Richards Books

I have used this book since 1992, both as a student and as a provider. My past editions have been well thumbed through and open imediately to the charts I used most. It is invaluable in the decision making process of changing pills or starting OCPs. The ability to safely manage side effects and fine tune women's health is found in this book. I highly recommend this to the student and experienced practitioner. Well worth the money, many times over. Not sure I would want it in a PDA format.

I daily use this handbook in my practice and have bought every edition since the 7th. Every question is answered. Allows sense to be made of oral contraceptive choice and adjustment without relying on big pharma's propaganda.

This book has clear guidelines for prescribing oral contraceptive agents. It provides a section on bothersome side effects, causal factors and options. The section on contraceptive activity is good as is the composition and identification section. Very helpful, easy to use and it takes the guesswork out of oral contraception.

Consistent in it's format, easy to use,concise and up to date. Recommended to all medical personnel managing patients on oral contraceptives. I have purchased the last three editions over the last 7 years and have not been disappointed.

An excellent reference guide and teaching text for every clinician who has a personal relationship with patients of reproductive age. The book fits in a lab coat pocket and has a unique design, which enables the user to find critical information quickly and easily. It is strongly recommended to physicians, residents, nurse practitioners and all other medical professionals in an OB/GYN clinic or teaching hospital. The 11th edition includes the new patch, ring and all new pills available 9/02.

I'm an E.S.L. tutor in Canada. I coach clients on cultural aspects. This book is a valuable reference for my clients on idiom. With it, they still need the english language practice as well. But this provides an independent reference that they can check language usage when I'm not around.

When I got this dictionary, I thought... This is one of the most important thinks that I have bought in Amazon: Cheap and Excellent Quality. I'm very pleased with this deal.

Not enough being so complete with more than 24.000 entries, the phrasal verbs and idioms are very well organized. Information is also precise and well presented, with plenty of real usage examples. The Phrase Finder, at the end, is very useful for a more complete and objective search. The printing, the paper and the cover are very good also, making this book a good choice for people willing to expand vocabulary and comprehension of contemporary American English.

Standard dictionaries are great for understanding words, but not for comprehending the perplexing kind of phrase known as the idiom. This specialized dictionary provides a generous list of American idioms in an accessible format, but sacrifices phrase origins and portability in the process.

The dictionary's comprehensive nature suits students of English as a second language, as well as communications professionals. With over 24,000 entries, it offers over twice the number of listings in the popular "American Heritage Dictionary of Idioms" and four times the number of listings in the "Cambridge Dictionary of American Idioms" and the "Oxford Dictionary of Idioms." ESL students can understand the language better and communicate more effectively. Writers and editors are more likely to be able to track down needed phrases.

It's easy to use, too. Phrases are listed alphabetically by the first keyword, allowing the reader to look up the phrase by its familiar form. An explanation follows, and usage examples are provided for each entry to enhance understanding. If the exact phrase is not known, the handy index provides phrases grouped by an alphabetical listing of keywords.

Unfortunately, phrase origins are mostly lacking, apparently by design. The editor's explanation for this is that reliable linguistic evidence for the origin of idioms is rare. The few origins that are offered are thoughtfully placed and seem to be well-researched, however.

This hefty, textbook-size dictionary may be a drawback for those looking for a handy reference. Shorter idiom dictionaries have the advantage here.

This idiom dictionary best serves ESL students and communications professionals needing a reliable reference to confirm the spelling, form and meaning of American English idioms. The pages are printed on heavier, acid-free paper, so the book should hold up well. Those intersted in phrase origins or a more convenient book size should consider other idiom dictionaries.

The book is a comprehensive collection of idioms and phrasal verbs.
The "Download Description" section above is actually for "The Oxford Companion to the English Language", a completely different 1000-page reference on the English language. The two books deal with quite different aspects of English.

