R Books
Related Subjects: Rhys Richards Richard Rich Richardson Robinson Rogers Russell Rhodes Robertson Reynolds Reed Roberts Ray Ryan Ross Rowe
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Great BookReview Date: 2007-02-22
A Great BookReview Date: 2006-12-15
This new volume is almost twice as long as its predecessor, offering an expanded treatment of issues raised in the first edition and reflecting more emphasis upon the complexities of today's financial realities. Major sections deal with common concerns about leadership, handling matters of department vision and management, addressing legal issues, contending with a large variety of faculty and student matters, as well as attending to one's own career. The 30 chapters are compact and quite accessible. All are useful and contain lists of web and print resources. I particularly appreciated the units on sexual harassment and the implications of the Americans with Disabilities Act, as well as the one on dealing with chronic low achievers. Some 17 appendices provide helpful examples of different policy guidelines and methods of communication.
Anker Publishing has a large variety of often-expensive volumes for academic leaders. Some overlap and others lack originality or comprehensiveness. By contrast, this is a stand-out value that will set a standard for some time to come.
Excellent writer and teacherReview Date: 2006-07-08
A must have for new chairpersonsReview Date: 2006-03-15
If only I could get some of the administrators of my university to read the book!
Most helpful bookReview Date: 2000-08-30
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Superb Look at Civil War Review Date: 2007-06-15
The Civil WarReview Date: 2002-05-27
Just What I Was Looking ForReview Date: 2005-07-06
Not enough phtographsReview Date: 2002-07-30
EXCELLENT overview of the American Civil War.Review Date: 2006-03-02

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Ancient Rome : Monuments Past and PresentReview Date: 2008-02-14
Rome monumentsReview Date: 2007-12-24
Rome than and nowReview Date: 2007-04-09
love to see rome then and now
makes history come alive
Time machineReview Date: 2007-03-24
Good BookReview Date: 2006-11-10

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greatReview Date: 2008-08-18
One of the Best Books on Anger Management Review Date: 2007-08-23
Great Common Sense IdeasReview Date: 2007-04-25
An Outstanding Contribution to the Anger Management LiteratureReview Date: 2007-04-25
Excellent Anger/Stress Management ResourceReview Date: 2007-05-12

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AnthemReview Date: 2003-09-02
AnthemReview Date: 2003-09-02
You have to put the book down to eat and sleepReview Date: 2002-12-02
Anthem must readReview Date: 2002-06-08
Anthem, Jerry LoebReview Date: 2001-12-29

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AP Spanish oral study discsReview Date: 2007-06-12
One of the best books for studying the spanish languageReview Date: 2003-10-03
it just so happens to be one of the most user friendly, well designed and comprehensive books for learning spanish out on the market today. I am an advanced college spanish student and therefor I didn't get the book to prepare for the exam. I got it because it offers a well structured and comprehensive review as well as many helpful drills and practice tests. I think a book structured like this is probably the best way to study a language on your own. So to all you who may have been put off by the fact that it is an exam preparation book please do yourselves a favor and buy this book.
If ur taking AP spanish, get this bookReview Date: 2002-04-06
Exámenes de práctica son «así así»Review Date: 2004-05-05
This book is a comprehensive, thorough course in Spanish!!Review Date: 2002-09-09

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A Classic - And at a Discount from AmazonReview Date: 2008-09-17
Yet another GREAT book by ARRL.Review Date: 2008-09-06
Remains an excellent valueReview Date: 2008-07-22
This is the antenna bibleReview Date: 2008-04-17
Arrl Antenna BookReview Date: 2008-03-18

