Richard Books

It's an unexpected thing to say about a backstage book (not a genre I'm fond of) but this is an inspiring book about artistic collaboration, and a dream fulfilled.

The recording it celebrates can now be seen to be not without its flaws. For example it's tragic that Hotter's vast voice had gone "woofy" by the time they recorded Walku:re, the last of the cycle to be recorded. Despite the awesome conviction and power of Hotter's vocal acting, he wasn't beautiful, and the transformed Wotan at the end of Act III has to be beautiful. And it's a shame that they replaced Paul Kuen's excellent, musical, Mime with Gerhard Stolze's over-the-top cackling, which has not worn well with time.

But the Culshaw book helps put these flaws (and I can't bring myself really to consider Hotter a flaw, on balance) into perspective against the grandeur of the achievement - which, though complete Ring cycles are now common, remains unchallenged.

Culshaw himself is a fine, clear and sometimes amusing writer and, it seems, a likeably modest and decent man. For example he kindly withholds the name of the tenor, a potential superstar as Siegfried, who nearly killed the project by refusing to study his role. It's now known that that was Ernst Kozub, by the way, and you can consider Culshaw's claims about the magnificence of his voice by listening to his Erik on the Klemperer "Fliegende Holla:nder". He must be kicking himself to this very day. On the other hand, the story of Wolfgang Windgassen's artistic integrity and decency in stepping in and singing to save the recording, even while his agent was still working out the contracts, only adds lustre to the excellence of his performance. And if it were in a movie ("The hell with this; I'm going in to sing") no-one would believe it.

Kirsten Flagstad appears as perhaps the most loveable soprano, or singer of any kind, I have ever heard of, and the story of her death still, when I read it again, brings tears to my eyes. Culshaw's considerably more guarded treatment of Birgit Nilsson, undoubtedly a fine artist, tells a very different story...

It's also inspiring to read about record company management who were not solely motivated by the bottom line. Perhaps nowadays that would see the book classified as science fiction. :)

Good book. The best of it's kind. Recommended. (And they should re-print it.)

Laon

I was in elementary and junior high school when the legendary first-ever recording of Wagner's Ring Cycle was being set down and released. I did not get interested in opera until junior high and did not have access to the recordings until later, but in the meantime I did find and read this fascinating book, and have read it several times in the meantime.

Culshaw begins by giving some background: the earlier attempts on the part of Decca/London to record and issue a Ring the "easy" way (by going to Bayreuth and taking one down, which they tried in both 1951 and 1955); their ultimately successful attempt to snag Kirsten Flagstad, who had retired from recording, into the Rheingold cast; and the early attempts at creating stereo productions for the phonograph which finally jelled when they got around to recording Das Rheingold.

There are many, many fascinating stories within the main fabric of the tale, and it would take a review much longer than 1,000 words to even mention all of them. For example, although the reasons had to do mostly with the technical quality of the recording, this first-ever Das Rheingold captured the imagination of the opera-buying public in a way that nobody could have imagined or expected, despite the doubts of the competition and the lack of interest on the part of the Wagner cognoscenti. Another story is that of Kirsten Flagstad's tragically deteriorating health which ultimately prevented her from participating in any of the other operas, despite the glimmers of hope that kept flickering and the constantly changing plans Decca/London made to accommodate her. The story of the young unknown tenor who was supposed to be the ideal Siegfried except that he was unwilling to take the time to learn the role is a study in frustration. On the lighter side are the tale of the horse the producers brought into the studio to surprise Nilsson during the recording of Gotterdammerung, and the story of Regine Crespin's kicking James King in the shin during the recording of the Walkure Act I love duet.

Culshaw has a definite way with words and thus has the ability to allow the reader to feel the tension, time pressures and catharses involved in the recording sessions. One example of this is his description of Decca/London's attempt to record an acceptable Rheingold prelude--in the middle of the night yet!--given that the first half of the piece could not be edited because of the way it is written, and so had to be recorded without mistake; the tension here is almost palpable. It is in areas such as this where Culshaw is at his strongest.

Unfortunately, sometimes Culshaw fails to understand the power of his pen and as a result the book also has its weak and even offensive areas, usually centered around the author's own prejudices. For example, he dismisses the 1951 Bayreuth Gotterdammerung, which Decca/London almost issued but did not, as an inferior performance except for the Brunnhilde and the Hagen. However, this performance was finally issued a year or two ago on the Testament label and in the opinion of many immediately jumped to near the top of the list of contenders for best-ever recording of the work. What could Culshaw have been thinking when he wrote his cavalier dismissal of the recording? And if the Gotterdammerung *had* been originally issued rather than the legendary Parsifal from the same year, would Culshaw then have said that the Parsifal was no good? Given a glaring error in judgment such as this one, I have difficulty trusting Culshaw's objectivity in other areas. And even given his bias in favor of the German repertoire as opposed to the Italian, his words to the effect that no *real* conductor has ever shown any interest in Bellini are at best unprofessional if indeed not irresponsible, as Serafin and Berntein provided contemporary evidence to the contrary, while others such as Levine would come along later to prove Culshaw wrong yet again.

Another drawback to the book is that Culshaw can be incredibly condescending. The conclusion to the tale about the man who owned a rare steerhorn and came to Vienna during the Walkure sessions to help Decca/London get the relevant passages on tape is not only condescending but just plain mean. Likewise Culshaw makes the comment that he wouldn't expect anybody who hasn't been exposed to the pressures involved in recording music such as the Ring to understand the necessity of briefly lowering the temperature with the horse episode; such a comment assumes that Culshaw is writing to people who are unsophisticated if not worse.

These drawbacks aside, however, Ring Resounding is really an excellent read, and gives a wonderful idea of the joys and struggles involved in recording an opera. I'm sorry to see that it has gone out of print and hope to see it back soon. I want to edit if it does return, though...