Moliere's leading characters often have one major negative trait which dictates their behavior throughout the play. In this they often seem to be mechanical stock characters and not flesh- and - blood living human beings. In 'The Misanthrope' Alceste believes he must tell the truth to everyone he sees. This is despite the advice of his best friend Philinte. Alceste alienates everyone. At the same time he is madly in love with with Celimene. He wants her to go away with him to retreat from hypocritical society. She however flirtatious and light - minded prefers society to him. The play closes with Philinte trying to persuade Alceste not to leave society completely.
In the second play in this volume the leading character is a religious hypocrite. He finds his way into the heart and mind of a wealthy gentleman Orgon and dominates his family life. Tartuffe steals his money , leads Orgon to disinherit his son and offer his daughter to Tartuffe in marriage. Tartuffe attempts to seduce Orgon's wife. Orgon is convinced to hide under a table where he overhears Tartuffe's entreaties. Orgon then decides to eject him from the family but cannot. It is only with the intercession of the king that the religious hypocrite is stopped. This play raised a furor in its day and the Church opposed its production. Moliere's patron Louis XIV allowed its production in private but only after five years allowed its public staging.
In both these plays Moliere viciously satires the human propensity to remain fixed and static in one's own character, and reaction to reality. He derides human folly but always with the redeeming grace of laughter.
For the contemporary reader of the work who does not feel the special force of the work in its original language there often may seem something forced and artificial in the work. Moliere's work it seems to me gain much from being staged and to know them truly reading alone is not enough.

Many people are turned off by the rhyming nature of Tartuffe. Personally I find myself so enthralled with the story that I often fail to notice that the story itself rhymes. Real belly laughs abound as we watch Orgon blindly walk through life, oblivious to the religious-hypocrite's misdeeds. It's an absurd story, but it's meant to be thus. It does miss something if you don't see it performed live but once you have, when you read it as it is presented here, you manage to get full enjoyment!

The Misanthrope exists in much the same credit. This work centers on the protagonist Alceste, whose wholesale rejection of his culture's polite social conventions make him tremendously unpopular. This manifests itself in the primary conflict of the play, which results from Alceste's refusal to compliment a sonnet by Oronte, a character who lacks Alceste's respect for unabashed sincerity.

I'm not as big a fan of The Misanthrope as of Tartuffe but I thoroughly enjoyed this book and was very happy to be exposed to the text this way. This is an excellent rendering.

I rarely read plays (not counting Mr. S.) and rarely read poetry. I'm glad I broke with tradition and read these. I think I went to high school with some of the characters - and 45 years later some of them haven't changed. The plays are so funny that I found myself reading out loud (to myself) using different voices for the characters. I have never done that before and it added to my enjoyment to create a "play" while reading the script.

Most enjoyable - maybe I'll tackle some more plays.

Here they are. The Misanthrope and Tartuffe, arguably Moliere's two most famous plays, translated by Pulizter Prize-winner Richard Wilbur, the crown jewels of his poetic output. These translations are performed all the time, and have proved themselves on the modern stage. But the effect of them is not lessened by reading, as this bookshelf-ready edition shows. They are packed with hilarious observations about the pretentions in us all.

The Misanthrope is about a man who tells the harshest truth to everyone but himself; Tartuffe about hypocricy in religion. They read fast and funny, the rhyming couplets of the original faithfully reproduced. The language seems so natural and witty that you think perhaps these plays weren't written in the seventeenth century. But they were, this species of farce being extinct these days, except in rare places like The Simpsons. I can not only unhesitatingly recommend these, but also all of Wilbur's translations of Moliere. It is rare for a comic author to get such a seriously worthy treatment. Hooray!

In both these plays, Wilbur brings Moliere's true genius to real life. Previous translations of Moliere's work pale by comparison to Wilbur's brilliant translations. It was my feeling, that would Moliere by alive today, and writing in American English, he would write the way Wilbur translated it.