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A human fableReview Date: 2007-06-14
When I began reading this book,I anticipated a telling of the nazi shadow engulfing the Jews of Austria in the style of-say- Primo Levi, or even Zweigs recollections in his 'World of Yesterday' autobiography. But Appelfelds style is unique. Yes, the nazi shadow is coming to engulf.As readers we know what their fate will be. But Appelfeld tells the story from the universal human perspective where we evade reality and interpret everything the way we want it to be, not as it actually is.
Jews are gathered in Badenheim for their annual vacation. The 'sanitation' department has ordered all Jews to register. The residents know they will be going to Poland.Dr Pappenheim talks of the new opportunities; how it is essential people return to their own country of origin. (The atmosphere of evading reality is heightened as nobody asks 'Why?') Langmann is angry. He is Austrian. Why should he be uprooted over a mistake? Peter the pastry shop owner blames it all on Pappenheim for bringing decadence to the town with his art festivals.(Again, no one asks what has this got to do with their situation-even though Peters accusation is a common myth espoused by the nazis.) Fussholdt carries on writing his major critiques on jewish philosophers and culture whom he dispises despite his own judaism.
Throughout, there are no Cassandra characters. Only quickly appeased comments (They took my house is somehow turned into an understandable action by the residents.)Even at the end, Pappenheim is convinced they cannot have far to travel when 40 filthy cattle trucks arrive at the station to take them to Poland; its all ok.
This book is a mere 148 pages and must be read in one sitting to gain the full effect. It transcends the era and the crime it portrays, it tells you of mans fatal flaw in disbelieving the evil that can occur. Trusting to decency and reason to quell brutality. You know that these people know, but even as a reader, you would feel uneasy in trying to break the truth to them.
Appelfeld has a unique way of writing and a message for both his own people and all of mankind. This was an honour to read.
Badenheim 1939Review Date: 2004-12-18
While the preparations are under way, the Sanitation Department begins quietly undertaking a rigorous inspection of each and every house and shop in Badenheim. Among the many questions asked is how many and who of the residents are Jewish. The vacationers and locals alike think nothing of the questions, nonchalantly confirming or denying their religion, and returning to their food, their wine, their entertainment. Here and there, a few people discuss the increasing powers of the Sanitation Department - they have just recently closed the Post Office - but nobody seems to mind. Badenheim is quiet and peaceful, and that is how they like it.
Time passes. The impresario, Dr Pappenheim, is still writing letters, but he senses that they are going off into the void, never to return. A few - very few - letters are still allowed into Badenheim, but for the most part, the Sanitation Department has closed off the city. Guards are posted to deny entry or exit to any man, woman or child of Jewish descent. It happens so slowly that nobody really notices, but at one stage, almost all of the non-Jewish people have gone, and of the tiny trickle of visitors allowed into Badenheim, every person is a Jew.
There is a quiet horror to Badenheim 1939. Throughout this very short book, it seems as though with each page, the oppression and terror of World War II is approaching the Jewish people of Badenheim, but they never see it. With every freedom slowly being denied - the shops are closed, the gates are sealed, outside communication is forbidden - the reader is left to wonder if this time, if this time when the Sanitation Department closes the pastry shop, say, will they understand? But they never do. Everything happens over such a long period of time, and so quietly, that nobody really seems to realise when they are suddenly trapped, except for a few minor characters who are slowly going mad, the cracks in the calm facade they have wrapped themselves in widening with every minute.
This book is most effective because we know what happened to the Jews post-1939. We know where they are going, and what will likely happen to them. The Sanitation Department assures them that they will be transplanted to Poland, and everything will be fine. They believe because they have to believe. Towards the end of the novel, the razor wire, the guns, the dogs all make an appearance. To ignore what is happening is suicidal, and yet they do. After all, how could a race of people imagine that they would be persecuted in such a terrifying manner? Surely, their minds would shied away from such horrible information, from the mere idea that a man - a country - wanted to eradicate six million of them? And yet, that is what happened, and that is how the novel ends, a perfect, bleak, dark ending that is all the more horrifying for how completely reasonable every single tiny little step leading up to their incarceration inside a derelict train, headed, presumably, for Auschwitz.
Badenheim 1939 is a powerful book because it shows how easy it is to accept something unacceptable, if it is presented in small, reasonable, easily palatable pieces. None of these characters are overly bad, or good - they are absolutely normal. They squabble, they argue, they love, they laugh, they sing, they cry. In fact, throughout the entire novel, nothing untoward happens to any of them - except for the encroaching holocaust.
Highly Restrained, Polished and BeautifulReview Date: 2000-10-09
Badenheim 1939 is set at an Austrian vacation resort during the spring of 1939. A seemingly unremarkable assortment of middle-class Jews on holiday have gathered at Badenheim, only to later be united by what would become history's most atrocious turning point. The "Music Festival" resort of Badenheim will, soon enough, become a place of Jewish detainment from which the only exit will be via forced transport to Poland.
The vacationers, however, for the most part, remain in blissful unawareness of what is to come. Spring is in the air and summer is about to blossom; the Jews spend their days strolling the hotel gardens, visiting the cities cafés, sampling strawberry tartes at the local pastry shops, engaging in sports and bickering, gossiping, bargaining and complaining, much as any other vacationer. The mounting horror, which every reader of this sensitive and elegant book will realize, is made all the greater by the fact that it is a horror the characters simply cannot, or will not, see.
