Peter Books
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Love the Book.Review Date: 2004-03-25
A wonderful reminder of good in the worldReview Date: 2004-02-12
Truly InspirationalReview Date: 2004-01-30
Inspirational ManReview Date: 2004-01-28
A Warm Neighborly FeelingReview Date: 2004-01-28

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Good book for high-end watchesReview Date: 2007-11-09
Wow!Review Date: 2007-08-23
Wristwatch Annual 2007 reviewReview Date: 2007-08-09
If I only had the money........!!Review Date: 2007-07-05
Great book for the WISReview Date: 2007-06-14

Peter Drucker - brilliant and outstandingReview Date: 2007-08-21
will discover Peter Drucker's qualities as excellent novelist. There you will find very important additions to his management thinking and practice in terms of profiles of psychological dynamics of people in action.
"As a child I liked puddles; I still do" - P.D.Review Date: 2006-04-16
(Drucker particularly liked the "sqwoosh, sqwoosh" sound when jumping in puddles.)
Dense- packReview Date: 2005-01-22
....every page of this book reward rereading.Review Date: 2001-07-03
Meeting the people Drucker metReview Date: 2001-01-29


An outstanding book !!!Review Date: 2007-02-21
Compendium of SeashellsReview Date: 2007-01-10
informativeReview Date: 2005-09-19
The Best Sea Shell IdentifierReview Date: 2007-01-09
Compendium Of SeashellsReview Date: 2005-10-10
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Excellent BookReview Date: 2007-08-05
Salmon swim upstreamReview Date: 2002-10-03
Although many companies preach an employee empowerment model few practice it. That's why Rosenbluth's mascot is the Salmon - we swim upstream.
Common Sense and Company CultureReview Date: 2002-11-25
business book nutReview Date: 2002-10-04
Common Sense and Company CultureReview Date: 2002-11-25

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The story starts with chapter 2Review Date: 2006-04-20
A primer in effective (animal)activismReview Date: 2000-12-22
Spira's activism was highly intelligent, practical, strategic and committed to the long term - he is a hero of the animal rights movement.
Little Seeds of Practical IdealismReview Date: 2006-03-10
That little sense of intrigue was more than well rewarded by what I found in this book. Henry Spira's story is downright inspiring (to such an extent, while reading this slim bio, the bad punster in me couldn't help toying with the subject's name: "Henry Spira's in-SPIRA-tional". If you're not groaning, you should be).
The practice of veganism can raise discomforting questions -- how does a compassionate individual with a strong sense of personal ethics grapple with a profoundly careless world in which cruelty is commonplace to the point of mundanity and concern for the disenfranchised may seem alien to the point of provoking fear, even open hostility in others? What happens when a compassion for the voiceless develops into an inured hostility toward those who are careless? How can an ethical individual work toward reducing unnecessary suffering while continuing to extend compassion even to those who create that selfsame unnecessary suffering?
Henry Spira responded to such open ended questions by focusing on action. How could he, as one individual, work to bring about the greatest cessation of animal suffering possible? His answer -- via a mastery of relentless focus, indefatiguable optimisim, careful planning and a ceaseless upwelling of drive -- made him a matchless force within the movement toward animal rights.
I noticed, as I reading this book, that Mr. Singer's writing style seemed a bit rough in some places. Initially, I chalked this up to the notion that philosophy and storytelling, though similiar, are fundamentally divergent if equally challenging forms of communication. The real reason for this narrational shakiness, however, is revealed towards the end of the book and works as a spurringly poignant denoument.
I'd recommend this book to anyone -- vegan or omnivore, activist or armchair guerrilla -- because, at heart, it is more than the story of one lesser known hero from the folds of the animal rights movement; it is a roadmap to dynamic compassion, the pinnacle win-win.
Deep insight, amazing stories, wonderful bookReview Date: 2006-02-28
There are those who are not as famous but nonethless critical to all the achievements, like the donors who supported Henry, like the volunteers who handled the daily work, like Henry's advisors who turned his idea into concrete actions, like the numerous individuals who gave followed his call to write letters or picket or take any other action.
Then there are also those sincere and good people who is not in the "movement". There is Senator Lombardi who gave Henry a fair hearing, and Roger Shelley from Revlon who believed there is a win-win solution, and Susan Fowler of 'Lab Animal' who interviewed Henry the anti-vivisectionist.
And then there are also those who are apparently on the side of the "movement" but cared more about themselves. There are the researchers who abuse money donated by people and industry, and there are groups who seem to care more about getting people's donation and their personal glory than helping victims.
And then there are people who seem to really believe that everything on earth are just for their personal gain. From the hideous boss of NMU to the cat-vivisectionist Aronson, from "tough" guy Frank Purdue to the more scheming Leon Hirsch.
There is such a rich spectrum of people in this book, it is worth reading even if you don't agree with anything else from Peter Singer.
There are also many hilarious stories. The visit of congressman Koch to the cat experiment lab, the "biological fluid collection units", and the story about the super comdom for the chicken-in-a-comdom ad.
This book is definitely worth reading, and not just once. Each time I turned the pages and got to the part where Henry told the author that he's got the cancer, my heart sank like a rock. Oh, no, not him, not so early, please. I really wish Henry is still with us today, the whole world might be a different place.
Amazing Book -- A must read for all activists!!Review Date: 2001-04-01
Thank you for such an amazing book! It is a must read for anyone involved in activism. It shares a lifetime of wisdom. Enjoy!


