Roberts Books

Before he went on to invent Cybernetics, L. Ron Hubbard was a prominent author of science fiction and eventually launched annual collections of science fiction and fantasy drawn from the best and the brightest in the field. The newest addition to the L. Ron Hubbard "Writers Of The Future" series is volume 18, ably compiled and edited by long time science fiction expert Algis Budrys and highly recommended reading for any fantasy fan and science fiction enthusiast. Included in this outstanding anthology are: The Dragon Cave (Drew Morby); The Haunted Seed (Ray Roberts); Rewind (David D. Levine); Windseekers (Nnedi Okorafor); Magic Out Of A Hat (L. Ron Hubbard); Lost On The Road (Ari Goelman); Graveyard Tea (Susan Fry); Carry The God (Lee Battersby); A Few Tips On The Craft Of Illustration (H. R. Van Dongen); Memoria Technica (Leon J. West); Free Fall (Tom Brennan); All Winter Long (Jae Brim); The Art Of Creation (Carl Frederick); Advice To The New Writer (Andre Norton); The Road To Levenshir (Patrick Rothfuss); Eating, Drinking, Walking (Dylan Otto Krider); Origami Cranes (Seppo Kurki); A New Anthology (Tim Powers); Worlds Apart (Woody O. Carsky-Wilson); Prague 47 (Joel Best); and What Became Of The King (Aimee C. Amodeo). L. Ron Hubbard Presents Writers Of The Future, Volume XVIII concludes with "The Year In Contests" by Algis Budrys and "Contest Information".

WotF XIX is a compilation of excellent stories (with a few, notable exceptions) spanning the genre range from historical fiction through horror and fantasy to science fiction. Despite the ever-present copy-editing errors, this was a very good read.

I would put the stories in four categories of excellence (well, three of excellence and one of crap).

Group One: The best

Walking Rain - Ian Keane's tale of supernatural beings in present day America, reminiscent (but not derivative) of American Gods, is compelling. The writing is lush, the characterizations beautiful. Hands down the best of the best. I can't say enough about this story. The book is worth buying for this story alone.

Into The Gardens of Sweet Night - Algis Budrys weaves a fairy tale-like tapestry of words as a boy takes a fantastic journey into the sky looking for the fabled gardens. Sometimes the discussions on freedom get a bit thick, but still great.

Blood and Horses - Myke Cole brings us a story of military sf where rebels riding horses seek the oil that gives life, losing their own blood fighting against a technically far superior opponent.

Group Two: The very excellent (in no particular order)

From All the Work Which He Had Made - Michael Churchman's style is strikingly odd at first, but within a page he had made me a convert with this interesting tale about the development of a humanoid robot exploring the questions of his soul.

Dark Harvest - Geoffrey Girard brings us a story about what happens when you find your worst nightmare dying in a field, and it becomes a tourist attraction. Excellent writing, and a wonderful story.

Beautiful Singer - Steve Bein's story of a haunted sword is elegant in its way of presenting feudal Japanese culture and characters. Every word of this story echoes with the culture of the samurai. The only thing holding back this most savory of writing from the top slot was the way the ending rushed together (a common difficulty in short-story writing).

A Few Days North of Vienna - Brandon Butler takes us along as a band of thieves join up with a group of vampire hunters to eradicate those evil creatures. The plot is nothing new or innovative, but the writing is top notch, and that's more important anyway.

Group Three: The still excellent (still in no particular order)

A Ship That Bends - whatever Butler lacked in innovation, Luc Reid makes up for in spades with his characters who live on a flat world and must build a bending ship if they wish to sail to the other side without falling off. The ending is its great weakness, suddenly ending the story before it really reaches its climax. Fun world, great writing, but it just stops cold.

A Silky Touch to No Man - a weak ending is also the problem with Robert J. Defendi's exploration of life in the near future where virtual reality has become the only reality. For a murder mystery, it was painfully apparent "whodunit" from the very beginning. But the writing is strong and the world well conceived (almost scary, actually) which makes it fun anyway.

Gossamer - Ken Liu offers a scenario where Earth finally makes contact with an alien species, and has no idea if they can even communicate. Art seems to be the only thing the Gossamers are interested in, but what does that mean? Interesting twist on the first contact plot.

