R Books

I grew up in the 60's and 70's watching "Get Smart" on TV and James Bond movies in theatres. I loved the gadgets and often wondered how many actually existed in the real "spy world." Now that I live in DC and work in biometrics, I'm still fascinated by surveillance technology, but since reading "Spycraft," I don't have to wonder anymore. This book is fascinating -- not just because it details the gadgets, but because it looks at the people, politics and tactics behind the technology used by the CIA in recent decades. Forget James Bond -- the real spy heroes are in this book. I have a new appreciation for spytechs and their role in the intelligence game, and I was surprised how quickly I got through the 500+ pages. Loved the photos! Well done to Bob Wallace and Keith Melton!

From the perspective of a person who is apathetic toward science fiction stories and avoids who-done-it spy books, I am surprised how interested I became in reading SPYCRAFT. Robert Wallace won me over! I hated the acronyms (IHTA) even though the authors graciously defined them in the Glossary. The book is well documented throughout. My only question is: Can we completely believe the authenticity of CIA history through the experiences of people who made their living by deception, obfuscation, and counterfeiting? Oh well, buy the book any way!

This book is for every geek, techie and gadget person out there as well as serious intel bookworms. Find out from the inside how the CIA "Q" teams work. Not only is the story captivating concerning the spy gear, but the people behind the inventions are even more exciting to read about. The story of the American POWs after the Cuban missle crisis underscores the commitment and dedication of all of the CIA volunteers as true American patriots.

A superbly written and exquisitely detailed book, rich in texture illuminating a fascinating recounting of the myriad of ways in which technology has aided case officers to accomplish what practitioners term "impersonal communications" exchanges with their agents (spies.) The multi-hued stories unveiled in this book pull back the curtain to illustrate amazingly creative ways in which gadgetry, both seemingly mundane as well as state of the art operational technology have facilitated the clandestine passage of secrets from spy to case handler.

The authors are among the foremost experts in the field of technology supported tradecraft and thus provide a long overdue "insider's knowledge" optic to seldom witnessed actions playing out behind the scenes in some of the most critically important spy cases since the start of the Cold War. The stories which recount the technical support given to CIA penetrations of the Soviet government and intelligence services like Aldof Tolkachev (alias "TRIGON") and Dimitry Polyakov (alias "Top Hat") are terrific additions to open source literature. In addition, this remarkable book has exceptional photographs of the actual gadgetry used in spy operations and comes with a very useful glossary for those who may not be familiar with espionage lexicon

Highly recommended addition for the bookshelf of any serious minded student of espionage history. "Spycraft" is simply the best book which covers technology support to the art of espionage. A genuine page turner.

Fascinating. The book arrived this morning and I have had a hard time putting it down. This could be a text book on spy craft but it is anything but dull. The gadgets are fascinating and the stories are captivating. You will wonder why it is not "classified". This book is a must for anyone who wants to know more about the technical and human side of espionage.

D LeRoy
Chicago

In Straight, Francis gives us another of his honorable and vulnerable heroes who find themselves in trouble through no fault of their own. True, part of Derek Franklin's problems stems from not getting to know his much older brother, Greville, but the rest of his problems just seem to happen. Being in the wrong place at the wrong time is never in one's favor.

Derek is a successful jockey whose ankle is broken in a fall in a race. Just after he learns that his brother has been killed in a freak accident. Now, Greville was a gemologist who tended to be more than a little paranoid. He loved gadgets and puzzles and lives in a house outfitted like a fortress. Unfortunately, the strength of the house does not prevent Derek from being pummeled and otherwise abused nearly to the point of death. The worst thing is that he doesn't know why. This is a story of many mysteries most of which have nothing to do with one another. True to form, though, the villain once identified, proves to have no compunctions about doing whatever it takes to get what he/she wants and for self protection. Or is that villains?

As the story unfolds, the reader finds out as much about the deceased Greville as Derek, his brother and sole heir. (There are two sisters who live abroad.) It's difficult not to care about both and to feel the regret about not getting to know someone before it's too late.

Straight is a typical Francis novel in that it's a fast read, one cares about the protagonist, and pretty much despises the antagonist. Few surprises when it comes to it, but one of Francis's good ones.

I hve been reading Dick Francis books for at least 15 years. My father introduced me to them. When I go on vacation this summer, some of them will accompany me. "Straight" will be one of them.

Greville and Clarissa had concealed their love affair for three years.

Greville was a middleman, who had traveled the world to search out reliable sources of semiprecious gemstones. The successful London company he founded would have the stones cut in Antwerp, Tel Aviv, New York, or elsewhere, then distribute the gems in quantity to creative designers and producers of fashionable jewelry. Greville also owned racehorses, starting when someone had given him one in settlement of a debt.

Clarissa was the attractive wife of an older British lord, who had pursued her. Greville became Clarissa's first love, as she became his. When he was not on a trip, and she could come to London, they would meet. When apart, which was most days, they had agreed to pause at a set time of day to think of each other, knowing that each was doing the same.