Wonderful GiftReview Date: 2008-07-21
Give the Gift of Inspired Leadership!Review Date: 2008-06-12
Inspirational! Insightful!Review Date: 2008-06-10
Great Executive GiftReview Date: 2008-06-09
A creative twist on leadershipReview Date: 2008-04-14


UN LIBRO DE VIRTUDESReview Date: 2005-10-12
La biblia del matrimonio felizReview Date: 2004-09-13
UN LIBRO QUE PROTEGE AReview Date: 2003-08-12
Y lo hace muy bien... Miller tiene otro sobre la felicidad de la pareja: Tambièn es esplèndido
TODO LO BUENO QUE LES DIGA DE ESTEReview Date: 2003-08-05
Tiene la capacidad para restaurar CUALQUIER RELACION SIEMPRE QUE HAYA VOLUNTAD Y UN POQUITO DE AMOR !
Pero tienen que leerlo LOS DOS!
LO MEJOR DE LO MEJORReview Date: 2003-07-02
Es la medicina infalible !
Tiene tests y deben leerlo juntos...
EL RESULTADO ES CASI MAGICO!

The Magic Hockey StickReview Date: 2008-06-20
nice bookReview Date: 2007-05-04
The Magic Hockey StickReview Date: 2007-04-03
Jan
The Magic Hockey StickReview Date: 2007-03-09
For the ultimate child hockey fanReview Date: 2007-01-09