Badenheim 1939 is written with an artistic subtlety and insight with which most modern readers remain sadly unfamiliar. Appelfeld's concern, in this book, is with the prelude to the German catastrophe and not with its actual occurrence. The author, himself a Holocaust survivor, makes virtually no mention of the Nazi atrocities and shows no interest in the graphic portrayal of the brutalities committed. Appelfeld is certainly not oblivious to the facts, he simply has chosen to place his focus elsewhere. In Badenheim 1939, the Holocaust is an incipient threat rather than a full-blown horror.
Appelfeld's prose is more akin to lyric poetry than to narrative fiction and shows a tremendous gift for rhetorical restraint that is rare among writers. This is a beautiful and quiet tale, exquisitely told with imagery, understatement and indirection. The effects of the narrative accumulate and change in much the same way the seasons do, in increments that are minimal and yet extraordinarily moving. This is history, but it is history perceived at its most mundane. In this remarkable manner, Appelfeld creates something of extraordinary beauty and yet, manages to intensify the tragedy.
In the end, Appelfeld's characters do, of course, suffer the horrors that befell all Jews, of every nation, whether directly or indirectly. The genius of Badenheim 1939 lies in its projections of a gradual, incipient menace and its portraits of Jewish reactions, which range from ready adjustment to slowly unfolding despair.
It is in the space between the reader's knowledge of what is beginning to unfold for the Jews and the latter's own blindness to it that the book registers its most powerful impact, once again doing so without any direct reference to the ovens, the gas chambers or the camps. Appelfeld's artistic beauty lies in his amazing ability to suggest rather than describe. Giorgio Bassani was able to do something similar in The Garden of the Finzi-Continis but Appelfeld is, perhaps, the more superior.
Rarely has the tragic end point of Jewish fate been invoked no clearly and disturbingly and yet so indirectly. We come away from Badenheim 1939 as though from a finely-rendered tone poem, complete with the knowledge that we have been absorbed into a special moment in time and in feeling; in this case, the moment just before the trains departed for Poland, the final pause before the end.
Self - deception on the path to Disaster Review Date: 2007-01-26
In the end the town closes down and the residents and vacationers of Badehnheim are taken away. When four old dirty trains hook up with them they still refuse to see the reality. And the concluding thought of escape is that they must be going 'on a short journey since the cars are so dirty'.
Assimilated Jews, often self- hating but even more often painfully human in clinging to delusions of their own normalcy and safety are the subject of this work. It is all prelude to the Disaster and Destruction the Shoah which is to destroy them all.
First the calm, then the quiet terror.....Review Date: 2006-08-07
Appelfeld is a very unlikely writer. But then, it's remarkable that he's alive. Born in Romania in 1932, he was a quiet boy, an only child. He was just 8 when the Nazis shot his mother and deported him and his father to a concentration camp in the Ukraine, at which point they were separated for twenty years. Aharon escaped to Russia, where he was a shepherd. In 1944, at 12, he joined the Russian Army. When the war ended, he made his way to Italy and, finally, to Palestine. He spoke so many languages he couldn't express himself in any. And he had only a year or two of schooling. But he managed to enroll in college in Jerusalem and, soon after, to begin writing stories in Hebrew.
Appelfeld has one great subject: understanding what happened to his people. "I'm dealing with a civilization that has been killed," he has said. "How to represent it in the most honorable way --- not to equalize it, not to exaggerate, but to find the right proportion to represent it, in human terms." What kept him from depression, bitterness, suicide? "I've never been an angry person. This is what saved me."
"Badenheim 1939" --- the first of Appelfeld's books to be translated from Hebrew to English --- is a modest, precise, even-handed tale. As it should be; this is a simple story, of a single season in a resort town favored by Jews. As the novel begins, Spring has arrived. So have the musicians. And the first tourists.
Dr. Pappenheim is the local impresario; he's all bustle. Expect to see him at the Post Office, sending telegrams and opening letters. But this season is unlike all others. For one thing, the Sanitation Department has increased powers --- it's now authorized to undertake "independent investigations." For reasons not made clear, these investigations include the construction of fences and rolls of barbed wire. Appliances appear, "suggestive of preparations for a public celebration." The visitors to the resort expect "fun and games."
And, indeed, the office of the Sanitation Department is starting to look like a travel agency, thanks to the new signs: "The air in Poland is fresher" and "Get to know the Slavic Culture" and "Labor is our Life." There's plenty of time to think about those signs; walks are now forbidden, guests must stay on the grounds of the hotel. It's a nice break in a dull day when the Sanitation Department puts maps on Poland on sale.
The Post Office closes. Just as well. No mail is arriving --- and who knows if letters are getting out? But more people suddenly show up, all of them Jews. Here for the Music Festival? Apparently not.
And now it's Fall. The cakes of summer are no more. Ditto cigarettes. Lunch is barley soup and dry bread. Concern? Bad dreams? Of course. But no one can really believe that what is happening is more than an inconvenience. At worst, a mistake.
At last a train appears at the station. An engine with four filthy freight cars. The last paragraph shows how the worst thing you can imagine can be sold to you as something else. How easily you and yours can be lost. And, in one of the greatest sentences ever to end a book, how you can go to your doom still believing it's all going to be okay.

