Peter Books

While in graduate school in Australia I happened in a pub (which is not extraordinary in itself) and got to talking with the bar-tender. It turns out that he was a student at the Univ. of Queensland too and was getting his MA in German. I told him how much I enjoyed Nietzche, who was the focus of his thesis, and eventually we got around to Eckermann's Coversations. I told him it was one of the best books that I had ever read: so quaint and yet probing. The reader sits in the drawing room and hears the most extrodinary discussions. In this way it reminds me of Sherlock Holmes and Watson. It is so civilized that it is almost nostalgic--but far too potent for that due to the genuis involved (Eckermann's mind ain't to shabby either). The newly made friend expressed amazement that an English major happened on this book; he said that I had been the only person outside the German dept that he had met that had ever read the book, or even heard of it (and this in a much more literate country than here). This is truely a shame we agreed. Ease-drop on a better time when scholars were gentleman, and in search of the truth not some PC BS, and were enamored with ideas. Goethe's Maxims is also highly recommended--as Faust and his other better known works. A Western classic, like the subject.

Here Goethe shares his opinions on drama, poetry, music, painting, philosophy, and prominent figures of the day.

What makes this book so much better than a mere interview is that instead of getting a load of useless answers in response to imbecilic questions, we get impromptu pearls of wisdom, straight from the master, interspersed among stretches of his daily life.

Eckermann is a master biographer here, because he's close enough to the subject to elicit candor, but not so close that he is oblivious to the subject's flaws. Furthermore, he was adept enough to get the old man to speak at length with almost no questioning at all!

I won't say any more, because words just can't do it justice.

I love Goethe's creative works and his scientific theories, but most of all I love this book. I travel with it, look in it for advice and conversation. As an artist Goethe was incomparable; as a scientist he was curious, alive, observant, questioning -- but as a man who lived a life with a conscious intention to make his life a work of his own mind and heart he is the master and that master is found in the pages of this book. When I need a wise friend, I turn here and find, beside the wisdom, a silly person who thought spectacles were an affectation, an attempt on the part of someone to be something he was not. . .

For those who do not know anything about Goethe at all, 'Conversations' may not be a good place to start - but for those who are a little familiar with Goethe, 'Conversations of Goethe' makes for fascinating reading.

Very rarely do we have the life of a genius so well and closely documented. This book is not a record of formal interviews; it is a record by Eckermann, Goethe's good friend, who took the trouble to write down the great man's words almost every day, it seems. The book reads like a diary of Eckermann's, filled with Goethe - there is one entry for almost every day for a few weeks, then a break, and so on.

Eckermann seems to have written down almost everything he remembered from his conversations - and some of what Goethe said here may be edifyong, some not so much; but all of it is significant for one trying to get an insight into Goethe's mind - how it worked, how he thought, how he did things - right from the grand projects down to the simple pleasures.

One comes away from this book with an "insiders glimpse" of the Goethe's mind and world - and that really helps when reading his works.

The idea of Goethe as the complete, the perfect man, the universal genius - sticks with the reader years after reading this book. We live in an age when the really good things do not matter; Goethe reminds us of all the things that can, and do matter - and those things that can refresh, change, and enliven.

Nietzsche called this "the greatest book in German there is".

J.P. Eckermann meets J.W. von Goethe, while the Great Poet is in his 70's thought still spry in mind and producing some of the world's greatest poems (West-Eastern Divan) and, of course, Part II of Faust. Eckermann is to Goethe as Boswell was to Dr. Johnson. He chronicles his conversations with the German sage, who in these wondrous pages, reveals his mind-blowing, jaw-dropping multi-disciplinary genius...the likes of which has not been known since his death...and the lack of which may be leading us all to ruin.

It is a delightful book, which unfortunately due to our provincial focus on all things in English, has very limited popular appeal. Nevertheless, I encourage any with an interest in a grander time when men discussed, without ridicule art, architecture, drama, and les belles lettres, to read Eckermann's conversations with Goethe. After learning from Eckermann about this great man, you may consider the motto, that I often invoke...What Would Goethe Do?

Yes, Bowen is a racounteur, saving the history of the Metis, sharing passion for the land, and telling a taut mystery. Then is the account of one of his daughter's thirteen little children taking down the imported FBI man -- then proposing to him. But also the confrontation of ecologists and those at peace with the land with which they try to earn a living. Du Pre says, "The wrong ones get killed."

Read the series for all the above reasons.

The Montana mysterys are going to keep you guesing all through
the books. Cruzatte and Maria is probly the most fun to read.
When you read one of Peter Bowens books you will be hooked!
I just wish they were all on audio!

Du Pre's daughter Maria comes home from school with her boyfriend Ben who is the assistant director on the movie being made on Lewis & Clark. Maria asks Du Pre to be the historical consultant on the set and Du Pre reluctantly agrees. Harvey Weasel Fat asks Du Pre to check into the disappearances of several people at the White Cliffs area of the Missouri River. These two tasks come together and make for murder.

The local residents don't like newcomers and somebody is making sure that strangers don't stay. Two environmental journalists are found in the river and it doesn't look like it was an accident. Du Pre must find out who is doing the killing before anybody else gets hurt.

Peter Bowen does an excellent job bringing out the local customs and mannerisms of the Metis people. Du Pre is an offbeat but thoroughly engaging sleuth. Makes you maybe want visit for a while.

"Cruzatte and Maria" is basically a replay of Bowen's earlier "Wolf, No Wolf," where the noble ranchers are pitted against the eco-ninnies, and in this book, the Yuppies who putter up and down the far reaches of the Missouri in their canoes and stinkboats. The local residents defend their rural stretch of the Missouri against all intruders, and shoot a couple of guys who were actually writing a pro-rancher, anti-ecoNazi book. This is where Harvey Weasel Fat Wallace, the Blackfeet FBI guy calls on Du Pré to find the murderer.