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For artists seeking more than programmer's technical tipsReview Date: 2004-11-13
A thoroughly enjoyable bookReview Date: 2001-11-06
Finding that balance of an artist and technologist from where to launch one's vision and future visions of creativity starts with good knowledge. Ratner gives many facets of where to see this vision and tutorials to follow through with your own creative projects.
I commonly work with many high-end graphics programs, Lightwave 7.0 being my newest program on my plate. Peter Ratner's 3d book getting me from a begining user from just reading the index to a 3D artist ready to start the new facets of my own portfolio. Mastering 3D Animation helped quite a bit everything from the Modeling and subdivides to the theory/progress.
Joseph Arthur
Information Architects, Principal
"Mastering 3D Animation" suitable as collegiate textReview Date: 2001-11-26
Make no mistake: This is no cursory guide to constructing simple geometry, slapping on some stock textures, animating basic movements along spline paths and rendering to AVI while you're sipping on a latte, watching the Discovery Channel. A full-time professor in the 3D Computer Animation department of James Madison University and the program's founder, Ratner relies on the broad and substantial digital and conventional art experience that has rewarded him with artistic entries in more than 80 national and international juried exhibitions. Ratner is well-versed in most aspects of 3D art creation, choreography and cinematography. The results of his industry experience are a splendid collection of detailed and refined insights and experiences assimilated into a thorough tutorial guide. I have no doubt-as many experts agree-that Mastering 3D Animation is equipped to serve as a collegiate-level textbook for 3D computer animation curricula.
Spanning the many processes related to generating 3D digital art, Ratner illustrates his critical techniques with 658 black-and-white line drawings and grayscale screen captures. The images vary from basic and sketchy but illustrative black-only perspectives, steps and graphs to grayscale representations depicting character renderings, particle systems, height fields, geometric displacements, facial close-ups, rendered environments and more. Of particular interest to those having cinematography or traditional art backgrounds are the commentary, instructions and grayscale reproductions of painted and sketched art dating back multiple centuries.
Those attending to a more technical emphasis and interest are accommodated in every respect, however-minus superficial references to hardware specifications. Early on, Ratner clarifies his intentions in composing this text: "[The book's] purpose is not to create button pushers who can boast about megahertz, abundant RAM, big monitors and software with all kinds of bells and whistles. It is hoped that aspiring 3D artists will learn some valuable lessons from the great art geniuses that have preceded them." (Foreward/vii) Yes, Ratner does wane philosophical, at times, but his contemplative tendencies bring a refreshing and purist perspective to a field frequently inundated by overly technical meanderings and functionally pointless rambling. Thus, Ratner blends an in-depth artistic and technical knowledge with a practicality and philosophy altogether forming a well-rounded perspective-one catering to persons of various inclinations and backgrounds.
The companion CD contains 200-plus 3D models in a variety of formats: LightWave 3D's .lwo and .lws; Wavefront's .obj; Maya's .ml and the generic .dxf. Tutorial project files are archived in QuickTime (.mov) and JPEG (.jpg) formats, and Ratner also includes a Photoshop brush file (.abr) for creating "grime" textures.
As for the text's informational composition, chapters one and two explore the basics of 3D modeling-polygonal and spline-based (NURBS). Chapter 3 addresses basic 3D animation, while the fourth delves further into animation by considering the role of deformation tools: skeletons ("bones"); kinematics; lattice flexors, etc. In Chapter 5, Ratner explains special effects, including the use of spheres, particles, collision detection, voxels, fragments, displacement mapping and more. Part II of the text, Advanced 3D Modeling, begins with commentary about the human head's structure and composition, including muscles and bone. Ratner explains both the NURBS- and polygon- based methods for modeling the head. Special attention is allotted to features, such as the eyes, eyelids, eye sockets and ears. There's no lack of detail, here, and NURBS fans will experience a rare sensation-a feeling of belongingness.
The next two chapters, six and seven, are devoted to modeling the human figure. The latter stresses finishing-hair, eyelashes and clothing. Chapters 9 and 10 comprise Part III: Preparing for Animation. Lighting is the focus of Chapter 9, and Chapter 10-another that may appeal particularly to conventional artists-deals with surfacing techniques. The author goes beyond the typical texture map types-cylindrical, planar, spherical, cubic, etc.-and the use of photos to address alternative surfacing methods, such as transparency (alpha) and displacement maps. In short, Ratner extends well beyond the conventional surfacing methods most highly publicized, deeply exploring what might be categorized more aptly as upper-echelon trade tips than as common genre knowledge: creating sophisticated bump maps; using grayscale gradients in displacement; and more.
Part IV of the book, Character Animation Fundamentals, includes chapters 11-14: Expressing Emotion with Facial Animation (11); The Elements of Action (12); Movements of the Figure (13); Composition and Cinematography (14). Once again, the author uses an expansive knowledge of choreography and anatomy to help quantify how human emotions are exhibited: body posturing; eye wideness; lip contour; eyebrow position; even directional muscular pull. Each of these considerations can be projected in a 3D figure, and Ratner shows the reader how. "A muscle is composed of a bundle of fibers that work in mutual association to perform common duties," Ratner writes on Page 248. "... It is this combination of movements that results in the complicated harmony of the facial muscles."
The Elements of Action chapter confronts those issues pertinent to a convincing human portrayal by a mere collection of polygons or surfaced curved lines: timing; sound syncing; weight and recoil ("squash and stretch"); walk cycles and more. Chapter 13 addresses concerns complementary to those in the previous one, including body mass motion, pace and impact, equilibrium, action lines, rhythm and still more. The final score of this harmonized tutorial prose pursues line composition, spatial arrangement, blocking (proxy geometry) and all manner of photographic issues and techniques. The reader will learn practical cinematography terminology-camera techniques and movements, transitions, more-and the fundamental tenets of motion depiction utilized by artists centuries earlier.
Wonderfully writtenReview Date: 2001-05-12
First Mediocre ReviewReview Date: 2001-06-27
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The 'reader' who has now written two negative reviews about this book and one of its authors, Todd Montgomery has some serious issues. You obviously do not know these people at all. I feel sorry for you. Life is too short to be so hateful and negative.