Peter Books

A few years ago I visited these areas and the tour guide spoke with great certainty about everything. Come to find out almost everything is subject to question. Mertz is clear on what has been established, and what is theory. The time, energy and research put into Egyptian archeaology opens new avenues of doubt and make facts more and more elusive.

Mertz warns at the beginning that this is not a text nor a complete history. She says it is an collection material that she finds interesting. The first part was a little TOO informal for me. Mertz hits her stride with Hatshepsut and keeps the narrative strong through the end.

I loved this book. It's very well written and very informative - definitely not "dry" and "stuffy".

The book is interesting as well as fascinating with much information. Just what was needed to add to her Elizabeth Peters novels about Egypt.

For anyone who has an interest in Egypt or ever wondered exactly who the ancient Egyptians were and why their dynasties lasted for thousands of years, Barbara Mertz's "Temples, Tombs & Hieroglyphs" is the perfect introduction. More commonly known to readers as Elizabeth Peters, Mertz is the author of the popular Amelia Peabody mystery series.

Long before she started her career as a best-selling writer, however, Barbara Mertz began as a trained Egyptologist, with a PhD from the famed Oriental Institute at the University of Chicago, the launching pad for many successful Egyptologists. These credentials make her the perfect person to write this history, as she is able to translate the rich Egyptian history of the pharaohs into something more easily understood by readers with no archaeological background, except an interest in Egypt.

This is not to say that the book is always easy reading, although Mertz tackles her subject with a passion and humor readers are unlikely to find in any other, more typical history tome. She manages to bring the Egyptians of old to life, translating ancient hieroglyphs into fascinating stories of individuals, each with their own purpose, strengths and weaknesses exposed.

She opens up the fascinating world of tomb robbers and archaeologists (which some claim are not so far apart in purpose or behavior at times). She demonstrates how information is extrapolated from archaeological findings and illustrates how history is revised over time as new facts and theories come to light.

Despite the injection of personality Mertz brings, this can be dense material at times. For anyone uninitiated in the world of the Egyptians, there are more than 30 dynasties, each with several rulers, falling into 10 eras, dating from the Stone Age Archaic Period to the time of Cleopatra and the Roman invasion. The sheer length of time and individuals and events covered is staggering.

With repeating pharaohnic names, unfamiliar landscapes and place names, conflicting historical research and theories, the book can be overwhelming at times. Yet the reward for sticking it out (dare I even say, re-reading parts) is worth the time and effort expended. Frankly, I read this book twice, cover to cover, and the second time around, I finally began to get a real sense for the overall arc of historical time period covered. And I would hazard to say that it seems even more likely that dipping in again would yield even more historical treasure and understanding.

The richest gift that Mertz offers in her overview of Egypt can be found in the simple stories of the rulers described here, in illuminating for the novice the archaeological tricks of the trade (and weaknesses of such methods) used to determine exactly (or to the best of anyone's knowledge) what happened so many years ago. Mertz's infectious passion for all things Egyptian (well, except possibly pottery shards) can't help but influence her readers to want to learn more. Through her book, she has opened the door to her own exciting world, and readers can't help but want to share in that magic.

Christine Zibas, Book Pleasures

Writing under the pen name Elizabeth Peters, Barbara Mertz started the Amelia Peabody series of tongue-in-cheek Victorian archaeological thrillers in 1975. But 11 years before then this trained Egyptologist published the first edition of "Temples, Tombs & Hieroglyphs".

Like many other books this traces of the history of ancient Egypt from the pre-dynastic to the Ptolemies. But Mertz brings her sense of humor to lighten what can be a dry series of lists of kings. She brings to life highpoints in the Old, Middle and New Kingdoms, as well as the chaotic periods in between. Moreover, she lifts the veil and lets the reader in on many of the scholarly disputes, like those over the woman pharaoh Hatshepsut and the role of Nefertiti in the succession to her heretical husband Akhenaton.

It's also nice to see someone reveal the egomaniac Ramses II for what he was, a poor leader who lost the second Battle of Kadesh, and who covered his weaknesses by pasting his image everywhere.

For anyone who has read the Peabody books, including the depiction there of Sir William Flinders Petrie (and his approach to feeding his staff), Mertz' homage here to the founder of modern Egyptology is interesting.