This book came as an insert into the Package of the Ring(Solti). Purchased the set back in 1976, at Westwood/LA'sTower Records. Clerk said,"Wanna see people's heads turn?" And cranked up the concludng portion of the Immola-tion scene for me...on the PA......THAT decided for me notjust which version of the Ringto buy, but just how beautifu-lly and faithfully this recor-ding really IS to Wagner's very precise original direc-tions...I take it out every sooften to remind myself of just how much we opera-lovers oweto the pioneering work doneby Mr. Culshaw and his team ofauditory/sound engineers forEMI/London Recordings.Indeed, I daresay it is due invery large part to their pain-staking work that full-length recordings of Bach, Mozart,Verdi, for that matter, ANYopera, oratorio, or longer-length piece, could have beenrecorded, let alone attempted,at all, or have sold enoughcopies to justify furtherpioneering works.I am in debt, as are we all, to this pioneer in music!

This is one of a handful of books indispensable to the history of "classical" recording. It relates the on-again, off-again, 7-year history of what it took to record the first complete, commercial RING. (Other such books include Roland Gelatt's THE FABULOUS PHONOGRAPH; the Legge-Schwarzkopf ON AND OFF THE RECORD; and Culshaw's posthumously published memoir PUTTING THE RECORD STRAIGHT -in which Culshaw's observations are far less reserved than in RING RESOUNDING- and he names Names.)

The 1972 Time-Life edition of RING RESOUNDING is the one to have- if you can find a "seperate" copy. (Originally, it was leather-bound, in a big black box, together with Peter Gutman's 1968 Wagner bio and Bernard Shaw's The PERFECT WAGNERITE.) Not only is the layout more generous (with thick, glossy pages), but in this edition we get many more photographs of the Solti RING artists- most of them taken by Hans Wild at the actual recording sessions. (The commerical hard-cover edition of '67 has only a few pages of smaller-sized photos.)

Granted, Culshaw had his blind-spots and biases. Still, it is perilously easy to look down on this man and his work when, in terms of appreciation and musical hindsight, we "record collectors" of today are standing on his shoulders. Because without Culshaw and his Decca-mates (Ray Minshull, Gordon Parry, Erik Smith, Christopher Raeburn & CO.)- without them, such a thing as the Solti RING would have taken much longer to materialize...And by THAT time, it would have been too late to capture (in stereo/studio conditions) the last generation-or-so of great Wagnerian singing which we can hear on the Solti RING.

If this sounds like an exaggeration, consider that : 1) Kirsten Flagstad's terminal illness cut short her "comeback," within a year of her RHEINGOLD Fricka. 2) Within five years of this RING's completion in November 1965, Wolfgang Windgassen retired (and died soon thereafter). 3) Soon after the mid-1960s many of the older players, who formed the last vestige of the pre-war Vienna Philharmonic, began to retire- taking with them a unqiue, burnished sound. (In time, even the Concertgebouw and the Vienna Philharmonic got infected by the Post-Jet, Post-Karajan "International Sound.") That is to say, Culshaw and his team were able to record this RING, in state-of-the-art sound, only just in time.

True, if you can put up with some smeary orchestral playing, there's the stereo '67 Bohm/Bayreuth RING on Philips- with a host of great singers, including Wolfgang Windgassen and Birigit Nilsson (who preferred her Bohm/Bayreuth performance to her Solti/studio one).

And yes, the live Bayreuth RINGs of the 50s (Krauss '53 and Keilberth's early stereo '55) allow us to hear several of Solti's singers, in younger and fresher voice...But remember that due to various "contractual" problems, these performances would not be legally OR widely available for decades to come. (Just for "starters," EMI had a "lock" on any Bayreuth RING recordings, from 1951 to 1958.)

This brings us to the old canard that, out of self-interest, Culshaw "eighty-sixed" the release of the '55 Keilberth/Bayreuth RING (which Decca taped in stereo). Now, it's true that Culshaw (to quote a certain Politician) "misunderestimated" Keilberth's conducting, going so far as to describe his 1953 Bayreuth LOHENGRIN as "limp." (Not many Wagnerians would agree with this.) There's no question that Keilberth was indeed one of Culshaw's blind-spots, and that Culshaw's input to Decca's corporate "suits," vis-a-vis Keilberth, would have been "negatory."

Still: in 1955 and '56, did Culshaw, by himself, have the sheer CLOUT to prevent the release of the '55 RING?

Culshaw had produced Decca sessions as early as 1947, but the fact is that during the '55 Bayreuth Festival, he wasn't even WITH with Decca, but with Capitol. Yes, he returned to Decca, but not until August 29, 1955- after the Festival was over. Not only that: as "A & R man," Culshaw would not take over Decca's Continental recording schedule from Victor Olof until the following year.

But the biggest "snag" for the release of any Decca/Bayreuth RING was the 7-year "lock" which EMI had on any Bayreuth RING recordings, from 1951 to '58. Still, if you insist on assigning the role of "culprit" to Culshaw, then you must assume that

(a) Culshaw's Zurich boss, the notoriously conservative Maurice Rosengarten, had considered Keilberth's "name" big enough to sell a complete RING in 1955
(b) that Rosengarten actually thought of a complete RING as marketable at that time, under ANY name. As it was, getting him to "sign-on" to a studio RHEINGOLD, in 1957, was something of a "coup." (Yes, he had given the go-ahead to TAPE the '55 RING- but contractual legalities had to be worked out, prior to "publication".)
(c) that the formidable "Uncle Maurice" would EVER (at least so far as he knew it) allow his perogatives to be swept aside, simply on the say-so of an A & R man (i.e., Culshaw) whose greatest successes were still in the future.

That is to say, Gimmee a break. And besides, would anyone really WANT to go back in time, pre-empt the Solti RING, and deprive us of Kirsten Flagstad's RHEINGOLD Fricka?

This is an enjoyable "read" which stands up to repeated traversals...What fascinating stories, what an abundance of example after example of seeking out just the right ambience, the right textures, moods, tempi, effects...And when Culshaw relates how difficulties and crises were not only weathered & overcome, but turned to the advantage of the recording, it's nothing less than inspiring. (By the way, does anyone know HOW Windgassen's voice was changed to sound more like Fischer-Diskau's, in the GOTTERDAMMERUNG Tarnhelm scene? It's the only instance where Culshaw wouldn't reveal how an effect was achieved.)

Going through this volume, it is painfully nostalgic to behold a time when such vision, quality and craftmanship were not only sponsored, but ENCOURAGED by big record companies. Still, a periodic re-reading of RING RESOUNDING can replenish appreciation of all-out quality and dedication to one's craft (whatever it may be) - and help the "gentle reader" become part of the greater public which once supported such visions, much more than they do, now. So, in spite of the pain of knowing that there are no Culshaws or Legges walking among us in 2006 (much less the corporate leeway thereto), we can still keep alive the larger visions - and enhance our lives. (No mean feat, that.)

