Peter Books

Anybody who's interested in how we write the world over would do well to pick up this book. It's awfully costly, it's true, but if you're patient and you poke around a little, you can find it used for a third or less of what it's listed for.
Serious linguists specializing in writing might read it through, but amateurs--like me--will just pick it up and leaf through it, stopping here and there, reading this chapter or that, or will use it to look up some specific thing they might want to know about, say, Bishop Wulfila's Gothic script's roots in the Greek alphabet or the origins of the Georgian or Armenian alphabets.
It tells about scripts found all over the world, big ones--Latin, Cyrillic, Arabic, Chinese, Korean, and so on--and far less well known ones, like Berber, Cherokee, Ethiopian, Deseret and some found in Indonesia and islands in the Indian Ocean.
It tells the historic backgrounds and--for lack of a better word--genealogies of the scripts, then shows how they work.
One thing that irks me no end is a shortcoming not with the book itself, but rather with the publishing business as a whole: the font used in the book is inadequate. It is appalling that in a book about writing systems, there are characters that have to be set in other fonts from the main book forn--sometimes even within one word--and characters that show up as composite characters with diacritics off center from the letter they modify. It is a fairly simple thing to edit a font and add characters as needed. It is a shame that major publishing companies seem unwilling to make the small investment in typography that would let them set a book like this in one font, with all the characters needed, so that it reads smoothly, without distracting inconsistencies throughout.
Now, this is indeed a niggling compalint, and it in no way reflects on the beek itself, the writers or the editors. It is the fault of the publisher, and should in no way dissuade anyone interested in this admittedly esoteric subject from getting this book.

It seems that this book is not intended for a general reader, judging both by its price and by multitude of unexplained linguistic terms plentifully sown in the book. I bought this book becuse of many positive reviews and because it was drastically reduced to USD45. The book scans many dozens of wrining systems, as good as it's possible to squeese into ten-some page article, but unfortunately, many of the systems, especialy the ancient and the modern Oriental are too complicated and extended to be fully accounted in a limited space, so you can get acquanited with some 30 Sumer pictograms and never know the other 550, or you can see the 200 Chinese chanacters and just recall there several thousands more or look into Devanagari alphabet but then keep in mind there is a multitude of amalgams that are not easily recognized and so on.
It is also very helpful if one knows like what exactly sounds a linguolabial or a laminal or a voiced epiglottal fricative, otherwise he may be at lost..

The "World's Writing Systems" is a rare event for in one tome it covers all the ways of writing known to us at present. As a professional graphologist this is an absolute boon not only for what it is but because it is also on special offer. While there are other tomes of similar ilk and implication this work has no equal. Until now the study of written language has had no clearly defined reference work.

It has now. Thoroughly recommended.

Peter West

This a detailed survey of the systems that have been used for writing the world's languages, going far beyond the most familiar ones to encompass ones normally known only to specialists, ranging from the ancient Turkish runiform script to the Vai syllabary of Liberia, invented in modern times. Although it was written by experts for experts to read (and priced accordingly, but see the last paragraph below) most of it is well within the understanding of interested non-specialists. The authors assume a knowledge of the International Phonetic Alphabet, but it would have been almost impossible to avoid that, even if the book had been intended for the general reader. Even there it is perhaps an exaggeration to say that this is assumed, because the IPA is set out (albeit without much explanation) inside the front and back covers.

In a book of this kind the quality of the printing is a major consideration, as the samples of text need to be large enough and black enough for the individual characters to be read, and ideally should harmonize with the surrounding text in English. Before the age of computer-based typesetting it would have been impossible even to approach this ideal except at enormous price, but now it has become realistic. In general this book comes very close to the ideal, with a very high level of typography.

At more than 900 pages the book goes far beyond a mere listing of scripts with samples. It also includes a great deal of historical and cultural information, explaining how the different scripts evolved to their present state. In addition there is information about how the more successful scripts, not just Latin but also Arabic, Russian, Hebrew, Aramaic and so on, were adapted to languages different from those where they began.

At its published price the book is probably beyond the pockets of most general readers. It is worth mentioning, therefore, that on at least two occasions in recent years it has been available through Amazon with a very large discount, and one can probably expect this to happen again. I bought my copy at 40% of the published price, for example, and with that sort of discount it need not be restricted to libraries and specialists.