Another FBI guy, Ripper sums up the plot:

"These people out here have had it, basically, with the twentieth century, and who can blame them? But potting passing canoe paddlers is, and I must make this perfectly clear, like the late Tricky Dick, not going to be the protest of choice. It's illegal. It's also wrong."

Everyone leans on Du Pré in this book, including his daughter Maria. She persuades him to help a group of filmmakers (her boyfriend is the assistant director) who are shooting a documentary about the Lewis and Clark expedition. As it happens, Maria and her father are Métis descendants of the fiddler, Cruzatte who was a member of that famous 1805 expedition.

Even Du Pré's long-term mistress Madeleine gets into the act, and tricks her man into trying on glasses:

"`Du Pré,' said Madelaine, `I think you maybe got eyes like a hawk, see things far away, up close you got eyes like a pocket gopher.'

"Du Pré grunted.

"`Put a bead on that ...needle,' said Madelaine.

"Du Pré picked up a bead, poked the needle at it, and missed.

"...'Okay, Du Pré,' said Madelaine. `You try these on, yes.'"

Madelaine whips out a bag of dime-store reading glasses and Du Pré is made to realize that he hasn't seen her face or her beadwork in years. The dialogue in this book is up to Bowen's best standards, and I love these scenes between long-time friends. The author telegraphs just enough information to give us readers a warm, fuzzy sense of involvement.

The scenes I don't like usually take place in a bar, where the ranchers gather to literally and metaphorically bash guitar-playing, expensively-attired Yuppies, eco-Nazis, and film-makers. Too much drinking. Too much smoking. Too much high cholesterol. Too much violence. Bad for sensitive Yuppie stomachs like mine. Don't read this book if you have the flu.

Otherwise, read it. "Cruzatte and Maria" is the latest in Bowen's excellent, tough-love series of not-so-hard-to-figure-out mysteries.

Peter Bowen has been writing his tales of Gabriel Du Pre, a Metis Indian, master fiddler, detective and righter-of-wrongs extraordinaire for some time now. Du Pre, his mate, Madelaine and his many dear friends in Toussaint, Montana have acquired a loyal following during that time. Bowen's new book, "Cruzatte and Maria" is his finest yet, and will greatly please all readers, new and old.

When Du Pre's old friend in the FBI, Harvey Wallace, asks him to look into a series of disappearances in the White Cliffs area of the Missouri River Gabriel is troubled and refuses to become involved. Residents of that area, mostly ranchers, have been under continuous attack by environmentalists and encroachment by yuppie wilderness seekers. Du Pre understands the ranchers' struggle and senses an underlying, irresolvable tragedy.

Unfortunately, Du Pre's is unable to maintain his distance. His daughter Maria has returned to Toussaint with her boyfriend to help with the making of a television special on the Lewis and Clark voyage. Maria is descended on both sides from the four Metis Indians that accompanied the adventurers and Gabriel is dragged into the production as a consultant and advisor. Naturally, the movie is to be filmed on the banks of the Missouri, in the same location as the disappearances. Gabriel smells a set up, but concedes gracefully (actually he curses a lot) and undertakes both missions. As the story progresses Du Pre's worst fears and greatest hopes are realized. Metis life and history, politics, Hollywood and the rancher's struggle for recognition and independence mix together in a heady, sometimes disquieting, stew.

Bowen is an absolute wizard with characters. Not only Du Pre, but many other characters come brilliantly to life, even in the short space of this novel. Bart, Du Pre's billionaire friend and Benetsee, the mad/wise holy man who drives Du Pre crazy with riddles stand out. A new and special character is Pallas, one of Du Pre's eleven grandchildren. She will totally charm the reader with her seven-going-on-thirty attitude and her sharp, accurate tongue. The ranchers, members of the movie company and countless bit players are all unforgettably painted.

Perhaps the best thing about Bowen's writing is his insight into the Metis Indians. They are a tribe mostly forgotten to American and Canadian history, who played a great part in the fur trade in Canada and Montana. As a multi-tribal mixture of indigenous, French and Scottish blood they have had great difficulty gaining recognition as an independent culture. The are strong folk, with a rich musical tradition and an indomitable spirit. Bowen's Metis are people of great character, wry, fun loving, and deeply respectful of their people, their friends and the land they live on. Bowen captures their language and dry sarcastic wit perfectly. The reader will leave "Cruzatte and Maria" delighted to have spent time with these remarkable people.

Thanks for the quick shipping! The book is in perfect condition as described.

A great read filled with colorful illustrations & all the usual excitement you'd expect to find in a troll adventure. Of course, there is also a beautiful princess to be rescued. I don't know why Amazon lists the reading level as "baby, pre-school"!!! No baby or pre-schooler would sit through the first page. Maybe the illustrations would interest that group, but the amount of reading is far too lengthy. As a "read alone" book, I would say it is best suited for grades 3 and up.

My grandsons loved this book. The illustrations are beautiful and the tales are quaint. We will be certain to treasure this book for years.

As someone who is trying to cultivate a love of literature AND a lengthy attention span in my homeschooled children, I *did* purchase this for my pre-schooler and he sat happily through the entire book (3 evenings worth of reading for us). The d'Aulaire illustrations were, as always, engaging, soft, and encouraging to the child's imagination. Detailed without taking over the telling of the tales. Basically, it covered all of my criteria to be purchased: well written and if it has illustrations they need to be worthy of the story and worth looking at.

