Peter Books

I have read this book and have already sent two copies to fellow Christians searching for a foundation of their faith to spread the word. This is a phenomenally well written book that explores the basis of Christian faith and gives examples of how we can back up the word while witnessing to others. I highly recommend this book to anyone whom enjoys apologetics.

I've read many people give an account for why they believe what they believe. From atheists, I've read Russell, Sartre, Nietzsche, Sagan, Dawkins, Hitchens, Harris, and Antony Flew (when he was an atheist). From Christians, I've read Craig, Zacharias, Sproul, Strobel, Pascal, Lewis, Blomberg, John Dickson, and Moreland. Although both lists of atheists and theists have good writers who can make vivid points, none is the teacher like Geisler.

Norman Geisler and Bocchino are not poets. They are straightforward and the powerful imagery of their book is using phrases by the authors mentioned above. However, they have packaged a very good text with a wide breathe of knowledge and connected the fact that beliefs have consequences. Those consequences will spill into all aspects of our lives no matter if we realize it or not. This book basically shows the logical sequence of philosophical premises with regards to major worldviews and how those worldviews, if honest and logically consistent, will play out in fields like science, law, morality, and education.

This is a good referance book for any Christian. Specially for College students. It will not get outdated soon. So buy it read it and keep it for future referance. It is very useful. LOTS of information there...

This book is a must read for all students in a secular environment, and for anyone seeking a reasonable defense of the Christian faith. Evolution and moral relativism are not satisfying answers logically or practically. Geisler does a masterful job of removing the scientific underpinnings of evolutionary faith and establishing a well reasoned defense of Intelligent Design. He further takes on issues such as justice and absolute moral standards vs. relativistic morality and judicial philosophy. THe last section of the book points to every man's need for Jesus Christ as personal Savior and Lord and establishes the Bible, as God's revelation, as the only proper epistemoligical starting point.

This book sat on my shelf collecting dust for nearly 6 years. It wasn't until I found myself as a first-year teacher needing a strategy to refute evolution and a darwinistic view of our world that I even felt compelled to pick it up. This book is an excellent resource...logical, methodical, and sound-minded in its application of reason to matters of faith. I highly recommend it just as strongly to one longing to worship the Lord God with all his mind, as to another who is still unsure of the intellectual credibility of the Christian faith. In terms of books that have changed my life, this title will rank with the best of them...only coming in behind the Bible itself, and C.S. Lewis' Mere Christianity.

This is a great read, wonderful adventure and intimate characters. If you have already read "She Who Remembers" this tale will further the story and you'll be sad when the journey must come to an end.

This book was an excellent read, the best in the series, and I have read it many times. I have a huge problem with a few holes in the story line however, and if you are like me, the magic of a good book can be ruined by careless editing.

A) Several times throughout the book, characters names are interchanged. Antelope becomes Kwani, Yatosha becomes Tolonqua, characters names are changed from what they were in "She Who Remembers"

B) Acoya discusses his love for WhiteCloud.... before he meets her.

C) Characters that are killed or die of natural causes will occasionally re-appear in the book.

D) "Lapu" is used as an insult by Kwani directed at Owa. It is said to mean the shredded bark used as diapering and toiletry. It is said by the author to be highly insulting, and would never be used as a name. Yet a few chapters later, she introduces a character, a young boy in the Eagle Hunters, named Lapu.

E) Antelope names her baby daughter Kwani, after her mother. However, in the next book in the series, Antelope's daughter's name is Skyfeather.

All in all, if you can close your mind to the errors, this is a wonderful work of fiction, and by far the most engaging and entertaining book in the series.

Once I started reading this book on my way to work while riding the bus, I couldn't wait until I could ride the bus home, so I could pick it up again. Ms Shuler does a fantastic job with detailed description of Native American culture and artifacts,an exciting plot line,and very interesting characters. There is love, pain, joy, faith, terror, friendship, paranoia, sadness, hope, disappointment and passion in this book, showing us that the Native American people in the 12th century experienced all the emotions that we still experience today. One of the best books I have ever read!

I travel to New Mexico every year to visit my in-laws and every
year I fall in love again with the land, the people, the history, the turquoise jewlery.... and the stars. And every time I leave I am heartsick of the big sky, beautiful mountains, exotic plants and sweet air. Reading Voice of the Eagle is the only cure for my "desert seperation". Mrs. Shuler's talented storytelling and compelling characters make this book one of the best in pre-historic fiction. This book is sweeping in its plot of love, duty, and ceremony among the ancient Towas of Cicuye.
I can close my eyes and see again the vast landscapes, the endless blue sky. I love this book!