I got this book s part of a boxed set of Solti's Der Ring des
Nibelungen back in 1976. Culshaw was the sound engineer on the
Sofiensaal recording of Wagner's Ring, beginning in 1958, the
preparations took years to bring to fruition, and the whole ef-
fort was a gamble on Decca/EMI/London's part, as noone was tot-
ally sure that the record buying public would support financial-
ly such a monumental recording. Just as the logistics of get-
ting an internationally famous assemblage of singers weren't
daunting enough, there were the gargantuan tasks associated with
recording this Mount Everest of music-and getting it right, with
out having to recall singers, conductor, and musicians again and
again. This part is absolutely fascinating, and if one gets the
dvd/video as a an illustration, one will get a very fine appre-
ciation of the tremendous efforts that go into the making of any
operatic recording.

This effort made it feasible for whole operas to be recorded and
sold, not to mention pioneering recording techniques that con-
tinue to be refined to this day.

You really want to understand what goes into making an opera re-
cording tick? Or what efforts go into recording sound? Then
buy this!!!!!!!!!!!!!!!!!!!!

I am a retired fighter pilot with over 5000 hours of fighter time including 1200 in the Thud. I find Col Broughton's books to be required reading for those wanting to be a fighter pilot or for those that think they are. While his books are outstanding narratives of fighter pilot action they are more than that. They talk about leadership, loyalty, professionalism and a personal code of standards. I was a Fighter Wing Commander and I hope I exhibited some of those traits that Col Broughton expoused. Well done - Col Broughton!

Col. Broughton has done a superb job sharing the rest of his aviation career with aviation enthusiasts. This book details the MANY assignments he was fortunate (and unfortunate enough, in some cases) to have throughout his incredible career as a warrior/fighter pilot and HERO.

Those who have read the classics "Thud Ridge" and "Going Downtown" know well of his efforts for this country in the Thud. This latest treasure will leave you shaking your head with amazement and, yes, envy, at the roads he has traveled.

Of particular interest are the no-frills details of many of the difficulties higher echelons created. Common sense had no relevance to many of these "superiors" as they sought to get the necessary boxes checked with little regard for common sense or even, their men.

As ex-AF, I can say the book is a truly endearing no-nonsense, genuine description of life in the AF -and against- the powers-that-be, both in and out of the military.

Many thanks for sharing these stories of an incredible career.

Really enjoyed this - maybe because I'm an old fighter pilot from the Vietnam/NATO era also. This remembrance doesn't have the riveting narrative of the first two tales from Thud Ridge, but the anger is no longer so strong all these years later.

I still chafe with the repulsive attitude of senior USAF leaders that sacrificed Broughton and his Wing Commander for politics. Only the traitorous Congress that deserted the RVN when Nixon's attention was diverted by Watergate was worse. Shame, shame. Never forget, never forgive this disgrace to American history.

I met "Thud Ridge" in the Grand Forks AFB library while in high school, just before Dad retired at nearly 22 years and that many thousand hours, most of them spent telling tanker pilots where to go. It was a long wait for "Going Downtown", and this latest was also worth the wait. Col. Broughton tells it like it was, and unfortunately often is, and after all, that's bureaucracy. One great anecdote concerns...heck, they're all good reading.
From a shop steward in another bureaucracy, fighting to improve efficiency despite the "overhead", as we in the field called them in the USFS...

This is the third book by Colonel Broughton that I have read (the first being "Thud Ridge" and the second, "Going Downtown"), and as always, I found it extraordinarily well written. His previous books provided us with the real soundtrack of flying combat missions over "The North". With "Rupert Red Two", Col. Broughton gives depth and colors to a true Air Force warrior pilot. I couldn't put that book down and, in fact, ordered several copies for friends and family members alike. All in all, I found the book thoroughly enjoyable and learned a lot about the 50's and 60's U.S. Air Force. Honor, Duty, Country - those aren't just words for men like Broughton, they are the very meaning of their lives. And they all paid a price for it, sometimes, at the hands of their own chain of command... A must read!

Author Joe McGinnis gives an inside view of the highly-controlled, thoroughly-packaged 1968 Presidential campaign of Richard Nixon. Readers see how the Nixon team made its political commercials and stage-managed campaign events in order to manipulate the public. Nixon had lost a close race eight years earlier to John F. Kennedy, in part because he'd looked haggard in his TV debate appearances. This time he and his handlers were determined that Nixon would be scrubbed and scripted while avoiding debates. In short, they peddled Nixon to voters the way corporations promote cars and cosmetics. Nixon had a huge advantage in money and thus television ad buys, and he went on to a narrow victory on Election Day over Democrat Hubert Humphrey. Ironically, Nixon's packaged 1968 effort seems amateurish compared with today's media-specialized, poll-driven campaigns. Consider that in 2004 President Bush used the secret service as his private Gestapo to illegally detain dissenters, and even his supporters had to sign contracts in order to attend his campaign rallies.

Some accused McGinnis of betraying Nixon with this book, a charge later leveled against him when he wrote the true-crime narrative FATAL VISION. Others argue that he did his job and let the public see an un-reported, dark side of politics. Whatever your view, this is a concise, informative, interesting look at political manipulation.

Somewhere in the second chapter of this splendid book, Leonard Hall, national Republican chairman said; "You sell your candidates and your programs the way a business sells its products." This succinct message captures the essence of Joe McGinniss and his book, "The Selling of the President."
The author explains how Richard Nixon is packaged and distributed to the American people by clever television professionals.

The marriage of politicians and advertising men first took place in 1956 when Dwight Eisenhower ran for re-election and selected the agency of Batton, Barto, Durstine and Osborn. McGinniss explains that the basic advertising concepts remained unchanged right up to 1968 but that Richard Nixon made every use of all the sophisticated technical advances of the day. Moreover, the author details how slick New York advertising men seduced voters which elevated them from the smoky parlors to the expensive suites with the political big shots.