In her forward to this Second Edition, Mertz says she thought she wouldn't have to do much to revise the earlier work. But then, she adds, taking into account four decades of new discoveries proved to be a challenge. There are places in this book where she discusses post-1964 work, but the addition of the new material is seamless, with no sense of things just stuck in.

This is a delightful introduction to the fascinating history of ancient Egypt.

for those who like graphic design this is an icon. A rich illustraded biography and radical ideas

I waited 5 years before I bought this book. Just buy it, you'll love it.

i have been trying to write alot abt this great designer/man, but couldnt write a word because he is so true and real, that you start loosing words for him. He lives with designer who consider their resposibity and moves on. TIBOR tells the story of Tibor's life and his achivement phase to phase. I dont want to complete this book or Close this book, because it is full of Wit, Humor and Lots of Sense. A book that showcases the thumbnails, sketches, art-work, approvals and disapproved work.
You can find lots of lessions, essay and speeches about Tibor and From Tibor that are helpful esp. for Design Students/Teacher and Graphic Designers in the end. It a worth buying book for every student-teacher and designer!
WELLDONE!

Kalman was a fascinating artist, but above all, he was down to earth. He told it like it is. That's why people found his work disturbing and cutting edge at the same time. His images and ideas have the power to change how people think. As an artist, he was vastly underrated, but his art made important comments about popular culture. He fits right in with Warhol, Rauschenberg, et. al. This is a book worth many times its price.

I first heard of Tibor Kalman while browsing a copy of "Interview", just to learn that it was a tribute. Sometime later, I found a smiling bookcover looking at me. I bought it. I was waiting for the bus and started to read it... I could not put it down again. I read textes, subtitles, infos, even the small characters of the work reproduced. It was not enough. It made me regain the somehow lost faith in design, showing me how humour, money and a cause could be combined together with surprising results.
Do not be fooled: this book goes beyond the cult of the author's personality; it shows brief, concept and ways of thinking which are useful to everyone, not only designers and students.
Although I knew it from the beginning, in the end I had tears in my eyes, because this man was gone and could no longer make our world a better place.

Peter Hopkirk is a child of the British Empire, having been to many places where generally only mad dogs and English men dare venture; among other exploits he was a soldier with the late and largely unlamented Idi Amin. As a historian he has made a name for himself as a very capable chronicler of the Great Game in Asia in the 1900s. This is his book about the Western Drang nach Osten, the quest of European, an American, and Japanese explorers to investigate Tibet and its secrets.

Tibet was a backwards and forbidden kingdom ruled my monks under the Dalai Lama; with China, Russia and the British in India keen to encroach on Tibet, the Tibetans were at least equally determined to keep foreigners out; officials who let foreigners get past them on their mad quests for Lhasa were at times decapitated on orders from on high. Hopkirk recounts the stories of the various Englishmen, Indians, the American and others who were intent to be the first to make it to Tibet and sometimes Lhasa, who did so in disguise, in an airplane, behind rifles the Tibetans couldn't match and more (I am frugal with details lest I spoil the stories.) I highly recommend them.

When it comes to delineating the history of Central Asia and environs, few writers can touch the craftsmanship of author Peter Hopkirk. In his hands, what could easily be boring history, becomes, instead, vibrant excitement. As in his other books, Hopkirk makes these mysterious and fabled lands come alive. In this book he describes the many attempts by adventurers from the outside world to penetrate remote Tibet and its almost-mystical capital, Lhasa. Chapter by chapter Hopkirk ticks off the sagas of these opportunists, some seeking fortune and fame, some on their majesty's (or tsar's) service. In the contest between Tibet versus the world, Tibet scores early and frequently, thus keeping the others out. But eventually, overpowered by modern weaponry, the outsiders win. It's tempting to cast this in terms of good-guys versus bad-guys. But it's not that easy, as the reader will see. What IS easy is declaring this book a fantastic and exciting history of a mysterious land that just wanted to be left alone.

Hopkirk stays on top of the world with this book!

Learn about the "real" Tibet[before China invaded]...

An extensive review of the many attempts to gain access to the hidden city of Tibet. Well done, authoritative, exciting events in the time line of the many documented attempts to gain a look into the mysterious city that has been protected from outsiders for centuries. The reasons from military desires to the hope of finding hidden gold deposits are some of the many exploits of carefully planned adventures presented by Peter Hopkirk. They will keep your interest from beginning to end, guaranteed.