A sudden accident ended all this. Greville had been walking down the High Street next to a construction site, when collapsing scaffolding from high up, struck him, sending him to the hospital, where he never regained consciousness and soon died.

Here are Dick Francis's very first words of the story: "I inherited my brother's life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother's life, and it nearly killed me."

The speaker is Greville's brother Derek, younger by nineteen years. Too tall for flat racing, Derek is a steeplechase jockey, which is especially dangerous because of the jumping. In the story he is, in fact, on crutches recovering from a broken left ankle injured in a race.

Derek's racing world and Greville's business world collide throughout the book. Derek must pick up the complex gemstone business traces, while undergoing continuing pressure from racing owners and trainers to hurry up and heal.

The company employees tell Derek that Greville did not deal in diamonds. In going to the bank, Derek discovers otherwise. The manager tells him that three months earlier the bank had loaned Greville a million and a half U.S. dollars, specifically to expand into diamonds, and would soon be looking to Derek to start repayment.

Where are the diamonds? Stolen? Who are the customers who wanted them? Greville's company business and his house are broken into. Derek is assaulted and shot at. The action is nonstop. The book is a fascinating, literate page-turner.

Note: Probably all of us readers like to notice where a book's title appears in the text, and to see the meaning in context. I frankly lost count after more than a dozen instances, many of them different -- from Intensive Care Unit monitor lines going flat, to straight thinking versus labyrinthine, to honest test reporting versus shadiness, just to name a few. And a big one near the end of the book, which I wouldn't want to reveal here. Your reading will have to decide which of the many applies most strongly. Or perhaps they all do?

This has to be one of my all time favorite Dick Francis novels. It has everything a mystery should have in it - murder, missing jewels, mayhem... In my opinion, it's going to be difficult for Francis to top this one, but I can't wait while he keeps trying!

Straight takes the reader behind the scenes of the jewel trade and it's not an industry that's always on the up and up. Derek Franklin has been on a roller coaster ride of late as his steeplechase jockey career is nearing the end with him sustaining yet another injury. During his forced leave to heal, Derek finds out that his older brother, Greville, has been attacked and is on his deathbed. After his brother succumbs to his injuries, Derek is told that he has inherited his brother's business. Too late to protect himself, Derek realizes that his brother was a target and Derek suspects it has something to do with a fortune in missing diamonds.

This isn't a direct "who dun it" but also has a few subplots that are enjoyable in their own right. When Derek is summoned to his dying brother's hospital bed, the interaction (or lack there of) made me very thankful for the close relationship I have with my brothers and sisters. This thankfulness was reinforced throughout the story, as Derek learns more about his older brother and begins to understand him.

One of my favorite parts of the book is when Derek is sure that a clue is hidden in his brother's computer, but he is unable to access the correct password. Greville's secretary comes to the rescue. After hearing the clues left by Greville, followed by a brief mind struggle, she comes up with the correct code word and up pops a message on the computer screen congratulating her and promising her a raise. Now that's the kind of boss I want - he sounds fun!

The only negative some may have with this book is that it is a detour for Dick Francis. As most of his books revolve around horseracing, his devoted fans have come to expect that background. In Straight the only reference to horseracing is the fact that Derek is an injured jockey.

Want to read a mystery that will have you guessing until the end? If so, then this is the book for you to read next! It's very enjoyable and will have you wondering until the very end.

A reader knows what they are getting with a Dick Francis book. The mystery will be well plotted, the hero (usually a jockey or former jockey) will bravely face whatever trials that face him overcoming his troubled past and/or secret sorrow and the action will center around the some part of the racing world. Every once in awhile though a surprise pops up, this time the jockey is thrust into the totally alien world of gems.

Jockey Derek Franklin has been sidelined by a broken ankle, shortly after his brother Grenville is murdered. As Derek tries to settle the estate he finds himself drawn more and more into his brother's world of finance, gems and quirky little gadgets. Gradually he begins to sort out the mysteries surrounding Grenville's life and death but soon discovers that there are others who are determined to keep him from the answers. In the end, of course all is revealed.

This is a well plotted and clever mystery. The clues are all there for the reader to follow. The characters are well written, and draw the reader into the story.

"The problem we face today needs very little time for its statement. Our lives ... grow too complex and overcrowded ... in frantic fidelity we try to meet at least the necessary minimum of calls upon us. But we're weary and breathless. And we know and regret that our life is slipping away ... in guilty regret we must postpone till next week that deeper life of unshaken composure in the holy Presence, where we sincerely know our true home is, for this week is much too full" (89-90).

Originally published by Quaker author Thomas Kelly in 1941, these words from A Testament of Devotion have never been more applicable than today. We live in a time of unprecedented complexity and confusion. Our high tech culture is obsessed with novelties, gadgets and an endless variety of "time-saving" electronic devices. The world has never known a society with more leisure time on its hands, and yet, we are among the most chronically exhausted, stressed-out people on the planet. There must be a better way!