Advertising executives allowed Nixon to dominate the airwaves. To this end, the television campaign allowed Nixon to get through the campaign with a dozen or so carefully worded responses that would cover all the problems of America in 1968. After a while it is rather clear that Richard Nixon is basically a boring man. However, with proper packaging Nixon soon represented competence, respect for tradition, serenity, faith that the American people were better than people anywhere else, and that all these problems others shouted about meant nothing in a land blessed with the tallest buildings, strongest armies, biggest factories, cutest children, and rosiest sunsets in the world.

I found the marriage of political and advertising minds fascinating. Of particular interest is how certain keywords such as conscientiousness, vigorous, party unifier, newness, glamour, humor, warmth could create a television facade to hide a candidate's blemishes. This is a great book and should be used in the classroom to show how television altered how politics and campaigns are orchestrated in the United States.

Bert Ruiz

Joe McGinniss joined the Nixon campaign as an observer, and wrote this book of connected stories. Nixon's team had a number of advertising and TV professionals. The book lacks and index and a table of contents. The cover shows Nixon's face on a pack of cigarettes - an apt metaphor. They are heavily advertised, and bad for you in the short and long run. People know this, but they buy them anyway!

Chapter 1 shows Nixon taping commercials for varied markets. "I pledge an all-out war against organized crime in this country." But investigations into organized crime was later halted. Chapter 2 tells us that politics, like advertising, is a con game! Both promise more than they deliver. McGinniss says Nixon lost in 1960 because the camera portrayed him clearly (p.32). I think the TV audience judge he was lying, the radio audience took him at his word. By 1968 Nixon learned how to act sincere. He would appear mellow, not intense; respected, if not loved (p.34). Page 36 explains how this works: saturated TV advertising showing the candidate and giving the desired impression, followed by public appearances where he doesn't say anything. TV would be controlled to transmit the best images (p.38). Chapter 3 tells about Harry Treleaven, who worked on the 1966 campaign for George Bush; he was elected because he was likeable, and none knew his stand on the issues. More people vote for emotional than logical reasons (p.45). Chapter 4 explains the power of TV. "The press doesn't matter anymore: (p.59). Painting Nixon as mellow was their way to overcome the old Nixon. Chapter 5 tells how the TV shows were staged for each region. Page 64 explains the politics for a panel of questioners. The selected audience applauded every answer. Chapter 6 says that if Nixon could not act warmer they would produce commercials that made him so!

Chapter 7 tells how a commercial would "create a Nixon image that was entirely independent of the words" (p.85). "The secret is in the juxtaposition" (p.88). (Was this parodied in that scene in "The Parallax View"?) Once complaint was of a picture of a soldier who had scrawled "LOVE" on his helmet; a new picture was found with a plain helmet. Later they received a letter from that soldier's mother - Mrs William Love (p.92)! Page 99 tells why you never saw a farmer on this show. Or a psychiatrist (p.100)! Chapter 9 gives an insider's view to the commercial images and what they meant. Chapter 10 tells of seeking Wallace voters with a ballad. Another trick was to be seen as a friend of Billy Graham. Chapter 11 tells of Nixon's shrinking lead. How could a slick production lose to a rough-edged show? Chapter 12 rates a Humphrey commercial as "contrived and tasteless" (p.138), but also "most effective" since it showed HHH as a real person in open air, not being kept in a TV studio. Chapter 13 explains how a TV show worked. People would call in with questions; these would be passed to the staff. They would be scrapped, and prepared questions and their answers used (p.149).

The Appendix contains various memos from the campaign; relevant extracts from "Understanding Media" and its analysis. Page 187 notes the good appeal of "reagan". Reagan's personal charisma is noted on plage 189. Pages 218-220 explain the benefits of print advertising over TV. Page 233 mentions the strategy of a challenger: the candidate stands for change (you assume what that means). These memos concern Nixon's run, but are applicable to other candidates today. How much has changed since 1968?

First off, let's get one thing straight: McGinniss infiltrated the Nixon Campaign, pure and simple. Not exactly what you'd call honorable journalism.

That said, "The Selling of the President" remains the definitive case study of the first sophisticated use of television in American Presidential Politics. Having worked in political public relations for three years, the characterizations and quotes ring completely true. While the public was dismayed by the widening morass in Vietnam, there's no denying the fact that Nixon's very astute use of the tube helped catapult him into the office he ultimately disgraced.

Yes, mass media image-building is now the politician's stock in trade: Willy talking boxers versus briefs, the Veep doing the Macarena, and George The Elder fumbling at the checkout counter.

"The Selling of the President 1968" is written in tough, punchy prose, and chillingly accurate. I'm certain The Founding Fathers would flinch.

Highly recommended as a continuing reality check.

Roger Ailes started out as a whiz kid producer in his twenties who was given the responsibility of producing a highly rated, popular, syndicated network television program, "The Mike Douglas Show." From there he moved on to politics, using the same kind of marketing routines that Madison Avenue gurus employ in the cases of super market commodities. Joe McGinniss managed to sneak aboard the Nixon for President campaign without having his main purpose discovered, that of writing up what he observed. Had Ailes or any of his underlings known, McGinniss would assuredly have been instantly dismissed. Had candidate Nixon ever learned the response would, almost assuredly, have been apoplectic, given Nixon's all-consuming hatred for reporters of anything but a fawning bent.

The book is humorous in many respects, while the overall result of the effort reported, selling a candidate who would ultimately become the only U.S. president to resign in disgrace, is anything but funny. "The Selling of the President" gives us an indication of how far we have plummeted in presidential campaigns where spin control dominates over critical substance. For instance, just twenty years after Nixon's 1968 victory over Hubert Humphrey, George Bush was elected by exploiting the American flag and a Massachusetts rapist named Willie Horton. The 1984 campaign of President Ronald Reagan stressed the theme of "Morning in America" despite prolific evidence that the temporary prosperity proudly exploited resulted from a credit card spending effect linked to an irresponsible tax cut which ultimately left America in serious debt.

The ultimate value of McGinniss' book is learning just how cynically Ailes and the spin control brigade seeks to manipulate American voters. To readers of George Orwell the pattern will contain a distinctly familiar ring.

William Hare

If ancient Sumerian Goddess Inanna would come back to us and finds this book, she would be more than pleased. She would be humbled and she would, perhaps, wonder, was once this world like this...and if yes, why can't it be as beautiful again?