Although extraordinary geography was the best natural defense the Tibetans had against foreign invaders, it can also be the sole reason that lures many a traveler, visitor, and tourists to Tibet to date. Of course, religion, spirituality, culture, art, and life on the high altitudes in the most extreme of climates are other reasons for venturing into this land. In Hopkirk's book, trespassing by foreigners, especially Europeans, was an extension of the Great Game, the struggle between Britain and Russia for expansionism in Central Asia. Military supremacy, a face-to-face encounter with the Dalai Lama, or recognition by the Royal Geographical Society and other prestigious societies at the time was the prize for people from different walks of life--missionaries, soldiers, geographers, naturalists---to venture into this forbidden land. Alas, no matter how well-guarded the country, especially Lhasa, was, the Tibetans' defense was no match to the military might of the British. China proved to be a formidable occupier as soon as the British lost their firm hold on Tibet during World War II. An American pilot was the first intruder from the air---by accident. Nonetheless, relentless trespassing by foreigners was the inevitable truth that many Tibetans must have found hard to swallow.

The book is a masterpiece of historical writing. Starting with Tibet's stupendous geography, the book segues on the origin of Tibetan Buddhism. Eventually the reader is initiated to the challenging craft of punditry, the only way the outside world could glean some scientific information on this forbidden land. If Hopkirk intended to instill wonder and suspense on the reader as he narrates a series of close calls by pundits and disguised explorers from being caught and daring-do attempts by intruders in order to be recognized as the first outsider to set foot on this forbidden land, he has succeeded. With exquisite writing style and a penchant for vivid description of people, places, and events, the book is a highly engaging read. Those who risked their lives and their families to venture into a forbidden land can be easily blamed for folly, but Hopkirk brings out the humanity in them. Every adventure is told so well that can make good reading anywhere and anytime. History reading can't get to be more fun that this!

I too stumbled upon this book as a child and was completely enchanted by the story and characters. I hadn't read it for more than 30 years, but recently bought a copy to read to my children (girl 9, boy 7, girl 4) It hasn't lost any of its magic - I'm enjoying it as much as they are. It includes so many of their favorite things, magic, witches, mermaids, babies - and it blends real and imaginary worlds in the same way that they are blended in the minds of children.

One of my favorite childhood books. I bought this for my niece. I'm sure she will love it as much as I did. A perfect book for young girls with big imaginations!

Forty years before Harry Potter, there was Hannah.

Bookstore displays which feature "if you like Harry Potter you might like these" should place this book and LeGuin's "A Wizard of Earthsea" in prominent view.

What is most satisfying about this story is that it is simultaneously real and imaginary; the events take place, but are also somewhat directed and controlled by the imaginations of the two human girls at their drawing table in Washington, so that, in a way, they are witches too. This is the same premise as Pamela Dean's "Secret Country", and creates the same complications. But this book is easier for much younger children to read, making a good introduction to the concepts.

This was out of Estes' usual territory, and she handled it with both silly fun and knowledgeable grace. Ardizzone's done his homework as well; look at the posters on the walls at Hannah's school. I would give this to any child six years old and up.

This is my all time favorite childhood book. I originally bought the soft cover at the Salvation Army for a quarter. I read it so many times, that it's falling apart. I now purchased the hardcover and look forward to reading this book to my daughter (who, by the way, was almost named Hannah).

The Witch Family is about two girls who while drawing witches pretend to banish the head witch, also known as Old Witch, to a glass hill because she is very wicked. If you multiply the "Old" with one million, you get some idea of how old she was! The girls also let Old Witch do her abracadabra so that she can have a witch girl named Hannah and a witch baby. Old Witch gets to be wicked only on Halloween. At the end, the two girls take pity on Old Witch and turn the glass hill into a real hill with grass. After that, Old Witch is not wicked anymore except on Halloween. I think this is a good book to read on Halloween.

I teach several writing teleclasses and teleseminars and workshops and I am always on the look out for writing books which will both serve me as a writer and as a facilitator AND will serve my students.

"Writing Alone and With Others" by Pat Schneider does that and more.

Schneider's tone is a perfect blend of the business of writing and the sacredness of writing and the individuality of each writer.