"For over the margins of life comes a whisper, a faint call, a premonition of richer living which we know we are passing by ... we have hints that there is a way of life vastly richer and deeper than all this hurried existence, a life of unhurried serenity and peace and power. If only we could slip over into that Center!" (92).

Thankfully, the author offers hope for those of us who continue to struggle against the forces that would keep us from "slipping over into that Center" of Divine Love, out of which we are enabled to love others as we have been loved by God. The hope Kelly offers us can be found not only in the words he writes, but in the life he, and others, lived. Citing the examples of prominent Quakers such as George Fox and John Woolman, Kelly highlights those traits that set these spiritual leaders apart as passionately devoted followers of Jesus Christ.

The greatest insight for me, however, came through my reading of the biographical memoir written by Kelly's close friend and colleague, Doug Steere, which is attached to the end of the book. Here we discover that living out of the Divine Center came late in life for this intellectually restless, professionally ambitious, Harvard-trained, Quaker scholar. According to Steere, the pivotal event took place sometime in the autumn of 1937, during which time "a new life direction took place in Thomas Kelly. No one knows exactly what happened, but ... a fissure in him seemed to close, cliffs caved in and filled up a chasm, and what was divided grew together within him" (118). A year later, following a summer visit among Friends in Germany, Kelly himself testified to Steere, "It is wonderful. I have been literally melted down by the love of God" (120).

Could it be that each of us is not so different from Thomas Kelly, not to mention George Fox, John Woolman and every other prominent spiritual leader who has gone before us? Could it be that the quickest way to the Divine Center is to recognize and renounce our tendency to live on the fringe of God's purpose for our lives? Could it be that the only way for the spiritual fissures in our lives to close is by allowing the retaining walls we have built up around our souls to cave in? Could it be that the best antidote for "frantic fidelity" is a "holy meltdown"?

Thomas Kelly's A Testament of Devotion is a nugget of solid gold, carefully refined in the furnace of God's purifying love. As such, it issues a call for each of us to surrender our own lives to this same holy fire, with deep confidence that the One who melts and molds us is utterly trustworthy and has our best interest in mind. In the process, we are relieved from the burden of "frantic fidelity" and we can find rest for our weary souls as we recognize that it is God's work, not ours, that will stand the test of time:

"Thus we have begun to live in guidance. And [we] find He never guides us into an intolerable scramble of panting feverishness ... for after all God is at work in the world. It is not we alone who are at work in the world, frantically finishing a work to be offered to God ... we need not get frantic. He is at the helm. And when our little day is done we lie down quietly in peace, for all is well" (100).

I bought this book (the original 1941 version) for 25 cents at a used book store. When I go through a day and find too many plates spinning with several threatening to fall and crash, this book never fails help me find a calmer place from which to work.

Here's two of my favorite passages:

"Our professional status, our social obligations, our membership in this or that very important organization, put claims upon us. And in frantic fidelity we try to meet at least the necessary minimum of calls upon us. But we're weary and breathless. And we know and regret that our life is slipping away, with our having tasted so little of the peace and joy and serenity we are persuaded it should yeild to a soul of wide caliber. The times for the deeps of the silences of the heart seem so few...

"We haven't been able to say No to them, because they seemed so important. But if we center down, as the old phrase goes, and live in that holy Silence which is dearer than life, and take our life program into the silent places of the heart, with complete openness, ready to do, ready to renounce according to His leading, then many of the things we are doing lose their vitality for us...There is a reevaluation of much that we do or try to do, which is done for us, and we know what to do and what to let alone."


I think that even the non-christian would find the book helpful and offer this quote as evidence of the open beauty of the the book:

"The Inner LIght, the Inward Christ, is no mere doctrine, belonging peculiarly to a small religious fellowship, to be accepted or rejected as a mere belief. It is the living Center of Reference for all Christian souls and Christian groups--yes, and of non-Christian groups as well--who seriously mean to dwell in the secret place of the Most High. He is the center and source of action, not the end-point of thought. He is the locus of commitment, not a problem for debate."

If you've read a few of my reviews, read my book, been to my website, or have seen me as a patient, then you probably know that I consider peace to be an important part of keeping excellent health. I've found this book to be an excellent description of how to find peace.

Charles Runels, MD
Author of "Anytime...for as Long as You Want: Strength, Genius, Libido, & Erection by Integrative Sex Transmutation"

I read this book 25 years ago and find that it gives me a feeling of the Inner Light and grounds me in what the spiritual life is all about. It is deeply Christian and yet can resonate with anyone who feels God as a living reality in all religions or no religion. It also touches upon what the Quakers call "consensus", how to let the guiding of the Spirit lead people into an understanding filled agreement about how to live, to heal, and to forgive. I have read other Quaker books, but it seems everything is here in this book. It uses less words than all the others and says everything.

What a beautiful book!! It you are into contemplative prayer, or have devoted a significant part of your life to meditation on God's purpose and direction, this book summarizes your life. Kelly has an amazing ability to describe the joys of inner peace, sifting the things of the world beyond through the sieve of the world within. Inspirational and delightful - enjoy.