The down side to this book is that it is in some ways a long treatise on trolls that happens to include some stories as examples. This means that your child ends the book having been exposed to a lot of the folk beliefs of Scandinavian trolls, with a limited number of stories, and that it doesn't simple cut-off points for bedtime reading. On the other hand, it means it is a book worth revisiting as a child grows older; in our case so our children will be versed in the folklore and belief of their ancestors. A simpler bedtime book with lovely woodblock illustrations would be Lise Lunge-Larsen's "The Troll with No Heart in His Body." It is a collection of the stories with very brief intros that can be included or omitted according to the moment (at bedtime with my pre-schooler I tend to leave them out; when reading during the day I am more likely to include them).

I'm not really suggesting one book over the other. In a search for either cultural literacy or multiculturalism, both have their place and are both well told, well illustrated and will add to your child's imaginative landscape.

This was one of my favorite books as a child. I checked it out of the library over and over . The pictures just seem to come to life, the stories are enchanting. A must have for troll collectors. I purchased a copy at long last! Thanks Amazon

Set in the early 20th century, this story explores the culture and traditions of Tibet, as well as the bond of love between a young girl and her stolen Lhasa (Tibetan) Terrier.

As a proud parent of a Tibetan Terrier myself, I found the story to be both heartwarming as well as enlightening with regard to my own relationship with the little dog next to me, whose ancestors came from high in the mountains at the top of the world. As I read I could not help but wonder, if he was stolen from me, how far would I go to get him back.

I was truly amazed by the journey little nine year old Momo set upon all alone. She has no money, and only meager provisions, but without a moments hesitation she sets off to rescue her beloved pet. From high in the Himalayas the book follows her adventure as she walks nearly all the way to Calcutta, India. With only her determination and the love in her heart, as well as her strong belief in Buddhist traditions to guide her steps and keep her safe.

I highly recommend this tale as a book to be shared with a child or grandchild to encourage reading, or as the perfect bedtime story to be read a chapter at a time. I would also recommend it to anyone such as myself who just wants a little insight into the mystical appeal of the hairy little dogs from Tibet, that we have come to know and love as well as make a part of our family and homes.

I read this book voraciously from start to finish when I was in 7th grade and have never forgotten it. It illustrates how important it is to have faith in a dream and to go after what you want even when everyone tells you it's impossible. And if you've ever dearly loved a pet, this is the story for you.

Momo, a young Tibetian girl, yearns to own a Lhasa Apso, but an expensive pedigree dog like that is beyond her family's meager budget. Undaunted, Momo hopes and prays for one to come her way, certain that it will. Her faith and tenacity pay off when a traveling merchant presents her with an adorable Lhasa puppy, whom Momo promptly names Pempa. All is perfect in Momo's world until the day Pempa is stolen by thieves on their way to India. You will learn a lot about that part of the world as Momo tirelessly treks through Tibet, Nepal, Bhutan, and finally India to retrieve her beloved pooch.

She stumbles into a lot of interesting characters along the way, making this story an even more enjoyable read.

Like another reviewer, I read this book in junior high and never forgot it. I remember trying to make hot buttered tea, as the heroine drinks it all the time; I found it undrinkable. My granddaughter has a Lhasa Apso now and I've been trying to find the book - 7th grade was 45 years ago and I'd forgotten the title. Thanks to many online searches using: dog, Tibet, girl, childrens' book etc. here it is and I'm ordering it for her today.

I thought that this book was great because it shows what an amazing relationship a child and a dog can have. It also is so very detailed and descriptive, that at some parts I almost thought I was reading a book of poetry. Momo stands up for herself and proves she can.
Beautifully written. Great Characters.

This book is a wonderful story&it is especially won-
derful to read in this the 50th anniversary of the achievment of
the summit of Mount Everest by Sir Edmund Hillary&Tenzing Norgay.
Momo showed courage as she made her way out of Tibet&down to In-
dia.I also loved the way it introduced another culture&religion.

I shall add little to the other reviewers of this extraordinarily fine account of the history of Indian (particularly North Indian) music and how it was introduced to Western ears and influenced modern popular and classical musics. I will instead say that having myself lived that history--being exposed in 1955 to the first LP recording of Indian Music and watched Ali Akbar Khan on CBS Sunday's Omnibus, having been among the first to purchase the World Pacific and Prestige recordings of Indian musicians, having attended numerous concerts of Ravi Shankar and Ali Akbar Khan, Bismillah Khan, Jasraj, Shivkumar Sharma and other Indian masters, and having become a Friend of the Ali Akbar College of Music, where I met John Handy, Terry Riley, and Ravi Shankar, as well as having followed the influences and explorations of Indian modes and rhythms in classical music and rock as a Bay Area academic hippie--I can attest that this book is amazingly well researched, comprehensive, and gets it right. Indeed, through the many insightful interviews, we go well beyond the mechanics and structures of musical infusion across cultures into the realm of spirit, humanistic motivation, and metaphysics. For instance, Mickey Hart's interview expands and details his own previous accounts of his and the Grateful Dead's musical transformation by interactions with Shankar Ghosh, Alla Rakha, and Zakir Hussain (a two-way street for the latter). Other useful interviews are with (from the classical world) Philip Glass, Zubin Mehta, Terry Riley; (from the Indian tradition) Ali Akbar Khan, Zakir Hussain, Anoushka Shankar, Tanmoy Bose, George Ruckert, Shubhenra Rao; (from jazz and rock) David Crosby, John McLaughlin, Cheb i Sabbah. But the interviews are only spice to the meat of the text, which explains the uniqueness and detail format of Indian music, supported by a glossary, and the origins and construction of the various instruments. When our world is plagued by fear and misunderstanding of other cultures, music arrives as a source for common ground. This book demonstrates its power and its promise.