...it's missing many language script tables that I was hoping for. Don't get me wrong, this book is amazing and filled useful information and language tables - just not all of them. I was hoping for some representation (optimally in an alphabet table format) of the usage of the Arabic-based script for Hausa, Swahili, the Central Asian languages, and some complete detail of which languages have (ever) incorporated an Arabic-based script, when they did, when it was withdrawn or changed (if applicable), comparative texts with the modern scripts, etc. In conclusion, a treasury of information (a lot of which might be quite difficult to track down on your own and would be very time-consuming), marred only by my high expectations. I definitely recommend this book to language lovers and for those who can appreciate the diversity of human expression.

Elbow is the known authority for writing techniques and this book is a classic. Easy to read and understand, Elbow creates a world where writing is not only important but rewarding. I have tried many of the suggestions and after years of frustration with writing papers, I have found tools that are very useful.Best of all, Elbow is so excited about the writing process, I actually look forward to sitting down and getting started.

The Institute I am currently taking a writing course through, encourages the students to collect other points of view toward achieving our goal. I learned of this book from my neighbor who also took a writing course. I am enjoying the use of it very much. Thank you.

I first came across Writing with Power in our university library when I was starting my thesis in my final year of my Architeture Degree in 1991.
Up to then, my essay writing or writing generally - was lousy!!!!. So I was looking for a book which may help me.
Well what a surprise.
Peters suggested that writing be broken into 2 stages -
1. writing of ideas,
and then
2. editing

This new process provided for me , a creative person , a breakthough in a how to write that was contrary to how I had been taught to write ( writing and editing at the same time) which quite frankly didn't work for me.

Now armed with this more creative process, I was able to write and draw my thesis, graduated with 2nd class honours - much better that barely passing.
I reckon this ought to be a basis text book introduced to all students, at any level of schooling.

Now that I have found this book available on the web, after 15 years, I going to get myself a copy -Thanks Amazon and Peter.
ps didn't help my english though.

It seems as if writing books can roughly be divided in two categories. First, there are the books that tell you to plan your writing project in advance in meticulous detail. Second, there are books that tell you NOT to plan anything in advance, but urge you to start writing until you drop.

Elbow's book is in the second category. Though it seems as if his method of "freewriting" leads you nowhere, the book helped me tremendously. Elbow describes several techniques, all of which can be of help (including the planned writing strategy) to those who have to write stuff. However, his own tack is what he calls the "loop writing" process. During this process, one blends freewriting techniques with more directed writing techniques. The emphasis, however, is on the creativity stimulated by freewriting. The reason why Elbow emphasizes freewriting is extremely simple, and by experience I know it to be true.

Elbow writes that when we write we tend to be our own critic. We evaluate immediately what we write, we edit on the fly, and therefore get stuck rather quickly. Elbow urges us to leave the editing until a later time, and simply start writing whatever comes to mind. You can always throw out stuff later. That way, you'll create a work flow, that is beneficial to your creativity. Just read the book and Elbow's wonderful advice, and see if this works for you as it did for me.

I took Elbow's advice seriously in my scholarly writing (I am a philosopher of religion and theologian at Leiden University, the Netherlands). Elbow's book was a real source of inspiration and made writing a lot of fun. At this stage, I have finished a 250-page book (which will be published in two months with one of the major Dutch publishing companies), and several articles. I don't claim it will work for everybody, but it certainly worked for me. Just read the book and try it - if it doesn't work for you, at least you've read a wonderful book!

At one time, writing was slow and awkward for me. My college assignments forced me to write, but each essay and paper was an excruciating ordeal. Peter Elbow's book, recommended by one of my professors, turned my writing life around.

Writing With Power explains how the writing process works (and why it sometimes doesn't work). With those insights in hand, and using Peter Elbow's simple techniques, I began to write faster, more often, and less fearfully. And now, years later, I'm a full-time professional writer -- something that would have been unimaginable before I read Writing With Power.

We had never been 4 wheeling in Colorado and found this resource to be very helpful. We had a great time.