Not many books cause me to want to be quiet and small. Welcome to reading Thomas Kelly's A Testament of Devotion. Simple, profound Kelly invites us to an inner journey into the presence of the holy. Words fail-buy it

The author does a great job of thoroughly explaining our memory, how it works and more interestingly, he gives you over 150 key ideas you can use to improve YOUR memory.

While there is no drug that's proven to improve memory in healthy adults, Klemm's techniques work!

It's ironic that he gives his readers (presumably who perceive themselves to have less-than-stellar memories) so many techniques to learn - I will be hard pressed to remember them all - but how many techniques you remember is not important, as long as you focus on the key techniques that really matter to you.

For small business owners, his techniques will be especially helpful for remembering customers and contact names and faces, details about your business - and for remembering what you read in this fast-paced world we live in.

I highly recommend this book to anyone who wants to improve their memory, look smarter, network more effectively and feel more confident in your ability to remember key information and make a good impression on others.

Bill Klemm has been with us for a while. For about 40 yrs now he has been teaching and publishing books and articles on brain function. And if we've been paying attention we've been adding to our brains capacity throughout this period. But, if you're like me, and have just discovered Bill and his work, your in luck.

Bill's new book has a slightly silly title, but it's no lightweight little piece of fluff. Instead we are treated to a delightfully thorough, behind the scenes analysis, of how we create memories. As you can imagine, being a Ph.D. an all, there are some big words included within. But no to worry, Bill's worked long enough with his students to realize that everyone learns in a specific fashion and he offers several slants on his subject.

While he includes numerous common methods such as pegs, the picturing of related things hanging off a system of pegs, to acrostics, where the first letter of each word serves as a cue, to acronyms, think YMCA, he also offers us a host of other easy methods to increase our memory.

But the real helpful bits are why, how, when, where, and how much we are capable of remembering. And along the way we also learn how sleep can play an important part, how alcohol can be detrimental, and why we no longer need to subscribe to the myth that getting older means getting forgetful.

This is science at it's most fun. We all can't be Ph.D.'s, but with this little book we can astonish the grandkids, one up our college buddies pulling all-nighters, and best of all remember the name of that hunky guy or gorgeous gal we met at that party last week and now run into at the grocery store.

Here's a book on improving your memory by one who knows what he's talking about. Bill Klemm is a professor of neuroscience who, for 40 years, has been publishing research on brain function.

Patt Morrison of the Los Angeles Times wrote: "What a maddening thing a memory can be, dodging away from you when you're trying desperately to snag it, descending around you like a collapsing tent when you most want to forget it." How true.

Bill Klemm comes with help for this "maddening thing." He offers insight on how to remember. He shows the reader how to cooperate with his brain, learning how it works best. He gives advice on how to best study for an exam. He clues us in on the role of sleep and dreaming in forming lasting memories. Are there supplements which can help us? Are there chemicals which hinder?

I've read lots of books about memory. This book, though, isn't like others I've read: it isn't a book of tricks ("How to amaze your friends in ten easy lessons"). This is a book of substance: a review of the science of memory. I've grown from it, and I enjoyed it.

The work of Bill is very relevant for absolutely every age group from
young to old. As I read this book, I realized some of the issues one
has to keep remembering things, places, events, people's names; and the
tools one can utilize to turn the situation around. Because of the
insight Bill provides, this book is a confidence builder; a must read
for those interested in improving their memory, becoming more effective
at what they do and feeling empowered.

Dr. Klemm strikes a chord, again and again, addressing a variety of situations in which we think our memories "fail" us: in school, at work, at a party, around the home, the office. Scientific and lab experiences aside, the book offers a lot of tips for changing the way we learn and recall. / Simple ways to learn social skills like remembering the names of 10 people you just met. Using a skeleton outline instead of taking notes in class. And, for long-term recall, figuring out the answers rather than memorizing them. But Thank You Brain is more than a how-to book. When Klemm points out the short attention spans of today's kids he opens a discussion about the need to change the way our teachers teach their students. "Yes, it's true that learning is hard work," he says. The brain works harder to learn a new thing than it does to maintain a memory or a process. Exercise the brain by learning unique, foreign processes and the brain gets intricately involved in learning the requirements for the new subject, and you keep it active, alert, sharp. Klemm talks about the FOCUSED brain and how difficult it is to divide its attention, for example, when driving and using a cell phone. And how drug abuse hijacks the brain's coping system, takes it out of the loop and removes its power to manage emotions. He says recall is not the same as memory. Recalling someone's name is easier when all the original cues are present, such as when and where you knew that person in the first place. This is a fascinating read and one that gives the reader the knowledge to sharpen his own memory and recall.

All Thimberries quilt books are well written with clear instructions and this one is no exception. I particularly like the variety of projects it contains.

Easy instructions - beautiful pictures - pieced & appliqued blocks - good tips - great value

When I can, I take a book out of the library before I commit my hard-earned money to a quilting book. Some books, after all, are great for read-once inspiration. Other books simply demand that you get your own copy, because it's earned a spot on your shelf.