She writes of genius within each writer - and she goes further to say "Genius needs a lifetime of dedicated practice." In this book one would certainly find a companion to nurture that dedicated practice with such a wide variety of writing exercises that anyone and everyone would find gold.

My favorite chapters include: Chapter 3: Toward a Disciplined Writing Life and Chapter 7: Growing as a Writer. I had really looked forward to hearing Schneider's take in Chapter 9: The Ethical Questions: Spirituality, Privacy and Politics. I wasn't sure why or how Spirituality fit into that equation, and I still don't after reading the chapter.

In re-reading it, I see how Schneider speaks of "ethical questions in writing will of necessity touch our most primal spiritual orientation" so seeing that, perhaps the chapter would have been better titled differently. Even so, it doesn't detract from the content of the book, it is simply a moment of saying "Hmmm. That is interesting. I wonder what is up with that?"

I can not recommend this book highly enough for all writers at all stages of creative growth. It is expansive and expanding, intriguing and evocative. It is bound to become a classic - if the writers of the future are especially blessed..

If you have toyed with the idea of someday becoming a writer, this book will encourage you to pursue it. Many of us doubt that we can write; Pat Schneider convinces you that you already are a writer. Whether for pleasure or for publication anyone can write. This does not, however, diminish those with extensive formal educations in writing. She means to say that anyone with the ability to take pen in hand can relay information from their heads to the paper. She does not promise a career in publishing or that others with enjoy your writing; she merely strengthens your confidence in your ability to articulate your thoughts in a physical form.
This book is the text for a my college-level writing class. The encouragement in the first chapters has everyone in the class excited about writing and anxious to get started on our projects. Some of my classmates and I have even spoke of planning a trip to Pat Schneider's home town to attend one of her workshops.
I would recommend it, however, for anyone with an interest in expressing themselves in written form. Whether you want to document your family oral history or someday publish a novel, you will find something here to help you along the way.

I'm 50+, with education in creative writing. I've written privately and with others most of my life. Pat is the teacher for whom I've been waiting. Her voice and style are empowering. Her ability to cast light on creativity and how we teeter between fiction and non, is among the clearest I've read - balancing craft with magic. Her practical advice is just what I was looking for in leading writing groups - she is honest and approachable.

If you are a writer, a prospective writing group leader, or are interested in joining a writing group, do yourself the kindness of buying and reading this book by the founder of the AWA method. I have read many books on writing over the last couple of years, including all of Natalie Goldberg's and If You Want to Write by Brenda Ueland, and have found Schneider to be an unparalelled treasure trove of wisdom, gentleness, and practical advice. She speaks from many years worth of experience with writing, leading writing groups, and helping underpriveleged people find their voices in writing. She is inspirational and is the most trustworthy teacher of writing I've come across so far. She is also a excellent writer and poet herself.
In the first section of this wonderful book she gives advice to the writer writing alone, including lucid chapters on dealing with fear and maintaining discipline, and practical advice about exactly how to start and keep on writing-- what to do when you put your pen to the page-- that other books rarely give. In the second section she deals with writing groups, and the ethics of maintaining safety within those groups. Even if you are a solitary writer, this section is enlightening and moving, and if you are a writing group leader, or hope to be one, or are thinking of joining a writing group, this section is invaluable. She also discusses at length writing groups focused on empowering the underpriveleged; I found this information eye-opening and incredibly moving. In the final section she offers scores of writing practice exercises developed through countless writing group sessions. These are exercises relevant to all levels of experience in writing, which can be used for the solitary writer or in a writing group.
This book is a must-have for any dedicated writer, and Pat Schneider joins Julia Cameron, Natalie Goldberg, Brenda Ueland, Anne Lamott, Susan G. Wooldridge, Annie Dillard, and Virginia Woolf as an essential and luminous writing guide.

It was only two or three pages into the introduction of this book before I realized that Pat Schneider had given me the one book on writing I had looked for my entire life.

The great barrier between each of us and our own unique genius is fear. Writing -- at least deep, personal writing -- results from a direct confrontation with that fear. Some writers abandon their genius for fear of the pain of introspection. Others develop the courage to face themselves and move forward. Genius can flourish within an incubator of safety, self-confidence, focus, and practice. A nurturing environment allows some the freedom to take greater risks and plumb greater depths of personal understanding than those trapped within the cycle of their own fears.