In comparison to prose translations in the past, Wilbur, past US Poet Laureate and Pulitzer Prize winner, truly gives the reader the real feeling of Moliere's "Balletic Comedy" style, as Moliere used his poetry and comedy to make complex and serious points about life of "regular" people, as opposed to royalty such as Shakespeare concentrated on, and so many other playwrites of the past.

In reading Wilbur's translations, one can virtually imagine the cast prancing and mincing across the stage as they humorously render these rhyming couplets at each other, and the audience. The true genius of both Moliere and Wilbur is illustrated most profoundly and strikingly in these translations. Any true lover of Moliere, and even those who have never read him before, should treat themselves to Wilbur's translations for a Moliere experience, that is unparalleled in any other versions previously published.

At 2 years old, my daughter has learned all the words to this song because of this book. She loves it! Her favorite page is "when the dog bites, when the bee stings, when I'm feeling sad". It captivates her attention for the whole song. It's a keeper!

My 6 yr old daughter loves this book! Even with my terrible singing, she loves the song, the words and the wonderful illustrations.

This was my favorite song when I was a little girl so when I saw this book, I knew I had to have it! It has now become my 5 year old daughter's favorite book and she asks (or should I say demands) me to read it to her every night. She knows all the words and sings along as we look at the beautifully illustrated pictures. This book even has the sheet music at the back of the book! I highly recommend purchasing this item.

I'm an infant/toddler childcare teacher. My Favorite Things, is a beautifully illustrated book. It captures the wonder and sweetness of one of the best songs in the move, "The Sound of Music". I sing this book to my little ones. It captures their attention better than reading it.

Illustrations are like soft memories and evoke warm thoughts of childhood and this song. I believe this book works VERY well for young and older children. I love the sublty of imagery in clouds at end of book when children are staring up at sky imagining "favorite things". Both my two and 4 year old can sing this song now. Words and music are included in back to make this a BONUS for anyone musically inclined. A must have for anyone who likes the song!

This is a remarkable biography because it so thoroughly tells the story of Sir Isaac Newton in all its various aspects. Newton's determination to know, his science (breathtaking science, his awesome brilliance), the religious and alchemical investigations, the cranky aloofness, are all carefully and fully drawn; by the end of the book, you feel, along with the author, that you have got to know the subject (at least to the extent one might get to know the great man).
This is a great biography, because it is so detailed, so in depth and so successful at bringing Newton in view. It is also likely that it will for many years surpass any other biography of Newton because of its thoroughness.
I think it is worth reading not only because the reader learns so much about the science and life of one of history's great thinkers, and to some extent how he thought, but also because the reader gains an appreciation of the hard work of invention even for one so gifted as Newton, and some insight into the hard work of turning observations into theoretical constructs.
A magnificent biography.

A first rate biography should include a good description of the important achievements of the subject, give a good sense of the subject's personality, provide the appropriate historic context in which to view the subject, be well written, and have good documentation. Westfall's biography of Newton is first-rate in all these dimensions. Newton is arguably the most important person in modern history. His work inaugurates both modern mathematics and modern physics. His achievements as a physicist set the pattern not only for physics but also for the other natural sciences. Newton's impact in larger culture extended also beyond the world of sciences. The historian of religion George Marsden wrote that Newton was the most important individual in the founding of the 18th century Enlightenment. Though Newton cannot be considered a member of that movement, his example of demonstrating universal natural laws understandable by human reason was immensely influential in European intellectual culture.
Westfall provides a detailed chronological account of Newton's life that covers all his major (and minor) achievements and is simply excellent at integrating the relevant historical background information. As Westfall writes, we regard Newton as a scientist and the emphasis in on Newton's career as a working scientist and mathematician. But, this is described very clearly within the context of late 17th century Europe. Westfall, for example, devotes ample pages to Newton's study of alchemy and theology. Since Newton spent a large fraction of his life working in these areas, it would be imposing an anachronistic perspective to minimize attention to these topics. Westfall is excellent at describing both the intellectual and social milieu in which Newton functioned. The sections detailing the history of mathematics and physics of Newton's important predecessors and contemporaries are first-rate, particularly his analysis of the impact of Descartes analytical geometry and mechanistic philosophy. His descriptions of 17th century Cambridge, with its concentration of pseudo-academic placemen, and of the generally patronage driven world of Caroline Britain are excellent. Never at Rest provides a vivid impression of the nature of scientific work in Newton's time. Westfall does not shirk from presenting complex mathematical and physical topics. These sections are tough going for those who don't recall a lot of math and physics but very worthwhile because they give an excellent sense of Newton's transforming effects on these disciplines.
Westfall delineates Newton's difficult personality very well and is fair in dealing with the numerous conflicts in which Newton became enmeshed, particularly the famous priority dispute with Leibnitz. Some of Newton's behavior is shown also to have stemmed from unexpected sources. Newton's theological researches led him to the conclusion that much accepted Christian theology is wrong and he had to conceal his Arianism and anti-Trinitarianism for much of his life. Some of Newton's achievements are shown as stemming from unexpected sources also. Westfall shows that Newton's alchemical researches, with their rather mystical element, probably contributed to freeing him from dogmatic mechanistic philosophy and facilitated his development of the idea of a universal, intrinsic gravitational force.
Newton is a fascinating figure and this biography will remain the standard for the foreseeable future.