I've been working with The Thimbleberries Guide for Weekend Quilters for the last couple of weeks, courtesy of the Scottsdale Library, and I'm just finishing up one of the quilt projects. I'm probably going to order my own copy of the book; but the key word is "probably" (as opposed to "definitely, I'm doing it now!"). It has some compelling features... though it's not perfect, either.

Let's start with the good stuff. The 25 projects in this book are mostly full size (double and queen-sized) quilts, though there are several smaller quilts (such as the one I chose, a table runner). Most have an accompanying project, such as pillowcases to go with the quilt, or a fabric-trimmed rug.

Not all of them are gorgeous, but none of them are lame. The designs are primarily using traditional blocks, such as flying geese, though a few projects also incorporate applique. While the quilts aren't labeled for expected skill, they all seemed pretty straightforward to this still-a-beginner.

One thing I *love* about the book -- and which earned it a star all on its own -- is that each project is shown with a color photo and matching quilt diagram, _plus_ another picture showing the same quilt done in different colors. That works wonders, when you're trying to visualize how this quilt will look with the fabrics you already have in your stash.

Each project is laid out in sections, to accomodate the premise of the busy weekend quilter who can grab time in small chunks. That's a strengh of the book, but it also contributes to its weakness. (At least for me; it may work exactly the way you prefer.)

Every project gives a complete list of fabric you'll need (1/2 yard gold print, 5/8 yard red print, etc.); that's standard. However, most quilt books have you cut all the fabric in one fell swoop, so you can get done with that task and put away the rotary cutter. Instead, this book treats each part of the project (cutting the blocks, making the border, etc.) as a separate project. You cut out the fabric for the blocks, then piece them. THEN you cut out the fabric for the quilt center, and piece that. Then you cut for the border, etc.

If you're really working on the weekend-quilter schedule -- just a little bit at a time -- maybe this works for you. In my case, I found it irritating. I had to leave my entire setup spread up (on the dining room table, as it happens) over the course of most of a week, as I wanted to get this silly little table runner done (in addition to working 60 hours a week). I'd rather have done ALL the cutting, then tackled the piecing. Which, of course, I could certainly have done, if I had realized the non-standard way the book presents the project. Instead, I kept being surprised that I had to cut stuff AGAIN! If you know this ahead of time, it may be less annoying; you'll expect it.

Overall, however, this is a very good book. The author is cognizant that you have limited time, and has designed a book full of attractive, do-able quilts that you can be proud of.

If you love Thimbleberries, you'll find this book to be an essential component in your quilting library. Although several of the patterns are of the traditional design we all love about Thimbleberries, Lynette explores diverse ways to make these quilts uniquely yours.

This book is full of fast and easy and well as advanced projects which are all absolutely beautiful. I highly recommend this book to beginning quilters as well as advanced.

I became addicted to Haim Potok's writing. Once I finish one of his books, I can't help it - I buy a new one. Amazing story-teller!

This is a beautiful story; it is my very favourite book. I love it with all my heart.

I too have read the more well known books of Potok. I picked up this one at a used book sale. This book is somewhat different from the others in that it it goes deeply into one characte's thoughts and emotions. One could label the book slow, but I didn't find it that way. I found the story of David Lurie's mother to be by far the most painful to read. As a reader, we are given only bits and pieces of this woman's very broken heart. Perhaps it's a sign of a wonderful writer that every character in this book seemed to warrant a book of his or her own.

I've never encountered a novel structured exactly like this one. The details given in the first 4/5ths of its length led a reader to believe In The Beginning was a story about a brilliant young Jewish boy and his family, their life in America, where the boy and his brother where born to recent Polish emigrants, and of the determined struggle this family undertakes, not only to establish their lives in the United States, but to honorably aid numerous Jewish families who wish to leave Poland and settle in New York. As the story of this family, the novel served a detailed, well-written tale that gave terrific insights into the psyche and values of east-European Jews in the early twentieth-century. The family thrives in the US in the prosperous 1920's, though the pre-school-age David is sadistically bullied by anti-Semitic local boys, and he lives to piece together the whispered secrets of his father's conduct as a one-time militant activist among Jews in the "old country." We follow this family into the Great Depression, when its fortunes declined, into World War Two, where its newly-discovered prosperity is scant comfort as its members learn of the Nazis' cruelty to family and acquaintances they left behind in Europe.