Numbers - Joel Best brings us a stark account of a world where mathematicians can do almost anything, including make animals and people. In this world one woman seeks to create the perfect mate, but learns that perfection (and creation) are about more than doing everything flawlessly.

Group Four: The stories that really don't belong

Trust Is A Child - Matthew Candelaria's overly long story of negotiations with aliens is really just a painful rehash of about a thousand other identical stories, offering no new slants or anything. That alone wouldn't make it so horrible, but the main character is painfully stupid, and the plot has a hole in it the size of a small star system (it has to do with her being stopped by Marine guards while the aliens can just cruise on by and enter her private quarters without explanation). Also, her solution to being stopped is just horrible (apparently the guard is even dumber than she is). Still, with a good edit and re-write, I think it could have been decent, so I wouldn't write off the author.

A Boy and His Bicycle - Carl Frederick offers a story about just that: a boy and his bike. They don't do anything interesting, or go anywhere fun, or give us any reason not to hope that they just crash into a bus and die. The only saving grace is that it's short and over quickly. And to think this story got first place that quarter...

Bury My Heart At the Garrick - Steve Savile takes the prize for plodding, pointlessness. This story of Houdini was confusing, but not in that good way where you want to know what's going on, more in the way where you just don't care and want to skip to the next story. I kept reading to see if it would get better (imagine a short story that took me a week to read!). It didn't.

A Boy and His Bicycle is a great story.
(I put this in so I don't continuously trip over the review by someone who apparently didn't get it. I must offer the disclaimer however, that I wrote that story. It's a subtle tale, and I'm very grateful that the judges understood it and gave it a First Place award.)

This anthology, Volume XIX, (IMO) contains richly tapestried stories, strewn with new ideas or new takes on old ones. I've no doubt that before long, many of the authors will be Hugo winners

While I do not get a chance to read much science fiction, I decided to pick up this book mainly because I enjoy short stories. And I must say that this book surprised me. There are a number of well-written, very entertaining stories in this book. There is also a good amount of variety. As more than 12 authors contribute to this book, if you are not a fan of one story, you can move onto the next. There should be four stories in this book that will captivate you. From the quality of the prose and the structure of the stories, I was at first surprised to see that these are first time authors. Now realizing that these are contest winnners from L Ron Hubbard's Writers of the Future contest, it makes more sense. My favorites include Oragami Cranes, Eating Drinking and Walking, Windseekers, and Rewind (for it's writing style).

It's not perfect but I found this anthology very satisfying. When every single one of the stories is able to take me somewhere interesting, then the anthology is worth the money.. Favorite stories: Graveyard Tea, Windseekers, and Origami Cranes.

This book is far more than a memoir -- it is a page-turning narrative of the wonderful and terrible drama of life and war in a region about which we think little and know even less, written by a man of exceptional bravery and humanity. I met Dr. Baiev shortly after his arrival in Washington, DC, where my girlfriend (working for Physicians for Human Rights at the time) coordinated PHR's assistance to Dr. Baiev in Washington. At the time I had little appreciation for just what this man had been through, although it was obvious he had survived a harrowing ordeal. To read now the full story behind the brief weeks in which his life intersected ours has been both fascinating and deeply moving. His account of living as a Caucasus youth in the Soviet Union, his struggle to become a doctor, and his extraordinary dedication to his profession, his people and and his faith through two protracted and brutal wars is by turns fascinating, inspiring and heartwrenching. You will not find a more intimate account of the conflict in Chechnya, nor a better illustration of the way that such conflicts have become simultaneously global and local. If you care about peace, if you care about the prospects for a free and prosperous world, you cannot afford not to care about the gross violations of human rights that accompany conflicts increasingly economic, sectarian and cultural all at once. Dr. Baiev's gripping account puts a profoundly human face on the complexity and the urgency of coming to grips with the destructive conflicts that need not and should not continue into the twenty-first century.

If you plan on investing your time in reading one book this year make it this one. It is a remarkable tale of an honourable man trying to survive in barbaric times under the tyranny of Putin's Russia. Hassan Biev states that one in every five chechens has been killed as a result of the conflict. However after all this carnage the war stills continues and the state still exits in the hearts of men like Dr. Biev. Perhaps the actions of people like him will ultimately lead to peace in that most violent of places.