Seven Dreams of Inanna is a tale of ancient wonders, a dream in itself. As a writer myself, I have to confess that I don't read just anything. Some may say that I should, but the truth is...I don't!

Richard's book grabbed from the beginning for its narrative is subtle and ingenious. One can tell that extensive research was made to be able to put this work together. The words flow impeccably. The authors treat the subject with the outmost respect and reverence.

We have a few main characters who compliment each other to perfection. We see them grow, we see them going stronger as the tides grow higher. We feel their love, their longings. We are compelled to watch them fight for what their heart yearn for. If this novel were a film, it would be an epic of the likes of Ben Hur and Spartacus.

Richard and Jitka bring the gods from their heaven to interact fabulously among each other and among their not-always-humble subjects.

These are lines written with dedication and passion.

A couple of things I will mention, though, for I promised I would write a very objective review. Two things that disappointed me. One, there are scenes in which more eroticism was required and so we are left with paragraphs of dull imagery which is a sad contrast from the rest of the story. Second, the illustrations. For the life of me, these graphics are horrible and shapeless and lifeless, and most certainly bring down the quality of such powerful novel.

So, dear reader, please read with contentment, but pay little attention to the illustrations.

You are in for a marvelous journey. You will laugh and you will cry and you will wish a thousand times this novel is 300 pages longer--or that there would be a sequel!

This is an enthralling tale of a princess in ancient Sumar who doesn't fit the typical role of most female romance characters. She is courageous and romantic at the same time. Not another damsel in distress but really takes part in the action.
I don't want to give the whole story away, so I'll just say if you are getting bored of the typical grocery store romance novels, but love a good romance adventure this book would be a great choice.

SEVEN DREAMS OF INANNA is a wonderful adventure and love story of a blacksmith,Kesh, and Klori, a princess and the daughter of a great King who loves the people he serves,. Klori experiences seven dreams given to her by Inanna, the Goddess of Love. But their happiness was not easily won.

There is treachery and greed within the happy Kingdom taking place in what could be ancient Mesopotamia. As the story unfolds we are linked to the age of mythology by the gift of dreams given to Klori. The dreams lead and protect the lovers.

For those yearning for something old and new, that reaches out to the heart with a flair for the dreams and goals that we all pursue, this book is a wonderful read. It flows easily and leaves a warm afterglow.

Seven Dreams, a small book, nevertheless communicates the sweep of time from pre-historical Sumerians to modern day. The love of Klori and Kesh is timeless, their courage and faith in their visions of Inanna, the deity of Love, is the finest of human nature. The story flows with the bold epic vision of Homer, and the poetic rhythm of Shakespeare.

Those who like fantasy will be breathless, those who like desert adventure and royal warfare will be satisfied, but those who like a good love story will be charmed.

Set in the ancient Sumerian city of Ur, the Biblical Ur of the Chaldees, near present-day Basra in Iraq, the Seven Dreams of Inanna is a love-story that is as timeless as the place itself. Set at the dawn of history, it tells the story of the Princess Klori, daughter of King Mesan of Sumer and her devotion to Inanna, the Godess of Love.

Brookes and Sanovia have caught the mood of the times in this novel. Love, courage, intrigue, treachery, politics and war; they are all here in this fast-moving story which brings to life the people of the time, their customs, beliefs and life style. A cracking story in its own right it will also appeal to those interested in the history of the ancient Middle East.

Highly recommended.

I read this book some years back, and my memory may fade. But a conversation with a friend brought it to mind. The book is an evolutionary psychological view of human sexuality, and some of the laws & customs that pertain thereto. The discussion on homosexuality is long, but interesting - even for me, a dedicated heterosexual. The account about the birth order in determining homosexuality is the first I had read of that. I've since seen it elsewhere, though never with numbers attached.

Personally, I'm more interested in prostitutes than homos, not least because I find the (adult female) former attractive. Posner's discussion of this phenomena is brief. I recall two points: that prostitution is one of the few cases where one woman shares many men; and prostitution, by its very nature, selects for "pervert" customers, since the stranger your tastes, the harder they are to come by without paying for them.

However, Posner's book is not the final word on the evolutionary psychology of prostitution. That book has yet to be written. I have not written it; what I have written is a fiction about prostitution - good, sexy fun, to be sure - but nevertheless a book that considers the morality and politics of the business. EvoPsych is somewhere in the background. The book is called Naked in Haiti: A sexy morality tale about tourists, prostitutes & politicians. Enjoy.

Chief Judge Posner's book is an erudite and interesting one. Whilst often regarded as a conservative for his scholarly analysis of economic issues in a market economy, this book is not conservative. It appears basically supportive of the sexual revolution. Its utility is at its greatest when it applies neutral economic analysis to the social aspects of sex. It is at its weakest when in the enthusiasm for the novelty and power of its analytical insights, it at least appears to derive moral or normative conclusions that do not necessarily follow from the positive analysis. It reflects the dangers that both libertarian Austrian economists, such as Ludwig von Mises and social democratic economists have both seen in trying to apply insights derived from markets to non-market transactions - here sexual ones. Accordingly, whilst Chief Judge Posner speaks supportively of certain aspects of Swedish policy in relation to sexual matters and expressly and by inference against the traditional conservative Judeo-Christian attitudes to sex in those areas, economic analysis does not dictate that viewpoint. Values dictate that choice, but economics can illumine the consequences of those choices. In sum, an able, readable, but a very personal work, which could be read by those who are not familiar with the limits to the economic analysis of law - an area Posner has brilliantly contributed so much to - as conclusively determinative of issues which cannot be resolved by that positive analysis alone. Whilst less accessible in view of the use of math, Professor Becker's works are closer to a neutral analysis of many of these important questions.

Judge Richard Posner's 'Sex and Reason' has influenced me more then any book I recently read, lead me to a complete reevaluation of what the Law is, and what it should be.

In this review I wish to concentrate less on Judge Posner's approach to the regulation of sex, although we will get there, but to his general approach to Jurisprudence. Becuase if 'Sex and Reason' taught me anything, it is that the way lawyers 'do' the Law is in need of thorough revision.