Musician and author Peter Lavezzoli presents The Dawn Of Indian Music In The West: Bhairavi, a history of the recent yet amazing infusion of East Indian classical music into western culture. Though Indian music was largely unheard of until 1955, when Ali Akbar Khan issues an LP called "Music of India: Morning and Evening Ragas", its appeal steadily gained ground, to the extent that Indian and Western disciplines began to borrow concepts from one another to aid in composition and training. When "Music of India" was re-released as a compact disc in 1995, it won a Grammy. The Dawn of Indian Music in the West follows the influence and impact of Indian classical music in extensive detail, meticulously researched and presented especially for intermediate to advanced music scholars and theorists. Highly recommended especially for college library and music reference shelves.

This historical study is full of detailed information about a disparate collection of the most inventive musicians of the 20th century, all drawn together by the thread of a fascination with India. The book gives equal attention to legends like John Coltrane, and more marginal avant-garde figures like Don Cherry, John Mayer (of Indo-Jazz Fusions), and John Handy. It also refers to rock stars like David Crosby, and contemporary classical composers like Philip Glass. Each musician's biography is woven into the text, so the entire book (nearly 500 pages) gives you an intense impression of the deep spirituality of this generation of musicians.

Peter Lavezzoli is a very astute critic of the key albums of this movement, and I learned a lot from his detailed discussion of Duke Ellington's "Far East Suite," Coltrane's "India," and Don Cherry's "Mu." When reading this book, you really feel you are being guided by someone with a highly developed intuitive feel for integrity and truth in music, as he himself is a musician who is concerned, as he admits, with "the connection between musical and spiritual expression."

In this book, historical narratives are interspersed with interviews with the leading musicians in Western and Indian music, such as Terry Riley and Shujaat Khan. These interviews are not your average magazine interviews, however, as the central concern of Lavezzoli is always wisdom, and his questions are always subtle and searching. If you glanced at this book, you might be put off by the way the text is crammed on the page, the lack of margins and smallness of type making it seem somehow a hurried book or not carefully thought out, but do not be deceived by bad design--this book is a true labour of love. It will inspire all musicians to take their work on to the next level, and it will inspire all record collectors to rush out and get hold of Alice Coltrane's "World Galaxy."

This is a fantastic book for many reasons; Peter Lavezzoli has done an amazing amount of research, delivering a lovingly written treasure trove of well-rounded details that will interest music enthusiasts from many different schools and tastes. Fascinating connections are drawn from the histories and influences of Indian music on rock, jazz, western classical and more. Included are vivid chapters on the pivotal history of Allauddin Khan, teacher of Ravi Shankar and the father and teacher of Ali Akbar Khan; Yehudi Menuhin's discovery and presentation of Indian music to western audiences (he is pictured with Ravi Shankar on the cover); the fabulous chapter on George Harrison; and a powerful section on John Coltrane, to name just a few personal favorites, with numerous connections to Ravi Shankar, who is widely referenced and featured (in too great a depth to summarize in a brief review).

A good portion of the book features the musicians and associates themselves having their say through remarkable interviews with Ali Akbar Khan, Mary Johnson Khan, Mickey Hart, Zakir Hussain, Jim Keltner, Terry Riley, Cheb i Sabbah, Zubin Mehta, Anoushka Shankar, Ravi Shankar, Tanmoy Bose, John McLaughlin, Bill Laswell, Shujaat Khan, George Ruckert, Shubhendra Rao, Suskia Rao-de Haas, David Crosby, Roger McGuinn, and Philip Glass. The author asks good questions and gets rich answers, making for a highly enjoyable reading experience.

This is a book I can spend hours re-reading. I've learned enormous amounts about a wide variety of music forms within each chapter. Readers with virtually any level of music interest will find something of value here. A real stunner! Highly recommended.

Among the many thought-provoking quotes in Peter Lavezzoli's new book is this one from tabla player Tanmoy Bose. "If you talk to any music lover in the West, they know more about [Indian music] than Indians ... they have a thirst for it, and they are very critical in the West for that reason." At first, I was tempted to reply that these Western fans are so enthusiastic because they (we) are such a small minority. In India, interest in Indian classical music runs the gamut from devotion to mild interest. There is, for example, a sense of national pride that makes Indians feel they ought to like classical music even if they don't. In the West, you are either a devoted fan or completely ignorant on the subject, and it often seems to us that all the devoted fans are gathered in the Bay Area. However, Lavezzoli paints a significantly different picture, arguing quite convincingly that Indian music has deeply influenced both American and European music for over half a century.

Peter Lavezzoli's first book, "The King of All, Sir Duke," took a controversial approach to biography. He devoted relatively little space to Duke Ellington, the book's ostensible subject matter, and instead wrote about Ellington's influence on other prominent musicians (including Frank Zappa, Stevie Wonder, and George Clinton). His newest book, "The Dawn of Indian Music in the West: Bhairavi," follows a similar format, but it is not a story of one musician's impact on other musicians. It is the story of the influences of one entire musical culture on another, and the tracing of those influences from connection to connection is the perfect format. Lavezzoli's goal is to document every aspect of that impact with interviews and historical summaries. The result is a long and engrossing read, full of remarkable anecdotes and thoughtful discussions with some of the most important creative people in many different Indian and Western musical domains.

About a fifth of this book will probably produce a sense of déjà vu for regular readers of this magazine. There are detailed interviews with many local artists, including Cheb i Sabbah, Ali Akbar Khan, Zakir Hussain, Terry Riley, George Ruckert, and Mickey Hart. If you know little or nothing about these people and their music, you get all the introduction you need. But no matter how much you may think you know, Lavezzoli has new information for you. Those of us who live in the Bay Area know that there are lots of Americans and Europeans who have carefully studied Indian music. But Lavezzoli shows us who was first, where they did it, and how things developed from there.