By perfectly articulating the unspoken dread that many writers face when they seat themselves before the empty page, Schneider puts a face on the unseen enemy -- the writer him- or herself -- and allows one to move forward and deal with issues that otherwise may remain unidentified. Schneider demonstrates how to confront these scenarios not only to the solitary writer, but within the group workshop experience as well. As someone who has participated in workshops AND faced the terror of "alone," I can attest that her book can touch in a single sitting what sometimes years of therapy fails to unmask.

As theraputic as the book may be for one's writing, it may or may not be a therapy for the writer. As Schneider says in her book, "Whether or not writing heals the writer is irrelevant. What matters is the power of the work itself." This book is about writing and resolution, not about self-healing, though often the two go hand-in-hand.

This book should become a staple for all high school or university creative writing classes or for any writing class -- fiction or no -- that aims to put the writer in touch with his inner voice. In the beginning each of us brings so much unnecessary baggage to the pen or to the keyboard. And there is so much to regret for the needless time we lose in learning to know ourselves. Let's get on with it.

If you are interested in World War II, medicine, practicing law, magic, family dynamitic this is a great read.

Peter Baird's novel is great. It mixes life with all kinds of emotion, War with families, careers, friends, parents and children.
The magic starts right way, getting to know the characters and ending when they get to know their selves.
From a boy growing up, to relationships, career, war, and friends even our own lives could get intertwined with the characters..
It gives us a glimpse on what the war was like, how it affected people and how they dealt with their decisions, how people managed and supported the ones they loved.

Beyond Peleliu by Peter Baird gives the reader a closer look at families left behind by husbands and fathers who went off to fight in World War II. Many of these men returned, as the father in this story did, as distant and sometimes unrecognizable from the men who went to war. The chronicles a son's life-long quest to understand the father who went to war.

A work of great literature, this book is not. An entertaining diversion while on vacation, it definitely is. I especially enjoyed some of the characters (e.g., doctor's wife who is a Christian Scientist and also magician), and the plot had some ingenious elements. But much of the story seemed hurried. The characters were not as fully developed as they should have been, which, at times, made it difficult to understand their motives. To expand upon this point and to highlight a few technical flaws, I must disclose some elements of the plot. So, read no further if you don't want to know how the story ends.

For example, we never learn what drove Dr. McQuade to inflict himself with a wound on Peleliu, beyond the general trauma of the war. It would have been nice if, when he confessed this to his son, if he had explained in greater detail what drove him to do this. And, with respect to the story's credibility, it is almost impossible to believe that a surgeon, seeking to inflict himself with a wound, would choose to shoot himself in the hand.

You also have to suspend disbelief when reading the account of David's big trial at the end of the story. He and one of his associates freely exchange e-mails that contain open admissions of unethical and criminal behavior, as does the Governor of California. No politician or litigator with a half a brain would ever commit such things to writing.

But, like I said at the beginning, apart from these flaws, this is an entertaining book. But, in my opinion, it is not much more.

Beyond Peleliu by Peter Baird (Ravenhawk Books-June 2006) is a powerful book that follows the McQuade family through the years since World War II to the present. Though Tom, who served as the prime story teller through the eyes of his son, faced a lot of adversity from early in his life, he demonstrated that not only could he overcome the adversity but that it helped shape him. Helped him to be the person he wanted to become. We saw his daily challenges--from questioning the safety of vaccines to dealing with loss. And right from the title you see the effects of the War on the family--it's not just Peleliu, it goes beyond that. It's their life.


However this story was not just Tom's tale. It showed how the experiences of one person can filter through and have ramifications for their family and friends for generations to come. At the same time we were able to see David's curiosity as he learnt more about his father's life--what made his father the man he was. This was key in light of his father's current struggles--the dementia might have made it hard for David to see his father as this man who went through and saw so much. It may have helped David to see that he wasn't as different from his father as he might seem. When he got the call from Dr. Roberts, he knew something was up but he accepted it in a realistic way--he needed to do things on his own time. He couldn't rush but at the same time, he knew he didn't have forever.


The writing was tight and that served this story well--it allowed us to `hear' each story as a separate section of the elder McQuade's life, which was what I believe the author intended. Each chapter could have stood alone as a short story of what Tom had gone through, however, this didn't keep the stories from being viewed as parts of one long life story. It was easy to see how these stories built upon one another and taught the family in a way no school book ever could.