However, like a magician dealing out a slight of hand trick, Chaim Potok revealed the true story only at the very end of In The Beginning---and all else that came before this point was merely establishing the stage for the final act and a statement he wished to make on the subject of faith, reason, and evidence. The central character, David Lurie, due to his intellectual brilliance the shining star of his local school, stuns his family, friends, and classmates, by laying aside his Orthodox upbringing and upon college graduation becoming a secular Biblical scholar. Lurie announces his newfound conviction that the Torah was not given by G-d to Moses on Sinai, but was authored by numerous Jews across an indefinite time period, long after Moses' death. To Lurie's parents this is an act of unmitigated treason to all that is holy and life-sustaining in their world. That their much-loved eldest son, their pride and great hope, should plan to write skeptical books on this topic, and thereby "sin by making others sin" is crushing to them one and all. And only at the extreme conclusion of this 430 page novel is this revealed when beforehand a straightforward plot about Jews reacting to a changing world was what we had been lulled into expecting. The earlier tale of David's health struggles, his father's rise and fall, the immigration movement, and even at the end the horrors of Nazi Germany, all of that I found was Potok's subterfuge to sneak in an ending so different from what the deliberately-paced novel seemed to prepare us for that this work almost deserves to be spoken of as having some sort of twist at its shocking ending.

As always, Potok wrote well here and his characters and the setting were magnificently accomplished, but I was left feeling I had read two different books, one a family tale, the other a dissertation on modern Talmudic scholarship. I also strongly felt that the characters at the end, while bearing the same names they had 300 pages earlier, were not exactly the same ones I had been reading about as they advanced thru twenty harsh years in their lives. I also have read that this book is slightly autobiographical, so that deserves to be pointed out. This is a good book but it is slow-moving and spends much of its time inside David's head and the pseudo fantasy world which he inhabits, so be prepared for that. I also wish Potok had written a sequel, as he did with The Chosen. I ended up saying, "Yes, and what happens next?" Sadly, we'll never know...

Never before have I ever read something so influential, so vividly drawn before me. I am a huge fan of Potok, and after reading Asher, Promise, Chosen, and Davita, this obscure novel that barely comes up in Borders search is my favorite. It is a shame to see it is widely ignored.

Potok is a genious, and one can understand this brilliant man in this book. He is able to create a person, a character, that seems life like. You want to jump in the book to hug him, to stop him, or to help him. It is an impossible book to put down, and by far the best book I have ever read. He is the best author I have ever read.

I recommend this book to everyone. Everyone could use a little of Danny in their lives.

In Durrenmatt's *The Visit* a hideous--and hideously wealthy--old woman returns to the town of her long-ago youth to avenge a past wrong. Unaware of her intentions, everyone in Guellen is excited at the news of her imminent arrival, but none more so than the old lady's old flame--the shabby shopkeeper Alfred Ill who volunteers to be her personal guide during the visit. Expecting that her return, and Alfred's solicitous attention, will mean a revival of the town's fortunes after years of hard times, the inhabitants of Guellen are nonetheless staggered by the generosity of Claire Zachanassian's offer. But their joy turns to dismay when they discover the one condition the old woman has placed on making them all wealthy beyond their wildest dreams. The good folk of Guellen must deliver up one of their own for sacrifice: her old lover, Alfred Ill.

Will the townsfolk murder Alfred for the money--and the "good" of Guellen--or not? Durrenmatt not only sustains the suspense of this situation throughout most of this rather lengthy three-act play, but, even more surprising, he renders it chillingly plausible. One is reminded of Shirley Jackson's classic story *The Lottery*--a similar atmosphere of claustrophobic, predestined dread prevails in *The Visit,* a sense that there is no escape from the judgment of the community of which one is a member. Indeed, it seems if one is properly socialized one internalizes that judgment and delivers oneself up accordingly for there is no life outside of the community. Such a "voluntary" death becomes a sacrifice and one lives on in the benefit bestowed upon the community. So does society sustain itself by eating its own.

What the old lady wants is justice for a wrong done to her in Guellen long ago. But that desire for justice--and the hurt that goes with it--has hardened over time into an implacable thirst for vengeance that nothing but blood will satisfy. Even within the play, as well as in Durenmatt's postscript, Claire Z. is likened to Medea and it's an apt comparison. Claire is older, wealthier, a confidante of princes and presidents, a serial bride, full of wit and dry humor, and her anger is considerably colder than that of the legendary scorned madwoman of classical literature--colder and thus more lethal.

Aside from Claire Z, who has hardened beyond humanity altogether, *The Visit* is primarily a tale about human weakness--about the temptation for the pleasures of this world and the rationalizations we devise to grab them when the opportunity presents itself. For behind the high-sounding principles and moral outrage of the good people of Guellen is the drive to self-aggrandizement that motivates all of us. Or, as *The Visit* memorably points out--all of us but the rare individual who acknowledges the guilt we all share and prefer to locate solely in our neighbors, the rare individual who, when it's time to point out the source of evil in the world, has the astounding courage to point at himself.

This is as close as you will come to a true depiction of the Swiss. It may be a generalisation but isn't that how generalisations are generally derived? Anyway, the author is Swiss who is supposedly not very popular among the Swiss possibly because it is too close to home/truth.

This book, although somewhat disturbing, is a good read for anyone who desires a look at how humans continually put material objects before their own fellow human beings. Layered in "sick" comedy, The Visit brings the ultimate desire for retribution to life, as well as depicting how even normal people can become vicious with revenge, even when they are not the victim. Furthermore, this book depicts how one person can change the lives of other's lives drastically, because of power and money. When read in the context of seeking the reality of life, the desire for riches, the greed of the desperate, and the need to be "someone" and be defined by worldy possessions, this book truly gives insight, with a bizarre but intriguing tale.