I bought this novel over 5 years ago. I read it 3 times, and recently was entrapped again for the 4th time. I love this book! The story, natural settings, characters are so real it fells as if you are alive in there village. I'm looking forward to reading the third novel from Linda Lay Shuler.

If you're raising teenagers and are feeling the generation gap widen by the day, "When Teens Stray" will help you regain a solid perspective on your role as a parent or guardian and help you stop beating yourself up about your parenting abilities. Two chapters in particular, "Seven Common Myths Parents Hold About Their Kids" and "Six Common Myths Paents Hold About Themselves," get to the heart of the matter and challenge the uncertainty and despair we parents sometimes feel wondering if our kids will ever turn into responsible, enjoyable adults! Although written from a Christian perspective, there's not an ounce of "Christianese" or "holier than thou" preaching in the book; just encouragement and affirmation and lots of examples of parent/teen struggles. I highly recommend this book.

When Teens Stray is a book every parent raising children should read. My children are already grown, and I know this book would have been very helpful when my wife and I were raising our children.

This book would be very beneficial to help deal with people in all aspects of society. The was well researched with many real life expamples to draw from. READ THE BOOK.

It is a pleasure to read a book with practical and straight forward answers to very difficult and heart wrenching dilemmas. I appreciated Scott's willingness to be honest with his own struggles as well as effectively communicating the issues that many parents face on a day to day basis. It is a comfort to hear my own questions faced in this book and to have some hands on ideas on how to work through them. Most of all, I appreciated the way Scott consistently pointed us all to the One and Only God who is able to keep us and our children in His hand.

Dr. Larson provides another straight-forward and practical book on parenting troubled teens. For the parents that have suffered through the straying of their child, they will find hope for the journey, principles to live by as a parent, and strategies that can have an immediate impact in a troubled kid's life.

Dr, Larson's unique ability to blend the latest in psychological research and timeless biblical insights affords parents a fresh look at parenting "for the long haul"

This is a crisply written book chock full of wisdom for parents dealing with prodigal children. Larson blends solid Biblical principles with equally solid youth development knowledge. An example: "Never make good behavior a prerequisite for your affection. It is a condition that even God doesn't demand." Woven throughout are fascinating stories of real-world challenges faced by families with challenging youth. This book is a God-send for parents and others who love teens who stray but need fresh ideas to help these youth keep their families in balance.

The book & reason for this essay is his autobiography All the Strange Hours. Its subtitle hints at both the man's existence & its aim: The Excavation Of A Life. Eiseley (henceforth LE) was a well-respected anthropologist, scientist, & essayist. In his spare time he was also a poet. Many years have passed since I had read his engaging essays. He mastered what might be called the Covert Inner Essay- i.e.- those which tie in the ostensible subject matter at hand with whatever the essayist really sought to speak of: personal axes, incidents, or other such muses. Think of this not then as much an essay nor an homage- per se- but rather as an experiment in persuasion. OK?
The book by LE is divided into 3 main sections: Days Of A Drifter, Days Of A Thinker, & Days Of A Doubter. The 1st of the 3- Drifter- concerns mostly LE's youth through college & mid-20s. It has some of the most beautiful & poetically heart-wrenching prose I have read. His detailed episodes as a rail-riding hobo, assorted illnesses, his call to the natural & an episode in Mexico with an ex-hood from Detroit are marvelous. LE resurrects the Great Depression & Dust Bowl iconism with an eye & ear greater than Steinbeck. This section's closest literary antecedent is Kenneth Rexroth's Kenneth Rexroth: An Autobiographical Novel, however- as good & even great as that book is in sections- as a whole it never coheres nor moves 1 to the totality of empathy that LE's work in this section does. It is this fidelity to the unnoticed conflated almost effortlessly with larger themes, & the utter Occam's Razor-like detailing, that draws me because it is so resonant with my own writing style- both prosaic & poetic. There are a number of passages & images that will be with me always. Not only that, but it is the very way he uses words to damn-near holographically duplicate the scientific process of inspecting & investigating things. In my aforementioned poetic struggles of late it has been a combination of lack of time plus an exhaustion of `ins'- or approaches to poetry as a craft & myriad subjects.
I was struck by time's distort during its reading. Not only did the craft of writing consciously do that upon the page, but within my cranial nook time ebbed & dashed in varied rhythms to such an extent that my both my emotions & intellect were disjuncted. So much so that I realize that I may have sinned. I have not excerpted pieces of LE's craft. Did I write an essay? Did I review & critique it? Did I merely effuse? Did I declaim more copiously on the book's apportive effect on my creativity than draw you to it? Did I put trust in you that yours in me & my words would kindle you to be where I am? Perhaps. But, maybe, I shall just content myself to reread it & you shall desire our company in some small resurrections. & if this experiment of mine has failed do not blame poor dead LE, or what was his life- the brunt is rightfully all mine. So, too, his book.

