, you can overcome.
Thanks Lisa, and happy healthy - life to you and yours.
Patti Nowak

This is a wonderful book. It will make you cry, but will also bring joy to your heart and a smile to your face. It makes you realize the "choices" Lisa and her family had to make to survive where very hard for her and her family. You will admire her strength, courage, and her determination to beat this. You see first hand how it effects everyone in her family. How the love of her husband, parents, family members and friends are unconditional. It shows us how the small things we all take for granted can be taken away from us in seconds and our world can be turned upside down. How Lisa never gave up and if you "believe" anything is possible.

I highly recommend this book to everyone, not just those dealing with cancer. There is a "lesson" for everyone to learn from Lisa's experience. It's a WONDERFUL story of love, courage, faith and determination of a young woman who is fighting to survive cancer.

This is a wonderful book. It will make you cry, but will also bring joy to your heart and a smile to your face. It makes you realize the "choices" Lisa and her family had to make to survive where very hard for her and her family. You will admire her strength, courage, and her determination to beat this. You see first hand how it effects everyone in her family. How the love of her husband, parents, family members and friends are unconditional. It shows us how the small things we all take for granted can be taken away from us in seconds and our world can be turned upside down. How Lisa never gave up and if you "believe" anything is possible.

I highly recommend this book to everyone, not just those dealing with cancer. There is a "lesson" for everyone to learn from Lisa's experience. It's a WONDERFUL story of love, courage, faith and determination of a young woman who is fighting to survive cancer.

Only When I Sleep: My Family's Journey Through Cancer is an intensely personal, candid, and compelling account of then 24-year-old Lisa Shaw-Brawley's battle to overcome Hodgkin's disease and give birth to a child. This superbly written and presented biographical account is an inspiring testament to the human spirit in overcoming adversity and striving for a dream against all the odds. Highly recommended reading.

I received my Ph.D. in Organic Chemistry in 1980, and this was one of the great books that, along with equally great professors (including L.M. Jackman of NMR fame, T.E. Young, and N.D. Heindel, former ACS president), made it possible. An interesting side note, with the flap today about trans-fatty acids: I remember that as far back as 1967, there were questions about the long-term safety of consuming these isomerization by-products of catalytic hydrogenation of vegetable oils, and I'm almost certain it was in Morrison & Boyd that I read this caveat. Unfortunately, the junk science of for-profit industries tends to shout down rational scientific concerns.

Due its ambitious purposes and powerful transcendence, the whole understanding of this fundamental branch of the Science seems to be in an authentic crescendo day after day.

This book illustrates and clarifies such just a few, the most relevant aspects of this dynamic and expansive scientific discipline.

Recommended for students and teachers of Chemistry, Chemistry Engineers and Bio analysts.

I used this text in the 80's as an undergrad in Brazil, and am now a chemistry professor. Although my research is in computational chemistry, and organic chemistry seems a lot like fantasy to me, I still love Morrison and Boyd's textbook. I remember my experience with it, and my awe in finding that someone could actually put a textbook together that was enjoyable to be read, and easy to understand - and mind you, I was not fluent in English back then. I have just recently realized that all my organic texts have been "borrowed" by students, and that I should really get Morrison's. And this time make sure nobody will take it out of my office. If you want to learn organic chemistry with no struggle, this is the book.

I used this book as a supplement for Ege's organic book. It helped me do well in my class and prepared me for the chemistry GRE. This book is older but well worth the cost. I think it should be on any chemists' shelf of literature. The reactions it tells you are easy to understand and the mechanisms make sense. The only problem I would have is the spec. section for infared is a little weak. But it does everything else well so it makes up for it. Buy this Book for undergraduate study you won't be disappointed!

O.K. Let's face it: what could be more boring than Organic Chemistry - right? WRONG! Morrison and Boyd's Organic Chemistry takes the pallid and dry subject of Organic Chemistry and imbues it with a vitality and interest that will stupefy you. Trust me, you cannot begin to fathom how effective this book is at making its subject interesting and more importantly understandable. The authors are brilliant at introducing a complex and arcane topic, incrementally building slowly and confidently a framework of knowledge and information that nearly makes, of all things, intuitive sense when they are through.

Every educator should study Morrison and Boyd in an attempt to appreciate how it works its magic. I can say without reservation, this is the text book against which all others should be measured. You will not be disappointed.

Having already read "Golf in not a game of perfect" on the mental side of golf and found it very useful, I was very interested to see if this book would help me with putting, which has been my Waterloo for a few years. I am please to say that I may not have yet won the battle, but I am getting there fast.

