Peter Books

Philip B. Kunhardt is to be highly commended for this outstanding photographic history of Abraham Lincoln. Not only are the photographs captivating, but the narrative of Lincolns life and the important events during his lifetime are interesting and enhance this book. Many interesting stories go along with the photographs of Lincoln from his 40's to his last days, however the most interesting part in my opinion is the month by month account of his presidency and the important events that occured. So much about the man has been written, but until this book was published not as many photos of President Lincoln were circulated or published. Just as important, are the events and stories which swirled around Lincoln. From his habits and humor to his history changing decisions are written in clarity and interesting form. His life and his loves are given with compassion, and his impossible losses of his sons and his mentally unballanced wife Mary Todd Lincoln is given unflinchingly. The last chapter of the book is about the assassination and the controversy surrounding Lincoln's remains, a very interesting and informative chapter to close with. I highly recommend this book to anyone with an interest in U.S. History or 19th Century U.S. History.

The quality of this book is what first grabs you. The paper is thick, glossy and has weight, it reproduces 19th century photographs beautifully. The text is ancillary and never intrudes upon the primary focus here, which are the photographs of Lincoln, his family and the people who shaped his extraordinary life. The text illuminates and expands upon the photographs, giving dates and other pertinent information.

If you're looking for a full-scale biography of Lincoln, look elsewhere, this is primarily a visual treat and one of the better photographic compilations on any President.

Kudos to the publisher Knopf and all involved on the quality of this book. The reproduction of the 19th century photographs is first rate. The sepia toned image of the great man inside the front cover is exceptionally gorgeous - just breathtaking.

John Updike said Knopf publishes the most physically beautiful books in America, and this book leads me to believe he's right.

This is not a comprehesive, scholarly biography of Lincoln, nor does it pretend to be. But the text reads well, and the Lincoln photographs are beautiful, all-inclusive and presented in sound written context. The large size of the book works particularly nicely here. Well done!

This is a fantastic and beautiful book--oversized, loaded with more photos than you've ever seen in a Lincoln book, and worthy of coffee-table display. But it's not just a picture book. Each page is jam-packed with text, including an account of a dream Lincoln had about his own assassination. You'll definitely want the hardback version. Even if you've got a hefty collection of Lincoln lore, you must add this book to your shelves!

...that deal with President Lincoln; includes some excellent photography and many good quotations. What an incredible fellow he was.

I'm a pretty typical Peter Beagle fan in that my first encounter with Peter Beagle's writing was reading The Last Unicorn. Over the nearly forty years since then, I have looked forward to any new publication of his.

I'm not, in general, a huge fan of fantasy novels or stories. Beagle, however, does a better job than almost anybody else of creating fantasy that is realistic enough to be believable. His fantasies seem natural to me; at the same time, there are enough surprises to keep the reader (at least if I'm the reader) interested.

There are some real gems here. El Regalo, for which Beagle first considered the title My Stupid Brother Marvyn the Witch, is an absolute delight, hilarious and terrifying by turns. Schmendrick (my favorite Beagle character), Mollie Grue, King Lir, and the unicorn reappear in Two Hearts, which is a tale well-told indeed. Salt Wine is a wonderful story of the price that must be paid for any happiness.

I'd say that the least successful piece here is A Dance for Emilia, which, of course, has already been published in book form. The fantasy here seems forced to me, while, paradoxically, I don't think that there's enough of it. In fact, the whole story seems forced. Both it and Mr. Sigerson seem to have too little content to justify their length.

Peter S. Beagle's one of my new favorite writers and this book has a great collection of stories. He's able to write in a lot of styles, and no matter if he's writing from the perspective on a child or adult, his insights and use of words are always witty and honest.