By the time I finished the book, just a short time after I'd started it, I felt as if I knew the McQuade family.

Wow! I am at a near loss for words. I received Beyond Peleliu 2 days ago from Amazon and finished it last night. I must say that I had a hard time sleeping after finishing the book. Obviously, the book touched me in a very meaningful way, as I'm sure it has other readers, based on the reviews.

Reading this book is a life-affirming event. The pain endured by the McQuades is so genuine it drew tears from the eyes of this (usually) unsentimental reader. And if you happen to be a lawyer (or fan of quality legal story-telling) the chapters dealing with David McQuade's trial and aftermath overwhelm with authenticity and genuine drama.

In less capable hands this multi-generational saga could have ballooned into a 500-700 page "epic." But Baird's writing is so concise and powerful, one feels that each word was chosen with care.

In short, this is a masterful novel. That it is a "first" is all the more astounding. One can only hope that Peter Baird will put his massive talent to use on another novel. If you don't buy another book this year, buy Beyond Peleliu.

As time approached for my wife and I to take our first "river cruise" through Austria, Germany, and the Netherlands, I began searching the web for reviews on recommended field guides for birding that part of the globe. Most strongly suggested the Princeton field guide, Birds of Europe, as their first pick. Following suit, I ordered my copy from Amazon and was not in the least bit disappointed. I used the guide daily and the combined field notes, images and species distribution maps allowed me to identify each species with ease and with confidence. This is an excellent field guide which I strongly recommend to folks heading "across the pond" for some serious birding or simply incidental birding as they enjoy their European vacation.

Very good guide, good pictures, good texts and very logical distribution of info. Lids are something ligth.
If a friend asks me advice, I have no doubt: Mullarney-Svensson guide.

The shipment was packed correctly and within the expected delivery time.

This is just simply a wonderful field guide, and definitely the best bird book for European species. I also own the RSPB guide to British birds which I picked up on the fly in the UK; however, I chose to leave that behind in favor of Mullarney et al. when I relocated to Germany. The descriptions, field marks, and pictures are wonderful. It also has pictures and descriptions of both males, females and juveniles, which my other book didn't have for all species, much to my dismay (at least 1 instance for a sexually dimorphic species). It's also relatively compact making it easier to carry in the field. The ordering of the songbirds is a little different from Sibley, but this is easy to adjust to. This certainly is a must have for all birders that might be traveling to Europe.

It's a wonderful guide, with simple explanations and beautiful images.
For amateurs and ornitologists.

I was going to Europe on a trip where I would be doing some birdwatching, and bought this book based on reviews on Amazon. The book turned out to be great! Each bird has a comprehensive description with details on identification and distinguishing it from other birds with a similar appearance or bird call. Each also has an illustration with the birds in multiple poses, M/F, adult/young, and other features such as common surroundings which was very helpful. There's no quick-key by color - birds are arranged by groups rather than color - but I found this to be a minor inconvenience weighed against the wealth of info in this book.

This is a lovely story about a lovely boy. He grows as a person and has his dreams come true. It is also a fantasy story which makes it a bit unrealistic but this book does deal with real issues and it is a beautiful and memorable story.

I tracked this book down on Amazon after remembering it from when I was a kid. It's a great story of the loser kid (which I really related to) transforming his life through the aid of magic and the ability to fly. Highly recommended.

I loved Black and Blue Magic as a child. I have tried to find it several times using search engines but never used the right search terms until recently. I am buying this book for my children because I know they will experience the same "magic" that I felt when I read this book (many years ago). Jason Alter, author of John Fastramp and the Dakota 3000 Challenge.John Fastramp and the Dakota 3000 Challenge

An old book that shows it's age. However, it was one of the first books I read in the fantasy genre. The book is a harmless glimpse of what might be if magic were real and being peddled out of a suitcase. I bought it for my nephew.

I found this book to be kind of dull actually. The characters are broad and somewhat unrealistic, and I don't know that Snyder has found an effective way to combine fantastic elements with a realistic world.

This is a good-hearted book, and might be worth a read as an afternoon's entertainment, but it didn't hold the magic for me that it seemed to hold for other reviewers. It reminds me a little bit of the works of Ruth Chew, which all center around kinds and magical objects.