The book is subtitled "Bhairavi" because the first significant musical contact between Indian and Western classical music was a recording of that raga in 1955 by Ali Akbar Khan. Bhairavi is also a morning raga traditionally played to close a concert that has gone on past midnight, so Lavezzoli also uses the word as an allusion to the "dawn" of Indian music. This recording was the first 33 rpm long-playing record of Indian classical music. Prior to this, the only recordings of Indian music were 78 rpm records, which had poor sound quality and lasted five minutes or less. This was also the first performance of Indian classical music in the West, except for an unrecorded concert at Columbia University by Inayat Khan. (It is a tribute to Lavezzoli's thoroughness that what little is known about that Columbia concert is in this book.) The Bhairavi recording included a verbal introduction by Yehudi Menuhin, who had discovered Indian music while touring India. Menuhin's endorsement helped to convince his colleagues that this music was a serious disciplined art form, not an exotic ethnic curiosity. Lavezzoli has some interesting parallels between the harsh pedagogic methods used by both Indian gurus and Western conservatories, which justified labeling both traditions as "classical."

There were, however, parallel influences occurring in rock and jazz, spearheaded by George Harrison and John Coltrane respectively, who were both great admirers of Ravi Shankar. Rock and jazz musicians were attracted not only by the complex use of rhythms and microtones, but also by the freedom to improvise, and by altered states of spiritual consciousness. These musicians usually associated altered states with drugs, creating a controversy that endures to this day. For most Westerners during the 1960s, Ravi Shankar's sitar was the soundtrack for drug experiences. This was a serious misunderstanding: Shankar did compose scores for psychedelic movies like Chappaqua, but he also insisted that his audiences not use drugs. Lavezzoli asks almost all of his interviewees about drugs, and discovers a spectrum of opinions that reveal another great contribution of Indian music to the West.

Western music had fragmented into two conflicting elements: the emotional drug-tinged intensity of improvised jazz and rock, and the tightly controlled intellectual discipline of European classical music. Because Indian music had never separated emotion and thought, it could show Westerners how to reunite them. It challenged rock musicians to acquire discipline, enabled jazz musicians to see their improvisation as a spiritual practice, and reminded European classical musicians that music is not just marks on paper, but is played by a musician, and heard with the ears. Sometimes Western musicians tried to capture the mood of Indian music with little awareness of technical details. Other times, they took Indian techniques and reworked them to create very different moods. But Lavezzoli shows us that all forms of Western music now have a healthier relationship to each other, and to the rest of the world because of the Indian influence. Perhaps in the new millennium, there may even be Westerners who will be great virtuosos of Indian music. Will this music then still be Indian, and will its players still be Westerners?

I agree, this book needs to be re-issued. The copy I keep belonged to my mother, and it was my favorite growing up. I think its an excellent book, it discusses delicate social issues while stil staying child-appropriate.

I first recieved this book as a gift when I was 10 or 11. The cover was beautiful; green with a red caravan on the front. It was then called Diddakoi. I have just finished rereading it myself and reading it to my children. This book should be considered a children's classic. It is a must read for my friend's children.

Like the other reviewer, The Diddakoi has been my favorite book well into adulthood. And, like other great children's literature can, it truly did help form my ideas of right and wrong, of who I wanted (and didn't want) to be, and gave me insight into the realities and the joys of human nature. Reprint it, somebody!

It is with great sadness that I see my favorite book of all time out of print. I wanted to give it as a gift to all my nieces as they enter school. This is a wonderful story of overcoming being different and how cruel and loving human spirit can be. The people who love the little gypsy girl all come together and make a family proving that family is not just blood, but love. The most heartwarming story of my reading. Again, please someone reprint this moving story

I first read the diddakoi as an adult and reccommend it highly to any reader who insists on good writing. The message is important NOW, especially with current emphasis on teaching tolerance to young people and learning to control feelings of anger, hate, and prejudice. It is such a charming story.

Thanks for your product - it's too much good!
It's satisfy my better expectatives...


Have a good day...

What more can I say for this book than has already been said? The first book of it's kind (that I know of), The Dinosauria is the perfect introduction into SERIOUS paleontology. If you want to know more about dinosaurs than you learn from Jurassic Park, this is the place to start. Be warned though, a basic knowledge of the science of paleontology is needed as the book does go deeper into the realm of true science than in other popular books. The Dinosauria layed the foundation for works that would follow, and again this is the perfect introduction for someone who wants to get more serious about the real science of the Dinosauria.

This work was a bit tedious, as any book of this magnitude can be, especially to someone without a PHD, like me. If, however you are aspiring for that PHD, or are a very serious amateur paleontologist, this book is great. It is the most in-depth book I have ever found on the subject. Most books are significantly watered down, as their intended audience is often teenage or younger. This book supplies enormous quantities of information in a fairly usable format. I just wished that there had been more illustrations, perhaps some pictures of different excavation sites and more actual fossil examples, instead of mere drawings. Perhaps this was done for cost effectiveness, as this book is very expensive for someone on a budget. The bone anatomy is very well shown though, and can be studied with the help of this book. I would recommend it for anyone who is serious about paleontology, but please, if you are not, check out another book, as this one may be a dissapointment with a! big price tag.

"The Dinosauria" edited by David B. Weihampel, Peter Dodson, and Halszka Osmolska is for the serious dinophile and for those with some science and paleontology backgrounds. This book should NOT be tackled by the casual reader as it can be very serious when reading this volume on comparitive anatomy of dinosaur bones.