A fascinating look into the man behind such a creative literary & scientific mind! He is quite 'bare bones' about himself. Also suggested bio.: "The Lost Notebooks of Loren Eisley" ed. by Kenneth Heuer.

Thoughtful writing, and interesting, but Eiseley sure was a bitter and despairing fellow. He held grudges forever and never forgot a slighting, even from childhood. It appears that he wrote this at an advanced age, when his friends and associates were dieing off seemingly all around him, and he wasn't very happy about it and his own mortality. Interesting, but definitely a downer.

An excerpt from 'All the Strange Hours'

"...Oncoming age is to me a vast wild autumn country strewn with broken seed pods,hurrying cloud wrack,abondoned farm machinery,and circling crows..."
Frankly I lost my reference notes.But this is a wonderful read.You enter deep into the thinkings and passions from the heart of one man.Eiseley will invite you into his thoughts and observations about life and people like a quite and unassuming gentlemen.These stories bring you deep into the core of the Midwest cast of mind.
Great Read

There are few books written today that I don't want to rewrite. All the Strange Hours is one of them. This is the real thing- forget "Magical-Realism" and forget all other memoirs. This is unlike any memoir, or book I've ever read before, and should be getting out to a larger audience. You don't need to be into science, archeology, or even know who Eiseley is to appreciate this work. His writing is so good that it doesn't matter.
He also doesn't delve into the mundane things that most writers would- in fact, you go through the entire book, and you don't even know his wife's name. If I met Eiseley, I'd feel that I'd know little about what he likes to eat, or what kind of music he enjoys, or if he's a morning or night person. But none of that matters- because I feel like I know him on the inside. People who knew Eiseley say that those who read his works often knew him better than those who knew him in person. I'd list Eiseley easily as one of the greatest writers of all time, and at minimum I'd put him in the top 3 of great prose writers. Check him out, and you'll see. You won't be disappointed. Trust me- - I don't like most contemporary stuff, and if you don't either, this is great literature for you.

I love this baby book because it allows you to record milestones and memories without asking for every little minute detail that you really wouldn't want to know 20 years from now (what time and date was baby's first B.M....stuff like that) that some baby books ask. It is good for either a girl or a boy and since we didn't know until our son was born that he was a boy this was key for me. There are pockets to put in all the stuff you want to save (hospital bracelet, ultrasound picture..etc) and it also goes up to 5 years instead of stopping at just 1. It does not have a month to month picture and update section so if that is what you are looking for this is not the baby book for you.

I spent a LOT of time looking for the right memory book for my daughter when she was born. I started to look around for a different one for the son I am expecting next month, and decided to go with this one again. The second one will feel cheated out of enough as it is; but at least I can give him the same quality memory book - provided I keep up with it! But as my daughter approaches 5, I'm so glad that I did continue to fill in hers. It is a wonderful keepsake - and incentive to print out at least a few of the 1000s of digital photos.

I was delighted with all the different pages. Seems to have a place for almost everything. The monthly photo section is my favorite I think. The book is made very well and should hold up for years and years. My only complaint is that I wish it had more envelopes to tuck small keepsakes in. But it shouldn't be a problems for me to add more in. This is still the best Baby's book you can get for this price. And I spent long hours hunting for the perfect one.

I am happy with this book. It has dividers for each section, it has pockets for storing things. It really is detailed for recording all the "firsts". It has a page for each month and then 'milestones and achievements' for 1-2, 2-3, 3-4, 4-5. It has milestones such as first scribbles, uses own name, turns pages one by one, points to pictures in a book. For having our first child it has covered practically everything that I wouldn't know to record. I have two books (this one I bought and the other was a gift). This is much more detailed than the other so it depends on what you are looking for. Also, the other book I have is more cute-sy and refers to parents as Mommy and Daddy. This book refers to parents as Mother & Father as well as Mommy and Daddy, Mom and Dad. For instance it says "Mom's Page" but then it says "Mother's full name." I like it better in that regard. Bottom line, I'd buy it again.

I really like it, I had looked around for a while. Easy to fill out, asks alot of questions that I wouldn't even think of. Only things I don't like are there are no "teeth charts" to chart which of the baby's teeth came in first, and theres not a whole 'lotta room to write notes on the pages if you decide to put their monthly pics. Overall I think it's fine and will probably buy a couple more for my expectant friends.

Especially for those who are passionate about Beatrix Potter. Sewall and Dubay do an excellent job in showcasing items often overlooked in other price guides. This is not to imply this book is simly a price guide. It is much more - a true delight!