Let me begin by saying that if everything in this book is true Dr. Baiev has my total respect and admiration. It's inspiring to realize that people of his caliber do exist.

There are, however, one or two disquieting features of this book that I feel compelled to mention. After having read the initial reviews I had expected not only a compelling story of human strength amidst tragedy, but a book of high literary accomplishment. That has not come to pass. Whatever Dr. Baiev's own writing style, it has been submerged in the journalistic style of Nicholas and Ruth Daniloff. Nick Daniloff is he of the famous Soviet espionage sting of the 1980's when he was arrested in Moscow in an apparent KGB set-up. Ronald Reagan himself is reported to have been involved in getting Daniloff released. I just wish Dr. Baiev had been able to choose a more literary writer to assist him in developing this book.

Another point I'm almost embarrassed to make is that Dr. Baiev comes across in this book as almost too good to be true. Not only is he an heroic doctor, brave humanitarian, and loyal son, brother, and friend, he is also described a medical entrepreneur, a doctor who not only moonlights as a cosmetic surgereon, but who is also a national martial arts champion! If this book is made into a film I can only imagine Harrison Ford playing the part of Dr. Baiev. It almost seems as if some of Dr. Baiev's financial and sports successes were included in the book just to appeal to the certain segment of the community that might find those aspects of his life as compelling as the humanitarian work of saving lives and limbs amidst war and destruction.

Nevertheless, the book is full of unique tid-bits. While many people reading it will be aware of Russia's halting attempts to convert its military forces from a large army of draftees to a smaller one of professional soldiers this is the first time I'd seen such a negative depiction of these new contract soldiers. I don't think I'd have gotten this insight anywhere but in this book. Likewise, it was also very interesting to read that in addition to the fight between the Russian military and the Chechen rebels there is a criminal, opportunistic element also actively engaged in exploiting the tragedy of Chechnya and which appears to be much more influential than I would have imagined. I think that this insight is very valuable, not only in the context of the Chechenya, but in understanding the influence of criminal opportunists in other conflicts. For me this insight itself was worth the price of the book.

I certainly recommend The Oath, worts and all.

If you are interested in war, modern politics, news, or human rights, you need to read this book. It shows what warfare is really like, what happens to people after governments make decisions. And it is heartbreaking, but you cannot put it down.

The conflict in Chechnya is mostly forgotten and then often miscontrued topic for most of the world. Dr. Khassan Baiev's memoir sheds a light on the horrors of life in Chechnya since 1994, what this ghastly, genocidal war means for the common people and Russian grunts. Baiev is a surgeon with a big heart, and never turned anyone away. He explains casualties from the rather disturbing anatomical perspective of a surgeon, illustrating how fragile bodies and how much pain people can suffer.

The book starts with his life before the war: of the ancient and beautiful Chechen traditions, of the extreme and often brutal Russian racism. As you read the book, the cultural differences between the ancient highlander Chechens and the rest of the Western world seem dwarfed by how lovely their life was, and how, as you read it, you can see yourself in their world. What stays with you is that once you empathize on this level, the eruption of war and desolation is utterly heartbreaking. Because Baiev lived it we see an intimate world being shattered, not a headline.

Baiev (narrowly) survives years of war until both the Russians and Chechen guerillas are out for his head because his clientele includes everyone (and mostly civilians) so he has to escape to America, and eventually moved to Boston. His observants description of coming to America, seeing how peaceful it is here, how people of many races coexist, and how a town in Vermont took care of his family, gives you a deeper appreciation for what we have in this country and that many take for granted.

I've never read anything that captures so vividly and personally the heartbreakingly human face of war. I think everyone should read it just to be educated on something that is going on at this moment, but that many people do not know about or simply don't understand. It speaks of overwhelming swaths of cruelty and evil, but also transcendent moments of grace and joy, humanity between enemies. Baiev treated anyone who needed help, so we see souls, not sides.

What steals the breath from you, what made me rather emotional, is how war is revealed here as so useless, so tragic, so profoundly evil because we are all people, and war destroys and perverts this sacred life that we all share in.

This book opened my eyes to the tragedy in Chechnya, and now I want to know more. A compelling, first-hand narrative of the situation in Chechnya that everyone should read.