I found "The Dinosauria" to be very well-written and very informative and it gives the reader a clue to the nature of dinosaurs through their bone structure. The first section covers a broad area of interest, mainly the evolutionary relationships of dinosaurs within the wider context of archosaurian descent. The behaviorial attributes are next and what did they possess. Also, how does one analyze them from the paleontological and modern biological perspectives? In this first section, the question is posed, as to how the dinosaurs became extinct as a group.

In the second section each group of animals receives a detailed treatment, beginning with its anatomy. This is a comprehesive review of the taxonomy and systematic relationships at the level of genus and species. Here the dicussion focuses on the aspects of the fossil record, preservation, paleogeography, paleoecology, and life habits of that particular group.

I found "The Dinosauria" to be a solid five star book that is as close to being current as can be expected. Written by experts in their respected fields this book is well-edited and progresses in a very logical manor. "The Dinosauria" is a benchmark reference book. For those interested in vertebrate paleontology, students, serious amateurs, and those in need of serious authoritive information this is the book for you. "The Dinosauria" is NOT a childrens book nor is it intended to be.

"The Dinosauria" belongs on the bookshelves of all serious dinophiles and of those wanting a near complete reference book. The bibiography, alone, contains more than 2,500 enteries and is well appointed with references making your search for authoritive information an easier task.

This is a technical book on dinosaurs, covering their systematics, anatomy, diversity, ecology, distribution, physiology, and many other topics, written by leading experts in the field of dinosaur research. It has been completely updated and largely rewritten from the first edition, and the editors did a great job in keeping a common structure especially to the first chapters despite the high number of authors involved.
In the first part of this book, each group of dinosaurs is introduced, with a detailed description of the anatomy, systematics, and ecology of the animals included. The second section starts with an extremely helpful overview of dinosaur localities known from around the globe and then illuminates topics such as dinosaur biogeography, physiology, and extinction. The book is complemented with an extensive list of technical references of dinosaurs, which will be invaluable for any student of these amazing creatures.
Though not necessarily aimed at the general reader, it is certainly a must have for anybody interested in natural history, dinosaurs, or palaeontology in general. This is, arguably, the best, but certainly the most informative book on dinosaurs yet published!

This is a deep, serious book about making information transmogrify, even if there are a few silly parts. I liked the funny parts and they reminded me of Goedel Escher and Bach

This book is a great introduction to learning how to hide data in places most people wouldn't think about looking. Sample code and various URL's are provided for places to start, this not the easiest subject to grasp, but the book helps put it at a manageable level.

A great place to start!...

This is a very easy read that does not really assume much about the reader other than mathematical maturity at the precalculus level, knowledge of programming in a higher level language, and a curiosity about hiding information in such things as images. In fact, I bought this book to get a grasp on how to hide a watermark in an image. The early chapters are devoted to material that forms the basic toolkit for steganography - private key encryption, secret sharing, and error correcting codes. The later chapters describe how to apply these techniques in various ways to hide information.

Chapter 5 discusses common data compression algorithms, not to the point that you could write an encoder/decoder system, but so that you know which allow perfect reconstruction and which do not. Compression leads to the topic of mimicry, which is the subject of chapter 6. Basic mimicry produces text that looks statistically similar to the original text but is far from perfect. Chapter 7 shows methods of improving mimicry techniques so that the mimicked text not only passes statistical tests for similarity to the original, but passes rules for grammar. This leads to the concept of context free grammars and their role in mimicry. Thus, you can hide data in realistic sounding text.

Chapter 8 concentrates on a robust and complete model known as the Turing machine. Such a machine hides data as it "runs forward", while running the machine in reverse allows the hidden data to be recovered. Certain proofs show that this is a stronger data hiding model than those previously discussed.

Chapter nine discusses a more image-processing related data hiding topic - hiding in the noise. What appears as noise to the untrained eye can actually be a message. Of course, the flip side of this is "real" noise has the power to obscure the hidden message.

Chapter 10 discusses anonymous remailers, which is the deletion of the name of the originator of a message by an intermediate node. Such systems can range from very secure to very insecure depending on strategies involved. Chapter 11,"Secret Broadcasts", is a companion chapter on how to broadcast a message so that everyone can read it but nobody knows the source. The solution lies in the "Dining Cryptographers" algorithm, and this solution is discussed at length.

Chapter 12, "Keys", discusses message keys as extensions to the concept of keys in basic cryptography, which was discussed earlier in the book. Adding keys to any algorithm discussed up to this point makes that algorithm stronger. Chapter 13, "Ordering and Reordering", discusses how steganography strategies might be disrupted by reordering parts of a message, and discusses methods that might prevent this from being a problem.

Chapter 14, "Spreading", is a more mathematical chapter than the preceding ones and takes a different approach to the problem of information hiding. It takes ideas from spread spectrum radio and applies them to steganography. This is the one chapter where a knowledge of calculus, Fourier transforms, and even wavelets will be helpful.

The last three chapters, "Synthetic Worlds", "Watermarks", and "Steganalysis" are short and more subjective than previous ones, mainly giving the reader a broad overview of these topics.

The book has a wealth of algorithms, equations, and simple examples. There is even a very basic Java mimicry program in the appendix. However, this is not a programming book full of ready to implement solutions - you will have to do that yourself. There are numerous references to web addresses where you can find both executable and source code for implementing some of the algorithms mentioned in this book. I would say if you are interested in hiding information in data of any kind - text, sound, imagery, etc. - then this book is essential reading. I highly recommend it.

I read the entire book from first to last page and enjoyed the content absolutely. The book has theory and practice, clear examples and many references to free and open source software to make tests. The math part has razonable level (not too much, not to little). I have no found anything better in the area.
Good for Peter Wayner!

P.D. ...