This is all about the mental side of the golf game focusing on putting. It was easy to read and understand and perhaps it would have helped me more if I had read it again. Not my favorite golf book.

Trust your first instinct when you hit the green, and learn to keep those negative thoughts at bay. This mental and technical guide to putting will help you improve your form.

Very straightforward and comensensical. Seems everything we read these days is about positive thinking. And it does work along with a good basic set up. I especially like his instruction that once you are over the ball, don't wait there and let negative thoughts sneak in. Go ahead and hit the ball. He says to trust your first instinct when you read a putt and I have always found that to be true. Can't wait to put his recommendations into play.

Any golfer (including disc golfers) would benefit from this book. It's a very good book!

Excellent collection of non-rock pop music from 1900 to 1975, after which the authors say the kind of music they have collected has pretty well disappeared. They feature a short bio of each writer or team of writers,interesting, but nothing you couldn't find with a quick internet search.

They do not include country, rock, folk or "world" lyrics--strictly pop Americana, heavy on musicals, show tunes, cabaret and torch songs, songs that went with the big-band swing era, etc.

It can be a little hard to find songs in the book--they are arranged in roughly chronological order by author--and the index contains first lines, but no "trademark" phrases that might help you track down a song whenyou have a fragment of a lyric caroming about in your head.

It gives the lyric that we usually remember, but also includes the short preludes that these songs usually featured. "Stardust," for example, starts out with "And now the purple dusk of twilight time. . .etc." that precedes "Sometimes I wonder. . . etc."

fun to read,just to get a fix on the various eras of American musical pop culture. Occasionally it makes you wish that more of our current lyricists had the skills that the Cole Porters and Yip Harburgs posessed.

I bought this as a gift for a friend who enjoys knowing all the lyrics of songs. In this book, he discovered some intros and verses he hadn't known.
He has enjoyed the book so much that I am going to buy one for myself.

It is usual that books cover the music side of those classic songs. This one, instead, focus on the lyricists, that's the way it is organized. Chronologically, but in the writers order. A thousand songs! It covers almost the whole 20th century but,of course, mainly the 30s and 40s, the classical years for American Popular Songs. It is beautiful to follow those wonderful verses - keeping in mind always the melodies that come behind. What a powerful combination.
One more thing: if you, like me, loves books as much as music, this one has a particularity: it smells divine! try it!

Highbrow collection of the best lyrics. Creme de la creme! My 3rd copy.

This is an excellent compilation, as every other reviewer has said (and with more eloquence than I can muster). Yet, I came to the book, apparently, with an entirely different set of expectations--reading this book, you'd think the 50s and 60s and even early 70s didn't happen. Bob Dylan, not included. The Doors, not included. Joni Mitchell, not included. Marvin Gaye, Paul Simon, Bob Marley ... The Beatles?? Not included. And I'm only scratching the surface. The list of omissions begins here and goes on and on--if, that is, you think these musicians are great lyricists/songwriters (and I do). Admittedly: this should come as little surprise. The introduction states that in the process of editing, "A more painful decision was to limit the field to the song as we know it from shows, movies, and pre-rock pop. Partly this was a matter of logistics: No single volume could stretch to include folk, country, blues, and rock. And though a collection of lyrics that excludes, say, Bob Dylan or Hank Williams is obviously one that is far from complete, their stories are not the stories we can tell here (or are equipped to tell)." Fair enough. But, given the room these editors give to some more obscure songs and songwriters, it's clear that a single volume could successfully stretch to include other genres. That single volume would be outsized, but it would be invaluable.

Historical Realism. Middle elementary.

Summary
This picture book is story of Rose Blanche, who lives in Nazi Germany. After she sees a boy trying to escape, she wants to know where the little boy went. When Rose discovered a death camp and the starving people, she started taking them food without telling her mother. "Rose Blance was getting thinner. In town, only the mayor was staying fat." The Russian soldiers come and the camp disappears. Flowers grow where the camp was.

Illustrations
The colors are primarily brown, with detailed and interesting pictures. Each page has a little color, which stands out and reinforces the words (e.g., red dress of Rose, gold Jewish star).

I'm in 7th grade and my teacher read this book to the class when we were learning about World War II. This book has stuck with me for a long time!!! After she read this book I could not stop thinking about it. If you read this book, make sure you have a box of tissues nearby.