Charming book documents Beswick, Royal Doulton, Royal Albert, Wedgwood, Crummles, Eden Plush, Giants, Pull Toys, Musical Toys Hand Puppets, Beanie Babies, etc., Schmid Music Boxes, Anri, Border Fine Arts Figurines, Steiff, Tins, R. John Wright, etc. by author Debby DuBay, foreword by Potter expert Judy Taylor, highlighting Kara and John Sewall's private collection. Fabulous colored photographs with complete descriptions and a value under each. This price guide is easy to read and the only one I could find on general B. Potter collectibles. Highly recommend this lovely yet inexpensive book.

Collecting is wonderful and documenting a collection is an honor that Ms. Dubay has bestowed on her friends the Sewall's. There are many books on the market that go into Ms. Potter's life like expert Judy Taylor who wrote the foreword for this book! As a novice collector, of many porcelain pieces, this is the first book I could find that has the values and is actually a useful price guide for the diverse Potter collector. I highly recommend.

I have collected Beatrix Potter for many years and finally a price guide is available on many of the pieces I have collected. I highly recommend this book to collectors of Beatrix Potter memorabilia from Wedgwood, Crummles, Schmid Music Boxes, etc., from the 1970s to today. LOVE this price guide!

This charming book opens with Debby DuBay chatting away on how she met the Miss Potter and collector of today - Kara Sewall. I love this book and highly recommend it to all collectors, Peter Rabbit and Potter fans. Thanks to Debby DuBay for another charming book; she has a unique way of inviting us into her life and the lives of her friends and then getting us addicted to whatever the subject is that she is documenting. I am now a Limoges and Potter collector.

This book was a supplemental text for my Graduate level Critical Theory class, and I thank my prof for that every time I open it up. Barry's writing is incredibly accessible -- even inviting, and,at times, humorous. He breaks down most of the major theorists' important and influential works into their key points (which are often buried under obtuse and circular language in the works themselves) and (briefly) applies them to well-known pieces of literature to show how theory is "done". Even for those of us who are "into" theory, writers like Derrida, Spivak, and Lacan can be intimidating; Barry helps the reader get beyond that and deep into the core of critical theory. I would recommend this book to anyone looking to broaden their understanding of literary theory, and I definitely recommend it new students who find themselves overwhelmed or intimidated by theory.

Peter Barry's BEGINNING THEORY introduction to Literary and Cultural Theory is lucid, engaging, and challenging, and would make an ideal classroom text; but it's also a good one for those individuals like me who have been out of school for some time and are a little curious about how the reading and study of literature has changed over the past few decades. The book's thirteen chapters cover traditional criticism (liberal humanism); structuralism; post-structuralism and deconstruction; postmodernism; psychoanalytic criticism; feminist criticism; lesbian/gay criticism; Marxist criticism; new historicism and cultural materialism; postcolonial criticism; stylistics; narratology; and ecocriticism (the latter being the new kid on the block and usually not included in comparable Theory Introductions). Barry may not be the last word on all these subjects, but I felt he's a good starting point for just about anyone. He advocates reading carefully a few of the most pivotal texts on the subjects covered (rather than reading as broadly as possible); he succinctly summarizes each theory's tenets and practices in easy-to-absorb lists; he encourages readers to apply the theories in some way in "Stop and Think" exercises; and he provides annotated select reading lists for each chapter. This is a book I expect I'll be returning to time and again as I try to read some of the primary texts Barry recommends.

As a literature professor, I have a professional responsibility to know about literary theory. And let's face it: it's a pretty scary and complex subject, feared by many and mastered by few. In fifteen years in the business, I have read many books about lit crit and literary theory, and Peter Barry's book is BY FAR the best. It is, indeed, "only" an introduction to the subject, rather than an advanced study, but it is brilliantly clear, and blessedly jargon-free.

Barry writes as though his readers are new to the subject, but bright and curious. And he delivers the goods! This is the book I refer to when in doubt, and the book I encourage my graduate students to purchase. I would recommend anyone who is pursuing graduate study in the humanities to own and carefully read this book. If you read this one carefully, you won't need any of the other intro-to-lit-crit books on the market, which simply don't measure up.

Whenever a college student takes that required first course in critical theory, that student ought to realize that this course is admittedly dense in both content and style, and as a consequence should have access to supplemental readings. Peter Barry with his BEGINNING THEORY is one of three such useful texts. Lois Tyson and Charles Bressler are the other two noteworthy introductory tomes. What is helpful in Barry is his initial chapter on "Theory before `theory'--liberal humanism." Most other critical texts scant the reader on the state of criticism as it existed before Jacques Derrida took the podium in 1966 and shook up the academic world by suggesting that the neat and tidy world of the liberal humanists was founded on a heavy-handed patriarchy that took for granted a spectrum of Western-based assumptions that had stood unchallenged since Plato. These liberal humanists have been on the run since then and Barry succinctly summarizes and analyzes who the major players were in this seismic eruption.