"The Past through Tomorrow" is a collection of short stories, novellas and shot novels written by Robert A. Heinlein. They all have a common context, Heinlein's Future History as conceived by the author during the 1930s and 40s. It was during this period, the author created a timeline of mankind's progress into space.

To the best of this reviewer's knowledge, this was the first attempt of anything like this on this scale. Several of these tales are considered to be classics of their genre.

We start with "Lifeline" the first published short story written by Heinlein. Hugo Pineiro has created a machine that can tell you exactly when you are going to die. Of course the insurance industry and various other interests are not amused.

Another is the classic "The Man Who Sold the Moon". Delos David Harriman was a reluctant businessman. He couldn't go to the University of Chicago to study astronomy because he had to support his family. He started in real estate then prefabricated housing on to ballistic hypersonic transport. Now he thinks the time is ripe to make possible his true ambition - a trip to the moon. Harriman has only ever wanted to go to the moon but he winds up created an interplanetary business empire and a victim of his own success.

There is "the Green Hills of Earth" where we are introduced to "Noisy" Rhysling, the blind singer of the space lanes. Blinded in an engineering room accident, he is forced to change professions and becomes a traveling musician ultimately writing the songs that defined this era in human expansion.

In "Logic of Empire" two wealthy drunken dilettantes sell themselves into indentured servitude on Venus. In "The Roads Must Road" (voted one of the greatest science fiction stories of all time) a civil servant must head off a labor strike that will cripple the U.S. economy. "The Menace from Earth" deals with young romance while indulging in a distinctly lunar past time, flying with strap-on wings.

There other stories in this volume but the reviewer will mention just one more, "Methuselah's Children". This is where we are first introduced to the Howard Families, a secret group bred for longevity. They approximately 2.5 times as long as their more ephemeral brethren. This is where RAH first introduces Woodrow Wilson Smith better known as Lazarus Long, the oldest man alive. The Howards make the mistake of revealing their existence to the world at large. Humanity drops its veneer of civilization and arrests the members of the Howards in order to torture their secret of longevity out of them.

The problem is there is no `secret'.

If you enjoy science fiction and/or Robert Heinlein, this collection is required reading. It doesn't get any better than this in any genre.

Though I greatly enjoy Heinlen's writing, I didn't think I'd read very many of his short stories. Surprisingly, I had read "Life-Line", which is the first story in this book. But I didn't mind re-reading it one bit! One thing I had not realized before was that it was the first short story Heinlen had ever submitted for publication. I think the book is worth getting for it alone.

Now, not only is this book just an incredible collection of plain good 'ole fashioned story-telling at it's best, but the stories actually proceed in chronological order in the same timeline, which creates an incredible fluidity between stories. You find yourself trying to figure out how far in the future from the last story you read you are in the one you've just started.

I think of the stories in the book, "Life-Line", "The Green Hills of Earth", and "Methuselah's Children" are my favorites, though I think I enjoyed every one of them. And you have characters that flow from one story to the next, so every now and then you get to spend more time with a character that you found you enjoyed.

Do I recommend this book?! Absolutely! And despite it's thickness, it's actually great for people who aren't much into big books - because it's a collection of short stories. You can sit down and read for a half an hour or an hour and then put it down without regret. Awesome book!

"I wonder why nobody reprints it: look at all the good marks it gets!!! "

Fantastic book, but holds way too much in the way of stories that can be (and are) printed and sold seperately.
It's unfortunate for new Sci-Fi fans, very hard to find a decent paperback copy somewhere. Mine is so worn, I need to rebind it.

John W. Campbell, editor of the sci-fi magazine "Analog" coined the term "future history" about the chain of characters and stories written by Robert A. Heinlein. It's a brilliant term, because Heinlein literally created a fictional history of an entire people, from Earth, to early space travel, to settling the moon, to moving out among the stars.

This book, astonishingly out of print, contains many of Heinlein's best short stories and novellas, filling in the gaps for his major novels such as "Time Enough for Love" and "The Moon is a Harsh Mistress."

Heinlein apparently kept a complicated character-and-time chart in his study. This book has a copy of the chart, plus the award-winning stories and short fiction.