I have never heard of this book I picked it up because the pictures are so lovely. I began to read and was struck by it's simplicity and power at the same time.

I became confused at the end I did not know what happened because the author switched from first person to third person.

This book explains so much in such a simple, soft spoken way in the eyes of a small child.

Nothing could be more profound

Congratulations! You have successfully located the best translation of the book "Rose Blanche" available on the market today. While the British and German translations may change significant portions of this tale around and about, the American version (all thanks to hard work of excellent translators Martha Coventry and Richard Graglia) is true to authors Gallaz and Innocenti's original plot and vision. So well done you! Give yourself a pat on the back and a hanky. You'll need it after you finish reading the book.

It's Germany during World War II. As we watch, our little heroine, Rose Blanche, describes the early days of the war. The soldiers are being packed up and shipped away and everyone is cheering them on. Swastikas are plentiful. One day, Rose sees a small boy escape from a van in the middle of the street. The boy is quickly caught and placed within the cramped van once again. Curious, Rose Blanche follows the van to the edge of town and into the forest. There she comes face to face with the children of a concentration camp. After offering them some of her food, the first person narrative abruptly begins to be told in the third person instead. We are told that Rose Blanche continued to bring food to the hungry children. Finally, the citizens of the town flee, wounded soldiers amongst them. Rather than escaping, Rose Blanche makes one last trip to the camp, only to find it empty. A single shot rings out and we see the Communist soldiers filling the now abandoned town. The book ends with, "Rose Blanche's mother waited a long time for her little girl". Flowers bloom, but the single purple bloom the girl placed on the barbed wire has wilted.

Tragedy in the key of E. The text is rather well written, giving no specific person or persons blame, but rather suggesting a collective guilt. Admittedly, I was a little taken aback by the sudden switch in narrative. One minute you know exactly what Rose Blanche is thinking and the next you can only interpret her emotions through descriptions and visual images. A review of this book in the March 2004 issue of "Children's Literature in Education" suggested that this is done so that the reader is given a bit of distance when the girl is shot. Admittedly, I don't expect my heroines to die in the picture books I read but I think we can chalk that up to naivete on my part more than anything else. This is, after all, an incredibly realistic work of fiction. The character of Rose Blanche even attains a kind of religious piousness at the end of the tale. In her final picture, she stands in the position of a saint. Her eyes are downcast, one hand lightly touching her heart, and the other placing a small purple flower on the broken fence.

Which brings us to the illustrations. Innocenti's pictures deftly tell a story within the actual text. In the first few pictures, Rose appears in happy crowd scenes. Then, as she discovers more about the world in which she lives, she is placed farther and farther away from other people. Rose is continually set apart from the others by her clothing as well. Where everyone else is resigned to grays and browns, Rose sports a pink dress with a bright red bow on her head. The illustrations are strikingly realistic, never becoming cartoony or visually inconsistent. Innocenti is deft at the millions of different ways in which light changes a scene. And to top it all off, he's done some of the most brilliant fog I've ever seen put down on paper.

This is a book about seeing what other people won't. The name "Rose Blanche" is explained by the author on the book flap. The Rose Blanche was a group of young Germans that protested the war. Like the heroine of this tale, they were unduly executed for the crime of thinking differently. The best use of this book is to utilize it in such a way that we can never forget how important it is to question authority at all times and to always fight for the truth. It seems that message is more important today than ever. A tip of the hat to the Rose Blanches of the world.

The time period is World War II. The main character is a small girl, named Rose Blanche. This is her story.

Rose is walking about one day through a forest when she comes to a tall barbed wire fence. Inside the fence is a concentration camp, where many people are being held. Rose goes to this place everyday, bringing food to the children.

Then, one day, when she reaches the small clearing where the children are, she finds it gone. Bits of wire and wood are lying littered on the ground, and she holds a small purple flower above the scattered wood.