Informative book,great roads description, could use more pics but very good addition to my existing 4wd library as it contains few trails not listed anywhere else. Perfect for beginner offroaders, also great companion to Well's books!

This book is organized very well and is extremely useful and accurate. The one thing I wish it did have was an overal list of trails by difficulty/scenic value. If you also buy the Wells book, you will be adventuring for quite a while.

I recently used this book for a back country trip in Colorado, after years of using Massey & Wilson's similar book for Arizona. I highly recommend them. The GPS coordinates, odometer readings from two directions on each trail, and difficulty ratings make these invaluable tools for navigating back roads. The local histories and lore make for fun reading even when you're at home.

I bought this guidebook a few years ago and it is definitely one of the best. It fits easily in our seatback. He covers many trails. What has been helpful about his book, is that the mileage is given in both directions, so you can easily figure out where you are given your starting point. All the cross roads you come across are described as well, so you don't wonder, should I have gone that way. His mileage was right on with our odometer. I have a few other guide books, but his is definitely the best because of the detailed description of your road trip. Highly recommend. With his book and a Trails Illustrated map, no reason for you to get lost.

Great Book if you are wanting to get into the acting biz and have no clue where to start...read once then read 5 more times very useful info!

Wow, this is probably the most informative book about acting that I have ever read. Yes, I know commenting on a book before I finish reading it probably isn't the wisest thing.
I am at the acting tests, which I still have to do. But I did make dates with courage and determination! I am excited to ask my neighbor for a pair of socks.
I didn't think I would have what it takes to be an actor, but this book offers encouragement and ways to get you ready to be an actor.

READ IT!!!

Well, I guess you're not really supposed to write a review on a book until you've finished it, but this book is great. I got it two days ago and I'm almost finished reading it. I almost can't put it down, and i'm not a huge reading fan. I've read other books and none of them seemed to catch my attention or explain a process as well as pete does in this book. I would recommend it to anyone considering the acting career, not only does it help you decide wether you have the courage to act or not, it also gives you a step by step process to help keep you on track. I believe that this can help any actor, and is essential to the beginner.

I read some of the other reviews and wondered what these guys were thinking if they're skeptical at all. Even though this is the only acting book I've read, I can't imagine that there could be anything more helpful. Talk about to the point. It seems pretty clear after reading this, that I can do this if I just follow these steps. I like that the writer doesn't use any false promises. At the same time though, he really nails it witht the whole step by steep thing. He made me think of things I never realized before like exactly how you get that first role that leads to other roles. This book is gold in my opinion. I'm just starting out and trying to get my feet wet. If you're that way, I think you'll enjoy this too. I read through the my highlights every day.

I have dreamed of becoming an actor all my life, but i wasn't sure how to go about starting a career other than school plays. When I got this book I began reading it right away...and I did not put it down until the last page. This book is a goldmine for anyone who wants to get into the acting industry. Peter's advice and his steps are realistic and after reading it I was inspired to really go for it. now I ask myself everyday..."What have you done today to advance your acting career?"

A fascinating look into the man behind such a creative literary & scientific mind! He is quite 'bare bones' about himself. Also suggested bio.: "The Lost Notebooks of Loren Eisley" ed. by Kenneth Heuer.

Thoughtful writing, and interesting, but Eiseley sure was a bitter and despairing fellow. He held grudges forever and never forgot a slighting, even from childhood. It appears that he wrote this at an advanced age, when his friends and associates were dieing off seemingly all around him, and he wasn't very happy about it and his own mortality. Interesting, but definitely a downer.

An excerpt from 'All the Strange Hours'

"...Oncoming age is to me a vast wild autumn country strewn with broken seed pods,hurrying cloud wrack,abondoned farm machinery,and circling crows..."
Frankly I lost my reference notes.But this is a wonderful read.You enter deep into the thinkings and passions from the heart of one man.Eiseley will invite you into his thoughts and observations about life and people like a quite and unassuming gentlemen.These stories bring you deep into the core of the Midwest cast of mind.
Great Read