I would recommend Beatrice Gormley's "Mail Order Wings" above this for a book about an adolecent who takes flight. If you're looking for a good fantasy story involving children and magical adventures, I think "James and the Giant Peach" or "The BFG," both by Roald Dahl, would be more satisfying.

The first book was excellent; this one was OUTSTANDING! Telep continues on the storyline he started in the first story and improves upon it by adding more characters, more action, and more bad guys. If you're into Descent, get into this book! You won't be dissapointed.

I am amazed. Most writers that make sequels to books end up completley ruining the second book and basically destroying any chanses the series has for a 3rd book. I expected the same when I read this one. I was completley wrong. This book is even better then the first! I was really able to connect with the main charachters better in this one yet it still had all the action a book needs to keep its reader from falling asleep. Definatley buy this one! It's worth it!

It's been almost two years since I bought this book, I've finally taken the time to write a review. All there really is to say is that this book is great. The first one was great, this one is great, and the third is great as well. Buy them all, read them all. I doubt you'll be disappointed.

Descent: Stealing Thunder the very good book . You must have it! Who love game series DESCENT, founded in this book all what want. The best design of this book give pleasure when get it in hands. Well, I'm happy have this book!

Author Peter Telep made me more of a Descent Fan. By reading the Descent: Stealing Thunder I got more involved with the characters and the story line. Peter gives clear understanding in the world of Descent.

It was a timeless story.I was quite upset cause it wasn't all about horses.

This is a very good book. Although it features horses it is not completely about horses. It is a strange--in a good way--study into human nature, from Uncle's disturbing rage to Will's defiance.>>Summary<<Where will Christina fit in at Flambards, the once-prominent foxhunting stables? After riding a horse named Sweetbriar, she loves foxhunting, but life at Flambards isn't easy.}This book is excellent, for anyone. It is not a novel for children young than YA, for some scenes are mildly violent, and contains mature situtations. This is not to say the book is bad, it's just a warning. ;)...ps, I'm really 15, the adult form doesn't work.

I first read this trilogy 18 years ago, shortly after I had seen bits and pieces of the series of the same name on PBS, and I was unable to put it down. Although the books are geared towards young adults, do NOT let that hinder you--adults of any age will find these novels appealing because they are well-written, the characters are fully developed and engaging, and the storyline, with its triumphs and tragedies, is timeless. They are the stories of Christina, a young orphan who is sent to live with her uncle because she is an heiress and he needs her money to continue the lifestyle he is accustomed to living. The story progresses as Christina grows up, learning to both love Flambards, the ancestral home, and yet despise the backward-thinking ways of her uncle and his eldest son, Mark. It tells of the rivalry between Mark (the favorite) and William (the second son) not only for their father's love but for Christina's as well. It illustrates how life was changing in England at the time (just before WWI), and the hope that those changes brought to many who felt restricted by hide-bound Victorian (& Edwardian) rules. I think that readers will be able to relate to Christina, William, Mark, Dick, Sandy, and Dorothy regardless of their age, or where you grew up. I do suggest reading them in their proper sequence, beginning with "Flambards", continuing with "Edge of the Cloud", and finishing with "Flambards in Summer". I have read these novels again and again, and have loaned out my copy of the trilogy so many times. The author has a rare ability to truly take you back to an Edwardian county estate and to draw you into that world through Christina and her cousins. The books are very emotional, and have touched me in ways that other books depicting this era do not. I think that the best word for them is "haunting". It is too bad that they cannot be rated as 10 stars.

I'll admit it....I'm a Flambards Fanatic. I read this book in the early 80's, after seeing the series on television. I found the book at a local bookstore, loved every word, reread it immediately, ordered so many copies that the bookstore owner started calling me "The Flambards Lady". I was thrilled to be able to get another copy here at Amazon. This book is sometimes considered to be a child's book, but I think adults enjoy it very much. It's a marvelous, unforgettable story of love, loss, and picking up the pieces (or reins) and moving ahead. The series is available on VHS and DVD. I own both but prefer the DVD.

This moving story of the struggling relationships between Mark, Christiana, William and dick will touch the hearts of anyone who reads it. I finished reading the whole series a few days ago and i cannot forget the effect that these books had on me, i admit that i did cry at times. The book tells the story of christiana, an orphan, who is sent to live at the crumbling Flambards. It tells of her life and loves in the old manor. An excellently written story and a must read, especially for a country lass like myself!