This is the most authorative biograghy of Newton, the greatest genius of all time!! No need to add more words to praise him. Though the book runs over 900 pages, you would be reading the book breathless until the last page!!! ( similar view from other readers. )

There are a fair number of Newton biographies, this one is the most comprehensive and thorough, with a full treatment of the development of Newton's scientific and mathematical thought. What is remarkable is how rapidly Newton mastered the essentials of the techniques of his contemporaries, quietly reaching the forefront of knowledge, this in a few years, and without much prior training before his arrival in the world of Cambridge, where he flowered at once despite the almost defunct educational status of this university. The myth, however, of the annus mirabilis needs replacement with the reality of the anni mirabili, next to the near abandonment of mathematics for some years as Newton's concerns passed to encompass something broader than pure physics and his deskdrawer 'calculus' still embedded in geometrical formalisms. The final composition of the Principia in the wake of the coaxing forth of De Motu is grounds for thunderous applause for Halley who had the presence of mind to grasp who he was dealing with and the politic manner needed to communicate/negotiate with the reclusive prime mover of theory. His great work complete Newton is off to rescue the coinage at the Royal Mint,thence to the forgettable episodes of the priority quarrel with Leibniz. This work is slow but superb on all aspects of Newton's life.

I just finished Westfall's biography of Sir Isaac Newton. The man was way more amazing than I ever expected. For myself, being neither a mathematician nor a physicist, the most fascinating and surprising thing was his in depth and, for the time, out of the box examination of religion.

As with his scientific studies, Newton's religious studies were relentless in the pursuit of Truth. Between the end of the Bible and the nineteen century, I can find no one who concluded more precisely such doctrines as the nature of God, the relationship of the Father and Son, the relationship of God and man, the nature of early Christianity, or the magnitude and meaning of the then extant departure of Christianity from the original. Obviously, this is from an observer who agrees with his conclusions.

Newton's prodigious talent for leaving no stone unturned in his examination of his subject matter, coupled with his utter genius leaves me entirely in awe.

Westfall's 20 year effort in writing this biography has yielded a masterpiece!

Richard Wilbur is a master of form. His poems are incredibly stately, balanced, intelligent, and beautiful, and then one notices that everything rhymes exactly where it's supposed to! Bonus points!