There are few books written today that I don't want to rewrite. All the Strange Hours is one of them. This is the real thing- forget "Magical-Realism" and forget all other memoirs. This is unlike any memoir, or book I've ever read before, and should be getting out to a larger audience. You don't need to be into science, archeology, or even know who Eiseley is to appreciate this work. His writing is so good that it doesn't matter.
He also doesn't delve into the mundane things that most writers would- in fact, you go through the entire book, and you don't even know his wife's name. If I met Eiseley, I'd feel that I'd know little about what he likes to eat, or what kind of music he enjoys, or if he's a morning or night person. But none of that matters- because I feel like I know him on the inside. People who knew Eiseley say that those who read his works often knew him better than those who knew him in person. I'd list Eiseley easily as one of the greatest writers of all time, and at minimum I'd put him in the top 3 of great prose writers. Check him out, and you'll see. You won't be disappointed. Trust me- - I don't like most contemporary stuff, and if you don't either, this is great literature for you.

This is a beautifully written personal meditation on the impermance of life against the passage of time and the attendant sense of loss by a deeply compassionate existentialist who searches for the meaning within the design of nature. There is a palatable sense of both truth and despair. There is also a consistant thread of both awed respect and admiration for the immensity of "the terrible beauty" of existance. If you are looking for a book that balances the invisibly fine line between the light and the dark of insight from the perspective of a honest man who grasps both, this is your book.

Excellent addition to Harryhausen's "An Animated Life".
Drawings,sketches,pictures...Recommended!!

If you're a fan of Ray and his films, or even just a fan of great movies in general, this is a must-have book. There are plenty of other reviewers here who give details about the book, so I'll skip that and just say that it really does live up to the hype you're seeing here. Ray is a master (and a really nice guy too), and he speaks candidly and in detail about his life and films so it's an enjoyable and informative read. Plus the pictures are phenomenal. I don't know that I'd say this is better than the first book, because they're really both great.

I grew up with Harryhausen movies. This book captures my imagination like his animation did when I was a kid. I love it. It is almost as much fun to read as it is to look at the awesome pictures of Harryhausen's drawings and sculptures! If I had to reduce my animation library down to 5 books, this would be one of them.

I don't feel qualified reviewing my purchase as it was a gift for a dear friend who has been a Harryhausen fan since he was twelve. By his reaction upon receiving the book I felt I must have given him the greatist gift in the world. It was before I wrapped the book that I had a chance to skim through it and I found it to be very impressive in its wealth of photos, illustrations and information. I was very glad to see it was printed on quality paper and the illustrations were large and clear. I have seen other books of this type and get very annoyed when they print a picture of a film no larger then 2"x 2 1/2". I would say this book is a great tribute to Mr. Harryhausen's career.

Much better than the first book. The first while good was to technical. We all love Ray Harryhausen for his visual work and this book shows it off beautifully. I highly reccommend it.
Phil

Of Peter Matthiessen's non-fiction I have previously read only The Snow Leopard, but I have also enjoyed a collection of short stories called On the River Styx. Mr. Matthiessen's authorial voice is very prickly in Birds of Heaven, much more cranky than I remember it in The Snow Leopard, which was written in the wake of the death of his wife from cancer. The Snow Leopard was permeated with sadness and longing. Birds of Heaven is permeated with anger and impatience.

The book is arranged geographically. Beginning in Siberia, Mr. Matthiessen takes through Asia to Australia and then on to Africa and Europe and finally to North America. There are no cranes in South America (or Antarctica).

The author is at his best when he is combining his wry observations of the people and places around him with an enthusiastic and well-informed account of the natural history of a region. I felt that he was less successful when he lets his righteous indignation get the better of him and begins to make snide comments about the absence of a love of the natural world in Chinese society, the wrong-headedness of various bureaucrats and the corruption of local officials.

It is not as if I disagreed with his point of view, but I knew that I already shared it before I even picked up the book. I can't imagine anyone who had any doubts about the importance of cranes as sensitive indicators of the general health of the environment being won over to the crane's side by this hectoring, doctrinaire authorial voice. But then, perhaps this books is really just an extended love letter to the cranes and to the environment in general. As such, it succeeds wonderfully.

The Birds of Heaven is an unusual mix of natural history, travel, personal reflections, and tough lessons in the realities of international cooperation (or lack thereof) in conservation. It is thoroughly engaging, and also has beautiful illustrations and photographs. Everyone who loves the outdoors--not just crane fanatics--should own a copy of this book.