"The Visit" is a play I've never seen, only read. I read it first in high school, leaving me with goosebumps then. It still has that power, now. I can think of no other tale that expresses the power of bitter revenge better than this one. I remember reading somewhere that this was done originally on stage here by Lunt and Fontaine--wouldn't that have been something to see!

I wonder, though, why the 1964 movie starring Anthony Quinn and Ingrid Bergman is never mentioned, and has never been released on video or DVD? I saw it 30 years ago and found it chilling in its own way, though not matching exactly the play.

Like Bertholt Brecht, Friedrich Duerrenmatt (1921-1990) was a proponet of "epic theatre," a style of drama in which the audience is not so much asked to identify with the characters and story but to contemplate them in an detached manner and thereby arrive a certain intellectual and moral conclusions. Although he was the author of several notable dramas, he is not well known outside his native Switzerland and German-speaking Europe--with one exception: Der Besuch der alten Dame, known in English as THE VISIT.

First staged in 1956, it became internationally famous in the late 1950s in a production staged by Peter Brook starring Afred Lunt and Lynn Fontanne, which had a successful Broadway run and which toured extensively; it was also filmed, with considerably less success, in 1964 by director Bernhard Wicki and starring Ingrid Bergman and Anthony Quinn. Maurice Valency performed the translation for the Lunt-Fontanne stage version, and for many years his extremely free adaptation was the only English-language version in print. The Patrick Bowles version offered here, however, is much more accurate in translation--and therefore considerably darker in tone.

The story concerns a tiny town which has fallen on very hard times, but which has hopes in the form of a visit from the incredibly wealthy Claire Zachanassian, a woman who was born and raised in the town and who has now decided to make a return visit. Although a distinctly grotesque figure, Claire has a reputation for generosity, and upon her arrival she does indeed announce her intention to endow her hometown with riches beyond imagination. There is, however, one catch: in return, she demands the death of Anton Schill, the lover who wronged her many years ago. The community is outraged and refuses to comply... at least at first. As the play progresses, however, the citizens (including Schill's own family) begin to dream of what they could do with all that money. Is Claire's demand really so unreasonable after all?

Duerrenmatt insisted that his play was a comedy, and it is indeed quite funny, albeit in a distinctly grotesque sort of way. At the same time, however, it is quite obviously a parable on the natures of revenge and greed. Indeed, Claire's revenge is not so much on Schill as it is upon the town itself, as she forces them to faulter through greed by presenting them with a choice between morality and immorality. Although extremely witty, THE VISIT may also be described as deeply cynical, and more than one critic has flatly described it as evil, despicable, and profoundly unsavory. Whatever the case, it is a truly remarkable play, quite unlike the usual fare you'll find haunting either Broadway or the local community theatre. It has also been extremely influential over the years, with perhaps the most obvious example being Arthur Kopit's OH DAD, POOR DAD, MAMA'S HUNG YOU IN THE CLOSET AND I'M FEELING SO SAD. Strongly recommended for fans of far-out theatre.

GFT, Amazon Reviewer

This is the most amazing book ever!!! So simply stated, but with profound meaning and life application. I love this book and give it to friends for graduation presents.

This is a simple book with a simple message -- good for use with church groups, teens, CD, and seekers in general.

I love how the illustrations are so simple and the narration is too. The author gives a difficult question in a simple way with a solution, but leaves you reflecting on how you will relate.

This book is full of great, funny commentary and cartoon illustrations of how God is always there for us. A great little book that really speaks to kids (though older people could get a good lesson out of it too) and it's the first thing I read to my class at the beginning of each school year. My own kids (5 and 4) read it over and over again, laughing at the pictures as they go.

One of the best books ever! Written as a if it were a children's picture book, it speaks volumes to adults. The simple message and delightful illustrations are powerful testimony both to human nature and God's love.

I recommend it to anyone who is looking for a bit of insight into the original wording of the scriptures. I'd prefer an Aramaic interlinear, but this one is a good buy until that comes along.

Print is a little small but crisp and clear, binding is good.

If you really want to understand the New Testament you need an easy way to find the original Greek word behind the words you read in English and then, a list of quotations in English of all the contexts in the New Testament where that particular Greek word is employed. That is exactly what this book efficiently does. This is probably the most valuable "next book" beyond the New Testament itself.

Eric Campbell recommended and I agree.

Another great interlinear is Comfort's, that one is much more handy (small & compact) -- a nice little hard cover, great for quick reference.

With McReynold's you get the most bang for your buck, but with comfort you get a more readable/understandable translation in a much more compact size.

I would suggest getting both McReynold's and Comfort's......they work well together, and both choose many differnt words when translating the greek (it's nice to see the difference)

Both really great resources for learning the NT Greek. I would also recommend Mounce's "Basics of Biblical Greek Grammar" and the workbook.