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How to tweak the standard model Balanced Scorecard for nonprofit and government organizationsReview Date: 2008-07-26
The Balanced Scorecard was originally created in the private sector to create management goals that, yes, balance a variety of factors. You use historical and industry data as well as current performance metrics. The interests of shareholders and stakeholders are also balanced in some way, as are any other combination of factors that can help managers get a better picture of what matters to the success of the company and the benefit of its owners, its employees, and its stakeholders.
This book takes this tool and shows you how to adapt it to public sector entities and nonprofit agencies. Paul Niven draws on his years of experience and shows you how to tweak the model and use it to increase your organization's effectiveness. He also takes us through the success story of Charlotte, North Carolina.
If you are interested in this model and are a governmental agency or a nonprofit organization, this is a fine resource.
Reviewed by Craig Matteson, Ann Arbor, MI
A great bookReview Date: 2008-02-17
But in general terms this is an excelent book. I recommend it.
Exellent Info about what Scorecards can do for youReview Date: 2008-02-17
Great discussion of what is really a side topic to Balanced ScorecardsReview Date: 2006-11-10
Church Ministry AidReview Date: 2006-11-09

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At 3 years of age, my son learned to readReview Date: 2006-12-13
This book is SO CUTE!Review Date: 1999-11-12
A charming and endearing bookReview Date: 1999-10-27
sweet book, wonderful illustrationsReview Date: 1998-12-06
Perfect book to teach children to appreciate the quiet timesReview Date: 1998-09-19
Related Subjects: Rhys Richards Richard Rich Richardson Robinson Rogers Russell Rhodes Robertson Reynolds Reed Roberts Ray Ryan Ross Rowe
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Dr. Deryl Leaming provides that third approach in a way. This is not to say he made mistakes in his many years as a college administrator, but his excellent book does provide the reader the opportunity to learn from his significant experience.
He has been there, done that, so to speak, when it comes to leadership in heading a program.
His latest work deals with all the key aspects of being a university department chairperson -- legal issues, faculty matters from hiring effective faculty to dealing with faculty problems, and student matters.
Through the tips in his book he provides experience-based advice that can be of significant benefit to the new or even veteran department head.
He has been a university professor, department chairperson, director of a school of journalism and dean of liberal arts. The reader of this second edition of his academic leadership book can learn from his experience to avoid mistakes in leading a department.
He covers a great deal of advice on procedures, including a number of forms that will be useful.
This second edition is a good read and provides practical advice, particularly for the new department chairperson.
REVIEWER: Ralph J. Turner, Ph.D., professor emeritus, Marshall University
lph J. Turner, Ph.D., professor emeritus, Marshall University