I first read Peter Matthiessen in the 1970s: "The Snow Leopard", and was so moved by his writing that I began to read everything I could find that he authored. I have never been disappointed. "The Birds of Heaven: Travels with Cranes" is, like his other books scholarly and absolutely sings with his love of the subject. And the included art is breathtaking. With International Crane Foundation as well as other authorities on wildlife conservation, Matthiessen has written another book that will transport the reader to numerous countries, under numerous skies to see and hear the ancient bugling of the birds of heaven.

The most striking feature of this book is the color plates, which might make the book a nice gift for a birdlover. This ornithological study works on at least 2 levels:1)it is a detailed study of the current knowledge of 15 species of cranes, most of which are endangered (The Sandhill crane of the US is an exception), efforts for preservation of the species, and ornithological details. To give the briefest example, some of the cranes are migratory,while others are not. Some migrate long distances, as does the crane that nests in Northern Asia and winters in India. The Sandhill crane, of North America, has the longest migration. Most produce only one egg per season, take more than one year to mature (unlike geese), and are subject to predation;the book enumerates the numerous efforts at preservation worldwide, which include using an airplane as an imprinted mother-figure, just like in the film "Fly Away Home." Also there are preservation societies in many countries, including Cornell U. and in Wisconsin in America. 2) It also works as an historical and geographical travel guide to many remote areas of the world, including China, Mongolia, Siberia, Southern and Southeast Asia,Japan, Korea (where cranes inhabit the demilitarized zone) , Australia, England, Africa, and America-- all continents except South America. These cultures are alien in terms of religion, culture,politics and geography at least to me so reading about them presents a formidable challenge. The book is lavishly illustrated with pictures of these beautiful and diverse birds.

_The Birds of Heaven_ by Peter Matthiessen is a well-written and informative account of the fifteen living species of crane. Matthiessen chronicled in the book his years of experience with these birds, traveling to Russia, China, Mongolia (where six species have been recorded), India, Bhutan, Japan, South Korea, Australia, Africa, England (where the Eurasian or common crane, extinct there since 1653, is at last a breeding species once more), Wisconsin, Nebraska, and Florida to study and write about the various species. Matthiessen's superb writing is accompanied by truly excellent artwork by artist Robert Bateman, who produced a number of black and white drawings and color paintings for the book.

Matthiessen did an excellent job of covering the biology of cranes in general and of each species individually. The crane family (Gruidae) we learn is found on every continent except South America and Antarctica and is comprised of three genera, _Grus_ (to which all but five of the living species belong to and a group primarily found in Eurasia), _Anthropoides_ (which includes the demoiselle crane as well as the blue crane of South Africa, which may be descended from it; Matthiessen discussed many theories of crane evolution), and _Balearica_ (which includes two African species, the black crowned and gray crowned). Though sometimes called herons in some parts of the world (or more often herons are referred to as cranes), cranes differ from herons in that cranes fly with neck outstretched rather than curved back over the shoulder (they differ from storks in that storks display broad tails, which the cranes lack).

The several species of crane have subtly different breeding habitat and food preferences; for instance in the Amur Basin the white-naped crane probes for tubers while the red crowned crane hunts small animals and picks at vegetation. Not all cranes are restricted to wetlands; while for example all three of the rare white cranes are found only in marshes, the more widespread and abundant demoiselle, Eurasian, and sandhill cranes are generalized feeders able to succeed in a variety of terrains, with the demoiselle primarily an upland feeder.

Some cranes have rather unusual adaptations. Several species are "diggers" - feeding primarily on mud-buried tubers - and these species (the white-naped, sarus, brolga, Siberian, and wattled cranes) have naked, non-feathered skin on their head down to the bill, which is an adaptation analogous to the naked head and neck of vultures. The brolga crane, which is more often found in salt marshes than other species, has evolved specialized salt glands near the eyes through which it can secrete concentrated salts. Feather painting is also covered; some species daub their feathers with wet vegetation or mud during nesting season for camouflage.