Barry structures his analyses of each school with a general historical overview of that school's paradigmatic assumptions. He includes what critics of that school generally think about as they ponder how to relate the intricacies of that school to specified literary texts. This listing is more useful than the uninitiated might think since when it comes time for the novice critic to make that transcendental leap from the abstruseness that is theory to the concrete reality that is text that neophyte must understand a plethora of assumptions that all too often get lost in the French translation but are clarified in Barry's capable hands. One example will do. Jacques Lacan is notorious for being dense and just plain hard to understand, but when Barry connects the denseness that is Lacan to the clarity that is Poe in his "The Purloined Letter," the various stages of self that seem muddled in the former now stand etched in clear relief by the latter.

One minor note: Barry closes his text with considerations of Stylistics, Narratology, and Ecocriticism, none of which have yet hit the mainstream as accepted modes of literary discourse. Still, for the eager undergraduate or the uneasy graduate student, Barry belongs on the same shelf that also houses Lois Tyson and Charles Bressler.

Wow. I bought this book when I was in college, but I never got around to reading it until this past week. I am absolutely amazed by how good it is, and I wish I had read it earlier.

If I had read this before going to college, I swear I would have aced all my English courses. Why am I so confident that this book would help me? Well, basically, this book gives you something like twenty different approaches to reading literature. After finishing the book, you will be more attuned to what you are reading. You should be able to say to yourself, "well, a stylistic critic would approach this book X way, while a postcolonial critic would approach this book Y way." Imagine your professor's astonishment when you hand in your first essay and the title of it is: "A Lacanian Approach to Jane Eyre." Provided you are able to follow Barry's model for what Lacanian critics do, and you make some decent Lacan-influenced points, you are almost guaranteed to receive an "A."

Of course, many potential readers of this book are out-of-college and, like me, will never get those college literature courses back. This book has utility for us also. It is great because it can give us new angles from which to explore books we have read before. I'm tempted to re-read Hamlet now that I understand the Freudian interpretaton of the play. I want to go back and decide for myself whether the Freudian interpretation is tenable.

Some posters have criticized this book for not probing deep enough. What rubbish! The title of the book is "Beginning Theory." Its intended audience is either people who are new to literary theory, or people who have not been able to make sense of the bombastic critical essays they have been assigned for class. The book serves its purpose extraordinarily well. It is clear, it is to the point, it provides excellent summaries of the major critical theories, and it even provides lists of suggested reading for people who want to read more about the various theories. In short, it is everything you need to get started learning about literary theory. It is a tremendous work, easily one of the best books I have ever read by an English professor. Thank you for writing such a cogent and lucid introductory work to this difficult subject, Professor Barry!

The teaming of two giants in natural history - author Peter Matthiessen and artist Robert Bateman - to cover one of the world's most revered and endangered groups of birds produced a book whose appeal reaches well beyond "craniacs" and other bird lovers.

Matthiessen's accounts of his globe-spanning travels in search of cranes incorporate extensive historical, cultural, and scientific background information (from Confucius, Chaucer, and Marco Polo to Bertolt Brecht and Aldo Leopold), providing a deeper context for the stories of these majestic birds and their struggles to survive in an increasingly hostile world. Particularly important are his insights into how the future of cranes is increasingly tied to human politics and economics.

Bateman's masterful paintings and drawings capture the grace and noble bearing that earned cranes a place in the mythology of many cultures and the hearts of millions of nature lovers. I only wish there had been more illustrations scattered throughout the book.

Mainstream readers may be somewhat put off by the many endnotes (some of which might have been incorporated into the main text), but the additional detail makes it well worth the trouble of flipping back and forth. Digressions on crane evolution and taxonomy and international politics can be a bit dry but provide valuable insights into the epic and often tragic history of cranes.

The Birds of Heaven is an unusual mix of natural history, travel, personal reflections, and tough lessons in the realities of international cooperation (or lack thereof) in conservation. It is thoroughly engaging, and also has beautiful illustrations and photographs. Everyone who loves the outdoors--not just crane fanatics--should own a copy of this book.

I first read Peter Matthiessen in the 1970s: "The Snow Leopard", and was so moved by his writing that I began to read everything I could find that he authored. I have never been disappointed. "The Birds of Heaven: Travels with Cranes" is, like his other books scholarly and absolutely sings with his love of the subject. And the included art is breathtaking. With International Crane Foundation as well as other authorities on wildlife conservation, Matthiessen has written another book that will transport the reader to numerous countries, under numerous skies to see and hear the ancient bugling of the birds of heaven.