Short stories are a tricky thing to write - many authors open their own collections with a note about how silly they were to attempt the form. Not surprising, since a short story is not simply a novel with the details cut out. Short story writing requires a precise sense of pacing and an almost directoral view of the subject matter. There are not hundreds of pages to develop characters and create mood; the best the short story writer can do is point out to you the defining moments of a character or a scene and hope you can keep up. Short fiction is most often effective to offer a setup leading to a quick plot twist or a startling ending, not for world-building or profound observations on the human psyche.
That said, the depth of feeling contained in the latest Peter Beagle book is astounding. Twice as much when you consider that this is a short story collection, not a novel. No story spans more than forty pages - a few run no more that five, but many have their own emotional resonance most novelists dream of.
There are plenty of funny, quick reads throughout the collection too. In Gordon, the Self-Made Cat a mouse with no desire to play the traditional role of bait earns his cat card and the respect of his fellow felines. A set of four fables, while feeling a little rushed in execution, have deliciously cynical morals. Salt Wine puts some grand old seagoing-myths on their heads, and Quarry fills in yet another piece of the world of Innkeeper's Song and the short story collection from the same world. There's also A Dance For Emilia - a beautiful story of friendship and love printed here for every fan who missed the much overlooked gift book edition from several years ago.
There is always a strong musical theme running through Beagle's work - and of course there is one musical story here: Mr. Sigerson. Mr. Siegerson is a brilliant violinist and also a persona of the great Sherlock Holmes. In this mystery, Holmes and the conductor of a Norwegian orchestra uncover underhanded dealings and an illicit affair and any musician will recognize one of their own in the narrator and characters of the story.
The real jewels in this book are El Regalo and Two Hearts. El Regalo introduces two new characters, Marvyn and Angie. With promises to tell their whole story in a novel, Beagle introduces two kids growing up in Avicenna and growing into some magical powers. Marvyn, like any well-balanced kid, uses his abilities to take out the garbage and wash the dishes, but Angie is still concerned that his powers might get them into trouble. When Angie makes an embarrassing choice to confess her love to a boy at school, Marvyn rushes in to save the day and lands both of them in last Thursday, possibly permanently. Two Hearts is quite simply a gift to any fan of The Last Unicorn. In Beagle's earlier days he created each book in its own world, and the short stories that he wrote never went back to those places. After more than thirty years, the story is told of Shmendrick and Molly Grue's further adventures, along with Lir and the land he rules. Two Hearts seems almost to be something dug up from the days immediately following the writing of The Last Unicorn. The characters remain as true to themselves as any reader could hope and again, Beagle promises a full-length story of Sooz, the narrator.
Once again, Beagle has topped his previous efforts and not only re-asserted his status as a master of the Fantasy genre, but shown that he still has plenty more stories to tell us.

(This review previously appeared in the bulletin of the Mythopoeic Society, www.mythsoc.org)

This long-anticipated new collection of short stories by Peter S. Beagle fulfilled this reader's hopes. Readers can see the culmination of a long life of writing distilled here, as his many styles and interests come together in one book rather like an apartment building between the worlds, with each story exploring new quirky characters inhabiting each room, whether temporarily or for generations.

Each story is prefaced by a Beagle-penned paragraph describing how it came into being. Allowing the reader in on its creation in this way adds to the joy and anticipation of entering the story. In particular, the preface to Two Hearts, a short-story sequel to The Last Unicorn, entices and charms, as Beagle explains how he moved from a stance of `a sequel can't, and won't, be done' to getting slowly snookered into writing it by his friend and publicist. How? By enticing Beagle to write one new story based in that world. Once there, of course, four of the main characters happened to show up. Then Beagle fell in love with the new main character, a feisty young woman named Sooz -- so now, an entire novel may be lurking in our future. Hooray! Readers are similarly led to anticipate more stories following the siblings in El Regalo, to be collected in a book entitled "My Stupid Brother Marvin the Witch." Who can resist a title like that?

Other stories in the collection showcase Beagle's wide-ranging ability to combine the magickal with the ordinary, while playing with several literary styles as seen across his earlier work, from his motorcycle travel saga I See By My Outfit to the somewhat tongue-in-cheek Folk of the Air. One can also see the aging man as author of these stories, with the wit and wisdom of a grandfather amusedly musing over his life and the many types of fictional worlds he's entered earlier. "Gordon, the Self-Made Cat" was originally a humorous morality tale for his children while small. "Four Fables" is a paean to his own exposure to serious fables as a child. (He also drops the tantalizing historical tidbit that Aesop was done in...). "Mr. Sigerson" pays homage to Sherlock Holmes. "Quarry" brings back the world of The Innkeeper's Song, in order to answer the question posed to him about how Soukyan originally met his shapeshifting fox companion. Since Beagle had no idea how to answer, he wrote this story to find out. Quarry contains an encounter with houses that are not houses, but something else, something malevolent posing as the familiar in order to lure in the prey... a motif that I must admit I found unforgettable, as it echoes some of my deepest childhood nightmares.

These stories all have a sense of continual discovery and wonder. Even when a tale has a twist to the end like the best-planned mysteries, you get the feeling that Beagle was surprised and delighted by it too. These stories do not feel contrived, but organic, flowering madly where and how they will. And the characters are what drives them. One of my favorites, Salt Wine, is told in the voice of the crusty old sailor Ben Hazeltine, "not some seagoing candy-trews dandy Captain Jack...I can promise you" (p 135), who gets involved in a business deal involving a recipe conned out of a merrow. And the final tale, "A Dance for Emilia," is a magical-realism homage to friends who have passed on too soon.

These are tales no young person could have penned. It takes the wisdom and the pain of years to bring about this sort of poignant appreciation, this combination of gentle love and no-B.S. crankypants humor. It's a beautiful collection, and one that provides thrilling anticipation of more to come. Like Theodore Sturgeon before him, Beagle is proving himself a master bard whose tales use wild rolling imagination to kindle the reader's heart.