The flower is a single ray of hope, shining brightly through the darkness. It is a hope that the war will end and hope that the lives of people across the world will return to normal. This book is a symbolism of what one little girl did to make the world a better place. Rose Blanche is truly an interesting, and touching read.
~~**Jessica**~~

S.C. Ringgenberg
(602) 621-6439 /sringgenberg1@cox.net



Sight Unseen Brings Terror to Light


Sight Unseen, a 2006 graphic novel from Image, written by Rob Tinnell, and illustrated by Bo Hampton is quite simply, one of the best graphic novels of the last two years, and at the same time, the scariest ghost story I couldn't put down. Tinnell and Hampton's collaboration has produced a genuinely scary and original fearfest, with one of the creepiest villains ever put on paper. Tinnell's script is atmospheric, crackles with believable dialog, and provides a number of good shocks along the way to its melancholy conclusion. Some of the protagonists survive, but this brush with supernatural forces scars them forever.
Bo Hampton eschews his usual realistic, cleanly rendered style (always reminiscent of Al Williamson and Michael Kaluta in good ways) for a moodier, computer drawn style that gives him a broader emotional palette to work with, especially in the darker range of the spectrum. Hampton captures the mood of Tinnell's script so well that I can't imagine another artist drawing this. I give Sight Unseen my highest recommendation. If you haven't read this book, don't waste any time tracking down your own copy! And while you're reading it, you'd better leave the lights on. Pleasant dreams, readers

It's disappointing how unreadable some comics and graphic novels are today. Pretentious, patronizing, overwrought, and often boring. It's a shame how art-driven the medium has become. That sounds a bit odd when you consider I'm talking about COMICS, but it's true nonetheless. If the book has a plodding script with flat characters, cheap lines and horrible pacing, then no artist of any caliber can save it from an inevitable demise. No artist worth his lead should have touched it in the first place, but unfortunately they do, and we the buyers often let ourselves be lured in by big names and lay down our hard-earned cash for worthless drivel.
But this gorgeous little book is worth every penny I laid down for it. Sight Unseen is everything I want my comics and graphic novels to be. Original without being pretentious. Intelligent without being patronizing. Thought-provoking without being overwrought. The characters are believable, likeable and thoroughly fleshed-out. The relationship dynamic between Frank, his daughter Molly, and his research partner Derek couldn't be more spot-on. Every page of this book is perfectly done, by both Bob and Bo. Speaking of which, Bo's artwork is really something to behold. Loose and organic at just the right moment, yet clean and tight right when it had to be. Not to take anything away from the guy, but a few of those panels gave me very Templesmith-esque shivers! That's definitely a compliment in my book. The complete lack of dialogue or narration in certain sequences is nothing short of brilliant...and terrifying!
Truth be told, I was hesitant at first about the glasses. While I'm familiar with some of the research done regarding the paranormal, I feared that the scientific aspects would be delved into far too much for the average reader, and would threaten to overtake the amazing ghost story that was evolving. I was quite relieved and very pleased to see that wasn't the case! Just enough information to keep the reader up to snuff, nothing more. The build-up and climax is a crash course in Horror How-To. My pulse hasn't pounded that hard in a long time.
Kudos to Bob and Bo on this amazing book. I'll be passing it on to everyone I know that loves a great ghost story. I truly hope that there is a script treatment in the works and a studio smart enough to pick it up!

When I originally found out about this book it was at the Philadelphia Comic convention in 2005. I met Bo Hampton who gladly shared some of the pages and concepts to Sight Unseen. I had the pleasure of meeting Bob Tinell and together they crafted a story that frankly scared the hell out of me. The art was riveting. The fact that there were so many panels with no dialouge left the reader to truly study the panel and after looking past the obvious, the minor nuansces are what left the reader frightened. Great concept! The writing is top notch. I could not put this book down. I am not a fan of horror but this ranks with 30 Days of Night as a book that will only fuel the flames of the horror comic book comeback. If this is not made into a film it would be a travesty. This is as chilling as the Sixth Sense and makes the Ring seem tame. I would recommend this book to anyone whether a fan of horror or not. My hope is that Bob and Bo will continue to spin tales of horror and suspense for many more years to come. Dare I say that if I had a few million dollars I would find a way to make this book into a movie. That's how good it is! Read Sight Unseen.

Not a bad book, but at the same time not as frightening as i was hoping for, but it still has quite an interesting premise and a pretty suspenseful climax.

I picked up this book solely to enjoy Bo Hampton's wonderful artwork, but I was surprised at how well written the story was. You don't think that you'll be spooked by a Graphic Novel, but I read this lengthy book before bed and I have to admit that when I turned the lights out I could have sworn I was hearing things. Incredibly creepy.

No doubt, what draws you to this story is the masterful artwork by Bo Hampton, but the entire book is a treasure. Even the format of the book and it's extra behind the scenes section at the end fit in perfectly. The only thing I have to say negative about it is that I found a few mispellings and grammatical errors in the book. Strange. Usually you don't see that in a Graphic Novel. But that really doesn't affect the intensity of this book. My highest recommendation.