The most striking feature of this book is the color plates, which might make the book a nice gift for a birdlover. This ornithological study works on at least 2 levels:1)it is a detailed study of the current knowledge of 15 species of cranes, most of which are endangered (The Sandhill crane of the US is an exception), efforts for preservation of the species, and ornithological details. To give the briefest example, some of the cranes are migratory,while others are not. Some migrate long distances, as does the crane that nests in Northern Asia and winters in India. The Sandhill crane, of North America, has the longest migration. Most produce only one egg per season, take more than one year to mature (unlike geese), and are subject to predation;the book enumerates the numerous efforts at preservation worldwide, which include using an airplane as an imprinted mother-figure, just like in the film "Fly Away Home." Also there are preservation societies in many countries, including Cornell U. and in Wisconsin in America. 2) It also works as an historical and geographical travel guide to many remote areas of the world, including China, Mongolia, Siberia, Southern and Southeast Asia,Japan, Korea (where cranes inhabit the demilitarized zone) , Australia, England, Africa, and America-- all continents except South America. These cultures are alien in terms of religion, culture,politics and geography at least to me so reading about them presents a formidable challenge. The book is lavishly illustrated with pictures of these beautiful and diverse birds.

_The Birds of Heaven_ by Peter Matthiessen is a well-written and informative account of the fifteen living species of crane. Matthiessen chronicled in the book his years of experience with these birds, traveling to Russia, China, Mongolia (where six species have been recorded), India, Bhutan, Japan, South Korea, Australia, Africa, England (where the Eurasian or common crane, extinct there since 1653, is at last a breeding species once more), Wisconsin, Nebraska, and Florida to study and write about the various species. Matthiessen's superb writing is accompanied by truly excellent artwork by artist Robert Bateman, who produced a number of black and white drawings and color paintings for the book.

Matthiessen did an excellent job of covering the biology of cranes in general and of each species individually. The crane family (Gruidae) we learn is found on every continent except South America and Antarctica and is comprised of three genera, _Grus_ (to which all but five of the living species belong to and a group primarily found in Eurasia), _Anthropoides_ (which includes the demoiselle crane as well as the blue crane of South Africa, which may be descended from it; Matthiessen discussed many theories of crane evolution), and _Balearica_ (which includes two African species, the black crowned and gray crowned). Though sometimes called herons in some parts of the world (or more often herons are referred to as cranes), cranes differ from herons in that cranes fly with neck outstretched rather than curved back over the shoulder (they differ from storks in that storks display broad tails, which the cranes lack).

The several species of crane have subtly different breeding habitat and food preferences; for instance in the Amur Basin the white-naped crane probes for tubers while the red crowned crane hunts small animals and picks at vegetation. Not all cranes are restricted to wetlands; while for example all three of the rare white cranes are found only in marshes, the more widespread and abundant demoiselle, Eurasian, and sandhill cranes are generalized feeders able to succeed in a variety of terrains, with the demoiselle primarily an upland feeder.

Some cranes have rather unusual adaptations. Several species are "diggers" - feeding primarily on mud-buried tubers - and these species (the white-naped, sarus, brolga, Siberian, and wattled cranes) have naked, non-feathered skin on their head down to the bill, which is an adaptation analogous to the naked head and neck of vultures. The brolga crane, which is more often found in salt marshes than other species, has evolved specialized salt glands near the eyes through which it can secrete concentrated salts. Feather painting is also covered; some species daub their feathers with wet vegetation or mud during nesting season for camouflage.

The role of cranes in myth and history is also discussed. The word crane comes from the old German word "Cranuh," which like the genus name _Grus_ is a rendition of the bird's cry. The Yakuts people of Siberia revered the Siberian crane as a symbol of their various clans, a uniting symbol for their people. The sarus crane of India (at nearly six feet tall the tallest flying bird on earth) has been for centuries revered as a holy messenger of Vishnu, a Hindu deity, a reverence that has protected this crane from hunting (similarly a Buddhist reverence for life in general and often cranes in particular has helped kept cranes safe in such places as Bhutan). The red-crowned crane (or in Japanese "tancho;" the heaviest flying bird on earth) was revered as a messenger of death and symbol of eternal life to the Ainu and portrayed in Japanese robes, wedding kimonos, screens, scrolls, and other items for centuries. Revered also in Korea as "turumi," a companion to sages, scholars, and musicians, in both nations it was also regrettably hunted and eaten. More recently the peace symbol of the 1960s was originally a Hopi Indian sign derived from the footprint of a crane.