I hereby nominate Peter S. Beagle as a Living National Treasure. How many of us have laughed and wept and felt goose flesh while reading his stories? And for decades!! The Line Between contains the novella for which Peter won (finally, finally) a Hugo Award. What a treat to see Schmendrick, Molly and King Lir again. Rather than seem like an epilogue to The Last Unicorn, this reads more like a prologue to a new epic story of love and adventure. I can't wait to find out what happens to Sooz when she turns seventeen and gets to use her gift of magic. If I were a king I'd build a special wing at the castle for Sir Peter and give him all the food, wine and song (okay, and women too) his heart desires so he could happily and contentedly write me tales until I'm an old man.

(UPDATE: Since first writing this review Peter won the Nebula award for Two Hearts, the coda to the Last Unicorn included in this collection.)

Peter O'Toole's early years, growing up in Ireland, are a remarkable beginning for one of our grandest theatre artists. This story fascinating story is set against the back drop of the chaos of the 1930s, the rise of Hitler, and the lead up to World War II.

As enthralling as this story is, the writing in this book are every syllable as deliscious and enjoyable as the life in these stories. The biggest surprise is that the subject of these pages, Peter O'Toole, is also the author! As it turns out, Mr O'Toole is as superlative a writer as he is gifted on the stage and screen as an actor. Who knew?

The best news of all: this is volume one. Read it and then rush out and grab volume II, "Lotering With Intent: The Apprentice."

THE images PETER O'TOOLE creates in our mind reading the book are curiously picturesque; they are quite alike with the air of the Italian neorealism in CINEMA, as we can make a connection with it. A tone quie calm, epic,for the memories of his childhood, yet which becomes a bit agressive when he recalls that Adolf Hitler existed. A puzzle of thoughts narrative and expressionist at the same time, and surprisingly modern.

If you are remotely interested in Peter O'Toole, this is a great account of his childhood (most interestingly the three major influences in his life including Hitler) and how he first broke into acting (his jokes regarding Bernard Shaw are hilarious). There are some interesting annecdotes regarding the filming of `Rogue Male', his first film.

His narrative style can a times be a bit disjointed, but the overall picture is wonderful. I thoroughly enjoyed reading it.

This is a wacked memoir. O'Toole basically writes two parallel biographies, one of his childhood AND ONE OF ADOLPH HITLER'S adult life!!! Has this ever been done before? So you get to read about what O'Toole did and what Hitler was doing about the same time. It's amusing, and interesting. I did have trouble with some English slang. A weird book, I think. But I liked it. Peter O'Toole is my favorite actor. But I still think you'd enjoy it if you're not a big fan.

A charming book; somehow surprising, as the critics say too:'a new face of O'TOOLE': indeed, the tone of the story is a very warm one, with romantic overtones in the first part, without any trace of cynism or sophistication; therfore, it is contrary to his style maybe, or, a better word is to his type of characters he plays as an actor-usually being in a delicate psychological or emotional status. PETER is creating his book like a sort of collage of memories, keeping coherently the time which gives it a sense, a direction, yet somehow not enough as he needs a second link: Hitler's image(...). In the second part, still, a change of tone: more aggressive when it is about the war; a genuine atmosphere of the 40s, now in flashbacks in the 90s.Classic and modern at the same time as approaching, quite poetic.

Howard Blackburn accomplished a feat of endurance and spirit that equals any. This is a well told tale of the man who froze his hands to the oars of his dory to row 100 miles in January off Newfoundland. Gripping and substantial, this book stays with you.

It would be too easy to simply say that Howard Blackburn rose above his adversity. I should like to have known more about, or even known him - fisherman, retailer, sailor and philanthropist - here is a man of legend among men of iron. Howard's tale is marvelous; a testament to the pioneers and explorers who follow their restless dreams without compromise. Lone Voyager is a fascinating and enlightening look into the industry of the late 19th and early 20th centuries, the men who fought long odds and the compelling draw of a man possessed of his visions.

Though I live in Gloucester and have spent a good many evenings in Howard Blackburn's establishment with his pictures and newspaper articles hanging on the walls, I only recently discovered this book. What a wonderful adventure! The first chapter, which tells the story of the fishing trip during which Blackburn lost his fingers and toes, sets the stage well for the rest of the adventure. And what an adventure it is! Here in Gloucester they talk of the days of "iron men in wooden ships" and Blackburn was the toughest and most indomitable of all those iron men. After surviving the trip that opens the book, he goes on to start his famous tavern in Gloucester, cross the Atlantic twice on his own, sail around Cape Horn and up the Pacific Coast bound for the Klondike, and undertake a perfectly fascinating trip up the Hudson River, through the Erie Canal and the Great Lakes and down the Mississippi.

Because I wrote a book based in the seafaring history of Lake Erie I was particularly gratified to read that Blackburn wrote that of all the waters he ever crossed he considered Lake Erie to have been the worst --- even worse than the Grand Banks in the Atlantic.

Author Joe Garland is well known both as a historian and a sailor and both those skills are well used in the telling of this tale. This is an extraordinary story of an extraordinary man told by an extraordinary writer. What more does a reader want?

