Phillips Books
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What a Lark(in)!Review Date: 2002-06-13
Great War ReadingReview Date: 2001-11-04
Larkin wrote this book in his early twenties, when the war was still very much in progress, and its outcome uncertain. That is only one of the reason I'd recommend it over the many romanticized WW II stories written afterwards, especially in the last decade, when revisionist history takes over, and we sketch characters of the forties as if they had the insights of the nineties.
Here you get the real thing. The war is a presence in the gritty little details of life -- the privations, the routine of putting up the blackout in defense of bombing raids. Towards the end of the book, the hero returns to his northern town to find it devastated.
I found Jill, and Larkin's second and final novel, A Girl in Winter, also set during war-time, bracing, even comforting reading during the first months of the current war. We see that, despite being shadowed by larger events, the inner workings of personality -- love, identity, pride -- carry on, in spite of all.
I wish Larkin had written more novels, or more novelists could write like him.

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great learning adventureReview Date: 2008-07-04
and exciting adventure. we adults enjoyed it as much as the kids.
i highly recommend it.
Jonathan ParkReview Date: 2007-03-18


I loved this book!!!Review Date: 2006-02-19
An Editor's CommentsReview Date: 2004-02-21

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Teachers and Homeschool Parents, Take Note!!!Review Date: 2001-07-15
The thing I like best about this book is that it gets across the fact that music is for everyone, not just the rich and talented. EVERYONE will find something they can do in this book.
I wish every child from a low income family had access to this book.
This book covers an extremely wide spectrum of music. It changed how I viewed the word "music".
This book is on my top ten list of books for children. I can't recommend it enough.
Make and Strike Up the band!Review Date: 2001-04-24

Here is what novelist Trish St. John has to say about "Kingdom of the Hollow"Review Date: 2006-04-05
I feel Kingdom of the Hollow presents an historically accurate portrayal of the feud between the Hatfield's and the McCoy's and at the same time is " a really good yarn" that anyone who enjoys historical fiction would find compelling. I give this book and its writer 6 stars!" Trish St. John (Reprinted from www.lulu.com)
Feuding like the Hatfields and McCoys...Review Date: 2006-04-29
Most people have heard of the famous feuding families the Hatfields and McCoys. But how many of us know what actually transpired between the two? "Kingdom of the Hollow" is a work of historical fiction that retells this legendary American story. In 1878, Floyd Hatfield and Randolph McCoy are neighbors in rural Kentucky. Randolph accuses Floyd of stealing one of his hogs. This accusation starts a chain reaction of fighting between the two families that lasts over a decade and results in over a dozen deaths.
Author Phillip Hardy provides the historical events of this feud in a straight-forward and chronological manner. At the same time, we get to know the many members of the two families and how they live. The descriptions of Kentucky and West Virginia remind us of the remote cabin life of these mountain men and women and how important family can be in such a lifestyle.
Hardy writes:
"The Tug River region of the Appalachian Mountains was sparsely inhabited by a durable group of men and women. Their families lived for generations sometimes suffering the wrath of nature or the hardships of the difficult terrain. Yet it was a territory of lush green hills covered with endless thickets and narrow, almost hidden valleys."
Even though the circumstances Hardy writes about happened in the late 1800s backwoods of Kentucky, it is still relevant today. We can learn a lot from these two families about the price that is paid for letting anger and revenge take over in a situation. Violence begets violence in an endless stream of killings. Yet each time, the killer feels confident that he is taking the necessary steps to avenge his family. As the Hatfield's set off on an attack of the McCoys, Hardy writes, "By their reckoning, this final raid seemed the only way to abate the violence..." Yet they were wrong. The end was not near.
Before reading "Kingdom of the Hollow," when I heard the phrase "feuding like the Hatfields and McCoys", I pictured neighbors bickering over silly things and letting that anger pass down among generations with the original reasoning forgotten, but not forgiven. After reading the book, I will not throw this phrase around so lightly. The Hatfield-McCoy feud is less like a fight between neighbors and more like a gang war. Anyone interested in American cultural history will enjoy this book. It is also a good read for any fiction lover who enjoys a good gun-slinging western, a crime novel with courtroom drama, or a Romeo and Juliet-style romance.