The role of cranes in myth and history is also discussed. The word crane comes from the old German word "Cranuh," which like the genus name _Grus_ is a rendition of the bird's cry. The Yakuts people of Siberia revered the Siberian crane as a symbol of their various clans, a uniting symbol for their people. The sarus crane of India (at nearly six feet tall the tallest flying bird on earth) has been for centuries revered as a holy messenger of Vishnu, a Hindu deity, a reverence that has protected this crane from hunting (similarly a Buddhist reverence for life in general and often cranes in particular has helped kept cranes safe in such places as Bhutan). The red-crowned crane (or in Japanese "tancho;" the heaviest flying bird on earth) was revered as a messenger of death and symbol of eternal life to the Ainu and portrayed in Japanese robes, wedding kimonos, screens, scrolls, and other items for centuries. Revered also in Korea as "turumi," a companion to sages, scholars, and musicians, in both nations it was also regrettably hunted and eaten. More recently the peace symbol of the 1960s was originally a Hopi Indian sign derived from the footprint of a crane.

One thing that surprised me was that some crane discoveries were made fairly recently. The whooping crane's breeding ground was found after nine years of searching in 1954. A large, breeding, unknown (though known to Aborigines) population of sarus cranes was discovered in 1961 in Australia. A non-migratory population of red-crowned cranes on Hokkaido wasn't confirmed until 1972. The breeding ground of the central Siberian population of the Siberian crane wasn't found until 1978. The black-necked or Tibetan crane was as late as 1987 thought to be rapidly vanishing, the second most endangered crane on earth, but surveys in the early 1990s in Tibet and Bhutan pegged the species at a much healthier count of 5,500 birds, showing that early estimates were way off.

Issues of crane conservation are well covered, with Matthiessen chronicling the dire straits faced by many of the species, the heroic efforts made by some to save them, and even their role as "umbrella species;" that when their habitats are preserved many other plants and animals benefit. The Amur Basin of Russia for instance - a vital crane habitat - is being threatened by massive deforestation, agricultural runoff, pollution from mining, and proposed dams. Attempts by such agencies as the International Crane Foundation to broker deals between those nations that share the Amur and its products - Russia, South Korea, China, and Japan - has been stymied by mutual mistrust (extending to ridiculous extremes; Chinese officials refusing for instance to refer to the red-crowned crane as the Japanese or Manchurian crane, both frequently used common names). Some successes exist; the Keoladeo Ghana Bird Reserve near Bharatpur, India, established to preserve wintering Siberian cranes is now also home to 364 bird species as well as pythons, nilgai antelope, and sambar deer (though the park is still threatened by the crush of humanity in crowded India).

In addition to being an excellent book on the history and natural history of cranes it is also a wonderful travel book, the author doing a great job of describing what it is like to travel in such exotic places as Bhutan and Mongolia.

We wanted to label all the photos of birds we took in South Africa. This book made it easy to locate the drawings of the birds. . .drawings that were very lifelike. . .and attach the names to the photos. We highly recommend this guide.

This guide looks perfect for my needs. I have looked it over carefully, even though I haven't had a chance to use it in the field. I definitely like the quick reference guide to bird types inside the front and back covers and the color-coded reference to bird groups. Look forward to using this guide in the field.

This book is superbly illustrated, with clear descriptions of each type of bird and makes identification fairly straight forward.
While I have not used it in the bush yet, I expect it will be invaluable in identifying each bird I may encounter.

Well worth the money to enjoy your trip to South Africa even more. Even with a good guide (like we had with Transfrontiers) it is well worth taking a strong field guide like Birds of Southern Africa. That way when your guide is trying to tell you what you are looking at, you can see the picture up close and get a better idea. We have done many trips to various parts of Africa and this is one of the best guides we have used.

Warning: using this field guide will make you dissatisfied with many other field guides. You will enjoy studying and using this guide.
The illustrations are large and detailed, distinctly more accurate than most guides. In addition most are just beautiful works. They are grouped in species settings with juveniles, alternate plumage, flight and significant field marks highlighted.
On the opposite page: written description, habitat, abundancy status and call descriptions with a range map plus the Afrikaans name.
As an example of the illustrations: the Laughing Dove is illustrated by two flight poses and a profile. The profile has arrows noting 'no hind collar', 'cinnamon back' and 'black-flecked necklace'. The written text notes marks that distinguish this bird from a Cape Turtle-Dove.
The cover is plastic coated and the pages have a lesser water resistant coating.
A lot of attention to detail went into creating this book --colored coded page edges according to bird group, groups of waterbirds and hawks in flight for comparison, a checklist near the index and internet addresses of birding resources in the area.
All this in a work that I carried in a large pants pocket every day.
It just makes me wish such books were available for many more areas.