I found an old copy of this book and read it a year ago. An incredible true story. I`m glad to see that it is available in paperpback again.

Howard Blackburn was one cool dude! I mean the guy gets caught away from the mother ship and rows for 5 days to live but it costs him all his fingers and that's just the first two chapters! You've got him going off to the Yukon on a gold rush jaunt, a couple of single handed trips across the Atlantic. A circumnavigation of the Eastern US via the Great Lakes and the Misissippi River and around Florida. He just won't quit.

Anyway I bought the book because of the stories about dories, and was hooked by all the other adventures as well.

BTW there is a rowing race of 22 miles in open Atlantic called the "Blackburn Challange" The folks of Glouster loved him.

I had a problem at first when the author stated that the population of Tikal was 100,000 and covered 65 sq. miles. Over its period of reign as a city,a couple hundred years,Tikal might have been this extensive but i question if it had this much influence at any specific time period of say 10 years.Other books say that this city at its peak served about 20,000 and its urban spread reflects different time periods.
Other than that,myself possibly missing the author's interpretation,I like the descriptions of this Mayan city,which according to the author,was either founded by Teotihuacan rulers or at least was heavily influenced by this Mexican town.Excellent color photos and well described info on the tombs of the Tikal Lords. I hadn't realized before that alot of the Maya superstructures at Tikal were actually tomb bases for high status rulers which were then built to reach the sky.Indeed alot of these temples were built for astronomy purposes as well and tied into Mayan ceremonial life.It sounds alot like Ancient Egypt and their vast tomb complexes.There was one drawing in particular which showed Tikal at its peak,complete with evidence of pronounced forest defoiliation,(a possible reason for its collapse)?
Ther was another chapter where the author explored the conflicts between Tikal and its neighboring rival cities.Mr. Harrison explains that rivalries between towns,while undoubtedly real,have been exaggerated and there were longer periods of cooperation and friendly commerce between Tikal and its rival cities.So it would not be worth too much to place stock in the "bound captive murals" and advertised cruelty in alot of Mayan art.It's probably just propoganda put out by the Tikal Lords,no different than the Anglo-Saxon rulers of England at the same time period,(about 750 AD).Some of the Mayan lords of Tikal had long reigns,one reigned as long as 60 years,which would have rivalled Elizabeth I lengthy tenure as Queen of England.

I visited Tikal last Feb. I had read about it for years and still wasn't prepared for the magnitude, the scope the complexity of the civilization it was a small part of--it is a place you have to visit and see for yourself to even begin to really grasp. When I got home I found this book--I really wish I had read this BEFORE I WENT, the trip would have been better for it. In any case, I was happy to read it after the trip. This is the single best work I've found for sharing part of what I discovered at Tikal with people who haven't been there. I recommend it--especially if you are considering a visit--but also if you just like to armchair travel...It is a nice place to go either way.

The pyramids at Tikal are perhaps the most breathtaking and awe-inspiring structures of the pre-Hispanic world. The research available in this book helps shed light on the fascinating history behind the facades of limestone. There is so much history and culture that is essential to the American (the Pan American) identity. And this is a clear, concise, enjoyable read to learn about it.

The city we call Tikal was called something like Mutul by its Mayan inhabitants and was inhabited continuously for about 1,700 years. While there has been magnificent archaeological and translating work done in recent years, the foundation of what we know of Tikal was laid in a great excavating and mapping project done by the University of Pennsylvania from 1955 until 1969. The author of this book, Peter D. Harrison, Ph.D. had participated in these (and other) excavations and brings that first hand authority to this very interesting book.

Dr. Harrison starts with the pre-history of Tikal and ends with the little we know of its inhabitants after the collapse in the 9th century. However, most of the book centers on the succession of 30 rulers (Kings, Lords, or whatever you want to call them). We know who most of these people were because of the Mayan predilection for documenting great events by erecting great monuments that had writing on them that we can now read (mostly).

The author also shares important understanding of the building of the great palaces and temples and shows us their important orientations and relationships with each other. Since what we see today is the decayed form of the final state of Tikal, I found it fascinating to work backward and realize all that wasn't there when the city was at its height of power and influence. The great pyramids we associate with the city today were late additions by an important set of rulers, but by no means the most powerful the city had known.

The book is full of pictures, great drawings, maps, and even some beautiful color plates. There is also a page on when and how to visit Tikal that would be very helpful for those intending to visit the site. There are also many helpful notes and an index.

I have two tiny nits to pick with the book, however. The first is that for several of the maps I had to use a magnifying glass to read the labels for the buildings. The second is even less important and I am not convinced that the author didn't make the better choice. However, when I am reading about Mayan culture I like to see the dates given in the Long Count format when applicable with our western dates in parenthesis. The reason for wanting the Long Count is to easily see when events are associated with important dates. Dr. Harrison does give these Long Count dates in the notes, but uses our calendar for the dates in the text (most of the time).

Anyway, these do not detract from the immense value of the book or the fun I had reading it. Thanks, Dr. Harrison!