One thing that surprised me was that some crane discoveries were made fairly recently. The whooping crane's breeding ground was found after nine years of searching in 1954. A large, breeding, unknown (though known to Aborigines) population of sarus cranes was discovered in 1961 in Australia. A non-migratory population of red-crowned cranes on Hokkaido wasn't confirmed until 1972. The breeding ground of the central Siberian population of the Siberian crane wasn't found until 1978. The black-necked or Tibetan crane was as late as 1987 thought to be rapidly vanishing, the second most endangered crane on earth, but surveys in the early 1990s in Tibet and Bhutan pegged the species at a much healthier count of 5,500 birds, showing that early estimates were way off.

Issues of crane conservation are well covered, with Matthiessen chronicling the dire straits faced by many of the species, the heroic efforts made by some to save them, and even their role as "umbrella species;" that when their habitats are preserved many other plants and animals benefit. The Amur Basin of Russia for instance - a vital crane habitat - is being threatened by massive deforestation, agricultural runoff, pollution from mining, and proposed dams. Attempts by such agencies as the International Crane Foundation to broker deals between those nations that share the Amur and its products - Russia, South Korea, China, and Japan - has been stymied by mutual mistrust (extending to ridiculous extremes; Chinese officials refusing for instance to refer to the red-crowned crane as the Japanese or Manchurian crane, both frequently used common names). Some successes exist; the Keoladeo Ghana Bird Reserve near Bharatpur, India, established to preserve wintering Siberian cranes is now also home to 364 bird species as well as pythons, nilgai antelope, and sambar deer (though the park is still threatened by the crush of humanity in crowded India).

In addition to being an excellent book on the history and natural history of cranes it is also a wonderful travel book, the author doing a great job of describing what it is like to travel in such exotic places as Bhutan and Mongolia.

The size of the book is appropriate for carrying in the field. The narrative is concise and well presented. The pictures of the birds are easy to reference. The real test of a field guide, though, is how useful it is when there is an unidentified bird in front of you. I will not know that until I get back from S. Africa in March but this book appears comparable to the better guides for US birds.

We wanted to label all the photos of birds we took in South Africa. This book made it easy to locate the drawings of the birds. . .drawings that were very lifelike. . .and attach the names to the photos. We highly recommend this guide.

This guide looks perfect for my needs. I have looked it over carefully, even though I haven't had a chance to use it in the field. I definitely like the quick reference guide to bird types inside the front and back covers and the color-coded reference to bird groups. Look forward to using this guide in the field.

Well worth the money to enjoy your trip to South Africa even more. Even with a good guide (like we had with Transfrontiers) it is well worth taking a strong field guide like Birds of Southern Africa. That way when your guide is trying to tell you what you are looking at, you can see the picture up close and get a better idea. We have done many trips to various parts of Africa and this is one of the best guides we have used.

Warning: using this field guide will make you dissatisfied with many other field guides. You will enjoy studying and using this guide.
The illustrations are large and detailed, distinctly more accurate than most guides. In addition most are just beautiful works. They are grouped in species settings with juveniles, alternate plumage, flight and significant field marks highlighted.
On the opposite page: written description, habitat, abundancy status and call descriptions with a range map plus the Afrikaans name.
As an example of the illustrations: the Laughing Dove is illustrated by two flight poses and a profile. The profile has arrows noting 'no hind collar', 'cinnamon back' and 'black-flecked necklace'. The written text notes marks that distinguish this bird from a Cape Turtle-Dove.
The cover is plastic coated and the pages have a lesser water resistant coating.
A lot of attention to detail went into creating this book --colored coded page edges according to bird group, groups of waterbirds and hawks in flight for comparison, a checklist near the index and internet addresses of birding resources in the area.
All this in a work that I carried in a large pants pocket every day.
It just makes me wish such books were available for many more areas.

First, let me make a note: A couple of Mormon readers have been slamming my reviews because I gave negative reviews to some books trying to prove that the Book of Mormon is not a novel.

Oh, well. How about leaving a comment with some mature criticism?

In the case of the present book, perhaps some Mormons don't want people to know that Maya glyphs have been translated and say absolutely nothing about the claims and subjects of the Book of Mormon.

Nevertheless, if you are planning a trip to Mexico or Central America, the "Code of Kings" is essential reading. The following Maya sites are discussed: Tikal, Palenque, Copan, Seibal, Chichen Itza, Uxmal, and Iximche. I have visited most of these sites and the book really helped me appreciate them.

One stela at Copan is particularly interesting. Known as "Stela B," it depicts two huge macaws in the headdress of a Maya king. These macaws were mistakenly identified as "elepant heads" in a crackpot book written in the 1920s.

This identification was always refuted by the experts, and just looking at a drawing of Stela B, it is clear that the "elephant trunks" are actually the beaks of macaws (they have nostrils on the sides, which elephants lack and macaws have). Also, the area is full of the striking birds with their red and blue plumage.