Included here: "Methuselah's Children"--the beginning of the story of the Howard Families that is taken up in the sweeping novel "Time Enough for Love." You'll also find stories that explain the founding of Luna City, pioneering space travel, and the revolution against the theocracy begun by Nehemiah Scudder.

If you are a Heinlein fan, this is a great book to have--fills out the gaps in his complete works. If you aren't a Heinlein fan, start with "The Moon is a Harsh Mistress" or "Starship Troopers" to find out how great Heinlein's science fiction is.

The Past Through Tomorrow (1967) is an omnibus collection of the relatively short SF stories in the Future History series. These stories were originally published between 1939 and 1962. Many were first published in Astounding Science Fiction, but others first saw print in a variety of other venues. This edition includes an introduction by Damon Knight.

Life-Line (1939) tells of the man who could predict the time of death of an individual; this was Heinlein's first sale. The Roads Must Roll (1940) is about an illegal work stoppage on the mechanical roads. Blowups Happen (1940) depicts the tensions among the workers in an atomic breeder plant. The Man Who Sold the Moon (1949) relates the story of D. D Harriman and his efforts to establish a base on the Moon. Delilah and the Space-Rigger (1949) recounts the tale of the men who constructed Space Station One and the woman who came among them.

Space Jockey (1947) describes the perils of piloting a passenger ship in space. Requiem (1939) reveals the story of how D.D. Harriman finally got to the Moon. The Long Watch (1948) is a tale of duty, honor and death. Gentlemen, Be Seated (1948) tells of three men in a tunnel on the Moon that starts leaking air. The Black Pits of Luna (1947) concerns a lost child on the Moon.

"It's Great to be Back!" (1946) is a tale of homecoming for two Luna City residents. "--We Also Walk Dogs" (1941) discloses how General Services performed an unusual task for the government. Searchlight (1962) concerns another lost child on the Moon. Ordeal in Space (1947) is about a man who is afraid of falling. The Green Hills of Earth (1947) depicts the last voyage of Rhysling, the blind poet of the spaceways.

Logic of Empire (1941) exposes the reasons for slave labor in the colonies. The Menace from Earth (1947) relates the story of Holly Jones of Luna City and the beautiful tourist. "If This Goes On--" (1940) describes one man's role in the Second American Revolution against Nehemiah Scudder, the Prophet Incarnate. Coventry (1940) tells the story of a rebellious young man who defies the Covenant. Misfit (1939) portrays a young man with an unusual talent.

Methuselah's Children (1941) concerns the troubles of a group with greatly extended lifespans. This tale introduces Lazarus Long, one of Heinlein's most popular characters. This version of the story is much longer that the original and has been further extended into a series of novels.

The book also includes a chart of Heinlein's Future History upon pages 622 and 623. The chart includes the stories Universe and Common Sense, which are not contained in this omnibus. However, this chart also omits several full-length novels in this series.

Although Heinlein wrote many other stories and novels, the stories in this omnibus are probably the reason for his initial popularity within the science fiction community. Stranger in a Strange Land led to his fame within the general population, but was not treated as a cult book by SF fans. We understood a lot more about this novel than did the general public and accepted it as just another of his major works.

Highly recommended for Heinlein fans and for anyone else who enjoys classic tales of high technology, highly competent people and human values.

-Arthur W. Jordin

Paul's caring and poignant sharing of his journey across the continent and through the years with Faith in Action is one that will warm your heart and hopefully inspire you to look closely at your own community. I will guess that you won't look far to find your own Mary, Gracie, Harold or Eddie Mae. But stop and look farther. Find what it is you can do in your own community and with your own neighbors to help - with or without a Faith in Action project. Paul will tell you from his own experience as a Faith in Action volunteer for many years, that you will get so very much more than you give.

Thank you Paul for writing this important anthology once again proving what a small group of very committed people can do.

PROMISE TO MARY is a gem. With a narrative style that rings true, the very real characters are as complex and interesting as any in a work of fiction. The author's genuine, but realistic, empathy provides a welcome antidote to the "kumbaya"-tinged works common to the genre. It is enough to provide even the cynic with at least a modest insight into our shared humanity.