I very much enjoyed this book. It presented the history, archaeology and architecture of Tikal in a clear fashion. Harrison wove the various threads of evidence together skillfully without getting bogged down in details. After an introduction to the site and its environment he proceeds in a chronologic order telling the history of this ancient city. He takes two breaks in his story to describe the city's architecture. Because there is dispute in the field of epigraphy you cannot take this book as the last word, but that is the nature of writing about something which is an intense subject of research. I must also say that I found some of Harrison's assertions about architectural alignments dubious. Certainly, I could not see how his maps could support all his claims. Nevertheless, I would heartily recommend this book.

Along with "Love is always Right" this book presents ethics for people, not just intellectuals. I would actually rate this book slightly higher than "Love..." because it deals with the "boxes" we all try to put conflicts into so we don't have to think about ethics. A very balanced yet Christian approach...

As a layperson, I found this book to be well thought out and easy to follow.

Quite an interesting read.

This is another of Peter Kreeft's typically illuminative books, on the largely-neglected topic of moral reasoning.

Kreeft spends the first part of the book simply establishing the basic truths that once upon a time were obvious, but not in the present day - that moral laws exist and are knowable by human reason; that they are "built into" the universe, and thus true whether we know them or not; that moral relativism is self-refuting; and that morality ultimately derives from God (in Dostoevsky's words, "If there is no God, then everything is permissible").

His discussion of the Greatest Good is also very sharp, especially in its discussion of ends and means.

Part Four, in which he engages topics of Sex, Abortion, and Truth in greater detail, is really the meat of the book, and where Kreeft most directly engages modern culture. His discussion of sex in terms of sacredness is wonderfully clear - understanding sex as sacred simultaneously avoids both errors of hedonism on the one hand, and repression on the other. "Christian morality is based on human nature, on the kind of thing we are, and the kind of thing sex is. It is not the changeable rules of a game we designed, but the unchangeable rules of the operating manual written by the Designer of our human nature."

Kreeft's bit on our society's confusion between sex and money is utterly incisive - we use sex as a mere means of exchange (of pleasure), but we erect all manner of legal protections around money, treating it as virtually sacred, even expecting it to reproduce and grow. Priceless.

Kreeft's aim here is not ethereal or theoretical - this is not pie-in-the-sky, "out there" moral philosophy. He means to give real people real tools for living real lives in the real world, and in this, he succeeds admirably

Peter Kreeft has written a great little book for all those who are tired of hearing 'it's not so black and white'. Kreeft does an excellent job of explaining, simply and clearly, that right and wrong are objective - regardless of whether or not it is easy or makes someone happy. Kreeft also clears up some moral misconceptions like 'if it doesn't hurt anyone else, then it's ok' and 'the end justifies the means'. Also included in this book is an excellent discussion, scientifically based, on why abortion is objectively wrong (such as the fact that science has always defined a fetus as another human life, science has never been able to come up with a concrete time limit on so-called viability, and that a fetus has a distinct human genetic code that is separate from it's mother's).

While in reading this book Kreeft does spend some time talking about God and his Christian faith, his arguments are philosophically and scientifically sound across the religious spectrum. Regardless of a reader's religion/athiesm, Kreeft's logic applies. While Kreeft argues that morality comes from God, he also demonstrates that one need not know that or believe in God to understand and use objective morals.

This book is highly recommended for all readers who need help with a good strategy for making choices. It would also make an excellent gift for the person in your life who constantly argues that their morality is relative.

Peter Kreeft is my favorite author. His books are always intelligent and thought provoking. This book discusses many issues some of them are; moral absolutes, religion & morality, values, and how to know Gods will .I like the way he sums up his thoughts, and offers helpful ideas, in one chapter he has 12 boxes that morality won't fit in, in another he writes of the most critical issues of our time, he also talks of simplicity and the loss of the sacred in our culture. The 7 principles for knowing Gods will and the 7 power aids of the Holy Spirit were very useful. This is a book I would recommend to anyone wanting to understand how to think more clearly in these times of moral relativism.

Moliere's leading characters often have one major negative trait which dictates their behavior throughout the play. In this they often seem to be mechanical stock characters and not flesh- and - blood living human beings. In 'The Misanthrope' Alceste believes he must tell the truth to everyone he sees. This is despite the advice of his best friend Philinte. Alceste alienates everyone. At the same time he is madly in love with with Celimene. He wants her to go away with him to retreat from hypocritical society. She however flirtatious and light - minded prefers society to him. The play closes with Philinte trying to persuade Alceste not to leave society completely.
In the second play in this volume the leading character is a religious hypocrite. He finds his way into the heart and mind of a wealthy gentleman Orgon and dominates his family life. Tartuffe steals his money , leads Orgon to disinherit his son and offer his daughter to Tartuffe in marriage. Tartuffe attempts to seduce Orgon's wife. Orgon is convinced to hide under a table where he overhears Tartuffe's entreaties. Orgon then decides to eject him from the family but cannot. It is only with the intercession of the king that the religious hypocrite is stopped. This play raised a furor in its day and the Church opposed its production. Moliere's patron Louis XIV allowed its production in private but only after five years allowed its public staging.
In both these plays Moliere viciously satires the human propensity to remain fixed and static in one's own character, and reaction to reality. He derides human folly but always with the redeeming grace of laughter.
For the contemporary reader of the work who does not feel the special force of the work in its original language there often may seem something forced and artificial in the work. Moliere's work it seems to me gain much from being staged and to know them truly reading alone is not enough.