If you enjoy more than merely reading excellent poetry that rhymes and makes sense, but also composing some of your own, this is the master to be discipled by. Sitting at Wilbur's feet for years can't help but enable some of his craft to rub off by sheer delight or osmosis. Merely by associating with poetry the way it was meant to be written can permanently raise the bar of anyone's craftsmanship to new levels. There is a richness in Wilbur's best work that is unrivaled among his contemporaries and matched by few of his predecessors (Frost, Robinson, Yeats, Hardy, Housman). Also recommended: get your hands and mind on anything Wilbur has written in the form of Essays/Prose that describe what great poetry is and why it will always be core to the human condition. Although Auden once said 'poetry doesn't make anything happen' in his Sept.1939 tribute to Yeats' death, Wilbur's comes closest to making something happen at the spiritual, cognitive and affective level of the human psyche that proves his subject matter matters and always will. Other than the late Frost, no American poet would be more richly deserving of the Nobel Prize for Literature than Richard Wilbur. But as a sincere Christian, he is laboring for no mortal pay; however, he humbly deserves all the accolades and tributes from what is past,or passing, or to come.

Richard Wilbur is undoubtedly the best poet of the last half of the 20th century. This book collects all his poetry other than Mayflies (published later) and a couple translations. Buy It!

This Pulitzer Prize-winning collection contains all of Wilbur (except his great translations of Moliere and Racine) in reverse chronological order of his books from 1989 to 1954. This is the opposite of most poetry collections, so it seems strange to have the poems get less confident as you read on. Still, the final poem, "The Beautiful Changes," is near-perfect and perfectly sums up Wilbur's paradoxical outlook: beauty is eternal and ever-changing.

Wilbur is old school. He is all about meter and rhyme and beauty. His command of sound and sense is second to none alive. (He has edited a collection of Poe's poetry and is famed for his accurate verse translations of Moliere's plays.)

As I read through this book, I put a star by every poem I liked. Flipping through it now, I see there is a star by almost every poem. I did not find Wilbur as deep or as challenging as Frost or Yeats, poets he is compared to by other reviewers on this site. I can, however, appreciate his mastery of the craft of formal poetry. This is not some bad pseudo-Shelley but really a poetry in the language of our time about the issues of our time.

If you detest rhyme, complex stanzas and short, potent lyrics, by all means avoid Mr. Wilbur. But if you find delight in the artful manipulation of language then you are depriving yourself of happiness in not reading this collection.

UPDATE: Wilbur has released a new COLLECTED POEMS in 2004 that supecedes this edition. It only adds a score or so of poems, but I recommend it because there are a few new ones like "Man Running" that no Wilbur fan should be without.

it's no wonder wilbur was once the poet laureate or that this collection won the pulitzer, the man is good. he uses the language beautifully (the way english was meant to be in poetry), he has tight control of the rhyme, meter, subject, and words in his poems. where he really shines is in his translations. wilbur is one of the best translators living today.

I read this as an intellectual exercise, since I don't gamble. I know that decisions are affected by the wager, so I may have taken the easy way out, but I tell you this: I never really grasped the "big picture" about this game until I read this book. What a phenomenal thing it was for me to have my eyes opened like that! And for people who do gamble, why wouldn't they want to get all the momentum they could? This book is finishing school for craps, as far as I can tell. And check the reviews here -- they're all 5-stars. Good going, Mr. Orlyn!

This was an amazing book!! I can now go to Vegas and feel like I know what I am doing. Thank you Mr. Orlyn for addressing this fun game at a level that anyone can understand and enjoy playing. I will definitely look you up and share my wealth when I attain it playing Craps! Do you have any other expertise that you would like to share.....?
I recommend this book to anyone that wants to have FUN in Vegas! If I can learn it anyone can.
Cheers!

This book was straight forward and easy to understand. I am a casual and often frustrated player of the game of craps. After reading "No-Nonsense Craps" I feel I can now relax and really enjoy the game.

The novice can now get a lot smarter without learning the hard way at the table.
Experienced craps players can be a bit condescending ... not so with Mr. Orlyn. His writing style is precisely informative, without pretense, and laced with good-natured humor.
The next time I am near a table, I will play.