Since i had it, it has been a good source of information. The autor has shown the vast of experience in troubleshooting cisco router and i thank for the diagrams that clearly support all the examples in the book. It brings with tips and identify common and uncommon pitfalls. I like the very explained part about routing protocols. I would like a new release with more tips about layers 1 and 2.

"A good book is which you open with interest and close it with benefits"

This book is well-written and accurate. The writing is easy to follow. I read it very quickly, but didn't notice any errors. I plan to keep it as a reference for when I need to troubleshoot particular internetworking problems. I think it will be quite useful for typical problems. (It's somewhat basic, so may not cover the more bizarre problems, but that's OK. No book can cover every possible problem.) I have never met the author, but he seems like a wise fellow, with a lot of good advice to offer to the Cisco networking professional. This book is an accomplishment that he should be proud of.

This is a good book which will help you to perform better in basic troubleshooting but it's not great as I was expected. The best part of this book is easy to read and understand. However for anyone who is preparing the CCNP, this book will be very much useful.

not configured a router properely so i was a novice. however my work needed good knowledge of this so when i saw this book i thought i`ll try it. superb i`m now telling engineers in the uk and europe what to do..

Normally, I wouldn't buy a text that involves Cisco routers/switches from anyone else other than Cisco Press; but, after researching the author's background (and since this was backed by IDG books, which has a pretty good record of publishing quality texts), I decided to give it a try. I was not disappointed (well, only that I didn't purchased it sooner).

The book is excellent! When a book is about troubleshooting, I expect it to contain real-life situations that can help me at closing time, on a Friday afternoon. This book does not lack that, as opposed to Cisco Press' CIT guide. If you're a network engineer or administrator in-charge of administering and maintaining your Cisco environment, buy this book! I am sure you would not regret it.

Wouldn't is be nice if the person who automatically slams my reviews would grow up? All I did was criticise some common ignorant claims about the Maya that are made by some Mormons, but this person has no answer to what I am saying and can't handle it. How about leaving a comment with some mature criticism?

This is a great book. Perhaps some Mormons don't want people to know that Maya glyphs have been translated and say absolutely nothing about the claims and subjects of the Book of Mormon.

So, "helpful" votes are appreciated, and please remember that a short review that leads you to a great book can be a good review. Thanks.

If you ever wondered what the Maya writing on the monuments at Tikal, Palenque, Copan, Seibal, Chichen Itza, Uxmal, and Iximche says, this is the book for you.

One stela at Copan is particularly interesting. Known as "Stela B," it depicts two huge macaws in the headdress of a Maya king. These macaws were mistakenly identified as "elepant heads" in a crackpot book written in the 1920s.

This identification was always refuted by the experts, and just looking at a drawing of Stela B, it is clear that the "elephant trunks" are actually the beaks of macaws (they have nostrils on the sides, which elephants lack and macaws have). Also, the area is full of the striking birds with their red and blue plumage.

The story might have died there had not the Mormons picked up the elephant-trunk claim and put it in the Book of Mormon in the 1960s and 1970s. A photo of Stela B was among the many examples of "evidence" for the Book of Mormon, which claims that the civilizations of ancient America had "elephants." Actually, there were only wild mammoths, and they were never associated with civilization anywhere in the world.

All the photos from the Book of Mormon were eventually deleted, including one of a "horse" (actually a damaged feathered serpent--a feather being its head).

Now that the glyphs on Stela B have been deciphered, we know that they speak of "macaw mountain" (page 162 in the present book) near Copan and a bird sanctuary today. Regrettably, the glyphs do not speak of "elephant mountain."

Schele and Mathew's masterful 418-page work is a must for anyone interested in the Maya and the many false claims made by Mormons. It doesn't even mention the Book of Mormon, an indication of that book's status in the real world of archaeology.