Many people are turned off by the rhyming nature of Tartuffe. Personally I find myself so enthralled with the story that I often fail to notice that the story itself rhymes. Real belly laughs abound as we watch Orgon blindly walk through life, oblivious to the religious-hypocrite's misdeeds. It's an absurd story, but it's meant to be thus. It does miss something if you don't see it performed live but once you have, when you read it as it is presented here, you manage to get full enjoyment!

The Misanthrope exists in much the same credit. This work centers on the protagonist Alceste, whose wholesale rejection of his culture's polite social conventions make him tremendously unpopular. This manifests itself in the primary conflict of the play, which results from Alceste's refusal to compliment a sonnet by Oronte, a character who lacks Alceste's respect for unabashed sincerity.

I'm not as big a fan of The Misanthrope as of Tartuffe but I thoroughly enjoyed this book and was very happy to be exposed to the text this way. This is an excellent rendering.

I rarely read plays (not counting Mr. S.) and rarely read poetry. I'm glad I broke with tradition and read these. I think I went to high school with some of the characters - and 45 years later some of them haven't changed. The plays are so funny that I found myself reading out loud (to myself) using different voices for the characters. I have never done that before and it added to my enjoyment to create a "play" while reading the script.

Most enjoyable - maybe I'll tackle some more plays.

Here they are. The Misanthrope and Tartuffe, arguably Moliere's two most famous plays, translated by Pulizter Prize-winner Richard Wilbur, the crown jewels of his poetic output. These translations are performed all the time, and have proved themselves on the modern stage. But the effect of them is not lessened by reading, as this bookshelf-ready edition shows. They are packed with hilarious observations about the pretentions in us all.

The Misanthrope is about a man who tells the harshest truth to everyone but himself; Tartuffe about hypocricy in religion. They read fast and funny, the rhyming couplets of the original faithfully reproduced. The language seems so natural and witty that you think perhaps these plays weren't written in the seventeenth century. But they were, this species of farce being extinct these days, except in rare places like The Simpsons. I can not only unhesitatingly recommend these, but also all of Wilbur's translations of Moliere. It is rare for a comic author to get such a seriously worthy treatment. Hooray!

In both these plays, Wilbur brings Moliere's true genius to real life. Previous translations of Moliere's work pale by comparison to Wilbur's brilliant translations. It was my feeling, that would Moliere by alive today, and writing in American English, he would write the way Wilbur translated it.

In comparison to prose translations in the past, Wilbur, past US Poet Laureate and Pulitzer Prize winner, truly gives the reader the real feeling of Moliere's "Balletic Comedy" style, as Moliere used his poetry and comedy to make complex and serious points about life of "regular" people, as opposed to royalty such as Shakespeare concentrated on, and so many other playwrites of the past.

In reading Wilbur's translations, one can virtually imagine the cast prancing and mincing across the stage as they humorously render these rhyming couplets at each other, and the audience. The true genius of both Moliere and Wilbur is illustrated most profoundly and strikingly in these translations. Any true lover of Moliere, and even those who have never read him before, should treat themselves to Wilbur's translations for a Moliere experience, that is unparalleled in any other versions previously published.

My Life is a fascinating book. I was most attracted to the style in which Trotsky took responsibity for his mistakes. He didn't try to blame others for what happened at Kronstadt. My Life is a wonderful show of a great and bizarre life. Since the McCarthy era, it has become fashionable to slander revolutionaries or look for "Physcological" motives. My Life is written from a bias, but it certainly has none of taint of an author who tries to discredit someone smarter than them. My Life also show Trotsky as a complete person- bound by unbreakable ties to an idea. My Life is written as many different things- half autobiography and half history of the revolution. The only thing I found bad about My Life is how absorbed it is in its time. My Life is entertaining and readable, and includes some rather funny incidents- like Trotsky naming his socks after Soviet leaders. The only fault is that My Life requires a basic understanding of events to be fully understood. For instance, if you haven't the foggiest what permenant revolution is, you may need to find out. My Life is idea-based, and challenges readers to discover those ideas- and then to do something about them. Buy the book-it is worth a $1,000

Today we expect our political memoir writers to take part in a game of show and tell about the most intimate details of their private personal lives on their road to celebrity. Refreshingly, you will find no such tantalizing details in Russian Bolshevik leader Leon Trotsky's memoir written in 1930 just after Stalin had exiled him to Turkey. Instead you will find a thoughtful political self-examination by a man trying to draw the lessons of his fall from power in order to set his future political agenda. This task is in accord with his stated conception of his role as an individual agent at service in the historical struggle toward a socialist future. Thus, underlying the selection of events highlighted in the memoir such as the rise of the revolutionary wave in Russia in 1905 and 1917, the devastation to the socialist program of World War I and the degeneration of the Russian Revolution especially after Lenin's death and the failure of the German Revolution of 1923 is a sense of urgency about the need for continued struggle for a socialist future. It also provides a platform as well for polemics against those foes and former supporters who have either abandoned or betrayed that struggle.