Promise to Mary is an evocative travel log, from the bayous of Louisiana to the beaches of Sitka, Alaska and many stops in between. Faith in Action is built on the simple concept of neighbors helping neighbors. Paul Jellinek provides an opportunity for the reader to peek behind the scenes where relationships can be life changing. No government grants, no grandiose plans, just modest folks who extend friendship as a way to provide kindness to those who need it most. We meet individuals who are luminous but largely unknown to others and learn about the healing power of friendship as each chapter unfolds. Thank you Paul for reminding us how simple acts of kindness are within everyone's reach.

What a great storyteller! And what stories worth telling!! The underlying truth of this book--demonstrated by the dedication of the program organizers and volunteers, as well as the profound needs of the people they serve--is how much we need "community." It shows more compellingly than any sermon or polemic or politician's platitudes how necessary it is that we serve each other. The author's road, as he traveled in New England, the South, and Alaska, visiting Faith in Action projects was full of bad weather, wrong turns, and logistical problems--a metaphor for the difficulties involved in organizing and maintaining a volunteer program in stormy financial times, recruiting and retaining volunteers who are pulled toward many other paths, and overcoming the challenges posed by the elderly and disabled clients themselves. Yet, in places across the country, it's being done! An inspiring read!

Paul Jellinek has managed in this easy read to capture the heart and soul of people who struggle every day with the challenge of living independently in their homes. Faith in Action, a national interfaith, volunteer, caregiving program, helps people with a ride to the doctor or a regular visit from a "friend." This book isn't about the program, however, it's about the people who make it such important work.

You will see yourself and the people you love in the stories he tells. The lines between volunteers and care recipient blur as the "helper" and the "helped" trade places. Expect some surprises along the way. I couldn't put it down once I learned about the promise that Paul made to Mary.

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

This is a beautiful, fascinating book revealing the author's discoveries about a personal path to healing available to anyone, found within one's own dreams and imagination. The body believes in images and if the healing images are personal and come from the self, via dreams, they have more power to heal. Wanda tells use her story and inspires us to pay attention to our own story. She provides healing images we can borrow and make our own, and gives us guidelines on how to work with our dreams. I will give this book to anyone I know who faces a health challenge.

Wonderful book.
For those of us who have very active dream times... this book is so informative and for those who may not be heavy dreamers but are interested in the wisdom that our dreams can bring us, it is a must read. V

Dreaming is healing. Our bodies speak to us in dreams, giving us early warning of symptoms we might develop, showing us what they need to stay well. Dreams give us fresh and powerful images for self-healing. Dreams are also the language of the soul; they put us in touch with wells of memory and sources of creativity and energy far beyond the clutter and confusion of the little everyday mind. Beyond this, dreams are experiences of the soul, and can take us - sleeping or hyper-awake - into realms where we can have direct access to sacred healers and teachers.

These themes and possibilities come vividly alive in Wanda Burch's brave and beautiful book She Who Dreams, which is both the narrative of a personal journey into healing through dreaming and an incitement to bring the gifts of active dreaming into our everyday lives.

I have been sharing dreams with Wanda since early in 1987, and I know the depth of experience and the deeps of dreaming from which this book flows. Her dreams diagnosed a life-threatening illness (breast cancer) a year before the doctors found symptoms. Her dreams guided her choice of treatment, gave her powerful imagery for self-healing and recovery, enabled her to grow a creative relationship with her physicians and awakened her to a deeper life and a vital engagement with the world as a dreambringer - one of those who creates a safe space for others to open to the gifts of dreaming, and can bring a dream to someone in need of a dream.

Her personal story is quite fascinating. Her first dream mentor was her Irish-American grandmother, a "wise woman" of the Alabama hill country. Later she met the dreamers of the Iroquois, one of whom appeared at her back door in the form of a white wolf.

But it is the story of everyday trials, more than the extraordinary elements in this book, that will touch the hearts of many readers and bring them practical guidance that is urgently needed. Wanda shows how dreams can get us through. One of her most valuable contributions to the literature of healing and recovery is to show us how we can use the self-healing tools that flow from dreamwork to support conventional medical treatments, smoothing the process and reducing adverse side-effects. For this alone, She Who Dreams is an invaluable resource for healthcare professionals, therapists, healers and caregivers.