Highly recommended.

"The Code of Kings" suffers from too much seriousness. The structure of the book relies on interpreting some main architectural achievements of the Mayan kings who commissioned them. That is, for most chapters a brief historical narrative is followed by a detailed description of the monumental group of interest and ends with an interpretation as to its relevance. The interpretations are good, and we can appreciate the great scholarly gifts of Linda Schele (in particular when the authors dispose of the Toltec Maya myths of Chichen Itza). We can even be moved at times such as when the authors talk of the Great Plaza of Waxaklahun-Ubah-K'Awil (this reviewer was happy to have read it a few days before going to Copan). However, this dense package might scare away a more casual reader of the Maya history. It also makes this book pretty useless to take along in your trip to Guatemala and Yucatan, unless you will have plenty of time to sit down under some trees and read while you visit. But if you have plenty of time to prepare for your trip, you definitely need to read it. And of course, it is a must in any serious book collection on the Maya.

I have only had time to browse through and start this book I recently purchased, but if it will stop the flow of e-mail mails from amazon asking me to review it, I will review it anyway. It is one of Linda Schele's last collaborations and for that reason alone it would be interesting. The only thing I can say so far is that it seems to be an interesting book aimed at the educated amateur. Although the title would lead the unwary to think it was strictly a book on Maya epigraphy and although it does contain a lot of epigrapical and linguistic information, it is really a tour of several Maya sites with in depth explanations, floor plans, and charts, all by leading experts. Though I am not in good enough health to travel, still it looks like a very useful book to any Maya scholar amateur or otherwise. I am over the age of two (katuns)

What a magnificent book for any general reader, like me, who loves to read about the cultures of Mesoamerica. The authors take us on a tour of seven of the best known and most visited sites: Tikal, Palenque, Copan, Seibal, Chich'en Itza, Uxmal, and Iximche'. The book opens with a most helpful introduction to the archaeology of Mayan culture and the cultural elements that are common to all the city-states / regions that we call Mayan.

Look at page 21 at the photo from 1891 that shows us what the Temple of the Inscriptions looked like before excavation and restoration. Obviously, all the trees that are cleared in the picture would have hidden them even more, but the photo could not have been taken with them there. As you read through the lessons on Mayan architecture, housing, writing, religion, and warfare, the Maya become life and blood people who existed at a time and place that becomes nearer to us through this great book.

If you are planning to visit one or more of these sites, then this book is a must read as well as a field guide to take with you on the trip. The authors take key features and each site and explain them in detail. What a great experience it would be to stand in front of these monuments, murals, and temples with this most helpful text helping you understand what you are seeing.

The book is richly illustrated with many drawings of important inscriptions, buildings, monuments, and architectural details. There are also many black and white photographs, and a section of wonderful color plates to help us understand the beauty of the natural setting that provides the context for these cultures.

After the visits to the cities there are many helpful features that comprise another hundred pages of the book. First, a concordance of Maya personal names provides the spelling used in this book, alternative and common anglicized versions of that name, and a brief description of who that person was. There is also a key to pronunciation and orthography that I found to be most helpful. It is always intimidating to see words without having any idea how they would be said.

The notes section is full of very helpful information for those readers who want to dig a little deeper as is the list of references (really, a bibliography). The Glossary of Gods and Supernaturals is amazingly interesting and helpful and the index is a handy way to get back to certain topics in each section when you are trying to tie the cultural elements together across time and geography.

As I said at the beginning, this is a fantastic and wonderful achievement that I am very grateful for and it is a final example of why we miss Linda Schele so much. The other authors are also fine and will continue to bring us much, but Prof. Schele had a special eye for the aesthetic achievements of the Maya and the ability to help us see things her way and enriched all of us who are fortunate enough to read her words.

This is not just an archeological study of some of the most important sites of the Maya world, it is an inmersion into Maya philosophy and art. I found it exciting how the book relates stories about the conflicts and conquests between the city states and their kings. Some of the new theories into the Toltec migration to Maya land are also very interesting and refreshing to read. I don't think this is a beginner book, at times it digs deep into Maya symbology and thinking, this could make it hard to follow if you're not familiar with some Maya history. Overall, like all of Schele's work, this is an excellent book.