At the beginning of the 21st century when socialist political programs are in decline it is hard to imagine the spirit that drove Trotsky to dedicate his whole life to the fight for a socialist society. However, at the beginning of the 20th century he represented only the most consistent and audacious of a revolutionary generation of Eastern Europeans and Russians who set out to change the history of the 20th century. It was as if the best and brightest of that generation were afraid, for better or worse, not to take part in the revolutionary political struggles that would shape the modern world. As Trotsky notes this element was lacking, with the exceptions of Rosa Luxemburg, Karl Liebknecht and precious few others, in the Western labor movement. Trotsky using his own experiences tells the story of the creation of this revolutionary cadre with care and generally proper proportions.

Many of the events such as the disputes within the Russian revolutionary movement, the attempts by the Western Powers to overthrow the Bolsheviks in the Civil War after their seizure of power and the struggle of the various tendencies inside the Russian Communist Party and in the Communist International discussed in the book may not be familiar to today's audience. Nevertheless one can still learn something from the strength of Trotsky's commitment to his cause and the fight to preserve his personal and political integrity against overwhelming odds. As the organizer of the October Revolution, creator of the Red Army in the Civil War, orator, writer and fighter Trotsky he was one of the most feared men of the early 20th century to friend and foe alike. Nevertheless, I do not believe that he took his personal fall from power as a world historic tragedy. Moreover, he does not gloss over his political mistakes. While one would not want to be on the receiving end of his rapier tongue neither does he generally do personal injustice to his various political opponents. Politicians, revolutionary or otherwise, in our times should take note.

The phrase "Life is Beautiful" in the Italian film came from Leon Trotkys's last testament. It was written in exile in Mexico. At the time Trotsky's friends, family, and comrades were being harassed, slandered and murdered by Stalin, when he himself faced imminent assasination. He also faced death from the growing illnesses that had slowed him. Yet, in his testament he proclaimed that life is beautiful. Life must be cleansed of the evil and garbage Capitalism and Stalinism have left to this world.

Read this book and you will see how Trotsky's life became valuable for him because he decided to fight oppression, decided to learn about the world to fight, and never stopped fighting. Maybe your life can be beautiful if you read this book, and decide to fight like Trotsky did.

The introduction by the late Joseph Hansen Trotsky's secretary in Mexico is worth the price of the book. Joe explains how the household and work center in Mexico functioned, about how Trotsky valued hard work, but also valued celebrating comrades birthdays, hobbies like raising rabbits, trips to sites of Mexican history. Reading this also tells you how Joe organized the staff at World Outlook/ Intercontinental Press, working with him was one of the great privileges of my life.

In these pages and memoirs of Trotsky by Joe, George Novack, Farrell Dobbs, and other comrades who knew Trotskty, you could find how serious Trotsky enjoyed and embraced life. In Turkey if he wanted to go fishing, he went to sea with Turkish fishers in their trawlers. If he wanted to raise rabbits as a hobby, he soon was taking care of something bordered on a commercial rabbit farm. Both in valuing work--chained to his desk was the term Trotsky passed down--and valuing parties and celebrations of new people coming onto the staff and leaving, Trotsky made his life beautiful.

Read this book, valued as much as a literary work as a political statement, and learn how you can make your life beautiful.

This is many books in one. A fine autobiography from a literary point of view, a historical document with brilliant insights into the time period and major players, and, most important, a rich and sustained polemic in favor of a life of commitment to revolutionary, working class politics. Trotsky dedicated his later life to keeping alive the continuity of Lenin and the Russian Revolution, and what a fascinating, courageous life it was, full of prison, exile, escape, insurrection, and more exile. Trotsky was an inspiring man of action, one of two or three figures who matter most to the working class. The politics of the working class struggle for total human emancipation is the piston that drives both the man and his autobiography.If not available from Amazon, booksfrompathfinder will have it. Click on "New and Used" near the top of the page.