From my perspective as a third year law student in Israel, most of what the Law deals with is the meaning of words. Lawyers and Judges argue about whether or not various actions fall into various legal categories, and, particularly, about ways of interpreting statues and precedents. The main questions are 'how should one interperate the law'? and 'By what method does one decide which interpretation of the Law is best'?

In the United States, the main 'field of battle' regarding these questions are between the various Originalist positions (roughly, those who believe that words in statues mean what the people who wrote them meant), textualists (those who believe that texts should be read to be internally consistent) and living conbstitutionalists (the ones who believe that times change and the constitution - indeed, all laws - change with the times).

In Israel, the main contribution is by former Supreme Court Chief Justice and professor of Law, Aharon Barak. By Barak's lights, statutory interpretation is not originalist, nor is it textualist ("the interpretor is not a linguist" is his famous catchphrase - sounds better in Hebrew). Rather, Barak subscribes to a form of Living Constitutionalism which for want of a better term I'll call contextualism (Sometimes, misleadingly in my view, refered to as 'Purposive appraoch') - Barak argues that you can learn about the meaning of laws and decisions from their wider environment - the principles, laws and mores of the society. When faced with a legal question, Barak will strive for Harmoney not with the language of other statues, but with their intentions, so that all Law would create a single, ideologically cogent, fabric. In paraphrasing Hillary Rodham Clinton, one may say that according to Barak, It Takes a Village to decipher a Law.

I emphasises these different approaches in order to demonstrate that the criteria by which we decide whether an interpretation of the law is good are very unclear. But accept, for the moment, that one of these goals is superior to the others, and that we can evalutate various interpretations based on these criteria; We are still left with the question of what the marginal untility of trying to improve our interprative approach according to one of these criteria is.

Suppose a new study slightly imroves our understanding of the original meaning of the U.S. Constitution. Let's say that after a great deal of historical study and analysis, professor A has improved our understanding of the meaning of a certain clause by 5 %. Now interpretations are 5% more likely to correspond to the original understanding of the terms in question.

Well, so what? Are we, as a society, better off because we get a slight improvement in statue interpretation? That is highly unlikely. Even if we accept that one method of interpretation is correct, that does not mean that its outcomes are good. Indeed, it is unlikely that s study of 18th century political philosophy, or a comperative study of the spirit of law, will lead to good social outcomes. If you accept that it will, congratulations: you have just passed from the domain of Jurisprudence to the realm of theology.

From of social point of view, imrpoving stuatory interpretation based on any of the above criteria is a huge waste of time; a great deal of effort and resources are spent on things that will not, frankly, matter.

What I glimpse in Richard Posner's 'Sex and Reason' is an alternative: Pragamtism. The alternative is implicit here; I assume, not having read any of his other books (but I do frequest his excellent Blog, written jointly with econmist Gary Becker), that this approach is developed further elsewhere.

'Pragmatism', as I understand it, is about making positive statements about the consequences of various legal rules, and then chosing the best one. This requires sound theoretical analysis (Posner, and I, see the foundation of it in economics, but in principleit can be founded on psychology, anthropology, sociology, or many other fields, and Posner used reasearch from all these fields in his book) of the situation, and especially empirical research to find if the theory holds. Thus, a pragmatic approach to the questions of legal interpretations and doctrine requires first making positive inquiries into the subject; Only then should we make a normative judgement.

An example for this kind of reasoning would be the case for the supply of contraception to Teenagers. In the United States, some conservatives oppose supplying sexual education and contraception to Teenagers, and promote abstinence instead (in prgrams such as "The Silver Ring Thing", "True Love Waits", and "Free Teens"). Reasearch, however, demonstrated that such programs rarely decrease the negative side effects of Teenage sexuality such as unwanted pregnancy and disease (pp. 270-271). As Posner writes "the idea that puritanism may actually increase ... unwanted births is difficult to accept, but ... only because effective puritanism... would have the oppositve effect. A Puritan ethic that has only a modest effect in reducing the amount of teenage sex may produce more teenage pregnencies and unwanted births than moral indifference to such activity would" (p.272).

Now, in my view, this kind of analysis should be paramount in deciding legal questions such as whether government support for abstinence programs should be deemed constitutional. Perhaps the legal rethoric allowing the government to fund such projects is powerful - but legal niceties should not obscure the underlining realities.

Judge Posner is the finest legal mind of the current age, and "Sex and Reason" is precisely what you'd expect from him. Bemoaning the lack of empirical study that supports modern day sexual jurisprudence, the author takes it upon himself to correct the oversight. Empiricism is not wanting in the book; footnotes are omnipresent, filled with broad support and delightful nuggets.

The book begins with an investigation of sexuality throughout the ages. Sociobiological principles are explained and taken as postulates (women, on average, seek quality, whereas men seek quantity). Posner builds his model of rational sex--dismissing easily typical objections to economic modeling of human behavior--and usng it, attempts to unearth truths about some of the more risque periods of history. We are treated to an analysis of Greek pederasty, the rise of companionate marriage in the Christian church, prostitution throughout the ages, countless other subjects.

Modern sexual jurisprudence is investigated: Griswold is discussed, critiqued, defended. Utilitarian approaches are ventured forth in an attempt to justify Roe. Posner discusses cultural policy issues at the helm of modern debate, and offers us his own bright proposals: a free market in adoption, for instance, coupled with a thorough and unabashed defense.

Richard Posner's mind is nimble. His arguments are fun, light, powerful, thrown forth quickly into the crucible. So criticize what he says: one gets the feeling Posner wants nothing less. Be fascinated as insights are bred from left field. The book will make you think (about sex, no less, as if a person needed any prodding in that direction), make you smile, and it will make you, as it made me, quite impressed with a certain seventh circuit jurist.

Reading Judge Posner's book is a humbling experience. Much of what I thought I knew about sex is a tiny fraction of what this book has documented, analyzed and argued.

I have known that many early Greek luminaries, such as Plato, Socrates and Sophocles were homosexual. This book puts these mere points of interest in a wholly different light by exploring the social settings of the early Grecian (Athenian) society: that the early marriages were not companionate, that women in that society, including wives, were sequestered, that boys and girls were raised separately, and not by the mother, that pederasty was almost an accepted social institution, etc.