This book has really helped me in my bible studies to get the most accurate translation, from the original spoken language of the bible to english. Example, Baptism is a translation of the true meaning immerse.

This interlinear is good in that each Greek word has a Strong's # above it, to easily find the word in a Greek dictionary that uses Strong's numbering system. However, if you are serious about delving into the Greek, it seems that you would eventually want to at least learn the Greek alphabet, in which case you would not need these numbers to look up Greek word definitions. Also, the type is easy to read. Also, the book contains a Greek concordance at the back, to quickly see where a particular Greek word is located in the NT.

First, let me preface this review by stating that I am an extreme novice, in the serious study of the scriptures, so don't regard my opion too highly.

I do not trust any one completely, when it comes to the matter of my own salvation, which is very much dependent on my understanding of scripture. I have what I regard as a healthy contempt for doctors of divinity, and conferred degrees; all people are subject to common human frailty, and are thus subject to being deceived, no matter what seminary they attend, whatever academic degrees they have obtained, and however sincere they may be. Once a concept is accepted as true, it generally is highly resistant to being rejected, even after the light of truth has revealed it to be error. What I am trying to say, is that generally, children in a Baptist Sunday School class, generally grow up to become Baptist theologians, and Lutheran children likewise usually grow up to become Lutheran theologians, and so on. I know that all theologians have their own particular set of presuppositions and biases, and these biases necessarily affect their interpretation of scripture, even though they may strive valiantly to resist all subjectivity, when called upon to perform the holy, sacred, and even frightening work of translating the scriptures.

McReynold's has chosen a scheme of scripture translation, which only renders a single English word, for each Greek word. That is, he has not sought to enter into speculation regarding which shade of meaning a Greek word has, depending on the context of the passage, nor I suppose, it's grammatical placement (where the word is placed in the sentence), as well as other factors that I am not seeing, due to my great ignorance. This may seem like a severe drawback, and to some extent it probably is. However, consider that it has the advantage of being relatively free from the theological presuppositions and biases of a translator, who sincerely tries to help along the scripture, to say what he believes it is trying to say, and you will then see that McReynold's translation is inherently more trustworthy in this respect. To my knowledge, no other interlinear, nor Bible version, is translated this way.

Being that I am so easily deceived, because I have virtually no background in Greek, I find this interlinear to be a preventive bulwark against the subtleties of man. Better yet--if I understood biblical Greek fluently, I could generally dispense with using interlinears; but for now, they are a necessary help, to bridge me over to the original writings, to some degree at least.

An absolutely engaging, creepy and satisfying read. Wonderfully crafted with complex and interesting characters, I couldn't put it down. A real treat and a surprise, Kinder has a deft hand and a subtlety that makes this a great book and not campy genre crap.

This book was a complete surprise, a small town very likeble professor has a hidden past and also a hidden agenda. He once in a while is a murderer. He is a serial killer one who nobody around notices anything wrong.
What I think is most disturbing in this novel is the calmness with which everything happens. It has left me haunted thinking that anyone among us can be this man.
I wish I would find more books like this one.

A pretty interesting book. Well written and enjoyable to read. The subtle tasteful descriptions of violence seem to make Blume's murders more depraved rather then the raw in your face violent acts we often read about and are somewhat desensitiezed too. I could sense a little of Thomas Harris's Hannibal in Arthur too. This was a worthy read and I recommend it to any fan of the genre.

Arthur Blume is the English professor we've all wondered about. Quiet but not withdrawn, neat, conscientious, and slightly published. But alone, so very alone. Does he have a secret life?

In R.M. Kinder's debut novel, the secret life of Arthur Blume goes far beyond anything (hopefully) your creative writing teacher ever led. He's a serial killer, one with a career as a failed novelist and a penchant for sleeping with his students, fellow teachers, and the odd victim. In everything, though, he is an absolute gentleman as described in the title.

The strength of the book is the way the author weaves reality into the insanity that's bubbling beneath the surface of her narrator's mind. Going back and forth in time between his experiences with his really sick mother to his present-day affair with a fellow professor with secrets of her own, Kinder takes you into the surprisingly under-wrought consciousness of a serial killer.

The book builds to a satisfying climax, with ever-mounting tension and just enough clues to let the small town cop catch the bad guy.

Last night I was up until 2:30am on a worknight reading this exceptional novel. It's one hell of a story, mega-creepy and the writing is exquisite and perfectly formed. A rare, startling book. You'll be recommending it to your friends if not pushing it into their hands.

It's a novel for book lovers in many ways: set on a mid-western campus; the protagonist is a creative-writing professor; the heroine is a literature professor. A novel for literature lovers; for those who appreciate an academic setting; for those who want to unravel a mystery; for all those who want to read a good book. Here you are!

There are so many quotable lines but this one, maybe, is my favorite: "The natural world is no place for any creature, but there's no place else to go."

Be good to your readerly heart -- read this novel just as soon as you can.