When I decided to write this review, I had to choose between the various reasons why it's so beautiful and important. But, above all, I think that, in a world where the necessity of Marxist was supposedly to be more deeply felt than ever, what repels most people that would be liable to lend an ear to it is the repelling Stalinist mythology of the revolutionary as the relentless, ruthless, single-minded, google-eyed fanatical. Trotsky, on the contrary begins by assessing that, although his life was out of the ordinary, he neverthless remained a men with a penchant for a well-ordered ordinary life; that he found pleasure in seeing a well-ordered table or a well-kept fence; that he didn't becomne a revolutionary out of a feeling of opression, but because of being faced with a life that, although prosperous, offered him nothing but grey drudgery and no opprtunity for individual achievement; that he, like all revolutionaries, was a man like any other. I think that would be reason enough to commend this modern classic to the reader of today, outside from the wonderful style, the importance of the events narrated and so much else.

I have read this book and i think its just one of the greatest stories of all times. It describes the life of a girl, Andrea, who moves to Barcelona to study in a post-war society. She lives in her grandmother's house with her aunt Angustias, her uncles Juan and Roman, Juan's wife, Gloria, their son, and the maid, Antonia. Carmen Laforet perfectly describes every situation, like the impression she got when she first walked into her new home, or her fragile relationship with Ena, the beautiful girl in college, who becomes her best friend, an who also is strangely attracted to Roman. This is the circle of situations in qhich the story develops. I highly recommend it.

I have read this book and i think its just one of the greatest stories of all times. It describes the life of a girl, Andrea, who moves to Barcelona to study in a post-war society. She lives in her grandmother's house with her aunt Angustias, her uncles Juan and Roman, Juan's wife, Gloria, their son, and the maid, Antonia. Carmen Laforet perfectly describes every situation, like the impression she got when she first walked into her new home, or her fragile relationship with Ena, the beautiful girl in college, who becomes her best friend, an who also is strangely attracted to Roman. This is the circle of situations in which the story develops. I highly recommend it.

I had to read this book first for a class but loved it so much I wanted a copy of my own. Carmen Laforet is an extremely talented author and a great read if you enjoy works from the posguerra period in Spain. I found it easier to read than some works by other posguerra authors (Spanish is my second language so I sometimes struggle with some vocabulary).

"Nada" es el encanto original de Barcelona, la tenebrosa antigüedad de algunas calles, la noche como un compendio de aventuras confusas. Su virtud reside más en la rebuscada sicología de Andrea y sus congéneres que en la eficiente escritura de Carmen Laforet. Más que cualquier otra cosa, la casa de la calle Aribau es el logro mayor del libro, quedando para siempre su decadente y asfixiante impronta en el imaginario colectivo, un espacio habitualmente esquivo a las construcciones literarias.

This is an excellent novel. From the very beginning Carmen Laforet manages to create a very interesting and convincing atmosphere, the characters are full and the plot does not stagnate. I have read it several times and always enjoyed it.

ANOTHER ART TEACHER HAD RECOMENDED THIS BOOK TO ME. I HELP TEACH HIGH SCHOOL STUDENTS. I LOVE THE VARIETY OF LESSONS, THE IN DEPTH TEACHING AND EXAMPLES GIVEN. (THEIR ARE A FEW LESSONS THAT ARE TOO ADVANCED FOR SOME OF THE STUDENTS, BUT I MYSELF HAVE FUN WITH THOSE.)

Having studied with Peter London over the past ten years I can assure readers that as a teacher he lives what he writes. He embodies what every teacher should bring to students: careful listening, respectful attention, thoughtful questioning. His writings have won the deserved respect of his educator and artist colleagues nationwide. Treat yourself to a fine book.

I've read this book three times from cover to cover in the past ten years; every now and again for just certain sections. I wish every teacher taught with the respect and care that comes through in the words of this book; won't you try? It is an invaluable resource for the teacher; covering subjects such as setting up classroom environments, critiques, media, and even giving art experience ideas. If you listen carefully to his words you will be given precious pieces of knowledge for your classroom and your studio, from someone who undoubtedly practices and believes in what he knows to be good. It's that real; and that important.

-this is a good companion to it. He's a bit verbose occasionally but gives you difference insights on the same material. The "creative encounters" are exercises to increase creativity and can be used alone or with a group. This is an old book, but I'd seen it cited several times. Still well worth a read if you're interested in creativity and how to open people to being creative.

This is one of the most inspiring books you can read if you are an art student or just interested in art. Peter London tells the artists to go out and find themselves, make their own art, an experiment with encounter. Encounters are excises that are designed to help you know yourself and find out maybe unknown things about you. Since, he is an art therapist, the exercises are very creative and geared to giving you incite into how you can go out and create your own art based on what you have learned from encountrs with self.
This may be a very unique approach to art-making but it's a journey through your own soul and I believe you need to make that journey to make your artwokd say what you want it to say.
London's title is roughtly based on a book by Buckmaster Fuller, who wrote "No More Second-Hand God". Fuller states that if you want to know God, go out and find him for yourself. Don't just except whar yu've been told. That is someone else's experience. Peter London also suggest that other aqartist's work is about them, not about you. Go out and find yourself , then you will be able to communicate visually your unique fellings and deepest thought. Presuasive and inspiring,would recommend you pick it up today.