SHE WHO DREAMS is a powerful book. Wanda Easter Burch gives us a beautiful portrait of a life lived on many levels - as we all live - and, by offering the harrowing and hopeful details of her life, inspires us to look at our own lives with the same degree of curiosity and compassion.

With the quality of pacing and skillful foreshadowing that a seasoned novelist would offer, the author lays out her personal story. On one level it follows her roots in the American South to travels in Africa, important interactions with the Mohawk tribe and her home in a rural New York hamlet. We follow her struggle with cancer including her mastectomy, the emotional despair her chemotherapy induces and, ultimately, her path as one who heals. On another level it follows the story of her dreams. Her childhood is guided by a grandmother who understood the power of dreams to foretell and bring healing. Her adult life is blessed with the incomparable friendship of well-known author and dream explorer, Robert Moss - whom she first met in a childhood dream. The author's dreams insistently foretell of a cancer her doctors repeatedly ignore. As insistently, her dreams predict her death at age 43.

By actively following guidance her dreams provide, the author is led - and leads us - through a healing process that proves, beyond a shadow of doubt, the power of the spirit and the mind. And, even more profound, it leads to a rewriting of a life contract that, in its extension, offers us a writer whose unfolding talents provide unique inspiration that inside each of us lies the ability for our dreams to reveal our own infinite wisdom. Reading SHE WHO DREAMS may well change your life.

I confess that I came to this book as something of a skeptic. To my rational, scientific mind, the idea that one's dreams can affect or predict the future seemed pretty iffy. Yet it is hard to deny the truth of personal experience. Wanda Burch has a fascinating story to tell, and I was drawn in by it. She describes her life-and-death experiences in vivid detail, with honesty and insight that leap out from the page. The author is more than a survivor; she is clearly a woman of extraordinary courage.

For anyone who has struggled with special health challenges, or anyone who has wondered what their dreams mean, or for that matter anyone who just enjoys a good original biography, I highly recommend this book.

It's a good idea to start early so when that time comes to go the the dentist, your toddler will be willing to sit there just long enough to complete the checkup. Dora rocks when it comes to getting kids to do things like say words, jump up and down, whatever. A must have.

We started reading it every day 2 weeks before her first dentist appointment. Great book! Worked like a charm!

My 3 yr old was already comfortable going to the dentist but this helps just before an appointment to let her know what will happen and to talk about any worries she has. Great bedtime reading.

I'm a school nurse always looking for entertaining ways to teach my elementary school children how to take good care of their teeth. Dora was a huge hit with the Pre-school children. They followed the book along eagerly page by page as I read it to the class and their excitement brought out my enthusiasm for teaching! Way to go Dora!

I bought this after taking my daughter to the dentist for the 1st time when she turned 2. She refused to open her mouth even to talk. She would only shake her head. After reading this weekly for 6 months, she couldn't wait to go to the dentist. She happily let the dental hygenist and the dentist look inside her mouth! Now if I could just get her potty trained!!

Excellent tool for teaching your children about the Orchestra. The CD that comes with it is great.

"Santa" brought this book for our 4 year old. She loves it! It is layed out in a way that we can read just portions of each page without her getting overwhelmed. It is definitely a book she can grow with. Because a mom has to brag: My daughter can now easily name each instrument and knows which "family" it belongs. She laughs hysterically over Beethoven's picture, knows Tchaikovsky composed Swan Lake and the Nutcracker (the sweetest thing is hearing a 4 year old rattle of Tchaikovsky and Vivaldi!) etc. Highly recommended!

We bought this book (with accompanying CD) as a self-contained music course for our homeschooled son (10). Although he had no prior interest in orchestra music, he is reading along together with Mom in the book and listening to an excerpt of orchestra music once a week. The first part of the book has interesting tidbits on musical eras of orchestra music, with biographical overviews of some of the major conductors of each era. The second part of the book contains drawings and descriptions of various orchestra instruments. After a composer or instrument is discussed, the book then refers you to listen to a track on the CD that illustrates the composer's work or the instrument's sound. It's surprisingly difficult to find a good self-contained program for teaching music to children. This book and CD worked well for us.