All in all just a fascinating book on a fascinating topic. In general, the introductory parts of each chapter are accessible to anyone with a standard 12 year education. The mathematics are best understood by people with a background in algebra and statistics at the American High School level, but not much more. If you buy this book, expect John Ashcroft to put your name on a list of people buying dangerous published works (and with the Patriot Act in place, I am neither paranoid nor joking). The best chapter is the one about encoding information in ordered lists. This book taught me how to include a one line hidden message in a 50 item list of my favorite Country and Western Songs of all time (and THAT is a cool thing to do).

The Daleks' MasterPlan is an exciting yet long 12 part adventure. Similar to the Keys of Marinus and the Chase, Terry Nation, who wrote most of the story, was able to create another great story where the Doctor and his companions must leave one dangerous place for another in each unfolding episode of the Daleks' MasterPlan.

I listened to this just yesterday. I spent 3 days listening to it. I listened to the Mission to the Unknown on Friday, The first half of the Daleks Master Plan on Saturday and then the other half on Sunday.

I've been skeptical for a long time of audio dramas and how they'd match-up compared with the original TV serials -- this one matches up pretty well! Peter Purves does a fine job of narrating this 12 episode epic and makes it really enjoyable.

We are taken from planet to planet and to different time zones on earth. When listening to this story, the companions get lifted to a more major role and are very critical in their fight against the daleks. In fact in the prequel, Mission to the Unknown, there is no Doctor or companion in it!

As the basic plot goes they travel through time and all over the galaxy to stop Mavic Chen (and the others on the supreme council from other planets) as well as the daleks from using the time destructor, as part of their plan, to take over the universe!

It's nice to experience the pre-Brigadier role of Nicholas Courtney (Bret Vyon.) William Hartnell at his best! He shouts so much his voice gets rather "croaky" after a while! I was terrified all the way through and in the midst of listening to it, you feel apart of the action and it seems like it's the end of everything Doctor Who! A lot of shouting in fear is heard from Steve, disagreeing with the doctor on many occasions on how to defeat the daleks and his role as a companion, who saves Tensions are stretched out you wonder if Steven is kicked out as a companion -- does he?

Things I miss from the TV Footage:

*The firey, volcanic planet the monk (from 1066) follows the doctor to; and see them shout from one side of the mountain to the other!

*It would have been brought about a good end of year, Christmas feeling to have the doctor tell his viewers at home "and incidentally a very merry Christmas to all of you at home."

*Going from scene-to-scene in the early days of cinema! This is hard to get a picture in your mind -- Maybe because it felt like I was caught up in the mayhem myself!

*The extremely dramatic ending of the epic! I won't go into details but you have a great sense of satisfaction that it's all over and of course by the fact that it's a great epic!

In retrospect, whatever film footage is lost, is kept in the magnificent cast and crew who kept the acting so real you think you were there yourself and you put aside the negatives of the missing TV episodes.

I was surprised of how difficult it is to listen to something rather than having the privilege of watching it. I took regular breaks inbetween the episodes and kept coming back for more epic style terror. I am glad there is a narrator, unlike episode 2 and 4 with the video release of The Crusade. You need a narrator to guide you through the story. Peter Purves does a wonderful part and because he was a major part of this story, it's like as if he is telling a story of his own experiences!

There are many destinations involved from planets (including a prison planet,) earth and many enemies and spaceships involved also! See Episode 10: Escape Switch in the Lost In Time DVD, which shows ancient Egypt! How remarkable is that! Now I am happy to learn that the first doctor (with his many historical stories) went to Egypt as well! Bravo!

As having the MP3 version released in 2003, I didn't get the accompanying scripts, but was happy receiving it on 1 CD; and discovering web sites which has the scripts.

Even if you are not keen on audio, to make your Doctor Who collection complete, do what I did and at least purchase 1 adventure on CD -- The Daleks' Master Plan!

The Daleks` Master Plan is a true classic. The story is absorbing and is a great addition to any Doctor Who collection. The strong narration by Peter Purves helps to bridge the gap between audio and video. Viewing any of the (now) three episodes on video would also be worthwhile for anyone who did not see the original airing back in 1966.

Master Plan borrows some ideas from the previous Dalek story "The Chase", these being the Dalek time machine, the ensuing pursuit through time and the alternative episode ("Journey into Terror" and the comic relief "Feast of Steven" respectively, for the Chase and Master Plan stories). Master Plan also sees the return of the time travelling monk. All of these ingredients work well.

Master Plan has many varied and interesting situations. Clearly, a lot of effort was put into this story. I like the idea of the lead-in episode "Mission to the Unknown", although this idea loses something without having the "Myth Makers" story that followed it. It is a pity also that the identity of the main protagonists was revealed so early on. Keeping us guessing until the end of this first episode would have made it more exciting and still served its purpose.

The Master Plan story progresses through a series of separate situations, each with their respective characters. This works well and adds interest, but the demise of so many companions along the way is a negative. As with The Chase, there is also an improbable sequence of short stays on Earth.

The worst part of the story for me is the ending. Although the climax is exciting enough all we know at the end is that the patrol of four Daleks was destroyed. It may well have been that the main Dalek force deep in the mountains survived. The story ending would have definitely benefited from a final scene depicting the fate of the Daleks in their underground control center.