I have always believed that homosexuality is a rooted genetically, although it is not binary factor. This book puts homosexuality, through the use of the "Kinsey scale", into different degrees and clearly distinguishes between homosexual tendency and homosexual activity, and defines the opportunistic homosexual in economic terms. With very simple reasoning, this book explains why urbanization seems (only seems) to foster homosexuality and the emergence of homosexual enclaves such as San Francisco and New York.

This book also explains, again through an economic model, why the black men in this country seem (again, only seem!) to be sexually aggressive and promiscuous, whereas sexual abuse of off-spring children (girls) have a higher incidence in white households.

I am also enlightened on how the child birth, which in the early days often caused the death of the mother, created serial polygamy (polygyny, to be more precise) and that the widower, who were older and more economically established men, puts young bachelors at a competitive disadvantage in securing a mate, especially in the early industrial society where the cost of marriage was high.

I am enlightened to the role of the Church as the promoter of companionate marriage and how its fairly profound effect on this social institution. And also why the Church "overtly condoned prostitution and covertly condoned monastic homosexuality."

There are many other issues, such as infanticide, fornication, adultery, divorce, coercive and abusive sex, pornography, adoption, surrogate child-bearing ... to which Judge Posner gave interesting and informative treatment.

The thoroughness with which Judge Posner analyzes a problem is unmatched. Although I am not always completely convinced by his reasoning (because some of the arguments are necessarily qualitative and intuitive,) but the plausibility is striking. And I am frequently amazed by the different angles with which he looks at an issue, and the amount of facts and data he brings forth to support his views. When facts contradict what his theory predicts, he graciously points that out. In the conclusion of the book, Judge Posner, with scholarly grace and modesty, points out that his work was exploratory, a learning process for himself, and was not being presented as definitive.

Judge Posner's writing style is very good. The book is never boring, though some of the information and arguments are repeated due to the inter-relatedness of many of the issues. Throughout the book, the Judge's remarkable analytic skill can be felt. At one point, the Judge mercilessly took apart the New Jersey Supreme Court's opinion of the Baby M case (Stern vs. Whitehead) and clearly showed how judges, lacking knowledge on the subject matter and often ignorant about economics, proceeded to vote their own prejudices, and substituted rhetoric and sloppy logic for judicial analysis. This one episode, which clearly illustrates the reason he wrote this book, as he stated in the introduction, is worth the price of the book.

How many judges are as good as Judge Posner? Since he has published so much, chances of his ever being nominated and confirmed to be a justice of the High Court must be pretty slim, considering the infamous borking effect. This is just as well. I wishfully think his publications probably has a greater influence on the society, especially the legal community, than if he were appointed a justice.

Having read several of Judge Posner's books, I mark him down as one of a handful of top-notch intellectuals in my estimation.

well, it does tells you how to write good history lol....but i have read better books than this, in the end if you are not an advance write great book to pick up

This book has a great outline, thought process and good examples on the process of writing history.

This is a great book and I was able to get even more out it since I am one of Dr. Page's students at East Tennessee State.

History prof recommended this for help in writing research papers in history department.

Compact and inspirational, the author makes his points by way of examples and citations from historians. Passionate about his subject area, he communicates this well and infuses it into his observations and recommendations for writing about historical topics.

While the jury is still out on my first paper to utilize this resource, I already know I am a better writer of history for having utilized this fine resource. Just the idea of grabbing your reader and making him want to read the rest was useful.

Marius has written an extremely readable and informative book on the writing of history. He proceeds from showing readers what questions to ask in doing historical research into types of historical writing can be done, from discriptive to argumentitive.
However, the most useful part of the book is the chapter on sources and writing. He skillfully shows readers how to choose a topic and narrow their focus into a managable paper. He also discusses the use of CD-Rom and Internet sources, a necessity for any good book on the writing of history in the early 21st century, particularly due to the increase in the reliance on Internet research by college undergraduates and HS students that are comfortable with this technology. The book also makes actually doing research seem like not such a daunting scary task, which at first thought it seems like for many undergraduates. The one problem with this section is that Marius advocates the use of paper notes. As has been seen with many professional academic historians lately, the use of paper notes can end up costing the writer dearly, particularly with the use of a large amount of sources. Marius should have included a section on how to use a data base or other computerized note taking system.
Marius also uses many examples to back up his points throughout the book, even publishing one complete paper and then commenting on its strengths and weaknesses in order to give the reader a better understanding. The remainder of the book is an extremely useful three chapters on writing mechanics as well as quoting and citing a variety of sources. I found the section on footnotes quite good and useful. This section will be especially useful for the undergraduate who arrives on campus without ever having to use footnotes while in high school.
Overall, this is an outstanding book. The only real drawback is that since its publication (3rd edition) the sections on the Internet are in many ways obsolete. But with the ever changing technology and things available on the Internet, both good and bad, no book can keep up.

A great book. Has more secrets to happiness than any of the other trendy books. It's all there, thanks to Carlson. The tough part is DOING what he asks of you. Good luck.

I have gone to therapy, but it always seems to take forever, they always want to schedule you "next week." And you know people always want to give advice. Sometimes we don't always like to hear the same thing over and over again. It is nice to get helpful advice in this book from an expert who is detached to our lives. This advice is helpful, to the point.

The book is a nice size too. You can carry it in your purse or with you. It also is a great conversation piece as the title is kind of funny and the principles are universal to so many people.

Really a great book!

I had gone through my share of traditional therapy and this book offered me a totally new perspective. No more dwelling on the past, lets move on and deside for ourselves how we are going to feel every day, and it's ok not to be perfect. The book offered a doorway into the fact that I and only I can decide how I will look at my life and deal with whatever issues will come up. I hugely recommend it!

I just finished reading this book, Shortcut Through Therapy, twice. I want to study it until I really "get it". When I read a book I underline what speaks to me and this book has almost every page highlighted! Richard Carlson had a way of putting "truths" into everyday language that the average person can understand. I do feel the book could have spun a more positive note regarding therapists or else not mentioned them at all. I plan on buying 10 copies to pass around to friends and family. Last year I passed around copies of, The Big Book of Small Stuff, also by Richard Carlson, and it was well appreciated by most of the recipients.