Finally, I get it! Mr. Orlyn's excellent book cuts through the Crap mystique with straight talk. He obviously took great pains to eliminate excess and superfluous information that often clutter and complicate "How-To" books. No-Nonsense Craps is a good read, with clear and precise building blocks. The reader will enjoy Mr. Orlyn's direct and effective writing style while learning his "no stress" strategy at the table. One word of advice, don't skip chapters. Even the long time player will glean new insight with his spot-on analysis. I highly recommend No-Nonsense Craps; the book is a real winner!

I just got done reading this book.Although I was skeptical at first because I get bored easy.I dont know if it was because I know the authors son or if it was Mr.Courtney's quick wit that kept me glued.I found myself asking the same question,"is Courtney going to ever take this war serious?"Through his faith in God and himself,I believe that is the reason he made it home.What I've learned from this book is that.Lifes a journey embrass it and live life to fullest.I will be keeping this book for my children to read.Thanks Kelly for the recommendation.And thank you Mr.Courtney for my freedom and my childrens:)

The thing that aways amazes me is how many really good memoirs have come out by veterans of WW2. The extraoridnary events that they lived through made such indelible impressions that very similiar stories can be told by countless story tellers and they always seem fresh. This is a very descriptive well written account and the author comes across as the kind of guy you'dove to meet. Highly recommended.

My father served in Co G, 104th Regiment 26th Infantry - a sister company to the author's. He refused to talk about the war. When he passed away in 1990, I found his short written memoirs penned during recuperation from wounds suffered in Germany while in an English hospital. Reading this book alongside his memoirs was an incredible experience for me. It filled in many blanks by being much more complete - yet was absolutely true in time, place, and tone with my father's notes. It was like he came back and finally decided to tell me his stories. THANK YOU SO MUCH!

Richard D Courtney's 'Normandy to the Bulge' book is a well done account overall. Courtney was a Pfc with the Yankee Division (26th Infantry) in a 57mm gun platoon. Unfortunately the author does not go into too much detail on the various combat actions he was invloved in but there are a few tidbits I thought you might find interesting.

-The 57mm gun had removable gun shield extensions. He said most folks would take these off after awhile because the extra weight and having them bang around was annoying. They figured the thin metal wouldn'd help much against enemy fire anyway. Might be nice for some divirsity to have a few of your 57mm guns without shields.

-He talks a lot about the 'truck' that pulled the guns. He finally states it was a 1 1/4 ton truck. He never mentions half-tracks at all.

-Every enemy tank he mentions is a Tiger! I can't believe they all were so I wonder if this was just lack of detail on his part, foggy memory, or the old cliche that every American thought the German tank they were facing was a Tiger?!

-He notes the ineffectiveness of the 57mm gun against tanks and how they had to try and get side shots. They relied a lot on the TDs to do the real work. He was with the gun through the very end of the war. He talks about acting as infantry a lot with the guns left somewhere especially towards the end of the war.

-He mentions that the German AT guns were very well balanced and easy to move by just two guys. The 57mm gun he said was very unbalanced and very heavy and awkward to move even with four guys.

My dad was in M, Co. 104th Rgt. same as author. I lost him on Memorial Day 1969 before he ever had a chance to discuss his experiences as I was only 20. I have been searching for people who were there, and in finding this book, it showed me very clearly how proud I am of him. Thank you Richard for sharing this with all of us.

This book is an interesting study of human nature. Showing the best and worst things about our selfs and others we work with.

This easy-flowing, light read is just about the most insightful business book I've read in a while (and I've pretty much read them all!). In the same way that product design people say "products don't get created, they get discovered", Moran's book leaves one fulfilled -- with the sense that one has put words and structure to half-formed insights that were rattling around in one's brain the whole time. What started off as a reading exercise turned into some pretty deep introspection. Best business book I've read since "The Goal" a couple of decades ago!

I found this book to be very entertaining, as well as a good resource for business life. Anyone who has worked in an office environment for any length of time will relate to many of his analogies. Plus, it just plain made me laugh! Those of us who live in cubicles 90% of our day can use a good laugh now and then, don't you agree? I would definitely recommend this book to anyone who works in an office or knows someone who does! It's much more than a good laugh, however. Rich hits the nail on the head with his many great ideas illustrating how to be successful in the professional world.