The Daleks, possibly one of the most evil, vile, and dangerous creatures to ever emerge in the world of science fiction. In their first appearance one might almost laugh at their appearance, until soon realizing just how deadly they truly are. In this incredible 13 part epic story (I include Mission to the Unknown as part of the whole story) the good Doctor (William Hartnell) once more does battle against his arch-enemies the Daleks, as he is chased once more through time and space, attempting to prevent the Daleks from completing activation of the Time Destructor, a terrible device which harnesses the very forces of time itself into a weapon. Although the visuals are currently missing, with the exception of two episodes, it is still very effective as an audio drama, with linking narration by Peter Purves. the performances are top notch, including William Hartnell as the Doctor, Peter Purves as Steven Taylor, Nicholas Courtney as Bret Vyon (the future Brigadier Lethbridge Stewart) and Kevin Stoney as Mavic Chen. in addition the wonderfully joyful Christmas episode 'Feast of Steven' is definitely a nice break from the dark and impending doom of the main story plot. this is definitely a must have for any Doctor Who fan.

As you probably are already aware, this is one of the most sought after stories in Doctor Who's long history. The fact that both the teaser episode "Mission to the Unknown" and the further 12 episodes for the most part are now missing (with the exception of some wonderful clips from Eps 1-4 and Eps 5 & 10 in their entirety). Further appeal may be the added bonus that the Doctor's greatest enemies, the Daleks are on hand to again chase our hero through time and space.

I won't bore you with story details, as I'm sure you know it well. And if not, you can certainly hear all about it in other reviews. I will however instead, tell you that the real appeal of the story is not in its length, nor in it's covetted return of the Daleks yet again. But, is in the regular cast, and the guest cast. William Hartnell is superb as always as the First Doctor. And with him at the beginning of the story is Steven and Katarina.

The latter dies early on in Ep 4 to basically move the plot. I think the producers and writers really did not know what to do with the simple minded Katarina, thus her quick departure from the series here. In comes Sara Kingdom, played to perfection by the lovely Jean Marsh. This story also boasts the first appearance of Nicholas Courtney (of Brigadier Lethbridge-Stewart fame) as Sara's brother Bret Vyon.

Most of the performances are good, if not spot on. But, the story is greatly weighed down by being so very long. And thus, much padding can be found within, slowing the plot way, way down at times. The best bits are early on, and then later it all picks back up when the wonderful Meddling Monk reappears to dog the Doctor's path. The Monk is again as superb as he was in "The Time Meddler" the previous year, played here again by the great, late Peter Butterworth, who, for me, absolutely steals the show!

I won't spoil any endings for anyone who hasn't yet seen, read or heard this adventure. But, unlike most Doctor Who stories, things don't necessarily turn out all rosey in the end. All and all this is a terrific story, if perhaps about 4 episodes too long. Enjoy!

My husband and I have been married for five years. He has 3 children from his first marriage and his ex-wife is the classic "emotionally needy parent" plus she is having problems with alcohol abuse. When we had visitations with the kids we would have an adjustment period of 2 or 3 days. After that their behavior would usually mellow out and the rest of the stay was okay. Recently DCFS stepped in and ruled that the children were no longer safe in her care and turned them over to my husband and I. The children are 14, 12, and 9, plus they have a 3 year old half sister that was given into our custody. Our house has been a combination zoo and war zone since they arrived. My husband and I were at the end of our ropes when I found this book. She has been the answer to my prayers.

As the mother to four strong-willed kids ages 19 down to 5, and I have read many discipline books and tried various methods over the years. This one is the best, hands down. I have been using behavior charts based on Ruth Peters' book for a few years (of course, I don't use the charts with my 19yo, but I do with my others - ages 11, 8, and 5 right now). My children get compliments from even from complete strangers on how well-behaved and polite they are, and how nicely they get along with each other. Dr. Peters has another very good book written for parents of preschoolers called Never Too Early to Discipline. Also highly recommended. My house is calm and peaceful, my kids are happy. The wonderful thing is, this can be accomplished without yelling, nagging, threatening, or spanking! Read the book!

This book is absolutely readable! You learn real-life approaches to dealing with your kids! This is not a book of psycho-babble.

Got this for my 9 yr. old granddaughter. We were spending 4 hrs a nite on homework, her room was a disaster area and she was on a continuous restriction for her mouthing back and attitude. Knew something had to change. Wrote up the behavior plan based on this book; She actually liked the plan. Daily rewards and punishments, no more restrictions lasting days or a week, and privelege and money chips for good behavior, homework done in 1 1/2hrs and room straightened,dog fed,table set,coat hung up, etc every day. Amazingly within a few days, everything done as above! Her room is straightened with bed made and everything off floor in about 4 minutes(allowed 10 min). Homework always done without any hassle as soon as she comes in! Guess what she bought with her first savings? An ORGANIZER! Cannot praise this book enough! If you follow her steps and stick to the program yourself, you too can have amazing changes in your child. Her parents and I were so pleased and amazed with the change. I just wish I had had this book when my daughter was little. Would have made life so much easier! Every month or so, we reevaluate her program and make small changes on problem areas and that's about all the extra time needed. On the weekends, instead of homework, she straightens her closet or drawers or bookshelves. I showed her teacher the behavior plan and this book and she made copies of it for herself and other mothers when they are having problems. It will save your sanity and family and give house control back to you!

I am the mother of a nine year old boy and a six year old girl that were beginning to take control of the house. I tried everything, but nothing stuck. Don't Be Afraid to Discipline really works! It is easy to implement and can be tailored to any family's special needs. Friends and teachers have been so impressed by the change in my children that they have all requested the title of the book. All that have begun the program are ecstatic! Privilege chips seem to be the key with my kids. They are even doing extra chores in order to earn extra chips. My son recently turned in 20 chips for a new computer game. He was proud of his accomplishment. So was I. Life in my household is calm now. The house is neater, the kids are happier, the parents are happier. We have more time to enjoy each other because the daily expectations/chores are taken care of without a fuss. My kids are self-sufficient in many respects. God bless Dr. Peters. Her program has been the answer to my prayers.