This is an amazing book that has helped me through many a troubled time. Occasionally, I re-read it, in full, usually once a year and consider the book to contain some of the most sound advice I've come across in learning to deal with everyday stress/problems, particularly through recognize thoughts as being no more than JUST thoughts which can be addressed then dismissed. I was saddened to hear of Carlson's passing in December and am grateful for the help he provided many.

Richard Quan's prose has a mesmerizing rhythmic quality which uses simple syntax to achieve lyrical and evocative effects.

"It is late summer. The wind is blowing and I am alone. What is happening with the weather is happening with me. Nature, too, can cry. Our moods are the same." (Quan 3)

These short sentences convey so much that is unspoken about loneliness, the environment, the narrator's voice, and portray the mood effortlessly in minimal verbs and nouns. The narrator's tone, sometimes cynical yet containing romantic overtones, captivates readers from the very beginning of the novel.

A mystery as well as a love story, "Siren's Silence" shows that literary fiction does not need long, extravagant strings of adjectives and metaphors. It also demonstrates how a well-written plot will keep readers turning pages until the end, and that images of memorable characters linger long after a first reading.

Good plot, sound language, engaging characters--definitely look forward to more books by Richard Quan in the future!

Written by a survivor of Cambodian genocide who made his way to the United States to study international human rights and refugee law, Siren's Silence is a haunting novel about an attorney who receives contact from a Ukrainian lover who disappeared from his life eleven years ago. A single telephone call draws him into a web of murder, obsession, and lust; Siren's Silence is a suspenseful odyssey through both the light and dark sides of human nature. Utterly compelling from cover to cover.

Siren's Silece is a great read. Once I started, I couln't put it down until the end. I definitely recommend reading it with a cup of Cappucino. It's a deliciously wonderful combination.

Siren's silence is a poignant tale of love and loss. The author of this novel has a unique voice and narrative style not to be missed!

Siren's Silence is a compelling story unlike any I've ever read. Victor's life is forever changed when he meets Siren. Their relationship unfolds through a series of events that takes the reader along for the journey. The author, Mr. Quan, gives the classic love story a poignant twist and a touch of mystery.

This cardiology book is phenomenal and a must-have for any veterinary resident in the field of internal medicine, emergency critical care, and obviously... cardiology. Very well written, but very poorly bound. My book binding fell apart with just routine use, but that's not to discredit the book. Definitely the best cardio book out there. I'm eagerly awaiting edition 2.

Dr. Justine Lee
www.drjustinelee.com

This is probably the first textbook I've read like a novel. I started on page 1, and just couldn't stop reading. For those that feel their veterinary cardiology skills may be sub-par, this is a very good investment. It starts with anatomy, then physiology, normal then abnormal, and has entire chapters dedicated to different classes of drugs. It explains everything starting at the basics, so even those that have very little cardio knowledge will understand the text. The book also has color pictures included, along with color doppler ultrasound pictures for those that may be interested.

This text is most highly recommended!

this book has been a great help during cardio, and im so happy i decided to buy it. it has a great section on ECGs, great anatomical sketches so you can see which parts of the hear are affected during different problems, and is very organized and amazingly easy to read. i honestly found this book friendlier and more interesting than most of the lectures i was given in class.
it certainly goes way beyond what i was expected to know for my vet school class, but theres nothing wrong with having extra info in a book. :o)
i agree with another person who posted- its very unfortunate that the publishing company couldnt spend a bit more on this book. the paper is thin, the binding isnt the best, but ive been working with lots of cardio books lately and this has been my favorite.

Excellent book, friendly and deep and concise on every topic dealt with.

This is an excelent textbook of canine and feline cardiology of highest interest for any veterinary clinician (specialist and not) and any student who wants to learn before going to the real world of disease. It is in my opinion the cardiology textbook that is closest to the clinician and to the reality of the needs and manegement of the cardiovascular patient, with the most rigourous scientific literature.

The book is really well written, covering even more topics (i.e. Networking) than the first edition. Considering the advanced nature of the book, it's surprisingly easy to understand.

However, i would recommend reading Operating Systems: Design and Implementation (3rd edition) by Andrew S. Tanenbaum and Albert S. Woodhull before this one if you're not familiar with Operating Systems, as this book covers advanced topics which are not for begginers.

Reading this book, I think it helps to know UNIX and some C already, but is ok if you don't... This book gives great details and examples. Must have for anyone working on/with solaris 10.
Yes.. it explains how zones and things like that work...

Do you want to know how the Solaris kernel works? This is the book for you!

If you've read any of the other titles by these authors you'll know how clear and succinctly written this book is. The book is not your normal 2nd edition "nip and tuck", it's a rewrite!

One of the things I really like about this book is that it describes the internal theory and implementation of many kernel subsystems, but is not a code walk through or reiteration of other books / manuals.

The book covers many of the new and recent features of Solaris, so it's also valuable for long time Solaris engineers that need to keep updated. People that are new to UNIX internals will also like this book as it starts with the assumption of some UNIX principles (but not too much), and takes you a *lot* further.

There are pointers to other material for the truely adventurous, and small examples with sample output that keep the subject material relevent and enable to reader to make the connection between the theory and their system.

Very highly recommended!

The book "Solaris (TM) Internals and OpenSolaris
Kernel Architecture (2nd Edition)"
is one of the best
books (perhaps the best one) that I own on
the Operating Systems related field.

I study also the Linux Kernel which is also
technically elegant, and I recommend to anyone
interested in Operating Systems design and
implementation, to study the
OpenSolaris Kernel also,
since is very well designed and
in my opinion is technically
the best design that I know until now.

The book is excellent, it has clear presentation of the
advanced algorithms used at the Solaris internally,
and the reader has a lot to gain by elaborating
the internals of perhaps the most
advanced modern operating system.

Well written and detailed. If you wish or need to know about the internals of Solaris this book is the source. This is a second edition and covers 10 and updates information on 8 and 9. The first edition covered 2.5.1, 2.6, and 7. I liked the first edition and waited for this edition based on the books/authors web site and have not be disappointed. Highly recommended, a reasonable background in OS theory is helpful with the type of material covered here - but not required - it will aid in understanding however. Recommended more general OS books would include "Operating System Concepts" by A. Silberschutz, J. Peterson, P. Galvin, "Operating Sytstems" by A. Tanenbaum, A. Woodhull, and "Unix Internals" by Uresh Vahalia among others.