The story might have died there had not the Mormons picked up the elephant-trunk claim and put it in the Book of Mormon in the 1960s and 1970s. A photo of Stela B was among the many examples of "evidence" for the Book of Mormon, which claims that the civilizations of ancient America had "elephants." Actually, there were only wild mammoths, and they were never associated with civilization anywhere in the world.

All the photos from the Book of Mormon were eventually deleted, including one of a "horse" (actually a damaged feathered serpent--a feather being its head).

Now that the glyphs on Stela B have been deciphered, we know that they speak of "macaw mountain" (page 162 in the present book) near Copan and a bird sanctuary today. Regrettably, the glyphs do not speak of "elephant mountain."

Schele and Mathew's masterful 418-page work is a must for anyone interested in the Maya and the many false claims made by Mormons. It doesn't even mention the Book of Mormon, an indication of that book's status in the real world of archaeology.

Highly recommended.

I bought this as a gift. This reciepiant loved it. They told me it gives much knowledge on the Maya Langue and the meaning of the the symbols.

What a magnificent book for any general reader, like me, who loves to read about the cultures of Mesoamerica. The authors take us on a tour of seven of the best known and most visited sites: Tikal, Palenque, Copan, Seibal, Chich'en Itza, Uxmal, and Iximche'. The book opens with a most helpful introduction to the archaeology of Mayan culture and the cultural elements that are common to all the city-states / regions that we call Mayan.

Look at page 21 at the photo from 1891 that shows us what the Temple of the Inscriptions looked like before excavation and restoration. Obviously, all the trees that are cleared in the picture would have hidden them even more, but the photo could not have been taken with them there. As you read through the lessons on Mayan architecture, housing, writing, religion, and warfare, the Maya become life and blood people who existed at a time and place that becomes nearer to us through this great book.

If you are planning to visit one or more of these sites, then this book is a must read as well as a field guide to take with you on the trip. The authors take key features and each site and explain them in detail. What a great experience it would be to stand in front of these monuments, murals, and temples with this most helpful text helping you understand what you are seeing.

The book is richly illustrated with many drawings of important inscriptions, buildings, monuments, and architectural details. There are also many black and white photographs, and a section of wonderful color plates to help us understand the beauty of the natural setting that provides the context for these cultures.

After the visits to the cities there are many helpful features that comprise another hundred pages of the book. First, a concordance of Maya personal names provides the spelling used in this book, alternative and common anglicized versions of that name, and a brief description of who that person was. There is also a key to pronunciation and orthography that I found to be most helpful. It is always intimidating to see words without having any idea how they would be said.

The notes section is full of very helpful information for those readers who want to dig a little deeper as is the list of references (really, a bibliography). The Glossary of Gods and Supernaturals is amazingly interesting and helpful and the index is a handy way to get back to certain topics in each section when you are trying to tie the cultural elements together across time and geography.

As I said at the beginning, this is a fantastic and wonderful achievement that I am very grateful for and it is a final example of why we miss Linda Schele so much. The other authors are also fine and will continue to bring us much, but Prof. Schele had a special eye for the aesthetic achievements of the Maya and the ability to help us see things her way and enriched all of us who are fortunate enough to read her words.

"The Code of Kings" suffers from too much seriousness. The structure of the book relies on interpreting some main architectural achievements of the Mayan kings who commissioned them. That is, for most chapters a brief historical narrative is followed by a detailed description of the monumental group of interest and ends with an interpretation as to its relevance. The interpretations are good, and we can appreciate the great scholarly gifts of Linda Schele (in particular when the authors dispose of the Toltec Maya myths of Chichen Itza). We can even be moved at times such as when the authors talk of the Great Plaza of Waxaklahun-Ubah-K'Awil (this reviewer was happy to have read it a few days before going to Copan). However, this dense package might scare away a more casual reader of the Maya history. It also makes this book pretty useless to take along in your trip to Guatemala and Yucatan, unless you will have plenty of time to sit down under some trees and read while you visit. But if you have plenty of time to prepare for your trip, you definitely need to read it. And of course, it is a must in any serious book collection on the Maya.

I have only had time to browse through and start this book I recently purchased, but if it will stop the flow of e-mail mails from amazon asking me to review it, I will review it anyway. It is one of Linda Schele's last collaborations and for that reason alone it would be interesting. The only thing I can say so far is that it seems to be an interesting book aimed at the educated amateur. Although the title would lead the unwary to think it was strictly a book on Maya epigraphy and although it does contain a lot of epigrapical and linguistic information, it is really a tour of several Maya sites with in depth explanations, floor plans, and charts, all by leading experts. Though I am not in good enough health to travel, still it looks like a very useful book to any Maya scholar amateur or otherwise. I am over the age of two (katuns)