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An important gift for each person you love dearly.Review Date: 2006-02-23
Amazing book about the love of our Father.Review Date: 2003-07-20

Official Manual of the CHDCAReview Date: 2003-11-08
excellent tool for any business.Review Date: 2003-01-02

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Lessons From a SheepdogReview Date: 2004-07-05
OutstandingReview Date: 2001-03-22

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Collectible price: $14.95

Beautiful and RomanticReview Date: 2003-09-10
THE LAST OF THE ROMANTICSReview Date: 2002-02-23
AUTHOR KEN ROY
""LOOKING FOR MOZART""

Significant and Entertaining Historical WorkReview Date: 2002-11-19
Reid methodically debunks one of the most commonly misunderstood aspects of mid nineteenth century life on the Overland trail. His exhaustive use of primary sources and his meticulous notes must brand this book as the definitive work on the subject of property and social behavior on the overland trail from a legal perspective. The weight of evidence regarding the relative lawfulness of the travelers is such that, as presented, nearly half way through the reader is inexorably swayed to its veracity. Reid presents not a modicum or even generous amount of proof, but a crush of evidence. The fact that he was only able to locate three specific journal entries of lawlessness regarding property, while it does not suggest there was not more, is significantly persuasive. The fact that he is able to logically illustrate that these cases of lawlessness may be shown as examples of how legal theory and values were imbued within the lawbreakers, is doubly clever.
Although not a scintillating read, Reid displays a certain deftness for keeping the readers attention through what could have been far drier material in the hands of one not so gifted with the pen. His assemblage of innumerable primary sources is a praiseworthy accomplishment. Quotes from primary sources are woven consistently and seemingly effortlessly throughout the text, creating a patchwork of storytelling by case study.
This is not to say, however, that this is an entertaining read for laity or even the armchair historian. Reid occasionally slips into legalese that may momentarily obfuscate the read for even the professional historian, but a standard or legal dictionary remedies this. Also, Reid believes the average American on the trail possessed a greater knowledge of the law then than previously thought. Although this may be the case, some of what Reid chalks up to proof of extensive legal knowledge seems no more than ordinary common sense on behalf of the traveler. In a broader sense, to be fair, Reid does not delve deeply into criminality other than in regard to property. But, conventional wisdom suggests that the two are closely linked and thus, Reid obliquely strengthens his argument by this subtle correlation. These few minor criticisms notwithstanding, as a work of legal historical scholarship, Law for the Elephant is nearly flawless and is a significant contribution to the historiography of the overland trail.
A Must for Students of American Legal History.Review Date: 1999-02-26
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'Jill' began life as a cross between a girls' school novel pastiche and mild pornography called 'Trouble at Willow Gables', an origin that manifests itself throughout the finished work, bubbling salaciously beneath the surface of John Kemp's escapist scribblings. John, of course, is a typically Larkin-esque protagonist - socially awkward, an outsider, and, like his creator, constantly struggling with the remains of a stammer. The portrait is, as only Larkin could draw it, at once affectionately tongue-in-cheek and unremittingly brutal (John's intrusion on the tea-party early on is to die for). What may alarm Larkin's readers (having recovered from the shock delivered by the life and letters) is the deep-rooted distrust of the imaginative faculties emerging in 'Jill'.
We watch with horror as John begins to invent a younger sister for himself with a paranoia approaching downright madness. His creation is born from malice and a sense of exclusion, exacerbated by humiliation upon humiliation heaped upon his shoulders and, having its inception in unhealthy emotion, his fantasy sends him spiralling deeper into a delusion culminating in his drunken violation of the girl on to whom he has transferred his invented sibling.
'Jill' is a novel of both tremendous wit and cruelty. The Larkin of the poems is clearly visible here, brooding on deception and deprivation, gently self-deprecating. 'Jill' is an essential read for admirers of Larkin, providing an important insight into his life and thought, as well as a glimpse of an angry, ambitious young man before the weariness set in.