Rich Moran's book is a "bible" for business professionals. He provides tips and advice based on true-to-life business world experience. I have worked for a large corporation for the past 25 years and I have recently purchased a number of copies of this book to give to the newly hired college graduates who have recently joined our company.

Those who inhabit corner offices would do well to read it and gain insights into the "unwritten rules" that may be getting in the way of their company's progress. We need rules to avoid chaos but occasionally we need to purge the dumb ones. Management and staff could use this book to help open the kind of dialogue that would help everyone realize they are all in the same boat. Once that happens the boat could be streamlined for success by dumping excess rules. Highly recommended by this CEO.

Odd Nerdrum is a painter who polarizes viewers and critics. This very beautifully designed and produced and written tome shows more than just an enormous amount of paintings by the Norwegian giant; this book contains one of the finest essays by Richard Vine about the artist and his place (or misplace!) in contemporary art. It is provocative, haughty, seductive, and honest and as such gives a realistic picture of one of the enigmatic artists of today.

Nerdrum decided early on that he wanted to paint in the fashion of the Renaissance painters and though he had formal training, he soon progressed to self-taught techniques to enter his world of artic terrains which harkens back to the beginning of man as the hunter, gatherer, and sexually obsessed monolith.

The book is generously graphic, giving not only full page and two page spreads of the large works, but accompanying pages of details from these massive canvases. Nerdrum's characters and scenes have changed little since his foray into the tundra landscapes populated by limbless warriors, infants, hermaphrodites, couples and choreographed folk who dance to Nerdrum earthy tunes. The most recent works shown and discussed reveal a loosening of his brush technique but little else changing in the works of the past 25 years.

The term 'kitsch' is usually used as a derogative adjective, but not so with Nerdrum. He feels that most paintings today have nothing to do with gut level reality and it that sort of representation is 'kitsch', then he proclaims himself the king of kitsch. Use that information as you will: critics are still debating the issue. But no matter the titles or the content or the repetition of the themes, there is no denying that Nerdrum has become a household word in the art salons, and this fine monograph certainly justifies much of the clan-like adoration he has gained.
Grady Harp, December 2004

Amazing. One or probably the most impressive paintor's book I have. Not easy subjects sometimes, but anyway, always beautiful.

It's difficult not to become sentimental about Odd Nerdrum's work. Of course, that's the idea. If you feel that you've wandered through the sort of strange, barren landscapes he paints, do not be surprised. Nerdrum speaks about his personal life through is obsessively re-worked paintings, some of which have been in production for over a decade.

The themes are universal and eternal -- love, loss, paternity, commerce, birth, and death ...

This is the greatest collection of Nerdrum's work thus far. My only complaint is I wish there were more drawings featured, but the details of the paintings are so beautiful that I quickly excuse the oversite.

I'm a graduate student at the New York Academy of Art, where rendering the figure in the manner of the Old Masters is paramount. Odd Nerdrum is revered among my classmates and myself as more than the greatest living painter in the world -- he truly is the "Prophet of Painting."

I came upon his name by accident when I was reading about some other painters.

Scoffed and rejected by the 'modern-art' world (which is just fine with me), Odd's work is beautiful to look at and become a part of. The stark landscapes that he places his figures in are peaceful yet convey an uneasiness. I can't wait to visit Iceland to see if it's really as beautiful as he paints it.

This is a comprehensive collection (and heavy!!!). Well worth the money.

Well, if so-called modern art makes you sick/laugh/sigh (or whatever), here's one artist you may like, as long as you appreciate sur-realism combined to the works of the Old Masters. Try this book that seems to be the best among the few, with clever lines that explains the approach of the painter and fine and numerous reproductions. Last but not least: go to see his exhibitions (big formats to fill up your eyes) and try his own book "On kitsch"