I purchased this book in preparation for teaching a group of homeschooled students (ages 7-14) a short course in music appreciation. It was a terrific resource for them. The text was brief but engaging; the cartoons were entertaining; and the photography was so eyecatching. It covered the musical periods, with information on several representative composers. Then each of the orchestra sections was covered, with a helpful CD included to hear snips from pieces that featured the instruments. The students all learned quite a bit from this book. I recommend it highly.

I was looking for resources to help make teaching about classical music and composers to primary grade children more entertaining and I found what I needed all wrapped up in this book and CD combination.

Part I of the book concerns composers and is separated into the periods in which they composed, ie., Baroque, etc., with a brief description of art, architecture and feeling of the period. The composers covered for all periods are Vivaldi, Bach, Haydn, Mozart, Beethoven, Wagner, Tchaikovsky, Brahms, Mahler, Debussy, Stravinsky, Schoenberg, Gershwin, Copland and Bernstein.

Part II of the book is about the instruments of the orchestra. Again, this is further broken down into the different sections of the orchestra such as strings, woodwinds, etc. Then within each of those sections a feature on the individual instruments.

The accompanying CD has brief examples of the compositions introduced in the composers section and for each instrument. It really helps the kids hear what they've been discussing.

One of the best things about this book are the illustrations. They are colorful and entertaining. Sometimes there are humorous illustrations such as a drawing of the ideal Baroque instrumentalist needing 2 right hands, 3 left hands, and 3 eyes which really had my 3rd grade kids in giggles after hearing the intricacies of "Spring" by Vivaldi. There are also entertaining illustrations showing how an instrument produces its sound and they are mixed with photographs of the instrument itself. I highly recommend this book for music teachers to use as a reference and for parents who have children interested in learning an instrument.

These pop-ups are just amazing! I love to see the new ones he creates almost every year!

Beautiful pop-up book; so much fun.Winter in White: A Mini Pop-up Treat (Classic Collectible Pop-Up)Robert Sabuda lives up to his outstanding reputation as an incredible artist. This book will be well loved in our household.

Love it! Love it! Love it! This little book is a pop-up treat!
I was very surprised at how pretty a bunch of white pop-ups could be.
I was really pleased with this book, & so were my young granddaughters.
Money well spent.

We collect these pop-up books and continue to be amazed at the skill and talent it must take to create them. This mini pop-up is a treasure. You can pick it up time after time and find something new. It is a joy to share with others. These are definitely 'adult' that would not stand up to little hands, but can be shared with the child one-on-one. Everything we have gotten from Robert Sabuda has been amazing!

This is a beautiful book with wintry scenes for small folks with someone to help them read it -- without ripping it apart. I purchased it for my toddler grandson. Only caveat, it's not the only book of its type, so check before buying that a similar book is not already owned.

I always used to think: "Why do other people stare at those paintings? Why is painting X considered more special than painting Y". This is the book which completely opened me up to paintings and gave me a solid footed approach towards looking at them. I now know what paintings were drawn in what generation, what the masters of those generation did and why those paintings are so great. The book dwells in the minutiae as well as the overall painting. I totally love this book. I study one painting a day - it makes my day!

This was a great book to just leave around the house, pick up whenever and learn a factoid or two about great works of art. The details given here are varied, from both historical and artistic perspectives. And the selection of art chosen was good as well.

This is an excellent book that can be used to teach art history, art appreciation or an introduction to art. The photos of the artwork are excellent and there are a vast array of subjects covered.

This is a fine book for the novice who wants a quick review of what the paintings are about, some of the symbols that the masters have suppied for the deeper meanings, and a little about the masters themselves.

This is a great book to use as a self-study course for art appreciation, to improve your knowledge of great artists or to study for a game show appearance. Each artist is represented by one painting which is then described (techniques, subject matter, history) in detail. For example you will learn all about Rembrant's Balshazzar's Feast. The story behind the painting, the meaning of "handwriting on the wall", the hebrew expression that is written, the people present in the painting (Rembrant's wife), you also get a short bit about each artist's life. I read the book cover to cover and learned so much. I have made it a goal to see as many of the painting as I can in each museum. Other members of my family have also enjoyed reading pages of the book. I first read this book as a library copy, but bought it to read, reread and share. I strongly recommend this as a book to someone who is into self improvement, or wants to learn about art for an appearance on Jeopardy!